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Good afternoon.

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Welcome to episode 3 of My First Job, the podcast.

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Today we are speaking to Lalitha Iyer, who was principal correspondent at The Week magazine

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and has had a long stint at eNadu.

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She has written about everything from beauty to politics to wellness.

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My name is Venu Gopal Nair and I am the host.

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I am also CEO of Ideascape Communications, an agency into branding, advertising and design.

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Journalism is not just about great writing or bringing a story alive.

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It's about being able to walk into difficult situations, keep your cool and get people

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to talk.

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Journalists need to win their confidence and in a world where misinformation is rampant,

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have respect for the truth and leave it to the reader or viewer to make their decisions.

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A career in journalism isn't easy, but it can be exciting and rewarding in ways that

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you cannot fathom at the beginning.

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Lalitha also speaks about young people looking to break into the profession today need to

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do and what not to do.

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Over to Lalitha.

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It's ironic that now I like to be a reporter and I think I'm on the wrong side of the

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mic.

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I'm feeling a little uncomfortable and never been on this side of the mic.

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But having said that, the Times of India experience was fantastic in the sense everyone's very

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kind, extremely, you know, gentle and so on.

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But they sent me on some foreign beat about some South Asian nation talk or some such.

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I didn't understand a word of it and that time I was way too fresh in it.

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I didn't know I had to do homework.

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So I was kind of lost and out of it.

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And the next next reporting assignment was a cricket match.

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And I never really I'm not really fond of cricket.

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Many people hate me for it.

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So these two assignments really kind of, you know, gave me a feeling that I might not be

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good at it.

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And I continue to do little assignments, but I was not very happy.

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When I went on the test, I got my first headline, you know, there were little claps and things

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like that.

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So that encouraged me.

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Okay.

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Then let's go back to school.

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And what are the various things, career options that you considered or college at that point?

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You know, there was really not too much because those days if I, if you did MA literature,

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it was either you become a lecturer and, you know, get into journalism was never an option

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really.

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You become a lecturer because I had a cousin who was a lecturer.

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She was quite the idol.

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The other was my mother wanted me to join the bank for various other reasons.

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And but I never appeared for the exam.

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So till quite some time, she really accepted the fact that journalism was a field.

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She says you should have joined the bank.

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Why did you join journalism?

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But yeah, but those were exciting times.

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There are always things that parents themselves want to do and hope that children will learn

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from them.

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Seriously, seriously.

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My mom was a teacher though, so she would have maybe liked me be a lecturer.

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But after the times of India, still it, all other options just kind of naturally turned

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off and I turned towards journalism.

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In school and college?

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I was a very good, I mean, extremely good student.

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So yes, for, I mean, you have to write papers for MA and stuff like that.

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Teachers would look up to me for presentations and you know, things like that.

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I stood third in the university, which is not saying much, but I was a writer, but I

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used to write poetry as a little hobby or something, but nothing great.

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I mean, I would have never ever imagined me getting into journalism.

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Never.

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Yeah.

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I think that's a little hang.

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I did my stint in Times of India and then I decided to go to Bombay to do a film course,

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which was an evening course at Sansevier's College.

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Film course.

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And you wouldn't believe it.

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I wanted to do animation.

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That was another favorite because I liked Tom and Jerry.

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So I thought animation was the way out.

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I could watch it every day and how stupid I was.

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But I applied for a couple of universities, didn't get it.

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Then I went to do this film course, which was an evening course.

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Now I had to pay, you know, for the hostilities like that and there was no money.

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I had just paid the fee.

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So at that time there was this offer for working at Body and Beauty Care.

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I don't know if you guys remember it, but this was the upside down magazine.

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Dr. Padam Singh V.

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I remember the upside down magazine thing.

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Upside down.

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Your body would be this side and when you turned, beauty would be on the other side.

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So all stopped.

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What is the logic there?

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He just thought it was unique.

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It did very well for some time.

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Sheer curiosity value.

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I did a lot of good work.

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I mean, a lot of interviews, a lot of good work.

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I didn't know a thing about beauty, but I did a lot of good work.

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I did a lot of good work.

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I mean, a lot of interviews, a lot of good work.

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I didn't know a thing about beauty, but I did a lot of good work.

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I didn't know a thing about beauty, but it was interesting and didn't know a thing about

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medicine, but you kind of met people and you know, then you realize journalism is all about

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homework and getting to like the subject as you go.

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If you are, you know, good enough, you do your homework when you are meeting a good

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doctor, you need to know what neurosurgery is about and then you go and talk to him.

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So that was learnt on the job that when…

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So how would you prepare for these interviews?

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For any, even till for the week magazine, if I had to interview a business person, I

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would read up everything that was, everything and then write out my questions and talk to

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a couple of people if I knew them and that was homework.

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So what did you find had changed about the interviews?

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Was it easier to get people to talk?

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See, I'm this side of the mic, but honestly, if I had interviewed you, you would have loved

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it.

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I am very comfortable talking and that is a requirement.

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The requirement of a good journalist is to be friendly, to be able to listen even as

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you ask questions and you know, button, I use the word very little, button at the right

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time and you know, get back to the person so that you get insights.

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And then how would you translate this into a report later?

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Let's say you want to write an article, you make notes, there is a process.

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But I think there is always this whole thing of I make a note, I remember parts of the

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conversation, but getting all that together in a form that flows is a job.

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I think most journalists, if you talk to them, they will say, it's the intro, the first few

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lines that you need, the moment that falls into place, everything else falls in and typically

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in an interview, you would introduce the person.

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So it depends on how well you know the person.

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Whereas if it's a report, it is, you know, political report, it would be something else.

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You talk about the politics of the region, even a nationalism, you talk about a little

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bit about history.

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So given the situation, you change your intro, but the first few lines and you're on it because

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you've done enough work already.

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Okay.

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One of the problems that I've found is that people who get into a job don't know what

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they're letting themselves in for.

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Yes.

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They, you know, they learn on the job, but to a large extent, they are unaware of what

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they're going to be walking into or what the early stages of the job will be.

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Your experience will be invaluable on that.

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So okay, you finish the interview, come back and then you start writing.

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So how long would this process take?

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No, no, typically, oh, if you're in a newspaper, it is like, you don't even get an hour depending

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on when you finish it.

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Right.

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If you are for a week, for a person who was for 23 years in the week magazine, it, mine

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was a relaxed job because I could finish reporting and send the report after 48 hours.

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And then they carry the story after three weeks, so I could work on it.

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So that was not any, but if you're a newspaper person, your report has to be immediate, almost

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practically.

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If there is a press conference happening at 5.30, sometimes there's an embargo, but sometimes

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they say report it immediately.

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So you would have to do it within, if you have to go for the first edition, it would

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have been, it should be closed by 8 p.m.

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If it is the second edition, then you're allowed till 11 p.m. and so on.

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It is a knack to write a report, it is because you're already prepared when you're on the

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job, you're preparing your intro.

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Then, and of course, you discuss with the other colleagues and say, hey, shall I take,

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shall we all take this?

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You really don't want to go wrong there, right?

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Because all the other newspapers are taking another lead and you go on and on.

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So there is a lot of friendship happening there and you kind of say, we'll take the

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same lead.

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And then it depends on how well you report it, whether your report stands up or the others.

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So there are, by and large, it's much discussed.

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Okay.

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That is, but now after television has come, there are a lot of people looking to that

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and think there's immediate publicity, there's immediate thing happening or you become very

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popular.

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We didn't have this, we had print.

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So there was a lot of mulling around.

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Now it is, you know, visual, you can see the person, you can, you know, take a lead on

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that and you say, okay, if I come on stage like this, I'll become popular.

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So there is a lot to think about that in terms of coverage.

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Yeah.

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Yeah.

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So you've actually spanned three massive changes.

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You started from press, you saw the change into television and from television into digital.

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Yes.

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Right.

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So working in a, okay.

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So why don't we go this at this step by step?

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Then you used news time.

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What is the next, you started working at an Enadu system publication.

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Yeah.

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System publication, news time for five years.

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I was, even as a, but here I must tell you a couple of anecdotes because it's very exciting

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times then.

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I was working on the magazine section, which would come every Sunday and I had a lot of

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people reporting for me and I had a little column called Lolly VD column.

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I would write a little column for kids on a comic page, extremely popular.

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Everybody really got extremely envious because a lot of letters were coming in.

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Then one point day when someone said, oh, but Lalitha, you know, you're not on the mainstream.

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So I went to the boss and said, put me mainstream.

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So he made me business.

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He asked me to write some business.

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Then everyone said, oh, but you're on the business side.

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You said not me, right?

