WEBVTT

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All across America and around the world, this

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is Veterans Radio. This is Veterans Radio. And

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now, your host for today's program, Dale Throneberry.

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Hey, and welcome to Veterans Radio. My name is

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Dale Throneberry, and I get to be your host today.

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And today we're going to be talking all about

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music. We've got a couple of guests on are going

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to be talking about their songs. And I'm really

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excited to hear we've got one from Operation

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Song. And then we've got Lem Genovese, who is

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going to be on talking about his music as soon

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as we figure out all the technical issues that

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are going on here. And before we get into that,

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we might always have to make sure that we thank

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our sponsors. We can't do this program without

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them. So I want to make sure that you know who

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these people are. All right number one of course

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is legal help for veterans and legal help for

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veterans specializes in veterans disability claims

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call legal help for veterans at 800 -693 -4800

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or go to their website legalhelpforveterans .com

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the national veterans business development council

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better known as nvbdc is the nation's leading

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third party authority for certification of veteran

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-owned businesses. For more information, you

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can go to their website, nvbdc .org, or give

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them a call at 888 -237 -8433. PuroClean. PuroClean

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is known as the paramedics of property damage.

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Each PuroClean office is independently owned

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and operated. In fact, PuroClean is one of the

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nation's leading restoration franchise networks

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and is made up of entrepreneurs. Yep. just like

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you, and veterans get 25 % off the franchise

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fee. So for more information, go to pureclean

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.com. The Charles S. Kettles VA Medical Center

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here in Ann Arbor, Michigan. For more information,

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go to va .gov slash Ann Arbor Health Care. And

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finally, the Irwin Prescott American Legion Post

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46 and the Charles S. Kettles Vietnam Veterans

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of America chapter 310, both of Ann Arbor, Michigan.

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You'd like to support veterans radio, please

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go to our website veterans radio org click on

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that little donate button And thank you very

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much in advance All right, we're going to get

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to my first guest here And that is David Kent

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and David is working with the operation song

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organization and has put together a song So David

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welcome to veterans radio Thank you. Thank you

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so much for having me on pleasure. Well, it's

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great to have you on So tell me how you got involved

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with Operation Song. Oh, my goodness. I joined

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Operation Song, I'm going to guess, around 10

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years ago. It was just a year or two, I think,

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after their inception. And a good friend of mine

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and an extremely talented songwriter, but more

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than that, just a marvelous human being by the

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name of Bob Regan started this organization.

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I could give you the history, if you have the

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time, of how we came upon developing it. I think

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people will be interested in that. Alright, well,

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he was not a veteran himself any more than I've

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been, but he has worked as, he's just an extremely

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talented musician, he's worked as a D .O. guitarist,

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and he's a fabulous songwriter, and is a mainstay

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of the Nashville song community. And he was working,

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I believe doing U .S .O. shows or something like

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that where he was entertaining troops in Iraq

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and Afghanistan, and realized very quickly, just

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how incredibly important music is as a language

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and as a portal to reaching people is truly an

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international language. So many of these active

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duty soldiers over there reacted to just having

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some music brought to them. Realized how Ian

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it was to have him there and when he came back

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he thought to himself, you know so many of these

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veterans come back after seeing some horrendous

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things and living through some horrible conditions

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and many of them are wounded either physically

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or in many cases emotionally and mentally and

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Have not benefited as they as we'd hoped they

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would from talk therapy drug therapy, working

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with the VA, no matter how hard they tried. And

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he thought, what would it feel like if we were

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just to take a veteran who was in a bad way and

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ask him to open up and tell his story through

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song? Even if a veteran said, well, I don't know

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how to write a song. I'm not musical. I don't

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play an instrument. And he said, well, you leave

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that to me. You just tell your story and we'll

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make a song out of it. And very, very quickly,

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he realized how powerful that whole concept,

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how powerfully it worked, and expanded and enlisted

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a bunch of other professional songwriters from

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here in Nashville to work with veterans. And

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it was an incredible first step in seeing the

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transformation that some of these people had.

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unable to make advancements through other forms

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of therapy. But they were not threatened at all

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by saying, just tell us their story and we'll

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see if we can get them the song. And so well,

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and I've been, I was so honored to have been

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asked to join them so many years ago and have

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seen with my own eyes things that I would never

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have guessed have been possible. I've seen soldiers

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who have come back, and unable to speak in more

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than one or two word sentences or grunts and

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sort of shut themselves off from the world. And

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yet I personally have worked with people who

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didn't go anywhere without their wife, a support

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animal, a support person, and were basically

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locked up inside themselves. And yet we were

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able to crack through. In one case it was a fellow

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who had been a medic. And he was in this bad

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way and with we worked together we wrote a song

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together and After we were done He was so proud

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of the song and I learned through the process

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that before he joined the service back when he

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was a teenager He himself had been on a rock

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band and was the lead singer and so I asked him

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Normally what happens is we take these songs

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and we either go into a studio with some hired

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musicians and produce them a very nice demo or

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record quality production. Sometimes I do them

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here at home in my home studio where I am able

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to put down some drums and some keyboard and

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guitar parts and sing the thing and turn it into

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a very nice presentation. In this case I asked

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him if he wanted to do the vocal on it and he

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said well he'd be glad to give it a try. He came

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out to the house and he sang it and it turned

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out better than the version I had done earlier

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where I sang it myself. He did a great job. He

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became he was so proud of it. He ended up calling

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his brother father people He had not been in

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touch with him five years And and just said you've

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got to hear this song His wife was just over

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the moon about how it opened him up and how it

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brought him back into society I've and I've that

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is only one of hundreds of stories of people

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who have been very very near even suicidal situations.

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But on one hand, they had a pistol or a bottle.

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Yeah. And on the other hand, they had a cassette

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tape of the song they had done. And they've turned

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around to the point that I don't, you know, you

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can take it from here. All right. Well, you know,

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Operation Song is an incredible organization

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that our audience should know. We've played quite

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a few Operation Song songs. and gotten the stories

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behind them. So tell me about this new song that

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you're involved with. Tell me about that. Okay,

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I will be glad to, but before I do, I want to

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know if I have a chance to talk about it after

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the song plays, because this song has a bit of

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a twist and a surprise in it, and I don't want

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to give away any spoilers by saying too much

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in the introduction thereof. No, no, I'll bring

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you back after we play the song. Okay, and what

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I will tell you before we play it is I work with

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this group in in Murfreesboro the Murfreesboro

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Operation song alumni group and by alum they've

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been through the program Everyone in this group

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of probably a dozen or more people I would say

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the both Vietnam veterans, but not all of them.

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Maybe sixty seventy percent of the mark They've

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been through the program and they enjoyed it

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so much and felt like it was an important thing

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enough to establish a group that would continue

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writing songs all the time. They have two sessions

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a year where it's about eight weeks, once in

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the spring and once in the fall, where they all

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get together with the songwriter and we write

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a song every week. It's just a continuation of

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the program I had been through in the first place.

