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Welcome to Jewelry as your side hustle with Sugar Gay Yisper and I'm Sugar Gay Yisper.

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So welcome.

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I'm so glad you're here.

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This is going to be a little something different.

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Usually I interview other people that are in the jewelry business or a business adjacent,

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somebody that might be helping a jewelry business, that kind of thing.

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You want to be in my podcast?

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Just shoot me an email.

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Today I saw something that kind of was like really interesting.

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And if you go bam, bam, bam, bam, bam, and you go to the very end, you're going to see

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how I was, I was adjacent.

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Like I'm not part of the start, but I'm like right here.

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And it's like a really big part of my personal journey.

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So let's just jump in.

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I'm a very curious person.

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I'm always reading everything.

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And if I'm reading something, I'm going to like click on it and I'm going to find out

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more if it's something that's interesting to me.

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I don't even know how this story came to me.

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I do.

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It was a picture of a necklace, a really amazing necklace.

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It was one that was like worn right here.

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It was all done out of aquamarines and diamonds.

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They call it a paru, paru, paru.

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I don't know.

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It's a French word for this kind of a necklace.

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It's a little bit different necklace.

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And it has a great story.

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And so I started clicking around and I'm like, wow, this is really a great story because

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it's like so much interwoven into the jewelry journey today.

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And I'm just so excited to share this with you because it's a really old story.

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So let's go back to right after the Civil War was over.

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So then 1865, the Civil War was over.

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So you can imagine kind of what was going on in that time period.

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Lots of things happening.

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Lots of things happening.

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The war actually, like every war, it like puts money into things that are going on and

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then there's like this big rebound afterwards.

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And so we're kind of there.

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We're in 1965, the war is over.

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P.T. Barnum had an exhibit.

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This is before he became circus.

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So but P.T. Barnum, that guy, he had in 1965 a display of minerals that he had collected

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around the world, I guess, while he's circusing.

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And a little 10 year old boy saw them and it kind of like changed the course of history.

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So the guy was George Kuntz, K-U-N-Z.

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And he saw this collection and he was like, Oh my God, it like flipped a switch with him.

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If you're a rock person like me, I can imagine sitting there looking at all that going, Oh

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my God.

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And look at what is in nature.

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You have that experience?

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Go to a museum and look at some of the specimens that are out there.

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I just did the Tucson Gym and Mineral Show.

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We're still talking about mineral specimens today.

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Well, what was cool about Kuntz is he was like a little business guy, a little entrepreneur.

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For his little side hustle, he decided he would make his own collection.

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Now during this same time period of when this was happening was also the big engineering

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beats that were happening, making the Erie Canal, which was connecting like New York

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all the way to the Great Lakes.

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So they had to dig up all this earth and move.

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It was a big thing.

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If you haven't read about it, I have because I have a mother-in-law who is in a 100 year

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old plus house that was actually moved back off of the St. Lawrence River during that

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time as they dug out the river and made it deeper.

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So I know about all that history.

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I've seen all the pictures.

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I've seen how our house was moved and all the above.

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It's really fascinating if you've ever been that area of State of New York, the Erie area.

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Give that a try.

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So all of that earth moving brought up things that had not really been seen before in the

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U.S., so all kinds of mineral specimens.

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So this little 10 year old boy is out like hops giving around.

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He lived in Brooklyn.

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So he's looking around and he's just a little kid and he's picking up all these rocks.

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And then when it got to be a thousand rocks, he sold it at that time, which was a great

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deal of money, and then he did it again.

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And then he did it again.

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And then his rocks specimens got even bigger and better and they were selling for thousands

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of dollars in those day dollars.

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So a lot of money.

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He really knew what he was looking for and he was finding amazing things just as a curious

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child that had his attention grabbed by P.T.

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Barnum.

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Pretty fun.

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Okay, this story continues.

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Well, there's another guy that comes into play at this time.

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He is really the point of the story.

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His name was Pauling Barnum, like Farm, Farm, George, Pauling Barnum.

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And he was just, he was a metallurgist.

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He was like self-taught.

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He was really, really fine sculptor.

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He was actually married to an artist too.

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They were like in that time period.

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Now we're going to fast forward here to let's see.

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1985, so 20 years has now passed since Coons has been binding all of these stones and doing

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all this stuff.

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Now so Coons goes to Tiffany's and company was very small little thing in New York at

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that time.

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And the original Tiffany, the father who started the business sees in these stones a possibility

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of really doing great things.

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Oh my God, it's so great.

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So the Coons and Farnham get to know each other.

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And so Farnham starts making these amazing pieces of jewelry.

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The same time, if you look at this, the line of time that Faberge was coming into play.

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So we know that, you know, the metals, they had like figured out things, you know, there

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was, you know, even some electricity kind of happening in that time.

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You kind of think about what all is happening in that time.

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Well Farnham figured out how to carve these stones and make them look like the stems of

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a flower.

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He knew his stones, but he was also getting all kinds of information and really great

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stones from Coons.

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Coons at the same time, he gets sent by the US government to become part of this geological

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survey that's just going to survey for minerals across the wherever it was, like just say

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upstate New York, because they were in that area.

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So he becomes now a super rich resource for Tiffany's because he knows all the stones,

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where they're from, how he can get more, what they're worth, like he knows all kinds of

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stuff.

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And so now he's giving that information to the US government, but the government in

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exchange for that is letting him into this circle so that he can like spread the word

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and they can like learn more about it from him, like, because he's been doing this now

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for 20 years, so if it's smart.

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So think about that.

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So he's supplying the stones.

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He went down to Mexico, for example, there's one mine down there, it's probably still there,

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it does fire opal and he was spending $1,000 a stone for fire opal and he made a beautiful

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necklace out of these fire opals, which nobody had ever seen before.

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And that's still in the Tiffany's warehouses somewhere, like because it was such a priceless

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piece it never got sold it was just considered to be, you know, a really a masterpiece.

