WEBVTT

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What's going on guys? Welcome back to the tuna

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podcast. You're probably wondering why is he

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not in the studio? Unfortunately this episode

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when it first got started It was basically my

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fault. I forgot to turn on the mixer So but the

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first couple of minutes that you're about to

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watch with the with two excellent gentlemen Jason

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Moreno and Roy Torres from bucking crazy We start

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off with Jason talking about where he grew up

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and how I became a musician I My apologies Jason,

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unfortunately the mic were mics were off that's

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my fault but that's where the episodes gonna

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start off guys and I promise you we'll get them

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back again, but As where it starts off. It's

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nothing but gold and it's a great interview and

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big shout out some big hugs to these guys because

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man They're just excellent people man Enjoy and

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We'll see you next time ladies guys But either

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way, you know, we play we used to jam a little

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bit, you know in the backyard and campfires and

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stuff like that I got away from it went to college

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and built a family and just about 12 years ago

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Roy was rebuilding the band and he approached

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me to come in come back and that's how I got

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Reconnected with bucking crazy about 12 years

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ago. There you go. There you go Yeah, so ever

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since then has been a whirlwind. We've been up

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and down Nashville and back all around, and it's

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been a great ride, man. That's awesome, man.

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And I apologize right now, I know the audio,

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you can only hear the audio through the actual

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computer. The fixed app, ASAP, we got it up and

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running now, so I'm pretty sure you guys can

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hear now. I'm sorry about that, Jason. Oh, do

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I have to repeat it? Repeat it again, Jason.

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No, I mean, Rob Endano, got into the music thing,

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bro, and that's awesome, bro. He's 92, he said,

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right? Class of 92, Donna Redskins, yeah. God

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damn. Roy, what? Was he short hair at the time?

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Yeah, he was. There's always that nerdy guy that's

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willing to take off his glasses and his tie and

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jump in the river naked. That's him. Best way

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to describe him. Did we just become best friends?

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You want to do karate? Yes! Eagle fan, baby!

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Anyways, let's get to Roy here. We got some Mr.

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Roy Thomas here. Grew up with this guy, actually

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from elementary all the way through high school.

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Graduated. Tell us a little bit about yourself,

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Roy. I'm from Donna. I'm on Redskin for life.

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I've been in the music business for the last

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35 years. I started out with... Pops, my dad,

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a great musician, Santiago Torres, known as Tiny,

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6 '4", they call him Tiny. I remember him telling

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me one day what I had to do to become successful

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in music. And we had a drink one night and he

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said, you know what, do you ever want to pursue

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the musical? scene then the only way to do it

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is become a Singer I don't think I play guitar

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I remember one night singing Neon Moon. That

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was our first country song. There you go. And

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it just took one compliment from somebody. You

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should be a singer. Okay. Ever since then, you

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know, my head was like, yes. That was the first

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song we played together. Yes. Yes, in high school.

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We were at EMS for Donna. Really? Yeah, we did

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EMS. We were volunteer for about... I think I

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was only there for about six months. I was getting

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in, Jason was coming in. I remember the initiation

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where we strapped you in a gurney. We took you

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to Stars. What the hell? We took you to Stars.

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You rolled me up to Stars in a gurney and pressed

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the button for me to order food. Oh my God, dude.

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Mine is strapped down. Before that. Before that.

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We took him through the aisles in H -E -B and

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he was just strapped up in a gurney like this.

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And I've known Jason since the school days and

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he was just too good to talk to me back in the

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day. We were both jocks. It was a high and bye

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for the first couple of years, then we got to

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know each other. The first song we ever took

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out was Neon Moon. I think we performed at Amigos

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de Valle. It was a party for EMS. As a matter

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of fact, a Christmas party. So after that, I

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mean, man, we just went our separate ways. There's

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a song right there, by the way. And we hadn't

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seen each other since then until... I think we

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were going to perform with, what's his name?

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Ronnie Atkins. Really? Yes, we played with Ronnie

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Atkins. A week before that, my band quit on me.

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It can be an ugly business. I called my buddy

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Robert, who's our drummer from Dono. He got a

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hold of three musicians. We ended up doing the

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concert, and then I feel a push, a shove in the

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back, and I turn around, and this guy's like,

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it leaves 14 beers down. What's up? I'm like,

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OK, bro. Well, it's good to see you. I was actually

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working the concert. Yeah, yeah, yeah. Remember

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that? Who's this guy? I was sitting with the

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KTX VIP crew, because we had done a shit ton

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of advertising. And I was in the marketing world,

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and I wore a suit and tie and everything for

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20 years, man. And I ran into that guy at the

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concert, man. He's like, hey, we need to talk.

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And he's behind a curtain like that. He's like,

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hey, Jason, hey. And his response was, no, no,

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no. And he walked away, and there he is out of

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my life again. I'm like, god damn it. No, I got

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to meet up with him. So it was like, look. We're

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doing this jam in Wesseco. It was a horseman

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salute. A horseman. And I go, go by, man. He's

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like, oh, mind you, 14 beers in. He's like, oh,

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yeah, yeah. I didn't think he was going to go

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by. I was going through a divorce right at that

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time. I was drunk. Yeah, you was gone. I was

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drinking my sorrows. I'm not making a look back.

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I'm sorry. That was that night. I asked him about

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maybe hopping on and managing the band. He says,

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nah, screw that. So he ended up going to the

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horseman's saloon, a shout out to Rick Dumbass.

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There you go. He tricked me. He said, hey man,

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bring your guitar and we'll do one song like

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the old days. Bring your guitar. And I was like,

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all right. You know what? That's a different

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podcast, but go ahead. I got you that. So I got

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on there and I got hooked, man. It was... Yeah,

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I tricked him. I was like, look, why don't you

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jam a song with us? It's like, all right, you

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hooked up, play the song. He's like, yeah, yeah,

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yeah, yeah. At the end of the song, he's like,

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let's do it, man. Got him, got him. And I'll

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tell you what, ever since he joined us and it's

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been going up ever since, man. He's a hard worker.

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Stuff I won't even bother doing. I don't like

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to socialize a lot. Honestly, I don't. People

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see me on stage and like, oh, no, it's totally

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the opposite. I like socializing. And Jason's

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the guy who could do it, man. I mean, we ended

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up in Nashville. We've put some new videos out.

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Our first video was by Jason Moreno, Cookie Production.

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And that video's got 1 .1 million views already.

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So this shows a lot. And then not just that,

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all these songs that were coming back. are all

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written by Jason Moreno. There you go. It's an

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honor to have him, and he's worked so hard, and

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now he's doing the harmonica. Oh, shit, VJ? But

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yeah, I'm from Donna, Texas, and we're some Donna

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boys just trying to do our thing. And speaking

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of Donna, Texas, I bumped into a buddy of ours.

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I'm not sure if you remember Jerry Garcia. Jerry

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Garcia. Oh, big Jerry Garcia. Shout out to Jerry.

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I was talking to him there at my work. He came

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in to buy some supplies and I was talking to

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him and I told him, I got Roy coming out of the

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podcast. And he goes, really? He goes, yeah,

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that's going to be awesome, dude. And I go, I

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was telling him, do you remember? 1991. No. May

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27th, 26. I was a freshman in high school, becoming

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a sophomore the following year. We're at a talent

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show. We're sitting down in the bleachers. We're

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seeing all these acts come out. And all of a

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sudden, the lights dim out. And the lights turn

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on. And you see Roy with a white t -shirt that

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says, strip tease. What? those first five minutes

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of my life changed. I want to be just like that.

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I want to wear the crop top that says striptease.

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Robert, the drummer, who's currently with us

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right now, started that band. He's like, let's

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name this band called Backseat Romeo. And I was

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like, hell no. Mind you, I wasn't the singer

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of the band. I sang a few songs, but I was a

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keyboard player. A keyboard player, there you

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go. He was doing Zack Morris. Striptease, wow,

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you just took me back in time, man. Rob would.

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Rob would. That sounds like Rob. Yeah, yeah,

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yeah. You know, Rob was your rocker guy back

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then. I was my new kid in the block. He's just

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trying to learn... There's a block guy in the

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block, man. Thank you, Jason, for coming by.

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Look where this guy is, man. Rob had the flock

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of seagulls haircut. There you go. The Doc Martens.

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And the cargo shorts that went down halfway past

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his calves. The only guy... to join ROTC just

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to go to Disney World. Wow! Wow! And then he

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got kicked out. He got kicked out of the bus.

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I don't know what went on from there, but shout

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-out to Robert, man. We love you, man. We love

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you. I know you can't go that far back to think

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about that, dude, but that experience, for the

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first time with all your buddies up there, I'm

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not sure if you had a gig before then or was

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it just something you guys would do? Yeah, a

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little party. So you guys, when you went up...

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on there, did your performance, you should have

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heard it. That auditorium went nuts. Nothing

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but girls were going nuts. They were screaming

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their heads off. That's what I'm saying. At that

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moment, I was like, this is what I wanted. This

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is what I wanted. What did you play? I'm actually

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a good influence on something. What did you play?

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I remember playing more than words. That was

00:11:48.769 --> 00:11:50.529
with your dad a couple of years later. Oh my

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God, you remember that? Yes. I do my research.

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I do my research. Oh my gosh. Real quick, let

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me go ahead and say this. Shout out to my dad.

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I love you, dad. I thought this was a camera.

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I was like, okay. Shout out to my dad. Yeah,

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God bless him. The man who taught me everything

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I do with music. So I go, dad, I just got kicked

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out of strip tease. So I was going to get strip

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tease. What am I going to do? I don't have a

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band. Hey dad, you mind writing some songs with

00:12:21.320 --> 00:12:23.419
me? Hell yeah, son. All right. So we learned

00:12:23.419 --> 00:12:26.029
some songs. I didn't know much about guitar back

00:12:26.029 --> 00:12:28.570
in the day. So I had nylon string. I didn't know

00:12:28.570 --> 00:12:30.490
you really got to stretch those things because

00:12:30.490 --> 00:12:33.210
they're not. So I learned how to put them on.

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I didn't stretch them. So I was like, OK, let's

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do it. We get to the show at the gym. We're performing.

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We're in the center of the gym with a spotlight.

00:12:43.789 --> 00:12:46.490
I started playing the song, and it's off key.

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And I'm like, I look at my dad. I go, no, he

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unplugged me. He took off. He left me alone.

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In the middle of the gym. You gotta learn. You

00:12:57.700 --> 00:13:00.059
gotta learn. It's tough love, so I was like,

00:13:00.279 --> 00:13:04.539
oh, shit. Out of tune, singing it. More than

00:13:04.539 --> 00:13:11.059
words. Song finishes, the crowd goes, yeah! I

00:13:11.059 --> 00:13:14.440
don't need you, dad. I don't need you. Oh, my

00:13:14.440 --> 00:13:20.740
gosh. I gotta say, this is one hell of a podcast.

00:13:21.769 --> 00:13:24.370
I did my research on it, bro. I mean, these are

00:13:24.370 --> 00:13:27.250
stuff. There's key moments in a young man's life

00:13:27.250 --> 00:13:30.529
that you're like, I remember this. I remember

00:13:30.529 --> 00:13:33.149
that. I wasn't the only one, because I told Jerry

00:13:33.149 --> 00:13:35.970
about it, and Jerry's like, oh, shit, yeah, I

00:13:35.970 --> 00:13:39.230
remember that. And we're cracking up. I go, bro.

00:13:39.710 --> 00:13:43.330
And I go, I need a picture. I need a picture

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or a video of this ASAP. And guess what, buddy?