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You're not covering politics.

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So I went and told him, boss, I need to do politics because I'm sick and tired.

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You wouldn't believe it.

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It was election time.

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I was standing there 5.30, I went and complained to him.

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6.30, he said, book your ticket.

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You're going to Patna to cover Vihar politics.

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And I was like, oh my God, seriously?

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I was shocked beyond wits, but I had a fantastic time covering it.

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And I had a coup because I could do Laliprasad Yadav and it was carried in a very big way

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on the op-ed page.

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So I had a lot of stories then and stuff like that.

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So what is it like actually being, you know, at the questioning end of these extremely

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popular politicians?

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Quite often, very nice.

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Most often, in fact.

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And incidentally, I was Chandrababu Naidu, one of the persons who got appointments quite

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often.

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But including him, election time when they are campaigning, if you're not on the campaign

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with them, they can make you wait long.

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So I did an interview with him at 3 a.m. in the morning once and I was waiting in an AC

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comforter, you know, dinner and coffee and stuff like that.

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They make you wait.

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They make you wait a lot.

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And this is where you learn your patience.

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And if you think you're getting a scoop or if the interview is very important, you wait.

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But for a daily reporter, that's, you know, it depends if he needs to get the interview

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or not.

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So depending on if you're working for a newspaper or for a magazine, you decide.

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Okay.

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But by and large, politicians are nice.

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They are not.

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They have not been.

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Right.

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And I've heard this from somebody who used to work at Business India saying that far

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better than advertising.

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I think politicians are great communicators because they are amazingly good at explaining

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things.

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They are very good at simplifying things.

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You can also say that they are very good at manipulating.

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But then the whole point is that they've got a point of view.

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But have you found that it's true across most politicians that you met that they are very

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clear about their concepts?

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They Yes, they are because they want your vote.

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Right.

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Whether you are, you know, an English journalist or not.

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But having said that, again, I'm bringing back Chandrababu Naidu.

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Thanks to Babu, thanks to Naidu, politics became savvy.

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00:12:53,880 --> 00:12:57,880
They understood what was local coverage and what was national coverage.

240
00:12:57,880 --> 00:13:02,160
So when they spoke with us, they spoke with a little more difference because they knew

241
00:13:02,160 --> 00:13:03,800
the audience was wider.

242
00:13:03,800 --> 00:13:05,960
Earlier, that was not there.

243
00:13:05,960 --> 00:13:06,960
Right.

244
00:13:06,960 --> 00:13:11,520
But they were quite localized and they would probably not talk English.

245
00:13:11,520 --> 00:13:14,160
They would speak the local language and stuff like that.

246
00:13:14,160 --> 00:13:19,800
But somehow I have a feeling that Naidu has changed a little in terms of political aspects.

247
00:13:19,800 --> 00:13:26,000
So and in terms of, you know, news awareness also, they began to realize.

248
00:13:26,000 --> 00:13:29,080
Television also coming full force at that time.

249
00:13:29,080 --> 00:13:32,540
So they began to realize that local news is something else and this was.

250
00:13:32,540 --> 00:13:38,540
So when you're talking to a seasoned politician who's been in Delhi for some time, he is

251
00:13:38,540 --> 00:13:41,680
extremely, he will speak extremely well with you.

252
00:13:41,680 --> 00:13:46,520
You know, totally take you astray from the question you asked him, but still speak so

253
00:13:46,520 --> 00:13:47,520
well.

254
00:13:47,520 --> 00:13:49,520
So you kind of have to bring it back.

255
00:13:49,520 --> 00:13:50,520
Yeah.

256
00:13:50,520 --> 00:13:54,320
Sometimes you don't even realize they counter you or taking you in the other direction.

257
00:13:54,320 --> 00:13:58,760
Yeah, take me somewhere else and then you have to tell him, sorry, but you know, come

258
00:13:58,760 --> 00:13:59,760
back.

259
00:13:59,760 --> 00:14:00,760
Okay.

260
00:14:00,760 --> 00:14:02,720
So you have to be a little on a one on one level.

261
00:14:02,720 --> 00:14:07,000
Sometimes at a press conference, you know, you get enough information from the questions

262
00:14:07,000 --> 00:14:08,000
being asked.

263
00:14:08,000 --> 00:14:09,000
So you kind of cover that.

264
00:14:09,000 --> 00:14:10,000
So.

265
00:14:10,000 --> 00:14:13,960
But were you at any point thinking, like you said, okay, you've gotten into journalism.

266
00:14:13,960 --> 00:14:17,000
It had already been five, six years since you spent.

267
00:14:17,000 --> 00:14:18,000
Yeah.

268
00:14:18,000 --> 00:14:22,080
Did you ever have any thoughts about saying, should I explore something else which is related

269
00:14:22,080 --> 00:14:26,240
to writing or life was so interesting that you didn't really have the time to?

270
00:14:26,240 --> 00:14:27,240
Absolutely.

271
00:14:27,240 --> 00:14:32,360
Life was too interesting and I got an offer, two offers for television, but I was, because

272
00:14:32,360 --> 00:14:39,480
somehow you, I relish the fact that I can work on a story rather than, much though it's

273
00:14:39,480 --> 00:14:46,040
nice and for immediacy, I prefer to really do a little sit back on it, dwell upon and

274
00:14:46,040 --> 00:14:47,040
write.

275
00:14:47,040 --> 00:14:49,240
And so I prefer to print you.

276
00:14:49,240 --> 00:14:54,000
Now people might call it a bit lazy, but it wasn't, you know, it was just that you could

277
00:14:54,000 --> 00:14:55,280
add that much.

278
00:14:55,280 --> 00:15:02,360
And so I refused the TV jobs and now fairly late in life, I think of films.

279
00:15:02,360 --> 00:15:03,360
Now.

280
00:15:03,360 --> 00:15:06,960
No, but it's great that you're still looking at this whole thing and saying, okay, there

281
00:15:06,960 --> 00:15:09,680
are new dimensions that you'd like to explore.

282
00:15:09,680 --> 00:15:10,680
Yes.

283
00:15:10,680 --> 00:15:11,680
Yeah.

284
00:15:11,680 --> 00:15:15,280
You've obviously seen whole new generations of reporters come in.

285
00:15:15,280 --> 00:15:18,880
So one of the things which you mentioned early on is that the newcomers probably want to

286
00:15:18,880 --> 00:15:20,560
be on TV much earlier.

287
00:15:20,560 --> 00:15:26,240
And they understand that TV can be a ticket to far better visibility, possibly career

288
00:15:26,240 --> 00:15:28,320
advancement early on.

289
00:15:28,320 --> 00:15:33,720
But what do you think are things that they need to develop once they're in the business?

290
00:15:33,720 --> 00:15:40,560
I think ultimately, even in journalism, in as in any other, it's hard work, right?

291
00:15:40,560 --> 00:15:42,240
You have to be at it.

292
00:15:42,240 --> 00:15:49,240
And quite often local media, in regional media, especially when a woman comes into journalism

293
00:15:49,240 --> 00:15:54,320
or something, she's sent to women and child welfare invariably for some reason, right?

294
00:15:54,320 --> 00:15:57,960
The woman, I just tell girls, take it up.

295
00:15:57,960 --> 00:16:00,640
You can do some phenomenally interesting stories.

296
00:16:00,640 --> 00:16:05,680
And it's over a period of time that these kinds of stories have really hit, you know,

297
00:16:05,680 --> 00:16:06,680
hit home.

298
00:16:06,680 --> 00:16:10,000
And the people, they're like Better India and a couple of other people who are focusing

299
00:16:10,000 --> 00:16:11,000
on these kinds of stories.

300
00:16:11,000 --> 00:16:15,320
So there is journalism out there, which talks of developmental studies, which talks of women,

301
00:16:15,320 --> 00:16:19,360
which talks of welfare, welfare issues and things like that.

302
00:16:19,360 --> 00:16:26,600
Like I said, every young girl or boy, they think politics is, is it when you talk of

303
00:16:26,600 --> 00:16:29,560
journalism, they think they need to do politics.

304
00:16:29,560 --> 00:16:34,280
Whereas I think politics, you know, the guy moves away after five years, and he'll make

305
00:16:34,280 --> 00:16:37,000
some stupid policy decision doesn't matter.

306
00:16:37,000 --> 00:16:42,080
You need to be where, where people are happy, where people have had an impact, somebody

307
00:16:42,080 --> 00:16:43,800
else has done some work.

308
00:16:43,800 --> 00:16:49,220
So there's a lot of, lot of, of course, many people will differ with me on this.

