WEBVTT

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It is possible to be thankful every moment, every

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day. It is possible to be thankful every moment,

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every day. It takes practice and humility. Hi,

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and welcome to Tell Me What Happened, the podcast

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that features real people talking about real

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events from their childhood and how those events

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impacted their lives. I'm your host, Jay Rehack.

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And I love listening to stories from people's

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childhood, which also helped me understand who

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those people are. Tell Me What Happened is sponsored

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by Sidelining Publishing, publishers of quality

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books, including Susan Salador's children's book,

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I've Got Peace in My Fingers, available worldwide

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wherever quality books are sold. Tell Me What

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Happened is also sponsored by laughsaver .com.

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Visit laughsaver .com and record your laughter.

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We'll save it for you now and forever. It's free

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and it's easy to use. That's laughsaver .com.

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So today I'd like to introduce to you a friend

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of mine, a man I've known for about 35 years,

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one of the most creative men I've ever met in

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my life. He's a production designer out in California,

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works on TV and movies, et cetera. But more than

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anything relative to his job is just the fact

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that every time I talk to him, There's just a

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creativity and an energy that I envy. So I'd

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like to welcome to our show, Tell Me What Happened,

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Stuart Blatt. Stuart's out in Pasadena right

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now, and we're doing this via Zoom. So welcome,

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Stuart. Thank you, Jay. Welcome to you. Well,

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Stuart, tell me what happened. Are you ready

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to tell your story? I guess so. I think I was

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ready as I'll ever be. Alright, you know what

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I'm gonna do Stuart. I'm gonna get out of the

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way I'm gonna let you tell your story then afterwards

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I'm gonna ask you one question and that's gonna

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be how is that whatever you're telling me How

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has that impacted your life, but I will not interrupt

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you if I can if I can help it So microphone is

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yours All right well It all started years ago,

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I guess everything started years ago my I'm through

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the Philadelphia area and my grandparents owned

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a farm that was a summer camp where they lived

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in North Wales, Pennsylvania. And it was 137

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acres. And it was my kingdom. I was the first

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grandchild. And I was very close to my grandparents.

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And my mom was raised there. And my mom was not

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so in love with the country having been raised

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there as an only child for a while until her

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siblings were born. But for me, it was always

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very captivating, and I loved being there with

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my grandparents and my aunts and uncles, and

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I loved exploring, and I loved walking through

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the woods, and I loved spending every bit of

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time I could out there. And we also happened

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to live on the property when I was very young,

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so it was very near and dear to my heart. And

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my mom had three siblings. They all were born

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and raised there. And my mom's youngest sister,

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Rosie, was everything to me. She was my world.

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And I was her play toy. I think she was probably

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12 or so when I was born. And so I was, you know,

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this new puppy that they got to bring home and

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play with. And I have fantastic memories and

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a lot of photographs of she and I together playing

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in the snow, building snowmen or building igloos

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or doing... other adventurous things on the property.

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But my memories of my aunt are what I hold near

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and dear to me because, again, I think because

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I was the first grandchild and I was so new to

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her that she treated me like a plaything and

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a puppy dog. And she would take me everywhere.

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And I have great memories. of going to her high

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school with her when I was very young. And I

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really can't even place these as much as I can

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remember them viscerally of learning to make

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peanut butter cookies with she and her friends.

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And as out of memory as that is, whenever I see

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or eat a peanut butter cookie and see the three

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depressions of the fork times in the top of a

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peanut butter cookie, a memory floods back of

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that day. at North Penn High School in Lansdale,

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Pennsylvania, of making peanut butter cookies

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with my aunt and her friends. I also have a memory

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of my aunt and her friends taking me to a high

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school football game. But I remember going to

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sit in the end zone on the grassy hill behind

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the goalpost, and I remember them bringing a

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bag of confetti with them. I'm not sure if I

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ever saw confetti in my life. I don't know if

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they just bought this at a party store. If they

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even had party stores back in, you know, 1962.