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So Coons and Farnham are great friends because they are building this Tiffany Empire, all

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at the same time working in collaboration.

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And if you go in if you look at some of the drawings, they're really based on nature so

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lots of flowers and butterflies and, you know, just the floral things and things that we

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still think of today as beautiful the birds, you know, nature so, you know, this is pre

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Nouveau so there wasn't any of that like just like styling going on.

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It was simply think Faberge eggs and how intricate they were.

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And so the same scale in the US, that's happening now.

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They took some of these pieces that Farnham had made including this one awkward Marine

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necklace that I saw the parade, and it went to the, the great exposition in Paris that

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happened when the Eiffel Tower was opened up.

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And so they had like the best of all the world.

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And this piece was part of them but there was a little bit of kind of the, the, the general

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public that came to come see these pieces.

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Yes, they were amazing, but the Faberge eggs kind of like talked up, you know, the votes.

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So when they came back to the US, and Farnham kept working, their original Tiffany's Lewis

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comfort Tiffany died and his son takes over and his son has a whole different way of how

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he wants things to happen and what the design should be and, you know, how things artists

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in, you know, the stained glass, for example, that was kind of started by the father and

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things were kind of, you know, put together in really unusual ways and it was Tiffany's

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so, you know, they had lots of money.

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But the same time, Coons was writing these amazing books for Tiffany's.

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Let me just read you the title of one of the books because they would do this every year

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he would have like for their best customers, these books that Tiffany's would put out of,

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you know, all their great things over the year was, you know, like a sample book basically,

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I would love to see one.

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So one of the books was called the etiquette of gyms.

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I love that.

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Natural natal stones, meaning you're kind of like your birthstone and natal stone sentiments.

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So diamonds would be not having even come into play at this point really is the diamond

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ring of choice for weddings and superstitions associated with precious stones.

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So that was like one book that so actually Farnham got a PhD in gemology at that time

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like he was really like leading the science he was the science at that time.

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He wrote 300 papers and books and he was, you know, very much part of that whole thing

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that really brought stones up to something that were beautiful and could they go back

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like stones go back to ancient times, thousands and thousands of years ago they're making

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little finding little stones and when they figured out gold and how to like put a hole

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in it like stones have been around for a long time.

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But these two guys in the US bumped into their game.

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So you have to think Goons was writing stories and books and articles and got a PhD and like

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he was really the pusher of all things great that Tiffany's got a hold of.

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He had the inside scoop and that really helped Tiffany's grow too because in Tiffany's knew

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how much stocks there were on, you know, a stock being like how much what was the supply

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like on, you know, hercumium diamonds are from that area.

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They're not really diamonds.

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They're really just a super clear quartz quartz, but they look like diamonds.

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They're so beautiful.

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So these kind of things are all kind of happening all simultaneously and then Farham and Tiffany's

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lose their their interest together because the new son of the two is running Tiffany's

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doesn't want the old guy in there.

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He wants to have his own stuff.

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So out he goes and basically goes away into obscurity.

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His pieces are signed and that was really the only thing that kind of saved him from

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like never being found again because people do know of his works.

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This is actually how I found him because there was one of those antique road shows and it

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was talking about this necklaces this lady came in with and she was like really surprised

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like, I don't know what this thing is this bar and I'm guy and they're like, well, hold

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the phone, that's more like a gazillion dollars because it was one of the original Tiffany

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pieces that was actually signed by him.

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So that was pretty cute.

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That was pretty amazing.

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So this is what Kuntz said about the stones at that time that he was finding when he was

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a young person.

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The engineering projects brought up the fresh virgin soil and by the mid 1920s serious collections

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were like way by his 1920 the serious collections were so valuable at that time.

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I love that.

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I love that that it goes so far back and that we do know a lot of his pieces.

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You really need to look them up like he would like carve the stem so they would be rounded

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in a pen and he would like put hinges on things.

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So there was that movement which was something that Faberge was doing.

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Faberge would put a little trimmer, a trimmer, trimmer door and in a crown so that from

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across the room that crown was really lighting, you know, hitting the light, the candle, obruses

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were really lighting up that person that was wearing that crown.

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So all that technology of being able to put a little hinge on something, it still happens

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today but they were the ones that were starting this these really Faberge and a far enough.

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So we love that about them.

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I think that that was pretty amazing.

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Now let me tell you how how's that really today.

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So back in 1976 I was in seventh grade, eighth grade somewhere there maybe I was in eighth

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grade right and I'm standing out at the school bus waiting for my mother or something and

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a little friend of mine who was a one year younger J Rockaway H J Rockaway Harold J Rockaway

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who's passed on now but he was a very dear friend of mine and you know we just have all

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this great all this great fun life about about to happen in front of us so we're all happy

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little kids and he says something about oh my mother has these these figurines it was

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Christmas time these figurines from the the crash and then she's she's done them in gold

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and they're in Tiffany's windows and I was like what oh okay well I knew where Tiffany's

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was I'd been there a million times I've been in the gallery in Houston since it first

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opened like it was a part of our life was to go to the malls back then right and the

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gallery I had a great ice skating rink so you would go there and and then right outside

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of Neiman's was Tiffany's and actually it was down the hall until they moved a little

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bit into a bigger location and I started watching those windows.

