WEBVTT

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Howdy Star Gazers and welcome to this episode

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of Star Trails. My name is Drew and I'll be your

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guide to the night sky for the week of November

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the 16th through the 22nd. This week the moon

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leaves us for a few nights, revealing deep sky

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objects and clearing the way for dual meteor

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showers. We'll check in on Interstellar Object

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3i, and hopefully you caught the Northern Lights

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last week. Later in the show, we'll take a detour

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into something a little different. Something

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that's been on my mind lately. That feeling that

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creeps in when you look at the night sky and

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wrestle with its scale. Some people call it sad

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astronomy. It's about the loneliness of deep

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space, the weight of old light, and the knowledge

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that everything must one day come to an end.

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Whether you're joining us from the backyard,

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the balcony, or just your imagination, I'm glad

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you're here. So grab a comfortable spot and let's

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get started. Before we get into the episode,

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we need to talk about the Northern Lights, because

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last week the Sun was once again putting on a

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show. If you were like me, you were glued to

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social media feeds watching folks post images

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of last Tuesday's low -latitude aurora. It wasn't

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quite as dramatic as the outburst last spring,

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at least not in my neck of the woods. All the

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images I saw locally were mostly just a red sky

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glow, those higher altitude aurora that I find

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particularly vexing to see. Owing to both my

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own red -green color blindness and the way our

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eyes work, color is hard to see in dim conditions.

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That's why your camera can often see aurora better

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than our eyes can. I didn't try to photograph

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it myself, but I enjoyed seeing everyone else's

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efforts. Another coronal mass ejection blasted

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Earth the following day, Wednesday, and initial

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reports said we'd get aurora even farther south.

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By the time nightfall arrived, the prediction

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had shifted and, as far as I know, there were

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no northern lights down south on that day. Too

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bad, because I had my camera and tripod loaded

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up in a road trip to a dark site planned. If

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some of you caught photos of the light show,

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visit starrtrails .show and use the contact form

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there to let me know what you saw. I'd love to

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see what it looked like in your backyard. If

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you've been following any space news lately,

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you may have already heard that the excitement

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over interstellar object 3I Atlas may be coming

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to an end, as it looks like the object has broken

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up during its close approach to the Sun. 3I Atlas

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is only the third confirmed interstellar object

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to drift through our solar system, following

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Oumuamua, that's one eye, and Comet Borisov,

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two eye. What makes ATLAS intriguing is that

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unlike Oumuamua's enigmatic pancake or cigar

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-like geometry, ATLAS presented as more of a

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conventional comet, a nucleus with a modest coma.

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Over the last several weeks, astronomers have

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reported asymmetric brightening, a diffuse tail

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inconsistent with a single intact nucleus, and

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a slight shift in the object's photometric center.

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all of which hint that Atlas might be breaking

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up, shedding fragments as it approaches perihelion.

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Interstellar comets have hard lives. They spend

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millions of years adrift in space where the volatile

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ices that hold them together become fragile,

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desiccated, and riddled with microfractures.

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When such an object suddenly gets slammed with

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the full solar onslaught, heating tidal forces,

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and radiation, those ancient weaknesses can give

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way. If Atlas is fragmenting, it's probably because

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sunlight is turning its interior gases back into

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pressure, popping it apart like a cosmic blister.

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Observatories tracking it have suggested either

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multiple small fragments or a single nucleus

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that's beginning to shed material in uneven spurts,

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which creates that ghostly broadened tail. Break

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up or not, Atlas is writing its autobiography

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in real time, and we get to read it. Fragmenting

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comets reveal their internal structure, the density,

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the layering, the mix of ice and dust, better

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than any intact pass ever could. And in Atlas's

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case, everything we learn is a direct sample

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of another star system. Even if Atlas dies on

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approach, the disintegration itself becomes the

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science. The sky is a polite guest this week.

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No lunar glare, no drama, just clean darkness

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for deep sky enthusiasts and astrophotographers.

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We're sitting in a sweet spot on the lunar calendar.

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The moon is fading into a waning crescent tonight,

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shrinking each morning, and it's a new moon by

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the 20th. That means we get a midweek window

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of truly dark skies, the kind of darkness that

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makes the dim stuff pop. By the 22nd, there's

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the barest sliver of a waxing crescent after

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sunset, but it's too low and too subtle to wash

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anything out. The planets are arranged in a neat

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little lineup this week. Saturn hangs in the

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southwest after sunset, mellow, steady, and easy

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to pick out. Jupiter rises earlier each night

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and dominates the late evening sky, bright enough

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to stop you in your tracks. And very early in

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the morning, especially by the 21st and 22nd,

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Mercury begins its climb into the pre -dawn sky.

