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Good afternoon Truthwinds team. Oh, our topic, A Light in the Darkness. If you look at the

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picture behind us, a friend of mine painted it, and on the bottom of it, which might be

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a little hard to read from this distance, it's Matthew 622. And it says, let's see,

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their whole body will be filled with the light. And so since this is a time when the light

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shines strong, its resurrection Sunday is coming, we're actually going to populate this

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a little bit early, just in the celebration of Jesus. So, and this is produced by Shining

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City Media. The name of it is A Light in the Darkness, and it was produced by Jeffrey

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and Rami Black. They spent probably years on producing this film. It's a very nice documentary

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on the 100 year anniversary of the Hollywood Cross. Probably, and a lot of you don't even

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know that it exists. But the next time you go to Hollywood, you can do that. As you can

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see also up on the back, it says Hollywood next to the clock. The reason why this is

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so exciting to us is, as a lot of you know, my great grandfather is the father of Hollywood.

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He's H.J. Whitley, and he played a big part in all of this. Oh yeah, Willie. He had the

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visionary to bring the media system or production to Southern California. Right, and then it

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went and spread to the world because as we know, this is a way to share your vision through

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media. So, we'll jump into the movie. We won't be back with you when the movie ends. That

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will be it. We just hope you- Play it over and over and sit and have all your friends

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and neighbors and everybody watch this. This is very, very good. Right. You can wish them

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all happy Easter and a celebration of the 100th year of the Hollywood Cross and have

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fun and get a bowl of popcorn and enjoy. Amen.

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Once upon a time, there was an extraordinary land, an amazing place where dreams came through,

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but nightmares also abounded. It was a land of wealth the entire world looked to for escape

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and inspiration, but it was also a place where the eternal forces of good and evil battled

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and where many fell slain. High on a hill overlooking the land, a huge glowing cross

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stood lighting the way for all who had looked to it. As time passed, however, few remembered

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why the cross was ever built or what it even stood for. Those who did remember fought bravely

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to keep its light from being extinguished. This is the story of that extraordinary cross,

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the brave heroes who battled to protect it and those who have been inspired by its light

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for the past 100 years. The story of the Hollywood Cross begins long before it was ever built

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in the hills above Hollywood in 1923, for there would be no Hollywood Cross without

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the name Hollywood. Many stories abound how Hollywood got its name, that it was named

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after Christmas Holly that grew throughout the Santa Monica Mountains and nearby hills,

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or that it was taken from an Illinois estate named Hollywood. No proof exists to back up

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any of these claims. The only real evidence for the name's true origin comes from a page

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in the diary of a man named H.J. Whitley. Whitley was the owner of the original 480 acre tract

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of land that became Hollywood, which Whitley purchased for $22,000 in gold. In 1886, Whitley

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noted in his diary that one day he came across a Chinese man carrying wood in a horse-drawn

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wagon who spoke politely to him in a thick accent saying he was hauling wood. To Whitley,

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it sounded like the man said, Hollywood. The name struck a chord with Whitley and the rest

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is history. An honest businessman and a committed Christian in later life, H.J. Whitley was

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also instrumental in bringing the film industry to Hollywood. Although the California film

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industry began in 1909, when prolific East Coast filmmaker Colonel William Selig opened

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his Selig Polyscope Studios in the Edendale District of downtown Los Angeles, Whitley

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helped create the first movie studio in Hollywood, the Nestor Film Company that soon merged

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along with several other companies to form the Universal Film Manufacturing Company, a

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conglomerate that would one day become Universal Studios, the first and the oldest major film

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studio in Hollywood. For these accomplishments and for many others, H.J. Whitley is now known

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as the father of Hollywood. In 1887, a Christian couple named Harvey and Data Wilcox purchased

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a 120-acre tract of land from Whitley, centered at what would one day become Hollywood and

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Vine. Harvey Wilcox officially established the name Hollywood when he recorded it on

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the land's deed in 1887. Harvey and Data Wilcox's original vision for Hollywood was

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to create a utopian Christian community and center for the arts, a place free from the

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vices of alcohol, gambling, and prostitution. In 1902, Hollywood officially became a city.

