WEBVTT

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hey everyone got a little something special for

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you today something a little different we don't

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normally do these but fear daily was kind enough

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to offer to do a uh feed swap with us so that's

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what's going on today so for those of you who

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don't know fear daily is the brand new retro

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horror show uh written by brendan store of the

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ghost story guys and narrated by brendan schecksnyder

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uh he's the creator of southern gothic And basically

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what it is, every day from Monday to Friday,

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Fear Daily, they bring you two new stories of

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hauntings, monsters, and cults all from the 1990s

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or before. Some of them may even be true, you

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know, if you know where to look. Now with most

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episodes, they're probably around like 25 minutes

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or less. So if you're looking for like just some

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like bite -sized daily horror, definitely check

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out Fear Daily. If you want to find out where

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to follow them, what they're all about, you can

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find a link in the episode description. So with

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that out of the way, enjoy. When the internet

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began, bulletin board services, or BBS, became

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the first online communities of the so -called

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information superhighway. Using their phone lines,

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people logged in from all over America to talk

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about sports, games, movies, and on one BBS in

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particular, share their ghost stories. Over time,

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those communities all went dark, except for one.

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lone server that continues to operate somewhere

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in an unknown part of Pennsylvania's Rust Belt.

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A relic of the 1990s, veiled in mystery, it is

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a digital archive of humanity's strangest encounters

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with the unknown, as told by the people who experienced

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them. My name is Brandon Schechsneider, and you

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are listening to Fear Daily. Subject, together.

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User, alt melody. Posted, August 9th, 1998. From

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the ages of 11 to 14, I used to have to spend

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summers at my aunt's house in Great Neck. It

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wasn't by choice, not that kids that age get

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a whole lot of choice in how their affairs are

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managed. My mom looked after me for the rest

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of the year while working full -time, so I guess

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she figured it was a way for her to get a little

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time off without having to take me out of school.

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She probably also worried about the kind of things

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I'd get up to if I was left alone in the city.

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It makes sense to me now that I've got a little

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distance from it. Back then, I hated it. In the

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run -up to the holiday, my friends would talk

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about the things they were going to do together,

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seeing Madonna and Bon Jovi at the garden or

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having sleepovers. And what did I have to look

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forward to? Piano lessons and walks along Manhasset

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Bay with Aunt Amy. It wasn't that it was torture

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or anything. It just wasn't Madonna. I never

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minded going there with Mom for Christmas because

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not as much was happening at home when my friends

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would disappear into the cocoon of their family

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lives for a couple weeks. Besides, Aunt Amy had

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lived alone since Uncle David died in 1975, and

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even a selfish teenager knew you didn't leave

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family alone on the holidays. They had a beautiful

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house across from Plum Point with big windows

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that looked out over the water. Sometimes at

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night, the three of us would all just sit there

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in the living room with lights off, Aunt Amy

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playing David's favorite songs on the piano while

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outside snowflakes blanketed the bay. This past

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Christmas, we got a call from the Great Neck

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Police to let us know that Aunt Amy had passed.

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The piano had been a focal point of her life,

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so I suppose it's only fitting she died sitting

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there, her hands resting on the polished ivory

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keys. Being in Amy's house without her there

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wasn't as strange as I had expected. At least

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once during every visit should run out to what

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had been David's favorite deli on Middle Neck

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Road and bring back dinner. Standing in the living

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room with Mom as the afternoon light faded, I

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half expected her to walk in, shaking the snow

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from her hair. Of course, she was never going

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to walk back in there again. The kitchen was

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empty, countertops wiped clean before her heart

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had given out. Mom and I couldn't bring ourselves

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to touch Amy's belongings that first day. Instead,

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we decided to have a meal in her honor. The deli

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is still there, so we ordered the same thing

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she always used to. A pound of turkey, a pound

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of roast beef, a dozen slices of seeded rye,

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gravy. The elderly man behind the counter looked

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up from where he was writing our bill. He knew

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exactly who we were and offered his condolences.