00:13:47.649 --> 00:14:06.559
No. Now I'm just fucking around. I've got a couple

00:14:06.559 --> 00:14:09.059
of people already tuning in, man. Me and Roy

00:14:09.059 --> 00:14:12.799
used to jam out in my house. He played keyboard,

00:14:13.019 --> 00:14:17.220
and I played guitar. I'm showing you. Armando

00:14:17.220 --> 00:14:21.919
Reyes. Armando. Glad you're doing better, bro.

00:14:22.039 --> 00:14:25.620
Been keeping up with you, man. God, man. I remember

00:14:25.620 --> 00:14:27.279
he used to get on the drums and always fight

00:14:27.279 --> 00:14:29.379
with Rob. Okay, who are we going to keep, Mando

00:14:29.379 --> 00:14:33.139
or Rob? Shout out to Mando. Big shout out to

00:14:33.139 --> 00:14:34.460
Madito, man. Hope you're doing a lot better.

00:14:34.750 --> 00:14:37.330
He will be here next week's interview on Monday

00:14:37.330 --> 00:14:39.269
with Mooncat. So he will be my co -host next

00:14:39.269 --> 00:14:41.330
week here. So we can do that interview with Mooncat

00:14:41.330 --> 00:14:45.090
next week on Monday. Oh, here we got another

00:14:45.090 --> 00:14:48.490
one. Another one here. It says, howdy, fellas.

00:14:49.149 --> 00:14:50.669
I'm not sure if you can see that right there

00:14:50.669 --> 00:14:53.210
on your screen. Can you see that? Yeah, yeah.

00:14:53.490 --> 00:14:59.480
Oh, Remy. Oh, Remy. So Remy, I said Remy. Remy's

00:14:59.480 --> 00:15:02.700
my future stepson, by the way. Remy, Remy Rowland

00:15:02.700 --> 00:15:05.860
is a grandson for Country Rowland. Oh, shoot!

00:15:06.019 --> 00:15:07.440
He's doing that? That's the only guy that's gonna

00:15:07.440 --> 00:15:09.919
get up here. Man, Country Rowland's got some...

00:15:09.919 --> 00:15:12.919
I'll go with Remy. He's got new music on. I mean,

00:15:13.220 --> 00:15:15.240
you guys being growing up and growing up, grew

00:15:15.240 --> 00:15:18.299
up and down and everything. Another person that

00:15:18.299 --> 00:15:21.980
really was an inspiration for me to actually

00:15:21.980 --> 00:15:24.580
pick up a guitar was Mr. Felix. Am I sure, Mr.

00:15:24.700 --> 00:15:28.519
Juan Felix? Juan Felix. Juan Felix, big gentleman.

00:15:28.779 --> 00:15:33.480
He played guitar. He played in church. He's no

00:15:33.480 --> 00:15:37.399
longer with us. God bless him. But one great

00:15:37.399 --> 00:15:38.940
guitar player, man. Every time I would see him,

00:15:39.340 --> 00:15:41.279
and it was funny, great advice that he gave me

00:15:41.279 --> 00:15:43.500
that I took with me, because I was always trying

00:15:43.500 --> 00:15:46.639
to, as a guitar player, we want to try to get

00:15:46.639 --> 00:15:49.419
as best as we can to what the song sounds like.

00:15:49.440 --> 00:15:52.240
We want to get every note to the key. And one

00:15:52.240 --> 00:15:53.639
thing that he actually told me, he goes, look,

00:15:53.759 --> 00:15:57.379
man. You got to find yourself. You got to be

00:15:57.379 --> 00:16:00.139
yourself. That person found his inspiration.

00:16:00.700 --> 00:16:03.559
Play the same song, but do it your style. Exactly.

00:16:03.860 --> 00:16:05.620
Original. And that was something I took with

00:16:05.620 --> 00:16:08.549
me. You know further on when I started doing

00:16:08.549 --> 00:16:11.009
my jamming thing, but that's a whole different

00:16:11.009 --> 00:16:14.409
other podcast So tell me a little bit about you

00:16:14.409 --> 00:16:17.330
guys mess this whole bucking crazy how many years

00:16:17.330 --> 00:16:19.509
I mean what's going on what I mean so much you

00:16:19.509 --> 00:16:21.669
guys have done I'm pretty sure you got like stories

00:16:21.669 --> 00:16:33.309
and the backpack in the rear end When I took

00:16:33.309 --> 00:16:36.620
when I took over the band the There was so much

00:16:36.620 --> 00:16:40.019
baggage, man. It was hard to recover from a lot

00:16:40.019 --> 00:16:42.539
of stuff, back taxes. Almost impossible. We had

00:16:42.539 --> 00:16:46.539
back taxes, and then we had two albums that were

00:16:46.539 --> 00:16:49.679
recorded that we had no ownership of the rights

00:16:49.679 --> 00:16:51.919
to. We couldn't do anything with those songs.

00:16:52.259 --> 00:16:56.100
And the owner of the songs wouldn't budge, wouldn't

00:16:56.100 --> 00:16:58.740
talk to us, wouldn't do anything with us, wouldn't

00:16:58.740 --> 00:17:02.080
negotiate. So for many, many years, we piggybacked

00:17:02.080 --> 00:17:04.579
off of those... those songs and whatever we got

00:17:04.579 --> 00:17:06.960
out of it but we had no monetization out of it

00:17:06.960 --> 00:17:08.720
and right we couldn't do much with those songs

00:17:08.720 --> 00:17:11.539
we could the only option for us was to re -record

00:17:11.539 --> 00:17:14.980
it and you know we were we were we were a small

00:17:14.980 --> 00:17:17.460
band we didn't have money to be in the studio

00:17:17.460 --> 00:17:20.640
and record and you know but not too long ago

00:17:20.640 --> 00:17:23.819
it wasn't easy to record like it is now now everybody

00:17:23.819 --> 00:17:25.759
can record in their in their bedroom in their

00:17:25.759 --> 00:17:29.279
basement yeah technology is really really pulled

00:17:29.279 --> 00:17:31.680
forward more than what he used to be. Back then

00:17:31.680 --> 00:17:34.039
he'd have to go into a studio and get studio

00:17:34.039 --> 00:17:38.579
time and pay for musicians and whatever. So we

00:17:38.579 --> 00:17:42.559
lived along for a while and finally we decided

00:17:42.559 --> 00:17:47.980
it's time where we run our run, we've got to

00:17:47.980 --> 00:17:52.359
put some new stuff out. So we got a call from

00:17:52.359 --> 00:17:57.150
Johnny Garcia in Nashville. Wow, man. He heard

00:17:57.150 --> 00:17:59.529
some of our stuff, and he says, hey, man, why

00:17:59.529 --> 00:18:01.210
don't you guys come out here and record a song

00:18:01.210 --> 00:18:03.829
with for us? Anything you want. Just record one

00:18:03.829 --> 00:18:06.390
song and let's see what we can do. Right. So

00:18:06.390 --> 00:18:11.890
we chose another John Gonzalez song. And you

00:18:11.890 --> 00:18:14.750
know, John Gonzalez, rest in peace. He was a

00:18:14.750 --> 00:18:17.170
great, great talent. You know, he wrote the first

00:18:17.170 --> 00:18:20.609
two albums. Great, great songwriter. I learned

00:18:20.609 --> 00:18:25.279
a lot from him. But we went up. To Nashville,

00:18:25.519 --> 00:18:27.980
we decided to drive the very first time that

00:18:27.980 --> 00:18:33.440
we went. So it was me and Roy and one of our

00:18:33.440 --> 00:18:39.920
drummers. And on the way to pick up Roy, before

00:18:39.920 --> 00:18:42.640
we took off, I talked to the drummer. And I said,

00:18:42.740 --> 00:18:45.579
you know what, I don't want to record another

00:18:45.579 --> 00:18:47.559
song that we've already done. I want to do something

00:18:47.559 --> 00:18:53.740
original. So Johnny had written a song called

00:18:53.740 --> 00:18:58.049
Heartbreak Song. And he had peddled it around

00:18:58.049 --> 00:19:00.349
or tried to move it around for about five or

00:19:00.349 --> 00:19:03.809
six years and nobody picked it up. So he says,

00:19:04.089 --> 00:19:07.130
man, I'd be honored if you guys take this song

00:19:07.130 --> 00:19:10.609
and make it your freshman release. Because we

00:19:10.609 --> 00:19:12.690
were going to release it to Texas radio at the

00:19:12.690 --> 00:19:14.930
time. Texas radio had just come across from Red

00:19:14.930 --> 00:19:20.680
Dirt Radio. And that was a whole new... universe

00:19:20.680 --> 00:19:22.940
because everything has always gone through Nashville

00:19:22.940 --> 00:19:26.420
and the billboard charts and all that stuff.

00:19:26.599 --> 00:19:29.740
So now we have the Texas charts, Texas radio,

00:19:30.799 --> 00:19:33.559
and thank God for people like Aaron Watson and

00:19:33.559 --> 00:19:35.480
Kevin Fowler and those guys who paved the way

00:19:35.480 --> 00:19:40.359
for Texas artists to have a platform. So we said,

00:19:40.460 --> 00:19:42.200
yeah, we're going to go record this other song,

00:19:42.220 --> 00:19:45.579
Roy, on the way up there. We told him. And we

00:19:45.579 --> 00:19:47.559
had already been practicing this other song for

00:19:47.559 --> 00:19:52.039
weeks. This for the first 10 hours. Jason didn't

00:19:52.039 --> 00:19:53.859
want to turn around. I was like, hey, we're going

00:19:53.859 --> 00:19:56.299
to do this song instead. And I was like, hm.

00:19:56.299 --> 00:19:59.339
And I just see, I look towards the front. I see

00:19:59.339 --> 00:20:03.559
Jason like this. And I'm like this behind him

00:20:03.559 --> 00:20:07.960
going, all right. So we get up there to Nashville.

00:20:08.779 --> 00:20:11.579
And we get in the studio. And we try to do some

00:20:11.579 --> 00:20:16.400
stuff. And Johnny says, no. Go out tonight get

00:20:16.400 --> 00:20:19.039
fucked up as drunk as you can get and then be

00:20:19.039 --> 00:20:32.119
here at eight o 'clock in the morning But we

00:20:32.119 --> 00:20:34.900
went in and laid down the track and it was a

00:20:34.900 --> 00:20:37.299
masterpiece I mean we got it in one track and

00:20:37.299 --> 00:20:42.759
it was amazing and so we You know, it's not cheap,

00:20:42.960 --> 00:20:45.140
right? So we had put in quite a bit of money

00:20:45.140 --> 00:20:48.440
into that. We did a music video, professionally

00:20:48.440 --> 00:20:51.319
done music video with Jason Johnston as the director.

00:20:52.339 --> 00:20:56.500
We had done a whole line of merchandise. We had,

00:20:56.500 --> 00:20:59.160
you know, everything was out. We were set to

00:20:59.160 --> 00:21:01.700
release. World premiere done. We had sponsors

00:21:01.700 --> 00:21:04.279
by 5x5 Brewery. We did a world premiere viewing

00:21:04.279 --> 00:21:09.599
at his place. And a week before... the song was

00:21:09.599 --> 00:21:13.779
set to release trace adkins picked up the song

00:21:13.779 --> 00:21:16.720
and released it oh i won't forget that now you

00:21:16.720 --> 00:21:19.079
look at me like i gotta talk to you he recorded

00:21:19.079 --> 00:21:22.579
it in three days wow and released it in one day

00:21:22.579 --> 00:21:26.740
and this song had taken us months to to produce

00:21:26.740 --> 00:21:31.119
and then to to publish and to get all the pieces

00:21:31.119 --> 00:21:33.680
of the puzzle we had dumped a ton of money into

00:21:33.680 --> 00:21:37.299
this thing because we went all out and we just

00:21:37.299 --> 00:21:40.200
got sucker punched and you know we could have

00:21:40.200 --> 00:21:42.759
still released it but a week later after Trace

00:21:42.759 --> 00:21:47.819
Atkins released it. That's a Rick James slap

00:21:47.819 --> 00:21:52.279
right there. So I'm sure he didn't know or realize

00:21:52.279 --> 00:21:59.700
it. So that's when we decided hey man we're you

00:21:59.700 --> 00:22:01.920
know we got screwed on our first two albums.