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And I'm so lucky to work with this group of people.

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In this case, guy named Mike and his wife Kathy

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who both come to the group regularly and I can

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tell you I don't want to tell you too much what

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we were talking about but because of what I said

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before about spoiling the the twist in the song

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but we got to talk about mothering and We actually

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thought that this episode of your show today

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would be closer to Mother's Day, but it doesn't

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much matter. We'll go ahead with it anyhow. And

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we talked about mothering, and all I will say

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is that this song is about the jobs that mothers

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do. It's called That's What Mamas Do, and I was

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lucky enough to get my wife, who is a wonderful

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singer, but not always... Happy about coming

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up in the studio and singing because she's a

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little self -conscious about it. I don't know

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why because she does a lovely job She's the one

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singing on this song called that Thomas do that's

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all I'll tell you right now And we'll play the

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song and talk about it afterwards. Is that all

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right? Okay, right. Here we go. So that's what

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mama's do Oh my goodness, look at you Haven't

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we made quite a mess? Crackers and tomato soup

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All over your favorite dress But I can wash your

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pretty face Cause that's what I'm here for All

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too soon there'll come a day When you won't need

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me anymore But don't you worry, never fear You

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know I'm gonna be right here To braid your hair

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and take good care of you Cause that's what mamas

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do Go speeding by and you'd get lost all on your

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own Then I'll draw your bubble bath And dress

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you in your nicest clothes I'll pull out some

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old photographs How you love to look at those

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Tuck you in when lights grow dim And day is through

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Cause that's what mamas do It's all in how you

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look at things We live, we learn, we grow And

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we can curse this damn disease But I see opportunities

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To do for you what you did for me Sixty some

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long years ago So don't you worry mama, never

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fear You know I'm gonna be right here Yes, that's

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what mamas do. I learned it all from you. Yes,

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that's what mamas do. All right, David. What

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a beautiful song. That really is just gorgeous.

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And so it was obvious from the beginning that

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a mother was talking to the person that she was

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taking care of. And we hoped in writing that

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would sound like she was taking care of a wee

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baby, feeding her and braiding her hair and taking

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care of her and dressing her up and taking her

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outside. And then the twist in the end is that

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you realize whom she's taking care of is her

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own mother. who is going through dementia in

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her later years. And the mother in this case

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is 60 some years old and her mother is probably

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in her late 80s and the help to be dressed and

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fed and all of that because of dementia or Alzheimer's

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or the advanced aging effects that take place

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in older people's brains. And so we were hoping

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that that twist would make an important switch

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and surprise the listener. In this case, it was

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Mike's wife Cathy, who I mentioned before, who

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had the idea she took care of her mother in just

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that long from when she was 18, called Coming

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for Ginny. And it was about, it was sung by Tex,

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and I don't know if those listeners remember

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Tex Ritter. but he was a cowboy. And the song

00:16:12.139 --> 00:16:15.360
talked about a guy who was coming down the road

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on his hip and he was coming for Ginny and gonna

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take her away and how threatening it was and

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how could we protect this fair maiden Ginny from

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the guy who was on his way to come claim her.

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And there are all these references throughout

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the song that lead you to believe it's an old

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western. It turns out at the end you find out

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that The guy who's coming to get her is a little

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five -year -old boy, and Jimmy is his little

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four -year -old sister or a neighbor, and it's

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all in fun. And she always wished she could have

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a song that had that same kind of surprise twist,

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but dealing with the case that instead of it

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sounding like a mother taking care of a baby,

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it was a mother taking care of her own mother.

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So that's what we attempted to do with this song.

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I think we achieved it pretty well. I played

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it for people. Of course, about this at the meetings

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and then I song with all the information I've

00:17:12.430 --> 00:17:16.009
gotten from the group. And so when I play, they

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all knew what, there was one guy who hadn't been

00:17:19.430 --> 00:17:21.930
at the earlier meeting and he came to the one

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where we played the song. And so he was the one

00:17:24.289 --> 00:17:26.750
we were looking to, to see if he was surprised

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and the twist. In fact, it worked. So we were

00:17:30.849 --> 00:17:33.829
all pretty happy with that result. I would I

00:17:33.829 --> 00:17:36.369
would think so David Thank you so much for sharing

00:17:36.369 --> 00:17:38.670
this long work. Where can our listeners get a

00:17:38.670 --> 00:17:43.329
little copy of it? I'm assuming you could go

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to operation song comm I think in one way or

00:17:48.190 --> 00:17:51.950
another all of the songs are available there

00:17:51.950 --> 00:17:55.329
and I know that well over a thousand songs, maybe

00:17:55.329 --> 00:17:57.210
close to a thousand songs, I could be wrong,

00:17:57.630 --> 00:18:00.569
have been recorded over the last 10 years or

00:18:00.569 --> 00:18:05.710
so. But if you contact operationsong .com, a

00:18:05.710 --> 00:18:08.250
place at the website where you could contact

00:18:08.250 --> 00:18:11.450
them and they could provide you a copy or at

00:18:11.450 --> 00:18:14.410
least tell you how to access it online. Yeah,

00:18:14.509 --> 00:18:17.170
okay. Well, I mean, I've got it. So I'll put

00:18:17.170 --> 00:18:19.230
it on our website so our listeners can listen

00:18:19.230 --> 00:18:22.339
to it. And Dave, I want to thank you so very

00:18:22.339 --> 00:18:24.680
much for being on our program today. And thank

00:18:24.680 --> 00:18:27.119
you for such a really, a really beautiful song.

00:18:28.059 --> 00:18:30.500
You know, that's what I want to know. Thanks.

00:18:30.660 --> 00:18:33.759
Thanks for being on our program. My pleasure.

00:18:33.920 --> 00:18:35.900
Thank you for having me on. You have a great

00:18:35.900 --> 00:18:39.220
day. We'll talk to you again soon. All right.

00:18:39.339 --> 00:18:41.859
Bye bye now. Bye bye. All right. We're going

00:18:41.859 --> 00:18:43.960
to take a real quick break. We're going to do

00:18:43.960 --> 00:18:45.660
our Medal of Honor segment. When we come back,

00:18:45.700 --> 00:18:48.500
we've got our next guest, Lem Genovese. We just

00:18:48.500 --> 00:18:51.420
uploaded some of his songs, so we should be ready

00:18:51.420 --> 00:18:53.779
to go. So you're listening to Veterans Radio

00:18:53.779 --> 00:18:57.319
and we'll be right back. The Medal of Honor is

00:18:57.319 --> 00:18:59.480
the highest award for valor and combat given

00:18:59.480 --> 00:19:01.880
a member of the Armed Forces of the United States.

