WEBVTT

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Welcome, one and all, to the latest episode of

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Signals from Mars. This is episode 436. I am

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your host, Victor. And for this episode, this

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is my late 2025 vinyl haul. These are some vinyl

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albums that I have procured post the other vinyl

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haul episode that I I'm ready. Quick reminder

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that in addition to hosting Signals from Mars,

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I've also worked behind the scenes helping other

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podcasters. With over 16 years of experience

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and more than 1 ,200 episodes that I've produced

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or appeared on, I offer podcasting, editing,

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ghost hosting interviews, and repurposing content

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need help making it sound professional, or if

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actually grows your audience, I can help. Check

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.com. Just go all the way to the right on the

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Let me help you make your podcast stand out.

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Speaking of sponsorships. Signals from Mars is

00:01:52.260 --> 00:01:55.579
sponsored by listeners like you and also by great

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sponsors. If you've got a brand, product, or

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service that connects with rock and metal fans,

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I'd love to work with you. Our audience isn't

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casual. They're collectors, concert goers, and

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gear buyers who support the bands and brands

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they love. Sponsorship packages start at just

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$150 a month and include on -air mentions, social

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media plugs, and even product features. If you

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want to connect with a loyal rock and metal audience,

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head on over to the sponsorship page on SignalsFromMars

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.com to learn more. All right, so I really like

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doing these vinyl episodes. I like showing off

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some of the stuff that I've been able to pick

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up. I don't know how many more of these I will

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do that are new. And what I mean by that is that

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vinyl is becoming very expensive. So as much

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as I would love to do a lot of these episodes

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where I show off, what I'm picking up, they may

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be relegated to me just going through old vinyl.

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Why? The cost. And maybe, I don't know, there's

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a lot of people that are switching back to CDs

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because of this, because it's becoming inherently

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expensive to purchase vinyl, or I may just not

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have enough vinyl to... to do another one of

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these episodes. So enjoy them. I'll keep doing

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them. I got plenty of vinyl to continue to do

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these episodes, just not newer stuff. And, you

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know, I'm probably going to become more selective

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with things. Uh, I do want to thank you for checking

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this episode out. For being here, I do want to

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thank my patrons real quickly here. Sean Richman,

00:04:05.270 --> 00:04:09.370
Tony Espin, Anthony Mackey, Ed Ferguson, Johan

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Edestrom, Metal Dan, Chris Vaglio from the Song

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Swap Showdown, Gabriel Ruiz, Mark Striegel from

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Talking Metal and XM, Brad Dahl from Yarg Metal,

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Mike Jones, Jeremy Weltman, Steve Hoker and Steven

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Saylor. Thank you so much for your continued

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support. If you do want to become a patron or

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follow anything related to Signals from Mars,

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just go to signalsfrommars .com. Not putting

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a gun to anybody's head. If you can become a

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patron for as little as two bucks a month, you

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can join us on our monthly shows and or join

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us within The confines of Patreon and comment

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on posts, polls, questions, videos, so on and

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so forth. I've got a good little community there.

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It's a troll -free environment where we're all

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suckers for good music. Listen, there's two types

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of music, good or bad. And we try to focus in

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on the hard rock and metal. Sometimes we stray

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a little from that. But that's fine. We all love

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music, so that's cool. It's something we're going

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to talk about soon, actually, as soon as the

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next live show that we do. Anyway, thank you

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for checking out this episode. I really appreciate

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it. Out of the millions of podcasts that you

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could be listening to or watching, you chose

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this one. Thank you so much. Let's get on with

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the show. Welcome, one and all, to the latest

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episode of Signals from Mars. I'm your host,

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Victor, and this is technically the recording

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of episode 436 of Signals from Mars. It is, what,

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136 episodes in after the name change for the

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show. I want to welcome Edgar Winterson, who

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is in the chat. And today's episode is going

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to be Vinyl Hall. It is late 2025 Vinyl Hall.

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So it's everything from October up until Christmas,

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which is where I left you guys off with the vinyl

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that I had acquired. We'll see how long this

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goes. And hopefully some more people will be

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joining us in the chat. And I'll be fielding

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questions and whatnot. Um, that's my idea anyway.

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So we'll just, we'll just wing it. We'll see

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how this all plays out, how it all goes. But,

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um, yeah. Um, always fun to discuss, uh, vinyl,

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to chat about vinyl, to show vinyl off. And it

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is always great. To see people interact. Yeah,

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I'm fumbling through some things here. Supposed

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to get started anyway. Just trying to see if

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anyone RSVP'd for tonight. Or if it's just me

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and Edgar. Yeah, that may be the case. All right,

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cool. Anyway. We shall make do. So, as promised,

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first vinyl was released on September 4th, 1990,

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recorded in Vancouver Studios in Vancouver, Canada,

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Triad Studios in Redmond, Washington. That's

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tracks 6, 12 through 14. This is funny. It is

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considered pop metal and progressive metal. In

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Wikipedia, album tracks in at a little over 63

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minutes, label is EMI USA, and recorded by or

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produced by Peter Collins, I should say. Tony

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Espin, how are you, sir? Hope you are doing well.

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Hope it is warmer in Barcelona than it is here.

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So, anyway. So without further ado, the first

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album, it is something that I've been after for

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years. It is Empire by Queensryche. All right.

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So let's see. I just opened this today, even

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though I got a bunch of vinyl for my birthday,

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which is in late October, and I honestly have

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not opened it until today. So, all right. They're

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building empires. That is right. So this is what

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the... jacket looks like and the vinyl which

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i was expecting to be black is transparent folks

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i don't know if you could appreciate that yeah

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you could see like the background through it

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so um that is one vinyl let me get it to go back

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in East side meets west side downtown. Right,

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Edgar? All right. So there we go. So the one

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side is just the Empire logo. I'm going upside

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down, folks. And then if I flip it, it gives

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you the side. It gives you what's on both sides

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there. On the insert, man, as much as I love

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vinyl, I'm not a vinyl geek like people. I don't

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know all the terms. So if I mess up the terminology,

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I am sorry. I love the music. So anyway, so this

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is the gatefold. So we've got the lyrics here,

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right here. We've got a picture of the original

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band there, all with hair. Uh, we've got, man.