309
00:16:49,220 --> 00:16:55,440
But I think when a youngster gets into television, they must think much beyond politics is what

310
00:16:55,440 --> 00:16:56,440
I think.

311
00:16:56,440 --> 00:16:58,440
There's a, there's a huge world out there.

312
00:16:58,440 --> 00:17:02,480
There's entertainment, there's development, there's rural welfare, and there is all kinds

313
00:17:02,480 --> 00:17:05,000
of, in our time there was nationalism.

314
00:17:05,000 --> 00:17:06,520
Now unfortunately it's not there.

315
00:17:06,520 --> 00:17:12,440
Oops, it's, you know, kind of slowly, I cannot say unfortunate, but it's kind of ebbing.

316
00:17:12,440 --> 00:17:16,680
But those are exciting because you knew the police, you knew the Naxals, and you could

317
00:17:16,680 --> 00:17:19,000
cover that and you could give your perspective.

318
00:17:19,000 --> 00:17:21,040
I mean, fantastic, fantastic.

319
00:17:21,040 --> 00:17:26,480
So tell me what, what is it like to meet, get two completely different points of view.

320
00:17:26,480 --> 00:17:30,760
For example, when you meet the Naxals and you talk to them, you get one point of view.

321
00:17:30,760 --> 00:17:34,480
And then when you talk to the police, you get the exact opposite point of view.

322
00:17:34,480 --> 00:17:40,200
So in your mind, how are you reconciling these two truths, but seen from a completely different

323
00:17:40,200 --> 00:17:41,200
perspective?

324
00:17:41,200 --> 00:17:47,200
You know, at heart, I think all of us, I mean, we are all leftists at a certain level.

325
00:17:47,200 --> 00:17:48,200
Okay.

326
00:17:48,200 --> 00:17:52,760
I mean, so deep inside, what the guy is doing is right.

327
00:17:52,760 --> 00:17:56,680
There is a vigilante in all of us, right, at a certain level.

328
00:17:56,680 --> 00:18:02,720
But having said that, when you, after you meet the Naxals, you kind of, you know, you,

329
00:18:02,720 --> 00:18:06,480
the police, very friendly of course, but they kind of become wary of you.

330
00:18:06,480 --> 00:18:11,640
You know, they say, ah, you went and met them, you spent time with them, so, you know, what

331
00:18:11,640 --> 00:18:13,960
is the use, why should we tell you anything.

332
00:18:13,960 --> 00:18:19,160
But having said that, in Andhra, there was a lot of activity, proactive kind of towards

333
00:18:19,160 --> 00:18:24,640
and so, I mean, YSR did that and therefore, it took this part where, you know, they had

334
00:18:24,640 --> 00:18:26,960
to surrender arms and things like that.

335
00:18:26,960 --> 00:18:32,600
But we've had some tremendous people who have done fantastic work with and we've had several

336
00:18:32,600 --> 00:18:38,160
activists who've done phenomenal work with Naxals, you know, going to grassroot level.

337
00:18:38,160 --> 00:18:43,640
So both the aspects, but depends on you, you never write one story, you write several stories.

338
00:18:43,640 --> 00:18:46,640
So you get the Naxal point of view and then you get the police point of view.

339
00:18:46,640 --> 00:18:47,640
Yeah, that's what I was thinking.

340
00:18:47,640 --> 00:18:48,640
That's totally where.

341
00:18:48,640 --> 00:18:50,560
It's, it's almost as if you get both.

342
00:18:50,560 --> 00:18:55,000
You, you talk to doctors, you talk to patients and that is where you see this multiplicity

343
00:18:55,000 --> 00:18:56,600
of perspectives.

344
00:18:56,600 --> 00:19:01,280
People who tend to be in one job tend to know about one thing because they develop a lot

345
00:19:01,280 --> 00:19:03,040
of specialized knowledge.

346
00:19:03,040 --> 00:19:04,920
You know about television, you can never get perspective.

347
00:19:04,920 --> 00:19:06,760
It's always one sided.

348
00:19:06,760 --> 00:19:12,360
It's my feeling unless you, it's, it's, you know, a developing story, then you give perspective.

349
00:19:12,360 --> 00:19:15,320
But in print, you, you can do it.

350
00:19:15,320 --> 00:19:18,600
You can do justice to both the areas of what I'm.

351
00:19:18,600 --> 00:19:19,600
Okay.

352
00:19:19,600 --> 00:19:25,000
In your mind, where is the change happening in the profession, in your own life?

353
00:19:25,000 --> 00:19:29,280
How do you think things changed as you spent more years in it?

354
00:19:29,280 --> 00:19:37,040
I'm, I think during my time or people of my seniority, we traveled to the place.

355
00:19:37,040 --> 00:19:38,040
Okay.

356
00:19:38,040 --> 00:19:42,240
We traveled to the place, touched the place, smelted and wrote stories.

357
00:19:42,240 --> 00:19:44,240
Now that is not a necessity.

358
00:19:44,240 --> 00:19:46,200
And I think that's criminal, that's criminal.

359
00:19:46,200 --> 00:19:49,240
You will never ever get the true aura story.

360
00:19:49,240 --> 00:19:50,760
And then never, never the truth.

361
00:19:50,760 --> 00:19:54,440
If you don't travel, you will never get what actually happened.

362
00:19:54,440 --> 00:19:58,680
We might have, we, we'll go there after the crime has happened, but you see the area,

363
00:19:58,680 --> 00:20:01,120
you wonder, you think, how did it happen?

364
00:20:01,120 --> 00:20:03,480
You know, and you develop a story on that.

365
00:20:03,480 --> 00:20:04,920
That is no more an essay.

366
00:20:04,920 --> 00:20:07,960
And I think that's really stepping backwards in time.

367
00:20:07,960 --> 00:20:08,960
So how is it handled now?

368
00:20:08,960 --> 00:20:09,960
You're the, the travel is cut down.

369
00:20:09,960 --> 00:20:14,460
You can call, pandemic especially helped, pandemic helped, right?

370
00:20:14,460 --> 00:20:16,200
You just called people and said, what happened?

371
00:20:16,200 --> 00:20:17,200
Tell us.

372
00:20:17,200 --> 00:20:18,200
And that's it.

373
00:20:18,200 --> 00:20:19,200
Yeah.

374
00:20:19,200 --> 00:20:20,200
Which is such a tragedy.

375
00:20:20,200 --> 00:20:22,920
So that's almost like building a story from here, say.

376
00:20:22,920 --> 00:20:24,980
Any, anyone can write, anyone can write.

377
00:20:24,980 --> 00:20:26,640
You don't need to go there.

378
00:20:26,640 --> 00:20:29,560
You don't need to sniff the air and say, how did it happen?

379
00:20:29,560 --> 00:20:35,400
We had a very famous police officer who got shot at the junction of the city and the Naxals

380
00:20:35,400 --> 00:20:37,920
escaped, four of them, they had escaped.

381
00:20:37,920 --> 00:20:42,080
Some of us went there and spent three days, you know, how did it happen?

382
00:20:42,080 --> 00:20:43,440
How could it ever happen?

383
00:20:43,440 --> 00:20:49,960
And then it all kind of fell into, and again, just to say, the Naxals had done their homework.

384
00:20:49,960 --> 00:20:54,320
They done recce trips so often that they, they had it packed, right?

385
00:20:54,320 --> 00:20:55,320
Whoa.

386
00:20:55,320 --> 00:20:57,840
And this is what we tell the police, that the Naxals do their homework.

387
00:20:57,840 --> 00:21:00,160
You guys don't do and we become enemies.

388
00:21:00,160 --> 00:21:04,880
Plus they have the advantage of surprise because they are planning.

389
00:21:04,880 --> 00:21:05,880
Exactly.

390
00:21:05,880 --> 00:21:06,880
They planned it.

391
00:21:06,880 --> 00:21:07,880
Yeah.

392
00:21:07,880 --> 00:21:11,920
And they don't know, whereas the police would not know that this particular thing is happening

393
00:21:11,920 --> 00:21:12,920
there.

394
00:21:12,920 --> 00:21:13,920
Exactly.

395
00:21:13,920 --> 00:21:18,760
One of the changes that Chandrababu Naidu brought about was the way he modified what

396
00:21:18,760 --> 00:21:24,000
he said to a local journalist or what he talked about on the national stage versus what he

397
00:21:24,000 --> 00:21:25,520
spoke on the regional stage.

398
00:21:25,520 --> 00:21:30,760
I think Hyderabad also focused on infrastructure because it was one of the cities where you

399
00:21:30,760 --> 00:21:32,960
began to see a whole lot of change.

400
00:21:32,960 --> 00:21:33,960
Okay.

