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Hey everybody, welcome back to another episode of Cryptic Cocktail Party Show.

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We have a few drinks, share a few laughs, take a dive into the unknown.

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I'm your host Dave, joined as always by Sarge.

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How's it going buddy?

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Hello.

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Thank God you're back.

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Felt good to say those words again.

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Yeah, welcome back.

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That was like building up inside of me like a fucking lactose shit.

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That's out.

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Feeling good bud.

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Thank you so much Sarge and Cam and Amanda for holding it down while I was gone.

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I really appreciate it.

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Hopefully the listeners all enjoyed it.

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I didn't listen to any of those episodes mostly because I started this show just to hear myself

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talk and I wasn't on any of those episodes.

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Fair enough.

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That's okay.

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I didn't listen either.

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Hopefully they worked out.

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I'm sure they did.

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I mean I had to listen to one because I had to edit it, but you know, it was fine.

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It was good.

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What's going on bud?

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I'm glad you're back because I couldn't figure out how to change a studio name.

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Like I would change the name and then Riverside was like, no, I'm just going to keep the one

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that you had before.

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Because you got to start a new studio.

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I don't have to start a new studio every time we record.

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I just do it because I need to come up with funny names.

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Although this one, it's not the name I chose, but it works I guess.

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Because I like to give you little breadcrumbs for what the episode might be about.

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And then the other issue I had is that the first time I didn't realize that I had to

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share the theme music in the episode.

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I was just hitting preview and I was supposed to hit the other one.

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So I'm like dancing away and Kim's just staring at me and I'm like, all right, you don't want

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to dance.

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That's fine.

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And then I heard the episode and I was like, oh, I didn't play the music for anyone but

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me.

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So that's why.

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See, I have a soundboard on my mixer, so I use it.

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I don't use anything through Riverside except for just like us to talk.

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Oh, gotcha.

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This is a little inside baseball for people listening to podcasts.

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No, but thank you so much for doing it.

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I appreciate it.

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I know it's a lot.

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It sucks, especially editing.

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Oh, it's not bad.

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It's not bad.

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I just it happened to be a very busy couple of weeks because my boss is out of town.

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So I was covering for him.

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But I still did the research.

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And what's really hard is finding out what you haven't done because I was literally Googling

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a cryptid cocktail party and then, you know, whatever thing I had found.

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And I'm like, God damn it.

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He did that one, too.

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Yeah.

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No, we've all mean it's been almost two years and 80 plus episodes at this point.

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Like we've covered a lot.

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We need to branch out.

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That's why.

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That's why we're going to branch out into other weirdness.

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Yeah.

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Well, that's why this episode is coming out on Halloween.

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And I'm so excited for.

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So I figured we'd do us do something.

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We're going to switch genres.

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OK.

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And we're going to get real serious.

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All right.

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OK.

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We're going to change the name of the show for just for this episode midway through.

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Yeah, like it's going to be during this episode of the cocktail party that we're going to

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be a completely different podcast.

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And I'm going to try to do this in my best voice for the genre of we're going to do.

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So now we're so we're no longer a cryptic cocktail party.

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We are Shadows of Hayden Field, a true crime podcast.

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Excellent.

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Are you ready for this?

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I'm ready.

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All right.

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So we've got to get serious now.

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All right.

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Oh, God, you nailed the genre.

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It's exactly what the music sounds like.

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Good evening and welcome to Shadows of Hayden Field.

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Tonight we dig into one of the darkest stories to come out of small town America, a Halloween

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horror that left a quiet community reeling.

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Tonight's story is a chilling reminder that sometimes the scariest things are closer than

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we realize.

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It's a tale of an unidentified figure, a masked killer who terrorized Hayden Field, Illinois

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on Halloween night in 1978, turning a beloved holiday into a bloodbath.

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Hayden Field is the kind of place where people know their neighbors and leave their doors

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unlocked.

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It's the last place you'd expect a horror like this to unfold.

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But on Halloween night, as families were celebrating, something sinister was lurking in the shadows.

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It started with sightings.

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Kids and teenagers mentioned seeing a strange figure in a pale, featureless mask wandering

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through the neighborhood.

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But in the excitement of Halloween, most people assumed it was just a prank.

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At first, the night passed like any other.