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It's low, it's fleeting, and the horizon needs

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to be clear, but it's there. Venus is technically

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in the dawn too, but so low and faint this month

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that it's not worth chasing. With the moon out

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of the way, the constellations take center stage.

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Cassiopeia is high in the northeast. And right

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below it sits Perseus, carrying the gorgeous

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double cluster, a binocular object that is always

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a crowd pleaser. And in the east, the winter

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stars Capella, Aldebaran, and the first hints

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of Orion's belt are beginning to claim the late

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night sky. Every night of November is an inch

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closer to full wintertime brilliance. Now for

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the really fun stuff, meteor activity. We're

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nearing the peaks of two November showers, and

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both benefit from the new moon darkness. First

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are the Leonids, famous for their historic storms,

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though this year they're modest, maybe a handful

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per hour. They leave fast, bright streaks, and

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with the moon gone, they stand out beautifully.

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The Leonids peak around the 17th and 18th, so

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the early part of the week is the best time to

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catch them. Then, later in the week, the Alpha

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monoceratids get a brief mention. They're normally

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minor, but they're unpredictable, and every so

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often they produce a sudden spike of activity.

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With the dark skies, it should be easy to catch

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a meteor or two, leaving a quick autograph across

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the sky. Coming up, does the night sky make you

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sad? Do you find yourself questioning your own

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existence as you ponder the scale of the universe?

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Does the eventual heat death of the cosmos make

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you uneasy? If so, you're not alone. This is

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the realm of sad astronomy, and it's a real phenomenon.

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After the break, we're going to have a cosmic

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meditation of sorts on distance, on loss, on

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why we look up even when the universe doesn't

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look back. Think of it as a melancholy stretch

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of road between curiosity and hard science. It

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sounds cold, but a promise will end in a warm

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place. I'll take you there after the break. Stay

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with us. Welcome back. Astronomy is often described

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as a science of wonder, stars, nebula, the promise

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of distant worlds. But behind that wonder, there's

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another feeling, harder to name. It's the silence

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after the signal fades. It's the awareness that

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most of what we see is already gone. That's sad

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astronomy. It's the emotional gravity that comes

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from realizing how brief we are. and how magnificent

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the universe remains without us. Sad astronomy

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isn't hopeless, it's honest, and honesty, like

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starlight, travels a long way. Astronomy may

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very well be the study of everything that's already

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gone. Every photon we catch in our telescopes

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left its home before any of us were born. Some

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of those stars don't even exist anymore. Space

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isn't so much a place as it's a memory stretched

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across time. For the past few episodes, we've

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been knee -deep in data, models, probabilities,

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and even quantum computing. Tonight, I just want

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to step back and look at what all of it means,

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even if the beauty hurts a little. Some of you

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may recall we didn't have any episodes back in

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September. Part of that was simply the slings

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and arrows of life, but it was mostly because

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I had to take some weeks to reflect on my own

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tiny place in the universe, having just reached

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that gloomy age of 50. I'm sure you've noticed

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our topics lately have been a little meta, these

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large -scale ideas about our own existence. You

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could argue this podcast has been in sad astronomy

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mode now for the past few weeks. I'd never even

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heard the term sad astronomy until recently,

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but it's real. It's generally the study of how

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things end, the deaths of stars, galaxies, and

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the universe itself. But it also deals with how

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we feel when we look up at night. The vastness

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that makes us feel alone and tiny. The isolation

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we experience as specialists in a hobby where

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we often find ourselves physically alone, under

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a dark sky in the cold, chasing meaning and truth

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through the chromatic aberrations of eyepieces,

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fogging lenses, and slightly misaligned mirrors.

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Many, many people experience sadness in astronomy.

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Just searching for the term sad astronomy reveals

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endless forums and websites where observers wonder

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why space makes them feel dread and despair.

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So in this episode, I want to share a kind of

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essay told in five parts. Five brief reflections

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about distance, death, and endurance. and each

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one is a different way of hearing the universe's

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song. A telescope is essentially a time machine.

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When we look outward, we look backward. the light

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from Andromeda began its journey two and a half

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million years ago, long before the first humans

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carved symbols in stone. Even the light from

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our sun is eight minutes old, a gentle delay

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between cause and effect, presence and memory.

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Astronomy is the only science where the past

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never stops arriving, and the deeper we peer,

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the lonelier it becomes. The cosmos is expanding,

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galaxies are slipping away beyond reach. Someday,

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the universe will outgrow our ability to see

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it. What will we do when the sky goes dark, not

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from clouds, but from time itself? Light has

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a speed limit, and beyond that line, there's

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only silence. Science fiction has tried to translate

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that silence for us. In the film Contact, Jodie

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Foster listens for a signal, not just from aliens,

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but from meaning itself. In Interstellar, Matthew

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McConaughey crosses the galaxy chasing love and

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time, and Anne Hathaway's character, in a monologue

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I once found very cringey, insists that love

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is the one thing that transcends dimensions.