00:19:02.079 --> 00:19:04.079
There have been over three thousand four hundred

00:19:04.079 --> 00:19:10.859
recipients of the nation's highest award. If

00:19:10.859 --> 00:19:21.660
you have a VA claim denied by the Board of Veterans'

00:19:21.839 --> 00:19:23.980
Appeals, contact Legal Help for Veterans at 1

00:19:23.980 --> 00:19:28.299
-800 -693 -4800. They're experts in handling

00:19:28.299 --> 00:19:30.640
cases before the U .S. Court of Appeals for Veterans'

00:19:30.880 --> 00:19:34.799
claims. Their number again, 1 -800 -693 -4800.

00:19:35.470 --> 00:19:37.829
After completing a hitch on the Navy, Ferguson

00:19:37.829 --> 00:19:40.509
got his commercial pilot's license and then joined

00:19:40.509 --> 00:19:43.569
the army to fly helicopters. Two weeks after

00:19:43.569 --> 00:19:45.509
graduating from helicopter school, he was in

00:19:45.509 --> 00:19:50.190
Vietnam. On January 31, 1968, Ferguson heard

00:19:50.190 --> 00:19:52.450
that a first cavalry helicopter had gone down

00:19:52.450 --> 00:19:55.130
in Hue and another had been badly shot up trying

00:19:55.130 --> 00:19:58.490
to rescue them. Ferguson and his crew agreed

00:19:58.490 --> 00:20:02.029
to go get them. While refueling, he asked three

00:20:02.029 --> 00:20:04.190
Huey gunships if they wanted to accompany him.

00:20:04.359 --> 00:20:07.740
They did. The GIs in the compound reported they

00:20:07.740 --> 00:20:10.880
were under heavy fire. Ferguson circled until

00:20:10.880 --> 00:20:13.539
the fire abated, then began a low -level high

00:20:13.539 --> 00:20:16.720
-speed run into the compound. He descended blindly

00:20:16.720 --> 00:20:19.460
in a dust storm from his rotors. When he touched

00:20:19.460 --> 00:20:22.140
down, he saw there was only one foot clearance

00:20:22.140 --> 00:20:26.000
on each side of his blades. The GIs jumped aboard

00:20:26.000 --> 00:20:28.759
and Ferguson pulled up. A mortar shell exploded

00:20:28.759 --> 00:20:31.460
under his aircraft, spinning at 180 degrees.

00:20:32.339 --> 00:20:34.619
One of the Hueys was shot down. and the crew

00:20:34.619 --> 00:20:37.359
rescued. The other two were so badly shot up

00:20:37.359 --> 00:20:39.579
by the time they landed, they were no longer

00:20:39.579 --> 00:20:42.839
able to fly. Ferguson received his Medal of Honor

00:20:42.839 --> 00:20:47.900
from President Nixon on May 17, 1969. The Medal

00:20:47.900 --> 00:20:50.299
of Honor series is a production of Veterans Radio.

00:20:51.279 --> 00:20:53.880
Military veterans touch everyone's life. I'm

00:20:53.880 --> 00:20:55.720
guessing right now you're thinking of a veteran,

00:20:56.319 --> 00:21:00.099
a close friend, relative. Maybe it's you. Even

00:21:00.099 --> 00:21:02.599
the toughest of us sometimes need help, but...

00:21:02.559 --> 00:21:05.019
don't know where to turn for support. You don't

00:21:05.019 --> 00:21:06.779
need special training to help a veteran in your

00:21:06.779 --> 00:21:09.019
life. We can all help someone going through a

00:21:09.019 --> 00:21:11.700
difficult time. Learn how you can be there for

00:21:11.700 --> 00:21:16.140
veterans. Visit veteranscrisisline .net. Veteranscrisisline

00:21:16.140 --> 00:21:18.940
.net. A message from the U .S. Department of

00:21:18.940 --> 00:21:26.180
Veterans Affairs. We're back here on Veterans

00:21:26.180 --> 00:21:30.519
Radio and we're talking music today. And my guest

00:21:30.519 --> 00:21:35.380
right now is Lem Genovese. And Lem is a musical

00:21:35.380 --> 00:21:40.519
veteran troubadour. He was in Vietnam. I got

00:21:40.519 --> 00:21:44.099
it written down here. What he was doing in Vietnam.

00:21:44.380 --> 00:21:47.000
Oh, goodness. He was with the 1st Aviation Brigade.

00:21:47.059 --> 00:21:50.259
Hey, I know about those folks. And then he was

00:21:50.259 --> 00:21:54.160
a medic during the Persian Gulf War. And this

00:21:54.160 --> 00:21:57.019
guy stayed on for a long time, 209th Med Clearing

00:21:57.019 --> 00:22:00.529
Company. That's to the 1st Infantry Division.

00:22:00.910 --> 00:22:04.710
That's a big red one. He's lived in Wisconsin,

00:22:04.750 --> 00:22:06.710
been writing, performing tunes about the Vietnam

00:22:06.710 --> 00:22:09.589
War since the early 70s. And he actually contacted

00:22:09.589 --> 00:22:12.730
me because he said, hey, how about having a Vietnam

00:22:12.730 --> 00:22:14.769
veteran on that's still around that can play

00:22:14.769 --> 00:22:17.730
some of his songs? And so that's why we did that.

00:22:18.130 --> 00:22:21.730
So Lem, welcome to Veterans Radio. Thank you,

00:22:21.730 --> 00:22:24.490
Dale. Always nice to speak with a fellow member

00:22:24.490 --> 00:22:26.930
of the Alumni Association of Chicken on a Stick.

00:22:27.200 --> 00:22:30.240
There you go, there you go for those of people

00:22:30.240 --> 00:22:32.819
who are not familiar with that the The symbol

00:22:32.819 --> 00:22:35.339
of the first aviation brigade is an eagle with

00:22:35.339 --> 00:22:39.640
a sword hawk It's a golden hawk on a sword landing

00:22:39.640 --> 00:22:45.259
go sort of like chicken fricassee if you if you

00:22:45.259 --> 00:22:48.500
remember the tail insignia of the American Airlines

00:22:48.500 --> 00:22:52.160
back in the 60s and early 70s what the heraldic

00:22:52.160 --> 00:22:57.650
artists did was reverse that eagle and a lot

00:22:57.650 --> 00:23:00.230
of the patches, a lot of the units basically

00:23:00.230 --> 00:23:03.789
had that sword as the center of their shoulder

00:23:03.789 --> 00:23:09.309
patch. And so MACV had a broken line of a castle

00:23:09.309 --> 00:23:12.890
wall. And First Aviation Brigade, First Signal

00:23:12.890 --> 00:23:16.769
Brigade used that same basic design. And we were

00:23:16.769 --> 00:23:19.369
the ones that had the hawk landing on the hill

00:23:19.369 --> 00:23:21.210
of the sword. I still think it's one of the most

00:23:21.210 --> 00:23:23.529
beautiful patches the Army ever produced. It

00:23:23.529 --> 00:23:27.029
is awesome. I have a few samples of it around

00:23:27.029 --> 00:23:29.529
here. Yeah, me too. But people, you know, obviously

00:23:29.529 --> 00:23:32.910
cannot see that on radio. Yeah. But anyway, Len,

00:23:33.309 --> 00:23:35.049
thanks so much for joining me. Tell me about

00:23:35.049 --> 00:23:38.089
tell me about how you got involved in songwriting.