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Kids trick or treated, parents handed out candy, and teenagers attended Halloween parties.

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No one suspected that soon, their quiet streets would become the scene of an unimaginable

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nightmare.

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The first sign that something was wrong came around 8 p.m.

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Annie Brackett, a local high school senior, was babysitting for a family on Lampkin Lane.

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Annie had stepped out of her car to run an errand when suddenly, she was attacked.

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She was found hours later, her throat slit, slumped in the front seat.

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Her car parked right on the street had become the scene of her murder.

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A horrific display for the police who arrived at the scene.

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The steam rising off of her corpse was her hopes and dreams escaping into the sky.

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The potential that she lost.

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Sorry, I just I wanted to also get overly dramatic and poetic if I could.

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Oh, you're good.

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Yeah, yeah.

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Thank you.

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This wasn't a robbery.

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And that's also my true crime podcast voice.

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It's pretty good.

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It's a gravelly whisper.

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It has to be a gravelly whisper.

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Yeah, I'll stop interrupting you now.

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Go ahead.

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This wasn't a robbery or random act of violence.

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There was something deliberate out there.

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Police described the killer's precision as unnervingly efficient.

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It was as though he'd planned this down to the last detail.

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But why Annie and why this night?

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The attack left police with more questions than answers.

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And this eerie silence that followed Annie's murder was shattered again just minutes later.

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Not far from where Annie's body was discovered, another young couple was spending Halloween

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together.

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Linda VanderBloch and her boyfriend, Bob, were at home, unaware of the horror unfolding

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nearby.

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Sometime that evening, the door was forced open and they were attacked.

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Bob was found pinned to the wall with a knife, his body left in a grotesque display.

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Linda was strangled shortly after.

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Her last moments filled with terror as she faced the mass figure who entered her home.

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I'm sorry.

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I'm sorry.

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All I could think of all I could think of was the movie Commando with Arnold Schwarzenegger,

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where he stabs a guy with like a pipe and he gets stuck to a wall and he's like, stick

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around.

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The minute he said that, I was like, sorry, stick around.

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In my head over and over again.

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This is a serious true crime podcast now.

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OK, no, no, no, no, I totally understand.

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I totally normally I'm very, I'm very respectful of victims.

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But I mean, he's stuck to a wall.

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That's I mean, I mean, we're now he got the he got the moth in a museum display treatment,

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you know.

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Even as a kid, I saw that I'm like, what's wrong with you people?

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Why would you do that?

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I got to put a pin through an insect.

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Was it dead when you did it?

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Yeah, I got a I got a winged lizard that's like that, like pinned up.

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I think it was already dead.

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I fucking hope so, because that'd be I hope so.

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I hope so.

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That's kind of a fucked up way to do business.

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All right.

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So back to the shadows of Haydenfield.

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Yes, I'm sorry.

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I'm sorry.

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Stick around.

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The police couldn't believe what was happening.

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Three brutal murders in a single night, each one disturbingly calculated.

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Whoever this killer was, he was moving through the town with terrifying efficiency and the

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randomness of the attacks made it impossible to predict his next move.

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It seemed he had no pattern, no motive.

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As news of the murder spread, a new figure entered the scene, Dr. Samuel Loomis, a psychiatrist

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from a nearby town.

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He arrived at the Haydenfield police station visibly shaken, warning the officers that

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they needed to prepare for more violence.

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Dr. Loomis had an unusual request.

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He wanted to access to every patrol unit in town, convinced he knew the man behind these

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murders.

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Loomis explained that he spent years studying someone he described as quote unquote pure

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evil.

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The officers were skeptical.

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What could a psychiatrist know about a violent killer on the loose?

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But Loomis was insistent, almost desperate.

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He spoke of a patient he treated, a person whose darkness he believed could not be controlled

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or cured.

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He was certain this patient had returned to Haddonfield, although he wouldn't reveal the

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patient's identity.

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Now by this point, the town was in a panic.

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The police doubled their patrols, urging residents to lock their doors and stay inside.

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But it was already too late.

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The killer was still out there and he wasn't finished.

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It's an interesting strategy by the doctor.

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I know who's doing this, but I'm not going to tell you until someone else does.

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And then when I'm ready, you can know.

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Yeah, it's that sounds like, well, you got to think patient privilege, you know, you

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can't just reveal that information.