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Until I was 28 years so we're talking about like 13 to 28 so good 15 years I've been watching

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the windows of Tiffany's just because I'm so curious to see what all they put in there

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like I had no idea that people could actually like put things in Tiffany's windows so and

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that year I don't know what year was so on like 28 29 30 in that general I had my glass

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period and I say that it's like artists go through their you know their things where

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they're like super enriched with that like whatever they're learning about and mine

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happened to be glass at the time not blowing glass or melting glass but sculpting with

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glass for sure and I came upon this place which is still part of my life today if they

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only knew it was a really old warehouse in Pasadena Texas it had almost no light it was

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like dark you had to bring a flashlight and you had to wear rubber boots because at times

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if it had rained the water was up to your ankles in this old warehouse can you believe

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that they had been making stained glass windows there for you know 40 years in this old factory

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this old you know this old place and they had these really old tiles there they're

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like probably like a foot by like eight inches and they're they're really thick and they

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were they brought them over from England that's where they're originally made and so they

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would chop those up and then the stained glass windows come in two kinds they come in the

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kind with the copper and the soldering you know the flat stained glass that you're used

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to and then there's also if you look at churches they have this like chunky kind of glass that

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set into a black epoxy or an epoxy kind of a product that would harden and keep the stones

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in and then they would like sand and put this black gravelly kind of sand on top and that's

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what held the glass into these big stained glass windows so there's this two kind and

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they were making both of those so they had a huge amount of excess product and because

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I was like I don't know doctor's wife and I had nothing else to do but make really cool

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shit I was in there like so many times I would just come with like a huge bucket and I'd

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be like okay how much is this bucket and then I'd bring like more buckets and then

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more buckets and all of a sudden I had like all of this glass and I'm making things with

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them I made like things for aquariums where the little fishies could like swim through

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little glass sculptures and they were because it was all done with a silicone it was all

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friendly for fish and so I made these things and then they got bigger and bigger and then

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I'm like making I'm like putting glass everywhere like glass became my theme at that same time

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I went up to Arkansas to go visit my grandparents and on the side of the road was a rock chop

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and they had all of this turquoise glass it's from the insulators that were on the electrical

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poles it's kind of like that blue green glass you might have seen them before but this was

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the slag glass that when they stopped making those glass insulators and switched over to

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a ceramic insulator for electrical poles then they had to like get rid of all this glass

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and it was like a million pounds of slag glass they just brought brought it up into chunks

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through in the back of a big dump truck or truck essentially and then they would go scur

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around to rock shops and sell it by the by the pound okay so I found this rock shop I

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used with my grandfather and I'm like oh my god I gotta have that I used every penny

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that was in my purse this is before we had like debit cards maybe we had debt we must

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have had debit cards but on the side of the road at a rock shop if I can use your debt

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card you're gonna use your cash I had two little kids and I was in Arkansas and I had

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to drive all the way back to Houston I had must have had a gas card but I didn't have

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one penny in my pocket because I spent it all on this glass it was fabulous so now I'm

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like really rich with amazing glass there's a point to the story so I made some sculptures

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and they are really cool and I called Tiffany's I'm like you know back when I was in junior

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high school I talked to somebody whose mother had her pieces in the Tiffany's windows and

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I've been trying really hard to think of something that would be equally as cool and unique to

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the world that had never been seen before these glass sculptures that I'm making are

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it so can I come show you the girl was like yeah I don't know this is like we don't really

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do that I'm like I promise you they're cool she's like okay bring me something okay so

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I came in Tiffany's at this point had forgot how many windows it was maybe like six windows

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instead of the original two because they had expanded so she loved them she's like okay

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we have six windows I need you to make I need you to come back by like next week they always

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never give you a deadline it's like next week is that fine I'm like yeah no problem so of

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course I brought the coolest shit for my windows for Tiffany's it was a really big deal I worked

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with her on placing the jewelry in the windows but I didn't pick out you know what went where

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and how things went I just kind of like okay here's this piece okay and whatever we're

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gonna do with it okay well here's Elise Peretti was really a big designer at Tiffany she's

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the one that did the open heart the little that's Elise Peretti and then also Picasso

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Paloma Picasso had a collection that was all like really juicy gems juicy combinations

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of Tiffany's gyms so those were the two women so it was kind of decided okay we're gonna

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really focus on making the windows with these juicy gems that go with this class sculptures

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that I had brought in they were so cool like it was really fun like I took my kids to go show them

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we took pictures I had another friend that took really good pictures I think there's

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probably one of them here in the studio somewhere I don't know I know I have it because it's a legacy

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piece and yeah I ended up well I'll tell you about that man the rest of the story so it was a really

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big deal and I was really excited well when I came back home I had kind of like you know I had laid

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out all the different kind of color combinations that I kind of liked and there was one more

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that I could make and it was little like a little maybe that big a little so I had a piece of glass

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down and then I took all of these little cuts that I got from this warehouse that were just like

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little sticks of all different kinds of colors of pinks and purples and you know it was really some

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vibe in this old glass so the glass is the story of this and you know you just kind of make kind of

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looks kind of like a a downtown landscape kind of like you know it's just like tall buildings kind

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of like if you looked over Manhattan you would see all those buildings and that's kind of what

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the sculpture looked like like little things but very delicate and dainty and pinks and purples

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and I was going to give that to the girl who agreed that I could have my sculptures in Tiffany's

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windows so I get there and I'm like kind of like skipping through I've got my little son with me

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he's probably like two or three and he went everywhere with me he was just such a little joy

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and he ends up being a really really good designer himself and I think it's because he was always

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with his mother and we were like little pals so we're kind of like looking at the windows and I'm

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like oh wait something is wrong because like that's not the piece of jewelry that we had on that

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window like what's that and then I went to the next windows we're like walking down that was on

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the outside of the building is where they had these some of these windows and then some inside in the

304
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mall and I'm like well that's wrong and then I like look at one window and I'm like something

305
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terrible has gone wrong because everything was like it was just kind of like something was wrong

306
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it was everything was upside down it did not make sense to me I had just seen it like two days

307
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before and it was all beautiful and now I go inside there's like the president of tiffanese

308
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the head of security the head of security's assistant the head of this the head of this

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and they're all these men lined up they had taken their red eye from new york to come to this tiffanese

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because somebody had taken this is what they told me a tire iron and smashed one of the windows

