WEBVTT

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Howdy stargazers, and welcome to this episode

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of Star Trails. My name is Drew, and I'll be

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your guide to the night sky for the week of April

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the 12th through the 18th. This week we're talking

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about radio astronomy, and the processes that

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allow us to see everything from the afterglow

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of the Big Bang to the shape of black holes.

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Later in the show, I'll talk about some of the

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photography from the Artemis II mission, and

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we'll check in with this week's sky, which offers

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some gems for early risers. Whether you're tuning

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in from the backyard or the balcony, I'm glad

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you're here, so grab a comfortable spot under

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the night sky and let's get started. Hopefully

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you enjoyed the bonus episode I released last

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week about the David Bowie song, Space Oddity.

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I know that isn't everyone's cup of tea, which

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is why I didn't release it as part of the main

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sequence of shows. Anyway, I have news to report

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related to that episode. It looks like Bowie

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made it back into space. At the end of that bonus

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episode, I mentioned that I didn't know if the

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Artemis II astronauts were listening to Space

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Oddity. But, as it turns out, they did listen

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to a song featuring Bowie. One of the tracks

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on their so -called wake -up playlist was Under

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Pressure, the 1981 collaboration between Queen

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and Bowie. And here's another wild connection.

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Queen guitarist Sir Brian May has a doctorate

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in astrophysics. These songs are selected by

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mission control specialists and the wake -up

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songs are a tradition from the Apollo era. to

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help astronauts stay connected to humanity. Other

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artists featured on the Artemis playlist included

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Chappell Roan, John Legend, and more. The historic

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Artemis mission ended Friday after a successful

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splashdown in the Pacific. I'm looking forward

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to combing through the images they brought back.

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Later in the show, I'll talk about one particular

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image they've already shared. In the meantime,

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I'll include a link in the show notes to a playlist

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of their wake -up songs. Speaking of sounds in

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space, let's talk about radio astronomy. For

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most of human history, astronomy meant one thing,

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looking up. Watching the sky with our eyes, and

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later, with telescopes that extended those eyes,

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pulling distant light just a little closer. And

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through that simple act of looking, we've learned

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an extraordinary amount about the universe. Visual

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astronomy has given us the structure of the cosmos.

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It's how we mapped the stars, traced the motions

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of the planets, and discovered entire galaxies

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far beyond our own. It's how we study nebula,

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the birthplaces of stars, and the remnants of

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stellar death. And with techniques like spectroscopy,

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we've even learned what distant objects are made

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of, their temperatures, their velocities, and

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how fast they're moving away from us. Long exposure

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imaging pushed that even further. A camera left

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open to the sky for minutes or hours reveals

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structures so faint they're completely invisible

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to the human eye. Swirling gas clouds, distant

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galaxies, delicate filaments of cosmic structure.

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In many ways, visual astronomy is the foundation

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of everything we know. But it's only part of

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the story. Visible light is the tiny slice of

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the electromagnetic spectrum that our eyes can

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detect. And it's just that, a slice. The universe

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is constantly emitting energy across the vast

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range of wavelengths. from high -energy gamma

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rays to long, slow radio waves. And for most

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of human history, we were completely deaf to

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all of it. That changed in the 1930s, not in

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an observatory, but in a field in New Jersey.

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An engineer named Karl Jansky was working for

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Bell Telephone Laboratories, trying to track

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down sources of radio interference. He built

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an antenna that could sweep the sky. And at first,

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he found what he expected. Thunderstorms, distant

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noises, human -made signals. But then there was

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something else. A faint hiss that repeated not

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every 24 hours, but every 23 hours and 56 minutes.

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A sidereal day. That's the time it takes Earth

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to complete a rotation relative to distant stars.

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Jansky realized that signal wasn't coming from

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Earth at all. It was coming from the center of

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the Milky Way. For the first time in history,

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we had detected the universe not through light,

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but through radio waves. A few decades later,

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Arno Pinzias and Robert Wilson stumbled onto

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something even more profound. The cosmic microwave

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background. The faint afterglow of the Big Bang

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itself. This discovery is a cornerstone of modern

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cosmology. The cosmic microwave background is

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remarkably uniform, but not perfectly so. Tiny

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fluctuations in its temperature, variations of

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just a few millionths of a degree, encode information

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about the early universe. From those patterns,

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we've been able to determine the age of the universe,

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its composition, and even its large -scale geometry.