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There's laws and stuff.

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Well, there are some limits.

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Like, if you know someone is killing a bunch of people, then you have to tell.

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I mean, you don't have to do anything.

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Unless you're in Illinois, apparently.

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That's OK.

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Yeah.

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As the night wore on, the killer's movement seemed to follow an invisible path, drawing

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him straight toward one final target, Laurie Stroud, a quiet high school senior, was babysitting

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on the edge of town that night.

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She noticed an eerie figure following her earlier in the day, but had shrugged it off

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as a Halloween prank.

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Little did she know that the same figure would return silently entering the house as she

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was tending to the children in her care.

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Laurie's survival instincts kicked in the moment she realized she wasn't alone.

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She barricaded herself, shielding the children as the intruder tried to break through.

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A brutal fight had ensued, with Laurie using anything she could find, knives, furniture,

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to fight him off.

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But the attacker seemed inhuman, unfazed by pain or injury.

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It was though nothing could stop him.

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At last, Dr. Loomis arrived.

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Drawn by the sense of urgency, he confronted the killer, firing multiple shots.

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Laurie watched, shaken and terrified as the intruder finally fell, seemingly defeated.

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But when Loomis and Laurie went to check on this body, it was gone.

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The masked man had vanished without a trace.

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As police combed the scene and tried to understand the violence that had unfolded, Dr. Loomis

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finally revealed the truth about the killer's identity.

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The man in the mask was someone Haddonfield had long forgotten, a former resident who

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had been removed from the town years ago after a violent crime.

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Dr. Loomis explained that his patient had been institutionalized as a child for a murder

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that shocked the community.

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He'd been just six years old when he committed his first killing against his own sister.

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The killer was Michael Myers, a name Haddonfield hadn't heard in years.

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People remembered the tragedy vaguely, the little boy who killed his sister on Halloween

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night.

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The house where it had happened still stood, abandoned and falling into disrepair, becoming

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a place where kids dared each other to enter.

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But no one imagined that the same boy, now grown, would return.

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Loomis had always believed Michael Myers was something beyond ordinary.

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He described him as an embodiment of darkness, a patient who never spoke a word during his

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fifteen years at Smith's Grove Sanitarium.

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And though Michael had vanished that night, Loomis warned the people of Haddonfield to

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remain vigilant, convinced that Michael would one day return.

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The morning after Halloween, the morning after Halloween Haddonfield was left reeling.

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Five people had been murdered in a single night, and the killer was still out there.

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The police launched an investigation searching over every corner of town, but Michael Myers

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was gone without a trace.

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Some speculated he had left Haddonfield for good, while others believed he was hiding,

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waiting for the right moment to strike.

247
00:13:04,660 --> 00:13:08,680
In the years that followed, Dr. Loomis continued his search for Michael Myers, convinced that

248
00:13:08,680 --> 00:13:11,640
he was still alive and as dangerous as ever.

249
00:13:11,640 --> 00:13:15,640
His obsession with finding Michael Myers grew, and he warned that if Michael returned, the

250
00:13:15,640 --> 00:13:18,280
town would be unprepared for the horror that would follow.

251
00:13:18,280 --> 00:13:22,240
To this day, Haddonfield residents remember the Halloween night that transformed their

252
00:13:22,240 --> 00:13:24,880
town into a place of terror.

253
00:13:24,880 --> 00:13:30,600
Many lock their doors, some avoid Halloween altogether, while others pass down the legend

254
00:13:30,600 --> 00:13:32,360
of Michael Myers as a warning.

255
00:13:32,360 --> 00:13:35,520
Thank you for joining us on Shadows of Haddonfield.

256
00:13:35,520 --> 00:13:39,440
Next episode we'll explore Dr. Loomis' theory in more detail and delve into Michael

257
00:13:39,440 --> 00:13:44,440
Myers' past, searching for clues that might explain his descent into violence.

258
00:13:44,440 --> 00:13:51,640
Until then, stay safe and keep your doors locked, because sometimes the past has a way

259
00:13:51,640 --> 00:13:55,080
of creeping back into the present.

260
00:13:55,080 --> 00:14:14,600
So, what did you think of Shadows of Haddonfield?

261
00:14:14,600 --> 00:14:18,680
Honestly as soon as you said Haddonfield, Illinois, I was like, oh, he's doing Halloween.