00:23:39.009 --> 00:23:42.670
Well, I was a musician in high school. I started

00:23:42.670 --> 00:23:47.349
out on Bongo's Kukanga. And I want to plug the

00:23:47.349 --> 00:23:51.329
book because it explains the musical. journey

00:23:51.329 --> 00:23:54.289
that I've taken in my life. Uh, this is, uh,

00:23:54.289 --> 00:23:56.509
an independent publication only made a hundred

00:23:56.509 --> 00:23:59.950
copies, but you can, uh, go to eBooks and I think

00:23:59.950 --> 00:24:03.049
Amazon, you can pick it up dirt cheap. And it's

00:24:03.049 --> 00:24:05.890
called the Toon Smith Chronicles, a musical history

00:24:05.890 --> 00:24:14.849
tour. Smith Chronicles. That's, uh, several hundred

00:24:14.849 --> 00:24:18.309
pages. Uh, the original copy is a coffee table

00:24:18.309 --> 00:24:23.119
size. with large print for us who are losing

00:24:23.119 --> 00:24:25.720
some of our eyesight as we age. Yeah, that's

00:24:25.720 --> 00:24:28.579
a problem. But that took several years to write.

00:24:29.099 --> 00:24:32.160
But OK, so high school, it was basically acoustic

00:24:32.160 --> 00:24:37.839
folk trios through junior college. And then when

00:24:37.839 --> 00:24:42.119
I went to NAMM, I picked up the auto harp, which

00:24:42.119 --> 00:24:44.680
was a poor man's guitar. Basically press a button

00:24:44.680 --> 00:24:48.960
and makes a chord. And so that was my first introduction

00:24:48.960 --> 00:24:52.440
to court progressions and I ordered from the

00:24:52.440 --> 00:24:55.039
Pasek's catalog a Yamaha guitar and had it sent

00:24:55.039 --> 00:24:58.039
home and when I was at the University of Iowa

00:24:58.039 --> 00:25:04.279
I was blessed to have so many great songwriters

00:25:04.279 --> 00:25:09.619
around that area including the folky Greg Brown

00:25:09.619 --> 00:25:12.380
who's if you're from the upper Midwest you know

00:25:12.380 --> 00:25:14.519
who Greg Brown is and if you know reggae you'll

00:25:14.519 --> 00:25:18.009
know Tony Brown And all of them were in Iowa

00:25:18.009 --> 00:25:20.309
City at the same time. And so I'm soaking up

00:25:20.309 --> 00:25:22.970
all this information and all these great chord

00:25:22.970 --> 00:25:26.730
progressions and how to write a song. And basically

00:25:26.730 --> 00:25:29.430
took as many courses as I could in creative writing,

00:25:29.589 --> 00:25:33.210
journalism and poetry to hone the craft as it

00:25:33.210 --> 00:25:35.849
were. So by the time I got out of the University

00:25:35.849 --> 00:25:42.309
of Iowa, I was I become a Vietnam veterans advocate.

00:25:42.589 --> 00:25:45.630
I went to National Association of Concerned Veterans

00:25:46.230 --> 00:25:48.450
uh, conventions for several years in a row and

00:25:48.450 --> 00:25:51.609
entertained there. And from there, uh, a lot

00:25:51.609 --> 00:25:57.609
of the guys that, uh, were veterans, uh, campus

00:25:57.609 --> 00:26:00.869
reps would book me to play their college for

00:26:00.869 --> 00:26:02.869
the veterans and the community at large. And

00:26:02.869 --> 00:26:05.509
that's pretty much how it took off. I didn't

00:26:05.509 --> 00:26:07.470
start recording though, until the late seventies.

00:26:07.490 --> 00:26:11.309
I just didn't feel like I was ready. Well, I

00:26:11.309 --> 00:26:13.809
mean, I think it takes a lot of courage to be

00:26:13.809 --> 00:26:16.369
a songwriter. I know I was talking to a friend

00:26:16.369 --> 00:26:19.130
of mine who was also, you know, in Vietnam at

00:26:19.130 --> 00:26:21.769
the same time that, you know, that we were I

00:26:21.769 --> 00:26:26.970
mean, I was there in 69. And he played guitar.

00:26:27.329 --> 00:26:30.009
And, you know, he said he sat around his barracks,

00:26:30.009 --> 00:26:32.460
you know, and he was in the infantry and he You

00:26:32.460 --> 00:26:34.500
know to kind of relax he would play that and

00:26:34.500 --> 00:26:37.039
he says some colonel came around one time and

00:26:37.039 --> 00:26:40.779
said that the filipino band Needed a player and

00:26:40.779 --> 00:26:43.299
we know you play so you get up there and you

00:26:43.299 --> 00:26:47.579
play with them And so he said no pressure No,

00:26:47.579 --> 00:26:50.099
no pressure, but you you know the bands that

00:26:50.099 --> 00:26:52.799
we heard Yeah, you know while we were in vietnam

00:26:52.799 --> 00:26:55.640
were really kind of really pretty good Yeah,

00:26:55.660 --> 00:26:58.200
there was a couple of filipino bands in particular

00:26:58.200 --> 00:27:00.779
that impressed me to the point Uh in long been

00:27:00.779 --> 00:27:02.359
always getting ready to go home where i'm just

00:27:02.359 --> 00:27:04.660
going these guys should be recording, right?

00:27:04.839 --> 00:27:07.359
That's how good they sounded exactly like the

00:27:07.359 --> 00:27:09.920
record they were copying. Yeah, exactly So my

00:27:09.920 --> 00:27:12.440
friend got to play with them and uh, he said

00:27:12.440 --> 00:27:15.279
it was an awesome experience for him and he said

00:27:15.279 --> 00:27:18.319
He said they they blew me away, you know, they

00:27:18.319 --> 00:27:21.779
were so so good Yeah, but there was a lot of

00:27:21.779 --> 00:27:25.460
music. Uh, well, I I personally think that you

00:27:25.460 --> 00:27:28.710
know it's been referred to as the first rock

00:27:28.710 --> 00:27:34.849
and roll war. And I was amazed when I found out

00:27:34.849 --> 00:27:37.470
that Toy Caldwell, who is the lead guitarist

00:27:37.470 --> 00:27:39.309
and leader of the band, Marshall Tucker, was

00:27:39.309 --> 00:27:42.170
a Marine Vietnam vet. He never mentioned it,

00:27:42.269 --> 00:27:45.990
but through friends of mine, I found out that

00:27:45.990 --> 00:27:50.029
Toy Caldwell was a non -vet. And one of the guys

00:27:50.029 --> 00:27:52.990
that played for the Fireballs that had come on

00:27:52.990 --> 00:27:55.470
React and then another hit single, he was drafted.