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The CMB is a snapshot of the universe when it

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was just 380 ,000 years old. And it still surrounds

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us today, filling all of space. At that point,

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astronomy changed forever. We were no longer

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just looking at the universe. We were beginning

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to listen to it. Radio astronomy is the study

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of the universe through radio waves. long wavelength

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electromagnetic radiation that behaves very differently

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from visible light. Instead of mirrors, radio

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telescopes use large dishes that collect and

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focus signals onto a receiver. These signals

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are incredibly faint, buried in noise, but they

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carry information that optical telescopes simply

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can't access. Radio waves pass through dust clouds

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that block visible light, allowing us to see

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star -forming regions and across the structure

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of our galaxy. They can be observed day or night,

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often through conditions that would make optical

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observation impossible. It reveals a hidden universe

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layered on top of the one we see. Facilities

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like the Arecibo Observatory, the Very Large

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Array, and the FAST telescope have allowed us

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to map hydrogen gas, discover pulsars first identified

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by Jocelyn Bell Burnell, and study the environments

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around black holes and distant galaxies. But

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the real story of radio astronomy is how we turn

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those signals into something we can understand.

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A radio telescope doesn't take pictures. It measures

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voltage over time. Tiny electrical fluctuations

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caused by incoming radio waves. When a signal

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reaches the dish, it's focused onto a receiver

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and converted into an electrical waveform. That

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signal is amplified using low -noise amplifiers,

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then digitized into a stream of numbers. At this

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point, we don't have an image. We have data.

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To make sense of that data, astronomers use a

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process called the Fast Fourier Transform. The

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math behind the Fourier Transform dates back

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to Joseph Fourier in the early 1800s, who showed

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that complex signals can be broken down into

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simple sine and cosine waves. The modern fast

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Fourier transform developed in 1965 made this

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process dramatically faster and practical for

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real -time computing. Essentially, the FFT transforms

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a signal from the time domain into the frequency

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domain, revealing what frequencies are present

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and how strong they are. Without it, there would

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be no radio astronomy. It's essential because

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specific frequencies correspond to physical phenomena.

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One of the most important examples is the hydrogen

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line, at 1420 MHz. Neutral hydrogen atoms naturally

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emit radiation at this frequency, allowing astronomers

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to map vast clouds of gas across the galaxy.

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And thanks to the Doppler effect, shifts in that

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frequency reveal motion, rotation, expansion,

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and dynamics on a galactic scale. In fact, much

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of what we know about the structure of the Milky

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Way comes from this exact technique. By mapping

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hydrogen emissions across the sky and measuring

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how those signals shift, we've been able to trace

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out the spiral arms of our own galaxy, even though

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we're embedded inside it. But things get even

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more powerful when multiple telescopes are combined.

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In systems like the very large array, each antenna

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captures its own signal. These signals are aligned

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in time and combined through correlation, producing

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what are known as visibilities, the raw data

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of interferometry. From there, the process becomes

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even more computational. Using inverse Fourier

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transforms and deconvolution techniques, astronomers

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reconstruct an image from incomplete data. Let's

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pause there because that sounds complex, and

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it is. An inverse FFT is a process that lets

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us reconstruct a signal. So if the Fourier transform

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breaks a signal apart into its frequencies, the

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inverse transform puts it back together again.

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Deconvolution is a little harder to explain,

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but the idea is this. Imagine you've made a voice

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recording in a big concert hall, and the size

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of that space is creating a lot of reverb and

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echo. You can run your recording through a tool

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to strip out the reverb, which leaves the so

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-called dry signal. In radio astronomy, we need

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to subtract the distortion introduced by the

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so -called beam pattern of the radio telescope

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itself, and that's deconvolution. Basically,

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the telescope colors the signal it receives,

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and astronomers have to mathematically remove

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that effect to recover what's really out there.