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So I guess that's, um, where am I going? Right.

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So that's a whip. Um, that is Scott Rockenfeld.

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That is Krista Garmo. I gotta be careful there.

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Um, Jeff Tate and Eddie Jackson. So there you

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go. Game point. Nobody wins. Thank you, Edgar.

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Is there anything on the internet? Yes, there

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is. What is this? Ah, this is a download. I've

00:11:55.529 --> 00:11:58.769
got one around here for what? Metallica's load

00:11:58.769 --> 00:12:02.690
from the last show. You got to find that. But

00:12:02.690 --> 00:12:09.360
anyway, yeah. It's not as if... Oh, no, that's

00:12:09.360 --> 00:12:12.279
not a download. That's just a subscribe to a

00:12:12.279 --> 00:12:26.100
newsletter. All right. So, yeah, let me put this

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aside without knocking a bunch of shit over.

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Next album. Got this for Christmas. I'm jumping

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around a little bit here. And I forgot to mention

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with Empire. Wait, before jumping on to the next

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thing. So the singles are Empire, released in

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October of 1990, Silent Stupidity, I mean Lucidity,

00:12:59.210 --> 00:13:05.889
1991, Best I Can, June 91. and Jet City Woman

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is August 1991. So see that? The album was cooking.

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So that's why the two singles were released fairly

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close to one another there, from June to August.

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One you had, what, October to March? That's like

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six months. So that was going strong, and then

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Silent Lucidity went on strong there as well.

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And it's funny because Best I Can is a really

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good song. But Jet City Woman is the one that

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gets played all the time on a radio. Other cool

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songs that are on here. The Thin Line, I think,

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is great. Another Rainy Night Without You is

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cool. That was a video as well. Resistance is

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a cool song. Hand on Heart. One and only. And

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Anybody Listening was a single as well. I don't

00:14:03.450 --> 00:14:07.009
know why those aren't listed. Because they made

00:14:07.009 --> 00:14:13.789
videos for those songs. And it looks like there

00:14:13.789 --> 00:14:19.389
was a bonus disc with the 20th anniversary. And

00:14:19.389 --> 00:14:28.679
on the... That's got a live... Okay. Actually,

00:14:29.019 --> 00:14:36.899
there's a 2003. All right, I got it. So the CD

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reissue had three bonus tracks. Last Time in

00:14:39.200 --> 00:14:42.539
Paris, which was on the Ford Fairlane soundtrack,

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Scarsboro Fair, and Dirty Little Secret. Last

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Time in Paris is a song that I've played a lot.

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Over the years. Yeah. Is there anybody listening?

00:14:58.340 --> 00:15:04.539
I, I asked that all the time there, Edgar. All

00:15:04.539 --> 00:15:09.340
right. So moving on to the next album. So I literally

00:15:09.340 --> 00:15:18.539
paid two euros, 48 cents for this, which is less

00:15:18.539 --> 00:15:24.039
than $5 brand new. This is the reissue from a

00:15:24.039 --> 00:15:27.169
few years back. It's one of my all -time favorite

00:15:27.169 --> 00:15:29.970
albums. I had this on vinyl, but it's kind of

00:15:29.970 --> 00:15:32.629
scratchy. It was a radio station copy from a

00:15:32.629 --> 00:15:37.129
place where I used to work at. They didn't want

00:15:37.129 --> 00:15:40.129
it. I was more than happy to make it part of

00:15:40.129 --> 00:15:45.490
my collection. Anyway, it is Iron Maiden's Seventh

00:15:45.490 --> 00:15:47.789
Son of a Seventh Son. See, the difference between

00:15:47.789 --> 00:15:50.750
Empire and this is that it was a matte finish,

00:15:50.789 --> 00:15:53.929
so we don't get the ring light shining on it.

00:15:55.849 --> 00:16:00.490
This is great. I mean, they should have made

00:16:00.490 --> 00:16:03.169
a gatefold out of this. There are posters, and

00:16:03.169 --> 00:16:05.190
actually right behind me, there's a damn poster.

00:16:05.370 --> 00:16:13.429
Ooh. Right there. Seven son of a seven son. So

00:16:13.429 --> 00:16:21.250
let me get this opened up here. Here. Is there

00:16:21.250 --> 00:16:24.789
anything in here? No, there is not. Tis not.

00:16:25.610 --> 00:16:30.950
Tis only a flesh wound. All right. Eddie there

00:16:30.950 --> 00:16:34.389
from The Clairvoyant. What would end up being

00:16:34.389 --> 00:16:38.090
used as The Clairvoyant and The Evil That Men

00:16:38.090 --> 00:16:45.029
Do here. So it all kind of tells a story. All

00:16:45.029 --> 00:16:52.990
right. On the back, some mullets and some lyrics.

00:16:54.009 --> 00:16:55.990
That have become a huge part of the soundtrack

00:16:55.990 --> 00:17:01.690
of my life. This is definitely 150 grams here.

00:17:03.850 --> 00:17:07.930
So you have the track listing. And on the back,

00:17:07.950 --> 00:17:14.450
you have that Evil That Men Do graphic in the

00:17:14.450 --> 00:17:21.470
middle there. So cool. Sorry about the ring light,

00:17:21.549 --> 00:17:28.589
folks. It's the best that I can do there. All

00:17:28.589 --> 00:17:33.390
right. So what are the deets on seven son of

00:17:33.390 --> 00:17:48.150
a seven son? For example, there is. No, that's

00:17:48.150 --> 00:17:53.480
rhyming the ancient Mariner. That's Paul D 'Anno.

