WEBVTT

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Howdy stargazers and welcome to Star Trails.

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I'm Drew and I'll be your guide to the night

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sky for the week of November the 2nd through

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the 8th. This week we're talking about messages,

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the kind we send across the cosmos and the ones

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written in starlight. I'll share a quick observation

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report before we dive into what's happening overhead

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this week. Then in the second half of the show,

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we'll turn our gaze from the backyard to deep

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space to revisit the Arecibo message, the radio

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signal humanity beamed toward the stars more

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than 50 years ago. We'll break down what it said,

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how it worked, and whether anyone, human or otherwise,

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could ever decode it. Before we get into this

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week's night sky, I'd like to take a moment to

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report on the star party I attended last week.

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Last Saturday, my local club was holding their

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fall cookout at their dark sky site about an

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hour north of where I live. This year, I had

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high hopes to get in some serious stargazing.

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In particular, I wanted to get eyes on comet

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A6 Lemon and maybe even photograph it. We'd had

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cooler weather and clear blue skies all week,

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but as I made my way to the site Saturday afternoon,

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I noticed some ominous haze on the horizon and

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high -altitude clouds moving in. Just before

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6 p .m., I was welcomed by club president and

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friend of the podcast, Mike Roberts, occupying

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his important position at the grill. If nothing

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else, we'd have a good meal. And it turns out

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that may have been the highlight of the night.

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Just before 7 p .m. in the fading twilight, I

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scanned the sky for lemon with my 11 by 70 binoculars.

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Some low -lying clouds finally drifted away and

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the comet emerged in my field of view, resembling

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a small, very dim, hazy snowball. In the binoculars,

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I could detect a hint of a tail. If I hadn't

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been looking for it, I could have easily swept

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right past it. The only thing that gave it away

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was that it looked soft and fuzzy against the

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neighboring in focus stars. Having spotted lemon,

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I decided to try for a photo. Since I only had

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my camera and some normal lenses, it would have

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to be a wide field shot. At 70mm on a full frame

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camera, it was woefully small, but the coma and

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tail were visible enough. I stepped up to 200mm,

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and the results weren't much better on single

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exposure shots, so I won't be showing these off

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anywhere. By then, the clouds were rolling in

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around that portion of the sky, so I aimed higher,

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catching the Andromeda galaxy in binoculars,

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another fuzzy blob at this magnification. The

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Milky Way's dim river of light was crossing directly

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overhead, with Cygnus the Swan gliding along

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its path. We spotted numerous satellites drifting

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by, all of them starlings, of course. After about

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an hour, the atmospheric haze seemed to multiply

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and the sky was looking gray rather than black.

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The seeing tanked, so I packed up and headed

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home. Sometimes, it seems like these star parties

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are cursed, and then there are nights when the

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sky is so clear the stars seem to hover just

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feet above us. If nothing else, there's food,

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camaraderie, and an array of scopes to check

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out. If you've ever wondered what a star party

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is like, go back and listen to episode 41, where

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I combined the sights and sounds of a party into

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an immersive first -person report. This week

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the moon takes center stage. It begins the week

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as a waxing gibbous, bright and nearly full,

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and reaches its full phase on Wednesday, also

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known as the beaver moon. This one's also a super

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moon, appearing a touch larger and brighter than

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usual, as it makes one of its closest approaches

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to Earth this year. After that, the moon begins

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to wane, spending the weekend as a waning gibbous

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rising later each night. The moon will light

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up the sky all week, so it's not the best time

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for chasing faint nebula or galaxies. But if

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you're into lunar photography or moonlit landscapes,

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these bright nights are perfect. That high -contrast

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autumn air makes craters, mountains, and maria

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pop beautifully through binoculars or even a

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small telescope. As for the planets, Saturn hangs

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low in the southeastern sky just after sunset,

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shining with a steady golden light. It drifts

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southward throughout the evening, setting before

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midnight. Jupiter rises later in the night and

