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Hi, I'm Clayton Vandiver, your Lightkeeper, and

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this summer we have a special treat for you.

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It's called Lightkeepers Podcast Shorts. That's

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not a new clothing line, but that's a great idea.

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Actually, it's short episodes under 10 minutes

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long of our most popular Lightkeepers Podcast

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episodes. This is part two. Enjoy. Welcome to

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the Light Keepers podcast. I'm Clayton Vandiver,

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your Light Keeper, with a show dedicated to everyone

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who wants to get the most quality out of life

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that they can. We don't talk about the end of

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life. We focus on the quality of each and every

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remaining day. My co -host, as always, is Charlene,

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our very own tame, licensed clinical social worker

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certified in the state of Florida. We invite

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you to join the conversation this week about...

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Clayton and Charlene. And so much more on this

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edition of the Light Keepers Podcast. And before

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we start, I'd like to invite you to please leave

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your questions or comments below. We always love

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to hear from our listeners and viewers. If you

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think of this show as sort of like Tool Time

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or what was Bob Vila's show, This Old House on

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PBS. So if you look at this show a little bit

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like that, I'm kind of like Tim Allen. I'm kind

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of like Bob Vila. I'm the guy who knows how to

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present, knows how to ask the man on the street

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questions that you might ask, and doesn't know

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anything about actually doing the work. Well,

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Bob Vila does. But if you think about Tim Allen

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in Tool Time, he knew how to say, you know, hey,

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Al Borland, tell me, we're going to be painting

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this now. What kind of paint would you use? And

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that's exactly who I am. I started my career

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45 years ago. Yes, that always makes me feel

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really old. But I started my career 45 years

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ago in broadcast radio and television in Los

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Angeles, attending California State University.

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Now, that's where Steven Spielberg and Steve

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Martin got their starts. And like Spielberg,

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I then began directing and producing productions,

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mostly with much smaller budgets than he did.

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And like Martin, I occasionally tell jokes and

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play the banjo. But after 10 years on the West

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Coast, I returned to my hometown of Jacksonville,

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Florida to help take care of my parents. So I've

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had a tiny bit of very unprofessional experience

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in caring for those, you know, who were going

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through their own life changes. And I wanted

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to make a career in broadcasting where I could

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be more involved in every aspect of the productions.

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In Los Angeles, you get sort of pigeonholed.

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If you start out as one thing, that's pretty

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much what you're going to do the rest of your

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career. But after working on the side with our

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region's leading television newsroom, I built

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a production company and produced thousands of

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television commercials, hundreds of corporate

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and industrial videos, television shows that

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aired on BET, INSP, TBN, and Home and Garden

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Television, HGTV, where I was the voice of American

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horticulture. Some of you may have heard that,

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I don't know, back in the 90s. Along the way,

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I began teaching college classes in media and

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film, completed my master's in education, my

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master's in business, and my learning continues,

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probably to my last breath, because even now

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I'm finishing a PhD in communication. So, you

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know, my education will continue, possibly even

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beyond my last breath. But let me tell you some

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staggering numbers. 20 ,000 hours of broadcast

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radio. 50 ,000 hours of broadcast television

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I've been involved in the production of. And

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that makes me feel very old but very excited

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for the next possible step in this great adventure

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that I'm in. And that's why I love sharing all

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of the information that you have to bring to

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our viewers and to our listeners. each and every

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week, just like this. So I've introduced Charlene

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as a licensed clinical social worker, myself

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as a professional broadcaster, and she has a

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lot more letters after her name because of all

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the qualifications she has. What does that mean

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for our audience? So what that means for our

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audience is... I know how to give them the guidance

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and support that they need to get through difficult

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situations if they have a loved one who has a

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life -limiting illness or a terminal diagnosis.

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But I may not know the best ways to get it out

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there in front of them. You know the best ways

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to get it out there in front of them, but you

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can't really provide that guidance and support,

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at least not ethically or legally. That's correct.

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But I do know how to get you in front of the

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camera so that you can get it out there. So together.

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There you go. Together. Just like Tim Allen and

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Al Borland. I don't think so, Tim. Tim the tool.