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When our order was bagged and ready, he held

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his finger like he'd forgotten something. He

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kneeled down out of sight, knees popping audibly,

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and when he came back up, there was a can of

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baked beans in his hand. Sometimes, he said,

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David used to like beans. No charge. Back at

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the house, Mom and I ate silently in the high

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-ceilinged kitchen. We'd made it back just ahead

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of the blizzard the radio had been threatening

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all day, and Now, wind howled at the double -paned

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windows. Once dinner had been finished and the

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leftovers packed up, we turned off the pot lights

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above the kitchen aisle and plunged the house

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into total darkness. Together, we went into the

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living room and sat on the bay window's long

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bench seat to watch the storm. I leaned my head

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back against Mom's chest, listening to the tick

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of the clock. I miss her. Mom wrapped her arm

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around me. Me too, baby. We cried ourselves to

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sleep. I had a dream. In it, I was laying on

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the bench seat in Aunt Amy's living room as wind

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whipped thick snowflakes back and forth across

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the bay. Next to me, I could feel the rhythmic

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rise and fall of Mom's chest as she slept. Behind

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us, Aunt Amy was playing Leo Ornstein's A Morning

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in the Woods. My chest clenched with emotion,

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and the tears came again. Wiping them away, feeling

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the hot liquid against my fingertips, I realized

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it wasn't a dream. I was wide awake, but the

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music... continued to play. I so desperately

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wanted to look behind me to know if Aunt Amy

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was there, sitting at her piano the way she always

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had. Something told me not to turn, that to see

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would be to bring this moment to an end, and

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I knew I didn't want that. Instead, I lay back

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on Mom, who shifted against me, getting comfortable

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again. Could she hear the music too? Would she

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remember it all as a dream? I'd never ask. I

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breathe deeply, letting the music fill the silence

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as the three of us watch the snow fall one last

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time. Subject, gumdrops. User, quiet witness.

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Posted, October 3rd, 1996. The parking lot was

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full of media vans this morning. A pack of blow

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-dried hairdos trying to get as close to the

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apartment building as the police cordon would

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allow. Word had spread quick. The gumdrop killer

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strikes again. This time, he left behind more

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than his usual locked -door mystery. He left

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behind a living victim. Cops hated the whole

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gumdrop killer name, so the fact it was their

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own fault is kind of funny. After details of

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the first couple killings broke in the news,

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Residents of high -rise apartment towers found

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dead in their beds, poisoned by an unknown toxin,

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their eyeballs missing. A reporter from the Times

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had managed to catch one of the lead detectives

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when he was half in the bag. The reporter asked

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if the police had any idea what the killer wanted

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with the victim's eyes, to which the annoyed

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cop responded, Maybe he eats them like fucking

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gumdrops, I don't know. The rest was history.

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Who am I? I'm nobody, unless you're a fan of

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comic books, in which case you might recognize

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my name as the anchor on one of your semi -favorite

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series. If you're not familiar with my business,

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an anchor is someone who interprets the original

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artist's graphite work in, you guessed it, ink.

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There's more to it, but I'm not here to give

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lessons on the finer points of the comic book

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industry. You've got Kevin Smith for that. I'm

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here because... I'm one of only two people alive

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who's seen the gumdrop killer. No, this isn't

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a confession. I'm not a killer of anything. It's

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hard for me to swat flies, since I've always

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figured they've got as much right to be around

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as I do. Lord knows, Lord knows, I wouldn't have

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made it out of short pants if the rules allowed

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for beating me to death as soon as I got annoying.

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The detective who interviewed me till sunup asked

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me not to speak to the media, and I won't. The

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last thing I need is that kind of attention.

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The only reason I'm posting this here is because

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if anything happens to me, I like the idea of

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my story not getting buried in some cardboard

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box at an LAPD lockup. Why would anything happen

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to me? Because the gumdrop killer saw me too,

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and... I'm not convinced the cops can do much

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against something like that. I'll start at the

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beginning. I moved into this a year ago after

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one of my dates pointed out that an invitation

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back to the house a grown man shared with his

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mother was always going to get an automatic no.

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It's a two -bed, two -bath, and a 20 -story new

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build, so I'm the first person to live in my

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apartment, same as my neighbors and theirs. The

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Comstocks, the couple visited by Gumdrop last

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night, had only bought their place last month.