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commands the morning sky. You'll find it high

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in the east -southeast before dawn, bright and

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unmistakable. Through a telescope, its cloud

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bands and the four Galilean moons are always

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worth a look. Venus joins the morning show as

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well, the bright morning star gleaming low in

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the east before sunrise. It's slowly sinking

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toward the sun as November goes on, so catch

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it early while it's still prominent. Mercury

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is hiding too close to the sun this week and

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Mars remains faint and distant, but both will

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become more interesting later this year. The

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autumn zodiac still dominates the evening. Pisces,

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Aries, and Taurus spread out across the southern

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sky, while the great winter constellations are

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just starting to rise. If you stay up late, look

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towards the east and you'll see Orion beginning

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to climb above the horizon, a reassuring sign

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that the bright winter sky is around the corner.

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Coming up, we revisit the Arecibo signal, the

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message fired into space more than 50 years ago

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as a greeting to intelligent life. We'll take

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a look at the format of the message and investigate

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if an alien species could even figure out how

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to decode the message if they received it. To

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find out, we're going to generate our own version

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of the message and build our own decoder. That's

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after the break. Stay with us. Welcome back.

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In our last show, we examined the idea of the

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Fermi paradox, the idea that in a universe so

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vast, how is it possible we haven't communicated

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with any other species? And if you heard the

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episode, you might recall that we spent some

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time describing one of humankind's attempts to

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reach out to extraterrestrial life. Of course,

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I'm talking about the Arecibo message. a burst

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of binary code sent from Earth in 1974. It lasted

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just under three minutes, and though it was meant

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for ETs, I've often wondered if anyone could

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actually decode it if they received it. That's

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the subject of this half of the show. We're going

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to take the original binary message intended

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for the stars and turn it into audio. Then we're

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going to decode that audio in a modern way and

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see if we can reproduce the Arecibo signal the

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way in which it was intended to be seen. We may

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get into the weeds with some jargon along the

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way, but I promise I'll try and make it make

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sense. First, let's set the scene. The story

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begins at the Arecibo Observatory in Puerto Rico.

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It's November the 16th, 1974, and the telescope

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has just undergone a major upgrade. To celebrate,

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scientists Frank Drake and Carl Sagan wanted

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to do something audacious. So they decided to

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send a message to the stars. Arecibo was the

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most powerful radio telescope on Earth at that

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time. A 305 meter dish carved into a limestone

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valley. It could transmit a million watts at

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2380 megahertz, a frequency in the S band far

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above radio frequencies we generally listen to.

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To send a message into space, the team at Arecibo

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used a technique called phase modulation, essentially

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flipping the phase or rhythm of a radio wave

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back and forth to represent the ones and zeros

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of a binary message. We didn't transmit audio

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or spoken words into space, just pure data, and

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at that time it was the most powerful signal

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to leave Earth. The signal's final destination

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is the globular cluster M13 in the constellation

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Hercules, 25 ,000 light years away. M13 was selected

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because it was in the sky when the signal was

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scheduled to be sent. Crafted by Drake and Sagan,

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the message was a postcard to the cosmos that

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said, we're here. When decoded, the signal reveals

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quite a bit of information about the human experience,

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our science, our genetic makeup, where we are

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in the universe, and even more. But could anyone

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figure out how to convert the signal to meaningful

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data? To try and answer that question, let's

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look at what it takes to create such a signal

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and how we can use some relatively simple tools

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to crack the code. We'll start the investigation

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by learning a little more about the signal and

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its structure because the key to unraveling it

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lies in simple math. The message itself was exactly

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1679 bits long. When we refer to a bit, we're

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talking about a single on or off state, or in

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this case, a one or a zero binary. The number

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of bits in the message 1 ,679 was not chosen

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at random. It's the result of multiplying two

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prime numbers, 23 and 73, and that's the first

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key to unlocking the puzzle. If you arrange the

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sequence of 1s and 0s into a tall rectangle,

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23 columns across and 73 rows down, a picture

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emerges. The 0s represent a space, the 1s represent

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a graphical block. You could even use a spreadsheet

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or graph paper and plot the 1s and 0s into a

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23 by 73 grid and see the familiar pattern of

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the signal emerge. Any other combination results

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in a muddled message. Now let's break down the

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resulting image or pictograph from top to bottom.

