WEBVTT

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Thanks for watching Welcome back to tell me what

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happened the podcast that features folks from

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all walks of life Telling us one childhood experience

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and how that event has impacted who they are

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today I'm your host Jay rehack and like you I've

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had my share of childhood experiences some of

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them great some kind of painful But I'd like

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to think that everything that happened to me

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has helped make me who I am today. Tell me what

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happened is sponsored by Sideline Ink Publishing,

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Salador's classic, I've Got Peace in My Fingers,

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repository of laughter in the world. That's LaughSaver

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.com. Alright, today I have as my guest Thomas

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Liebert. Thomas is a graduate of McAllister College,

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similar to my daughter actually, it's where I

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met him. And he's an old family friend. Welcome

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to the show, Thomas. Hey, thanks for having me

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on, Jay. Thomas, are you ready to tell your story?

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I think so. All right. Well, listen, Thomas,

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I'm just going to get out of the way. But at

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the end, I'm going to ask you one question. And

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that one question is this. How do you think that

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experience, that childhood experience impacted

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who you are today? You ready? I'm ready. All

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right. Take it away, Thomas. So I spent. very

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little of the summer after fourth grade living

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in reality. Fantasy and imagination were not

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really an escape from anything in particular

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going on in my life, but it just seemed to make

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everything more exciting. And it was a pretty

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great time if this was your interest. The first

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Lord of the Rings movie had like come out a year

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before. It was sort of the beginning of a bumper

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crop of epic, you know, young adult fantasy series.

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And we had just moved to a suburb of Albany about

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a year or two earlier. So in the back of this

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house, there was a ravine, a small creek, really

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more of a, you know, an indent with a swamp.

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Now there were houses on either side, but no

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one had really fenced it in, it was kind of unruly.

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And it was here that one of the main places that

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he and the boys from around the neighborhood

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were exploring and were playing in. So we lived

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in upstate New York, but somebody years earlier

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had planted some decorative bamboo in the back

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of their yard. And it turns out it's sort of

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an invasive species and turned the entire swath

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of the ravine behind our house into a small forest

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of bamboo. Now it's not the thick bamboo that

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you see sometimes, sort of like the size of maybe

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a medium branch and when it dried you could break

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it off at the root and it made a perfect sword.

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sturdy enough to sort of whack away and sword

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fight, but not enough weight to put any real

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force on it. If you hit somebody over the head

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with it, you know, it was going to sting a little

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bit, but you weren't going to cock anybody too

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bad. So the six of us or so would divide up.

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Some people would take the dugout fort across

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the street, the log reinforced pit that we had

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built the previous summer. And some people would

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sit in my backyard in the forest and we would

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run back and forth having these fantasy battles

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where we were fighting, taking over, capturing

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the flag and coming back. Eventually, we were

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told by the local drivers that we had to pick

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one side of the street because we would dart

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out from behind the cars. And that's what I spent

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a lot of that summer doing. Now, the other half

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of that is that if I was not outside playing,

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I was reading pretty much whatever I could get

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my hands on. The Redwall series was a big part

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of that, where you have these anthropomorphic

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mice and badgers and squirrels, one of the good

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guys, and they have these battles around Redwall

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Castle with the evil stoats and weasels. They

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go after ancient treasure. But the hook of all

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of these books was always a secret. Some map

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hidden in a tapestry, a sword, a pendant stashed

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away somewhere, and I could not get enough of

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that. So in this backyard, our house was built

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around the 30s. They used to throw all of this

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trash. And one time when we were playing out

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there, I found a glass bottle, which I was sure

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was some priceless treasure. that I was going

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to be able to give to the museum that they were

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going to be able to put in their collection.

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So this was sort of the mindset I was in. I also

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in this time, somebody gave my parents the Da

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Vinci Code or one of those books. And it was

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like a little bit, that was a little bit too

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young for the the masked Illuminati orgies to

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be of that much interest to me. But the codexes,

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the ancient orders, the cryptexes hidden in a

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box revealed by the Fibonacci sequence hidden

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in a cross and the chapel. That was what I was

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all about. So the sort of the rediscovery of

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some power of the past leaving a trail of breadcrumbs

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for the right person to follow. So it was this

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summer that we also took a trip to see our relatives.