00:27:55.980 --> 00:28:02.980
he went over. So there are a few of us. My three

00:28:02.980 --> 00:28:04.880
years in San Francisco, I got to sit in with

00:28:04.880 --> 00:28:06.960
country Joe McDonald on harmonica, which was

00:28:06.960 --> 00:28:10.359
a real kick for me because I can remember watching

00:28:10.359 --> 00:28:14.740
Woodstock in 69 before I went over in 70. And

00:28:14.740 --> 00:28:17.099
never thought in a million years that I would

00:28:17.099 --> 00:28:19.339
get to perform with Joe McDonald. But here we

00:28:19.339 --> 00:28:22.039
are, you know, we did benefits for three solid

00:28:22.039 --> 00:28:24.670
years all over the Bay Area. and I had a blast.

00:28:24.970 --> 00:28:30.609
What an absolute mentor he was for me as a musician,

00:28:30.789 --> 00:28:34.250
as a professional entertainer, and as a songwriter.

00:28:34.369 --> 00:28:38.529
In fact, one of the songs on the Recon album,

00:28:38.750 --> 00:28:41.670
I wrote it in his kitchen and I borrowed his

00:28:41.670 --> 00:28:47.890
12th string. You know, musicians, they all jam,

00:28:48.009 --> 00:28:50.690
and I think that's what's so great about that.

00:28:50.789 --> 00:28:54.700
It's such a giving art form. And it's really

00:28:54.700 --> 00:28:58.019
great therapy. So we might as well get into Playing

00:28:58.019 --> 00:29:00.519
one of the songs from righteous reconnaissance.

00:29:00.619 --> 00:29:04.279
Let me show you here. So At least you've got

00:29:04.279 --> 00:29:07.200
I've got a couple of them that way. Yeah I've

00:29:07.200 --> 00:29:09.519
got love among the ruins. Yeah love among the

00:29:09.519 --> 00:29:14.940
ruins is sort of my answer to if We could have

00:29:14.940 --> 00:29:17.400
a conversation with the honored dead of Vietnam.

00:29:17.400 --> 00:29:19.779
What would be the one question they would ask

00:29:19.779 --> 00:29:23.559
us and Immediately, I thought, what have you

00:29:23.559 --> 00:29:27.539
been doing with your life? Right? Yeah. How do

00:29:27.539 --> 00:29:30.380
you came to mind? Because, you know, I was combat

00:29:30.380 --> 00:29:32.759
infantry trained, I was totally ready to go over

00:29:32.759 --> 00:29:38.039
there as a grunt. So I had made peace with dying

00:29:38.039 --> 00:29:40.700
in Vietnam before I even went over. I figured

00:29:40.700 --> 00:29:44.579
the mindset that I had was a lot like some of

00:29:44.579 --> 00:29:47.220
my uncles who had known combat infantrymen in

00:29:47.220 --> 00:29:49.720
both the Pacific and European theaters. And they

00:29:49.720 --> 00:29:52.569
had that They had that mindset. We're going to

00:29:52.569 --> 00:29:55.710
date one day at a time, do the best job we can,

00:29:56.029 --> 00:30:00.430
but understand the odds. And I think I think

00:30:00.430 --> 00:30:03.130
that once I was made a clerk in a combat aviation

00:30:03.130 --> 00:30:05.390
battalion headquarters unit in the Mekong Delta,

00:30:06.150 --> 00:30:09.990
I took that aspect of that professionalism with

00:30:09.990 --> 00:30:12.190
me my entire tour. I just tried to do the best

00:30:12.190 --> 00:30:14.950
job I could every single day for the for the

00:30:14.950 --> 00:30:16.769
troops to make sure they had what they needed.

00:30:17.390 --> 00:30:20.410
Well, we, you know, Also being within an aviation

00:30:20.410 --> 00:30:23.410
company, of course it depended upon the people

00:30:23.410 --> 00:30:26.230
back in the company area to make sure that you

00:30:26.230 --> 00:30:28.450
know, they knew where I was at the aircraft or

00:30:28.450 --> 00:30:30.869
Well, and that's and everything that's that's

00:30:30.869 --> 00:30:34.089
exactly my point was these guys work in 18 hour

00:30:34.089 --> 00:30:37.069
days 20 hour days making sure they shot up Huey's

00:30:37.069 --> 00:30:41.809
the shot up fixed wing bird dogs the the loaches

00:30:42.579 --> 00:30:45.339
The Chinook we didn't have Chinooks, but on occasion

00:30:45.339 --> 00:30:47.720
one would come in and banged up and we we had

00:30:47.720 --> 00:30:51.220
to you know Our guys would on it. So yeah, those

00:30:51.220 --> 00:30:54.380
were the guys I dedicated my time to Okay. Well,

00:30:54.380 --> 00:30:56.359
why don't we play this song? It's called level

00:30:56.359 --> 00:31:00.700
but love among the ruins Yeah, and so this is

00:31:00.700 --> 00:31:04.339
a Lem Genovese and Here it is. This is my wall

00:31:04.339 --> 00:31:26.009
song Sometimes out of friendship, the strongest

00:31:26.009 --> 00:31:32.029
love will grow Sometimes you never notice, and

00:31:32.029 --> 00:31:39.329
sometimes you'll never know Believing's not so

00:31:39.329 --> 00:31:45.230
easy, when you open old wounds again But trust

00:31:45.230 --> 00:31:49.529
them that you have to, and let them start to

00:31:49.529 --> 00:31:57.630
mend Without you all my battles Never who will

00:31:57.630 --> 00:32:04.490
be won It's easier in silence When all is said

00:32:04.490 --> 00:32:11.529
and done They'll never know the difference Between

00:32:11.529 --> 00:32:17.609
the passion and the blood Never see the distance

00:32:17.609 --> 00:32:25.299
From the water and the mud It's just not the

00:32:25.299 --> 00:32:29.299
cheapest It flows the stillest and the deepest

00:32:29.299 --> 00:32:37.759
The brightest and the steepest in my life Now

00:32:37.759 --> 00:32:42.299
what have you been doing With love among the

00:32:42.299 --> 00:32:47.779
ruins? What have you been doing with your life?