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The first laws passed banned liquor, pool halls, bowling alleys, and even riding bicycles

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on the sidewalk. The LA Times described Hollywood in 1905 as a place where the saloon and its

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kindred evils are unknown. Soon, Hollywood was filled with churches from every major

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denomination that had taken up Data Wilcox's offer of free land and the faithful flocked

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to the area. In 1910, Hollywood's cherished dream of righteous independence came to an

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abrupt halt when its expanding water needs forced Hollywood's incorporation as a district

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into the city of Los Angeles and its corrupting influences.

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One believer drawn to Hollywood during that time was Christine Weatherall Stevenson, an

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heiress to the Pittsburgh paint fortune who became a patron of the arts in Hollywood.

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In 1919, she helped to found the Hollywood Bowl, contributing nearly one half the money

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— $21,000 — to purchase the Bolton Canyon site, popularly known as Daisy Dell, on which

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the Bowl sits. In 1921, Stevenson organized the first Hollywood

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Bowl Easter Sunrise Service, a tradition that continues to this day. After a dispute with

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partners who wished to produce non-religious productions, Stevenson purchased a 29-acre

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tract of land across from the Bowl. Shows at her new Pilgrimage Theater became an immediate

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hit with Los Angeles audiences, and her pilgrimage play, based on the life of Jesus, continued

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to be performed at the theater for the next 42 years.

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Then, in 1922, at the tender age of 44, Stevenson unexpectedly passed away. Grieving friends

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and supporters built a huge 40-foot-lighted wooden cross on the hill next to the Pilgrimage

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Theater as memorial to her in 1923. It is this monument that has come to be known

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as the Hollywood Cross.

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The original Hollywood Cross was constructed for $200 and lit by hundreds of incandescent

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light bulbs that outlined the structure. The lights were turned on during evening performances

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at the Pilgrimage Theater and also for the annual Hollywood Bowl Easter Sunrise Service.

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Sunday school children initially paid for the electricity. Then, Southern California

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Edison provided it free of charge. In 1941, the Pilgrimage Theater donated the cross and

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the land beneath it to the county of Los Angeles, which then provided routine maintenance.

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Later that year, just three months before the bombing of Pearl Harbor thrust America

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into World War II, Hitler partisans drew a huge Nazi swastika beneath the cross using

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bags of white lime. No suspects were ever caught.

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Following the war in 1949, a great worldwide phenomenon began in downtown Los Angeles in

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view of the Hollywood Cross when Reverend Billy Graham came to national prominence. His Los

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Angeles crusade lasted for eight weeks and was attended by 350,000 people. One of Graham's

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great themes was the cross of Christ and its great significance to mankind.

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If you could have bought your way or if you could have worked your way or if you could

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have skimmed your way to heaven, Jesus would have never gone to the cross. There is no

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other way of salvation except at the foot of the cross. And when I look at that cross,

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I see first the terribleness of sin. I know that I am a sinner. When I look at Christ

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dying in my place on the cross and realize the things that I have done and that it was

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my sins that nailed him there, I must cry out to God, oh God, I am a sinner.

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Then the second thing I see is the amazing love of God, that God commended his love

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toward us in that while we were yet sinners, Christ died for us. You rebelled against God,

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you've sinned against God, you've done things that you know you shouldn't have done, you've

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helped even crucify Jesus. But in spite of it, God loves you. And on the cross there

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is written in gigantic letters in neon fire, God so loved the world that he gave his only

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begotten son, that whosoever believeth in him should not perish but have everlasting

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life. There is the love of God. And if you have any doubt concerning the love of God,

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look at the cross. It was there that he died for us.

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In 1963, Billy Graham returned to Los Angeles, this time speaking to nearly one million people

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at the LA Coliseum. And the cross of Christ was always central to his message.