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I hadn't met them before last night when I watched

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him die as something barely human plucked out

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his eyes. The thing about living in a modern

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building like this is that everything looks the

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same. Same carpet on every floor, same gray paint

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on the walls, even the same apartment numbers

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just with a two -digit prefix beforehand to denote

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the floor number. I'm 1020, my neighbor is 1022,

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and so on. The Comstocks have, or at least had,

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apartment 1122. One floor above me. That's why

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when I stumbled out of a cab into the lobby of

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our building last night and hit the button for

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11 instead of 10, I didn't notice for a while.

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You know that feeling when you've really got

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a load on, like your field of vision narrows

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to a point and all you can do is move toward

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that point. It doesn't matter if you're on a

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crowded street with cars whizzing past. The only

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thing you see is what's at the end of that tunnel.

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A burrito cart, a bathroom, some poor woman who

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hopefully spots you before you can bother her

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with your idiot drunkenness. That's where I was

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last night. Completely moved on Singapore slings

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and desperate to get into my place so I could

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take a leak. I weaved my way down the featureless

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hallway, saw a 20, and went for the doorknob.

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The competing interests of gin and a need to

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urinate completely bypassed any thought of a

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key, and walking into a darkened apartment laid

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out exactly like my own meant I didn't see anything

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to suggest I was anywhere but home. Inside the

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bathroom, I... Flicked on the light, and halfway

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through a deeply gratifying piss, it occurred

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to me that someone had redecorated in the few

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hours I'd been gone. There was potpourri on the

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toilet tank instead of stacked up issues of Wizard,

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and the bar of soap next to the taps was a bright

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pink instead of the hairy white bar of Dove that

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did double duty between my shower and sink. Nothing

00:14:23.570 --> 00:14:27.710
will cut through a gin fog like panic, and that's

00:14:27.710 --> 00:14:32.509
exactly what I felt in that moment. This wasn't

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my apartment. I had just broke and entered. Well,

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I didn't break anything, but I doubt the cops

00:14:39.950 --> 00:14:42.389
would be that discerning when they laid charges.

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My stream finally reduced to a trickle. I wondered

00:14:48.000 --> 00:14:49.860
about the etiquette of flushing while committing

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burglaries, and that's when I heard sounds coming

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from next door, the bedroom going by the layout

00:14:56.919 --> 00:15:00.879
of my own home. First, I thought it was people

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fucking, so I listened a little more. It's been

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a while since I've had feminine company, but

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even drunk me knew that the process didn't sound

00:15:11.279 --> 00:15:14.940
like what I was hearing. It sounded like struggling,

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whimpering, and something else, something wet.

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Carefully, I stepped out of the bathroom, wincing

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at how long a shadow I was casting thanks to

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the bathroom light. The noises continued like

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I hadn't been seen, and I debated just sneaking

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back out the door and believing whoever lived

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there to wonder if they were being haunted by

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a ghost with an enormous bladder. My curiosity

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won out, however, and I creeped toward the open

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bedroom door. My footsteps were almost inaudible

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on the linoleum floors. I inched closer to the

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black doorway, hearing the struggling more clearly.

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Something was wrong. Really wrong. Dread blossomed

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in my chest. A spike of adrenaline burned away

00:16:08.870 --> 00:16:12.009
the rest of my drunk. Placing my hands on the

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doorframe, I leaned into the room just enough

00:16:15.330 --> 00:16:19.549
for my eyes to start adjusting to the dim. The

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patio door was open, curtains across it fluttering

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in a slight breeze. On the bed were two people.

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No, three. Two in the bed and one. The third

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figure was barely. person. Enormous, muscled

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arms pinned the couple under the blankets like

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butterflies in a display case. The body was thick

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too, seeming rigid like the body of a beetle.

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Its legs were long and thin, folded up under

00:16:48.429 --> 00:16:51.669
it like it was doing some kind of isometric hold.