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in Scotland with a stop for a few days in London.

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We went to art museums, we went to the Tower

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of London. I don't remember if we went to Buckingham

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Palace, but it seemed sort of silly to see. I

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remember seeing some of those guards and that

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it was kind of silly to have these people from

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the modern day still pretending like it was two

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or 300 years ago. But in between all these trips,

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wherever we were going, I had my nose in a book.

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I would participate in family activities, but

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I also definitely remember being told to pay

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attention to where we actually were and to get,

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you know, my face out of this book. And I think

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it was about halfway through this trip that I

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finished whatever I was reading and needed a

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refresh. So we went into some local bookstore

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there and I picked up a book on Mary Queen of

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Scots. Now, in my mind, when I was thinking about

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this, I remember it being historical fiction

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and sort of geared towards young adults, but

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I could not find anything when I was Googling

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that would have fit that description. So I think

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it must have just been a sort of sympathetic

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biography. So Mary Queen of Scots became the

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Queen of Scotland when she was six days old and

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her father died. She was at five, sent to France

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to marry the heir apparent of the French throne.

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She was this larger than life, smart, witty,

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beautiful person in the French court. At 18,

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her husband died, her French husband, who was

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the king. And she went back to Scotland and had

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to maneuver politically as a Catholic in a Protestant

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country. As a result of some of this intrigue,

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her husband's house was bombed, he was killed.

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She eventually remarried one of the suspected

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assassins. She had to raise an army at one point

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to oppose some local lords. So even though this

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was a true story, this was her biography, it

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could have read like one of these other books

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that I was reading. And one of the days when

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we were in Edinburgh, where my aunt's family

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lived, I was told in the morning that we were

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taking a trip, that we got in the car, you know,

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a foggy Scottish morning. We drive about an hour

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north of the city and get on a ferry that was

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going to drive us out to see a castle. It was

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Scottish weather. It was early and I didn't really

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want to engage that much. So I posted up in the

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little cabin of this ferry boat and took out

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my book. Now at this point in the book in Mary's

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life, the feuding among the Scottish nobility

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had led to a series of battles accusations that

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she was a murderer and she was eventually kidnapped

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and imprisoned in a castle on an island called

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Loch Levin, a lock about 20 miles north of Edinburgh,

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and then we were there. I don't remember exactly

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when it was that we realized But we had arrived

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on the same island of this character, this person

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whose life I had been imagining in my head. We

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were at a place that she had really been in rooms

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that she had really slept in, that she had really

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plotted in. And it felt like magic. It felt like

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I had cracked some mystery or discovered something

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special, even though the whole point of this

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tourist area was that it was where she had been.

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That was the point. But I remember feeling that

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if I looked carefully, I would find something,

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some loose stone that nobody in 400 years had

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happened to notice that was concealing a wax

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scroll with some long lost intrigue, some letter

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that would change what everybody knew about this

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event, this person who had lived three and four

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hundred years ago. And I also remember it was

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surprising. Like if you'd asked me to describe

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before we went what it was really going to look

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like, I could have come up with a reasonable

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guess. But because I was in this fantasy space,

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I had built in my head a huge dark tower surrounded

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by 50 foot walls and guard towers and chains

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and fire. when we got there, it was pretty much

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just a damp rock. So while I remember that sort

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of giddiness at those two worlds coming together,

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I also remembered, not disappointment that it

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didn't match that, but a little bit of sadness,

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a little bit of melancholy that this was sort

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of the reality that it was. all of these things

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that had happened to her happened to a real person

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that had actually happened to somebody. And it

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wasn't just this story that somebody made up.

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It had been a real person with real pain and

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a real experience. And that's my story. All right.

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Well, that's very vivid. I picked up on I know

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that feeling of a little boy who wants to find

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something. that nobody else has seen I know that

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feeling I remember that when I go to various

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places it's like looking for something that you

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know maybe somebody else has missed or whatever

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so as you look back on that experience Thomas

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and sort of that convergence of being a worth

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greater with a great imagination and a great

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reader and then realizing that sometimes what

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you read is fiction and sometimes it's actually

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based on Real people and real pain and real experiences.

