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Welcome to the GuiltTrips podcast. I'm your host, Kendra Lockhart. As a goldsmith and

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gemologist, I'll be speaking 24 carat on all things jewelry, metals, and gems. Join

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me plus a few friends to demystify both materials and designs as your private jeweler. Let's

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tune in on these topics and get golden. In today's episode, I'm going to discuss three

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talents. I've established my artistic intelligence. I'm known for my business intellect. Whatever

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one seems to underestimate or downplay in themselves is their own people IQ. So my

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last area of expertise is the magic in making an opportunity, which is far more artistic

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and elemental in our industry than being a good designer or a good jeweler. Any business

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owner would tell you that it really comes down to the humanity and the community that

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helps you have a clientele, have a business, reasons to conduct commerce. In today's talk,

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I'm going to outline the eight different ways that I've used my magic. We all have some

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form of interconnecting competence and confidence. As an introvert, I'm a little more selective

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with the people I have my face to face conversations with, but that has absolutely nothing to do

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with the fact that it's still a very universal experience. So let's begin. The first time

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that I initiated an organic conversation to lead to an opportunity was with my professor

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in undergrad. I was at the University of Illinois in a metals program, and the teacher of my

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class, unbeknownst to me, was the head or the president of Snagg, Society of North American

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Goldsmiths. Her discipline happened to be exclusively silver, and she was in museums

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for some of her home accessory creations. None of this was public information. She was

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just Professor Thayde, somebody that I was spending four months with, learning skills,

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getting a grade, the usual. But there's always more than meets the eye. And it really is

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just a matter of discovery and asking questions and letting people reveal themselves to you.

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She gave me a particularly great score on one of my projects. And I asked her, what

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was it about what I was doing that you found so original? And not only did she give me

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an outside opinion, almost like an interview of how she experiences my vision around design,

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but she said, I think there's a career for you in this. And one of the places that you

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should start looking at are professional groups, trade organizations, industry networks. Well,

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I never did join Snagg, but upon graduation, I did find out from other artists as I began

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to build a new tribe of friends, colleagues, peers, the Chicago Artist Coalition. This

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would bring me in contact with one of my longest adjacent creatives, who is a professional

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painter. We ended up being in close proximity at the same art show. Another group that became

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instrumental for me was the WJA. That is Women's Jewelry Association. Now, in order for me to

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submit some of my designs for competition, I had to be a member of the Illinois Jewelry

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Association. I didn't realize at the time that there was a separate component that was

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strictly female. It was easier to have open chain discussions on how we're perceived,

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how we can manage that when taking the shot and asking for the job, the project, the commission,

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the contract being considered for even counter-bitting and being part of a client's price shopping.

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There was a president whose name was Ruth, and I found her style very compatible with

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mine as far as personality type. Fast forward over 10 years having had interactions with

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her. She is technically an unofficial referral. As I was interviewing for this current job

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that I have, it benefited me to mention Ruth's name because she had been a past employee

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in the exact same position and responsibilities that I now have. She had left a very good

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impression and was well respected by the owner and vice president. The second opportunity

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I created is introducing yourself to contractors. It's important to be more than just a name

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and a face. They need to understand where you're valuable. Now that can seem vulnerable

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at first, that any of that concern really eclipses what kind of beautiful compliment

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and intersection you can have. The first time I really began to express myself that way

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was when I was in that design position, my first real design position. Contractors would

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come in and I was learning to review the projects with them. So sooner or later, I was going

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to have to be the communicator to them around what the client's vision was, what I knew

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what was possible, and them being the executors. But to begin to share, this is who I am, this

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is the role I'm playing within this company, where I'm strong is in countersketching and

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metalsmithing, and where I'm weak is understanding your process. And so that really does open

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the door as far as context and from context. I've always been a big believer in you should

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have context stronger than content. You don't have to be a master communicator. If I understand

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where you're coming from, and where you're going and what the intention is, I can fill

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in the blanks even if you're not the most organized of thinkers and speakers. Having

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good rapport with our contractors allows me the comfort outside of our business relationship.

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What can you suggest as far as where I can go to find this type of metal alloy or technique

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or specialist? And so you begin to use your networking as room for referrals. Instead

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of this scavenger hunt, it turns into a time saving technique. The third time that I created

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my own opportunity was in apprenticing. I knew that it was my next big jump as far as

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growth. I also knew that at the time, Evanston was the place to be that had a strong concentration

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of studio showrooms. Half of it was the work. And the other half was where the creations

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were made. As I've mentioned in previous episodes, that's when I began to pull together all

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of my drawings, some of the photos of the works I had done. I took pictures of my items

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on a budget with a Polaroid camera, but a picture is still a picture regardless of

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the quality. Walking in and asking to have a simple chat all came from a book I read

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called What Color Is Your Parachute? And it was how to interview people and allow them

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to suggest the opportunity instead of you looking a little too aggressive or ambitious

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in how it can serve you. So I had the tone down and it worked out. I went to four different

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showroom studios and one said, quite honestly, we're in our golden years. We're looking

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to downsize and eventually sell in the next couple of years. I can recommend that you

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go and talk to so and so. Great. They're already on my list and I'll be happy to mention that

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you have encouraged me introducing myself over there. I landed at the place that worked

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out well for me because the person I apprenticed under was a Master Goldsmith from Hong Kong

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and he was obviously one of a kind, a total unicorn, and many other locations didn't

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have him. I can't say it enough as far as when you are in the interview process that

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one opportunity you should very much consider making is asking about growth opportunities.