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One of the figures, I'd later learn it was the

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husband, Johnny, wasn't moving. The other, his

00:17:00.409 --> 00:17:04.480
wife Anne, was shaking. side to side, losing

00:17:04.480 --> 00:17:07.920
power with every moment as the third figure's

00:17:07.920 --> 00:17:12.519
head got closer to her face. The more the curtains

00:17:12.519 --> 00:17:15.740
blew, the more the light of the city filtered

00:17:15.740 --> 00:17:20.759
in, outlining the tableau in front of me. Something

00:17:20.759 --> 00:17:23.980
emerged from the third figure's mouth, long and

00:17:23.980 --> 00:17:27.079
slick like a mosquito's proboscis. My stomach

00:17:27.079 --> 00:17:29.859
turned, threatening to announce my presence with

00:17:29.859 --> 00:17:33.240
a firehose spray of slightly fermented Singapore

00:17:33.240 --> 00:17:38.619
sling. The rest of me was frozen. Turns out,

00:17:38.619 --> 00:17:42.519
that's the third aft to fight or flight. Freeze.

00:17:43.779 --> 00:17:48.359
All I could do was watch as the long... Rubbery

00:17:48.359 --> 00:17:52.720
tubes split into two, one settling on each of

00:17:52.720 --> 00:17:57.240
the struggling woman's eye sockets. There was

00:17:57.240 --> 00:17:59.859
that wet sound I'd first heard in the bathroom.

00:17:59.960 --> 00:18:04.759
I knew what it was now. Sucking. The proboscis

00:18:04.759 --> 00:18:07.480
withdrew, tugging until the eyes popped right

00:18:07.480 --> 00:18:11.089
out. trailing long, thick cords of their own

00:18:11.089 --> 00:18:14.329
that could only be the optic nerves. The figure

00:18:14.329 --> 00:18:17.130
withdrew the proboscis quickly, snapping the

00:18:17.130 --> 00:18:20.410
stalks and sucking the stolen treats into its

00:18:20.410 --> 00:18:24.430
own mouth. I heard them popping wetly as it chewed.

00:18:25.190 --> 00:18:30.089
Oh, I thought dumbly, that's the gumdrop killer.

00:18:30.569 --> 00:18:35.680
Hey, that cop was right after all. Having that

00:18:35.680 --> 00:18:38.240
conscious thought brought me back to my body,

00:18:38.279 --> 00:18:42.440
and the first thing I did was scream. Gumdrop's

00:18:42.440 --> 00:18:45.480
head snapped in my direction, his eyes a bright

00:18:45.480 --> 00:18:49.279
silver in the dark. I reacted by turning to run

00:18:49.279 --> 00:18:51.779
at the same time as I vomited what must have

00:18:51.779 --> 00:18:54.940
been a bright red fountain of pineapple juice

00:18:54.940 --> 00:18:58.019
gin and benedictine across the wall in front

00:18:58.019 --> 00:19:01.769
of me, out of the corner of my eye. I saw Gumdrop

00:19:01.769 --> 00:19:05.670
throw himself on the floor, landing on his powerful

00:19:05.670 --> 00:19:10.369
arms. He moved toward me at an impossible speed,

00:19:10.569 --> 00:19:13.970
thumping forward like a combination of gorilla

00:19:13.970 --> 00:19:17.069
and insect. I couldn't outrun him. There was

00:19:17.069 --> 00:19:21.539
no way, but I was going to try. I passed the

00:19:21.539 --> 00:19:25.039
bathroom with gumdrops close behind. I was only

00:19:25.039 --> 00:19:27.759
feet away from the hall door. He was faster.

00:19:28.019 --> 00:19:33.140
I knew it in my heart. This was it. Instead of

00:19:33.140 --> 00:19:36.700
feeling gumdrops landing on my back, I heard

00:19:36.700 --> 00:19:40.420
a grotesque, wounded cry, and I turned in time

00:19:40.420 --> 00:19:44.920
to see him scuttling back into the bedroom. Why

00:19:44.920 --> 00:19:48.619
wasn't he coming closer? It only took me a moment

00:19:48.619 --> 00:19:52.000
to figure it out. A shaft of light cast from

00:19:52.000 --> 00:19:55.299
the bathroom cut the hallway in half, his half

00:19:55.299 --> 00:20:00.859
and mine. Did he not like the light? He was still

00:20:00.859 --> 00:20:04.339
there, hiding in the dark. I could hear him breathing.

