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Welcome to the GuiltTrips podcast. I'm your host, Kendra Lockhart. As a goldsmith and

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gemologist, I'll be speaking 24 carat on all things jewelry, metals, and gems. Join

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me plus a few friends to demystify both materials and designs as your private jeweler. Let's

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tune in on these topics and get golden. Previously, I've shared about my apprenticeship and what

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a mixed bag that was as far as experience. Today, I'm discussing my gemology education

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and how it was one of the best decisions of my career. Not only because of the doors that

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it opened, not just for me, but for anybody who graduates from the program, but also how

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absolutely delightful it was to be in the company of so many people passionate to pass along

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knowledge and empowerment to the next generation of students. The GIA, known as the Gemological

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Institute of America, has two main campuses in the United States, one in New York and

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one in Carlsbad, California. Both are centers for the three pillars, education, the laboratory,

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where stones and not just diamonds get certified, and lastly, research. I'll be addressing

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each of these, but I also want to talk about the genius of their curriculums and how that

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creates, develops, refines, and enhances the jewelers within all of us. Now, there are

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people I've met who have taken gemology courses strictly for pleasure and have no interest

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whatsoever in anything vocational with these classes, but most of us go on to a variety

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of opportunities as far as work. To name a few, I've seen people become jewelry designers,

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appraisers, repair workers, goldsmiths, CAD designers, authenticators, buyers, valuators,

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and many have gone back to work in the GIA lab and also to become a future educator for

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the university. While I can't speak to every single course that is offered, I can share

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the ones that I've taken and where I've put them as far as my career and industry. Before

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I get started, an important thing to address, the components or elements that go into your

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personal success with this type of learning. One, your understanding of the cost. It's

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not cheap and scholarships at the time were almost exclusively need-based. Next is the

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time commitment. It's not something that you can phone in and I was extremely discouraged

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to do this coursework while going through my apprenticeship. Lastly, is your interest

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level. If the idea of gems is the only part of this you can get passionate about, it's

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going to be challenging when it gets a little dry, scientific, chemistry-driven, and extremely

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formulaic, leading on traditional math for a bulk of the program. Another factor to consider

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is do you want to do remote learning or beyond campus? Being on campus is immersive. It will

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certainly accelerate the timeline that it takes to become a graduate gemologist. However,

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I did some of my coursework remotely and was able to blend it in to the environment I would

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end up applying my studies into. Now, why is the GIA such the gold standard in our industry?

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Why does it give so much credibility to the people who end up participating in these classes?

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We have to remember the modern system of grading diamonds. The way that you approach purchasing

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one using the four C's was established by the GIA to be able to relate to a major purchase

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with a system that can speak to the color, clarity, cut, and care at weight for not just

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commercial purposes, meaning the people buying it in the public, but to establish a language

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and a structure that would be embraced by the entire world in the art of gemstones is

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pretty impressive. The GIA has also been a powerhouse as far as developing equipment

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for the job. It employs some of the most advanced minds in our industry to be able to come up

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with solutions to identify and authenticate the mystery of an unknown stone or jewel.

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Not only is the GIA considered cutting edge as far as the information, but we've had

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the joy of watching it change with the times. This is not an old school institution that

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is trying to keep things so traditional that it deters any sort of interest in the digital

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application of its three pillars, education, the laboratory, and research. It was wonderful

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to see the embracing of modern manufacturing and putting it into coursework for people

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who may not have wanted to go down the path of older techniques, especially now that time

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is one of the most important factors in creating a piece of jewelry.

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How I first heard about the GIA courses was working as a designer at my first job. It

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wasn't through the GIA, but there was an opportunity for a weekend diamond hands-on crash course

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using GIA standards. I would walk away with a weekend certificate from Diamond College

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XYZ, but it was the beginning of my interest. The time was only a couple days, and it gave

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me the prep work to know if this was something that I could truly commit to, or if I was

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going to take a pass and be thankful that at least it accelerated my conversation and

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comfort with the communicating to clients on their stones. It turned out it was something

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I absolutely needed more of in my life. The subject came up in my apprenticeship. I've

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made the joke before that my undergrad degree taught me how to etch a penny and anodize

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some aluminum wire, but it didn't really set me up for how to size a ring or set a diamond.

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So we both agreed a crash course of some basic usable techniques and practical skills was

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overdue. The owner of the store where I did my apprenticeship was a gemologist, so I got

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to see a lot of the equipment that I would end up studying with and eventually using

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as a professional myself. We had a microscope in the showroom and in the studio there were

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refractometers, polariscopes, and a variety of other pieces that were critical to make

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sure that the gems that we were using since we did all the work in-house were as stated

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so that when you gave them to the setter, he knew exactly how much force or pressure

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or what the risk would be regarding each jewel. I ended up diving into the gemology program

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which is divided into three categories. The first is diamond grading. In that, as it sounds,

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you'll learn the four C's, cut, color, clarity, and carat weight. You'll learn the formulas

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of how to understand calculating the weight, especially if a diamond is already in a ring.