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yet understand maybe it's some evidence some

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Artifact of a higher dimension that we can't

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consciously perceive Love is the one thing we're

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capable of perceiving that transcends dimensions

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of time and space Carl Sagan said it better for

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small creatures such as we the vastness is bearable

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only through love Not as a force of nature, but

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as a human survival instinct. We invent connections

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to make the infinite feel habitable. These films

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are meditations on cosmic loneliness wrapped

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in the search for meaning. And those aren't the

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only ones. There's Solaris, the prototype for

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cosmic loneliness. Of course, 2001, A Space Odyssey.

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existential, indifferent, and yet simultaneously

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glorifying the evolution of man as he takes his

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first baby steps into deep space. And add Astra,

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which tells us the further out we journey, the

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more alone we are. A nebula is a graveyard that

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glows. It's the ashes of a star, still burning

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with borrowed light. Every atom of carbon in

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our bodies was made in one of those funerals.

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We are literally the residue of dying suns. When

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I look through my telescope or photograph something

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like the Crab Nebula, I'm watching the aftermath

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of a death that happened before there were pyramids.

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The light just took this long to reach us. Sad

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astronomy means standing in that afterglow, seeing

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beauty born from catastrophe, and realizing that's

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also what it means to be alive. Eventually, no

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new stars will form, the universe will suffer

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heat death, and all warmth and structure will

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fade. Right now, 99 .9 % of the universe is actually

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empty. And light's speed limit means even if

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we could travel that fast, that 1 % will be largely

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unreachable. We've always answered the universe's

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silence with noise. In 1974, we sent the Arecibo

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message toward a distant star cluster, a digital

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portrait of who we are, transmitted once, never

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to be repeated. Two spacecraft, Voyagers 1 and

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2, carry golden records with the sound of Earth,

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thunder, birds, Beethoven, and a human heartbeat.

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They've now left the solar system, still whispering

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faint radio signals back home. Chances are, they'll

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outlive every city we've built. Someday, some

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distant traveler, or perhaps no one, may find

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them. We send these messages not because we expect

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an answer, but because silence is unbearable.

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Even Opportunity, the Mars rover, left us a kind

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of message. My battery is low, and it's getting

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dark. That line wasn't in its code. It was in

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ours We made it poetic because we couldn't stand

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the idea of something we built Dying alone on

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a faraway planet Part four entropy and memory

00:18:01.079 --> 00:18:07.019
Entropy is the universe's tendency toward disorder

00:18:07.160 --> 00:18:10.200
But that phrase doesn't quite capture the scale

00:18:10.200 --> 00:18:17.180
of it. Entropy is the quiet drift of every system

00:18:17.180 --> 00:18:21.880
from stars to spacecraft toward breakdown. Heat

00:18:21.880 --> 00:18:26.400
spreads out, metal fatigues, orbits decay, temperature

00:18:26.400 --> 00:18:28.779
differences flatten out until everything reaches

00:18:28.779 --> 00:18:33.599
the same cold final equilibrium. It's inevitability.

00:18:33.880 --> 00:18:37.519
A star cools, a planet, like Mars for instance,

00:18:37.799 --> 00:18:48.380
loses its atmosphere. Entropy is the cost of

00:18:48.380 --> 00:18:51.599
structure in a universe that prefers smoothness

00:18:51.599 --> 00:18:56.000
over complexity. It's the universe's quiet metronome.

00:18:56.089 --> 00:18:59.130
It ticks in the cooling of stars, the fading

00:18:59.130 --> 00:19:02.569
of orbits, and the corrosion of mirrors and old

00:19:02.569 --> 00:19:07.269
observatories. Even Arecibo's great dish, once

00:19:07.269 --> 00:19:10.549
the ear of our planet, lies broken in the jungle

00:19:10.549 --> 00:19:14.630
now, listening to nothing. Space exploration,

00:19:14.869 --> 00:19:18.589
while not astronomy per se, must conform to entropy.

00:19:19.490 --> 00:19:21.789
Where were you and Challenger exploded after

00:19:21.789 --> 00:19:26.319
liftoff in 1986? I was in the fifth grade, and

00:19:26.319 --> 00:19:29.240
that tragedy was a touchstone for my generation.

00:19:30.279 --> 00:19:32.859
I remember seeing the shuttle Columbia on its

00:19:32.859 --> 00:19:35.880
first launch in 1981 when I was in preschool.