00:33:18.789 --> 00:33:23.569
for too long sitting on the sidelines searching

00:33:23.569 --> 00:33:28.609
for a sign of spring black granite names on the

00:33:28.609 --> 00:33:35.950
wall reflecting why this man must sing keeping

00:33:35.950 --> 00:33:41.089
track of the present we get so lost in the past

00:33:41.089 --> 00:33:45.970
turning my back on that legacy that reads nice

00:33:45.970 --> 00:33:50.480
guys finish nice guys finish nice guys finish

00:33:50.480 --> 00:33:57.460
last it's the richest not the cheapest those

00:33:57.460 --> 00:34:02.400
the stillest and the deepest the brightest and

00:34:02.400 --> 00:34:09.500
the steepest in my life now what have you been

00:34:09.500 --> 00:35:10.199
doing doing with your life. won't you put me

00:35:10.199 --> 00:35:14.760
in the second half it only hurts when i laugh

00:35:14.760 --> 00:35:18.519
now coach won't you put me in the second half

00:35:18.519 --> 00:35:45.780
it only That was love among the ruins and it's

00:35:45.780 --> 00:35:48.280
it's really kind of Unfortunate that those of

00:35:48.280 --> 00:35:50.539
us who are doing this thing on zoom. We can't

00:35:50.539 --> 00:35:53.420
hear Yeah, all of the great music that yeah,

00:35:53.760 --> 00:35:56.000
you know we can either hear the lyrics or sometimes

00:35:56.000 --> 00:35:58.739
we can hear the melody and I'm sorry we couldn't

00:35:58.739 --> 00:36:06.539
hear you 12 string is that Had I known back in

00:36:06.539 --> 00:36:11.139
the early 80s that I would have reenlisted in

00:36:11.139 --> 00:36:15.099
the National Guard The the the end of the song

00:36:15.099 --> 00:36:17.519
is coach won't you put me in the second half

00:36:17.519 --> 00:36:23.000
it only hurts when I laugh It was very prophetic

00:36:23.000 --> 00:36:28.659
and I didn't know it at the time but I Ended

00:36:28.659 --> 00:36:33.239
up as a combat medic in Desert Storm 20 years

00:36:33.239 --> 00:36:37.460
to the day It just blows my mind when I stop

00:36:37.460 --> 00:36:39.300
and think about that, that I was in good enough

00:36:39.300 --> 00:36:41.760
physical condition and I'd had a break in service

00:36:41.760 --> 00:36:44.400
because I was a veteran's advocate for about

00:36:44.400 --> 00:36:49.059
12 years. I went in, I think I was 35 or 36 and

00:36:49.059 --> 00:36:51.139
then did the rest of it to do the full 20 so

00:36:51.139 --> 00:36:55.420
I could retire out. And it's interesting how

00:36:55.420 --> 00:36:59.480
much I learned as a Vietnam veteran, as an advocate,

00:37:00.320 --> 00:37:02.139
combat infantry training, then became a medic.

00:37:04.489 --> 00:37:08.469
Being able to literally see the other side of

00:37:08.469 --> 00:37:10.630
the coin where we're liberating a country that

00:37:10.630 --> 00:37:14.590
stayed liberated was one of the greatest honors

00:37:14.590 --> 00:37:19.429
of my life and So the songs the songs from that

00:37:19.429 --> 00:37:23.550
I wrote after desert storm. I think are a little

00:37:23.550 --> 00:37:26.579
better balanced and they're a little jazzier.

00:37:26.739 --> 00:37:29.360
And I'm sure that's probably, I'm sure that's

00:37:29.360 --> 00:37:32.280
the reason the folks from Nashville, from Operation

00:37:32.280 --> 00:37:35.139
Song, when I sent them a CD, they had no concept

00:37:35.139 --> 00:37:37.960
of what I was doing, because it's just, it's

00:37:37.960 --> 00:37:40.460
way different from where they're coming from.

00:37:40.500 --> 00:37:43.679
And I'm cool with that. Well, I mean, there are

00:37:43.679 --> 00:37:46.639
some, you know, some really great organizations.

00:37:46.940 --> 00:37:49.380
I mean, I understand, you know, as a therapy,

00:37:49.599 --> 00:37:52.019
it's absolutely perfect. I mean, it kept me from

00:37:52.019 --> 00:37:55.809
committing suicide. No. I mean, if I hadn't picked

00:37:55.809 --> 00:37:58.550
up the guitar, I wouldn't be here today. I think

00:37:58.550 --> 00:38:00.869
that's I've talked to a number of people that

00:38:00.869 --> 00:38:02.929
feel the same way. I know there's an organization

00:38:02.929 --> 00:38:05.190
in Wisconsin. I think it's called Warrior Songs.

00:38:05.630 --> 00:38:08.070
Well, then you've also got guitars for vets.

00:38:08.429 --> 00:38:10.730
Yeah, that's around here. I know we've got the

00:38:10.730 --> 00:38:12.949
number of chapters all over the United States

00:38:12.949 --> 00:38:16.650
now. It started in Wisconsin. Yeah. It's not

00:38:16.650 --> 00:38:21.510
too late. Milwaukee. Yeah. Maybe I can still

00:38:21.510 --> 00:38:24.719
learn how to play. Listen. I didn't actually

00:38:24.719 --> 00:38:29.139
pick up a guitar until I was like 25. And I've

00:38:29.139 --> 00:38:33.380
known veterans from Vietnam that once they're

00:38:33.380 --> 00:38:37.519
retired, and they've got the time, they're, they're

00:38:37.519 --> 00:38:39.199
doing the guitar thing, they're either taking

00:38:39.199 --> 00:38:41.840
lessons, or they're part of guitars for vets,

00:38:41.880 --> 00:38:43.519
where there's a program where you learn how to

00:38:43.519 --> 00:38:47.000
play. Well, the nice thing about guitar for vets

00:38:47.000 --> 00:38:48.719
is that, you know, as you learn how to play,

00:38:48.739 --> 00:38:50.880
I guess when you graduate, you get to keep the

00:38:50.880 --> 00:38:54.699
guitar, right? And, um, it's been really fun

00:38:54.699 --> 00:38:57.860
that, uh, one of the best known guitar shops

00:38:57.860 --> 00:39:01.360
here in La Crosse is Dave's guitar, Dave's guitars.

00:39:01.440 --> 00:39:03.539
And he's got like three other shops in Wisconsin

00:39:03.539 --> 00:39:06.159
and he has donated some guitars, two guitars

00:39:06.159 --> 00:39:11.039
for vets, which, you know, that's, that's, that's

00:39:11.039 --> 00:39:12.719
as good as it gets in my book. There's a guy

00:39:12.719 --> 00:39:17.679
that is making good money, uh, since the seventies

00:39:17.679 --> 00:39:20.969
and he's willing to do that for veterans. Well,

00:39:20.969 --> 00:39:22.869
I think there's a lot more people out there that

00:39:22.869 --> 00:39:25.849
support veterans and we then we realize yeah,

00:39:25.949 --> 00:39:29.650
and It's a good feeling to know that How much

00:39:29.650 --> 00:39:32.289
this country's changed in that regard since Vietnam

00:39:32.289 --> 00:39:35.090
and I think I think Vietnam veterans are the

00:39:35.090 --> 00:39:39.349
ones that kind of spearheaded that No other generation

00:39:39.349 --> 00:39:42.449
is going to get ignored like we did right absolutely