401
00:21:33,960 --> 00:21:39,440
All those little stories are like drops that add up to the overall picture of what is changing.

402
00:21:39,440 --> 00:21:40,440
Absolutely.

403
00:21:40,440 --> 00:21:41,440
Clinton came.

404
00:21:41,440 --> 00:21:48,240
The top story when Clinton had come, he invited, you know, inaugurate the place was Clinton

405
00:21:48,240 --> 00:21:50,240
got a license in two hours, right?

406
00:21:50,240 --> 00:21:51,240
Okay.

407
00:21:51,240 --> 00:21:53,240
We got him a license and that was high tech.

408
00:21:53,240 --> 00:21:54,720
And we all wrote about it.

409
00:21:54,720 --> 00:22:00,760
But a few of us, it was that Clinton got his own vehicle and he, it was a Humvee.

410
00:22:00,760 --> 00:22:06,320
So we all stood at the gate to see the Humvee go and worshipfully looked at the Humvee and

411
00:22:06,320 --> 00:22:10,360
like, Oh, hopefully Clinton would look at us, wave to us and say, come get it.

412
00:22:10,360 --> 00:22:11,800
I'll take you for a ride.

413
00:22:11,800 --> 00:22:12,800
Never happened.

414
00:22:12,800 --> 00:22:13,800
But these are the things.

415
00:22:13,800 --> 00:22:17,160
Babu introduced us to a world perspective.

416
00:22:17,160 --> 00:22:22,480
A lot of foreigners came, Bill Clinton came and the Microsoft guy came.

417
00:22:22,480 --> 00:22:24,920
All these people came and we could, we could meet them.

418
00:22:24,920 --> 00:22:29,160
We could talk with them and things, things turned dramatic.

419
00:22:29,160 --> 00:22:36,520
And suddenly Andhra was, Hyderabad was at the center of things and we got a lot of attention.

420
00:22:36,520 --> 00:22:40,560
Journalists as journalists, we got a lot of attention nationally.

421
00:22:40,560 --> 00:22:41,560
It was no more South India.

422
00:22:41,560 --> 00:22:42,560
It was Hyderabad.

423
00:22:42,560 --> 00:22:43,560
That happened.

424
00:22:43,560 --> 00:22:44,560
Okay.

425
00:22:44,560 --> 00:22:46,360
So what was it like producing magazine?

426
00:22:46,360 --> 00:22:48,600
You did for almost five years, you said.

427
00:22:48,600 --> 00:22:49,600
Yes.

428
00:22:49,600 --> 00:22:50,600
Yes.

429
00:22:50,600 --> 00:22:53,360
So Body and Beauty Care, I worked, did a lot of good work.

430
00:22:53,360 --> 00:22:58,840
We came up with a magazine called Body Care and the editor didn't know a thing about what

431
00:22:58,840 --> 00:22:59,840
was happening.

432
00:22:59,840 --> 00:23:00,840
She just brought it out.

433
00:23:00,840 --> 00:23:03,360
She said, you'd like to produce it with pleasure.

434
00:23:03,360 --> 00:23:07,920
And I had a couple of people to help and I went and got the first copy, right from the

435
00:23:07,920 --> 00:23:09,880
print, from the machine.

436
00:23:09,880 --> 00:23:15,360
It was a solid black cover and I took it in my hand and all the ink got stuck to my hand,

437
00:23:15,360 --> 00:23:16,640
but I loved it.

438
00:23:16,640 --> 00:23:18,920
The smell of ink, the first issue.

439
00:23:18,920 --> 00:23:23,080
It was like having a new baby in your hands.

440
00:23:23,080 --> 00:23:25,040
It was phenomenal.

441
00:23:25,040 --> 00:23:26,880
I can still smell the ink.

442
00:23:26,880 --> 00:23:29,480
Even in Times of India, Times of India then the letterpress.

443
00:23:29,480 --> 00:23:33,360
So you go and stand with a guy and tell him, ye karo, woh karo, you know, those are then

444
00:23:33,360 --> 00:23:36,440
those guys are so happy that the person was talking.

445
00:23:36,440 --> 00:23:39,740
And then we had the cut and paste in Newstime.

446
00:23:39,740 --> 00:23:44,440
So I grew from there, you know, software where you can sit on the computer and change it.

447
00:23:44,440 --> 00:23:45,680
You can edit it.

448
00:23:45,680 --> 00:23:47,400
It continued on page three.

449
00:23:47,400 --> 00:23:50,960
There we'd have to stand and see that it is continued on page here.

450
00:23:50,960 --> 00:23:53,120
You can on the computer itself.

451
00:23:53,120 --> 00:23:54,120
So huge improvement there.

452
00:23:54,120 --> 00:23:58,480
But of course, once you are a reporter, you're never then you become only a reporter.

453
00:23:58,480 --> 00:24:03,640
So since you were on the inside, what did you think were the changes that digital really

454
00:24:03,640 --> 00:24:04,640
brought about?

455
00:24:04,640 --> 00:24:08,960
So you had this overnight thing, newspapers you would read the next morning.

456
00:24:08,960 --> 00:24:11,320
Today it's breaking news every five minutes.

457
00:24:11,320 --> 00:24:15,440
It's almost as if by the time the newspaper comes out, all that news has already been

458
00:24:15,440 --> 00:24:17,560
discussed, tweeted.

459
00:24:17,560 --> 00:24:20,840
Yes, everyone's gone online also when we've all gone.

460
00:24:20,840 --> 00:24:26,480
No, no, we used to have an online edition where we wrote every at six o'clock in the

461
00:24:26,480 --> 00:24:30,920
whatever is happening during the day, we would have to report if it was very interesting.

462
00:24:30,920 --> 00:24:35,640
So we would have to rush to a point, get some story, come back and cover it.

463
00:24:35,640 --> 00:24:38,040
So that was also extremely exciting.

464
00:24:38,040 --> 00:24:42,120
And you also had to send them story ideas for online, which wouldn't get carried in

465
00:24:42,120 --> 00:24:43,940
the print because that took a week.

466
00:24:43,940 --> 00:24:46,640
So if there was something very interesting, you do it online.

467
00:24:46,640 --> 00:24:50,040
We had we also experienced the immediacy of it.

468
00:24:50,040 --> 00:24:53,040
So we had to come before the newspaper really.

469
00:24:53,040 --> 00:24:55,480
Week magazine, of course, was a week old.

470
00:24:55,480 --> 00:25:00,920
But in this case, we have to come before Deccan Chronicle hit my little basket out there.

471
00:25:00,920 --> 00:25:02,600
So we had to do that.

472
00:25:02,600 --> 00:25:04,520
So that was also exciting.

473
00:25:04,520 --> 00:25:10,080
But it kind of really jolted you off because you really have to be so quick, so quick.

474
00:25:10,080 --> 00:25:17,320
You've been on so many beats, political beauty, naxals.

475
00:25:17,320 --> 00:25:21,400
How do you out of these, which are the points that really stand out?

476
00:25:21,400 --> 00:25:26,160
Obviously, Chandrababu Naidu's, but from let's say some of the other stories, which are the

477
00:25:26,160 --> 00:25:29,320
ones that you still recall so many years later?

478
00:25:29,320 --> 00:25:33,280
Naxalism because I was among the first women.

479
00:25:33,280 --> 00:25:38,200
See this is another thing when because I was in Hyderabad, right, there were only three

480
00:25:38,200 --> 00:25:42,040
women reporters, three women reporters.

481
00:25:42,040 --> 00:25:43,440
I was one among them.

482
00:25:43,440 --> 00:25:48,440
So it was it was a unique experience for us to go out there and get story.

483
00:25:48,440 --> 00:25:51,640
All of us were working with papers, but it was different.

484
00:25:51,640 --> 00:25:54,840
And I learned the language on the job.

485
00:25:54,840 --> 00:25:57,280
And now I can speak very fluent Telugu.

486
00:25:57,280 --> 00:25:58,640
I learned it on the job.

487
00:25:58,640 --> 00:26:04,320
So it was an experience to go there and get a source, translate the thing and, you know,

488
00:26:04,320 --> 00:26:05,320
get the work done.

489
00:26:05,320 --> 00:26:09,680
When you're talking to people in their own language, what is it that you're looking for?

490
00:26:09,680 --> 00:26:15,880
Are you simply asking them questions based on what the incident is or in your mind, you're

491
00:26:15,880 --> 00:26:20,680
trying to get a feel of what their life is like so that that becomes the background texture

492
00:26:20,680 --> 00:26:21,680
of the story?