00:19:36.740 --> 00:19:39.460
Twenty years later, as a journalist, I wrote

00:19:39.460 --> 00:19:43.180
about its destruction over Texas. And I hesitate

00:19:43.180 --> 00:19:46.680
to even mention Leica, the dog sent into space

00:19:46.680 --> 00:19:51.380
by the Soviets in 1957. Her one -way trip into

00:19:51.380 --> 00:19:55.200
orbit is just too sad for a retelling. Yet, it's

00:19:55.200 --> 00:20:02.700
entropy at work. Without decay, there would be

00:20:02.700 --> 00:20:07.140
no change, no color, no sound. Every photograph

00:20:07.140 --> 00:20:10.420
I take is a small rebellion against that, a way

00:20:10.420 --> 00:20:14.500
of saying this existed once. But without death,

00:20:14.779 --> 00:20:18.519
there's no light. We can't stop the universe

00:20:18.519 --> 00:20:21.420
from unraveling, but we can mark the pattern

00:20:21.420 --> 00:20:35.349
in its threads. Part five the warm horizon Not

00:20:35.349 --> 00:20:39.329
every ending is tragic light still travels the

00:20:39.329 --> 00:20:42.029
photons that left a star a billion years ago

00:20:42.029 --> 00:20:45.289
have finally arrived to meet your eye your camera

00:20:45.289 --> 00:20:50.529
and your curiosity Astronauts talk about something

00:20:50.529 --> 00:20:53.829
called the overview effect that moment when you

00:20:53.829 --> 00:20:57.269
see Earth floating in the black. Not on a screen,

00:20:57.349 --> 00:20:59.990
not through a photograph, but with your own eyes.

00:21:00.809 --> 00:21:04.549
From orbit, borders disappear, conflicts shrink,

00:21:04.990 --> 00:21:08.309
the noise of daily life drops away, and all that's

00:21:08.309 --> 00:21:11.349
left is a thin, trembling line of atmosphere,

00:21:11.750 --> 00:21:15.309
keeping every one of us alive. Many astronauts

00:21:15.309 --> 00:21:19.089
describe an unexpected wave of emotion, grief,

00:21:19.329 --> 00:21:22.690
awe, protectiveness, A kind of fierce tenderness

00:21:22.690 --> 00:21:25.470
for a world they never realized was so fragile.

00:21:26.390 --> 00:21:29.829
Some say it rewired them forever. Seeing Earth

00:21:29.829 --> 00:21:32.670
from that distance didn't make them feel small.

00:21:33.049 --> 00:21:37.029
It made them feel connected. The overview effect

00:21:37.029 --> 00:21:40.690
is the counterpoint to sad astronomy. While most

00:21:40.690 --> 00:21:43.309
of us won't be venturing into space anytime soon,

00:21:43.430 --> 00:21:47.289
we can gaze at the pale blue dot photo. Voyagers

00:21:47.289 --> 00:21:50.549
last look back at Earth. Smaller than a pixel,

00:21:50.700 --> 00:21:54.900
suspended in a sunbeam. All of human experience

00:21:54.900 --> 00:21:58.240
compressed into an inconsequential dot floating

00:21:58.240 --> 00:22:03.279
in a void. Maybe sad astronomy isn't really sad.

00:22:03.559 --> 00:22:06.559
Maybe it's gratitude stretched across the dark.

00:22:07.099 --> 00:22:09.640
Because every time we look up, we become part

00:22:09.640 --> 00:22:13.099
of the same equation that made the stars. We're

00:22:13.099 --> 00:22:17.130
not outside the story. We are the story. And

00:22:17.130 --> 00:22:21.150
perhaps that's what movies like Contact and Interstellar

00:22:21.150 --> 00:22:24.349
were trying to tell us. That even when the cosmos

00:22:24.349 --> 00:22:27.349
is indifferent, connection gives it meaning.

00:22:28.869 --> 00:22:32.470
Love, curiosity, memory, these aren't cosmic

00:22:32.470 --> 00:22:36.410
forces, they're human ones. In a universe that

00:22:36.410 --> 00:22:40.970
forgets, we remember. And that's our small rebellion.

00:22:55.559 --> 00:22:58.039
If you found this episode interesting, please

00:22:58.039 --> 00:23:00.480
share it with a friend who might enjoy it. The

00:23:00.480 --> 00:23:03.160
easiest way to do that is by sending folks to

00:23:03.160 --> 00:23:07.200
our website, StarTrails .Show. And if you want

00:23:07.200 --> 00:23:09.460
to support the show, use the link on the site

00:23:09.460 --> 00:23:13.220
to buy me a coffee. It really helps. Be sure

00:23:13.220 --> 00:23:16.359
to follow Star Trails on Blue Sky and YouTube.

00:23:16.680 --> 00:23:19.420
Links are in the show notes. Until we meet again

00:23:19.420 --> 00:23:22.119
beneath the stars, clear skies, everyone.