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that had like this elizabeth taylor necklace line that was worth like a quarter of a million

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dollars on one of my sculptures and the president of tiffanese looks at me and I've got this little

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tiny thing in front of me it's so cute and the girl from tiffanese that I had been working with

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I can't remember her name now but she's irrelevant she kind of looks at me and says you know do not

315
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give that to me okay gotcha so when the president of tiffanese is talking to me he's like did you

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know that there was no security on that window when you put that quarter of a million dollar

317
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necklace in there I was like no sir there's no way I could have known that and I really I didn't

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pick the jewelry I just brought the sculptures in a little bit more back and forth they had to

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like check me out to make sure I wasn't involved in that heist yes I wasn't involved I had nothing

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to do with it I did not know that there was one window that we put the most valuable necklace

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in there and somebody smashed the window grab take the necklace so that's why all the jewelry

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had changed they had all put like little tiny things in there instead of these wow so we at

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least I had good photos of it one time I was there so then we're chatting up and I'm like talking to

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the guy and he's really nice and and I appreciated you know that you know he was nice to me so I had

325
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this little sculpture so I'm like oh but I made you a little sculpture and then he looks at me

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really serious and he goes how did you know that my living room was pink and purple I was like there's

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no way I would know that your living room was pink and purple it just worked out we ended up writing

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me the nicest note that I still have tucked away because he was like okay you're like a visionary

329
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you like nailed me I'm like I didn't it was just happenstance and he ended up putting that sculpture

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on his mantle he said and he thought about me often and it was great so now with that there became

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another little issue and I ended up working for Tiffany's for quite a while after that

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bringing them things that we could do the wind as in but after about I don't know

333
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like two years John Loring who was the director of Tiffany's and a very prolific artist himself

334
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and also a writer of one of the books on the Pauling, Farnam and Coontz information his books

335
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that he wrote about that time period and he brought out of the vaults all these amazing sketches

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and things that Pauling had done so so he's so the head of Tiffany's that I never got to meet

337
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but he was in charge of all the visuals for Tiffany's and he had written a book on Pauling and Coontz

338
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and talking about all the things that happened during that time period and it must have been an

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amazing book like it must have written itself I mean he has access to everything in the vaults

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that Tiffany's has so that was kind of cool but John Loring decided after my little fiasco at the

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Tiffany's in Houston that from after this was like probably like two years after it came down from

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the top it took him like a while to figure out like what are we gonna do what are we gonna do

343
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and this girl in Houston she's like doing all this stuff for the windows and it was great it was like

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the best time of my life I had so much fun we did like Christmas things and the little reindeer

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we put little reindeer yeah it was like we used like salt to create and salt and sugar to create the

346
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the snow and the little things and you know it's all about the whole point of Tiffany's windows

347
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and this is why jewelry if you're out there selling your jewelry this is important and this

348
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is what I my credence is was from that time period where it's all about making a customer stop who's

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walking by and just go whoa what's that and look a little bit deeper maybe it's just for three seconds

350
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but that time that they're stopping and looking and the little details that we would put into the

351
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windows same thing with Bergman Goodman word off Goodman now these the window people people that

352
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design windows are really good at looking at like the minute little detail that you make you know

353
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but they're not just sticking a diamond right in the center of the window they're creating a story

354
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that draws you in so that you find like where is that piece of jewelry I know there's got a piece

355
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piece of jewelry in here so where is it and then you kind of have to look and you go oh right there

356
00:32:00,320 --> 00:32:07,520
there it is it's that you don't put it in the most noticeable place you put it where they they're

357
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kind of have to like interact with the window in order to do that I ended up with a company called

358
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away with windows and I designed window treatments for you know other kind of stores mostly jewelry

359
00:32:21,360 --> 00:32:25,760
stores but other kind of stores too I was like my gig for a while because I really liked them

360
00:32:27,120 --> 00:32:31,920
but back to John Lorring so John Lorring came down with an edict because I just kind of like

361
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showed up at Tiffany's one day and I'm like okay you know do we have another project coming up

362
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like what are we going to do and what can I do for you and always subservient like these are the

363
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people that I'm working for and because now it came down from John that from now on he would

364
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design all the windows to be one design and it would go across all the stores across Tiffany and

365
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we're going to have one look and it's going to be one thing and there's not going to be any of this

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fluffy stuff and we're not going to be losing half a million dollar quarter of a million dollar

367
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necklaces off the side because you know somebody didn't do it right that was a sad sad day for me

368
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because I ended my little my little time to shine which had started back when I was you know in

369
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seventh grade and now I got to like do this thing and I really enjoyed it and it was such a gift

370
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and I had so much fun and you know it was really a feather in my cap during that time period and

371
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it was a really fun time period where I really got to explore glass well still that glass I have a

372
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big sculpture at the ranch that I use those big glasses for and I'm still collecting glass I don't

373
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know what it's about but I think resin has a lot of this glass like properties you know so I know

374
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that in my jewelry these earrings for example like they're stones and they're set in resin

375
00:33:52,720 --> 00:33:57,840
can you see how pretty they are oh my god they're so gorgeous but you know all of these stones and

376
00:33:57,840 --> 00:34:05,840
all this stuff that we work with as jewelers it has legacy it has legs it goes all the way back to

377
00:34:06,400 --> 00:34:14,000
you know ancient times of first beads that they know that they ever found were of an ostrich egg

378
00:34:14,000 --> 00:34:23,280
do I have them here uh there's somewhere ostrich egg beads which have you ever tried to cut an ostrich

379
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into a bead with a rock another rock that's all you got because there was no metal back then

380
00:34:30,640 --> 00:34:37,680
this is like stone age times they're making things to bedazzle themselves and it was an

381
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ostrich egg was it kind of not easy but I've tried to cut an ostrich egg and I had to get a tile

382
00:34:45,120 --> 00:34:53,680
cutter to cut through them they are so strong remember they get they're gonna fall out and down