00:17:53.859 --> 00:17:59.279
And that's from Tattooed Millionaire. Anyway,

00:17:59.539 --> 00:18:03.640
Seven Son of a Seven Son released the 11th of

00:18:03.640 --> 00:18:07.880
April, 1988, recorded between February, February

00:18:07.880 --> 00:18:13.640
and March, 1988 at Musicland Studio in Munich,

00:18:13.859 --> 00:18:18.759
Germany. Heavy metal, progressive metal. All

00:18:18.759 --> 00:18:23.000
right. 43 minutes, 51. 43 minutes, 51 seconds.

00:18:23.099 --> 00:18:33.339
So this album. Give me a sense of wonder. To

00:18:33.339 --> 00:18:36.500
wonder if I'm free, damn it. The prophet shaved

00:18:36.500 --> 00:18:40.759
off his. I won't say that, but I'll put it on

00:18:40.759 --> 00:18:50.789
screen. All right, so. This album goes by quick.

00:18:50.950 --> 00:18:54.369
It's 4351, and there are songs that are long

00:18:54.369 --> 00:18:59.970
as hell on here. The title track, The Prophecy,

00:18:59.990 --> 00:19:05.230
they're both very long. They're both very long.

00:19:06.210 --> 00:19:10.230
So that's what she said. Anyway, so the album

00:19:10.230 --> 00:19:14.470
came out on EMI as well, produced by Martin Birch.

00:19:18.960 --> 00:19:22.039
sandwiched in between seven somewhere in time

00:19:22.039 --> 00:19:27.660
the first 10 years yeah i guess first 10 years

00:19:27.660 --> 00:19:32.299
is honestly those are yeah those are all the

00:19:32.299 --> 00:19:35.220
singles that they released the 12 inch which

00:19:35.220 --> 00:19:40.819
i've shown in the past i've got um behind me

00:19:40.819 --> 00:19:46.779
it's the um women in uniform and sanctuary i

00:19:46.779 --> 00:19:51.529
believe I could be wrong, but anyway, I've got

00:19:51.529 --> 00:19:54.109
in the next room, I've got all the CDs for that.

00:19:55.289 --> 00:19:59.029
Picked that up years ago on eBay. But yeah, the

00:19:59.029 --> 00:20:05.009
next studio album was No Prayer for the Dying.

00:20:05.309 --> 00:20:10.849
And it's funny because, and this goes to show

00:20:10.849 --> 00:20:14.109
how things work. I loved No Prayer for the Dying

00:20:14.109 --> 00:20:18.150
when it came out. I loved Fear of the Dark when

00:20:18.150 --> 00:20:21.029
they came out. And they're both albums that I

00:20:21.029 --> 00:20:23.430
rarely go to now. And if I listen to them, it's

00:20:23.430 --> 00:20:26.890
select tracks. And even those select tracks make

00:20:26.890 --> 00:20:30.369
me say, you know what? Not as good as the first

00:20:30.369 --> 00:20:34.150
few. And I'm not a purist because I think Brave

00:20:34.150 --> 00:20:36.990
New World is one of their greatest albums. And

00:20:36.990 --> 00:20:42.589
I think every album for the most part. I think

00:20:42.589 --> 00:20:47.450
every album for the most part has at least. A

00:20:47.450 --> 00:20:58.650
song or two, which is decent. All right. Next

00:20:58.650 --> 00:21:02.769
up, something that came out this year, and this

00:21:02.769 --> 00:21:06.130
is a special edition. And you might ask yourself,

00:21:06.230 --> 00:21:11.910
why such a big suit? This is green normally.

00:21:12.930 --> 00:21:17.799
So I got a limited edition purple. This is private

00:21:17.799 --> 00:21:27.119
music by Deftones. So even if, let's see if I

00:21:27.119 --> 00:21:32.059
can share screen for a second here. Here we go.

00:21:40.799 --> 00:21:46.759
See, so there is the green cover. Yeah, that

00:21:46.759 --> 00:21:54.839
didn't do much. So that's what the normal cover

00:21:54.839 --> 00:22:03.380
looks like. All right, so let's get back here.

00:22:05.099 --> 00:22:14.220
So does purple. It is not black vinyl. I saw

00:22:14.220 --> 00:22:17.500
this. And there's a local record shop that I

00:22:17.500 --> 00:22:19.920
order most of my stuff from. Hey, look at that.

00:22:19.960 --> 00:22:23.720
The insert is green. So actually, this is the

00:22:23.720 --> 00:22:30.160
back cover. I wasn't expecting to enjoy this

00:22:30.160 --> 00:22:36.400
album as much as I have. All right, so this is

00:22:36.400 --> 00:22:40.359
pretty cool. So this is like a giant CD booklet,

00:22:40.480 --> 00:22:54.180
folks. So we've got pictures of these lyrics.

00:22:54.279 --> 00:23:03.279
Yes, they are those lyrics. Some more lyrics

00:23:03.279 --> 00:23:25.799
and cool pictures. Some more cool pictures. The

00:23:25.799 --> 00:23:29.599
back cover of that. So it's like a giant CD booklet.

00:23:30.619 --> 00:23:33.980
It's a cool idea. So this is what the jacket

00:23:33.980 --> 00:23:43.440
looks like. And this is what the vinyl looks

00:23:43.440 --> 00:23:50.930
like. Boom. It's like white marble. Is that appreciated

00:23:50.930 --> 00:24:02.009
on the camera? Yeah, it looks like it. So cool.