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It doesn't make any difference what race you come from, what your nationality background

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is, what state you live in, how rich or how poor, how educated or uneducated you have

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to come to the cross. You say, but Billy, that's foolish. Do you mean to say I can't

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be accepted by God unless I come to the cross? That's right.

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And the Bible says the preaching of the cross is foolishness to them that perish. God said

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you'd say it's foolish. You may be a PhD in the university, but if you're ever to have

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a piece of soul with God, you'll have to come like a little child to the foot of the cross.

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The original wooden Hollywood cross stood tall on its hilltop until 1965, when it was

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suddenly destroyed in a Hollywood brush fire. The county of Los Angeles replaced the wooden

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cross with a more resilient steel and plexiglass structure that was illuminated from within

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by fluorescent lights. LA County involvement with the Hollywood

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cross, however, came under fire in 1979 following a California state Supreme Court ruling that

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ended a 30-year tradition of lighting Los Angeles City Hall windows in the shape of

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a cross at Christmas and Easter. Citing that decision, activist attorneys saw it an injunction

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to prevent public money from being spent on the Hollywood cross. Caving to pressure,

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Los Angeles County pulled the plug on the cross, selling it later that year along with

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its land for $1,000 to the preservation group Hollywood Heritage.

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And the Bible says the preaching of the cross is foolishness to them that perish. God said

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you'd say it's foolish. During that dark season, the cross was defaced

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and vandals sawed through several of its steel braces, sending it crashing to the ground

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in a 1984 Santa Ana windstorm. Just before the 1985 Hollywood Bowl Easter

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Sunrise service, volunteers built a temporary 17-foot cross out of pieces from the old one.

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For nearly a decade, numerous attempts to permanently rebuild the cross failed, including

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a cross built out of balloons and an Easter Sunrise service to draw attention to the missing

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landmark. The Hollywood cross was resurrected in its

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present form in 1993 when High Adventure Ministries, a CME Valley shortwave radio evangelism

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organization donated $110,000 for its reconstruction.

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We saw the original cross sitting flat on the ground. It was bent. It had been weathered,

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rusted, and looked like it had been sitting there for a century. It was terrible, terrible

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shape. I would imagine that somebody went up there and cut their metal saw up there

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and cut it and tipped it over like a tree. It fell flat on the ground and that's where

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it laid for many, many years until they hired us to come and resurrect it.

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We then hired a structural engineer to go out there and make it stronger and design it

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so that it can stand back in place again and this time we're going to try to make it indestructible.

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We took a field trip up to the cross. We all hiked up there and we all looked at it. We

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all had a game plan and we all decided, okay, we need to hire an engineer and an architect

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to figure out how we're going to get this thing built and stronger to stand back up

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again. So we hired a fellow by the name of Jeff Warling to be the designer of the engineering,

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structural engineering on the project and Dean White was the architect who drew up the

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plans and submitted for plan check, which we got the permit for. Once we got the permit,

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we started construction. We got a little static. You know, after we got the building permit

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and after we got up there and started working on it, word got out that we were going to

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resurrect the cross. There was a group of people that didn't like it. There were protesters

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that got involved. Angry people, they didn't want us to build it and let it be known that

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they didn't want us to do it. We told them that if you didn't leave, we'd call the police

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because it's private property and they left. We decided not to put the cross back where

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it originally was, where the original concrete footing was because that would cost more money

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to remove the old footing. So we decided to place it to the side of it where we can dig

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a fresh hole in the ground for the footings, which was six foot by six foot by six foot.

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We dug that in, we laced it, reinforced it with steel. We erected that steel out of the

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ground about eight feet and then we were ready for inspection. So once we got the inspection,

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we scheduled the concrete pour and the forms didn't hold and the forms exploded and all

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the concrete went rolling down the hill into the Ford feeder. Not once, twice. So that

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was a snafu. Anyways, once we were able to reinforce the, because the footings stood

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up out of the ground by eight feet and was full of concrete. So I had to get something

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and devise a way to make a strong form and I ended up doing that with chains, three quarter

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inch chains wrapped around the whole thing like you'd see Houdini did back in the day.

