WEBVTT

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Hi and welcome back to Tell Me What Happened,

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the podcast that teaches folks from all walks

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of life telling us one formative story from their

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childhood. I'm your host, Jay Rehack, and like

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you, I've had my share of childhood experiences.

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Some of them great and some of them not so great.

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But I'd like to think that everything that happened

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to me as a child has helped make me who I am

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today. Tell Me What Happened is sponsored by

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Sideline Ink Publishing. Publishers of quality

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books, including Susan Saldar's classic, One

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Little Act of Kindness, available on Amazon .com

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or wherever quality books are sold. Tell me what

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happened is also sponsored by laughsaver .com.

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Visit laughsaver .com and record your laughter.

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We'll keep it for you now and forever. It's free

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That's laughsaver .com. All right. I have as

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my guest today a good friend of mine, a former

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colleague actually. Ed Zedzik. Ed Zedzik taught

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history in the Chicago public schools and worked

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on the trading floor of the Chicago Board of

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Trade. He is a great believer in the power of

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music and serendipity to change lives. Welcome

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to the show, Ed. Hi, Jay. Ed, are you ready to

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tell your story? I am. All right. I'm going to

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meet myself and listen to it. Great. Well, I'd

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like to talk about how strange little things

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can end up affecting a whole life, in this case,

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my life, and how a little event can end up impacting

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all of my adult perspectives on life and changing

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several things. In this case, the finding of

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a couple of little things that most people would

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pass over or even maybe throw out. I come from

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a musical family that always found great joy

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and even spirituality and connection with music,

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but also different musical instruments that others

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might not find particularly enchanting, but I

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did. And one of those instruments was our harmonica.

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And my older brother, when he got married and

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moved out of our house, and that left a whole

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lot of more room for me. but also he left behind

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a bunch of his old stuff because he was moving

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into a kind of a small place and needed to find

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a way to move into that without carrying everything

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else that he owned and so that left behind for

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me one thing was a bunch of his old record albums

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and another thing was a couple of old beat -up

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harmonicas that I found again those wouldn't

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be Much too many people, they're interesting

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looking. If you ever have seen one, they're kind

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of small and have some etchings into the metal

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of them. And so they've got an interesting look,

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but the ones he left behind were kind of beat

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up. But I found them and for some reason they're

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very interesting to me. And especially the fact

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that I could listen to some of these old albums

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that he had, not real old, but kind of old. They

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played... I played the music of people like the

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Rolling Stones, John Mayall and the Yardbirds,

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Paul Butterfield, all these old British blues

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bands, British rock bands that found their roots

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in American blues music. And interestingly, they

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seemed to discover it and reintroduce it to a

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large segment of the young American population.

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And so I was able to listen to some of these

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albums and hear some of that blues music. And

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it just grabbed me. And I also noticed that a

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lot of it had the blues harmonica in it that

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nobody really plays very much in current day

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music. But at the time, there were a number of

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groups like the Rolling Stones and others that

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I mentioned that had this blues harmonica sound

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in it and I thought I'm gonna I've got a couple

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here I think I'm gonna try to learn how to play

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these things and so I started messing around

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with them started playing these blues harps as

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they're called just to see what the sound was

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and I also walked down to our local record emporium

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in the neighborhood where there are just That's

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something that modern day young people don't

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have the joy of. And that's looking through the

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old bargain bin of a record store and finding

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all sorts of interesting old albums and things

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that will introduce you to music you might not

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have otherwise found. And they also had a little

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section of books related to music. And one of

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the books was How to Play the Blues Harp. And

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so I started reading this book about how to play

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it. I noticed that my brother didn't really have

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the ability to play it very well. So I thought,

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well, I can maybe do better than him. And I started

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to learn how to play the instrument as it is

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supposed to be played by some of the guys I was

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listening to who played the blues harmonica.