00:24:02.210 --> 00:24:07.410
Deftones is a band that... Obviously, I have

00:24:07.410 --> 00:24:13.269
a Deftones playlist. When they're on, they're

00:24:13.269 --> 00:24:15.269
excellent. They're amazing. I've seen them in

00:24:15.269 --> 00:24:17.849
concert and... To me, it's one of the best shows

00:24:17.849 --> 00:24:19.710
that I've seen, even if it was in the middle

00:24:19.710 --> 00:24:23.910
of the day, in the heat in Madrid at Sonosphere

00:24:23.910 --> 00:24:31.190
years ago. They were great. I'd recommend seeing

00:24:31.190 --> 00:24:32.769
them, especially if you're into their music.

00:24:37.390 --> 00:24:39.809
So what are the deets on this album? Released

00:24:39.809 --> 00:24:48.640
August 22nd, 2025. So it was recorded at American

00:24:48.640 --> 00:24:51.839
in North Hollywood, Dead Ant Thelma's in Portland,

00:24:52.200 --> 00:24:55.019
East West in Hollywood, Rock Falcon in Nashville,

00:24:55.299 --> 00:24:58.940
Siena in Nashville. Genre, alternative metal

00:24:58.940 --> 00:25:02.880
shoegaze. I can see the alternative metal shoegaze,

00:25:03.019 --> 00:25:08.359
I guess. 42 minutes, 22 seconds from Reprise

00:25:08.359 --> 00:25:16.240
Warner. Producer, Nick Raskolnik. Nick Raskolinitz.

00:25:16.740 --> 00:25:19.900
I can't pronounce his name today. Raskolinix.

00:25:20.140 --> 00:25:23.279
There you go. Okay. I wonder how it's pronounced

00:25:23.279 --> 00:25:26.799
in Polish. I believe it's a Polish last name.

00:25:27.500 --> 00:25:31.140
So singles are My Mind is a Mountain, which came

00:25:31.140 --> 00:25:34.220
out in July 10th, 2025, and Milk of Madonna,

00:25:34.500 --> 00:25:40.500
August 8th, 2025. All lyrics by Chino Moreno.

00:25:41.640 --> 00:25:46.230
Chino Moreno. All music composed by Deftones,

00:25:46.410 --> 00:25:52.549
Abe Cunningham, Moreno, Frank Delgado, Fred Sablan,

00:25:52.690 --> 00:25:58.809
and Stephen Carpenter. Let's see, all songs are

00:25:58.809 --> 00:26:02.890
stylized in all lowercase except track six, which

00:26:02.890 --> 00:26:08.710
is stylized as C, lowercase C, capital X, lowercase

00:26:08.710 --> 00:26:16.299
Z. I don't know what that symbol is called in

00:26:16.299 --> 00:26:22.980
English. But cool. You guys will have to see.

00:26:23.079 --> 00:26:24.920
Well, actually, if you've checked out the episode

00:26:24.920 --> 00:26:27.680
that I've done with Mark Striegel on Talking

00:26:27.680 --> 00:26:32.740
Metal, it was either Talking Metal or his Patreon

00:26:32.740 --> 00:26:34.720
where I talk about some of the albums that I

00:26:34.720 --> 00:26:36.279
enjoyed this year. And this is one of the albums

00:26:36.279 --> 00:26:41.799
that I talked about. So hope I didn't spoil it

00:26:41.799 --> 00:26:47.460
for you. All right. So let's take a trip back.

00:26:50.319 --> 00:26:56.140
The next album. I was after this. I was looking

00:26:56.140 --> 00:26:58.259
to purchase it in the U .S. and I just could

00:26:58.259 --> 00:27:01.039
not get the right price. Either that or I couldn't

00:27:01.039 --> 00:27:04.799
find it or it cost way too much. So this album

00:27:04.799 --> 00:27:11.289
came out February 17th, 1984. So next month,

00:27:11.289 --> 00:27:21.210
this album will be what? 42 years old. Am I doing

00:27:21.210 --> 00:27:23.130
the math correctly there? Yeah, I believe so.

00:27:24.450 --> 00:27:34.670
Wait. Wait. Yes, I'm actually doing the math.

00:27:35.690 --> 00:27:43.759
42 years. I was correct. Oh, where am I? Where

00:27:43.759 --> 00:27:54.599
do I need to be? 42 years. I got it right. Simple

00:27:54.599 --> 00:27:59.740
math for simple folks. All right. Recorded at

00:27:59.740 --> 00:28:03.700
Village Recorder Los Angeles and Sound City Los

00:28:03.700 --> 00:28:06.680
Angeles. Genre heavy metal, glam metal. Length

00:28:06.680 --> 00:28:10.619
36 minutes, 41 seconds on Atlantic produced by

00:28:10.619 --> 00:28:22.220
Bo Hill. It is out of the cellar. Ah, you can,

00:28:22.240 --> 00:28:25.460
you can see it, how it's changing colors from

00:28:25.460 --> 00:28:29.619
the yellow smoke to the blue smoke. See that?

00:28:30.319 --> 00:28:35.529
All right. So this is the, um, 40th anniversary,

00:28:35.849 --> 00:28:40.009
which came out two years ago. It also includes

00:28:40.009 --> 00:28:44.950
a lintacular cover on red and black splatter

00:28:44.950 --> 00:28:49.170
vinyl, plus neon orange seven inch vinyl with

00:28:49.170 --> 00:28:52.269
the uncensored unreleased track, not uncensored

00:28:52.269 --> 00:28:56.369
reach for the sky from the 1983 out of this,

00:28:56.369 --> 00:29:02.630
out of the cellar sessions. All right. So let's

00:29:02.630 --> 00:29:08.769
take a look at all of this. So lenticular cover,

00:29:09.029 --> 00:29:15.190
back cover. Made in the Czech Republic. So is

00:29:15.190 --> 00:29:20.470
my car. Right out of the cellar. Nothing on the

00:29:20.470 --> 00:29:25.349
back, nothing up my sleeve. Oh, this is cool.