00:22:02.650 --> 00:22:05.130
We got semi screwed here, you know, it's just

00:22:05.130 --> 00:22:07.369
business thing a tiny right, right? We're never

00:22:07.369 --> 00:22:09.009
gonna get screwed again. We're gonna write our

00:22:09.009 --> 00:22:12.250
own shit We're not gonna rely on anybody else's

00:22:12.250 --> 00:22:14.769
talent ever again, right? You're gonna sing the

00:22:14.769 --> 00:22:17.089
songs and I'm gonna write them and that's it

00:22:17.089 --> 00:22:19.029
And so that's what we've been doing since then

00:22:19.029 --> 00:22:22.230
and I gotta give credit man that first song he

00:22:22.230 --> 00:22:25.369
wrote Hit number one in West Texas one of the

00:22:25.369 --> 00:22:28.309
radios so we were Truly blessed. That's awesome.

00:22:29.630 --> 00:22:33.730
We went 29, man. You know, if you hit 20 in the

00:22:33.730 --> 00:22:35.849
Texas charts, you make it to the Billboard charts.

00:22:35.950 --> 00:22:39.609
Right. We were nine spots away. For a freshman

00:22:39.609 --> 00:22:43.109
album to release in the Texas charts, we debuted

00:22:43.109 --> 00:22:46.809
at number 99, which is unheard of. Nobody releases

00:22:46.809 --> 00:22:49.670
in the top 100. Our radio promoter at the time

00:22:49.670 --> 00:22:51.690
was one of the best in the industry, Debbie Green.

00:22:52.009 --> 00:22:54.529
She's retired now, and she told us flat out.

00:22:54.859 --> 00:22:57.839
You guys don't expect to be in the top 200. You

00:22:57.839 --> 00:23:01.819
all are new. Nobody knows you. We're known here

00:23:01.819 --> 00:23:05.380
locally, but in the state, in Oklahoma, Louisiana,

00:23:05.559 --> 00:23:07.880
New Mexico, Arizona, Colorado, wherever Texas

00:23:07.880 --> 00:23:11.329
radio charts are, we're virtually unknown. But

00:23:11.329 --> 00:23:14.730
we debuted, we broke the top 100, and everybody

00:23:14.730 --> 00:23:17.569
freaked out. And then every week we just climbed

00:23:17.569 --> 00:23:21.769
16 spots, 16 spots, 16 spots. We spent all 26

00:23:21.769 --> 00:23:25.269
weeks on the chart, and that's unheard of. That

00:23:25.269 --> 00:23:27.670
is, man. Unheard of. So it was a big accolade

00:23:27.670 --> 00:23:33.099
for us, and then COVID hit. Yeah, I know everybody

00:23:33.099 --> 00:23:34.400
too. Well, that's what we're looking at when

00:23:34.400 --> 00:23:39.680
you guys want videos. Yeah, that's one of the

00:23:39.680 --> 00:23:41.579
ones I put on YouTube when you guys walked in

00:23:41.579 --> 00:23:46.859
the first thing Yeah, so we've been back now.

00:23:46.880 --> 00:23:50.000
We just went back January to Nashville and we

00:23:50.000 --> 00:23:53.990
laid down about four tracks, and we got a new

00:23:53.990 --> 00:23:56.069
song coming out May 16th, it's released, it's

00:23:56.069 --> 00:23:58.930
called Prayin' Jason, Prayin' for Rain. Roy's

00:23:58.930 --> 00:24:00.549
is all the lead vocal, let me tell you man, he

00:24:00.549 --> 00:24:02.950
speaks a lot highly about me, but I hitched my

00:24:02.950 --> 00:24:06.809
wagon to Roy because he's got all the talent,

00:24:07.130 --> 00:24:10.589
man, and I've never heard anybody that can sing

00:24:10.589 --> 00:24:16.089
like Roy, so I know what I've got, and you know.

00:24:16.400 --> 00:24:18.359
I don't mind investing. We don't mind investing

00:24:18.359 --> 00:24:21.059
and putting into this and taking it and see where

00:24:21.059 --> 00:24:23.279
we can go. We're old, man, but we're still going

00:24:23.279 --> 00:24:25.519
to give it a shot. We're not like the young guys

00:24:25.519 --> 00:24:27.019
out there. I hear giggles in the background.

00:24:30.960 --> 00:24:33.759
I heard it. I heard it. Quiet in the studio.

00:24:34.339 --> 00:24:41.059
I heard it. I heard it. Yeah, and I totally see

00:24:41.059 --> 00:24:43.579
what you're saying, man. I mean, for something

00:24:43.579 --> 00:24:46.369
like that. First of all, I mean, I would take

00:24:46.369 --> 00:24:49.210
it, yeah, as a slap in the face, as far as that

00:24:49.210 --> 00:24:52.089
happening. But also at the same time, I look

00:24:52.089 --> 00:24:56.069
at it like, shit. I go, people are seeing what

00:24:56.069 --> 00:24:58.970
we're doing. They see the potential we have,

00:24:59.309 --> 00:25:01.630
and they're grabbing this and running with it

00:25:01.630 --> 00:25:04.009
before we do. That means we have something there.

00:25:04.190 --> 00:25:06.930
And the next step, which was the best idea to

00:25:06.930 --> 00:25:09.829
do, is write your own stuff, your own music,

00:25:09.910 --> 00:25:12.390
and go year out. Because you gotta really now

00:25:12.390 --> 00:25:15.099
free fall into big waters. on your right and

00:25:15.099 --> 00:25:17.440
say let's see let's see now we're gonna find

00:25:17.440 --> 00:25:20.160
out what we got right you know and that's the

00:25:20.160 --> 00:25:23.220
big test but i mean you guys like i said i've

00:25:23.220 --> 00:25:26.559
seen you guys perform i have a buddy of mine

00:25:26.559 --> 00:25:28.720
text me during the week because dude have you

00:25:28.720 --> 00:25:31.240
seen this guy man i go who i go check it out

00:25:31.240 --> 00:25:38.859
he was like i'm on a scene and i go oh yeah High

00:25:38.859 --> 00:25:43.200
school. That's the funny Roy at the Campanile

00:25:43.200 --> 00:25:47.240
downtown in west of Texas singing karaoke. He's

00:25:47.240 --> 00:25:48.819
like, he's going to be on the show. He's going

00:25:48.819 --> 00:25:52.599
to be like, well, I'll be damned. And it's funny,

00:25:52.759 --> 00:25:56.660
man. It's like, it's... I'm glad I got the opportunity

00:25:56.660 --> 00:25:58.759
to interview you guys. I mean, the stars lined

00:25:58.759 --> 00:26:01.240
up perfectly before you guys are going to launch

00:26:01.240 --> 00:26:04.299
again. You see, and I got more fans asking, Daniel

00:26:04.299 --> 00:26:07.440
Nunez asking, any story behind the Loving You

00:26:07.440 --> 00:26:10.660
in Mexico? Loving You in Mexico was written by

00:26:10.660 --> 00:26:13.339
our dear friend, may he rest in peace, John Gonzalez,

00:26:13.539 --> 00:26:16.740
who's also the same writer as the first two albums,

00:26:16.819 --> 00:26:21.220
which include Strange Thing. Loving you in Mexico

00:26:21.220 --> 00:26:23.680
don't really matter and don't really matter around

00:26:23.680 --> 00:26:26.180
here a lot of saw a lot of those songs haven't

00:26:26.180 --> 00:26:28.940
really been put out but Yeah, it was written

00:26:28.940 --> 00:26:32.140
by John Gonzalez back in the day when he had

00:26:32.140 --> 00:26:36.619
the band Texas drifter Texas drifters I think

00:26:36.619 --> 00:26:40.079
they stopped playing what? mid 90s or something

00:26:40.079 --> 00:26:44.099
like that, okay, but uh We lost our buddy about

00:26:44.099 --> 00:26:50.490
three months ago Yeah, the song written by John

00:26:50.490 --> 00:26:52.430
Gonzalez. It's a great song. We're going to write

00:26:52.430 --> 00:26:54.049
a part two, though. It's going to be called,

00:26:54.250 --> 00:26:58.490
Loving You in Wesseco, not Mexico. And we to

00:26:58.490 --> 00:27:02.269
Donna. Donna doesn't rhyme with anything. I'm

00:27:02.269 --> 00:27:03.970
sorry, Donna. You don't rhyme with anything.

00:27:05.690 --> 00:27:09.950
Richie Valentine took that boat. Richie and I

00:27:09.950 --> 00:27:12.869
took that a long time ago. Ain't no more songs

00:27:12.869 --> 00:27:15.349
gonna be written by now. I'm sorry. When it comes

00:27:15.349 --> 00:27:18.009
to the movie La Bamba on stage, while we're performing,

00:27:18.109 --> 00:27:20.289
you guys can't hear or listen to anything we're

00:27:20.289 --> 00:27:22.049
saying on stage. But I turn around and I look

00:27:22.049 --> 00:27:24.210
at Jason, and he knows what I'm talking about,

00:27:24.250 --> 00:27:26.809
and he's like, that art contest, I want it. I

00:27:26.809 --> 00:27:30.490
want it. So we're throwing lines from La Bamba.

00:27:31.309 --> 00:27:34.250
And there's a baby coming along. It's art lessons.

00:27:34.990 --> 00:27:38.349
See? They even gave me a drafting tool. I just

00:27:38.349 --> 00:27:41.970
know what Mico. So, yeah, yeah. But it was written

00:27:41.970 --> 00:27:44.890
by Mr. John Gonzalez, man. It's a hell of a song.