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But I remember now, whenever I see confetti,

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also telling this story and launching into the

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idea of this memory of, I guess we threw confetti

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in the air at the game. I have no idea what we

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did. But it's a very visceral or cellular memory

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of my aunt. Philadelphia... At that time, in

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the early 60s, I was born in 56. Philadelphia

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was a very happening city. And even though we

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lived in the suburbs and further out, my grandparents'

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farm was in the country, which has now really

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become the suburbs, because everything is encroached

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upon it. And the farm's been gone for years.

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The camp's been sold, and now it's a housing

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development. But Philadelphia had a very famous

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and still has a very famous folk festival, the

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Philadelphia Folk Festival, which was one of

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the... across the country, along with Newport

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Folk Festival in Newport, Rhode Island, Philadelphia

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Folk Festival, and I believe in Monterey. That

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was a fairly famous one. And I have a very, very

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faint memory of my aunt taking me there, walking

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across the field. I don't remember who we saw.

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I'm sure if I were able to come up with a date

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that I was there, we saw amazing performers.

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It was the height of the folk scene. It was,

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you know, probably 1963, 64, 65. And there were,

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you know, probably, you know, who knows? It could

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have been Dylan. It could have been Phil Oakes.

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It could have been Joan Baez. It could have been

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any one of the major players in the folk scene.

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And I have no idea of who I saw, but I just have

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a vague memory of walking across the field. But

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again, I was able to revisit the Philadelphia

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Folk Festival for the second time, the first

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time being a very young child, about six years

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ago, and trying to... evoke that memory of being

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there with her. And I wasn't able to. As great

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of memories I have, this is just one of the millions

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of memories I have. And so just suffice to say

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that being there and seeing all the cars parked

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in the field and walking across the field and

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walking to the tents to see the different performers

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stirred up all these amazing emotions in me.

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And as I got older and my aunt got a little older,

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she became everything that I wanted to be. She

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was a hippie. and she was a folk singer, and

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she was an artist, and it was everything I wanted

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my world to be then. And I got myself a fringe

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buckskin jacket, and I had, like, some kind of

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beaver pelt fringed belt and moccasins. And I

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really thought myself to be this little junior

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hippie. I was, like, in the junior hippie club.

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And I remember going... My aunt had moved into...

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The city at this point was going to the Philadelphia

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College of Art and the Tyler School of Art, which

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is also associated with Temple University, part

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of one of the campuses of Temple. And I have

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a memory of going with her to her classrooms

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at the Tyler School of Art, which was in some

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wild old barn or crazy building where there was

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plaster casts of statues and, you know, anything

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that you can imagine being an art studio, this

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was there. And I have a very but faint memory

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of going there with her. But I do remember going

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to her apartment with her other, I'm gonna call

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them hippie folk singer friends, because to me,

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they were all hippies and folk singers. I don't

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know if any of them were folk singers, and I

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don't know if any of them actually were hippies,

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but they're all hippies at this point. And I

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remember a very clear memory of they had painted

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on their refrigerator. some sort of free -form

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Peter Max kind of art. And I remember thinking,

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this is the coolest thing in the world. You can

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paint on your refrigerator. And, you know, being

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a young child, and even though my parents were

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in the arts, my parents happened to be both dancers.

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My dad was a dancer on Broadway. We didn't live

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a bohemian existence. We were very suburban.

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My parents had a dancing school and then later

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became florists and, you know, was fairly...

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mainstream in a non -mainstream world. They didn't

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work in an office. They didn't work for a factory

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or a corporation. But even still, my lifestyle

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was fairly to very mainstream, albeit I got to

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live in a world of arts, luckily. And my parents

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were very supportive of that. You know, but my

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aunt was different. And my aunt, you know, had

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this amazing energy. And she was, again, I was

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around her. pretty much all year long because

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my grandparents, as I said, owned a summer camp,

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and my aunt was one of the counselors there when

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I was a very young camper. And so her energy

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and her enthusiasm was always around me, and

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she always had her guitar, and she was always

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singing folk songs, and folk music was a big

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part of my life because, hey, that was the era.

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So if you had any life with any kind of music,

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and it was the 60s, folk music was there. My

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life was either folk music or Broadway show tunes.

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So those are the two things that really honestly

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that have shaped my life in the most complete

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form of who I am, why I am, what I am and how

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I am is show business, show tunes and folk music.