00:29:26.390 --> 00:29:35.890
Wow. This is really nice. Noice! Nice. So it

00:29:35.890 --> 00:29:40.549
looks really red, red. Put it down. Yeah, I guess

00:29:40.549 --> 00:29:42.569
it does. But holding it up to the light here,

00:29:42.710 --> 00:29:46.170
seeing through it, it looks like a magenta color.

00:29:54.089 --> 00:29:58.250
All right, cool. Cool, cool, cool, cool, cool,

00:29:58.349 --> 00:30:06.000
cool, cool, cool, cool, cool. Uh -oh. Edgar is

00:30:06.000 --> 00:30:08.920
trying to speak Spanish. Are you messing with

00:30:08.920 --> 00:30:14.640
me, Edgar? Do you know Spanish? All right, so

00:30:14.640 --> 00:30:17.180
the Reach for the Sky single, which also comes

00:30:17.180 --> 00:30:29.740
in there. So this was written by Stephen Piercy,

00:30:29.779 --> 00:30:35.329
Robin Crosby, and Mark. Torian, best known for

00:30:35.329 --> 00:30:43.309
bullet boys, obviously. All right, so we take

00:30:43.309 --> 00:30:49.970
this out. It is really 7 -inch. Yeah, this is

00:30:49.970 --> 00:30:53.809
really neon orange. So this is a new color to

00:30:53.809 --> 00:31:00.779
my collection in vinyl. So it's Reach for the

00:31:00.779 --> 00:31:09.980
Sky on both sides. Reach for the Sky was also

00:31:09.980 --> 00:31:12.940
the name of an album that they released a few

00:31:12.940 --> 00:31:16.220
years later. An album that outside of the song

00:31:16.220 --> 00:31:20.059
Chain Reaction, I'm not really a fan of. I never

00:31:20.059 --> 00:31:22.599
liked the song I Want a Woman. I never liked

00:31:22.599 --> 00:31:25.140
the song Way Cool Junior, which I think is on

00:31:25.140 --> 00:31:32.089
that as well. When did Reach for the Sky come

00:31:32.089 --> 00:31:54.089
out? Yeah, 88. All right. And Way Cool Jr. and

00:31:54.089 --> 00:31:58.730
I Want a Woman were the two singles. This was

00:31:58.730 --> 00:32:01.430
them being just way too, Commercial for me, this

00:32:01.430 --> 00:32:06.309
was them becoming. Like copying what other bands

00:32:06.309 --> 00:32:08.890
are doing, in my opinion, they didn't need to

00:32:08.890 --> 00:32:13.329
do that. I thought their first two albums were

00:32:13.329 --> 00:32:16.170
great. I know the third one didn't chart as high

00:32:16.170 --> 00:32:26.450
as they would have wanted it to. But, yeah, so

00:32:26.450 --> 00:32:32.619
let's see the deets here. So the singles are

00:32:32.619 --> 00:32:37.220
Round and Round, February 84, Back for More,

00:32:37.519 --> 00:32:41.259
just says 84, Wanted Man, September 84, Lack

00:32:41.259 --> 00:32:45.740
of Communication, November of 84. Such a monster

00:32:45.740 --> 00:32:53.859
album, man. What else is on here? What else is

00:32:53.859 --> 00:32:56.900
on here that I listened to a lot? The Morning

00:32:56.900 --> 00:33:06.160
After. I love that song. It's just amazing. So

00:33:06.160 --> 00:33:12.500
that's Tony Katayn on the cover. Wow. So she

00:33:12.500 --> 00:33:16.079
was the girlfriend of Robin Crosby at the time.

00:33:19.559 --> 00:33:34.000
So let's see. Wanted Man. Why is it that outside

00:33:34.000 --> 00:33:37.819
of lack of communication, all the best songs

00:33:37.819 --> 00:33:41.740
were written by Robin Crosby? Robin Crosby co

00:33:41.740 --> 00:33:49.640
-wrote, out of the 10 songs, there's just one,

00:33:49.819 --> 00:33:59.440
two songs, three songs he didn't co -write. So

00:33:59.440 --> 00:34:02.920
he co -wrote seven songs off of this. That goes

00:34:02.920 --> 00:34:06.900
to show what a monster player he was and what

00:34:06.900 --> 00:34:09.179
a big deal he was to this band because they've

00:34:09.179 --> 00:34:11.579
obviously never been the same since. I really

00:34:11.579 --> 00:34:14.420
love Infestation. I think it's great. It sounds

00:34:14.420 --> 00:34:18.539
great. But I mean, it's missing something. It's

00:34:18.539 --> 00:34:22.840
missing Robin. I will say that Stephen's last

00:34:22.840 --> 00:34:27.300
two solo albums are great. And Eric Farentinos

00:34:27.300 --> 00:34:30.360
does a great job of doing that whole Robin Crosby

00:34:30.360 --> 00:34:35.519
style playing. I mean, the song 10 miles wide

00:34:35.519 --> 00:34:40.260
to me is the best song, the best rat song that

00:34:40.260 --> 00:34:43.079
rat never recorded. I can listen to that song

00:34:43.079 --> 00:34:48.199
over and over. I absolutely love that song. So

00:34:48.199 --> 00:34:55.869
up next. Well, It's the next Rad album, Invasion

00:34:55.869 --> 00:34:58.929
of Your Privacy. Probably the only two that I'll

00:34:58.929 --> 00:35:01.150
ever own on vinyl because I love both of these.