383
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onto the ground when they're when they're I don't know what do you say when they're birthed you know

384
00:35:01,360 --> 00:35:08,160
they are so hard to to think that you could like shatter an egg and then take those little tiny pieces

385
00:35:08,160 --> 00:35:14,160
and then chip them down even smaller so they're a little tiny half an inch and then put a hole in them

386
00:35:14,160 --> 00:35:20,080
with another rock that's going to have like a little point in there and it's it's like it's not

387
00:35:20,080 --> 00:35:27,520
like metal but it's so close to metal I I just I implore you to get an ostrich egg the next time

388
00:35:27,520 --> 00:35:34,400
you see one pick it up and go could I take a rock and make it make this which is like curved

389
00:35:34,400 --> 00:35:43,520
into a bead like a little tiny bead yeah I have some that I bought in South Africa my son lives there

390
00:35:43,520 --> 00:35:50,480
and he gives me lots of Easter egg ostrich eggs and and I've done a lot of things for a company

391
00:35:50,480 --> 00:35:56,000
here in town where we use those ostrich eggs and made centerpieces on tables and I don't know I've

392
00:35:56,000 --> 00:36:00,320
done a million different things with those ostrich eggs I have a couple of them right over there so

393
00:36:01,280 --> 00:36:09,840
I love this part about jewelry about it is connected to our ancient past certainly our

394
00:36:09,840 --> 00:36:15,200
ancient past people were adoring themselves have you ever been to LaBear tar pits in

395
00:36:17,200 --> 00:36:23,040
in LA it's right in the middle of the town it's like right on Wiltshire Boulevard right it's like

396
00:36:23,040 --> 00:36:29,680
right there where all the stuff is happening there's this amazing museum that's where you know

397
00:36:30,400 --> 00:36:38,640
California is oil town like it's an oil city there's oil derricks all over LA and there was

398
00:36:38,640 --> 00:36:45,600
this one area where that tar was constantly there from the beginning of time from eons and eons

399
00:36:45,600 --> 00:36:55,120
and it would trap things would fall into this so I don't know I don't want to say it wrong but the

400
00:36:56,160 --> 00:37:01,760
little creatures big creatures people so it must have been like maybe it had like a topping of

401
00:37:01,760 --> 00:37:07,680
water on it I think that's where it was and all the animals would come to get this water but

402
00:37:08,320 --> 00:37:14,560
once they were like shoved into the water or you know there's like a fight or you know they're like

403
00:37:14,560 --> 00:37:18,880
trying to get each other kill each other because you know that's what they did then once they fell

404
00:37:18,880 --> 00:37:24,800
into this water and they fell down into that tar they just became part of the tar so now that they're

405
00:37:24,800 --> 00:37:32,640
excavating this really old tar pit that was you know from you know tens of thousands or I don't

406
00:37:32,640 --> 00:37:37,920
know if it goes back how far it goes back I do because I took tons of pictures of all the reference

407
00:37:37,920 --> 00:37:42,560
material but there was one picture that I took a picture of and it was they you know they found

408
00:37:42,560 --> 00:37:48,320
the remains of a woman a full skeleton because you know she was in the tar but then she also had

409
00:37:48,320 --> 00:37:52,800
a necklace on and you know they would have known it would have been like senior because

410
00:37:53,360 --> 00:37:58,640
they didn't have chains back then so it would have been like you know gut or something like that or

411
00:37:58,640 --> 00:38:04,080
some kind of a thing that they would have woven like maybe braided some I don't know what they were

412
00:38:04,080 --> 00:38:10,560
doing but then she had these little dangle things very much like a necklace I would make today like

413
00:38:10,560 --> 00:38:18,640
you know with a you know things that could be put on a necklace that represented her tribe or

414
00:38:18,640 --> 00:38:25,520
what she liked or things that she found something like that just like we do today yeah nothing has

415
00:38:25,520 --> 00:38:30,800
changed nothing has changed we are people that adorn ourselves you know I also want to talk about

416
00:38:30,800 --> 00:38:43,120
well this week was the Met Gala and back to New York again I saw beautiful gowns I saw beautiful

417
00:38:43,120 --> 00:38:48,800
people wearing beautiful grounds I saw some really a lot of weird like why are we wearing all this

418
00:38:48,800 --> 00:38:55,360
naked stuff like just put something nice on your body don't try to like we are not turned on by your

419
00:38:56,160 --> 00:39:00,400
senior butt like just wear a pretty something because that's what you're there for it was supposed

420
00:39:00,400 --> 00:39:04,720
to be a theme you're supposed to go with the theme and the theme was kind of archaic they need to

421
00:39:04,720 --> 00:39:09,200
like make that theme a little bit easier for people to translate into something that's the

422
00:39:09,200 --> 00:39:14,160
number one problem and then you know it's all about the show and it's all about the drama and you

423
00:39:14,160 --> 00:39:21,200
know Kim Kardashian her and her little midget waist which is just kind of an extreme I would have

424
00:39:21,200 --> 00:39:26,240
rather have seen beautiful gowns like there were there were some amazing gowns did you see some

425
00:39:26,240 --> 00:39:31,280
of those gowns they're really pretty and then you see all the diamonds because of course that's how

426
00:39:31,840 --> 00:39:38,240
these celebrities get there is because they're really like sponsored by Chanel and Carl Lagerfeld

427
00:39:38,240 --> 00:39:45,200
and all those big brands and who make the dress for them and you know pay for their

428
00:39:45,200 --> 00:39:51,040
rights to go to the table and you know be part of the scene and be seen and the publicity is what

429
00:39:51,040 --> 00:40:02,400
they're buying by having the star or star or actor actress actor wearing these amazing gowns and then

430
00:40:02,400 --> 00:40:08,160
they're diamond jewelry I say let's have a different category and I'm going to see this for the Oscars