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You've probably seen it in science books since

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the late 1970s. The sequence starts with a representation

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of the numbers 1 through 10 written in binary.

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Below that, the atomic numbers of hydrogen, carbon,

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nitrogen, oxygen, and phosphorus, the elements

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that form DNA. Then a diagram of DNA's double

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helix, with a number showing how many base pairs

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it contains. In the center, a little stick figure

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of a human next to a bar showing our height and

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a number indicating Earth's population in 1974.

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It was about four billion people. Beneath that,

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a row of nine dots representing the planets of

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our solar system, with the third one offset.

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That's Earth. And yep, Pluto was still considered

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a planet back then. Finally, at the bottom, there's

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a representation of the Arecibo telescope itself,

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with a coded version of its diameter. The signal

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was designed to be so universal that it didn't

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require spoken language to read it, just logic

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and math. If you've ever read or seen the movie

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Contact, which was written by Sagan, you might

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recall prime numbers were also used there to

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decode a message from the stars. Primes are useful

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in this field because they're mathematically

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special, not likely to occur naturally as arranged

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signals or patterns in nature. Sagan used them

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as the logical bearer of meaning before words

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or images. Fortunately, we know this going into

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our experiment. To see how readable the signal

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really is, I decided to recreate it using modern

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tools. My weapon of choice is the general purpose

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programming language of Python. It's a language

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I have some experience with, and the high level

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nature of Python means coders have access to

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some really advanced functions, such as modules

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that do the heavy lifting of signal generation

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and analysis. Basically, I set out to create

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a software modem to modulate and demodulate the

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Arecibo signal. With some lines of Python, I

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took the original binary sequence from Wikipedia.

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all 1679 bits, and I mapped it to sound. I decided

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to use a protocol inspired by my ham radio experience,

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frequency shifted keying, or FSK. With this technique,

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I assigned specific audio frequencies to the

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ones and zeros. In this case, 1200 and 1800 hertz.

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It's essentially the same principle ham radio

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operators used in digital modes like radio teletype.

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To match the data rate of Arecibo, we're encoding

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at 10 bits per second, which results in a transmission

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of just under three minutes in length. Finally,

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the script outputs the binary stream as a WAV

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audio file that can be played on just about any

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device. At this point, our result is similar

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to the signal sent from Arecibo with a couple

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major differences. Since we're shifting between

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two audible frequencies, we've essentially sonified

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the raw data so that we can now hear it. Remember,

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the Arecibo message simply shifted the phase

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of a carrier wave to represent the data, so there

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wasn't much to actually listen to in the original

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transmission. For fun, I recreated the phase

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shifted version and it basically just sounds

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like one continuous tone. But to hear that tone,

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I had to lower the frequency by magnitudes. The

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Arecibo signal was sent at a frequency that is

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millions of times, no joke, millions, higher

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than what we can hear as humans. To explain it

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another way, for any musicians out there, check

00:15:45.980 --> 00:15:49.340
this out. To make the original Arecibo signal

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audible, we're reducing it in pitch by about

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1 .2 million octaves to bring it into the range

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of human hearing. As a result, our version sounds

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like a stream of robotic chirps and pulses. I

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could actually send it out into the ether with

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my ham radio transceiver if I wanted to, and

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someone could, in theory, decode it. They would

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need to understand the protocol, in other words,

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my data rate and how the data is structured once

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received. Essentially that 23 by 73 grid that

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I've mentioned. So to complete the circle, let's

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decode the message using another Python script

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and see if we can translate the audio data into

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the familiar visual of the Arecibo pictograph.