00:35:01.389 --> 00:35:04.289
So these are recorded. This was released on May

00:35:04.289 --> 00:35:11.030
30th, 1985. Recorded in 85. Was recorded at Rumbo

00:35:11.030 --> 00:35:14.070
Studios in Los Angeles, which is where Appetite

00:35:14.070 --> 00:35:17.190
for Destruction was later recorded as well. And

00:35:17.190 --> 00:35:20.550
Atlantic in New York. Genre is heavy metal and

00:35:20.550 --> 00:35:24.639
glam metal. Length is 30. 36 minutes, 2 seconds,

00:35:24.840 --> 00:35:28.679
out on Atlantic. Produced by Bo Hill, once again.

00:35:30.420 --> 00:35:34.880
Singles, Lay It Down, June 1985. You're In Love,

00:35:35.159 --> 00:35:39.420
September 85. What You Give Is What You Get was

00:35:39.420 --> 00:35:45.340
released in Japan on January 25th, 1986. So,

00:35:45.420 --> 00:35:48.219
this went two times platinum, so it sold 2 million

00:35:48.219 --> 00:35:54.949
copies. The first time... Ah, Loudwire ranked

00:35:54.949 --> 00:35:57.849
it the eighth best metal album of 1985. There

00:35:57.849 --> 00:36:02.730
you go. The first time that I ever got to listen

00:36:02.730 --> 00:36:07.789
to this was because it was at my public library.

00:36:09.650 --> 00:36:14.010
So I took it out of the library and I recorded

00:36:14.010 --> 00:36:16.710
it on cassette. That's what we did back then,

00:36:16.750 --> 00:36:22.900
folks. We'd have streaming. But we would record

00:36:22.900 --> 00:36:27.800
stuff on cassette. Listen, I was, what, 85? How

00:36:27.800 --> 00:36:32.460
old was I? 12? 12 years old when this came out?

00:36:33.079 --> 00:36:36.960
So there certainly wasn't a cash flow. And whatever

00:36:36.960 --> 00:36:42.920
money I had, you know, I was probably spending

00:36:42.920 --> 00:36:47.119
it. I had 12 comic books, some toys still, I'm

00:36:47.119 --> 00:36:49.179
not going to lie to you, but definitely music.

00:36:52.639 --> 00:37:04.639
Front cover. That is Marianne Gravate. I don't

00:37:04.639 --> 00:37:07.099
know how to pronounce that correctly. She's also

00:37:07.099 --> 00:37:11.500
in the Lay It Down video. So this is the band.

00:37:12.940 --> 00:37:16.480
This is interesting because Robin King Crosby

00:37:16.480 --> 00:37:20.179
with a King V, with so many people that frowned

00:37:20.179 --> 00:37:23.570
upon Rat and... Stuff that they play have since

00:37:23.570 --> 00:37:28.349
played King V's. So yeah, you've got people in

00:37:28.349 --> 00:37:30.590
Slayer, people in Megadeth, so on and so forth.

00:37:31.590 --> 00:37:35.929
But anyway, all right. So let's look at the inside.

00:37:36.010 --> 00:37:41.170
Let's look at the guts. So this isn't really

00:37:41.170 --> 00:37:44.269
much better than out of the cellar. So we're

00:37:44.269 --> 00:37:47.610
getting just the rat logo. There's some info

00:37:47.610 --> 00:37:51.809
on production. We belongs to some of the management

00:37:51.809 --> 00:37:57.230
stuff, endorsements, concert bookings, band security,

00:37:57.570 --> 00:38:03.750
members of the crew, fan club and merch. Wow.

00:38:03.929 --> 00:38:08.130
I wonder if we write to that, if people will

00:38:08.130 --> 00:38:14.230
still respond. All right. So let's look at the

00:38:14.230 --> 00:38:22.070
vinyl itself. And if you guys are listening to

00:38:22.070 --> 00:38:26.250
the audio version, obviously this is an episode

00:38:26.250 --> 00:38:30.610
where you want to check out the video. The vinyl

00:38:30.610 --> 00:38:37.030
is not coming out. It's stuck there. This happened

00:38:37.030 --> 00:38:47.510
to me with the Megadeth P cells. Static is keeping

00:38:47.510 --> 00:38:50.630
it. coming out there we go help loosen it wow

00:38:50.630 --> 00:38:53.469
this is cool i don't have any vinyl like this

00:38:53.469 --> 00:39:22.739
so that is really neat Nothing else in there.

00:39:28.300 --> 00:39:31.639
Cool. So last vinyl that I'm going to be showing

00:39:31.639 --> 00:39:39.940
off here. Someone else told me today that they

00:39:39.940 --> 00:39:42.880
picked this up on vinyl after a recent interview

00:39:42.880 --> 00:39:47.219
that I did with Wolf Tooth. That is episode at

00:39:47.219 --> 00:39:55.719
this point. This is. 4 .36 when it comes out

00:39:55.719 --> 00:40:06.420
on audio. So let's see. 4 .33 was Wolf Tooth,

00:40:06.420 --> 00:40:12.360
I believe. Okay. So Wolf Tooth's Wizard's Light

00:40:12.360 --> 00:40:21.159
on ripple. Heavy, freaky, fuzzy. Wolf Tooth might

00:40:21.159 --> 00:40:24.460
just be the best pure -blooded heavy metal band

00:40:24.460 --> 00:40:29.239
in the world right now. Louder Magazine. This

00:40:29.239 --> 00:40:32.260
album is really good. So it's got everything.

00:40:32.440 --> 00:40:35.980
And it's funny because the PR information says

00:40:35.980 --> 00:40:40.619
that they're, you know, a doom band, a stoner

00:40:40.619 --> 00:40:43.320
band. The band Flat Out told us we're a heavy

00:40:43.320 --> 00:40:47.719
metal band. All right. So this ship to me from

00:40:47.719 --> 00:40:58.789
Lithuania. Took about 10 days to get to me. So

00:40:58.789 --> 00:41:02.570
it is like gold, I guess you would say this is.

