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Welcome to the GuiltTrips podcast. I'm your host, Kendra Lockhart. As a goldsmith and

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gemologist, I'll be speaking 24 carat on all things jewelry, metals, and gems. Join

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me plus a few friends to demystify both materials and designs as your private jeweler. Let's

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tune in on these topics and get golden. One of my favorite questions to get is, what was

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your first real job in jewelry? And I have two answers for that. Depends on what your

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definition of real is. Back in the 90s, fresh out of college, I worked part time at a franchise

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jewelry chain called Illusions. Illusions find jewelry to be specific. The basis of that

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company was doing replica jewels that were recognizable in high caliber synthetics and

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a proprietary alloy that could be sized and polished like real gold, but didn't have a

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carriage to it. It was just illusion metal or whatever they decided to call what that material

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was. While it did get me in front of rings and repairs and necklaces and pendants, greeting

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customers and wrapping gifts at holiday time, that's not what I consider the big, fat,

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real gig for my career. It felt serious when I got myself a newspaper and turned to the

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classified ads for jobs and who was hiring and found Seeking Jewelry Salesperson Slash

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Designer. Then you would send a copy of your resume in the mail to the designated mailbox

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or PO box if they had shared their actual one. It was here that I learned the art of

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most pillars that we all have in common as beginners and veterans in this beautiful career

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and industry. My interview consisted of going over my resume, which pretty much was mostly

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college achievements plus Illusions Find Jewelry, which was part time because the other days

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of the week were spent working in a dental office where I had access to the lab to work

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on my own pieces, which were far from professional and high end, but still were helping me build

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traction. After we had our conversation in the office, he brought me to the counter,

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pulled out one of his rings and said, draw this. With a fair number of illustration,

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life drawing, sketching, painting, or studio art classes under my belt from my degree,

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it wasn't that challenging. But for the owner, he realized that he had somebody who could

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be his hands while he was busy explaining and elaborating upon his ideas for any sort

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of custom work. And so I got hired. In this episode, I'll be covering selling, being a

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courier, designing, repairs, colored gems, appraisals, and my best and worst moments

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at this jumping off opportunity. The beauty of being a beginner in jewelry is that you

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really don't have context or comparison. And selling doesn't quite seem to present itself

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as an art form when you're first getting started. You would think the obvious. Someone comes

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in, you say hello, they either reveal what they're looking for, or you ask a few questions,

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have a conversation, show some items, they buy or they leave. It was here at this job,

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I learned the difference between selling versus clerking. There's so much more to greeting

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a client when they come in and reading the room, leaning into what their energy is, where

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their eyes are focusing. If they're alone or have brought somebody, how present or distracted

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they seem, and other factors, there's a beauty in the ability to find out the relevant information

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and to avoid it turning into a bedtime story or a personal tell all. It's important to

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be respectful of both parties times. The dance of guiding the process so that there is a

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trust built in your expertise. This is probably the first ring of great importance they're

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buying. But you've been around important rings nine hours a day times how long you've

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been in your career. And lastly, the moment of obtaining a satisfied client who, depending

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on their nature, will refer you, return and be a repeat, write an excellent review, possibly

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bring in a future generation. As a courier, it's a game of great responsibility while

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trying to be unassuming. The protocol and process of carrying high value, retrieving

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necessary goods and gems, and returning anything unsold to the parties that have loaned it

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to you. Playing the part of the messenger or courier can be one of the most nerve wracking

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and then most enjoyable duties in the ecosystem of creating for our clients. When my favorite

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stories to share and to illustrate how green I was when I first got started is that I was

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asked at some point, tomorrow, you're going to be a courier, you're going to take $40,000

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worth of diamonds downtown, back to the diamond houses. I need you to pick up these rings

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from the engraver and also bring back a couple chain samples for Mrs. So-and-So. He told

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me, I need you to look discreet. The next day I showed up in my painter's smock, complete

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with splashes of color from everything I was currently using on a canvas, and my flannel

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pajama bottoms. He was normally an unflappable kind of person, but he took one look at me

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and said, I said, look discreet, not homeless. We had a good laugh about that for years to

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come. One of the reasons I was hired was so that he could build out his custom work service.

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And there is something to be said because it doesn't just develop you as an asset in

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the jewelry world, but it refines who you are as a listener and a communicator. There's

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something potent about deeply hearing somebody's half-baked, fully formed, off the wall, or

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crystal clear ideas to enter into a creative collaboration with a client that maybe you've

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only known for an hour, and the art of taking absolutely nothing and turning it into something

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to pull together parts into a whole that is a one-of-a-kind, not only resulting in the

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piece that they're going to wear, but an experience that they can share as many times

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as they desire.