00:20:05.099 --> 00:20:09.660
To test my theory, I reached behind me, fumbling

00:20:09.660 --> 00:20:12.779
for the handle as I kept my eyes on the bedroom

00:20:12.779 --> 00:20:16.880
doorway. When I found the door latch, I pressed

00:20:16.880 --> 00:20:20.859
down and pulled it open. brightness pouring in

00:20:20.859 --> 00:20:24.380
from the over -lit hallway, pushing the darkness

00:20:24.380 --> 00:20:29.380
further back. For an instant, I saw Gumdrop's

00:20:29.380 --> 00:20:32.680
face, and it's going to haunt me until my dying

00:20:32.680 --> 00:20:36.880
day. If his figure had barely been that of a

00:20:36.880 --> 00:20:40.599
person, his face was barely that of a man, pale,

00:20:40.839 --> 00:20:44.559
blotchy, shot through with blue veins, his silver

00:20:44.559 --> 00:20:48.460
eyes full of a deep hate I'd never known before.

00:20:49.869 --> 00:20:53.549
Another roar followed by more frantic thumping

00:20:53.549 --> 00:20:56.190
and what sounded like one of the curtains being

00:20:56.190 --> 00:20:58.589
ripped down. People were coming out of their

00:20:58.589 --> 00:21:01.869
apartments now, drawn by the war cries next door.

00:21:02.529 --> 00:21:07.170
The cops were not far behind and I was held on

00:21:07.170 --> 00:21:12.089
suspicion for a couple of hours. Then, a witness

00:21:12.089 --> 00:21:14.549
who lived in one of the apartments across the

00:21:14.549 --> 00:21:17.589
street came forward to say they'd seen a man

00:21:17.589 --> 00:21:21.650
with huge arms and tiny legs climbing down the

00:21:21.650 --> 00:21:25.369
balconies on our building shortly after the screaming

00:21:25.369 --> 00:21:30.130
started. After giving my statement, I was released

00:21:30.130 --> 00:21:33.009
from custody with the aforementioned stern warning

00:21:33.009 --> 00:21:38.099
about not spreading my story to the press. All

00:21:38.099 --> 00:21:41.519
the cops would tell me about Ann Comstock is

00:21:41.519 --> 00:21:44.900
that she survived the attack and had a crazy

00:21:44.900 --> 00:21:48.720
story about a monster kissing her husband before

00:21:48.720 --> 00:21:54.059
sucking out his eyes. My guess is it wasn't a

00:21:54.059 --> 00:21:57.599
kiss. I bet next month's paycheck on the creature

00:21:57.599 --> 00:22:01.440
using that proboscis to inject something like

00:22:01.440 --> 00:22:05.640
a paralytic agent into his victims so he can

00:22:05.640 --> 00:22:08.549
take their eyes and Whatever else it is he does

00:22:08.549 --> 00:22:12.109
to them, it's something he didn't get a chance

00:22:12.109 --> 00:22:14.970
to finish with Ann because I'd wandered into

00:22:14.970 --> 00:22:19.289
the wrong apartment. Now, the big question is,

00:22:19.569 --> 00:22:22.849
does Gumdrops know which apartment is the right

00:22:22.849 --> 00:22:26.910
one? And is he going to come back before I can

00:22:26.910 --> 00:22:43.490
move? Fear Daily is an independent podcast hosted

00:22:43.490 --> 00:22:46.269
by Brandon Schech -Snyder and written by Brennan

00:22:46.269 --> 00:22:49.430
Storr, with Joanna Smith serving as the consulting

00:22:49.430 --> 00:22:52.970
editor, audio production by Rachel Boyd and sound

00:22:52.970 --> 00:22:57.109
design by Southern Gothic Media. This podcast

00:22:57.109 --> 00:23:01.450
is a work of fiction. Names, characters, places,

00:23:01.730 --> 00:23:04.309
and incidents are either products of the author's

00:23:04.309 --> 00:23:08.549
imagination or are used fictitiously. Any resemblance

00:23:08.549 --> 00:23:12.000
to actual persons, living or dead, or to real

00:23:12.000 --> 00:23:15.319
events or locations is entirely coincidental.

00:23:16.240 --> 00:23:19.140
Ad -free versions of Fear Daily are available

00:23:19.140 --> 00:23:23.160
now on your favorite podcast apps. For more information,

00:23:23.380 --> 00:23:28.279
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