00:41:08.110 --> 00:41:11.230
So about the same insert on both sides. You got

00:41:11.230 --> 00:41:23.889
side A, side B. This is Ripple Music. So what

00:41:23.889 --> 00:41:27.389
about this album? It was released in November

00:41:27.389 --> 00:41:33.809
21st, 2025. 300 copies were made, so I got one

00:41:33.809 --> 00:41:36.829
of 300. Mike Jones, who's a patron, also got

00:41:36.829 --> 00:41:40.889
another one. All right, so there's an insert

00:41:40.889 --> 00:41:49.329
with the band and some lyrics. Cool, cool, cool,

00:41:49.429 --> 00:41:56.480
cool, cool, cool, cool. All right. So that's

00:41:56.480 --> 00:42:05.360
the back cover there. This is awesome. Definitely

00:42:05.360 --> 00:42:09.699
an album worth checking out. So two albums from

00:42:09.699 --> 00:42:20.639
2025. Both the... Ooh, the Deftones and the Wolf

00:42:20.639 --> 00:42:23.460
Tooth. And then you've got the two Rat albums,

00:42:23.880 --> 00:42:28.420
The Iron Maiden and Queensryche. So well -rounded.

00:42:29.079 --> 00:42:36.900
Folks, I listen to all types of music. And this

00:42:36.900 --> 00:42:41.780
just goes to show. Don't care the genre. So as

00:42:41.780 --> 00:42:44.059
long as it's good, so long as it speaks to me,

00:42:44.099 --> 00:42:50.699
so long as it says something to me. It's all

00:42:50.699 --> 00:42:54.400
that matters, quite frankly. And if you don't

00:42:54.400 --> 00:42:58.760
get it, that's fine. I like what I like. And

00:42:58.760 --> 00:43:02.480
you like what you like. That's cool, too. I got

00:43:02.480 --> 00:43:12.599
no problem with that, folks. Yeah, so, Tony,

00:43:12.900 --> 00:43:15.599
are you still there? Edgar, are you still there?

00:43:15.780 --> 00:43:19.199
I haven't heard either one of you in a second.

00:43:20.980 --> 00:43:24.440
So, what we're going to be doing for the balance

00:43:24.440 --> 00:43:27.340
of the month, we've got the December albums that

00:43:27.340 --> 00:43:31.420
we're going to talk about. We will be doing the

00:43:31.420 --> 00:43:35.840
2025 albums as well, favorites. If you want to

00:43:35.840 --> 00:43:38.860
vote on that, send me your 10 favorite albums

00:43:38.860 --> 00:43:44.519
from 2025 to SignalsFromMars at SignalsFromMars

00:43:44.519 --> 00:43:47.400
.com. Your favorite hard rock and metal albums

00:43:47.400 --> 00:43:51.429
anyway. And I've also got an interview coming

00:43:51.429 --> 00:43:56.170
up next week with Nathan Saad from the band Struck

00:43:56.170 --> 00:44:00.030
a Nerve. He's also in the band Shrapnel, a band

00:44:00.030 --> 00:44:02.730
that I found out about thanks to Ed Ferguson

00:44:02.730 --> 00:44:08.550
and Jeremy Weltman when doing the recent October,

00:44:08.630 --> 00:44:11.150
November albums review. That's why that's so

00:44:11.150 --> 00:44:13.550
important for us to do that and talk about new

00:44:13.550 --> 00:44:16.449
music because you get turned on to things as

00:44:16.449 --> 00:44:20.599
they come out. And it helps keep this genre alive.

00:44:21.380 --> 00:44:26.420
So I've also got some feelers out for some more

00:44:26.420 --> 00:44:31.880
interviews. I got my VMR podcast, Victor M. Ruiz

00:44:31.880 --> 00:44:37.340
podcast on Patreon. Talk about my recent medical

00:44:37.340 --> 00:44:40.800
struggles there. A little accident that I had.

00:44:41.679 --> 00:44:49.039
And recovering little by little. between my toes

00:44:49.039 --> 00:44:52.500
and the bottom of my shin are no longer purple.

00:44:52.760 --> 00:44:59.599
How about that? Anyway, go to signalsfrommars

00:44:59.599 --> 00:45:04.920
.com for anything regarding the show. You'll

00:45:04.920 --> 00:45:08.300
see replays of previous episodes, both the audio

00:45:08.300 --> 00:45:12.030
and video versions. Due to my accent, I was playing

00:45:12.030 --> 00:45:14.289
catch up with the audio version of the show,

00:45:14.449 --> 00:45:17.909
but everything is caught up at the moment. So

00:45:17.909 --> 00:45:22.690
you'll find all of the episodes that we've released

00:45:22.690 --> 00:45:26.989
on video. You'll find them on the audio format

00:45:26.989 --> 00:45:32.130
as well. You can subscribe to the show. I'm stumbling

00:45:32.130 --> 00:45:34.909
here, fumbling over words. You can subscribe

00:45:34.909 --> 00:45:37.610
to the show on all your favorite podcasting platforms.

00:45:38.760 --> 00:45:43.039
If you go to signalsfrommars .com and actually

00:45:43.039 --> 00:45:45.739
let me do it with you. I used to do this all

00:45:45.739 --> 00:45:50.840
the time when I started doing the live show.

00:45:52.920 --> 00:45:58.920
And I stopped doing it. So let me share the screen

00:45:58.920 --> 00:46:09.900
for you folks. Here we go. Here we go. Tony,

00:46:09.960 --> 00:46:14.380
you're still there. Cool. Awesome. All right.