00:27:45.049 --> 00:27:48.470
It's just, you know, Jason loves to tell us on

00:27:48.470 --> 00:27:50.609
stage, all right, I love New Mexico. I avoid

00:27:50.609 --> 00:27:53.890
it just because, I don't know, I mean, I love

00:27:53.890 --> 00:27:57.329
the song. It's just, it's back then. So I don't

00:27:57.329 --> 00:28:00.789
feel it as much as I used to. Right. But it is

00:28:00.789 --> 00:28:03.049
a great song, guys. It is a great song. Now,

00:28:03.049 --> 00:28:05.150
when you guys are on stage performing, whether

00:28:05.150 --> 00:28:08.029
it is at many venues, I'm pretty sure you do

00:28:08.029 --> 00:28:09.390
a couple. I'm pretty sure you get a Coca Cola

00:28:09.390 --> 00:28:12.250
for a lot of weddings, a lot of extra family

00:28:12.250 --> 00:28:14.670
reunions, all that good stuff. When you play

00:28:14.670 --> 00:28:16.690
in venues itself largely because I know there's

00:28:16.690 --> 00:28:18.970
a tour coming up soon. We're talking about that

00:28:18.970 --> 00:28:21.970
before you came on the podcast way before all

00:28:21.970 --> 00:28:26.089
this got set up. When you're on stage, do you

00:28:26.089 --> 00:28:29.319
still perform the old? old music along with the

00:28:29.319 --> 00:28:31.700
new stuff that you're coming out with? Just as

00:28:31.700 --> 00:28:34.160
a like, you know, hey, don't forget we played

00:28:34.160 --> 00:28:36.400
this also, you know. We do it every chance we

00:28:36.400 --> 00:28:39.420
get, you know. Again, it's stuff that we've done

00:28:39.420 --> 00:28:43.779
forever. And I, you know, we struggle with it

00:28:43.779 --> 00:28:46.980
because you take a look at Kiss. Kiss has been

00:28:46.980 --> 00:28:50.890
playing the same songs, the same set. for what

00:28:50.890 --> 00:28:54.410
30 40 years yeah and people still love it but

00:28:54.410 --> 00:28:56.809
when when we play it when we play our old stuff

00:28:56.809 --> 00:28:59.769
it's kind of like oh man let's let's play something

00:28:59.769 --> 00:29:03.069
new right you know right um and you know believe

00:29:03.069 --> 00:29:04.970
it or not we played all over the state and all

00:29:04.970 --> 00:29:08.319
over the region and The valley is a very tough

00:29:08.319 --> 00:29:10.680
market, man. It's tough. You're preaching to

00:29:10.680 --> 00:29:14.980
the choir, my friend. I love the 956, but to

00:29:14.980 --> 00:29:16.960
make it down here, if you can make it in the

00:29:16.960 --> 00:29:19.019
valley... It's like the New York. You can make

00:29:19.019 --> 00:29:22.240
it anywhere. It's like the New York. We've made

00:29:22.240 --> 00:29:24.500
friends out on the road, and we try to bring

00:29:24.500 --> 00:29:27.440
them down so people have a... It's a different

00:29:27.440 --> 00:29:30.759
response. They just don't. the valley likes what

00:29:30.759 --> 00:29:33.519
they like and what they want. So we try to give

00:29:33.519 --> 00:29:36.559
it to them as much as we can. Some of the old

00:29:36.559 --> 00:29:39.769
songs, like Roy said, we kind of get... tired

00:29:39.769 --> 00:29:42.549
of them, but people ask for them. As a matter

00:29:42.549 --> 00:29:45.269
of fact, the other day we were at a gig and somebody

00:29:45.269 --> 00:29:47.009
tipped us a hundred bucks to play one of our

00:29:47.009 --> 00:29:51.109
old 120 dollars. And we hadn't played that song

00:29:51.109 --> 00:29:54.509
in 10 years. And so there we are in the back,

00:29:54.690 --> 00:29:57.049
we're all talking, okay, it's a key of E and

00:29:57.049 --> 00:29:59.750
then what? And then I'm talking with the crowd.

00:29:59.970 --> 00:30:01.890
We learned it in two minutes and we turned around

00:30:01.890 --> 00:30:03.970
and we're blessed with something. They turned

00:30:03.970 --> 00:30:07.049
out great. Top notch musicians that could do

00:30:07.049 --> 00:30:09.240
anything, so we pushed it out. and they loved

00:30:09.240 --> 00:30:14.960
it, you know. When we do concerts, like opening

00:30:14.960 --> 00:30:19.180
up for Midland or John Party or those, we always

00:30:19.180 --> 00:30:22.019
play most of our original stuff. But when we're

00:30:22.019 --> 00:30:25.039
playing out in the clubs, we do a lot of covers,

00:30:25.240 --> 00:30:28.380
you know, people like to hear their favorite

00:30:28.380 --> 00:30:31.940
songs. So we try to mix it up as best we can.

00:30:33.380 --> 00:30:37.640
And so, I mean, quick question to Jason, growing

00:30:37.640 --> 00:30:43.240
up, In the RGV, did you see yourself being where

00:30:43.240 --> 00:30:46.140
you're at right now? As far as the band itself?

00:30:46.920 --> 00:30:50.400
That's... You know... Throwing out of reason.

00:30:51.059 --> 00:30:56.319
Yeah, you know... Get off my face! This was a

00:30:56.319 --> 00:30:59.140
dream of mine. Like, I'm living the life I want

00:30:59.140 --> 00:31:03.099
to live now. But I didn't at the time. And actually

00:31:03.099 --> 00:31:04.960
we have a song about it that's coming out, you

00:31:04.960 --> 00:31:07.809
know, that I wrote about the... this exact subject

00:31:07.809 --> 00:31:10.710
but you know I lived a life that everybody expected

00:31:10.710 --> 00:31:15.710
me to live until you know I was a grown man you

00:31:15.710 --> 00:31:17.630
know my parents expected me to live a certain

00:31:17.630 --> 00:31:20.509
way my wife expected my ex -wife or whatever

00:31:20.509 --> 00:31:23.589
lived expected me to live a certain way so I

00:31:23.589 --> 00:31:26.470
lived up to everybody else's expectations and

00:31:26.470 --> 00:31:30.250
I never lived for myself and you know this is

00:31:30.400 --> 00:31:32.880
who I am and this is who I should have been.

00:31:33.079 --> 00:31:34.839
I just didn't have the balls to do it when I

00:31:34.839 --> 00:31:37.759
was a young, a youngster. A young book. Yeah.

00:31:38.240 --> 00:31:43.220
So, you know, so yeah, I could see myself doing

00:31:43.220 --> 00:31:45.440
this as a kid and I could dream about it, but

00:31:45.440 --> 00:31:49.660
it was just a dream. You know, it, it, I never

00:31:49.660 --> 00:31:53.039
imagined that I could. You know, play in front

00:31:53.039 --> 00:31:56.799
of people like we've played in major stadiums,

00:31:57.019 --> 00:32:00.440
major arenas. Going to Nashville, I never imagined

00:32:00.440 --> 00:32:04.339
this. So this is a dream come true for me. Same

00:32:04.339 --> 00:32:05.880
question to Roy, man. What do you think, Roy?

00:32:06.619 --> 00:32:10.140
What was the question again? Who was it? Roy

00:32:10.140 --> 00:32:12.240
grew up in this. He always knew he was going

00:32:12.240 --> 00:32:14.180
to be destined for greatness. I wanted to be

00:32:14.180 --> 00:32:18.799
a porn star, man. But, no, I got that from my

00:32:18.799 --> 00:32:21.339
future set son. I remember him talking to his

00:32:21.339 --> 00:32:24.200
mom. Look, she's on, as a matter of fact, hi,

00:32:24.220 --> 00:32:28.920
Dave. But I remember, I remember the future set

00:32:28.920 --> 00:32:32.200
son saying, I wanna be a porn star. And I was

00:32:32.200 --> 00:32:34.619
like, damn. First of all, you're telling your

00:32:34.619 --> 00:32:39.700
mom that. Is that wrong? No. I'm telling my mom

00:32:39.700 --> 00:32:43.599
again. Thank you for the glitter tea, I just

00:32:43.599 --> 00:32:51.680
can't stand it. I mean, I've always dreamt of

00:32:51.680 --> 00:32:54.359
being a musician. I just didn't think I would

00:32:54.359 --> 00:32:57.819
take it serious. I was just like, oh yeah, every

00:32:57.819 --> 00:33:02.319
kid wants to be a rock star. I grew up with pictures

00:33:02.319 --> 00:33:08.220
of these guys. But he made a lot of sense. I

00:33:08.220 --> 00:33:10.240
can't agree with what he was saying because I've

00:33:10.240 --> 00:33:15.420
always done it. How weird. I had a little fall

00:33:15.420 --> 00:33:19.759
out with my fiance last night, and he nailed

00:33:19.759 --> 00:33:23.339
it right now. I've always done what everybody's

00:33:23.339 --> 00:33:29.460
wanted to do. I went to medical school and blah,

00:33:29.720 --> 00:33:31.339
blah, blah. It's something I didn't want to do,

00:33:32.180 --> 00:33:35.819
and I just dropped that until maybe yesterday.

00:33:36.019 --> 00:33:39.700
I said, you know what? I finally figured out

00:33:39.700 --> 00:33:41.380
this is what I want to do. You know what I mean?

00:33:41.579 --> 00:33:46.500
It has its ups and downs, man. No one knows behind

00:33:46.500 --> 00:33:49.259
the scenes. It's terrible. There's times where

00:33:49.259 --> 00:33:53.160
David, David, who the hell is David? There's

00:33:53.160 --> 00:34:00.660
times Jason and I. Steve Norris. Peter North,

00:34:00.839 --> 00:34:04.619
Peter North, Peter North. Robert, put that in

00:34:04.619 --> 00:34:07.559
my head. Don't even finish that sentence. Go

00:34:07.559 --> 00:34:14.440
on. it's behind the scenes. This is why I get

00:34:14.440 --> 00:34:18.360
upset sometimes. Do some of your old songs and

00:34:18.360 --> 00:34:21.920
there's times where you got to please a crowd.

00:34:22.500 --> 00:34:24.500
Most of the time you got to please a crowd, but

00:34:24.500 --> 00:34:27.500
there's times as a musician, you're like, okay,

00:34:27.679 --> 00:34:30.320
we've done that song a million times. You get

00:34:30.320 --> 00:34:38.659
fed up. It has its ups and downs. One of the

00:34:38.659 --> 00:34:41.719
worst downs is you're never there for the family.

00:34:41.860 --> 00:34:44.679
You're never there on holidays. That's our highest

00:34:44.679 --> 00:34:50.260
paid gigs, holidays, for every musician. But

00:34:50.260 --> 00:34:52.840
it's done good for me. It's done good for us.

00:34:53.699 --> 00:34:56.539
It's done good for us. But yeah, I kind of figured

00:34:56.539 --> 00:34:59.719
I ended up doing music. I kind of figured that

00:34:59.719 --> 00:35:02.559
in high school when I saw the gym go crazy. You

00:35:02.559 --> 00:35:06.380
know who you are. You know who you are. I got

00:35:06.380 --> 00:35:11.699
to be there right here, you know? Hey, guys,

00:35:12.320 --> 00:35:15.780
I know it's 1991, but we're going to have a podcast

00:35:15.780 --> 00:35:20.039
in a few years. Please remember this. Please

00:35:20.039 --> 00:35:22.860
write it down. We had good memory muscle. What

00:35:22.860 --> 00:35:26.300
the hell is a podcast? We had good memory muscle

00:35:26.300 --> 00:35:29.920
back then. We had to memorize 10 numbers. No,

00:35:30.099 --> 00:35:32.289
yeah, yeah. My dream was to become a musician,

00:35:32.690 --> 00:35:35.210
and he's helped me do it, and it's been going

00:35:35.210 --> 00:35:37.769
good for us. Like I said, it has its ups and

00:35:37.769 --> 00:35:42.550
downs, but you really got to just keep on pushing.

00:35:42.849 --> 00:35:44.449
Yeah, I hear you. You got to keep on pushing.

00:35:44.489 --> 00:35:46.869
It's hard. There's a lot of competition out there.

00:35:47.150 --> 00:35:50.420
Yes. Yes, you know, I mean the only the worst

00:35:50.420 --> 00:35:53.199
thing you can do is just be an ass about it and

00:35:53.199 --> 00:35:56.780
oh shit We can sound but no You gotta unite together

00:35:56.780 --> 00:35:59.079
and just help each other out. Yeah, and I'm supposed

00:35:59.079 --> 00:36:01.719
to get on my Facebook yesterday You know, I mean,

00:36:02.019 --> 00:36:03.960
there's nothing wrong with supporting somebody

00:36:03.960 --> 00:36:06.139
else. It's not gonna affect me It's true, you

00:36:06.139 --> 00:36:08.480
know, we've always been that bad and I'm not

00:36:08.480 --> 00:36:09.679
throwing it out there I know it's gonna sound

00:36:09.679 --> 00:36:11.500
weird because I said that but we've always been

00:36:11.500 --> 00:36:15.440
that bad just You know, we we've had our time

00:36:15.440 --> 00:36:18.000
we still have we still we're still in our time

00:36:18.000 --> 00:36:21.780
But we've always had our time and still pushed

00:36:21.780 --> 00:36:25.300
other local artists It's about helping each other

00:36:25.300 --> 00:36:28.860
out being civil and have fun, man You know if

00:36:28.860 --> 00:36:30.739
you get something good out of it great if you

00:36:30.739 --> 00:36:33.480
get something bad Simona comes with the territory.