493
00:26:21,680 --> 00:26:27,840
Actually, I am among it during my stint in The Week, I did a lot, covered a lot of naxalism.

494
00:26:27,840 --> 00:26:30,280
I covered a lot of Dalit, Dalit text.

495
00:26:30,280 --> 00:26:37,520
Andhra was the hub of a lot of, you know, acts against negative acts against Dalit.s

496
00:26:37,520 --> 00:26:42,400
And I had a very dear friend who was a Dalit reporter.

497
00:26:42,400 --> 00:26:46,200
And so it became a kind of, you know, we both helped one another.

498
00:26:46,200 --> 00:26:48,000
I could travel wherever I was.

499
00:26:48,000 --> 00:26:52,320
And he had all the experience and the information which we needed.

500
00:26:52,320 --> 00:26:53,520
So both of us would cover it.

501
00:26:53,520 --> 00:26:55,680
He'd cover for a newspaper and I'd write for it.

502
00:26:55,680 --> 00:27:00,160
That's something that, you know, like you said, if it can be accomplished on a phone,

503
00:27:00,160 --> 00:27:01,920
then people think that, oh, it's fine.

504
00:27:01,920 --> 00:27:06,960
Which I think is one of the problems of living in a virtual environment practically all the

505
00:27:06,960 --> 00:27:07,960
time.

506
00:27:07,960 --> 00:27:11,240
But I will, I will pack my very positive on that.

507
00:27:11,240 --> 00:27:13,000
I was at the ground.

508
00:27:13,000 --> 00:27:15,000
You're completely at the same.

509
00:27:15,000 --> 00:27:18,120
And my last contacts, currently they're alive.

510
00:27:18,120 --> 00:27:20,360
And I traveled.

511
00:27:20,360 --> 00:27:24,880
I don't think any other person, any other reporter who was in Hyderabad has ever done

512
00:27:24,880 --> 00:27:25,880
so.

513
00:27:25,880 --> 00:27:26,880
So I can say that with great pride.

514
00:27:26,880 --> 00:27:29,140
I have traveled a lot, extensively.

515
00:27:29,140 --> 00:27:34,800
So would you say that at some point your family was, I hate to use the word, accommodating

516
00:27:34,800 --> 00:27:38,520
your parents were, you know, they didn't have a point of view on this.

517
00:27:38,520 --> 00:27:42,440
In a way, yes, I didn't, I didn't have children.

518
00:27:42,440 --> 00:27:47,640
So that was a huge, huge advantage because schooling and stuff like that was never a

519
00:27:47,640 --> 00:27:48,640
problem.

520
00:27:48,640 --> 00:27:54,400
I had my parents and I was a bit sick for some time.

521
00:27:54,400 --> 00:28:00,280
But like I said, travel was easy because I cook and go and I had little and then my father

522
00:28:00,280 --> 00:28:03,800
stayed with me for long and he fell ill only towards the end.

523
00:28:03,800 --> 00:28:06,720
And by which time I had, I was not a working job.

524
00:28:06,720 --> 00:28:08,760
I was not reporting as such.

525
00:28:08,760 --> 00:28:09,760
I was working.

526
00:28:09,760 --> 00:28:11,020
I was not reporting as such.

527
00:28:11,020 --> 00:28:12,320
So it helped.

528
00:28:12,320 --> 00:28:14,440
In my case, everything fell into place.

529
00:28:14,440 --> 00:28:17,640
Seriously, I mean, no complaints at all in that area.

530
00:28:17,640 --> 00:28:21,720
Does being a woman make your perspective different?

531
00:28:21,720 --> 00:28:23,760
For example, when you meet Dalit?

532
00:28:23,760 --> 00:28:30,400
Yes and no, because we are not looking at a Dalit problem from the at all.

533
00:28:30,400 --> 00:28:34,080
You look at it as a overall issue.

534
00:28:34,080 --> 00:28:41,520
And because the more we, I think we are probably that much more sensitive undeniably, but when

535
00:28:41,520 --> 00:28:46,120
you are really writing for a newspaper that doesn't come across, it depends on how you

536
00:28:46,120 --> 00:28:47,800
present the problem.

537
00:28:47,800 --> 00:28:54,000
And probably my story is a slightly more human interest and more human value than others,

538
00:28:54,000 --> 00:28:55,000
definitely.

539
00:28:55,000 --> 00:28:59,160
But I do not know if that was because I was or just that I was more interested at the

540
00:28:59,160 --> 00:29:01,200
grassroot level with these, therefore.

541
00:29:01,200 --> 00:29:02,200
Right.

542
00:29:02,200 --> 00:29:06,200
See a local reporter from that village covering that story would be entirely different from

543
00:29:06,200 --> 00:29:10,680
a person who's read a little bit more and goes there and covers the story.

544
00:29:10,680 --> 00:29:12,560
I think that is what brought in.

545
00:29:12,560 --> 00:29:13,560
Right.

546
00:29:13,560 --> 00:29:14,560
You know, your approach.

547
00:29:14,560 --> 00:29:19,760
So I think the man was covering that same story, he probably would meet the men, but

548
00:29:19,760 --> 00:29:25,400
not necessarily the women from within because of the various social things which are there

549
00:29:25,400 --> 00:29:26,400
or that doesn't matter.

550
00:29:26,400 --> 00:29:30,560
I was telling you this person, both helped on his stories.

551
00:29:30,560 --> 00:29:32,200
He's written a little book on that.

552
00:29:32,200 --> 00:29:35,600
His stories are superb in local language, sheer poetry.

553
00:29:35,600 --> 00:29:39,960
Unfortunately, we could, our coverage could never be poetry because we were not allowed

554
00:29:39,960 --> 00:29:42,280
to write so long, such long stories.

555
00:29:42,280 --> 00:29:44,000
But it was sheer poetry.

556
00:29:44,000 --> 00:29:45,480
He covered it also there.

557
00:29:45,480 --> 00:29:49,080
But there are certain issues like when you cover national, our perspective is entirely

558
00:29:49,080 --> 00:29:50,560
different from a male perspective.

559
00:29:50,560 --> 00:29:51,560
Definitely.

560
00:29:51,560 --> 00:29:52,560
Yeah.

561
00:29:52,560 --> 00:29:53,560
Okay.

562
00:29:53,560 --> 00:29:54,560
How did you manage your sources?

563
00:29:54,560 --> 00:29:59,000
Locating a source or you said you're still in touch with some of them.

564
00:29:59,000 --> 00:30:01,680
So what exactly, how do sources get built?

565
00:30:01,680 --> 00:30:07,080
I think that's the larger question and how do you manage them over a career?

566
00:30:07,080 --> 00:30:12,240
See basically sources in politics is you kind of keep meeting.

567
00:30:12,240 --> 00:30:13,240
Yeah.

568
00:30:13,240 --> 00:30:18,360
So here I will tell you the brotherhood is very strong, extremely strong.

569
00:30:18,360 --> 00:30:23,160
So if a male journalist goes, arm goes across the shoulder and hey, hey, they're cracking

570
00:30:23,160 --> 00:30:27,560
jokes and they're talking and he's on the phone, they get immediate contact.

571
00:30:27,560 --> 00:30:29,800
We have to do that much more hard work.

572
00:30:29,800 --> 00:30:34,320
Even with a woman quality, we would have to do that much more hard work than a male quality

573
00:30:34,320 --> 00:30:36,400
for some reason.

574
00:30:36,400 --> 00:30:39,720
I would like to say a lot but not as to why that happens.

575
00:30:39,720 --> 00:30:45,160
That a woman has to work harder at developing her source, quality and whereas other business

576
00:30:45,160 --> 00:30:50,920
sources you might get, you might be able to get one on one, talk to them and doesn't

577
00:30:50,920 --> 00:30:51,920
matter.

578
00:30:51,920 --> 00:30:56,840
Police also, I managed a few very good sources but very difficult for a woman to cross that

579
00:30:56,840 --> 00:30:57,840
barrier.

580
00:30:57,840 --> 00:30:58,840
Breakthrough.

581
00:30:58,840 --> 00:31:02,480
Yeah, cross that barrier, very difficult and it's a lot of hard work.

582
00:31:02,480 --> 00:31:08,000
I mean, real, you have to do PR, you know, call them up, how's life, how are you, can

583
00:31:08,000 --> 00:31:09,160
I come and visit you?

584
00:31:09,160 --> 00:31:13,400
So I was doing unnecessary visits out of town just to keep in touch with the police so that

585
00:31:13,400 --> 00:31:14,400
he would tell me.

586
00:31:14,400 --> 00:31:18,320
We did all this because it was natural times, therefore, because I want to know immediate

587
00:31:18,320 --> 00:31:19,800
news about when something happens.