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So, and my aunt, when she still lived with my

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grandparents in their big farmhouse, had a room

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that was the most fascinating place for me to

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spend time and discover it. It was really like

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Alice down the rabbit hole because I'd walk into

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her room and it was full of her paintings and

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it was full of posters and it was full of books

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on poetry and not that I was that, I don't want

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to be so bold or even exaggerate the fact that

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I was inspired by poetry because of that. But

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there was one specific thing and also her music

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and I would spend time in there with her and

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without her just sort of poking around looking

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in drawers and looking behind whatever album

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was on the front of the stack so everything about

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my aunt was adventurous and larger than life

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and exciting and a glimpse into a world that

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i guess i assumed i was going to be in and so

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many great memories you know her taking us on

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the train to go to Florida to visit my grandparents

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and her taking me to see a Beatles movie at a

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movie theater. But I don't have a lot of fully

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fledged memories except for almost like snapshots

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or a slideshow of memories because they were

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so long ago. And when I was 12 in September of

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1968, my aunt and I believe four or five other

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friends were up in New England or maybe specifically

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Woodstock, New York or somewhere around there,

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I'm not exactly sure where, and they were all

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killed in a horrific car accident. And I think

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being so young when it happened, even though

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we were so close and she was my everything, I

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don't think I was able to really place it in

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a context. I don't know if I knew anybody who

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had died. I certainly wasn't close to anyone

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who had died. And I know because she was the

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youngest and she was this crazy energy and much

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loved by everyone in the family, and of course

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everyone at the summer camp with friends and

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relatives from afar, it rocked the world. And

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I know it really... sort of was a knife in my

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family's heart for a long time. And I don't really

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think my grandparents ever recovered, even though

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this was 1968 and my grandparents lived until,

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I think, the 80s. But I believe there was always

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a veil over everything after that. I know my

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mother, who's 86 years old, is still very, very...

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and is easily brought to tears if we talk about

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it. But my grandparents left my aunt's room exactly

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like it was for years. But whenever I would go

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to their house, which was often, I'd go into

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the room, which was frozen in time, and still

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do the same exploring. You know, the exploring

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was... probably searching for more of my aunt

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at this point and trying to bring back or revive

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more memories and keep them alive in me. And

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from that room, three or four very clear memories

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I have was, or still have, is a memory of a small

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book of poetry. by Laurence Ferlinghetti, who

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was very famous in the beat poetry era and opened

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the City Lights Bookstore in San Francisco, which

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is the home of all the, you know, Ginsburg and,

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you know, Cassidy and Jack Kerouac and everybody,

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everybody who was anybody in that world with

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the fringe jacket and moccasins. And my aunt's

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albums that were always stacked on the floor

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and not stacked on top of each other, but stacked

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one in front of the other so they were stacked

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so you could leaf through easily. And three of

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those albums are incredible visual memories for

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me. One is Anita Simone album. I don't think

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I had any idea who Anita Simone was. One was

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a Fred Neal album. No idea who Fred Neal was.

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One was a band called Moby Grape. Had no idea

00:15:32.700 --> 00:15:35.200
who Moby Grape was. And I think they may have

00:15:35.200 --> 00:15:39.399
been a Leonard Cohen album. Now, I now, and I'm

00:15:39.399 --> 00:15:44.009
64 years old, but for years, I've had my aunt's

00:15:44.009 --> 00:15:46.409
entire record collection, and they all live in

00:15:46.409 --> 00:15:48.830
boxes in the garage. And everyone, so while I'm

00:15:48.830 --> 00:15:50.629
out there, I'll take them out and I'll look at

00:15:50.629 --> 00:15:54.710
these albums, and it'll be an immediate flashback

00:15:54.710 --> 00:15:57.269
to that room, and of course, looking at those

00:15:57.269 --> 00:16:01.509
albums. And about five years ago, weird coincidences