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Well, so you've been a lifelong and very dedicated

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patient advocate in all of your roles. Where

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all of you worked? Oh, my goodness. Well, as

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I mentioned, I have worked in hospice, which

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I feel is my true calling, my true support. That's

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where I feel most. At home, oddly enough, I worked

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in hospice for over five years where I helped

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support probably the better part of 10 ,000 to

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15 ,000 individuals as they came to the end of

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their life and supported their families as they

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went through that process. I worked in the crisis

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care unit for hospice patients, which is basically

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where patients come when their care can no longer

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be managed at home or in a home setting. So there

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I was able to provide support. I have seen people

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die, thousands of people, which as a social worker,

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as a medical social worker, to me that's normal.

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I have seen that so many times that it doesn't

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faze me anymore. And it was really interesting

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because when I went to work in the hospital,

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in the ICU and in the trauma department, The

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first time one of my fellow social workers actually

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saw someone die, they didn't know what to do,

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and it surprised me. I have taken for granted

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all this time. That was their first experience?

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Yes, and so I took for granted how little experience

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people have with that, and that really got me

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thinking, you know, if another social worker

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who has the training that I do can be caught

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off guard with that. That's a good point. Then

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how earth -shattering must that be for a family

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member or a loved one who's watching someone

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go through that? And who it's happening for them

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for the very first time, and it's someone they

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actually... truly have an investment in yeah

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it really gave me a change in perspective and

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working in the icu i got to see firsthand especially

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partnering with the trauma department how when

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someone is faced with that reality suddenly um

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you know there wasn't the long illness and the

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long decline this is someone who had a catastrophic

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event and they're now dealing with this in a

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very limited amount of time. And so that brings

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about a completely different set of stressors.

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So it was good and valuable experience. Of course.

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Well, and again, it's very exciting for me to

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be able to bring this level of experience to

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listeners and viewers because, especially on

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a topic that you don't... find people talking

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about every day, especially one that's considered

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almost taboo. Because, you know, we talk about

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things that sort of lead toward oftentimes the

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end of days. We don't focus on the end of days.

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We focus on the quality of life that you can

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still get leading to that point. In society,

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they're really... only two ends of the spectrum.

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And that's what society focuses on. You have

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the one end of the spectrum where it's taboo,

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you don't want to talk about it. If you talk

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about it, you run the risk of bringing it to

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fruition, best swept under the rug and ignored.

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And on the other end of the spectrum, you have

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the commercial industry that deals with death

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where they almost romanticize it to the point

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where I feel like it takes away its sting. Death

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is painful and it should be because that places

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the value on life and relationships. And if you

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don't have that pain that comes with the loss,

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then that life and that relationship had no value.

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So what I want to do with this show and with

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A Guiding Light is to help people find that in

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between where they're educated about it and they

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know enough about it to take some of the fear

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away from it. but to help maintain that value.

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Absolutely. Well, and I love bringing this information

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to the public through you because it's so important

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to open this conversation and make it a little

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bit less taboo, I believe. Absolutely. And that's

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sort of my mission in creating this show. roping

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you into being a part of it. No, it was a cooperative

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effort. The thing is, and this is what a lot

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of people ignore, death is a part of life. None

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of us are going to get out of life alive. This

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is true. Kind of like Dame Maggie Smith said

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in Harry Potter, I love this line. When someone

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refers to Voldemort as he who must not be named,

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and she says his name is Voldemort, he's going

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to try to kill you, you may as well say his name.

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It's not going to make a bit of difference. No,

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death is going to happen. It's still going to

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happen. We don't want it to happen soon. But

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not talking about it does nothing but get us

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to that point unprepared. Oh, and that's the

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whole point of this conversation and the whole

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point of people joining us for this conversation

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and weighing in with comments down below, which

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we will definitely address and help you with

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to the best of our abilities because this is

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a person who has the resources to do so. And

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I certainly have the resources to help her put

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this message out to everyone each and every week.

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Now, a thought to end the show with, why I'm

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called the Light Keeper. It's very simple. The

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light has been used for thousands of years, the

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word light, through many cultures, many civilizations,

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and by many very learned people to refer to the

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concept of knowledge, of education, of experience.

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To gain more light is to be introduced to new

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ideas and new thoughts and new information that

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is meaningful to your life. So I take the role

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of light keeper. very seriously for that reason.

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I'm a trained educator and broadcaster. I know

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how to find information, process that information,

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and how to share it with an audience. The light

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from a lighthouse can tell you where the dangerous

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rocks are to avoid and where the harbor is to

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find your safety and comfort. A guiding light

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is the organization, and each and every week,

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I'm the light keeper. We'll see you here.