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A process called windowing is used to smooth

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the edges of the signal and reduce artifacts

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introduced by the Fourier transform. Matched

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filtering helps detect extremely faint signals

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by comparing incoming data to known patterns.

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And a technology called beam forming allows arrays

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of antennas to electronically focus on a specific

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region of the sky without physically moving.

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And then there's the problem of interference.

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Radio frequency interference, or RFI, is everywhere.

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Signals from Earth -based technology can easily

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overwhelm the faint emissions from space. So,

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astronomers use a combination of hardware shielding,

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remote observatory locations, and sophisticated

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filtering algorithms to remove unwanted noise

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and isolate the signals they care about. And

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nowhere is all of this more dramatically demonstrated

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than in the first image of a black hole. In 2019,

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the Event Horizon Telescope linked radio telescopes

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across the globe using very long baseline interferometry,

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effectively turning Earth itself into a single

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telescope. The data was enormous, so large that

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it had to be stored on physical drives and shipped

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for processing. And just like everything we've

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discussed, the image wasn't directly observed.

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It was reconstructed. Using Fourier transforms,

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correlation, and deconvolution algorithms, scientists

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assembled an image of the black hole's shadow

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in the galaxy M87. Multiple independent teams

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used different reconstruction methods and all

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arrived at the same fundamental structure, a

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bright ring surrounding a dark center. There

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was discussion about how much of that image was

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real versus algorithmic, but that's the nature

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of this kind of science. The structure is strongly

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supported by the data, even if the fine details

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vary. In other words, we didn't take a picture

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of a black hole, we solved for it. More recently,

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radio telescopes have uncovered something even

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stranger. brief, intense flashes of energy known

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as fast radio bursts. These signals last just

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milliseconds, yet release enormous amounts of

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energy, often from galaxies billions of light

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years away. They're one of the most mysterious

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phenomena in modern astronomy, and we're still

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working to understand what causes them. Radio

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astronomy is the foundation for the search for

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extraterrestrial intelligence program. It's also

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currently being used to study exoplanet magnetospheres,

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and we've used it to discover wild phenomena

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like quasar jets. Sometimes the most intriguing

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discoveries in astronomy don't look like galaxies

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or nebula. They look like numbers on a page.

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In 1977, a signal detected by the Big Ear radio

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telescope stood out so clearly from the background

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noise, that astronomer Jerry Amon circled it

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and wrote a single word beside it, wow. This

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was, of course, dubbed the wow signal, and it

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was simply a string of characters on a printout

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representing signal intensity over time. The

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data indicated it was a very strong narrow -band

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signal near the hydrogen line, rising and falling

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over about 72 seconds. which is what you'd expect

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from a fixed telescope as the Earth rotates.

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To this day, we still don't know what that signal

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was, but it's never been confirmed as extraterrestrial,

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and it's never been heard again. Behind every

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radio image is a pipeline of processing, filtering

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noise, correcting for Earth's rotation, compensating

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for atmospheric effects, and assembling a coherent

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picture from fragments of a signal. It's less

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like taking a photograph and more like assembling

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a picture from echoes. And here's the part that

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might surprise you. The same fundamental techniques

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that make radio astronomy possible are quietly

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at work in your everyday life. The amplification

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and digitization of signals, the use of Fourier

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transforms to break complex signals into frequencies,

00:16:36.240 --> 00:16:39.470
the filtering of noise, And even techniques like

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beamforming are built into the devices you use

00:16:43.210 --> 00:16:46.970
every day. Your phone relies on them to maintain

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a clear connection. Your Wi -Fi router uses beamforming

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to direct signals towards your devices. Your

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noise -cancelling headphones filter out noise

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to isolate what you want to hear. Voice recognition

00:17:01.929 --> 00:17:06.420
is much like matched filtering. Even the music

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you stream every day has been broken down into

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frequencies and rebuilt again, using the same

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kind of math astronomers use to study the universe.