00:16:01.509 --> 00:16:03.730
have happened. I worked at a restaurant back

00:16:03.730 --> 00:16:08.289
in 1983, and somehow, in Silver Lake, California,

00:16:08.690 --> 00:16:11.049
and somehow the owner got Nina Simone to come

00:16:11.049 --> 00:16:13.799
perform for a week. I didn't have the nerve to

00:16:13.799 --> 00:16:16.899
say anything to her about it. But it was, again,

00:16:17.840 --> 00:16:22.299
I always felt so connected. I did a TV show in

00:16:22.299 --> 00:16:26.519
San Francisco about six or seven years ago, and

00:16:26.519 --> 00:16:29.240
we shot at the City Lights Bookstore. And I know

00:16:29.240 --> 00:16:32.820
that Lawrence Ferlinghetti, who's a much elderly

00:16:32.820 --> 00:16:35.480
man, still came in there. I believe maybe he

00:16:35.480 --> 00:16:39.500
still owned it. And I very badly wanted to go

00:16:39.500 --> 00:16:43.139
in and tell him the story. of my aunt, but couldn't

00:16:43.139 --> 00:16:46.360
bring myself to do it. I don't think I was overcome

00:16:46.360 --> 00:16:48.360
with emotion. I think I was just scared out of

00:16:48.360 --> 00:16:51.820
my mind as to what he'd say to me. I don't know.

00:16:51.820 --> 00:16:54.700
I really don't know why. But I think all these

00:16:54.700 --> 00:16:58.259
events are my aunt still letting me know that

00:16:58.259 --> 00:17:02.139
she's present in my life. And I have dreams about

00:17:02.139 --> 00:17:06.200
her every so often. And usually the dreams, it's

00:17:06.200 --> 00:17:13.039
me running into her as, well, now she'd be It's

00:17:13.039 --> 00:17:15.319
not me running into her as a 76 -year -old. It's

00:17:15.319 --> 00:17:19.019
me running into her as an older than the last

00:17:19.019 --> 00:17:20.940
time I saw her, but maybe not that much older.

00:17:21.299 --> 00:17:24.299
And I think I'm always asking her, where is she?

00:17:24.579 --> 00:17:28.240
And she says, oh, you know, I'll be back. I think

00:17:28.240 --> 00:17:30.799
her answer is, I'll be back, or I'm around, that

00:17:30.799 --> 00:17:34.960
kind of thing. And when our daughter Addie was

00:17:34.960 --> 00:17:37.660
born, her middle name is Rose, named after my

00:17:37.660 --> 00:17:43.029
Aunt Rosie. And she oddly... looked very similar

00:17:43.029 --> 00:17:47.250
to Aunt Rosie. And we have photographs of the

00:17:47.250 --> 00:17:50.670
two of them. If you put them side by side, they're

00:17:50.670 --> 00:17:52.970
not, certainly not photographs together, but

00:17:52.970 --> 00:17:56.990
there's an eerie similarity that everyone remarks

00:17:56.990 --> 00:18:04.190
upon. So it's, when I embarked in the life in

00:18:04.190 --> 00:18:07.470
the arts, first pursuing acting, and then now

00:18:07.470 --> 00:18:10.230
as a career as a production designer, I think

00:18:10.230 --> 00:18:15.289
I'm always wondering what she thinks of it, assuming

00:18:15.289 --> 00:18:18.609
that she's watching, because what else would

00:18:18.609 --> 00:18:20.470
she have better to do than to watch everything

00:18:20.470 --> 00:18:24.210
I do in life, and trusting that she's there,

00:18:25.309 --> 00:18:28.650
whatever there means, wherever there is. I was

00:18:28.650 --> 00:18:33.690
fortunate a few years ago to be in Philadelphia

00:18:33.690 --> 00:18:38.170
with my parents and actually got a chance We

00:18:38.170 --> 00:18:40.430
happened to be at the cemetery where she was

00:18:40.430 --> 00:18:43.430
buried for another funeral, but I walked over

00:18:43.430 --> 00:18:48.589
to where her tomb grave marker was and was able

00:18:48.589 --> 00:18:50.869
to stand there for a few minutes and talk to

00:18:50.869 --> 00:18:54.650
her, not about really anything specifically.