588
00:31:19,800 --> 00:31:24,880
Otherwise, I suppose you call them up and I used to know every single, there were 13

589
00:31:24,880 --> 00:31:28,800
districts, I used to know the SP of every single, every single district.

590
00:31:28,800 --> 00:31:32,560
I knew the SP, the DSP, the AC, you name them, I knew them.

591
00:31:32,560 --> 00:31:33,560
I know their numbers.

592
00:31:33,560 --> 00:31:34,560
Very well connected there.

593
00:31:34,560 --> 00:31:35,560
Exactly.

594
00:31:35,560 --> 00:31:36,560
Yes.

595
00:31:36,560 --> 00:31:37,560
Yeah.

596
00:31:37,560 --> 00:31:42,840
Is there a way to differentiate this or this is really a personal judgment?

597
00:31:42,840 --> 00:31:46,640
No, no, of course, you could code and an axel is unfortunate.

598
00:31:46,640 --> 00:31:49,800
Again, I use the word no more on the ground.

599
00:31:49,800 --> 00:31:53,560
But yeah, you could differentiate who was an axel and who was not.

600
00:31:53,560 --> 00:31:58,960
Again, I had my team, which would, you know, when we went, we went to the genuine person.

601
00:31:58,960 --> 00:31:59,960
Okay.

602
00:31:59,960 --> 00:32:04,640
Again, it took a lot of hard work, a lot of looking across over the shoulder, a lot of

603
00:32:04,640 --> 00:32:08,280
secrecy, a lot of phone calls, don't call me now, call me later.

604
00:32:08,280 --> 00:32:11,120
Those days it was, you know, dial your number.

605
00:32:11,120 --> 00:32:14,680
So it was a lot of hard work, but we had a genuine source.

606
00:32:14,680 --> 00:32:15,680
Okay.

607
00:32:15,680 --> 00:32:17,040
How did you manage the tensions?

608
00:32:17,040 --> 00:32:22,120
Because it was obviously not easy, especially the deadline of catching a story or, you know,

609
00:32:22,120 --> 00:32:27,080
getting through to these people, getting them to trust you, figuring out there were points

610
00:32:27,080 --> 00:32:28,080
when maybe…

611
00:32:28,080 --> 00:32:29,080
Trust was not sad.

612
00:32:29,080 --> 00:32:30,080
Trust was never an issue, Benu.

613
00:32:30,080 --> 00:32:31,080
Trust was never an issue.

614
00:32:31,080 --> 00:32:38,680
But again, people are genuine when probably here being a woman, and invariably by the

615
00:32:38,680 --> 00:32:45,120
way, when you go to any place, rural, any place new, you take the local person.

616
00:32:45,120 --> 00:32:50,080
So your rapport with the local is very, and you have to build it up and therefore it happened.

617
00:32:50,080 --> 00:32:52,040
But trust was never an issue.

618
00:32:52,040 --> 00:32:53,040
Okay.

619
00:32:53,040 --> 00:32:54,040
Okay.

620
00:32:54,040 --> 00:32:58,760
And then let's say, did you ever have a conflict about a story that, you know, you knew would

621
00:32:58,760 --> 00:33:04,440
be great to break, but you either were told that this is off the record and I guess it

622
00:33:04,440 --> 00:33:06,360
must be happening very often.

623
00:33:06,360 --> 00:33:07,360
Always.

624
00:33:07,360 --> 00:33:08,360
Always.

625
00:33:08,360 --> 00:33:09,360
Always.

626
00:33:09,360 --> 00:33:12,560
So the best news never gets published or the worst?

627
00:33:12,560 --> 00:33:13,560
Never.

628
00:33:13,560 --> 00:33:14,560
Yeah.

629
00:33:14,560 --> 00:33:15,560
Believe it.

630
00:33:15,560 --> 00:33:16,560
We will find more details and then we will publish it.

631
00:33:16,560 --> 00:33:17,560
Always.

632
00:33:17,560 --> 00:33:21,080
And you know, you work on it, you wait for the introduction to come and you're spending

633
00:33:21,080 --> 00:33:25,880
hours on end, you don't sleep the night and you think you've got a fantastic intro, the

634
00:33:25,880 --> 00:33:29,680
blighter will put it right at the end of this, what you thought was a brilliant intro would

635
00:33:29,680 --> 00:33:31,480
come as a conclusion of the story.

636
00:33:31,480 --> 00:33:36,120
But that is the job of, the magazine has to look as the magazine looks.

637
00:33:36,120 --> 00:33:38,840
That's the part of the desk job there.

638
00:33:38,840 --> 00:33:39,840
Yeah.

639
00:33:39,840 --> 00:33:40,840
But yeah.

640
00:33:40,840 --> 00:33:43,880
So is there a tension between the desk and the reporters?

641
00:33:43,880 --> 00:33:44,880
The reporters?

642
00:33:44,880 --> 00:33:45,880
Not really.

643
00:33:45,880 --> 00:33:46,880
Not with the news magazine.

644
00:33:46,880 --> 00:33:49,880
And even when I was on the desk at news time, we never had it.

645
00:33:49,880 --> 00:33:50,880
Okay.

646
00:33:50,880 --> 00:33:53,800
Only thing is the editor would of course check that the news was genuine.

647
00:33:53,800 --> 00:33:58,640
If it was breaking news especially, so is the news genuine, go check it out again and

648
00:33:58,640 --> 00:33:59,640
things like that.

649
00:33:59,640 --> 00:34:03,760
But by and large, by and large the desk and they remain together.

650
00:34:03,760 --> 00:34:04,760
Okay.

651
00:34:04,760 --> 00:34:07,680
I mean these days they might be complex, those days they were not.

652
00:34:07,680 --> 00:34:13,120
The right qualifications of the right temperament for being at the desk versus being a reporter,

653
00:34:13,120 --> 00:34:15,240
how would you divide the two?

654
00:34:15,240 --> 00:34:18,440
The reporters, the reporter always takes his capsules.

655
00:34:18,440 --> 00:34:19,840
You can't ever change that.

656
00:34:19,840 --> 00:34:24,920
He's like there, you know he'll walk in, sashay in, have a cigarette, those days cigarette

657
00:34:24,920 --> 00:34:29,160
and you know and make a big thing and come and look at his story and say why don't you

658
00:34:29,160 --> 00:34:30,160
change this.

659
00:34:30,160 --> 00:34:33,120
He thinks his capsules are scarce, he, she, right.

660
00:34:33,120 --> 00:34:38,040
Whereas the desk person is like, it is the desk person's story which really appears.

661
00:34:38,040 --> 00:34:42,680
In the magazine, in the newspaper, in the magazine, in the newspaper probably not too

662
00:34:42,680 --> 00:34:46,080
much of a change because the person really is giving last minute.

663
00:34:46,080 --> 00:34:48,240
The English is changed, the grammar is changed.

664
00:34:48,240 --> 00:34:53,800
In a magazine the entire story is, so it is really not your story, your byline is carried

665
00:34:53,800 --> 00:34:55,880
but it is that person who's polished that story.

666
00:34:55,880 --> 00:35:00,720
So there is a huge difference and reporters think they are a class apart.

667
00:35:00,720 --> 00:35:03,680
They will not acknowledge the work desk person.

668
00:35:03,680 --> 00:35:07,280
Whereas I think the desk person is like a diamond polish.

669
00:35:07,280 --> 00:35:09,440
He brings the facets of the story.

670
00:35:09,440 --> 00:35:10,440
Okay.

671
00:35:10,440 --> 00:35:14,040
Is there a spirit of competition, rivalry between publications?

672
00:35:14,040 --> 00:35:18,600
You're going after the same story or that is something that is part of the job and everyone

673
00:35:18,600 --> 00:35:19,600
accepts it or?

674
00:35:19,600 --> 00:35:20,600
Yeah.

675
00:35:20,600 --> 00:35:24,440
If you're on a newspaper, you normally come to the press club after 11 p.m. when you put

676
00:35:24,440 --> 00:35:25,920
the story to bed.

677
00:35:25,920 --> 00:35:28,600
So you would come and you order your drink and you come and drink.

678
00:35:28,600 --> 00:35:31,000
So there is no, not much of rivalry there.

679
00:35:31,000 --> 00:35:33,600
Unless you're a television person.

680
00:35:33,600 --> 00:35:37,560
Then these days at the press club there is a lot of, you know, there is breaking, but

681
00:35:37,560 --> 00:35:39,240
again I said there is a chimeric.

682
00:35:39,240 --> 00:35:43,680
I mean they would let you know that something is happening and that there is a break in

683
00:35:43,680 --> 00:35:44,680
news.