262
00:14:18,680 --> 00:14:24,200
I was wondering if you were going to pick up on it almost immediately.

263
00:14:24,200 --> 00:14:27,840
Well when you said Shadows of Haddonfield, I was like, why does Haddonfield sound so

264
00:14:27,840 --> 00:14:28,840
familiar?

265
00:14:28,840 --> 00:14:31,120
Yeah, no, it's like an obscure name.

266
00:14:31,120 --> 00:14:33,920
Like it's not what Halloween is known for.

267
00:14:33,920 --> 00:14:36,880
But I did know that it took place in Illinois.

268
00:14:36,880 --> 00:14:37,880
Yeah, I was.

269
00:14:37,880 --> 00:14:46,280
And so as soon as you said Haddonfield, Illinois, I was like, oh, god damn it.

270
00:14:46,280 --> 00:14:53,000
I had the idea that I thought it'd be funny to take a horror movie and like attempt to

271
00:14:53,000 --> 00:14:57,720
write a true crime podcast as if it was like a real crime.

272
00:14:57,720 --> 00:14:58,720
So I think you nailed it.

273
00:14:58,720 --> 00:14:59,720
So that's what I did.

274
00:14:59,720 --> 00:15:00,720
I think you nailed it.

275
00:15:00,720 --> 00:15:01,720
I was worried.

276
00:15:01,720 --> 00:15:05,340
I didn't want to reveal Michael's name too soon, but I was very worried that Loomis would

277
00:15:05,340 --> 00:15:07,560
give it away almost immediately.

278
00:15:07,560 --> 00:15:10,280
And if not, then as soon as you got to Laurie, like that's how you knew.

279
00:15:10,280 --> 00:15:14,160
Yeah, once you said Laurie Stroud, like that's a dead giveaway.

280
00:15:14,160 --> 00:15:15,320
I thought it was still really good.

281
00:15:15,320 --> 00:15:20,080
I didn't want to interrupt and I didn't want to say I didn't want to say anything, but

282
00:15:20,080 --> 00:15:25,480
I immediately what jumped into my mind was like Rob Zombie.

283
00:15:25,480 --> 00:15:26,480
Yeah.

284
00:15:26,480 --> 00:15:27,480
John Carpenter.

285
00:15:27,480 --> 00:15:28,480
Yeah.

286
00:15:28,480 --> 00:15:29,480
Mechanic suit.

287
00:15:29,480 --> 00:15:31,160
Mike William Shatner's face.

288
00:15:31,160 --> 00:15:32,160
Michael McDowell.

289
00:15:32,160 --> 00:15:36,440
Oh, is that his name?

290
00:15:36,440 --> 00:15:37,440
Andrew McDowell.

291
00:15:37,440 --> 00:15:38,440
Oh, Andrew.

292
00:15:38,440 --> 00:15:39,440
Who's Michael McDowell?

293
00:15:39,440 --> 00:15:40,440
Did I make that name up?

294
00:15:40,440 --> 00:15:45,200
Well, no, I might be saying his name around Malcolm McDowell.

295
00:15:45,200 --> 00:15:46,200
Yeah.

296
00:15:46,200 --> 00:15:47,200
Clock of Orange.

297
00:15:47,200 --> 00:15:49,520
How could we forget that?

298
00:15:49,520 --> 00:15:50,520
That's right.

299
00:15:50,520 --> 00:15:51,520
Gosh darn it.

300
00:15:51,520 --> 00:15:52,520
But yeah, we had the last name, right?

301
00:15:52,520 --> 00:15:53,520
I don't know why I said Andy.

302
00:15:53,520 --> 00:15:54,720
Yeah, that's way off.

303
00:15:54,720 --> 00:15:56,120
I knew it was like an alliteration.

304
00:15:56,120 --> 00:15:58,240
I knew it was Eminem.

305
00:15:58,240 --> 00:16:00,680
But anyway, he nailed it.

306
00:16:00,680 --> 00:16:02,800
Everything he does touches fear in my heart.

307
00:16:02,800 --> 00:16:03,960
Oh yeah, he's great.

308
00:16:03,960 --> 00:16:06,320
So yeah, what did you think?

309
00:16:06,320 --> 00:16:07,320
Did it get you at all?