00:18:54.690 --> 00:18:57.349
I think really just to say hi and to check in,

00:18:57.609 --> 00:19:07.059
but she is an ever present, constant force. And

00:19:07.059 --> 00:19:15.180
I don't mean daily or weekly, in so much that

00:19:15.180 --> 00:19:16.920
there's never a day that goes by, there's never

00:19:16.920 --> 00:19:18.599
a moment that goes by that I'm not thinking about

00:19:18.599 --> 00:19:23.140
her. But in some respects, there probably isn't,

00:19:23.160 --> 00:19:26.380
because in everything I do, whether it's my creations

00:19:26.380 --> 00:19:28.559
at work, my art at work, whether it's my gardening,

00:19:28.599 --> 00:19:30.779
which is really not so much her, but her father,

00:19:30.799 --> 00:19:33.039
my grandfather, who I was very close with, my

00:19:33.039 --> 00:19:36.990
vegetable gardening, but... Her energy is something

00:19:36.990 --> 00:19:41.009
that I think I carry and was buoyed. I mean,

00:19:41.450 --> 00:19:46.309
my love of folk music, my love of the arts, my

00:19:46.309 --> 00:19:51.630
love of a good buckskin fringe jacket and moccasins.

00:19:52.230 --> 00:19:55.450
It's something that I imagine I'll carry forever.

00:19:56.890 --> 00:20:06.650
And yeah, that's pretty much my story. I love

00:20:06.650 --> 00:20:09.690
it, man. That's very powerful. It's a beautiful

00:20:09.690 --> 00:20:11.910
story. And I'm telling you, I actually, I've

00:20:11.910 --> 00:20:14.450
known you for 35 years, and you've got this,

00:20:14.450 --> 00:20:16.450
you know, this ball of energy, you know, this

00:20:16.450 --> 00:20:20.069
ball of creation. You're constantly drawing something

00:20:20.069 --> 00:20:22.930
or making something or making stuff happen all

00:20:22.930 --> 00:20:26.230
the time. And it sort of makes sense that, I

00:20:26.230 --> 00:20:28.509
mean, short of answering my question, but how

00:20:28.509 --> 00:20:30.750
she's impacted your life, but it just feels like

00:20:30.750 --> 00:20:33.769
you're, I'll let you speak to it, but just the

00:20:33.769 --> 00:20:38.400
idea that... Your creativity is an you know,

00:20:38.640 --> 00:20:43.039
it's it's it comes from you but it may have some

00:20:43.039 --> 00:20:46.559
relationship to You know what your aunt may have

00:20:46.559 --> 00:20:50.319
I shouldn't say nurtured you or somehow but I'm

00:20:50.319 --> 00:20:52.119
gonna get out of the way I don't want to speak

00:20:52.119 --> 00:20:55.119
for you how you know how it's impacted you Well,

00:20:55.140 --> 00:20:59.579
I you know, I think I mean in retrospect to the

00:20:59.579 --> 00:21:03.359
idea of how She's impacted me because she left

00:21:03.359 --> 00:21:08.119
me when I was so young that I really hadn't formed

00:21:08.119 --> 00:21:11.579
myself into anything at 12 -year -old, at 12

00:21:11.579 --> 00:21:16.220
years of age, except for everything. Everything

00:21:16.220 --> 00:21:20.420
I do, I think, is, you know, I have all of her

00:21:20.420 --> 00:21:22.599
old portfolio from art school that I look at

00:21:22.599 --> 00:21:24.640
once in a while. And I have her old sketchbooks

00:21:24.640 --> 00:21:26.339
and her old, you know, and I don't know what

00:21:26.339 --> 00:21:28.980
I'll ever do with them. I will literally, I'm

00:21:28.980 --> 00:21:30.160
sure, never do anything with them. I don't have

00:21:30.160 --> 00:21:31.839
that kind of wall space to put all the artwork

00:21:31.839 --> 00:21:35.109
up. And... But I love the idea of going into

00:21:35.109 --> 00:21:36.450
the garage and opening them up and looking at

00:21:36.450 --> 00:21:38.690
them or sitting in the guest room and opening

00:21:38.690 --> 00:21:40.369
up the portfolio and leafing through them all

00:21:40.369 --> 00:21:44.369
and thinking about them and sort of just daydreaming