684
00:35:44,680 --> 00:35:45,920
So it happens.

685
00:35:45,920 --> 00:35:48,760
Maybe the national versus local might have a bit of an issue.

686
00:35:48,760 --> 00:35:51,800
But the local journalists all get together and they work at it.

687
00:35:51,800 --> 00:35:52,800
Not an issue.

688
00:35:52,800 --> 00:35:53,800
Like I said, we all carry a common lead.

689
00:35:53,800 --> 00:36:00,480
I mean you cannot carry another lead and get your, you know, kind of, yeah.

690
00:36:00,480 --> 00:36:04,160
You know, you passed out in arts and then you thought you would be a lecturer.

691
00:36:04,160 --> 00:36:07,360
Today there are journalism colleges, there are courses.

692
00:36:07,360 --> 00:36:08,840
Do you think that has made a difference?

693
00:36:08,840 --> 00:36:11,160
There is the Asian College of Journalism.

694
00:36:11,160 --> 00:36:12,160
I think the Hindu does it.

695
00:36:12,160 --> 00:36:15,160
Oh, they think they are cats whiskers whiskers.

696
00:36:15,160 --> 00:36:20,200
I mean we are and the people are given that kind of, it's like the IIM or the IID.

697
00:36:20,200 --> 00:36:23,760
So the Asian School of Journalism is considered as that.

698
00:36:23,760 --> 00:36:27,560
But ultimately if you are on the desk, you are giving a headline.

699
00:36:27,560 --> 00:36:30,320
If you are on, if you are a reporter, you are writing reports.

700
00:36:30,320 --> 00:36:33,800
I mean maybe your English is likely better than the rest.

701
00:36:33,800 --> 00:36:40,320
But if you really do not have your contacts, do not have your grassroots support, if you

702
00:36:40,320 --> 00:36:45,200
do not have enough happening around you, I mean how does it matter, right?

703
00:36:45,200 --> 00:36:50,960
I would think, but then I am not from Asian School of Journalism, so I can afford to talk.

704
00:36:50,960 --> 00:36:55,120
It's so true that the degree is useful up to the first job.

705
00:36:55,120 --> 00:36:57,120
After that it really depends on what you do.

706
00:36:57,120 --> 00:36:58,120
Ultimately it's your contact.

707
00:36:58,120 --> 00:36:59,120
Nobody asks you.

708
00:36:59,120 --> 00:37:00,840
If you want to be a reporter, yes.

709
00:37:00,840 --> 00:37:01,840
Yeah, exactly.

710
00:37:01,840 --> 00:37:06,880
You know, it's like guys who go and do a course abroad in filmmaking and then come back and

711
00:37:06,880 --> 00:37:08,720
say, okay, where did you assist?

712
00:37:08,720 --> 00:37:09,720
What did you do?

713
00:37:09,720 --> 00:37:10,720
Yes, precisely.

714
00:37:10,720 --> 00:37:17,320
You know, you see so many more movies, it's about all.

715
00:37:17,320 --> 00:37:19,800
So did you have a mentor?

716
00:37:19,800 --> 00:37:23,240
Do you feel that it's important in a job to have a mentor?

717
00:37:23,240 --> 00:37:24,720
In journalism, no.

718
00:37:24,720 --> 00:37:30,720
In any profession, but you obviously are into journalism because you feel that.

719
00:37:30,720 --> 00:37:34,320
Yeah, no, no, and you don't need a mentor or depending.

720
00:37:34,320 --> 00:37:37,040
For example, I must tell you this little story.

721
00:37:37,040 --> 00:37:42,240
I joined a group called the Pandit Group Publication.

722
00:37:42,240 --> 00:37:43,240
It brought out imprint.

723
00:37:43,240 --> 00:37:47,600
There are two things I will always feel bad in life that I never worked for the imprint.

724
00:37:47,600 --> 00:37:52,640
I think the best magazine, there's Caravan, which is again one of the best produced magazines

725
00:37:52,640 --> 00:37:57,040
and there's the Indian Express, which I think is the, you know, honest newspaper.

726
00:37:57,040 --> 00:37:58,760
I never worked in these three.

727
00:37:58,760 --> 00:38:03,920
Imprint, I actually applied to imprint, but they didn't have A3 and so therefore I joined

728
00:38:03,920 --> 00:38:08,520
there, they were coming out with a new magazine on sound and music and stuff like that.

729
00:38:08,520 --> 00:38:13,120
But there was Weed Song Weed and there were like eight girls and they'll always be talking

730
00:38:13,120 --> 00:38:17,360
and they'll always be talking and I, that is the one time I was extremely envious that

731
00:38:17,360 --> 00:38:19,560
I was not part of a harem, right?

732
00:38:19,560 --> 00:38:26,240
I mean like I felt very bad, very, very, but yes, at that time I'm entering hell because

733
00:38:26,240 --> 00:38:31,000
they came out with some phenomenal stories, fantastic great stories and they worked so

734
00:38:31,000 --> 00:38:32,000
much at it.

735
00:38:32,000 --> 00:38:33,320
They were allowed a lot of freedom.

736
00:38:33,320 --> 00:38:38,000
The Weak magazine also allowed, all our editors were our mentors.

737
00:38:38,000 --> 00:38:41,440
I mean we would discuss it with them and you know, break the story and tell them these

738
00:38:41,440 --> 00:38:43,000
are the various aspects.

739
00:38:43,000 --> 00:38:44,280
They would help us through it.

740
00:38:44,280 --> 00:38:48,480
I'm trying to understand how does the editor help you refine the story?

741
00:38:48,480 --> 00:38:52,520
In the sense, does he change, he or she change the emphasis?

742
00:38:52,520 --> 00:38:57,480
Do they change the order in which the story comes or does he say that certain aspects

743
00:38:57,480 --> 00:38:58,720
of this have not been covered?

744
00:38:58,720 --> 00:39:01,240
They would of course on a lot of that.

745
00:39:01,240 --> 00:39:02,240
Okay.

746
00:39:02,240 --> 00:39:06,080
And there's always this fight, if you're writing from grass root, they're asking you

747
00:39:06,080 --> 00:39:07,080
weird questions, right?

748
00:39:07,080 --> 00:39:11,760
Because they are sitting somewhere else and they're totally urban and they do not understand

749
00:39:11,760 --> 00:39:13,080
where it's coming from.

750
00:39:13,080 --> 00:39:18,440
So those kind of little clashes would happen but by and large the person who's editing

751
00:39:18,440 --> 00:39:24,480
your story is with you through the story and the person understands you and would polish

752
00:39:24,480 --> 00:39:28,280
the story and of course they would like I said change the introduction to conclusion

753
00:39:28,280 --> 00:39:30,320
and bring the conclusion as introduction.

754
00:39:30,320 --> 00:39:31,600
That is their privilege.

755
00:39:31,600 --> 00:39:38,360
So you would but there are one or two reporters from the magazine whose story was never touched.

756
00:39:38,360 --> 00:39:40,020
So that speaks a lot.

757
00:39:40,020 --> 00:39:45,120
So how would you file stories way back when communication was nowhere near as good as

758
00:39:45,120 --> 00:39:46,120
especially when you were going in the morning?

759
00:39:46,120 --> 00:39:47,120
Oh exciting.

760
00:39:47,120 --> 00:39:50,120
I covered a story for, I covered it through phone, through phone.

761
00:39:50,120 --> 00:39:52,960
By the way, I was also reporting for Malayalam.

762
00:39:52,960 --> 00:39:56,720
So by phone in a sense you were literally dictating the story?

763
00:39:56,720 --> 00:39:57,720
They were dictating the story.

764
00:39:57,720 --> 00:40:01,840
There was somebody who would take it because we were in the wilderness and there was only

765
00:40:01,840 --> 00:40:04,600
one telephone available and I couldn't send the story.

766
00:40:04,600 --> 00:40:08,080
But otherwise we would send the story through the telegraph office.

767
00:40:08,080 --> 00:40:11,240
I can't even think about it.

768
00:40:11,240 --> 00:40:14,760
Yeah we would go there and type and they would send it.

769
00:40:14,760 --> 00:40:19,760
But that happened only for a year or two before we kind of became slightly computer savvy.

770
00:40:19,760 --> 00:40:22,240
All the people in the week magazine had a Mac.

771
00:40:22,240 --> 00:40:23,240
I never got used to a Mac.

772
00:40:23,240 --> 00:40:24,240
It was always using Word.