00:46:14.440 --> 00:46:21.820
So here we go. Signals from our website. The

00:46:21.820 --> 00:46:27.099
current video versions here. I've got the latest

00:46:27.099 --> 00:46:29.460
episode here. And then I've got it broken down

00:46:29.460 --> 00:46:35.820
between interviews. Well, these are the latest

00:46:35.820 --> 00:46:43.719
episodes. That's what it is. There's an episode

00:46:43.719 --> 00:46:48.760
missing from there. 2025 recap is not in there.

00:46:48.800 --> 00:46:53.860
Should be. It's possible that I didn't label

00:46:53.860 --> 00:46:57.659
it as a podcast. Hmm. So I need to fix that anyway.

00:46:57.780 --> 00:47:03.880
So latest interviews, latest music discussions.

00:47:05.550 --> 00:47:14.230
And latest. Monthly album reviews. If you want

00:47:14.230 --> 00:47:17.969
to subscribe to the show. Just go to follow.

00:47:18.750 --> 00:47:32.210
Go to podcast. Load, please. There we go. All

00:47:32.210 --> 00:47:35.769
right. So we've got all your favorite. podcasting

00:47:35.769 --> 00:47:39.570
places where you can subscribe. You've also got

00:47:39.570 --> 00:47:41.989
value for value podcasting. If that's your thing,

00:47:42.070 --> 00:47:45.469
places where you can watch the live stream live

00:47:45.469 --> 00:47:49.269
or replay, and then all the social media sites.

00:47:49.469 --> 00:47:51.949
There's some of these that I no longer use. I

00:47:51.949 --> 00:47:57.329
got to update that. Yeah. So if you so choose,

00:47:57.670 --> 00:48:06.969
you can. You can subscribe there. There are different

00:48:06.969 --> 00:48:09.570
ways to support the site, the Patreon, where

00:48:09.570 --> 00:48:15.309
you can appear later this month for the 2025

00:48:15.309 --> 00:48:19.730
show. And then there's merch, which I'm possibly

00:48:19.730 --> 00:48:24.230
switching up my merch store. And there are options

00:48:24.230 --> 00:48:27.949
to have me edit your podcast or if you want to

00:48:27.949 --> 00:48:34.800
sponsor an episode. But anyway. That's that.

00:48:34.920 --> 00:48:37.420
So if you ever want to keep up with the show,

00:48:37.539 --> 00:48:40.440
haven't checked out an episode recently and want

00:48:40.440 --> 00:48:42.480
to find out what the latest episode is all about,

00:48:42.599 --> 00:48:45.079
you can find it there, signalsfromars .com. And

00:48:45.079 --> 00:48:48.320
then you can go to the various spots, share the

00:48:48.320 --> 00:48:52.219
episodes, like the episodes, subscribe to the

00:48:52.219 --> 00:48:58.139
show on YouTube. Starting to get a slowly but

00:48:58.139 --> 00:49:02.199
surely a decent following. The shorts. have meant

00:49:02.199 --> 00:49:04.760
a lot. If you're following the shorts, if you're

00:49:04.760 --> 00:49:08.199
watching them, thank you, because that's definitely

00:49:08.199 --> 00:49:11.539
helping things out. As of this week, I've got

00:49:11.539 --> 00:49:17.000
275 ,000 views of shorts on YouTube. There are

00:49:17.000 --> 00:49:19.739
things that I'm posting on Instagram and TikTok

00:49:19.739 --> 00:49:25.639
as well as YouTube. Being that it was the third

00:49:25.639 --> 00:49:29.619
anniversary of Bob Nalbandian's passing, I've...

00:49:29.960 --> 00:49:33.780
Taken the only episode that I believe I have

00:49:33.780 --> 00:49:36.239
on video that I recorded with him. I have to

00:49:36.239 --> 00:49:39.559
dig into some of my video files. I may have some

00:49:39.559 --> 00:49:44.199
other videos with Bob somewhere else. I need

00:49:44.199 --> 00:49:49.480
to check that out. But because the third anniversary

00:49:49.480 --> 00:49:52.619
of his passing, which has gone by way too fast,

00:49:52.860 --> 00:50:01.230
I wanted to honor him. And so I've created shorts

00:50:01.230 --> 00:50:04.489
out of the, an episode that we did back in 2021.

00:50:05.630 --> 00:50:10.829
Also, I've done that with some John Bush with

00:50:10.829 --> 00:50:13.510
a John Bush interview. I just want to see how

00:50:13.510 --> 00:50:16.050
that performs, you know, because I've got a bunch

00:50:16.050 --> 00:50:20.449
of older episodes where the long form is there,

00:50:20.590 --> 00:50:25.929
but the shorts are definitely. helping draw people

00:50:25.929 --> 00:50:28.650
in. So why not? I've got the content. If it helps

00:50:28.650 --> 00:50:33.150
draw people to the podcast, so be it. And I'm

00:50:33.150 --> 00:50:36.110
changing and updating things as things go on.

00:50:36.289 --> 00:50:38.610
So even if there are certain things that I'm

00:50:38.610 --> 00:50:41.849
using now that aren't working, maybe in the future

00:50:41.849 --> 00:50:46.250
there will be something else. Anyway, guys, I

00:50:46.250 --> 00:50:49.309
want to thank you so much for joining me. Tony

00:50:49.309 --> 00:50:53.489
Espin. Edgar Winterson also, anyone else that

00:50:53.489 --> 00:50:59.110
watches the show, the replay, or listens to the

00:50:59.110 --> 00:51:01.150
audio version, thank you as well. Thank you for

00:51:01.150 --> 00:51:03.289
sharing the episodes, liking them, so on and

00:51:03.289 --> 00:51:07.289
so forth. On that note, I'll see you next time

00:51:07.289 --> 00:51:11.530
right here on Signals from Mars. See you, folks.

00:51:32.539 --> 00:51:35.960
Go to signalsfrommars .com for more information.

00:51:36.199 --> 00:51:37.440
This concludes our show.