00:36:33.559 --> 00:36:44.010
Yeah, exactly We run into a lot of a lot of people

00:36:44.010 --> 00:36:46.809
that are competitive and we're not we're not

00:36:46.809 --> 00:37:04.320
competing, you know No, but yeah, I mean people

00:37:04.320 --> 00:37:06.340
for a while there, you know, and this happened

00:37:06.340 --> 00:37:09.780
to the time of the scene to everybody is competing

00:37:09.780 --> 00:37:11.760
against each other. And yeah, it shouldn't be

00:37:11.760 --> 00:37:15.820
that way. And, you know, we, we, we, I guess

00:37:15.820 --> 00:37:17.980
we become enlightened or whatever, but it's not

00:37:17.980 --> 00:37:20.360
a competition. You know, I don't care if we go

00:37:20.360 --> 00:37:22.280
first or last or who goes for it. I mean, when

00:37:22.280 --> 00:37:23.739
we get on stage, we're going to do our thing

00:37:23.739 --> 00:37:27.320
and we're going to play, you know, and, you know,

00:37:27.559 --> 00:37:30.440
If you think we're your competition, then it's

00:37:30.440 --> 00:37:33.619
on you. It's on you. Well said. Well said. Well

00:37:33.619 --> 00:37:36.719
on that note, I got to call a time out here,

00:37:36.860 --> 00:37:39.559
guys. I got to have some sponsors I got to thank

00:37:39.559 --> 00:37:41.539
because if I don't, they'll pay the bills. So

00:37:41.539 --> 00:37:44.699
a big shout out to let me get this up here. right

00:37:44.699 --> 00:37:46.300
here let me get you guys off the screen here

00:37:46.300 --> 00:37:51.559
so you can close you guys out here and close

00:37:51.559 --> 00:37:54.280
you out here there you go big shout out to triple

00:37:54.280 --> 00:37:58.920
j plumbing give one a call at 956 -854 -9622

00:37:58.920 --> 00:38:03.579
or jerry at 956 -478 -5316 guys they are professional

00:38:03.579 --> 00:38:07.179
plumbers licensed for residential they are hospital

00:38:07.179 --> 00:38:10.780
grade also guys get a hold of these get a hold

00:38:10.780 --> 00:38:13.059
of them man because i know sometimes you call

00:38:13.059 --> 00:38:16.570
they don't answer They will answer ASAP Just

00:38:16.570 --> 00:38:18.510
reach out to them let them know chewing you sent

00:38:18.510 --> 00:38:20.550
you and don't forget your crap is their bread

00:38:20.550 --> 00:38:24.070
and butter Also a big shout out to the nose construction

00:38:24.070 --> 00:38:26.309
Eric oh nine five six three six three seventy

00:38:26.309 --> 00:38:28.250
one ninety five Give a notice of construction

00:38:28.250 --> 00:38:31.889
a call Anthony. He will gladly help you out man

00:38:31.889 --> 00:38:35.530
Tony's a welcome Anthony Tony great guy man great

00:38:35.530 --> 00:38:40.320
craftsmanship These guys are Amazing of what

00:38:40.320 --> 00:38:42.039
they do. I know they're building apartments on

00:38:42.039 --> 00:38:44.940
mission text right now continue doing the great

00:38:44.940 --> 00:38:48.119
work out there guys non -stop These guys are

00:38:48.119 --> 00:38:49.679
great, but let them know chewing essentially

00:38:49.679 --> 00:38:53.039
Coming back to the podcast here. We had some

00:38:53.039 --> 00:39:08.179
people walking out here And that's what you call

00:39:08.179 --> 00:39:12.139
me like now. So, we're back. What's your name?

00:39:15.619 --> 00:39:22.900
What's your name, Roberto? Roberto Romero. Those

00:39:22.900 --> 00:39:26.239
freaking clips made me laugh my ass off. I didn't

00:39:26.239 --> 00:39:31.219
kiss? No, oh my God. Now that we, oh I got another

00:39:31.219 --> 00:39:34.340
here, Rolando Martinez saying, what's up gang?

00:39:34.460 --> 00:39:36.139
There you go, I got you, I put y 'all there.

00:39:36.780 --> 00:39:40.380
Rolando Martinez, shout out to Rolando. Also

00:39:40.380 --> 00:39:42.440
guys, if you wanna follow everything that's going

00:39:42.440 --> 00:39:44.699
on with Bucking Crazy, go ahead and click that

00:39:44.699 --> 00:39:47.420
QR code, they are booking for 2025 right now.

00:39:47.699 --> 00:39:49.280
Click that QR code, get ahold of these guys so

00:39:49.280 --> 00:39:53.590
they can get you going. They'll do weddings.

00:39:56.130 --> 00:39:58.750
Divorce parties. I don't know what else they

00:39:58.750 --> 00:40:02.590
do. Baptisms. I don't know. They'll dip you in

00:40:02.590 --> 00:40:06.769
water and throw you out. I don't know. If you're

00:40:06.769 --> 00:40:09.849
looking for merch with us, go to our page right

00:40:09.849 --> 00:40:11.750
here, subscribe to us, let us know. what you're

00:40:11.750 --> 00:40:13.409
looking for and if you want to buy an actual

00:40:13.409 --> 00:40:15.969
t -shirt online these guys are not associated

00:40:15.969 --> 00:40:18.130
with us but they use our emblem a lot and they

00:40:18.130 --> 00:40:20.510
help us push our merch out there and support

00:40:20.510 --> 00:40:24.630
our podcast man so I appreciate the bonfire so

00:40:24.630 --> 00:40:28.949
coming back to bucking crazy talk to me about

00:40:28.949 --> 00:40:31.730
these venues coming up bro I know you got something

00:40:31.730 --> 00:40:34.789
big I know we had something about radio something

00:40:34.789 --> 00:40:39.469
radio tour radio tour Yeah, we got our song praying

00:40:39.469 --> 00:40:43.449
for rain set for release on digital platforms

00:40:43.449 --> 00:40:49.530
May 16th, but We released it to Texas radio Sooner

00:40:49.530 --> 00:40:52.889
than that. So and and to promote it we have to

00:40:52.889 --> 00:40:55.989
travel and do what's called a radio tour So we'll

00:40:55.989 --> 00:40:58.429
be on radio tour not too not too long from now

00:40:58.429 --> 00:41:01.429
we've also we're in production for our music

00:41:01.429 --> 00:41:03.760
video for praying for rain, but If you want to

00:41:03.760 --> 00:41:05.519
check us out, we're going to be at Silverados

00:41:05.519 --> 00:41:09.219
this Friday night. We'll be together with Midnight

00:41:09.219 --> 00:41:11.860
Run. Which, by the way, my brother just told

00:41:11.860 --> 00:41:14.460
me, he goes, yeah, that's Dub's uncle. He's going

00:41:14.460 --> 00:41:16.900
to be in the podcast. No, I put it on the page

00:41:16.900 --> 00:41:20.699
to help promote for tomorrow's event. Oh, OK,

00:41:20.719 --> 00:41:21.760
OK, I thought they were going to be there, too.

00:41:22.760 --> 00:41:25.360
It's just bucking crazy. And then Saturday, we're

00:41:25.360 --> 00:41:27.300
going to be in Fur, Texas with the Rattlesnake

00:41:27.300 --> 00:41:29.679
Roundup. Oh, yeah, there you go. We'll be opening

00:41:29.679 --> 00:41:37.119
up. We'll be opening up for Cody Canada and the

00:41:37.119 --> 00:41:40.559
departed So that'll be fun. I've never we've

00:41:40.559 --> 00:41:42.360
never played with him before so that's awesome.

00:41:42.440 --> 00:41:46.880
We need a Maybe one performance we need to have

00:41:46.880 --> 00:41:50.000
you and your crew go man Check out the backstage.

00:41:50.360 --> 00:41:51.960
Oh my god, everything goes out throughout the

00:41:51.960 --> 00:42:15.179
whole day No, man, so the story here's here's

00:42:15.179 --> 00:42:18.800
one for you guys On tour you guys go on you say

00:42:18.800 --> 00:42:20.199
you drive to most of the events. You don't do

00:42:20.199 --> 00:42:21.860
the flying I'm glad you guys don't do the flight

00:42:21.860 --> 00:42:24.119
thing because you learned a lot about each other

00:42:24.119 --> 00:42:45.230
when you're on the road I don't know if you stay

00:42:45.230 --> 00:42:49.949
in the bus itself or you rent a hotel or whatever.

00:42:50.489 --> 00:42:53.389
Who stays with who? Who are the sleeping buddies?

00:42:57.420 --> 00:43:00.260
Hold on, hold on, let me tell you, I'm glad you

00:43:00.260 --> 00:43:02.380
brought this up. So there's this one time, I

00:43:02.380 --> 00:43:09.300
have no idea what it was. We're a band camp now.

00:43:10.719 --> 00:43:18.960
We had, not a few, we had a lot to drink. And

00:43:18.960 --> 00:43:23.619
so I remember waking up to this, I swear to God,

00:43:23.659 --> 00:43:26.840
I don't remember this happening. We were young.

00:43:26.940 --> 00:43:29.480
We were young. It was a few years ago. We didn't

00:43:29.480 --> 00:43:32.619
have money, man. When we were in Vegas, we only

00:43:32.619 --> 00:43:39.260
had one hotel room. Oh, no! This was in San Antonio,

00:43:39.460 --> 00:43:41.340
I think. Oh, God. Here we go. Man, I don't even

00:43:41.340 --> 00:43:43.380
remember. Here we go. Well, we drank till like

00:43:43.380 --> 00:43:45.960
6 a .m. Welcome to the R -rated version of Chunipata.

00:43:46.280 --> 00:43:49.519
No! No, no, no! I get it. We were at South Piner

00:43:49.519 --> 00:43:53.559
Island. This is gonna take a minute. It won't...

00:43:53.530 --> 00:43:58.269
I won't hop the camera. So we played at Louie's

00:43:58.269 --> 00:44:01.710
backyard. OK. And we had an open tab. Oh, no.

00:44:01.829 --> 00:44:04.469
And that's when Louie said, your guitar player,

00:44:04.489 --> 00:44:07.550
guitar player, has already drained morning in

00:44:07.550 --> 00:44:09.670
a tab. Oh, they cut us off? Yeah, they cut us

00:44:09.670 --> 00:44:11.610
off. Hey, Alex, sounds for me right after watching

00:44:11.610 --> 00:44:13.969
this? Luckily, we still got paid. But anyways,

00:44:14.309 --> 00:44:16.590
we stayed in a room. Mind you, there's six of

00:44:16.590 --> 00:44:20.449
us in one room. Oh, no. So I happen to be next

00:44:20.449 --> 00:44:23.769
to Jason. I don't know. Maybe it's the long hair.

00:44:23.989 --> 00:44:26.630
I don't know. I'm joking. I'm joking, James.

00:44:26.630 --> 00:44:28.510
He's going to kill me at home. But I remember,

00:44:28.510 --> 00:44:34.750
I remember, I remember my cousin saying, let's

00:44:34.750 --> 00:44:37.269
go to the beach. It was just six in the morning.

00:44:37.329 --> 00:44:40.210
I go, no, I'm tired. Well, there's beer in the

00:44:40.210 --> 00:44:42.630
fridge. It was Keystone. You know who that is,

00:44:42.789 --> 00:44:46.389
Isaac Bazin. So I was like, 12 pack? Let's go.