310
00:16:07,320 --> 00:16:11,300
Were you at any point tricked by it?

311
00:16:11,300 --> 00:16:14,880
In the very, very beginning I was, but the minute you said Haddonfield, Illinois, I was

312
00:16:14,880 --> 00:16:15,880
like, wait a minute.

313
00:16:15,880 --> 00:16:16,880
See, that's why I was worried.

314
00:16:16,880 --> 00:16:21,920
I said before the episode, I was like, I think you're too smart to for me to trick you because

315
00:16:21,920 --> 00:16:24,440
I haven't tricked you once.

316
00:16:24,440 --> 00:16:28,080
If you did an episode where you were talking about, you're going to do an episode and it's

317
00:16:28,080 --> 00:16:29,720
going to be like the most obvious thing.

318
00:16:29,720 --> 00:16:31,600
And I'm going to be like, whoa, really?

319
00:16:31,600 --> 00:16:33,960
Yeah, I know.

320
00:16:33,960 --> 00:16:36,040
It's like the really easy ones that trip me up.

321
00:16:36,040 --> 00:16:37,920
I know I got to get better at this.

322
00:16:37,920 --> 00:16:41,840
But now, but now I have a new idea for a podcast, which is a true crime podcast, but it's just

323
00:16:41,840 --> 00:16:42,840
horror movies.

324
00:16:42,840 --> 00:16:46,800
But you have to make it really like dramatic.

325
00:16:46,800 --> 00:16:47,920
That's extremely important.

326
00:16:47,920 --> 00:16:51,240
It's going to be hugely over dramatic.

327
00:16:51,240 --> 00:16:55,400
Like imagine doing a true crime podcast and covering like oceans 11.

328
00:16:55,400 --> 00:16:57,200
Oh, fuck.

329
00:16:57,200 --> 00:16:58,200
That'd be really good.

330
00:16:58,200 --> 00:16:59,200
Right?

331
00:16:59,200 --> 00:17:00,200
Yeah.

332
00:17:00,200 --> 00:17:01,200
Yeah.

333
00:17:01,200 --> 00:17:02,200
So that's it.

334
00:17:02,200 --> 00:17:03,200
This is our little Halloween special.

335
00:17:03,200 --> 00:17:04,200
It's not very long.

336
00:17:04,200 --> 00:17:06,920
I just, I had the idea and I wanted to get it done and I haven't recorded with you in

337
00:17:06,920 --> 00:17:09,720
a long time or at all in like half a month.

338
00:17:09,720 --> 00:17:11,080
So like I needed to get it out.

339
00:17:11,080 --> 00:17:12,080
But that was fine.

340
00:17:12,080 --> 00:17:18,760
I also absolutely love that it's a Halloween special and you covered Halloween.

341
00:17:18,760 --> 00:17:19,760
Just brilliant.

342
00:17:19,760 --> 00:17:20,760
I had to.

343
00:17:20,760 --> 00:17:21,760
What else would I have done?

344
00:17:21,760 --> 00:17:27,080
Because then you could do a Christmas special about the one of the many horrible Christmas

345
00:17:27,080 --> 00:17:28,520
horror movies that are out there.

346
00:17:28,520 --> 00:17:30,680
Like Santa's sleigh with Goldberg.

347
00:17:30,680 --> 00:17:31,680
Yeah.

348
00:17:31,680 --> 00:17:34,160
Or like Silent Night, Deadly Night.

349
00:17:34,160 --> 00:17:35,640
Ooh, gremlins.

350
00:17:35,640 --> 00:17:37,640
That one's gremlins.

351
00:17:37,640 --> 00:17:42,320
Gremlins is Christmas, right?

352
00:17:42,320 --> 00:17:43,320
Yeah.

353
00:17:43,320 --> 00:17:45,680
Gremlins is Christmas or Die Hard.

354
00:17:45,680 --> 00:17:48,280
That's not a horror movie though.

355
00:17:48,280 --> 00:17:49,640
But I could, I could, but I do.

356
00:17:49,640 --> 00:17:50,640
That is Christmas movie.

357
00:17:50,640 --> 00:17:51,640
I'll give you that.

358
00:17:51,640 --> 00:17:55,600
There's a lot of contention whether or not gremlins or Die Hard or Christmas movies,

359
00:17:55,600 --> 00:17:57,040
I'm going to go with they are.