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We need to first load up the audio file for analysis,

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and fortunately Python contains libraries that

00:16:49.539 --> 00:16:53.059
do just that. Knowing the data rate of 10 bits

00:16:53.059 --> 00:16:56.059
per second, we segment the audio into windows

00:16:56.059 --> 00:16:59.740
of one -tenth of a second. For each window, we

00:16:59.740 --> 00:17:02.580
measure the energy of those two tones. Whichever

00:17:02.580 --> 00:17:06.299
frequency is stronger, either 1200 or 1800 Hz,

00:17:06.740 --> 00:17:12.309
becomes that bit's value, a 1 or a 0. Presumably,

00:17:12.390 --> 00:17:15.009
an alien species could analyze the message and

00:17:15.009 --> 00:17:17.630
see there is patterned information that appears

00:17:17.630 --> 00:17:20.930
in regular intervals. If you load up our wave

00:17:20.930 --> 00:17:24.349
file into an audio editor like Audacity, you

00:17:24.349 --> 00:17:26.950
can zoom into the waveforms and actually see

00:17:26.950 --> 00:17:30.750
the alternating tones. When you string these

00:17:30.750 --> 00:17:34.049
bits back together, you get the same binary sequence

00:17:34.049 --> 00:17:38.859
that left Earth in 1974. Using a graphic library

00:17:38.859 --> 00:17:42.019
in Python, we can plot the binary values into

00:17:42.019 --> 00:17:46.059
that 23 by 73 grid and pop out the resulting

00:17:46.059 --> 00:17:51.200
image as a PNG file. And there it is, the Arecibo

00:17:51.200 --> 00:17:54.900
message with its familiar DNA helix, stick figure,

00:17:55.079 --> 00:17:59.599
and radio dish perfectly recreated. If you'd

00:17:59.599 --> 00:18:02.400
like to try this for yourself, I'll make my code,

00:18:02.680 --> 00:18:05.579
WAV file, and resulting graphics available in

00:18:05.579 --> 00:18:08.660
the show notes. You'll need Python installed

00:18:08.660 --> 00:18:11.140
on whatever computer you're using. I'm using

00:18:11.140 --> 00:18:14.160
Linux, but Python runs on everything from Windows

00:18:14.160 --> 00:18:18.220
to Mac OS to systems on chip like the Raspberry

00:18:18.220 --> 00:18:23.460
Pi. So encoding and decoding the Arecibo signal

00:18:23.460 --> 00:18:26.279
is actually somewhat straightforward, but only

00:18:26.279 --> 00:18:28.980
because we already knew how it was constructed.

00:18:30.000 --> 00:18:32.460
Assuming an intelligent civilization made it

00:18:32.460 --> 00:18:35.160
this far, would they even understand what they're

00:18:35.160 --> 00:18:38.549
looking at? Can we as humans even understand

00:18:38.549 --> 00:18:42.089
it? A viewer would see the geometric shapes,

00:18:42.529 --> 00:18:45.470
stripes, dots, the stick figure of a human, but

00:18:45.470 --> 00:18:48.049
would you recognize the bar next to the human

00:18:48.049 --> 00:18:51.970
indicates its height in binary? Would you recognize

00:18:51.970 --> 00:18:55.529
that those five lines of dots are atomic numbers?

00:18:56.170 --> 00:19:00.230
Would you know the twin spirals are DNA? Even

00:19:00.230 --> 00:19:03.549
for us, the meaning only emerges because we already

00:19:03.549 --> 00:19:07.000
basically know the story. We know what DNA looks

00:19:07.000 --> 00:19:09.380
like. We know what a solar system looks like.