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And that held it together and we were able to pour. So once the footing was poured, then

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we were able to strip the forms and prep the area for the cross. So during the time we're

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working on the foundation of the of the Hollywood Cross, 15 or 20 feet of the whole lower section

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was wrapped in half inch steel plate, machine bolt every three inches on the entire perimeter

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of all four corners, each direction and welded. Once we got that thing done, then we got the

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helicopter, we had a Sikorsky out there. We had the helicopter crew in the helicopter

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and we had a ground crew. Once the helicopter pulled that cross up off the ground and it

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was airborne, we had lines coming down from it, three or four lines. And once those lines

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got close to a man to grab, we would hold on to them and then pull as best we could

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it into place so the helicopter pilot can drop it. Once we got it within inches of where

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it needed to be, tugging on it certain directions helped it along pretty good. As we navigated

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this cross into position and lowered it down, the sleeve of half inch steel plate slid down

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over the footing and once it slid down, they released it and gravity holds it in place.

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So once the gravity held it in place, we went in and bolted it into the concrete around

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the whole perimeter. After that, we poured a four foot circular concrete reinforcement

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around it. So it's encased. So you can't really get to the steel casing because it's covered

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in a foot of concrete. Somewhere along the line, they asked us to put in a time capsule

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and there's a time capsule in there too. The rest of the cross was the existing framing

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stayed as is and how we covered it was the actual sign company that came out. He went

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out and put fluorescent lights on the front face and the back face and then connected

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the ends with sheet metal so you wouldn't ever see the framework of the existing cross

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and then we stuckled the surface of that four foot diameter concrete encasement and that

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was the finished product. I mean it went through that 94 quake and it's still standing.

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One member of the team that helped to guide the cross into position was the legendary

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Hollywood stuntman and circus high wire performer Bob Yerkes. Immediately after construction

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was complete, a lawsuit was brought to have the cross removed. I used to get it back up

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and then they took us to court for putting it up and they said it was offensive and I

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said well it's always offensive to atheists and vampires and it's just to complain because

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it was lit up inside so it was too bright and the judge said well maybe that's because

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the doctors in your heart you threw it on the court. Every time I drive by there and

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see it up still, yeah, still up. It is this cross that stands high over Hollywood today.

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In 1997, ownership of the Hollywood cross and the quarter acre of land around it was

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transferred to the church on the way, a Van Nuys Pentecostal congregation that set up a

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perpetual endowment to care for the cross and to keep it lit into eternity. Having the

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sturdy new Hollywood cross on firm footing, however, didn't keep fresh attacks from coming.

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In 2004, activist attorneys and politicians conspired to remove the Hollywood cross from

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the Los Angeles County seal where it had been placed in 1957 above an image of the Hollywood

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Bowl. The revised 2004 Los Angeles County seal eliminated the Hollywood cross in a second

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revision in 2016 prompted by an activist judge's ruling caused the cross over the San Fernando

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mission to be removed as well. God said you'd say it's foolish. Despite being attacked by

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vandals and Nazis, destroyed by fire and wind storms, and assaulted by lawyers, judges and

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politicians, the Hollywood cross still stands high over Hollywood after 100 years. A light in

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the darkness showing the way so all may see, draw inspiration and believe. You rebelled against

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God, you've sinned against God, you've done things that you know you shouldn't have done,

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you've helped even crucify Jesus. But in spite of it, God lurched. And on the cross there is

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written in gigantic letters in neon fire. God so loved the world that he gave his only the

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God son, the who's so other. Believe it in him should not perish but have everlasting life.

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There is the love of God. And if you have any doubt concerning the love of God, look at the

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cross. It was sad that he died for us.