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In fact, every time I edit a podcast, I'm using

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a fast Fourier transform, perhaps a thousand

00:17:23.420 --> 00:17:26.599
times a second or more, depending on how many

00:17:26.599 --> 00:17:30.220
tracks and audio processors I'm using. The efficiency

00:17:30.220 --> 00:17:32.839
of modern computers is incredible when you think

00:17:32.839 --> 00:17:36.710
about it. We'll explore the computational side

00:17:36.710 --> 00:17:39.930
of astronomy in more detail in a future episode,

00:17:40.029 --> 00:17:43.829
but for now it's enough to say this. Radio astronomy

00:17:43.829 --> 00:17:47.089
doesn't just expand what we can observe, it changes

00:17:47.089 --> 00:17:51.509
how we think about observing. The night sky isn't

00:17:51.509 --> 00:17:54.789
silent, it's alive with signals that are ancient,

00:17:55.130 --> 00:17:58.809
energetic, and constant. For most of human history,

00:17:59.009 --> 00:18:01.470
we simply didn't have the tools to detect them.

00:18:01.970 --> 00:18:04.920
But now we're listening. and what we're hearing

00:18:04.920 --> 00:18:08.140
is a universe far richer than anything we could

00:18:08.140 --> 00:18:29.069
ever see with our eyes alone. After a quick break,

00:18:29.250 --> 00:18:31.869
we'll be back to cover this week's sky and talk

00:18:31.869 --> 00:18:34.470
about a photograph from the Artemis II mission.

00:18:34.710 --> 00:18:50.269
Stay with us. Welcome back. You know, there's

00:18:50.269 --> 00:18:53.430
something about the infamous dark side of Earth

00:18:53.430 --> 00:18:55.970
image from the Artemis II mission that's had

00:18:55.970 --> 00:19:00.410
me thinking a lot about perspective. The ever

00:19:00.410 --> 00:19:03.329
-prickly internet photography community was in

00:19:03.329 --> 00:19:06.430
a tizzy last week over this image, focusing on

00:19:06.430 --> 00:19:09.910
the camera used and its settings, the lens choice,

00:19:10.210 --> 00:19:14.250
the ISO, and so on. As a photographer, these

00:19:14.250 --> 00:19:17.210
factors interested me too, but ultimately what

00:19:17.210 --> 00:19:21.140
matters is something much simpler. For the first

00:19:21.140 --> 00:19:24.259
time in a long time, we're seeing the entire

00:19:24.259 --> 00:19:27.900
Earth as a complete sphere, just hanging there

00:19:27.900 --> 00:19:31.180
in space. And here's the part that didn't really

00:19:31.180 --> 00:19:34.859
dawn on me until recently. Most astronauts never

00:19:34.859 --> 00:19:39.180
actually see that. When you're in low Earth orbit,

00:19:39.380 --> 00:19:41.920
like the crews aboard the International Space

00:19:41.920 --> 00:19:46.869
Station, you're only about 250 miles up. That

00:19:46.869 --> 00:19:50.150
sounds high, but on a planetary scale, it's nothing.

00:19:50.869 --> 00:19:53.450
From that distance, you see curvature. You see

00:19:53.450 --> 00:19:56.650
oceans, continents, weather systems, stretching

00:19:56.650 --> 00:20:00.009
across thousands of miles. But you don't see

00:20:00.009 --> 00:20:04.009
the whole Earth. You're too close. If you want

00:20:04.009 --> 00:20:07.390
to see an entire sphere, you have to be far enough

00:20:07.390 --> 00:20:09.730
away that it fits inside your field of view.