00:19:09.660 --> 00:19:13.099
We know what a human is. Maybe some folks even

00:19:13.099 --> 00:19:15.920
know how to convert binary to the familiar numbers

00:19:15.920 --> 00:19:20.599
of a base -10 system. An alien species wouldn't

00:19:20.599 --> 00:19:23.660
share those references. They might not even perceive

00:19:23.660 --> 00:19:27.240
visual patterns the way we do. Maybe they'd interpret

00:19:27.240 --> 00:19:30.119
the entire thing as a mathematical proof or a

00:19:30.119 --> 00:19:33.599
piece of music or a coordinate map. Or maybe

00:19:33.599 --> 00:19:36.480
they wouldn't recognize it as a message at all.

00:19:37.319 --> 00:19:40.519
The Arecibo pictograph looks self -explanatory

00:19:40.519 --> 00:19:44.359
to us because it is us, and that's the trap.

00:19:44.819 --> 00:19:48.160
It's anthropocentric. It's written in the language

00:19:48.160 --> 00:19:51.279
of human experience, dressed in the symbols of

00:19:51.279 --> 00:19:57.299
universal truth, yes or no, on or off. So imagine

00:19:57.299 --> 00:20:00.329
you're the one receiving it. an alien scientist

00:20:00.329 --> 00:20:03.410
staring at a stream of data from the sky. How

00:20:03.410 --> 00:20:07.230
would you even begin? Maybe you notice a repeating

00:20:07.230 --> 00:20:10.049
pattern of phase shifts. Okay, maybe that means

00:20:10.049 --> 00:20:16.190
it's digital. You count 1679 bits. You somehow

00:20:16.190 --> 00:20:20.589
realize that's 23 times 73, both prime numbers.

00:20:21.410 --> 00:20:24.109
You try arranging the bits. Maybe you find the

00:20:24.109 --> 00:20:27.769
right orientation and maybe not. And if you do,

00:20:27.930 --> 00:20:30.509
you're still faced with a puzzle made by a species

00:20:30.509 --> 00:20:33.309
you've never met, living on a world you've never

00:20:33.309 --> 00:20:37.150
seen, with no shared biology or shared reference

00:20:37.150 --> 00:20:40.930
frames. It's like solving a crossword puzzle

00:20:40.930 --> 00:20:45.890
in a language that doesn't exist. And maybe this

00:20:45.890 --> 00:20:49.369
works both ways. Maybe we've already received

00:20:49.369 --> 00:20:52.190
messages like this and we didn't recognize them.

00:20:52.329 --> 00:20:56.049
We've detected fleeting, unexplained radio bursts,

00:20:56.349 --> 00:21:00.609
like the famous wow signal, and fast radio bursts

00:21:00.609 --> 00:21:03.670
that repeat and vanish. Maybe those are natural,

00:21:04.049 --> 00:21:07.109
or maybe they're messages encoded in forms we

00:21:07.109 --> 00:21:12.509
can't yet decipher. SETI scientist Paul Davies

00:21:12.509 --> 00:21:15.509
once said that an alien transmission might be,

00:21:15.509 --> 00:21:19.069
quote, hidden in plain sight, a pattern so subtle

00:21:19.069 --> 00:21:23.049
we mistake it for noise. And Jill Tarter reminded

00:21:23.049 --> 00:21:26.150
us that if the universe is speaking to us, we

00:21:26.150 --> 00:21:30.410
might not recognize the language. The Arecibo

00:21:30.410 --> 00:21:33.430
message was meant to say something about who

00:21:33.430 --> 00:21:36.829
we were and what we could do. It was an act of

00:21:36.829 --> 00:21:40.390
optimism, a beacon of math and meaning beamed

00:21:40.390 --> 00:21:44.500
into the dark. Even now, more than 50 years later,

00:21:44.700 --> 00:21:47.240
that signal is still traveling outward at the

00:21:47.240 --> 00:21:50.460
speed of light, racing across the space between

00:21:50.460 --> 00:21:54.880
stars. Long after our voices fade, that signal

00:21:54.880 --> 00:21:58.259
will keep going, like a perfectly preserved artifact