00:21:44.369 --> 00:21:47.470
about it. Crazily, because I'm a very emotional

00:21:47.470 --> 00:21:51.109
person, I remember recently, almost a year ago,

00:21:51.349 --> 00:21:53.950
I happened to be in Serbia working on a television

00:21:53.950 --> 00:21:56.890
show. And I was at dinner with two guys I work

00:21:56.890 --> 00:22:01.109
with. Neither of them I'm that close with. And

00:22:01.109 --> 00:22:04.599
neither of them are people that open up emotionally

00:22:04.599 --> 00:22:08.680
to me and somehow we got in a conversation and

00:22:08.680 --> 00:22:11.380
this story of my aunt came up and brought me

00:22:11.380 --> 00:22:14.759
to hysterical tears where I couldn't compose

00:22:14.759 --> 00:22:17.279
myself in front of two people who were staring

00:22:17.279 --> 00:22:20.579
at me like they couldn't get away from me fast

00:22:20.579 --> 00:22:23.480
enough even though we're fairly close in work

00:22:23.480 --> 00:22:25.599
relationships I think they must have thought

00:22:25.599 --> 00:22:29.220
I was out of my mind and crazy but you know this

00:22:29.220 --> 00:22:33.359
is this is a testament to my and my relationship

00:22:33.359 --> 00:22:35.779
with my aunt, or my relationship with my memory

00:22:35.779 --> 00:22:38.519
of my aunt, because again, my relationship ended,

00:22:38.960 --> 00:22:42.000
the physical relationship ended when I was 12.

00:22:42.339 --> 00:22:44.440
And interestingly enough, in the past couple

00:22:44.440 --> 00:22:50.019
years, we've, my wife and I, have had a couple

00:22:50.019 --> 00:22:53.599
spirit circles at our home, where we've invited

00:22:53.599 --> 00:22:56.759
a medium over and other friends have come, and

00:22:56.759 --> 00:23:00.839
this medium will do what mediums do, you know?

00:23:00.920 --> 00:23:03.099
talk through the spirits that are in the room

00:23:03.099 --> 00:23:05.000
when they come to visit or whatever. And I'm

00:23:05.000 --> 00:23:11.619
always hoping for some big revelation. And my

00:23:11.619 --> 00:23:13.619
wife says, you know, you're going to get what

00:23:13.619 --> 00:23:15.680
you're going to get. And you need to be open

00:23:15.680 --> 00:23:17.700
to whatever it is you're getting at that moment

00:23:17.700 --> 00:23:20.700
and stop looking for more, thinking there's going

00:23:20.700 --> 00:23:24.339
to be more, or expecting it to be more. Just

00:23:24.339 --> 00:23:29.259
sit back and take in what is coming at that time.

00:23:29.400 --> 00:23:33.880
But, uh... One of the weird things, and I'm not

00:23:33.880 --> 00:23:36.519
sure if, again, life imitating art, art imitating

00:23:36.519 --> 00:23:38.079
life, chicken on the road, or whatever you want

00:23:38.079 --> 00:23:42.279
to call it, is somehow at a very early age, and

00:23:42.279 --> 00:23:44.200
I need to even check the dates on this to see

00:23:44.200 --> 00:23:47.619
if I've just made up the story in my mind, is

00:23:47.619 --> 00:23:52.740
my aunt had introduced me, maybe even just a

00:23:52.740 --> 00:23:54.759
photograph or maybe she had the album cover,

00:23:54.859 --> 00:23:58.299
I don't know, to the music from Big Pink album

00:23:58.299 --> 00:24:02.599
from the band, who is Probably my favorite band

00:24:02.599 --> 00:24:04.720
of all time. And I don't know if they're my favorite

00:24:04.720 --> 00:24:06.700
band of all time because of that connection with

00:24:06.700 --> 00:24:10.099
my aunt, which I'm quite sure didn't not contribute