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Let's pretend you are interviewing for a sales position, but it is your dream to become

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a gemologist. It would be important to say how does the company feel about people who

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want to have continuing education? Are there any channels that you have internally regarding

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this? Are there any roles that are being developed now that you're not actively posting? I'm

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very passionate about training and education. I reached out to my director and said, as

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much as I love the role I'm in where I see myself in the near future, having mastered

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this is the learning and development division. It was suggested back to me, why don't you

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have a coffee talk with the current field educator? Unfortunately, the company downsized

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for cost saving. So what I pivoted to was applying to be on panels. The old job that

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I had was very much into crowdsourcing, collaborative thinking and communication and group problem

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solving. One of my favorite quotes by Wayne Gretzky is, you miss every shot you don't take.

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So see into the invisible. Go and find media outreach. Get yourself visibility. And I say

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this in perfect timing as I'm in a mini course right now with a woman whose brand is called

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Career Muses on how to be seen. And that is something that's always a work in progress

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because the landscape of how we find each other is constantly iterating and changing.

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Reach out to your favorite types of media. Locate that place where you can give a quote

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and be in print or on TV. Find products to test. Leave a review. Start establishing authority.

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Think of different ways to get known so that you become part of being in circulation. And

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I can't say it enough. This podcast was a solution to the very unsavory proposition

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of training people for free on top of a role I was already pretty maxed out at doing at

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my last job and look at the circulation that it's gotten. This is now listened to in over

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20 countries with very little promotion. Number six, take the call. What do I mean by that?

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The art of picking up a phone is less popular than it used to be. The chance, almost like

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a game or a lottery of picking up the phone and wondering what kind of possibility lies

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in between the lines here can best be demonstrated from when I took a call from Mark. He was

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expanding into the lab grown market. I was working in a watch show room at the time that

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also did custom designs and he had asked for an opportunity to stop by and show us his

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goods. I ran it past the owner who at the time expressed concern and anxiety around,

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I really don't want to go into anything that's not genuine, which is understood. It was 2019

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and the familiarity just wasn't there. But I've always loved the trailblazer in myself

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and the pioneer in others. So I took his number and called him and said on my day off, is

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there any way I can come down just for my edification and take a look at what you're doing so that

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I'm learned on where our industry might be going. Sure enough, that turned into such

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a beautiful relationship that when a student client of mine called me and said, I need

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to make an engagement ring. I'm in the Air Force. Here's my budget. It was an excellent

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opportunity. It was a win-win-win because my client got an impressive ring for under

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$10,000. I got to have my first commission using lab grown diamonds. So now I could say

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I'm experienced at this and go back to my existing patrons and say, here's what's new.

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And it was a win for Mark because we established a beautiful relationship that's now seven

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years strong. And there was almost, we were just within striking distance of, do you want

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to come in and be a representative? Do you want to be partnered with us? But nobody had

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a crystal ball and we weren't quite back on solid ground. Any of us post COVID lockdown.

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Another way to make an opportunity is to go to a trade show. Have I worked one before?

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Yes. Do I love the grunt and the grind and the grit that it takes to do a trade show?

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No, I don't love it, but I am looking for what happens on the other side and beyond

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my feelings about things. And I have met some extremely interesting specialists as far as

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techniques. I did a trade show back in 2009 at Navy Pier in Chicago where I met somebody

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who was demonstrating laser welding. The importance of that is it's a time saver because it's

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spot repair instead of overheating a ring. You don't have to remove a stone, which is

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a time saver and it's also cost saver and it's also a risk saver. So that was just one

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of many people I got to meet there. I found up and coming designers. I found old established

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brands that were reinventing and exploring new channels and directions for themselves.

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I found somebody who was a master gem cutter and if nothing else, even if I didn't have

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business to do with them, reigniting my inspiration for what I do when you're in something for

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decades, it can get a little jaded. So it's important to refresh and rediscover. Being

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open to other people in the trade, getting to know you as well, paid off. I was given

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an opportunity that had passed through a couple people's hands to go and participate in an

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art show for Le Kaiser jewelry. I got to make some weekend money. I got to see new product.

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I got to meet one of my favorite new artists. And more importantly, when the time came,

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I was able to hand that position off to my art colleague through the Chicago Artists

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Coalition, Marcy, who became their manager and now has a new opportunity in the industry,

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which is recycling her learning curve of jewelry as a professional painter. And to close it

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out, social time, I'm a big believer in stranger magic. What I mean by that is I'm off the

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clock and I could be sitting either sketching something out or reading an article about

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my industry's latest developments and it could be at a coffee shop. It could be at a bistro.

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It could be on the train. And somebody just might ask me, Hey, what are you reading? What

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are you doing? And it strikes a conversation that was completely unplanned that could lead

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to an introduction that could lead to, Hey, I need to know you. Or my friend is in the

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market for an engagement ring. Can I give him your number or contact information? And

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I'd say that that has worked out for about 10% of my clientele because I'm not that big

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into advertising and self promotion. I self manage very well. I will be my own rep as

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far as my work in galleries. I'm a little more refined and reserved about it. And perhaps

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that is better because I end up having a client who sends a client and that client sends

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a client and then that client sends a client. So it's very referral taproot. And I treasure

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that. I hope this has given you some things to think about as far as finding where you

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belong, both personally and professionally. Business is something that you have to parent.

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As a female, I'm over the boss babe persona. You aren't somebody with this toy brand. You're

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a parent that needs to find the right fit for your child and nourish it, not neglect

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it. It was a recent Gary Vaynerchuk conversation of instead of wanting things out of your business,

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what are you doing to nurture it? It's not a genie in a bottle. You're the genie in

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its bottle.

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Thank you for listening and learning with me. I would love you to share this project

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with people finding rare beauty in today's world and throughout our times. Until the

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next episode, keep your own stories sparkling.