00:21:58.259 --> 00:22:02.460
of curiosity and intelligence. Maybe someday

00:22:02.460 --> 00:22:05.119
someone will catch it, maybe they'll rearrange

00:22:05.119 --> 00:22:08.099
the bits and see the shape of a human, and maybe

00:22:08.099 --> 00:22:10.920
they'll wonder who we were. or maybe they'll

00:22:10.920 --> 00:22:14.940
see nothing at all. The Arecibo message was just

00:22:14.940 --> 00:22:18.660
the beginning. Since 1974, we've sent a handful

00:22:18.660 --> 00:22:21.819
of others, each one a new experiment in interstellar

00:22:21.819 --> 00:22:27.180
communication. In 1983, Japan's message to Altair

00:22:27.180 --> 00:22:29.779
carried digital greetings toward a nearby bright

00:22:29.779 --> 00:22:35.759
star. In 1999 and 2003, the Cosmic Call 1 &2

00:22:35.759 --> 00:22:39.539
projects transmitted more elaborate self -describing

00:22:39.539 --> 00:22:44.759
data sets toward multiple Sun -like stars. Later

00:22:44.759 --> 00:22:49.000
came the Teenage Message in 2001, a musical broadcast

00:22:49.000 --> 00:22:53.339
created by Russian students, and NASA's 2008

00:22:53.339 --> 00:22:56.740
Across the Universe signal, which beamed a Beatles

00:22:56.740 --> 00:23:10.750
song toward Polaris. That same year and into

00:23:10.750 --> 00:23:14.630
2009, messages such as a message from Earth and

00:23:14.630 --> 00:23:17.910
hello from Earth targeted the potentially habitable

00:23:17.910 --> 00:23:22.730
world Gliese 581c, carrying thousands of short

00:23:22.730 --> 00:23:26.730
notes from people around the globe. Each attempt

00:23:26.730 --> 00:23:30.130
has been part scientific demonstration and part

00:23:30.130 --> 00:23:33.519
act of faith. Whether these signals ever reach

00:23:33.519 --> 00:23:36.680
another mind is unknown, but together they form

00:23:36.680 --> 00:23:40.259
a faint chorus of intent. Evidence that at least

00:23:40.259 --> 00:23:44.160
once and then again and again a small species

00:23:44.160 --> 00:23:47.420
on a small planet looked up and tried to say

00:23:47.420 --> 00:24:08.880
hello to the universe. It's funny how the things

00:24:08.880 --> 00:24:12.640
we love sometimes circle back and meet each other.

00:24:13.119 --> 00:24:17.279
For me, astronomy, ham radio, and music always

00:24:17.279 --> 00:24:20.660
felt like separate pursuits. One is about the

00:24:20.660 --> 00:24:24.460
stars, one is about radio waves, and one is about

00:24:24.460 --> 00:24:27.599
sound. But when you start listening closely,

00:24:27.880 --> 00:24:30.559
you realize they're all part of the same language.

00:24:31.599 --> 00:24:34.359
I had a lot of fun making this one, but producing

00:24:34.359 --> 00:24:36.960
episodes like this requires a good bit of time

00:24:36.960 --> 00:24:40.380
and even more caffeine. If you found it interesting,

00:24:40.559 --> 00:24:42.640
please share it with a friend who might enjoy

00:24:42.640 --> 00:24:45.400
it. The easiest way to do that is by sending

00:24:45.400 --> 00:24:49.839
folks to our website, StarTrails .Show. And if

00:24:49.839 --> 00:24:52.000
you want to support the show, use the link on

00:24:52.000 --> 00:24:54.740
the site to buy me a coffee. It really helps.

00:24:55.759 --> 00:24:59.400
Be sure to follow us on Blue Sky and YouTube.

00:24:59.960 --> 00:25:02.299
Links are in the show notes. Until we meet again

00:25:02.299 --> 00:25:04.859
beneath the stars, clear skies everyone.