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And after listening to that and reading a little

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bit, I started to discover my 13, 14 -year -old

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self. that the music was not originally made

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by British blues artists. I mean, I kind of knew

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this, but then I found out who the original artists

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were, and it started to really open my eyes to

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this music and this incredibly soulful, meaningful,

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moving to me music. And so I started to hear

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the originals of this stuff and hear people like

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Muddy Waters and Little Walter. and Elmore James

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and all these guys that just had this great blues

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sound. And I wanted to find out more about that

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and really immerse myself in it as much as I

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possibly could being the 14 year old kid here

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in Chicago. But Chicago is kind of a great place

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for that. And I and some of my friends would

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go down on Sunday mornings to a place called

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Maxwell Street. Just down around uh, no longer

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exists now, really down around Halsted and Roosevelt

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Roads. And you could go down there on a Sunday

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and it was just this amazing open -air bazaar

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that was almost like a Moroccan open -air meeting

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place for people to buy and sell stuff. And the

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food was amazing. It was these Polish sausage

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and pork chop sandwiches that they would sell

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at a... world famous now that you can see the

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Maxwell Street, Polish and go down there and

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walk around and see people buying and selling

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stuff. It was a place for relatively poor people

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to interact with each other and sell things where

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and make a buck more or less honestly and have

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an interesting interaction with people. I never

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all the times I went down there, never saw a

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fight, never even really saw a serious argument.

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and it was just an amazing, amazing place, but

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probably the most amazing thing about it was

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the music. You would go down there and on several

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of the street corners, there would be somebody

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who would just set up shop, had talked one of

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the businesses into letting them plug in their

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amp, and they would just start playing this most

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amazing, often blues music. through their little

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amps and play some electric guitar and some amplified

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blues harmonica and have a drum set set up and

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they would play this and people would gather

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around, throw a few bucks into the hat and listen

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to this and get along with each other in a way

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that I thought was just amazing really. We saw

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people of all sorts of different races, ethnicities,

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religions I suppose and would meet together and

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talk with each other and laugh and have a great

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time. And so this experience of Maxwell Street

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for me was really eye -opening. And it introduced

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me to an even greater understanding of this blues

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music. And I was able to then go into their blues

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emporium there, one of which was a great big

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blue bus that was parked on the corner of Maxwell

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and Halstead. and that I could go into and it

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was what it was called was the blues bus and

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it was a record store in an old school bus and

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you would walk in and there were cassette tapes,

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old albums, all sorts of things of these great

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blues artists that you could walk in there and

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just be introduced to this thing for the first

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time in my life and there was also another at

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the end of the block around Peoria Street there

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was a an old record store that would sell all

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these and had a great big speaker out front playing

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all this wonderful blues music that I was able

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to be introduced to. And so this allowed me to

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develop a real love for this music that has such

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a, like I said, a soulful spiritual quality to

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it and that I could play and that my friends

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and I could get together and play. I had a couple

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of friends who played guitars and drums and we

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were not. great. But we had a lot of fun with

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it. And as my dad said of us, you guys don't

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have much talent, but you sure got a lot of nerve.

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And so that's you're having some fun with that

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music. And that's really what it's all about.

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And so we found our little niche of playing this

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sort of blues music and being more and more interested,

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learning more about it, learning how to play

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it and how to appreciate it and who all the great

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artists were. many, many who had Chicago connections.

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And so much so that when Chicago started having

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something called the Blues Festival in the summers,

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I would go religiously every year, often with

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my older brother, and we would go there and appreciate

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the music. And one year I was waiting in line

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to get in to see this, this wonderful blues player

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called Solomon Burke. And I was waiting there

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and saw this attractive woman standing a couple

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steps in front of me and I made a joke with a

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t -shirt vendor and she laughed at it and I thought

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well now I really have to get to know this woman

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she laughs at my jokes and we started talking

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with each other both realized we appreciated

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this music and how much we both loved it and

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understood it and that woman is now my wife and

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you know that enabled me to make this strange

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connection maybe that these two little harmonicas

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that I discovered and just sort of following

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my interests, following my bliss, as it's called,

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were able to follow that up and eventually meet

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the love of my life and the woman that I eventually

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married. And so that's my story, how my two little

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harmonicas enabled me to meet my wife and make

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that all a part of my life. I love it, Ed. I

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love it. Listen, I know you for a million years

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and I know that you've actually played that harmonica

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or used to play it occasionally at Whitney Young

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when we used to teach there. So have you got

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a harmonica nearby? I'd love to hear it. I'd

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love to take us out of it. I do, in fact, have

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a harmonica that I could play a little something.

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I could improvise a little something called Blowin'

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the Blues here. I would love it. Before I do

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that, I'm going to say goodbye to everybody.

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But we're going to end a little differently this

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week. We're going to end with you giving us a

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little bit of the blues. But I do want to thank

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you because I know the impact and it's happened

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because I know your wife and I know how long

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you've been married, by the way. We've been married

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26 years. All right. So those harmonicas definitely

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paid off. All right. I'm going to end this show

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with my good friend Ed Zedzik taking us out.

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Thanks again for being on the show Ed.