360
00:17:57,040 --> 00:17:59,800
If it takes place during Christmas, it's a Christmas movie.

361
00:17:59,800 --> 00:18:00,960
Yeah.

362
00:18:00,960 --> 00:18:01,960
Like Home Alone.

363
00:18:01,960 --> 00:18:05,580
Home Alone to me isn't a Christmas movie, but it's a Christmas movie.

364
00:18:05,580 --> 00:18:06,580
It is a Christmas movie.

365
00:18:06,580 --> 00:18:07,580
Yeah.

366
00:18:07,580 --> 00:18:08,580
I missed you.

367
00:18:08,580 --> 00:18:10,280
I missed you too, buddy.

368
00:18:10,280 --> 00:18:11,280
All right.

369
00:18:11,280 --> 00:18:12,280
So that is our Halloween special.

370
00:18:12,280 --> 00:18:14,880
I don't know if you got anything going, you got any, you want to plug anything?

371
00:18:14,880 --> 00:18:15,880
I don't know if you have anything going on.

372
00:18:15,880 --> 00:18:17,880
I haven't talked to you in forever.

373
00:18:17,880 --> 00:18:18,880
Really?

374
00:18:18,880 --> 00:18:28,440
No, I, I did do a video about some voter intimidation and mail fraud being done by the MAGA folks

375
00:18:28,440 --> 00:18:30,920
and a little follow up to that, which I'm very excited about.

376
00:18:30,920 --> 00:18:35,280
I'm going to do another video about it tomorrow is the ACLU actually called my friend back

377
00:18:35,280 --> 00:18:36,840
and asked her for more details.

378
00:18:36,840 --> 00:18:37,840
Oh really?

379
00:18:37,840 --> 00:18:38,840
Yeah.

380
00:18:38,840 --> 00:18:41,600
So it sounds like they're going to be interested in, in whatever this is.

381
00:18:41,600 --> 00:18:43,440
And then there are two different news stations.

382
00:18:43,440 --> 00:18:45,000
Was it like a return address?

383
00:18:45,000 --> 00:18:46,280
Like is there any, no, of course not.

384
00:18:46,280 --> 00:18:47,280
They're cowards.

385
00:18:47,280 --> 00:18:50,840
So they didn't put that on there because they didn't want to actually to get back to them.

386
00:18:50,840 --> 00:18:51,840
Yeah.

387
00:18:51,840 --> 00:18:56,880
Um, but they're, I mean, it's still easy to catch them because if they were sending out

388
00:18:56,880 --> 00:19:01,840
like bulk mailers, like there's gotta be some kind of account attached to it.

389
00:19:01,840 --> 00:19:02,880
Yeah.

390
00:19:02,880 --> 00:19:04,400
But also like people are morons.

391
00:19:04,400 --> 00:19:06,880
I'm sure they brag about it online.

392
00:19:06,880 --> 00:19:12,720
So eventually they'll get caught and then they'll have to, you know, it's, it's, it's

393
00:19:12,720 --> 00:19:15,640
the typical way of MAGA make assholes get attorneys.

394
00:19:15,640 --> 00:19:16,640
I saw that.

395
00:19:16,640 --> 00:19:20,080
I was like, what the, that's so fucking wild.

396
00:19:20,080 --> 00:19:22,120
Like that is such a ballsy move.

397
00:19:22,120 --> 00:19:25,840
But anyways, so you had, so the ACLU is calling your friend back and you said two separate

398
00:19:25,840 --> 00:19:27,240
news stations are what?

399
00:19:27,240 --> 00:19:29,460
Two separate news stations interviewed her.

400
00:19:29,460 --> 00:19:33,080
One has already posted a news story and the other one should probably post it with the

401
00:19:33,080 --> 00:19:34,080
next couple of days.

402
00:19:34,080 --> 00:19:35,080
Nice.

403
00:19:35,080 --> 00:19:36,080
Hell yeah.

404
00:19:36,080 --> 00:19:37,080
Yeah.

405
00:19:37,080 --> 00:19:38,080
Yeah.

406
00:19:38,080 --> 00:19:39,080
Make those dudes fucking eat rocks.

407
00:19:39,080 --> 00:19:40,080
Yeah.