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How do you think that's impacted who you are

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today? I Think it means that you don't I don't

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think of needing to have some big gesture in

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a place for it to be an important time like a

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lot of this stuff all of these big historic events

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just happen in mundane places and I feel like

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that stuck with me like you're gonna be I don't

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wait for it to look like something significant

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is happening or for there to be some sort of

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sign that the events that we're going through

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are big. It's just reminds me that it's like

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it is as much as you want to build up the story

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in your head. It is people living in a place

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and that is how everything happens. When you

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circle back a little bit to going back to the

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the area that you lived in the backyard, the

00:13:50.149 --> 00:13:53.009
place in the backyard, whatever. Did you find

00:13:53.009 --> 00:13:56.029
the things that you found an old bottle or whatever?

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Did you did you sort of ascribe some sort of

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a history to it when you were when you were looking

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at it? Or you just feel like, oh, yeah, they

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were they were flasks of one sort or another.

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They had some. You know, we knew that they basically,

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everyone just threw their trash out the back

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window, but you never know. And this area, particularly

00:14:19.929 --> 00:14:23.210
down below, you know, it was probably bottles

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that somebody, some teenagers in the eighties

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had thrown down there after a party, but the

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labels were gone. So we didn't know what it was

00:14:33.009 --> 00:14:37.019
there. Was it someone had taken some prohibition

00:14:37.019 --> 00:14:39.659
liquor and buried it there with something else.

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So any the thinnest of pretenses can just could

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have become that that whole thing. And you got

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to you didn't have to be in the place I would

00:14:51.039 --> 00:14:53.159
be now where I'm say it's probably a little bottle.

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Probably not. I got to I got to imagine the entirety

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of what this little thing I found could be. Yeah.

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I hear it, I sense it, I feel this experience

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of a couple of different things. Like I said,

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it's a child just looking around and finding

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things, artifacts, and then also going to a historic

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place and saying, these people actually live,

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and they suffered, and they hopefully had joy

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too. But that feeling of, oh, these people are

00:15:27.139 --> 00:15:30.379
not just stories. They're actual flesh and blood

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who've experience life or whatever and I guess

00:15:33.289 --> 00:15:35.029
Mary Queen of the Scots or whatever you think

00:15:35.029 --> 00:15:37.850
about her in some grandiose terms and then you

00:15:37.850 --> 00:15:40.590
go see a rock that she's just there and that's

00:15:40.590 --> 00:15:45.850
it. Yeah and she had the right like and she had

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to eat somewhere and she was bored or she had

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to walk around and the island wasn't big enough

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and it wasn't when you read it elsewhere you're

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only getting the the highlights the battles the

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whatever it's not the day to day. She woke up

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late, she ate, drank coffee, whatever. And you

00:16:07.730 --> 00:16:09.809
can only and you remember that once you're there

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and you're doing the same things like we were

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in Edinburgh. So I assume we brought a fish and

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chips, a chippy with us to this island. And 400

00:16:18.769 --> 00:16:21.169
years later, we're eating the same type of fish

00:16:21.169 --> 00:16:24.929
that someone had fished out of the lock or the

00:16:24.929 --> 00:16:27.629
whatever sea is there in Edinburgh. And it's

00:16:27.629 --> 00:16:30.860
basically the same thing. Did you study history

00:16:30.860 --> 00:16:33.600
or what was your what was your major? I was an

00:16:33.600 --> 00:16:36.519
English major Okay, I could have been a history

00:16:36.519 --> 00:16:39.159
major, but both of my parents were and so I needed

00:16:39.159 --> 00:16:45.740
a little It's something else Well as the was

00:16:45.740 --> 00:16:48.179
the experience in England or in Scotland did

00:16:48.179 --> 00:16:51.580
that impact your view of traveling etc I mean

00:16:51.580 --> 00:16:53.600
it did diminish it or heighten it or it have

00:16:53.600 --> 00:16:55.919
any impact at all in terms of that in terms of

00:16:55.919 --> 00:16:59.769
your life yeah, I Well, when you when I read

00:16:59.769 --> 00:17:03.929
this, the email talking about what you were looking

00:17:03.929 --> 00:17:07.210
for, it was one of the first things that I thought

00:17:07.210 --> 00:17:13.029
of because it just it it just. I have felt since

00:17:13.029 --> 00:17:16.190
then, I love I love going to the place. There's

00:17:16.190 --> 00:17:22.390
just something that you're not. Some. Ambient

00:17:22.390 --> 00:17:25.569
sense of the place lingering from whatever it

00:17:25.569 --> 00:17:31.319
is that. you're gonna pick up on. And there's

00:17:31.319 --> 00:17:34.299
no real way, at least for me, to shortcut that.