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Where the diamond grading part comes in most useful is being able to understand how to

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read a lab report on any shape diamond, as well as the confidence and the credibility

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to make your own assessment of diamonds that haven't been to the lab or don't come with

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papers so that you can relay that to a client and potential customer. The middle section

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is colored stone grading. Why this is important is less in the identification like diamonds

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because we don't necessarily use their inclusions and their color as talking points for choosing

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a stone. But to be able to understand the large swing in pricing around colored gems,

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it's not like diamonds where you can look at something at a G color and a VS2 clarity

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and have a rough understanding of the price per carat within certain size ranges. That

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doesn't apply to the world of jewels. Also, as I've discussed in previous podcast episodes,

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more gems can go through different treatments that obviously don't apply to the world of

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diamonds. So that is the second part of the entire degree. Lastly, would be gem identification.

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And this was the one I had my heart the most because it allows you to play detective and

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explore the mysteries of seeing an assortment of materials that have not been disclosed

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as to their nature. You would be going through them based on their specific gravity, their

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refractive index, the type of inclusions they have, the nature of the hues and colors that

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they're expressing, the way that they are damaged, and how that can be a fingerprint

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into exactly what species of gem I'm looking at. And the exciting part, which is also the stressful

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part for many students, is the 20 stone exam at the end of the program where 100% passing is required

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in order to obtain the degree. Yes, you can test, you can also retest. It gets a little more expensive

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each time you don't pass. And at some point, that's no longer an option.

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The second program was the graduate jeweler program, beginning bench jeweler techniques,

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intermediate, and of course advanced. It also had specialty studies that you could take in an

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a la carte manner, such as wax carving, and the one that really charmed me was countersketching,

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the ability to both quick draw somebody's idea as they were describing it to you.

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But also the technique of a full fine rendering and illustration, all the way up to a watercolor

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image of a piece that was either being proposed on speculation, or one that had been commissioned

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for creation. In this program, I learned the basics of repair, obviously sizing was a big

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part of it. But so was setting and breaking it down into the ratios that I would see

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out in the field. prongs would be the majority of requests, but also channel setting, flush setting,

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and bezel setting would show up and require a steady hand and plenty of practice.

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If I hadn't taken those courses, I wouldn't have been able to support myself with repair work

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while I was building out my brand. I can't say that about too many classes I've taken,

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where there is such an instantaneous return on investment that even while you're learning

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the skills before you finish the course, you can convert them, apply them, and monetize them.

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Time has passed and advancements have been made as far as a bench jeweler's toolkit.

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Now the GIA will teach CAD programming, which stands for computer aided drafting.

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The majority of jewelry is now made this way, versus drawing something up and carving a wax.

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Also, in the last 20 years, the introduction of laser welding, instead of using a gas-driven torch,

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is becoming the new normal, with good reason. It allows for different and more delicate types

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of repairs that would have been time-consuming in the sense of having to remove stones to be able

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to execute the work, or not even possible, because it would be too destructive to go ahead and dismantle

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or attempt to expose to such high temperatures. The laser welding is truly a solution for the

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times that we're in and the jewelry that we have. One of the classes that I was interested in

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but time never presented itself to take was the Pearls course. Sadly, pearls have fallen off as

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far as desirability or even trendiness, but there is such a romance to studying them. And I really

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appreciated the ways that they were not only evaluated and graded, but how they were presented.

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Learning became as romantic as the gem itself. Currently, there is an offering that leaves

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a graduate with the initials of AJP. This is primarily a retail-focused certification that

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turns somebody into an accredited jewelry professional. It is a bit of a survey and an

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overview on not just the areas and competencies of being in a showroom and being a salesperson,

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but also the cross-functionality of what it takes to communicate to a potential client,

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buying a ready-made piece, doing custom work, and having a repair conversation.

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While not all of my colleagues love to nerd out and talk about diamonds or grading or exactly

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what color that amazing tanz knight is showing primarily, or the nature of the inclusions of

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that Brazilian emerald, it is a joy to be able to come together and have meetings of the minds

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when all of us who do have a gemology degree spark up a talk around design or what it was

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like to take their first CAD class, or if they did or didn't become a jeweler.

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The years that we may have spent using the education in wholesale,

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the friend we know who went on to become a diamond grader for the GIA,

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the person who asked to sort and pick all the accent stones for a multi-ring project,

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the graduate who struck out on their own and opened a brick-and-mortar store,

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our peers at the auction house, esteemed minds that went into the estate realm,

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those who advise us as far as reselling, and those who are busy using their studies to help

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purchase when it's time to relinquish property or divide assets for a trust.

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Those dollars of mine were well invested and my time was well spent,

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and while it's been over 20 years since I set foot in the Carlsbad, California campus,

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now the day goes by where I'm not thinking about what an excellent adventure I had and how many

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wonderful people it's brought into my life, including all of the clients that I've been able

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to help and serve and assist knowing what I know. Thank you for listening and learning with me.

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I would love you to share this project with people finding rare beauty in today's world

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and throughout our times. Until the next episode, keep your own stories sparkling.