00:44:46.590 --> 00:44:49.849
So we go to the beach. We're drinking. We're

00:44:49.849 --> 00:44:52.900
going live on Facebook. And I'm like, what the

00:44:52.900 --> 00:44:55.599
hell? All right, I think it's time to go back.

00:44:56.820 --> 00:45:01.519
So we go back. I fall asleep wherever I could

00:45:01.519 --> 00:45:03.679
fall asleep. I fall asleep, and I wake up to

00:45:03.679 --> 00:45:09.059
this. Hey, what the fuck? Hey, whoa, whoa, whoa.

00:45:10.219 --> 00:45:14.519
Those aren't pillows. I've never jumped out of

00:45:14.519 --> 00:45:19.519
bed so fast. Not even when I was late for work

00:45:19.519 --> 00:45:24.090
did I jump out of bed. So fast. It wasn't even

00:45:24.090 --> 00:45:25.929
a spoon. It was what you call those spoons when

00:45:25.929 --> 00:45:28.550
you're cooking. His fucking leg went over me.

00:45:28.809 --> 00:45:31.969
And I was like, hey, whoa! I was like, is he

00:45:31.969 --> 00:45:37.090
Sam? I don't know. He said, he said Rosie. Hold

00:45:37.090 --> 00:45:40.070
on. Remember that scene from Obama when he was

00:45:40.070 --> 00:45:41.030
like... I was like, thank you for, you better

00:45:41.030 --> 00:45:44.190
face the wall. I was like, thank you for Rosie.

00:45:44.730 --> 00:45:49.960
You know what? All I heard was... Oh, shoot.

00:45:50.119 --> 00:45:53.400
Sorry, bro. Sorry, sorry, sorry. So I was a pitcher

00:45:53.400 --> 00:45:57.340
that night. So anyway, so yeah, ever since then,

00:45:57.340 --> 00:46:00.579
that's when La Bamba came out. Now, now, if we

00:46:00.579 --> 00:46:03.420
go somewhere. He gets his own room. I get my

00:46:03.420 --> 00:46:06.500
own room. And we get it. Usually we're getting

00:46:06.500 --> 00:46:08.880
an Airbnb now because there's so much easier

00:46:08.880 --> 00:46:11.019
than hotels and everybody kind of seems where

00:46:11.019 --> 00:46:13.400
they want. But I always get my own room now.

00:46:15.199 --> 00:46:18.559
He latches double locks and shit. So mind it.

00:46:18.679 --> 00:46:20.570
Real quick. Let me squeeze this in real quick.

00:46:21.289 --> 00:46:24.050
At the time, my cousin and I were at the beach

00:46:24.050 --> 00:46:28.670
drinking. You know, we get to where we parked.

00:46:28.969 --> 00:46:32.630
I was like, where the fuck is our truck? My truck.

00:46:32.769 --> 00:46:35.849
He's like, I don't know. And I'm like, fuck,

00:46:36.030 --> 00:46:39.130
dude. Well, in the last two minutes, I was like,

00:46:39.210 --> 00:46:40.869
all right, well, let's just go back to our hotel.

00:46:41.789 --> 00:46:44.349
We walked. It felt like a mile to our hotel.

00:46:44.469 --> 00:46:47.469
It really was only a block. We get there and

00:46:47.469 --> 00:46:49.889
we're like, fuck. So we found out where my truck

00:46:49.889 --> 00:46:53.010
was at. It was, they picked it up. It was in

00:46:53.010 --> 00:46:54.650
an area where I was supposed to have it, which

00:46:54.650 --> 00:46:56.429
was weird. Cause I know they are, cause I worked

00:46:56.429 --> 00:46:58.070
in South Ponder Island. Yeah, but you can't park

00:46:58.070 --> 00:47:01.469
anywhere on the SPI. Yeah, now you can't. So

00:47:01.469 --> 00:47:05.250
anyway, so days go by and I'm like, okay, we

00:47:05.250 --> 00:47:07.070
picked up our truck, right? I had to pay 300

00:47:07.070 --> 00:47:10.190
and something. Days go by and I'm like, what

00:47:10.190 --> 00:47:13.730
the hell? How did they take that truck? I mean,

00:47:13.730 --> 00:47:16.409
it was just us. We were only about a hundred

00:47:16.409 --> 00:47:20.480
yards from my truck. So I go back, because remember

00:47:20.480 --> 00:47:23.019
I told you we went live, right? I go back, and

00:47:23.019 --> 00:47:26.340
I'm looking at it, and I'm like, we're all here

00:47:26.340 --> 00:47:28.960
going, yeah, drink it. In the background, they're

00:47:28.960 --> 00:47:33.500
hooking up my chart. They're fucking punting

00:47:33.500 --> 00:47:36.320
it, and they're hooking it up. I need that clip.

00:47:36.679 --> 00:47:40.579
Find that clip for me. It's on my Facebook, but

00:47:40.579 --> 00:47:42.780
like, are you talking about? Oh my god. This

00:47:42.780 --> 00:47:44.400
is the last time we played at Louie's, like,

00:47:44.480 --> 00:47:50.409
nine years ago? That's the only place I had on

00:47:50.409 --> 00:47:53.110
my Facebook, and then I was like, looking at

00:47:53.110 --> 00:47:54.489
the video, it's like, dude, they're taking our

00:47:54.489 --> 00:47:56.530
fucking truck and we're over here chugging beers.

00:47:58.150 --> 00:48:00.909
You can literally see the guy get off the truck,

00:48:01.469 --> 00:48:03.489
having a great morning, drinking his coffee,

00:48:03.769 --> 00:48:05.710
looking at the truck with the lights on, and

00:48:05.710 --> 00:48:08.750
we're like, yeah, yeah, yeah! Hey, man, look

00:48:08.750 --> 00:48:11.190
how big of his truck. and it's three hundred

00:48:11.190 --> 00:48:14.789
and one dollars dollars yes oh wow yeah and we

00:48:14.789 --> 00:48:17.909
had three hundred dollars yes and they fucker

00:48:17.909 --> 00:48:21.130
wouldn't give us to us wow we had to go find

00:48:21.130 --> 00:48:23.690
quarters and shit for the one dollar because

00:48:23.690 --> 00:48:46.449
he wouldn't give us Perfect timing just like

00:48:46.449 --> 00:48:48.650
a movie something. Yeah. Yeah, so when I turn

00:48:48.650 --> 00:48:51.650
around this way to look towards my truck he just

00:48:51.650 --> 00:49:10.099
taking off and I was like God hates people. God

00:49:10.099 --> 00:49:12.860
really, like, a millisecond just to go like this,

00:49:13.019 --> 00:49:15.719
like, hey! You know what? I think it is a blessing.

00:49:16.699 --> 00:49:19.840
No, I would have gotten arrested. Exactly. Exactly.

00:49:19.980 --> 00:49:22.019
I think it is a blessing. Someone would look

00:49:22.019 --> 00:49:25.159
it out for you. Except for that one dollar. One

00:49:25.159 --> 00:49:28.280
dollar. That guy was such a jerk. He was like,

00:49:28.460 --> 00:49:30.800
no, you need a dollar. Come on, man. It's just

00:49:30.800 --> 00:49:32.800
a dollar, man. No? He didn't want to let us go.

00:49:32.980 --> 00:49:36.889
Wow. I've got a question for you. Uh oh, here

00:49:36.889 --> 00:49:39.269
we go. Yeah, yeah. Here we go. Have you ever

00:49:39.269 --> 00:49:42.510
been to a Bucking Crazy show? No. Actually, yes.

00:49:42.670 --> 00:49:44.969
You have? Yes, I have. No, I'm talking about

00:49:44.969 --> 00:49:47.269
a real Bucking Crazy. Oh, a real Bucking Crazy

00:49:47.269 --> 00:49:51.010
show? No. That's a real Bucking Crazy. The other

00:49:51.010 --> 00:49:52.710
one was just a step down. The only Bucking Crazy

00:49:52.710 --> 00:49:54.650
I've gone to is when you guys played in Downtown

00:49:54.650 --> 00:49:59.440
Donna at that festival, Heather. Oh, yeah. And

00:49:59.440 --> 00:50:03.900
I'm only a block away from there, so I hear Roy's

00:50:03.900 --> 00:50:07.579
voice. Roy's voice, you can recognize Roy's voice.

00:50:08.059 --> 00:50:09.679
No, it goes, where you going? I grab back, but

00:50:09.679 --> 00:50:12.440
it's like a moth on a light, dude. I know this

00:50:12.440 --> 00:50:20.739
voice. It's so pretty! Stop it! So I head out

00:50:20.739 --> 00:50:22.019
there, I go out there, I'm walking out there,

00:50:22.059 --> 00:50:24.340
and I see you got your phone. And the crowd,

00:50:24.519 --> 00:50:27.739
the crowd. You guys have a fan base, bro. I'm

00:50:27.739 --> 00:50:29.980
not gonna lie, you guys have an awesome fan base.

00:50:30.280 --> 00:50:32.099
And you can see it on the, even on that video

00:50:32.099 --> 00:50:34.300
you take, they took there at the Campana when

00:50:34.300 --> 00:50:36.659
you're doing the karaoke, there's so many people

00:50:36.659 --> 00:50:40.239
with cameras just taking pictures. I go, bro,

00:50:40.380 --> 00:50:42.019
I mean, when you see that happening around you,

00:50:42.119 --> 00:50:43.619
you're doing karaoke, people know who you are

00:50:43.619 --> 00:50:47.210
already. I mean, doesn't that... Like, shit.

00:50:47.769 --> 00:50:50.849
I'm there. I'm right there. It's amazing, man.

00:50:50.989 --> 00:50:53.230
You know, when stuff like that happens, it's

00:50:53.230 --> 00:50:56.809
like, it takes me back. And all this anger I

00:50:56.809 --> 00:50:58.670
have towards me when I'm like, and I talk to

00:50:58.670 --> 00:51:00.429
Jason about it, I was like, man, I'm done with

00:51:00.429 --> 00:51:04.349
this. You can't please the crowd. Or when you're

00:51:04.349 --> 00:51:06.489
trying your best, they bring you down. It's like,

00:51:06.610 --> 00:51:08.150
nah, nah. You know what? You know, I mentioned

00:51:08.150 --> 00:51:10.909
the Valley's one of the toughest markets to...

00:51:10.909 --> 00:51:13.409
It'll break you. You know, they can lift you

00:51:13.409 --> 00:51:16.400
up. and build you up and be your number one supporter,

00:51:16.860 --> 00:51:19.619
but at the same time, they'll rip your ass out.

00:51:20.880 --> 00:51:22.880
And serve a tea on a platter. Yeah, serve a tea

00:51:22.880 --> 00:51:28.079
on a platter. Not even. Shit. So we've walked

00:51:28.079 --> 00:51:30.699
the line a few times and teeter tottered here

00:51:30.699 --> 00:51:32.519
and there and pissed some people off, I'm sure.

00:51:32.519 --> 00:51:36.579
Right. But, you know... For the most part, the

00:51:36.579 --> 00:51:40.539
fans are loyal and they support us and we feel

00:51:40.539 --> 00:51:43.000
it. And we love it, getting on stage here in

00:51:43.000 --> 00:51:46.719
the Valley and feeling the love. And you talk

00:51:46.719 --> 00:51:48.679
about the fans, because I know one particular

00:51:48.679 --> 00:51:52.860
guy right now. I know he's a fan and also an

00:51:52.860 --> 00:51:54.840
artist himself. I know you took a picture with

00:51:54.840 --> 00:52:00.840
him. This is Sean Mecca. Oh, I know him. He reminds

00:52:00.840 --> 00:52:02.920
me so much of you, man, because he started young

00:52:02.920 --> 00:52:05.789
and he's working himself up. You know what he's

00:52:05.789 --> 00:52:07.809
doing. He's doing great. I know he's actually

00:52:07.809 --> 00:52:10.050
gonna be on the road. I think this weekend, my

00:52:10.050 --> 00:52:11.349
little brother was telling me they're performing

00:52:11.349 --> 00:52:13.250
up in San Antonio. I'm not sure where else. Yeah,

00:52:13.250 --> 00:52:21.789
San Antonio. Yeah, so baby cakes. No, but when

00:52:21.789 --> 00:52:25.110
you get young, town like that come up to you.