408
00:19:40,080 --> 00:19:41,080
Punch them in the face.

409
00:19:41,080 --> 00:19:42,080
I can't wait.

410
00:19:42,080 --> 00:19:44,320
I can't wait for the election to be over, to be honest with you.

411
00:19:44,320 --> 00:19:46,080
I'm so sick of it anyway.

412
00:19:46,080 --> 00:19:47,080
Yeah.

413
00:19:47,080 --> 00:19:48,080
All right.

414
00:19:48,080 --> 00:19:52,680
Um, I love you out there and thank you for listening.

415
00:19:52,680 --> 00:19:53,680
Yeah.

416
00:19:53,680 --> 00:19:54,680
Also leave us a radio.

417
00:19:54,680 --> 00:19:57,040
May the Mothman bless and keep you.

418
00:19:57,040 --> 00:19:58,040
Yeah.

419
00:19:58,040 --> 00:19:59,040
We're not there yet.

420
00:19:59,040 --> 00:20:00,040
We're not there yet.

421
00:20:00,040 --> 00:20:01,040
Sarge.

422
00:20:01,040 --> 00:20:02,040
All right.

423
00:20:02,040 --> 00:20:03,040
So we gotta do the other plugs first.

424
00:20:03,040 --> 00:20:05,360
I'm not on the news and all that shit.

425
00:20:05,360 --> 00:20:06,360
I wasn't on the news.

426
00:20:06,360 --> 00:20:07,360
I had nothing to do with that.

427
00:20:07,360 --> 00:20:08,360
You kind of whatever.

428
00:20:08,360 --> 00:20:14,520
Uh, if you want to follow Sarge and all of the social media is just look up stars, a

429
00:20:14,520 --> 00:20:16,080
destroyer on all.

430
00:20:16,080 --> 00:20:20,440
Or you can hit the link in our Instagram and you can find all of them there, which is at

431
00:20:20,440 --> 00:20:24,120
Cryptic Cocktail on Instagram, Cryptic Cocktail party on Tik Tok.

432
00:20:24,120 --> 00:20:26,720
Leave us a rating review, please.

433
00:20:26,720 --> 00:20:28,600
Uh, we've got another one star review.

434
00:20:28,600 --> 00:20:29,600
I think, I don't know.

435
00:20:29,600 --> 00:20:30,600
I don't know how to tell on Spotify.

436
00:20:30,600 --> 00:20:31,600
We were at five.

437
00:20:31,600 --> 00:20:32,600
Now we're at 4.9.

438
00:20:32,600 --> 00:20:36,400
That means a five, a one point, but you know, whatever.

439
00:20:36,400 --> 00:20:37,400
Just make it better.

440
00:20:37,400 --> 00:20:38,400
Make it five again.

441
00:20:38,400 --> 00:20:39,400
Yeah.

442
00:20:39,400 --> 00:20:40,400
Stop.

443
00:20:40,400 --> 00:20:41,400
Stop giving us bad reviews.

444
00:20:41,400 --> 00:20:42,400
You're fucked.

445
00:20:42,400 --> 00:20:43,400
Yeah.

446
00:20:43,400 --> 00:20:44,400
I'm going to blame Sarge because I was gone for two weeks.

447
00:20:44,400 --> 00:20:45,400
Yeah.

448
00:20:45,400 --> 00:20:46,400
It's probably my fault.

449
00:20:46,400 --> 00:20:47,400
I wouldn't doubt it.

450
00:20:47,400 --> 00:20:48,400
Somebody was like, God damn it.

451
00:20:48,400 --> 00:20:49,800
Don't ever do this to me again.

452
00:20:49,800 --> 00:20:50,800
Yeah.

453
00:20:50,800 --> 00:20:51,800
Um, yeah.

454
00:20:51,800 --> 00:20:56,080
Well, that Sarge, now do you want to say I love you to the audience?

455
00:20:56,080 --> 00:21:00,600
May may, uh, the blessings of, of Mothman keep you.

456
00:21:00,600 --> 00:21:01,600
Yeah.

457
00:21:01,600 --> 00:21:02,600
Thanks.

458
00:21:02,600 --> 00:21:03,600
I love you.

459
00:21:03,600 --> 00:21:31,600
May Mothman be with you.