00:20:10.069 --> 00:20:13.990
This is a no -brainer. For Earth, that distance

00:20:13.990 --> 00:20:17.289
turns out to be surprisingly large. In a low

00:20:17.289 --> 00:20:20.230
orbit, Earth fills your entire frame and then

00:20:20.230 --> 00:20:23.329
some. To step back far enough to see the full

00:20:23.329 --> 00:20:26.269
disk, you need to be not hundreds of miles away,

00:20:26.690 --> 00:20:29.970
but thousands. Roughly speaking, you need to

00:20:29.970 --> 00:20:33.769
get out to 6 ,000 miles or more before the entire

00:20:33.769 --> 00:20:36.930
Earth can comfortably fit into view as a complete

00:20:36.930 --> 00:20:40.869
circle. And that's exactly what the Artemis mission

00:20:40.869 --> 00:20:44.079
did. They headed out toward the moon, tens of

00:20:44.079 --> 00:20:47.200
thousands of miles away, finally giving us the

00:20:47.200 --> 00:20:50.180
distance needed to see our planet as a whole.

00:20:50.940 --> 00:20:54.200
When you're close, Earth feels endless. It fills

00:20:54.200 --> 00:20:57.279
your vision. It's where you are. But when you

00:20:57.279 --> 00:21:00.119
step back far enough, it becomes something else

00:21:00.119 --> 00:21:04.779
entirely, a finite object, a sphere of oceans,

00:21:05.059 --> 00:21:09.559
clouds, and life suspended in black space. We've

00:21:09.559 --> 00:21:12.259
seen this before, of course. Images from the

00:21:12.259 --> 00:21:16.259
Apollo 17 mission, the famous blue marble, gave

00:21:16.259 --> 00:21:19.319
us that same perspective more than 50 years ago.

00:21:19.559 --> 00:21:23.019
But for a long time, that view hasn't been something

00:21:23.019 --> 00:21:27.500
we could experience in real time. The infamous

00:21:27.500 --> 00:21:31.700
pale blue dot image does something similar. It's

00:21:31.700 --> 00:21:35.019
not technically a great photo, just a blue pixel

00:21:35.019 --> 00:21:38.579
in a dark void. But it offers up something more

00:21:38.579 --> 00:21:43.279
valuable. Scale, perspective, and humility. And

00:21:43.279 --> 00:21:46.119
that's why this new image matters. Not because

00:21:46.119 --> 00:21:49.259
it was shot with a 10 year old Nikon camera.

00:21:49.779 --> 00:21:52.480
Not because it has some sensor noise or that

00:21:52.480 --> 00:21:55.220
it could have been sharper. Not because some

00:21:55.220 --> 00:21:57.400
goof on the internet thinks they could have shot

00:21:57.400 --> 00:22:00.500
it better. But because it reminds us of something

00:22:00.500 --> 00:22:04.119
easy to forget. You can't see the whole earth

00:22:04.119 --> 00:22:13.829
until you leave it. And now, let's step outside.

00:22:14.890 --> 00:22:17.609
This week offers one of the best observing windows

00:22:17.609 --> 00:22:20.390
of the month, and it comes down to one simple

00:22:20.390 --> 00:22:24.069
thing. Darkness. We're moving into a new moon

00:22:24.069 --> 00:22:27.150
on April 17th, which means for much of this week

00:22:27.150 --> 00:22:30.750
the sky will be free of bright moonlight. In

00:22:30.750 --> 00:22:33.029
fact, early in the week you'll catch a waning

00:22:33.029 --> 00:22:36.269
crescent moon just before sunrise, hanging low

00:22:36.269 --> 00:22:39.589
in the southeastern sky. It's a beautiful sight,

00:22:39.809 --> 00:22:42.769
especially if you look for Earthshine, the faint

00:22:42.769 --> 00:22:45.950
glow on the dark portion of the moon caused by

00:22:45.950 --> 00:22:49.569
sunlight reflecting off Earth. By the end of

00:22:49.569 --> 00:22:52.089
the week, the moon disappears entirely into the

00:22:52.089 --> 00:22:55.630
sun's glare, reaching new phase on the 17th.

00:22:55.690 --> 00:22:59.250
And then just a day later, on the 18th, a razor

00:22:59.250 --> 00:23:02.150
-thin, waxing crescent returns to the evening

00:23:02.150 --> 00:23:07.380
sky, only about 1 % illuminated. This is prime

00:23:07.380 --> 00:23:11.460
time for deep sky observing. April marks the

00:23:11.460 --> 00:23:14.619
heart of what astronomers often call galaxy season.