00:52:25.150 --> 00:52:28.110
I mean, what's to you guys? What's the feeding

00:52:28.110 --> 00:52:32.340
like, man? You know for me it's great and and

00:52:32.340 --> 00:52:34.699
a lot of times people come and ask hey, man How

00:52:34.699 --> 00:52:36.559
do we do this or how do we do that or how'd you

00:52:36.559 --> 00:52:39.119
get here? How'd you get there? You know the biggest

00:52:39.119 --> 00:52:41.619
advice I'd give a lot of to the young folks is

00:52:41.619 --> 00:52:43.559
it's know your worth man Don't don't do it away

00:52:43.559 --> 00:52:47.400
for free right? There's so many promoters and

00:52:47.400 --> 00:52:49.239
venues out there trying to take advantage of

00:52:49.239 --> 00:52:51.460
the artists You know that you know what they're

00:52:51.460 --> 00:52:53.340
they're in business to right they're trying to

00:52:53.340 --> 00:52:55.880
make some money I also and but there's the right

00:52:55.880 --> 00:52:58.619
way to do things so I always tell the young guys,

00:52:59.500 --> 00:53:03.679
don't sell yourself short, charge. There's equipment,

00:53:04.480 --> 00:53:07.179
there's time. People don't know what it takes

00:53:07.179 --> 00:53:09.880
to put on a show. Exactly, exactly. They think

00:53:09.880 --> 00:53:12.039
it's just get in and get up and play and leave,

00:53:12.280 --> 00:53:16.900
and it's not. A show is days of preparation and

00:53:16.900 --> 00:53:20.360
practice and thousands of dollars of equipment.

00:53:22.079 --> 00:53:24.699
I always tell the young guys, don't. Don't play

00:53:24.699 --> 00:53:27.739
for exposure, man. Yes, you think you need exposure,

00:53:27.780 --> 00:53:32.480
but you don't have to. Avoid it if you can. That's

00:53:32.480 --> 00:53:34.800
the advice I always give to the young guys. So

00:53:34.800 --> 00:53:38.420
like I said, Sean took a picture with you. I

00:53:38.420 --> 00:53:42.699
know you can tell when Sean takes... Yeah, go

00:53:42.699 --> 00:53:45.199
ahead. Oh, actually, there's one right there

00:53:45.199 --> 00:53:48.639
so you can... Okay, never mind. Seeing the way

00:53:48.639 --> 00:53:50.960
Sean's expression when he's taking the picture,

00:53:51.079 --> 00:53:53.380
I mean, what is your... What advice can you give

00:53:53.380 --> 00:53:55.960
somebody like that, Roy? I mean, come up to Sean.

00:53:57.179 --> 00:53:59.360
Man, he's doing it, man. I mean, there's not

00:53:59.360 --> 00:54:03.519
much I can give him. He's pretty much in his

00:54:03.519 --> 00:54:06.599
songs that I've learned. I work out to his music.

00:54:06.639 --> 00:54:10.780
I love his music. Listen to it every day. And

00:54:10.780 --> 00:54:14.400
I love his message. There was one of them that

00:54:14.400 --> 00:54:19.900
said he's from Texas. And that's what caught

00:54:19.900 --> 00:54:25.019
me. And Jason showed me, I think it was, may

00:54:25.019 --> 00:54:29.340
John rest in peace, we're at his funeral. And

00:54:29.340 --> 00:54:31.079
he said, hey man, I've been thinking about maybe

00:54:31.079 --> 00:54:34.340
collaborating. And then we went to Nashville

00:54:34.340 --> 00:54:36.739
and then we recorded one song and I was like,

00:54:36.900 --> 00:54:40.639
this should be the song. And he says, yeah, I

00:54:40.639 --> 00:54:43.199
already reached out to him on that. He's doing

00:54:43.199 --> 00:54:47.360
everything right, man. But yeah, no, you just

00:54:47.360 --> 00:54:50.159
gotta have a. You got to have thick skin. I didn't

00:54:50.159 --> 00:54:52.900
have thick skin. I think I've gained it now.

00:54:53.639 --> 00:54:57.519
Yeah, for the last few years. I would get so

00:54:57.519 --> 00:54:59.980
butthurt for it. Oh, man. Oh, you sound like

00:54:59.980 --> 00:55:03.579
shit. Now it's like, well, you're the one that's

00:55:03.579 --> 00:55:07.820
drunk. So I think I sound pretty good. But, but,

00:55:08.239 --> 00:55:10.119
you know, just just get out there, put up with

00:55:10.119 --> 00:55:13.900
the punches and just be humble. That's it, man.

00:55:14.000 --> 00:55:17.719
But Sean. Shout out to my boy, Sean. He just

00:55:17.719 --> 00:55:21.079
played with Hank Williams' grandson. We played

00:55:21.079 --> 00:55:23.420
with him in missions. I'm waiting for the call,

00:55:23.719 --> 00:55:26.480
Sean. I'm still waiting. Sean? What's up, Sean?

00:55:27.900 --> 00:55:31.019
I'm supposed to be collaborating on this. He's

00:55:31.019 --> 00:55:34.719
too busy performing. I'm a big fan of Sean. Check

00:55:34.719 --> 00:55:38.239
him out, Sean Mecca. He's got Texas Heat. He's

00:55:38.239 --> 00:55:42.280
got... Tasted tequila. Just he's got some good

00:55:42.280 --> 00:55:45.239
music. Yeah, and he's a very nice guy So I went

00:55:45.239 --> 00:55:48.519
around man is from you know from his early stuff

00:55:48.519 --> 00:55:52.099
to now It's totally totally different sounds

00:55:52.099 --> 00:55:55.840
which yeah I mean the last couple of my brother

00:55:55.840 --> 00:55:57.920
shows me a giant little Shonda this time and

00:55:57.920 --> 00:56:00.559
she doesn't go bro. He's switching gears He's

00:56:00.559 --> 00:56:02.739
on it man. Yeah, I want to go see him at the

00:56:02.739 --> 00:56:06.699
island about three weeks ago I think and I got

00:56:06.699 --> 00:56:10.130
to see it live for myself I fell in love with

00:56:10.130 --> 00:56:13.969
it, man. Wow, got to meet him, cool guy. I was

00:56:13.969 --> 00:56:16.690
like, man, we need to collaborate, and maybe

00:56:16.690 --> 00:56:19.550
in the future we will, right? But he's doing

00:56:19.550 --> 00:56:21.250
everything right, man. He's a humble guy. He's

00:56:21.250 --> 00:56:25.690
a good guy. I just hope nothing but the best

00:56:25.690 --> 00:56:27.969
for him. Jen, I have another question here. What

00:56:27.969 --> 00:56:30.510
is a country artist you all would like to open

00:56:30.510 --> 00:56:35.710
up for? Alyssa, are you drinking? I'm drinking.

00:56:40.500 --> 00:56:44.179
What? That's a good one. I don't know. I mean,

00:56:44.440 --> 00:56:49.199
Garth Brooks. Garth Brooks. Garth Brooks? No,

00:56:49.719 --> 00:56:52.860
no. Jay's like, oh. Sounds like a lot of beers

00:56:52.860 --> 00:56:55.860
you're gonna have to take for that one. I don't

00:56:55.860 --> 00:56:59.820
know. I mean, Morgan Wallin? Maybe Morgan. Morgan's

00:56:59.820 --> 00:57:02.480
badass. I love Morgan. Morgan's cool. Morgan,

00:57:02.599 --> 00:57:04.659
I don't know. We're not into the new country.

00:57:04.820 --> 00:57:07.940
Right. What do you call it? Bro country? You

00:57:07.940 --> 00:57:13.320
know, it'd be cool for somebody like, if Cross

00:57:13.320 --> 00:57:19.539
Canadian or Ragweed. Oh! Or, you know... Well,

00:57:19.539 --> 00:57:23.360
that'll be this Saturday. Well, it's Cody. Yeah.

00:57:24.099 --> 00:57:26.599
It's Herb Pike Trevadors. That's another band

00:57:26.599 --> 00:57:28.360
I've looked up. You know, some of the more folk

00:57:28.360 --> 00:57:31.119
bands, Americana bands, those are cool. I'd like

00:57:31.119 --> 00:57:36.750
to do that. Whiskey Meyers? Whiskey Meyers. This

00:57:36.750 --> 00:57:41.530
guy's like... Let me tell you. For those of you

00:57:41.530 --> 00:57:44.389
who don't know what that is. It's burnt tongue.

00:57:45.710 --> 00:57:49.750
I was introduced to Whiskey Meyers because of

00:57:49.750 --> 00:57:53.030
Jason. Jason. I heard a couple songs, I just

00:57:53.030 --> 00:57:56.269
didn't know what it was. But man, Whiskey Meyers,

00:57:56.590 --> 00:58:02.409
wow. Amazing, man. Amazing. Cody Jinx. Cody Jinx.

00:58:02.510 --> 00:58:05.690
Of course, he sells on stadiums. Yeah. Man. And

00:58:05.690 --> 00:58:08.309
he has nothing on radio. He's just coming around.

00:58:08.309 --> 00:58:10.710
Oh, I know who. I know who I would want to open

00:58:10.710 --> 00:58:15.070
up for. Blackberry Smoke. Oh. These are, I mean,

00:58:15.489 --> 00:58:18.590
your names are like wild. Blackberry Smoke. Look

00:58:18.590 --> 00:58:20.329
those up after we get off the pot at the club.

00:58:20.329 --> 00:58:22.349
Oh, you're going to love it. Yeah. You're going

00:58:22.349 --> 00:58:31.119
to go, hey. My turn. Are you crazy? What? When

00:58:31.119 --> 00:58:33.980
you hear all of our music coming out in the next

00:58:33.980 --> 00:58:36.739
year, you're going to say, oh, that's why they're

00:58:36.739 --> 00:58:38.400
influenced. When should we expect this album

00:58:38.400 --> 00:58:41.179
to drop? Well, we started the album. No question.