00:24:10.099 --> 00:24:13.400
to that, or if I've made up this and romanticized

00:24:13.400 --> 00:24:16.980
this story about them because of her, but also,

00:24:17.539 --> 00:24:19.960
bizarrely either enough, one of my other favorite

00:24:19.960 --> 00:24:21.980
bands, who happened to be from Philadelphia,

00:24:22.640 --> 00:24:25.079
is Hall &amp; Oates. And just recently, I've heard

00:24:25.079 --> 00:24:27.779
stories from another cousin of my aunt, Rosie,

00:24:28.420 --> 00:24:31.579
playing guitar. with John Oates when they were

00:24:31.579 --> 00:24:34.819
both of high school age, whether they were in

00:24:34.819 --> 00:24:37.180
high school together or not, I'm not sure, but

00:24:37.180 --> 00:24:39.220
maybe the small Philadelphia folks scene or even

00:24:39.220 --> 00:24:41.920
the smaller folks scene out in the suburbs in

00:24:41.920 --> 00:24:46.299
Lansdale, Pennsylvania. So somehow, again, through

00:24:46.299 --> 00:24:49.500
everything, you know, my aunt circles around

00:24:49.500 --> 00:24:54.099
me and her energy, her spirit, her light, her

00:24:54.099 --> 00:24:57.069
whatever. And it's something I hold very near

00:24:57.069 --> 00:24:59.150
and dear to me, that there are so many facets

00:24:59.150 --> 00:25:04.670
of my life that she has either created or she

00:25:04.670 --> 00:25:10.509
has nurtured or prolonged. But it's pretty awesome.

00:25:11.309 --> 00:25:13.049
Well done. Well, thank you very much, Stuart.

00:25:13.069 --> 00:25:16.950
That was fantastic. I mourn for your loss. I

00:25:16.950 --> 00:25:19.369
mean, it makes me sad that you lost there. But

00:25:19.369 --> 00:25:21.730
it actually, again, I've known you for a long

00:25:21.730 --> 00:25:25.799
time. And it's sort of... informs me about who

00:25:25.799 --> 00:25:28.079
you are in the sense that all that creativity

00:25:28.079 --> 00:25:32.680
all that sort of You sort of take a joy and just

00:25:32.680 --> 00:25:34.680
about all the different arts You're not just

00:25:34.680 --> 00:25:36.740
kind of a limited guy in that way. You're not

00:25:36.740 --> 00:25:39.500
the music. It's the dance It's the you know all

00:25:39.500 --> 00:25:42.559
the different things and so who you are really

00:25:42.559 --> 00:25:45.839
comes through and I think that I Don't I don't

00:25:45.839 --> 00:25:47.599
know what the deep and I don't I'm not smart

00:25:47.599 --> 00:25:50.720
enough to know the deeper connections, but Nor

00:25:50.720 --> 00:25:54.839
am I. She does live within you, I'm sure. So

00:25:54.839 --> 00:25:57.559
thank you for being my guest. I really do appreciate

00:25:57.559 --> 00:26:02.660
it. Thank you for including my story in your

00:26:02.660 --> 00:26:06.559
book. So that's our show. I'd like to thank our

00:26:06.559 --> 00:26:10.559
guest Stuart Blatt for that great story. I'd

00:26:10.559 --> 00:26:13.059
also like to remind our audience that Sideline

00:26:13.059 --> 00:26:15.019
Ink Publishing will be publishing a collection

00:26:15.019 --> 00:26:18.079
of stories from the Tell Me What Happened podcast.

00:26:18.599 --> 00:26:22.019
and we'd love to hear or read your story. For

00:26:22.019 --> 00:26:24.359
more information on how to submit your story,

00:26:24.940 --> 00:26:32.680
please contact me at jaycrehak .com. I look forward

00:26:32.680 --> 00:26:35.279
to hearing from you. Now we're going to end the

00:26:35.279 --> 00:26:37.799
show with Susan Salador's inspirational song,

00:26:38.200 --> 00:26:41.359
Every Moment, Every Day, which is available on

00:26:41.359 --> 00:26:44.019
Spotify and iTunes and just about everywhere

00:26:44.019 --> 00:26:47.490
you listen to music. So until next time, This

00:26:47.490 --> 00:26:50.750
is Jay Rehack asking you to stay safe out there

00:26:50.750 --> 00:27:22.359
and try not to hurt anybody. It is possible to

00:27:22.359 --> 00:27:45.099
be thankful It is possible to be thankful every

00:27:45.099 --> 00:27:47.440
moment, every day.