431
00:40:08,160 --> 00:40:15,520
too let's have it where it's like let's have some really cool shit in the jewelry department happening

432
00:40:15,520 --> 00:40:23,840
there because it's not like the Swarovski crystal had a beautiful outfit the necklace was okay

433
00:40:23,840 --> 00:40:30,000
it wasn't great it was like something I would have done 10 years ago like really Swarovski crystal

434
00:40:30,000 --> 00:40:35,680
get your shit together yeah that's why you don't make beads anymore because you never could understand

435
00:40:35,680 --> 00:40:45,920
how to use your amazing product you had beads in colors and shapes and sizes and I had them all

436
00:40:47,360 --> 00:40:53,920
I loved them I love Swarovski crystal I bought into it I remember the first time that one of my

437
00:40:53,920 --> 00:40:58,400
customers was wearing one of my bracelets and I told her what all the beads were and they were

438
00:40:58,400 --> 00:41:03,600
amazing and they all had a history and they were all old and vintage and never been used before

439
00:41:03,600 --> 00:41:06,960
but I threw on a couple of Swarovski crystals because I don't know I bought them

440
00:41:08,560 --> 00:41:16,080
and I remember her going oh look at that that's a Swarovski crystal I was like okay from now on

441
00:41:16,080 --> 00:41:22,880
it's all Swarovski crystals because she didn't care that much about how vintage it was I have so

442
00:41:22,880 --> 00:41:29,600
many old things that are around here I can't even tell you what it is oh really old African beads

443
00:41:29,600 --> 00:41:36,320
that are from recycled ones which I'm doing an African store next so that's kind of that's a good

444
00:41:36,320 --> 00:41:40,960
thing for me to pick up because now I know where those are but anyway so the point is is that

445
00:41:42,160 --> 00:41:52,000
we need to like value interesting jewelry as much as these bespoke gowns now Hermes picked me as one

446
00:41:52,000 --> 00:41:58,400
of the top 50 artisans in all of Texas that's saying something like I put in my great 20 years

447
00:41:58,400 --> 00:42:05,600
of working with all kinds of beads especially Swarovski crystal and fossils minerals gems pearls

448
00:42:06,720 --> 00:42:12,560
those kind of things but when Swarovski crystals stopped making those it was because they made the

449
00:42:12,560 --> 00:42:19,840
marketing mistake to not promote their product except for a little tiny four millimeter bicone

450
00:42:19,840 --> 00:42:25,280
beads and I know this because I've talked to all those people in fact I had Fire Mountain Gyms who

451
00:42:25,280 --> 00:42:31,520
is one of my suppliers and I love them dearly and I got to meet the owners one time and they know me

452
00:42:31,520 --> 00:42:38,640
they love me like we've been as I've been a platinum partner there for years and they called me and

453
00:42:38,640 --> 00:42:44,480
said hey let's do something together I'm like let's do something together but they even they did not

454
00:42:44,480 --> 00:42:51,200
understand and they're like kind of complicit too is that they would have these big contests

455
00:42:51,200 --> 00:42:58,320
and the contest winners were always the four millimeter bicone bead that's the little triangle

456
00:42:58,320 --> 00:43:03,200
kind of a bead it's got a hole in it but it's like kind of triangular and soft soft it's not easy to

457
00:43:03,200 --> 00:43:08,240
wear I don't like that little sharp edge on my jewelry I like the rounded faucet of beads because

458
00:43:08,240 --> 00:43:12,720
if they're they're they're going to touch your skin it's not going to be that sharp little edge of

459
00:43:12,720 --> 00:43:17,840
that bead hurting you but these people that were winning would have like a million of one color

460
00:43:17,840 --> 00:43:25,200
of this four millimeter bicone bead and like just pulled my hair out I'm like what are you freaking

461
00:43:25,200 --> 00:43:32,560
doing like show your creativity by using the beauty of Swarovski crystal beads and I was a

462
00:43:32,560 --> 00:43:39,040
vetted partner with Swarovski crystal I signed the documents I went there I know them and I even

463
00:43:39,040 --> 00:43:44,240
knew one of the colors that the guy that was signing me didn't even know yet line my favorite color

464
00:43:44,240 --> 00:43:51,200
line I love it very hard to find Swarovski crystal now and if you're finding those beads keep them

465
00:43:51,200 --> 00:43:54,640
in their little packages unless you're going to use them because they're only going to get more

466
00:43:54,640 --> 00:44:00,880
valuable time I have big huge buckets full of them because I've been saving them for years and

467
00:44:00,880 --> 00:44:05,280
every time they went on sale I would like scoop up as many as I could afford but I have lots of

468
00:44:05,280 --> 00:44:10,320
Swarovski crystal beads I'm hoarding them now but I do use them for all kinds of things look on my

469
00:44:10,320 --> 00:44:15,840
Instagram sugar gay is where.com and you'll see that I still talk about that I have lots of Swarovski

470
00:44:15,840 --> 00:44:20,320
crystals and I put them into my products but Swarovski crystal really messed up they should

471
00:44:20,320 --> 00:44:26,880
have had like they sent my jewelry around the world to different Swarovski crystal places

472
00:44:26,880 --> 00:44:32,000
but they wouldn't put my name attached to the piece so I'm like yeah why are we doing this like

473
00:44:32,640 --> 00:44:38,960
send my shit back like if you're not going to like let me attach my name to you know I had people

474
00:44:38,960 --> 00:44:44,400
that were like in New York City at the Swarovski crystal whatever store or whatever and they could

475
00:44:44,400 --> 00:44:49,760
see my pieces there but there was no name so I was like yeah I don't know Swarovski you didn't really

476
00:44:49,760 --> 00:44:55,680
do me very fair I'm not we had lots of discussions but they never could understand that they're

477
00:44:55,680 --> 00:45:02,960
that what they made was exquisite and that really changed now how we make jewelry because we don't