773
00:40:24,240 --> 00:40:28,840
No and I'm saying that's the other part, practically all the jobs we are talking about

774
00:40:28,840 --> 00:40:34,640
today advertising agencies used to send CDs by courier and got into publication.

775
00:40:34,640 --> 00:40:36,360
Most of the change has been for the good?

776
00:40:36,360 --> 00:40:37,360
Yeah most.

777
00:40:37,360 --> 00:40:44,240
It has been good because no it has been good one and I'm still traveling so I'm not envious

778
00:40:44,240 --> 00:40:49,600
of anybody and no one else is traveling which is seriously the tragedy of this that no one

779
00:40:49,600 --> 00:40:52,560
is going out there to cover a story.

780
00:40:52,560 --> 00:40:54,440
They are sitting here and writing.

781
00:40:54,440 --> 00:41:00,800
Of course there are correspondence but people are not traveling which is really a big setback.

782
00:41:00,800 --> 00:41:04,840
So from what you say I think people who are trying to enter the profession should be doing

783
00:41:04,840 --> 00:41:09,880
do a lot of travel into the interior areas, figure out what life is like, figure out if

784
00:41:09,880 --> 00:41:13,520
you like doing it and then figure out if you like discomfort.

785
00:41:13,520 --> 00:41:18,480
We are used to a lot of comfort these days so getting these stories obviously wasn't

786
00:41:18,480 --> 00:41:21,880
a comfortable exercise by any means.

787
00:41:21,880 --> 00:41:23,000
Not at all.

788
00:41:23,000 --> 00:41:29,880
I once had to travel, climb a mountain and you know I looked at the mountain and said

789
00:41:29,880 --> 00:41:32,160
come on Lalitha I can climb this.

790
00:41:32,160 --> 00:41:33,920
Oh it was a bad experience.

791
00:41:33,920 --> 00:41:38,880
I huffed and puffed and gave my bag to somebody, my water bottle to somebody and then I kind

792
00:41:38,880 --> 00:41:42,000
of you know grabbed whatever was available and climbed up.

793
00:41:42,000 --> 00:41:46,360
Those are the kind of stories we did and you know when it got published you could see the

794
00:41:46,360 --> 00:41:47,440
sweat in it.

795
00:41:47,440 --> 00:41:49,520
You could see the work you know in the set.

796
00:41:49,520 --> 00:41:54,000
I felt it and then the local journalists or the local people say oh you went there and

797
00:41:54,000 --> 00:41:55,000
you did this.

798
00:41:55,000 --> 00:41:56,000
It was a nice feeling.

799
00:41:56,000 --> 00:42:01,240
Yeah I think that's the point of authenticity because you give details that only if you

800
00:42:01,240 --> 00:42:03,200
are on site you could have made out.

801
00:42:03,200 --> 00:42:04,200
That is what I am saying.

802
00:42:04,200 --> 00:42:10,680
There is no way that somebody who sort of had a distant view would have actually been

803
00:42:10,680 --> 00:42:11,680
in.

804
00:42:11,680 --> 00:42:12,680
No way.

805
00:42:12,680 --> 00:42:13,680
No way.

806
00:42:13,680 --> 00:42:14,680
You cannot.

807
00:42:14,680 --> 00:42:15,920
That mountain experience no one can tell it unless you travel.

808
00:42:15,920 --> 00:42:18,440
What about women in journalism?

809
00:42:18,440 --> 00:42:22,720
There are obviously a lot more today than when you started out, but do you think it's

810
00:42:22,720 --> 00:42:27,720
still skewed towards males or do you think it's more or less kind of.

811
00:42:27,720 --> 00:42:28,720
No it's not.

812
00:42:28,720 --> 00:42:29,720
It's no more skewed.

813
00:42:29,720 --> 00:42:30,720
No more skewed.

814
00:42:30,720 --> 00:42:31,720
Ok.

815
00:42:31,720 --> 00:42:38,040
And women are right out there, absolutely out there, but like I said there is a here

816
00:42:38,040 --> 00:42:43,840
we need to divide between English newspapers and local regional newspapers.

817
00:42:43,840 --> 00:42:50,200
The local will not allow so the English newspapers have crossed that way beyond long back.

818
00:42:50,200 --> 00:42:55,080
So we've had a lot more women reporters who've been writing so many so many good stories

819
00:42:55,080 --> 00:42:59,520
and they've been doing so much more and Delhi especially way ahead.

820
00:42:59,520 --> 00:43:05,040
South kind of took some time, but Delhi and some of the other place Bombay has been there,

821
00:43:05,040 --> 00:43:09,600
but local journalism still kind of a little tad hesitant.

822
00:43:09,600 --> 00:43:10,600
Yeah.

823
00:43:10,600 --> 00:43:11,600
Ok.

824
00:43:11,600 --> 00:43:12,600
Wow that's been quite a journey.

825
00:43:12,600 --> 00:43:16,840
Where do you see this going out and looking at new things?

826
00:43:16,840 --> 00:43:18,200
What are your interests now?

827
00:43:18,200 --> 00:43:19,560
No just about everything.

828
00:43:19,560 --> 00:43:24,680
I am I think currently currently I'm still objectivity right.

829
00:43:24,680 --> 00:43:29,600
I write about food, I write about where I went, how I travelled, I write a little blog.

830
00:43:29,600 --> 00:43:34,800
So I mean people read it and they like it and you know some of them I visit temples

831
00:43:34,800 --> 00:43:40,440
so I'll write the journey to the temple and many people I realize appreciate the fact

832
00:43:40,440 --> 00:43:45,600
when I point it out where they can get good food and where they can find clean toilets.

833
00:43:45,600 --> 00:43:48,600
So that is a positive step.

834
00:43:48,600 --> 00:43:53,440
No those are always the little details that matter.

835
00:43:53,440 --> 00:43:57,480
It's one thing to say I watched a lovely sunset, but the sunset happens and then you have to

836
00:43:57,480 --> 00:44:02,040
go back to your hotel, find food and all the other things which are there.

837
00:44:02,040 --> 00:44:08,940
Wonderful so just to kind of summarize I think from the girl who won the debate competition

838
00:44:08,940 --> 00:44:16,320
and started out at the Times of India to a beauty magazine and then met so many doctors

839
00:44:16,320 --> 00:44:26,320
and practitioners there to Newsweek, I mean ENADO Newsline and the multiplicity of characters

840
00:44:26,320 --> 00:44:33,320
that you've seen on every side of the fence from the politicians to the stars to the Naxals

841
00:44:33,320 --> 00:44:34,640
to the police.

842
00:44:34,640 --> 00:44:41,040
I think you've got to see a microcosm of the multiple perspectives that happen which I

843
00:44:41,040 --> 00:44:43,280
think is unique to a journalist job.

844
00:44:43,280 --> 00:44:48,120
So that's one thing which I think is you know in most other professions you get to see it

845
00:44:48,120 --> 00:44:52,520
either from your point of view or from the other point of view and if you have a large

846
00:44:52,520 --> 00:44:58,440
circle of friends you might get to see a little more perspective, but here it's on the job.

847
00:44:58,440 --> 00:45:03,800
In conclusion is there anything that you would like to tell young people who are looking

848
00:45:03,800 --> 00:45:05,800
at getting into this?

849
00:45:05,800 --> 00:45:08,800
Don't say no to any assignment and work hard.

850
00:45:08,800 --> 00:45:09,800
Don't say no to any assignment.

851
00:45:09,800 --> 00:45:10,800
There is no, there is no law.

852
00:45:10,800 --> 00:45:15,600
There is no I will not cover welfare, I'll only do no.

853
00:45:15,600 --> 00:45:18,960
Every area, every subject has depth.

854
00:45:18,960 --> 00:45:20,360
We can always look.

855
00:45:20,360 --> 00:45:22,120
So don't say no to any subject.

856
00:45:22,120 --> 00:45:28,920
Just you're given an assignment, do it with your heart and hard work pays always.

857
00:45:28,920 --> 00:45:30,480
And you're an example of that.

858
00:45:30,480 --> 00:45:34,600
Lalitha Iyer, thank you very much for the time that you've spent.

859
00:45:34,600 --> 00:45:40,800
I think it was really interesting to see how your journey started and how it continues.

860
00:45:40,800 --> 00:45:45,360
Here's wishing you continued writing and new explorations in future.

861
00:45:45,360 --> 00:45:46,360
Thank you for being on the show.

862
00:45:46,360 --> 00:45:47,360
Entirely my pleasure.

863
00:45:47,360 --> 00:45:48,360
Thank you so much for inviting me.

864
00:45:48,360 --> 00:45:49,360
Thank you very much.

865
00:45:49,360 --> 00:46:03,200
Good afternoon.