00:39:42.449 --> 00:39:46.469
and I feel I feel good about that I just wish

00:39:46.469 --> 00:39:48.309
there was some more venues out there that would

00:39:48.309 --> 00:39:50.510
at least give me a chance to perform again, but

00:39:50.510 --> 00:39:57.090
you know, hey We'll see what we could come up

00:39:57.090 --> 00:40:00.309
with you get involved with You mentioned one

00:40:00.309 --> 00:40:02.989
of the other songs that you that you wanted us

00:40:02.989 --> 00:40:06.989
to play today was the the elegy Yeah, that if

00:40:06.989 --> 00:40:08.929
we've only got time for one more list you elegy

00:40:08.929 --> 00:40:12.349
for the fallen. I just hope to God the the folks

00:40:12.349 --> 00:40:17.159
can hear the 12th string because this is a It's

00:40:17.159 --> 00:40:20.320
really interesting that I had the beginning of

00:40:20.320 --> 00:40:24.119
it, I borrowed, there's a chapter on it in the

00:40:24.119 --> 00:40:27.360
memoir, but I borrowed a chaplain's guitar the

00:40:27.360 --> 00:40:29.380
night before the ground war started in Desert

00:40:29.380 --> 00:40:33.980
Storm. And I had tried to figure out the actual

00:40:33.980 --> 00:40:39.739
introduction and into the first part of it. Then

00:40:39.739 --> 00:40:44.420
my wife, who was my daresay for, and Penn Powell

00:40:44.420 --> 00:40:46.840
allowed me to buy my first 12 string acoustic.

00:40:48.239 --> 00:40:51.619
And one day after the wedding, about six months

00:40:51.619 --> 00:40:55.980
afterwards, I was following the court progression

00:40:55.980 --> 00:40:59.340
of Crosby, Stills, and Nash's Wooden Ships. The

00:40:59.340 --> 00:41:01.940
next thing I knew, I had the second half of the

00:41:01.940 --> 00:41:04.860
song ready to go. She's downstairs listening

00:41:04.860 --> 00:41:07.639
and she goes. What was that? And I go, I have

00:41:07.639 --> 00:41:09.739
no idea. She said, can you play it again? And

00:41:09.739 --> 00:41:12.260
I go, let me try it. And she said, you have to

00:41:12.260 --> 00:41:16.380
record that. And so this is, this is what happens.

00:41:16.420 --> 00:41:22.860
This is Elegy for the Fallen. This was used on

00:41:22.860 --> 00:41:25.980
the funeral scene for the one five Marines in

00:41:25.980 --> 00:41:31.119
the documentary, Patrol Base Jaker. That's exactly

00:41:31.119 --> 00:41:36.619
what I wrote it for. was if you just had an acoustic

00:41:36.619 --> 00:41:39.980
guitar, this is what I was shooting for. But

00:41:39.980 --> 00:41:45.300
if I had piano, concert harp, maybe a string

00:41:45.300 --> 00:41:48.300
section in certain parts, it would be absolutely

00:41:48.300 --> 00:41:52.360
perfect for another documentary or a movie about

00:41:52.360 --> 00:41:55.780
veterans. So let's give it a shot. Well, let's

00:41:55.780 --> 00:41:57.820
give it a shot. Now, again, remember, we're not

00:41:57.820 --> 00:42:01.699
going to be able to hear it clearly at all. The

00:42:01.699 --> 00:42:04.679
audience out there will hear it all. That's the

00:42:04.679 --> 00:44:55.940
thing to remember. Okay, so here we go. that

00:44:55.940 --> 00:45:00.820
was Elegy for the Fallen. That song is beautiful

00:45:00.820 --> 00:45:06.079
in its own way. And I was reading the notes on

00:45:06.079 --> 00:45:10.260
the CD cover and was this dedicated to Gold Star

00:45:10.260 --> 00:45:15.300
families? Yes. Like I said, there's a chapter

00:45:15.300 --> 00:45:19.840
in the book about it and I always thought Taps

00:45:19.840 --> 00:45:24.519
was too short. And there's a reason for that.

00:45:24.670 --> 00:45:28.530
And I'm good with it. But gold star families

00:45:28.530 --> 00:45:31.730
doesn't matter whether it's in training or in

00:45:31.730 --> 00:45:35.050
combat. When you lose a loved one, a family member

00:45:35.050 --> 00:45:38.429
in military service, you earn that gold star

00:45:38.429 --> 00:45:41.929
the hard way. And I always thought they needed

00:45:41.929 --> 00:45:46.190
something uplifting to listen to when that date

00:45:46.190 --> 00:45:49.349
comes around. Whether it's Memorial Day, Veterans

00:45:49.349 --> 00:45:52.369
Day or the day their loved one actually passed.

00:45:56.610 --> 00:46:00.269
This particular piece really kind of resonated

00:46:00.269 --> 00:46:06.489
for that to me. That's who I envisioned would

00:46:06.489 --> 00:46:14.969
get the best sense of serenity when they're thinking

00:46:14.969 --> 00:46:17.829
about the loss of their loved one, which is a

00:46:17.829 --> 00:46:22.010
huge, huge milestone in any family's life. It's

00:46:22.010 --> 00:46:26.570
something they never forget. Been around those

00:46:26.570 --> 00:46:31.369
folks at my concerts in particular For years

00:46:31.369 --> 00:46:33.590
and always felt like I hadn't done enough for

00:46:33.590 --> 00:46:36.070
them musically. So this is this is my homage

00:46:36.070 --> 00:46:42.329
to them Well, it's it's It's a beautiful song.

00:46:42.469 --> 00:46:48.269
Thank you. I mean, it's just an Incredibly talented

00:46:48.269 --> 00:46:51.989
man, you know, I think that's I'm really jealous

00:46:51.989 --> 00:46:54.900
of that Well, I don't, I don't, hopefully there's

00:46:54.900 --> 00:46:57.940
more admiration and jealousy, Dale. Yeah, well,

00:46:58.059 --> 00:47:00.820
it's more admiration than jealousy. It's only

00:47:00.820 --> 00:47:03.159
because I can't, I can't sing and I can't do

00:47:03.159 --> 00:47:05.380
any of the instrumental stuff. What you're doing

00:47:05.380 --> 00:47:07.440
is very important to the community at large,

00:47:07.539 --> 00:47:10.440
my friend. And that's a gift in and of itself

00:47:10.440 --> 00:47:17.369
every time you do one. We've got a little time

00:47:17.369 --> 00:47:19.090
here to kind of talk about some of these things

00:47:19.090 --> 00:47:21.670
And as I said, I wish we could hear because I

00:47:21.670 --> 00:47:25.289
wanted to just play I want to play just as a

00:47:25.289 --> 00:47:29.090
little bit of the um again, we won't be able

00:47:29.090 --> 00:47:33.989
to hear it when we are of the six lazaro Six

00:47:33.989 --> 00:47:36.590
lazari lane six lazari lane. Tell me a little

00:47:36.590 --> 00:47:40.809
bit about that Surprisingly, uh for a kid from

00:47:40.809 --> 00:47:42.929
Des Moines, Iowa. I'm a third generation new

00:47:42.929 --> 00:47:47.159
york yankees fan Oh, that's too bad. So Being

00:47:47.159 --> 00:47:50.659
Sicilian, not Italian, being Sicilian on both

00:47:50.659 --> 00:47:54.300
sides of the family, my grandfather, who was

00:47:54.300 --> 00:47:58.860
an immigrant, and my father loved the Yankees.