478
00:45:02,960 --> 00:45:09,760
have access to those amazing amazing colors like the purples that they used to had were magnificent

479
00:45:09,760 --> 00:45:14,160
the blues were magnificent the greens I have a customer coming in next week and I'm like

480
00:45:15,120 --> 00:45:20,800
we only had those really amazing Swarovski crystal air night which is one of my favorite color kind

481
00:45:20,800 --> 00:45:30,560
of like oak bottle glass green yeah we don't have that anymore things have changed but we do need

482
00:45:30,560 --> 00:45:37,600
we need a revolution in the handmade jewelry department where they it doesn't have to be

483
00:45:37,600 --> 00:45:43,040
freaking diamonds and guess what all these places that are like using diamonds now they're not

484
00:45:43,040 --> 00:45:49,680
they're using their cz's which are lab grown diamonds that's what a cz is cubic zirconium it's

485
00:45:49,680 --> 00:45:55,600
the same thing and all of these people that are making things are you know yes there's diamonds

486
00:45:55,600 --> 00:46:02,800
for sure but there's also a big colored diamond trend that's going on which is nothing but

487
00:46:03,760 --> 00:46:10,480
cz's I have tons of them I love them I just made a necklace this week and and I want you to go on

488
00:46:10,480 --> 00:46:16,720
to my Instagram to go see it it's yellow so there is a diamond so this is all how it's

489
00:46:16,720 --> 00:46:26,240
going to go around the end of the story is there is a diamond called the yellow rose oh my god the

490
00:46:26,240 --> 00:46:33,840
yellow rose well and it's going to be auctioned it's 202 carats of perfect yellow and it's shaped

491
00:46:33,840 --> 00:46:40,640
like an egg you know egg I'm sure like an egg and it's going to be auctioned at Christie's and

492
00:46:40,640 --> 00:46:45,280
Christie is excited about this because it's the first time that like there's something about it like

493
00:46:45,280 --> 00:46:52,080
that this diamond is starting back where Christie's first started there's some like little trick about

494
00:46:52,080 --> 00:46:58,560
that so it's kind of cool it's actually I did a reel about it on my Instagram I happened to have

495
00:46:58,560 --> 00:47:06,400
sitting on my table a piece it was seven carats smaller so seven carats it's not very much but

496
00:47:06,400 --> 00:47:14,080
it was a beautiful faceted stone hand faceted stone in the same shape almost the exact same size as

497
00:47:14,080 --> 00:47:22,560
this big diamond that they're going to auction next week and at Christie's in New York so I made

498
00:47:22,560 --> 00:47:29,280
a necklace yesterday kind of celebrating that and also because the the thing that it's it kind of like

499
00:47:29,280 --> 00:47:35,680
makes me kind of happy is if you went back in my life to when I opened up my first sugar factory

500
00:47:37,120 --> 00:47:42,480
in Kitchener Ontario and it was this big old building it was fabulous and on the outside I

501
00:47:42,480 --> 00:47:52,560
did a sculpture and it was called the Yellow Rose because I can't really explain it you wouldn't

502
00:47:52,560 --> 00:47:59,200
understand but the Yellow Rose it was like told to me like this is the Yellow Rose this is your

503
00:47:59,200 --> 00:48:05,360
gift this is a big deal and so I had the Yellow Rose on the outside of my building and then I go to

504
00:48:05,360 --> 00:48:10,880
look at this stone that I happen to have a copy of that's being auctioned in New York and I'm

505
00:48:10,880 --> 00:48:15,440
reading all this stuff about Farnham and I'm reading all this stuff about Coons and I'm like

506
00:48:15,440 --> 00:48:21,200
really like immersed in the history of all of this stuff and how it all comes together and how

507
00:48:21,200 --> 00:48:28,720
I'm participating now in some of that same stuff going forward because I'm using the vintage

508
00:48:28,720 --> 00:48:33,760
Swarovski crystal I'm using these vintage plaques that were from actually from Hong Kong from the

509
00:48:33,760 --> 00:48:38,800
1950s they call them cameos but they're not really a cameo in a traditional sense where there's like

510
00:48:38,800 --> 00:48:44,960
a woman in there it's not like that but and some other things and I you know I love this necklace

511
00:48:44,960 --> 00:48:55,120
that I made but I love it because it's the Yellow Rose I called mine the Yellow Rose too after this

512
00:48:55,120 --> 00:49:01,120
big huge stone that was just gorgeous isn't it if you're a yellow person you need this necklace

513
00:49:01,120 --> 00:49:09,280
anyway I am Sugar Gay Isper and you can find me on my podcast here jewelry as your side hustle

514
00:49:09,280 --> 00:49:15,520
and a lot of people that have side hustles it's a very big trend I've been doing this as my full

515
00:49:15,520 --> 00:49:20,000
time job for a really long time but I also teach a class called jewelry as your side hustle where

516
00:49:20,000 --> 00:49:26,000
I teach you the business parts and how to make jewelry so I'm teaching you both so that's where

517
00:49:26,000 --> 00:49:34,640
I really feel very like taken with this jewelry as your side hustle I have a tv show called jewelry

518
00:49:34,640 --> 00:49:40,560
stars by Sugar Gay Isper and I'm Sugar Gay Isper and that's how it starts and then I also am in a

519
00:49:40,560 --> 00:49:46,880
new reality tv show that'll be played on Amazon Prime this summer probably and it's called The

520
00:49:46,880 --> 00:49:54,000
Blocks and it's me and like a hundred other contestants it was way too many that was the one

521
00:49:54,000 --> 00:50:02,480
problem competing to see who's the best entrepreneur and I just sent the guy who started that West

522
00:50:02,480 --> 00:50:09,600
Bergman who was very dear a little necklace from my little my little bunny collection I just had