00:58:41.440 --> 00:58:44.179
I don't even know. Right before COVID, that's

00:58:44.179 --> 00:58:45.800
how long we've been working on it, four or five

00:58:45.800 --> 00:58:49.719
years. So we've got four songs down, and we've

00:58:49.719 --> 00:58:52.260
got another four in pre -production. I would

00:58:52.260 --> 00:58:54.800
say by the end of the year, if we can stay on

00:58:54.800 --> 00:59:00.239
schedule. Cool, man. Guys, we're an hour into

00:59:00.239 --> 00:59:01.500
the pocket. Like I said, when you're rolling,

00:59:02.019 --> 00:59:05.000
you're rolling, baby. You're rolling. But I know

00:59:05.000 --> 00:59:09.320
you brought a guitar. A guitar? We brought a

00:59:09.320 --> 00:59:13.739
guitar! It's a two -by -four with a few strings

00:59:13.739 --> 00:59:19.739
in it. But guys, forgive me for the sound to

00:59:19.739 --> 00:59:20.980
see who picks it up, because I know these mics

00:59:20.980 --> 00:59:23.630
tend to... in and out on as far as like acoustic

00:59:23.630 --> 00:59:26.329
play so we're gonna try our best to i'm gonna

00:59:26.329 --> 00:59:28.409
clean it up as best as possible but uh guys i

00:59:28.409 --> 01:01:43.929
give you uh unplugged but crazy We'll start with

01:01:43.929 --> 01:01:59.849
Jason. Jason, once years roll by, you guys continue

01:01:59.849 --> 01:02:02.369
your success and what you guys are doing, and

01:02:02.369 --> 01:02:05.650
it's all said and done, what do you want to be

01:02:05.650 --> 01:02:10.909
remembered by? Good one. Yeah, so for me, that's

01:02:10.909 --> 01:02:15.710
easy. I'd want to be remembered as one of the

01:02:15.710 --> 01:02:19.849
hardest working guys in the music industry. Starting

01:02:19.849 --> 01:02:24.369
from nothing and building something great. You

01:02:24.369 --> 01:02:27.349
know, treating people right. And, of course,

01:02:27.469 --> 01:02:30.710
my footprint would be the songwriting that I've

01:02:30.710 --> 01:02:34.070
been doing. That stuff's for eternity, man. It's

01:02:34.070 --> 01:02:37.349
out there forever. And it hits you once you hear

01:02:37.349 --> 01:02:41.730
it on the radio and you say, hey, that's mine.

01:02:42.210 --> 01:02:46.849
And it's there forever. So yeah, that's my legacy.

01:02:47.929 --> 01:02:49.949
And that's what I want my kids and my grandkids

01:02:49.949 --> 01:02:52.030
to be able to say when I'm far and gone, hey,

01:02:52.050 --> 01:02:54.429
that's my grandfather. Right, exactly. Or my

01:02:54.429 --> 01:02:58.130
grandfather did that. That's me. That's you,

01:02:58.210 --> 01:03:01.230
Roy? Oh, man. Pretty much the same thing, man.

01:03:03.090 --> 01:03:07.650
That's it. Bye. Pretty much the same thing. He

01:03:07.650 --> 01:03:10.670
took the words out of my mouth. We just want

01:03:10.670 --> 01:03:14.880
to be known as the man who tried and succeeded

01:03:14.880 --> 01:03:18.679
and just, you know, just like you said, you heard

01:03:18.679 --> 01:03:21.980
my voice and Donna, and you said, that's Roy,

01:03:22.260 --> 01:03:24.599
I gotta go check him out. That's all we want,

01:03:24.679 --> 01:03:28.679
you know. We just wish the best for everybody.

01:03:28.800 --> 01:03:30.340
I know we're all going through hard times right

01:03:30.340 --> 01:03:35.579
now, this time, but we wish the best for everybody.

01:03:36.280 --> 01:03:38.300
And if you don't mind, I'd like to give a shout

01:03:38.300 --> 01:03:43.909
out to Pure Films. And sweet, who was it, sweet

01:03:43.909 --> 01:03:47.809
photography? Sweet Isaac, what's his name? Oh

01:03:47.809 --> 01:03:50.489
yeah, Sweet Life. Sweet Life. Thank you so much

01:03:50.489 --> 01:03:52.289
for what you do, but not just for Bug Crazy,

01:03:52.829 --> 01:03:54.769
but for all the local artists, man. You go out

01:03:54.769 --> 01:03:58.050
there and they donate their time. You know, they

01:03:58.050 --> 01:04:02.769
give you top quality printouts and video and

01:04:02.769 --> 01:04:05.389
they don't get anything out of it. So shout out

01:04:05.389 --> 01:04:09.730
to them. But just always remember. When you think

01:04:09.730 --> 01:04:13.210
of Donna, Texas or the real Grand Valley, it's

01:04:13.210 --> 01:04:16.449
fucking crazy, baby. Man, yeah. Guys, social

01:04:16.449 --> 01:04:18.349
media pages where they can follow both of y 'all.

01:04:18.409 --> 01:04:23.710
Start with Roy. Roy Torres on Facebook and Instagram.

01:04:24.889 --> 01:04:28.329
Jason Moreno on Facebook and Instagram and...

01:04:28.329 --> 01:04:30.250
Yeah, don't follow me personally. You can follow

01:04:30.250 --> 01:04:34.619
the boys. I fucked up already. Sorry. Hey, like

01:04:34.619 --> 01:04:37.019
this, get a shot of me like this. Or go to our

01:04:37.019 --> 01:04:39.400
website. Get a shot of me real quick. Get a shot

01:04:39.400 --> 01:04:46.539
of me. There you go. Bucketcrazymusic .com has

01:04:46.539 --> 01:04:48.480
all our links, all our music, all our videos.

01:04:48.559 --> 01:04:50.500
You can see all our shows, our calendar there.

01:04:51.320 --> 01:04:53.840
And soon, soon to open up soon, we'll be our

01:04:53.840 --> 01:04:55.960
merchandise shop guys as well, so. Yeah, I actually

01:04:55.960 --> 01:04:58.320
had somebody here, it's the, where Jizzy got

01:04:58.320 --> 01:05:01.280
me as merch. I saw that, it's Martin. Asking...

01:05:01.289 --> 01:05:04.510
I still need a fucking crazy shirt. Oh, is that

01:05:04.510 --> 01:05:08.389
Jessica? Jessica, shout out to Jessica. OK, so

01:05:08.389 --> 01:05:11.289
real quick before we leave, when I was married

01:05:11.289 --> 01:05:14.329
back in the day, she was my cunha. Shout out

01:05:14.329 --> 01:05:16.130
to Jessica. There you go. She's in Colorado.

01:05:16.230 --> 01:05:20.190
She's like, shh. Too bad. Shout out to Jessica.

01:05:20.590 --> 01:05:23.030
Oh, I saw she had one of your shirts. Yes, she

01:05:23.030 --> 01:05:25.190
actually won the contest. And also, you're Rob.

01:05:36.009 --> 01:05:39.909
We got exclusive video of Mr. Rob Romero. If

01:05:39.909 --> 01:05:42.190
you would like to see it, we can show it. Of

01:05:42.190 --> 01:05:46.929
him being Peter North? No. Rob, you better behave,

01:05:47.110 --> 01:05:49.349
bro. I got some videos. I'll show you right after

01:05:49.349 --> 01:05:52.909
we're done here. Rob, I know we were trying secretly

01:05:52.909 --> 01:05:56.889
to get those pictures from striptease. Send them

01:05:56.889 --> 01:06:02.480
to me. I got your back. A few months ago. I got

01:06:02.480 --> 01:06:04.980
your back, buddy. Hey, buddy, you know what?

01:06:05.000 --> 01:06:08.380
Real quick, man, a shout out to all the local

01:06:08.380 --> 01:06:13.760
artists. Midnight Run, you got Tony Perez, Rustic

01:06:13.760 --> 01:06:18.179
Rose, Brody Rivers, all the local artists. Thank

01:06:18.179 --> 01:06:20.860
you, man. We've shared the same stage. You're

01:06:20.860 --> 01:06:23.239
great, guys. Bless your heart, man. Keep doing

01:06:23.239 --> 01:06:25.139
what you're doing, man. There you go, man. There

01:06:25.139 --> 01:06:26.699
you go. Man, first thing I want to say is thank

01:06:26.699 --> 01:06:29.400
you guys for coming out. having a little fun

01:06:29.400 --> 01:06:31.219
with me here to give you an hour, eight minutes

01:06:31.219 --> 01:06:34.719
in, which rarely go past a one hour mark. Really?

01:06:34.900 --> 01:06:37.039
I'm sorry. I don't know. I don't mind this, man,

01:06:37.139 --> 01:06:38.880
because I mean, it's like I said, I haven't seen

01:06:38.880 --> 01:06:41.539
you in a minute, bro. It's been a while, you

01:06:41.539 --> 01:06:48.889
know, and not before. We can make a part two,

01:06:49.489 --> 01:06:53.090
man. I know, I know the invitation. I know you

01:06:53.090 --> 01:06:55.429
said that whenever I have, fortunately, Chu can't

01:06:55.429 --> 01:06:57.349
show up, I can actually have you come on. Maybe

01:06:57.349 --> 01:06:59.329
I might bring you on when I bring Shawn Mekka.

01:06:59.389 --> 01:07:02.469
So you can actually toss some questions out here.

01:07:03.489 --> 01:07:05.969
And I got Rob saying, like, when are you going

01:07:05.969 --> 01:07:10.389
to write your part of the song? Shit, shit, and

01:07:10.389 --> 01:07:21.219
oh boy. No, but yeah, like I said that doors

01:07:21.219 --> 01:07:23.679
all the way you guys ever want to come back and

01:07:23.679 --> 01:07:26.059
promote more events that are coming up your way.

01:07:26.219 --> 01:07:27.960
Thank you. Give me a heads up. I'd gladly make

01:07:27.960 --> 01:07:29.980
space for you guys and come on in and do your

01:07:29.980 --> 01:07:31.820
thing again, man. I appreciate you guys coming

01:07:31.820 --> 01:07:35.099
out. Keep doing what you're doing, man. Thank

01:07:35.099 --> 01:07:40.179
you so much. I know my camera's really out of

01:07:40.179 --> 01:07:48.940
focus. Look at me. Guys, great podcast today.

01:07:49.099 --> 01:07:50.320
Unfortunately, Chiu wasn't here. Hopefully, now

01:07:50.320 --> 01:07:52.559
that the elevator is working, we will have him

01:07:52.559 --> 01:07:55.079
back on the podcast in two weeks, because the

01:07:55.079 --> 01:07:56.559
next podcast is going to be spread out a little

01:07:56.559 --> 01:07:59.099
bit. So, but other than that, man, that is the

01:07:59.099 --> 01:08:00.820
podcast for the night. Thank you so much to Bucking

01:08:00.820 --> 01:08:04.219
Crazy, Ray Torres, and Jason Moreno on the podcast

01:08:04.219 --> 01:08:07.340
today. A lot of fun, a lot of reminiscing of

01:08:07.340 --> 01:08:10.389
the 90s. I need to let that one out because that

01:08:10.389 --> 01:08:14.269
was era. Yes. That's part one. We still need

01:08:14.269 --> 01:08:16.970
four other parts, Mark. Trust me, we're going

01:08:16.970 --> 01:08:19.869
to get the other four parts there. We went to

01:08:19.869 --> 01:08:21.609
go play in San Antonio, I know you're wrapping

01:08:21.609 --> 01:08:23.430
up, but we had to play in San Antonio, and we

01:08:23.430 --> 01:08:27.489
had more 90s people there than we had a show

01:08:27.489 --> 01:08:29.270
here locally. And you're gonna see that for the

01:08:29.270 --> 01:08:30.890
next episode when you guys come back here, because

01:08:30.890 --> 01:08:33.229
I wanna hear that story. Ladies and gentlemen,

01:08:33.670 --> 01:08:35.829
thank you once again for tuning in tonight. Next

01:08:35.829 --> 01:08:39.069
week, Monday, 7 .30, I got El Cacahuate, we'll

01:08:39.069 --> 01:08:41.069
be sitting right here with Mooncrat, and we're

01:08:41.069 --> 01:08:43.289
gonna talk about that stage dive he did 30 feet

01:08:43.289 --> 01:08:47.140
high into no ring on three guys. Sound like a

01:08:47.140 --> 01:08:48.859
porno already? That's what you're crazy about

01:08:48.859 --> 01:08:50.699
right there, dude. That's the guy you need on

01:08:50.699 --> 01:08:52.300
stage. He's nice for you. Ladies and gentlemen,

01:08:52.340 --> 01:08:54.159
thank you so much, and we will see you next week,

01:08:54.319 --> 01:08:56.920
7 .30 sharp. Ladies and gentlemen, peace out.