00:23:15.059 --> 00:23:17.640
With the Milky Way dipping lower in the evening

00:23:17.640 --> 00:23:21.079
sky, we're looking outward, away from the dense

00:23:21.079 --> 00:23:24.759
star fields and into the vast expanse of intergalactic

00:23:24.759 --> 00:23:29.019
space. Look toward the constellation Leo, now

00:23:29.019 --> 00:23:31.880
high in the evening sky, where you'll find the

00:23:31.880 --> 00:23:35.400
Leo triplet. three galaxies interacting with

00:23:35.400 --> 00:23:38.940
one another, appearing as faint smudges of ancient

00:23:38.940 --> 00:23:43.359
light. Nearby in Ursa Major, you'll find Messier

00:23:43.359 --> 00:23:48.779
81 and 82, two striking galaxies often seen together

00:23:48.779 --> 00:23:51.880
in the same field of view. These are not bright

00:23:51.880 --> 00:23:54.460
objects. You're seeing light that has traveled

00:23:54.460 --> 00:23:58.500
millions of years to reach your eyes. The planets

00:23:58.500 --> 00:24:00.640
are putting on a show this week, but you'll need

00:24:00.640 --> 00:24:04.000
to be an early riser to catch some of them. On

00:24:04.000 --> 00:24:07.660
the morning of April 18th, a rare alignment unfolds

00:24:07.660 --> 00:24:12.000
low on the eastern horizon. Mercury, Mars, and

00:24:12.000 --> 00:24:15.319
Saturn gather together in a tight grouping, with

00:24:15.319 --> 00:24:18.339
Neptune nearby for those with binoculars or a

00:24:18.339 --> 00:24:22.059
telescope. This planet parade will be subtle,

00:24:22.220 --> 00:24:24.799
and you'll need a clear, unobstructed horizon

00:24:24.799 --> 00:24:28.890
and a bit of patience. Venus continues to dominate

00:24:28.890 --> 00:24:31.869
the early evening sky, shining brilliantly in

00:24:31.869 --> 00:24:35.430
the west just after sunset. It's unmistakable,

00:24:35.650 --> 00:24:38.150
the brightest object in the sky after the sun

00:24:38.150 --> 00:24:41.529
and moon. Jupiter is still visible in the evening,

00:24:41.789 --> 00:24:44.789
high in the sky. And finally, while it won't

00:24:44.789 --> 00:24:47.710
peak until next week, the Lyrid meteor shower

00:24:47.710 --> 00:24:51.369
is beginning to ramp up. Active from around April

00:24:51.369 --> 00:24:55.319
16th and onward, You may catch a few early meteors

00:24:55.319 --> 00:24:58.319
streaking across the sky in the pre -dawn hours.

00:24:59.039 --> 00:25:01.140
With the moon out of the way, the conditions

00:25:01.140 --> 00:25:05.200
are ideal. The Lyrids are associated with debris

00:25:05.200 --> 00:25:08.680
from Comet Thatcher and are known for their bright

00:25:08.680 --> 00:25:12.019
meteors, fireballs, and visible smoke trails.

00:25:12.660 --> 00:25:20.710
They're expected to peak on the 22nd. That's

00:25:20.710 --> 00:25:22.950
going to do it for this week. If you found this

00:25:22.950 --> 00:25:25.269
episode interesting, please share it with a friend

00:25:25.269 --> 00:25:28.069
who might enjoy it. The easiest way to do that

00:25:28.069 --> 00:25:31.329
is by sending folks to our website, StarTrails

00:25:31.329 --> 00:25:35.069
.Show. And if you want to support the show, use

00:25:35.069 --> 00:25:37.769
the link on the site to buy me a coffee. That

00:25:37.769 --> 00:25:41.190
really helps. Be sure to follow Star Trails on

00:25:41.190 --> 00:25:44.710
Blue Sky and YouTube. Links are in the show notes.

00:25:45.329 --> 00:25:48.250
Until we meet again beneath the stars, clear

00:25:48.250 --> 00:25:49.069
skies everyone!