523
00:50:09,600 --> 00:50:14,080
all these pieces that were played and I put one of those little bunnies on some little pink pearls

524
00:50:14,080 --> 00:50:18,480
for his little daughter who's just adorable because she's not even one yet so she's really cute

525
00:50:18,480 --> 00:50:25,840
but anyway I have a great life making jewelry and I hope that you do too I hope that if you're a

526
00:50:25,840 --> 00:50:33,040
jewelry maker you really like draw it in learn your craft learn the history pick up something

527
00:50:33,040 --> 00:50:39,680
that interests you if you're doing this kind of jewelry learn about it go back in time figure out

528
00:50:39,680 --> 00:50:44,240
how are they doing this 10 years ago were they doing this like what were they doing and really

529
00:50:44,240 --> 00:50:50,720
learned some of the artists that have come before us because they really said the time Collier was

530
00:50:50,720 --> 00:50:58,640
one you know he was an amazing artist that made all these really big huge sculptural hanging

531
00:50:58,640 --> 00:51:03,680
things and he did a line of jewelry that was amazing so easy to replicate because it was just

532
00:51:03,680 --> 00:51:09,360
basically brass that they were like yeah he had a guy that was like hammering this brass and just

533
00:51:09,360 --> 00:51:15,040
making these amazing necklaces and you can see them online look them up like learn about other

534
00:51:15,040 --> 00:51:19,840
artists that are out there and what they're doing and learn how to use some new products and always

535
00:51:19,840 --> 00:51:25,120
keep learning always keep learning and you know you can stay on your path but you can go off your

536
00:51:25,120 --> 00:51:32,800
path you're like oh I had my glass period then after that I had my painting period I painted

537
00:51:32,800 --> 00:51:39,840
everything that is humanly possible to paint I even tried to get the chemical companies down in

538
00:51:39,840 --> 00:51:47,440
Pasadena to let me paint their big oil tankers or they were there oil thing I'm like I don't paint

539
00:51:47,440 --> 00:51:54,080
anything I'm I painted a train a pool I don't know I painted every everything you can think of it

540
00:51:54,080 --> 00:52:00,960
was my painting period and my goal was to have every color of spray paint that they made and I

541
00:52:00,960 --> 00:52:08,080
never got that goal but I still have a lot of spray paint and I tell people if my house catches on

542
00:52:08,080 --> 00:52:13,360
fire evacuate the city because I have a lot of paint but not and I kind of moved in the

543
00:52:13,360 --> 00:52:21,360
street at the ranch so don't worry about that anyway I hope you're having fun making jewelry I hope

544
00:52:21,360 --> 00:52:31,040
you can connect the dots to how jewelry is really essential and that's why it's a 300,000,

545
00:52:31,040 --> 00:52:38,240
333 billion dollar business annually because jewelry is everywhere like I'm pretty sure if you

546
00:52:38,240 --> 00:52:44,160
went to 7-eleven there is some kind of a jewelry there like there's some kind of a jewelry everywhere

547
00:52:44,960 --> 00:52:50,960
like look at those silly little bracelets that Taylor Swift made made famous just a little

548
00:52:50,960 --> 00:52:56,880
some elastic cord and some cheap little beads yeah that's like the zeitgeist of our time

549
00:52:57,840 --> 00:53:02,800
like I'm sure if you're not making them you could and you probably make a lot of money off of them

550
00:53:03,520 --> 00:53:07,840
I have to you know every day keep learning something and making something and

551
00:53:09,600 --> 00:53:14,960
I create a lot of jewelry because it's always changing and I always think the next piece

552
00:53:15,520 --> 00:53:20,320
is going to be my favorite piece or it's going to be the piece that's going to get my the

553
00:53:20,320 --> 00:53:27,280
attention that I'm that I need to my site to move my company forward I'm always learning every piece

554
00:53:27,280 --> 00:53:31,600
that I made I always think wow I'm so glad I made that because I learned a little something else

555
00:53:31,600 --> 00:53:39,200
I'm always striving to constantly make it's I see it in my dreams and wake up in the morning I know

556
00:53:39,200 --> 00:53:48,080
exactly what I'm going to make I have true visions of what I have and I have a lot of product like

557
00:53:48,080 --> 00:53:56,640
I'm sitting on a wealth like it's just like surrounding me it's like so much I could make

558
00:53:56,640 --> 00:54:03,360
anything and I love that I love that like why not I've worked for 20 something years and to be able

559
00:54:03,360 --> 00:54:09,440
to make jewelry and I'm constantly improving and I hope you do too that's really the part of this

560
00:54:09,440 --> 00:54:18,480
I wanted to say this long story that I'm telling you about and and how being a little girl never

561
00:54:18,480 --> 00:54:26,640
even thinking about jewelry never even thinking about glass tippaning company all those kind of things

562
00:54:30,400 --> 00:54:36,240
yep those are good memories I've had a great life because of jewelry

563
00:54:36,240 --> 00:54:41,360
I would have been a lot richer if I hadn't been buying all this shit though regardless I've had a

564
00:54:41,360 --> 00:54:50,320
great life because of jewelry and I hope that in your quest to build this artist need that we have

565
00:54:50,320 --> 00:54:57,360
to create that you come up with something that is remarkable and I hope that you share it with us

566
00:54:57,360 --> 00:55:03,920
please write to me send me something look on my instagram sugar gay is where everything is sugar

567
00:55:03,920 --> 00:55:09,280
gay is where there's a lot of sugar out there there's a lot of gay out there but there's only

568
00:55:09,280 --> 00:55:15,680
one sugar gay is burn so you can find me and I hope you had a great day today I'm trying to see

569
00:55:15,680 --> 00:55:24,240
how much time we had oh yep it's time uh have a great day go see my yellow rose and find me on

570
00:55:24,240 --> 00:55:35,200
instagram and I'll see you in the next podcast have a great day