00:17:35.240 --> 00:17:39.140
Now, I like that just walking around Chicago.

00:17:39.740 --> 00:17:42.480
I live down the street from a beautiful Art Deco

00:17:42.480 --> 00:17:46.259
building. You can do the same thing walking through

00:17:46.259 --> 00:17:48.759
any part of Chicago, which is why, part of the

00:17:48.759 --> 00:17:52.220
reason I love it. But to me, there's something

00:17:52.220 --> 00:17:57.450
that you're going to pick up. Being in the place

00:17:57.450 --> 00:18:00.190
that you just have to you're going to have to

00:18:00.190 --> 00:18:05.450
go there to get it Yeah, I like it I again this

00:18:05.450 --> 00:18:11.490
it resonates with me because I do feel that You

00:18:11.490 --> 00:18:13.210
know a lot of different context I don't they

00:18:13.210 --> 00:18:15.450
say that if you dig three feet down in Chicago

00:18:15.450 --> 00:18:18.049
You're gonna find the garbage from the 19th century

00:18:18.049 --> 00:18:20.130
and stuff because everybody has to bury their

00:18:20.130 --> 00:18:24.069
garbage So I've done backyard digs and found

00:18:24.349 --> 00:18:29.970
old you know artifacts etc and it feels feels

00:18:29.970 --> 00:18:32.269
like a little bit like an archaeological dig

00:18:32.269 --> 00:18:35.750
and then you do get that sense of oh wait a minute

00:18:35.750 --> 00:18:38.329
this there's a long line of people who've lived

00:18:38.329 --> 00:18:42.170
on this planet before me you know and and just

00:18:42.170 --> 00:18:44.289
the whole feeling of that that's all i mean i

00:18:44.289 --> 00:18:45.769
i don't want to get into any more than that i

00:18:45.769 --> 00:18:48.009
think you've sort of articulated the idea that

00:18:48.009 --> 00:18:51.299
as a creative person as a big reader you You

00:18:51.299 --> 00:18:53.779
imagine realities and then on the other hand,

00:18:53.960 --> 00:18:58.039
you go, you know, get a deeper sense in a historical

00:18:58.039 --> 00:19:02.720
context. But we all, any object, any building,

00:19:02.859 --> 00:19:05.880
anything you look at, you can sort of take a

00:19:05.880 --> 00:19:07.599
minute, take a deep breath. You can sort of come

00:19:07.599 --> 00:19:12.559
up with a storyline and it's a human experience.

00:19:13.599 --> 00:19:20.450
Yeah. All right. Well, Thank you for being on

00:19:20.450 --> 00:19:22.789
the show, Thomas. I really appreciate it. Appreciate

00:19:22.789 --> 00:19:25.970
you telling me your story. Thanks for having

00:19:25.970 --> 00:19:28.089
me on. This is great. Thanks for putting these

00:19:28.089 --> 00:19:32.009
together. I love it. I learn something every

00:19:32.009 --> 00:19:35.490
time I do these podcasts. And I'm always intrigued

00:19:35.490 --> 00:19:39.549
by what people remember as young people that

00:19:39.549 --> 00:19:43.349
sort of sticks with them. And like I said, from

00:19:43.349 --> 00:19:45.750
this podcast, from talking with you, what resonates