00:47:59.260 --> 00:48:01.980
I mean, they were fanatics about it. And when

00:48:01.980 --> 00:48:05.260
the first Italian American to use this real name,

00:48:06.820 --> 00:48:11.059
Tony Lazzari, joined the Yankees in 1926, that

00:48:11.059 --> 00:48:14.059
pretty much solidified it. You know, prior to

00:48:14.059 --> 00:48:15.880
that, you had to use a fake name, believe it

00:48:15.880 --> 00:48:20.320
or not. No, I believe that. There was a Yankee

00:48:20.320 --> 00:48:23.099
who was a Italian American, but he went by the

00:48:23.099 --> 00:48:25.760
name of Ping, just like the golf club, Ping Bodie,

00:48:25.900 --> 00:48:29.639
B -O -D -I -E. Francesco Pizzolo was his real

00:48:29.639 --> 00:48:35.000
name. Okay. He ruled with Babe Ruth. So when

00:48:35.000 --> 00:48:38.659
Tony came around, that kind of broke the ice.

00:48:39.500 --> 00:48:43.360
He was like the Jackie Robinson. So, okay, that's

00:48:43.360 --> 00:48:45.539
how Six Lazare Lane got its name because of him.

00:48:45.619 --> 00:48:49.039
Okay, I just want to play just one minute of

00:48:49.039 --> 00:48:54.039
this and just because the drive of this particular

00:48:54.039 --> 00:48:56.119
song is amazing. We've only got three, four minutes

00:48:56.119 --> 00:49:01.159
left anyway. Well, we're going to play this right

00:49:01.159 --> 00:49:41.690
now. Okay, I just wanted to play the introduction

00:49:41.690 --> 00:49:44.070
to that cuz that that was just something that

00:49:44.070 --> 00:49:47.409
I thought I just put in the car and just drove

00:49:47.409 --> 00:50:10.179
with We have some live music That's the part.

00:50:16.679 --> 00:50:19.519
I'm sorry. You cannot see this. He pulled his

00:50:19.519 --> 00:50:22.260
guitar off of his wall. Thank you. Thank you,

00:50:22.300 --> 00:50:26.679
Lem. That was really when I put that in the CD

00:50:26.679 --> 00:50:28.940
player. I have an old car, obviously. I put the

00:50:28.940 --> 00:50:31.480
CD player and I hit that thing and it was just

00:50:31.480 --> 00:50:35.960
like I was pulled back into the 60s and stuff

00:50:35.960 --> 00:50:41.070
and just that driving Yep. Rhythm there. Anyway,

00:50:41.610 --> 00:50:43.989
Lem. I still love the music from that decade.

00:50:45.070 --> 00:50:47.489
You're not the first person to tell me that I

00:50:47.489 --> 00:50:52.690
reinvent 60s music. And Six Lasere Lang was a

00:50:52.690 --> 00:50:56.349
gift, man. I just I flat out went, OK, if Booker

00:50:56.349 --> 00:51:00.130
T and the M .G.'s had met Buddy Holly, this is

00:51:00.130 --> 00:51:03.590
what it would sound like. I have to agree. I

00:51:03.590 --> 00:51:07.230
have to agree. All right. So we can get all of

00:51:07.230 --> 00:51:09.289
this music. We've been talking with Lem Genevieve

00:51:09.289 --> 00:51:13.050
today here on Veterans Radio. His albums are

00:51:13.050 --> 00:51:15.230
available on Amazon. You can just download them

00:51:15.230 --> 00:51:19.889
from Amazon, which is kind of cool. And I think

00:51:19.889 --> 00:51:24.630
he's an incredibly talented man. And I'm very

00:51:24.630 --> 00:51:27.130
happy to have had him on the program. And I'm

00:51:27.130 --> 00:51:30.449
going to ask you to stick around after the program

00:51:30.449 --> 00:51:34.230
is over so I can talk to you. Sure. So as we

00:51:34.230 --> 00:51:36.449
come up to the end of today's Veterans Radio

00:51:36.449 --> 00:51:39.449
program, we always go out on a God bless America

00:51:39.449 --> 00:51:44.230
version. And today we're going out under Jimmy

00:51:44.230 --> 00:51:48.550
Fountain. And this is one of them. I'm just you

00:51:48.550 --> 00:51:51.570
know, I want everybody to understand how much

00:51:51.570 --> 00:51:53.849
all of us, no matter where we are politically,

00:51:54.070 --> 00:51:57.289
really do love this country. And it's it's so

00:51:57.289 --> 00:52:00.389
important for us to realize that we need to get

00:52:00.389 --> 00:52:03.599
together instead of driving the way outwards.

00:52:03.739 --> 00:52:05.820
We need to come back. Find the common ground,

00:52:05.980 --> 00:52:08.599
my brother. Find the common ground. Find the

00:52:08.599 --> 00:52:10.440
common ground. He's interrupting my editorial

00:52:10.440 --> 00:52:12.639
right here now. So we want to make sure what

00:52:12.639 --> 00:52:14.880
we always go out on God bless America. So that's

00:52:14.880 --> 00:52:17.539
one of my favorite songs. And so this is what

00:52:17.539 --> 00:52:20.099
we're going to do today. And I'm probably going

00:52:20.099 --> 00:52:21.800
to have to stretch a little bit because I've

00:52:21.800 --> 00:52:25.360
got I don't know how much time left. Just a little

00:52:25.360 --> 00:52:29.639
bit more. So all right. Oh, I know. 10 seconds.

00:52:29.880 --> 00:52:32.179
Never mind next week is our benefits program.

00:52:32.199 --> 00:52:34.300
So if you got a question get it to us So make

00:52:34.300 --> 00:52:36.800
sure that so until next week, this is dale thrombury

00:52:36.800 --> 00:52:47.900
for veterans radio. You are dismissed God bless

00:52:47.900 --> 00:53:00.230
america Land that I love Stand beside her and

00:53:00.230 --> 00:53:05.989
guide her through the night with a light from

00:53:05.989 --> 00:53:14.730
above. From the mountains, to the prairies, to

00:53:14.730 --> 00:53:24.650
the oceans, white with foam. God bless America,

00:53:25.889 --> 00:53:39.380
my home sweet. Oh God bless America, my home.