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Repairs is not something that you're going to learn overnight. Whether you're on the

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bench as a goldsmith or behind the counter as a salesperson, it is going to take more

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cases than you could possibly imagine to get confident in assessing and addressing how to

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fix broken jewelry. And even after a decade, there's always the one that might make you

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scratch your head and need to get second or third opinions from your colleagues or your

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contractors. Sometimes it's very simple to know when it can and can't be fixed. Many

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opportunities are straightforward. A busted chain, the broken prong, the ring that is

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bent out of round, a missing stone, but others are less oblique and need to be approached

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with more of a restorative thinking. Sometimes it can be fixed by a single jeweler. Other

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times it requires layers and a team. As much as I find sizing a ring very therapeutic,

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where I really get sparked is going through the talent in my mind when it comes time to

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rebuild a vintage ring. Will I need the engraver? Do we cut out a half shank and put fresh metal

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in there? Are there any techniques that could be compromised under the heat of the torch?

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Is this replacement stone truly a match for its era and period? Or are we changing the

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integrity and modernizing it in a way that doesn't really suit its original design? If

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nothing else repairs as frustrating as they can be, they're never boring.

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The next thing that I learned at my first job was the world of colored gems. Sure, you

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grew up knowing what your birthstone was, or maybe you took a few trips to the crystal

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shop and had a dozen or so that were familiar to you. But to really begin to immerse yourself

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in the craft of other wholesalers and see through their eyes into niches and nuances

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is like being in a dream. We had one particular gentleman who was a very unassuming midwestern

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man named Dennis, and he was one of the country's most sought after Australian opal importers.

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We threw a beautiful trunk show for him from his last trip, which he only took twice a

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year. The party was incredibly well attended. It was paired with Australian wines. And these

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were gems that were rarely allowed to leave the country unless you were willing to visit

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Australia. I had never seen such play of colors or varieties of opal in my life. And to this

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day, 30 years after that moment, I haven't seen anything that compares to what he brought

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back from his travels. Other vendors who would come through town would introduce me to jewels

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that I would not have come across in commercial designs. I was pretty young when I learned

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things as unusual as savorite garnet, chrome dioxide, tansnite, appetite, and other beauties.

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It only enhanced the mind of myself and the owner as designers.

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Using a completely different part of my brain would be necessary for conducting appraisal

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work. I had yet to go to the GIA and become a true gemologist, but I did have a diamond's

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certification under my belt. And since the majority of what we were working with was

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bridal when it wasn't being designed from scratch, meant getting good at the instruments,

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tools, and vocabulary for insurance purposes. Having to hone in on correct millimeters,

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proper weight estimations, and being able to write accurate descriptions of an object

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in my hand so that a benefits examiner could recreate it in their mind and compensate the

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loss or damage within the parameters of a policy was very useful for the future of my

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career once I got on the workbench. Knowledge is power and it's amazing how many different

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aspects of the industry you can find yourself in when working in a single jewelry store.

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And now it's time for my best and worst moments. Surprisingly, they were both facilitated by

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the same manager. Now it comes as no shock that not everyone on a team enjoys working

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with each other or gets along perfectly. I happen to be the personality type that can

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acknowledge it, shrug, and move on into a professional zone. That it's not so much about

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do I like you or dislike you, but can we be a lock and key as far as partnering to get

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professional tasks and business needs accomplished? It was a particularly hot day in July and

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there was a young man who had been running up and down the street. He had a sweat stain

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from his neck to his armpits down to his navel on his t shirt. And he kept stopping by the

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window and looking in every time he did a lap around the block. It almost seemed as

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he was getting more tired that he might want to stop in. The manager took one look at me

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and said, if stinky comes in, he's yours. I was fresh out of college and she was twice

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my age. So naturally, the authority went to her as far as cherry picking. He came in and

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as we got talking, he found out that I was the custom designer. And by then I had won

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an award. I found out he was a medical student and he happened to be the largest sale of

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the year. And yes, I was on commission. He had a one of a kind three stone ring in platinum

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that totaled out just under $60,000 back in 1995. As for the worst, that same manager

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was realizing that my accomplishments were contrasting her mistakes. Even though she'd

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been there for four years, her learning curve wasn't very steep. Maybe she just didn't care.

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Perhaps it was the inability to take ownership of errors and try and do better. But the day

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that she called out of spite to tell my clients that their ring was ready for pickup on my

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day off when it was 48 hours earlier than a promise delivery, I didn't appreciate her

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sabotaging the relationship or playing around with my reputation on my time and our bosses

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dollars. I took it as a sign to find greener pastures. Never underestimate the power of

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someone above you who overtly or subtly shows you it's time to go. It's time to grow. And

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in this case, it was both.

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Thank you for listening and learning with me. I would love you to share this project

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with people finding rare beauty in today's world and throughout our times. Until the

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next episode, keep your own stories sparkling.