00:19:45.750 --> 00:19:48.859
with me is I remember as a child being... in

00:19:48.859 --> 00:19:51.819
various places. We used to go to the farms that

00:19:51.819 --> 00:19:54.640
used to surround where I was. I grew up in a

00:19:54.640 --> 00:19:56.859
suburb but it was basically farmland first and

00:19:56.859 --> 00:19:59.940
we would go to the old burned down farms and

00:19:59.940 --> 00:20:02.980
look for artifacts and we'd find different things,

00:20:03.119 --> 00:20:06.059
you know, old rusty tools or bottles as you said

00:20:06.059 --> 00:20:08.900
or whatever and you'd sort of come up with a

00:20:08.900 --> 00:20:10.940
history form where you'd think you found something

00:20:10.940 --> 00:20:13.440
that nobody else has ever seen and it was very

00:20:13.440 --> 00:20:16.960
exciting to do that. sort of an exploratory thing

00:20:16.960 --> 00:20:20.319
or an exploration, being an explorer. I had that

00:20:20.319 --> 00:20:21.980
feeling it kind of came back when you're telling

00:20:21.980 --> 00:20:25.900
that story. So yeah, so thank you for that. Well,

00:20:25.900 --> 00:20:28.160
I hadn't thought about it so specifically in

00:20:28.160 --> 00:20:31.339
a long time and I got I got a chance to sit down

00:20:31.339 --> 00:20:35.220
and actually figure out what it was about that

00:20:35.220 --> 00:20:37.660
moment. I remember I remember being on this boat

00:20:37.660 --> 00:20:40.000
holding this book. I can still see the cover

00:20:40.000 --> 00:20:44.400
of the book. Wow. All right. Well, that's our

00:20:44.400 --> 00:20:46.869
show. Again, thank you Thomas Liebert for being

00:20:46.869 --> 00:20:49.609
on the show. I'd also like to thank my sponsors

00:20:49.609 --> 00:20:52.230
Sidelining publishing publishers of quality books

00:20:52.230 --> 00:20:55.529
and laughsaver .com visit laughsaver .com and

00:20:55.529 --> 00:20:57.509
record your laughter It's free and we'll keep

00:20:57.509 --> 00:20:59.970
it for you and everybody in your family will

00:20:59.970 --> 00:21:03.109
appreciate it All right, so I'm gonna end the

00:21:03.109 --> 00:21:07.109
show with Susan salad ores. I've got peace in

00:21:07.109 --> 00:21:10.890
my fingers I'm recording this at a time of some

00:21:10.890 --> 00:21:14.450
historic difficulties in terms of the Russian

00:21:14.450 --> 00:21:16.970
invasion of Ukraine, and so I'm going to end

00:21:16.970 --> 00:21:19.609
the show with I've got peace in my fingers So

00:21:19.609 --> 00:21:23.329
until next time this is J rehack Asking you all

00:21:23.329 --> 00:21:25.950
to please stay safe out there and try not to

00:21:25.950 --> 00:21:31.049
hurt anybody I've got peace peace peace in my

00:21:31.049 --> 00:21:36.670
fingers watch what I can do I've got peace peace

00:21:36.670 --> 00:21:40.390
peace in my fingers. I'm gonna shake hands with

00:21:40.390 --> 00:21:47.099
you Peace, peace in my fingers. Watch what I

00:21:47.099 --> 00:21:52.480
can do. I've got peace, peace, peace in my fingers.

00:21:52.599 --> 00:21:56.640
I'm gonna shake hands with you. I've got words,

00:21:57.059 --> 00:22:01.619
words, words in my head. Watch what I can do.

00:22:02.539 --> 00:22:06.720
I've got words, words, words in my head. I'm

00:22:06.720 --> 00:22:10.640
gonna talk things over with you. I've got words,

00:22:10.980 --> 00:22:16.880
words, words in my head Watch what I can do I've

00:22:16.880 --> 00:22:20.839
got words, words, words in my head I'm gonna

00:22:20.839 --> 00:22:25.380
talk things over with you I've got love, love,

00:22:25.799 --> 00:22:30.859
love in my heart Watch what I can do I've got

00:22:30.859 --> 00:22:35.660
love, love, love in my heart I'm gonna give some

00:22:35.660 --> 00:22:41.079
to you I've got love, love, love in my heart.

00:22:41.180 --> 00:22:46.859
Watch what I can do. I've got love, love, love

00:22:46.859 --> 00:22:51.619
in my heart. I'm gonna give song to you. I've

00:22:51.619 --> 00:22:55.859
got peace, peace, peace in my fingers. Words,

00:22:56.220 --> 00:23:00.160
words, words in my head. I've got love, love,

00:23:00.380 --> 00:23:04.119
love in my heart. I'm gonna give song to you.
