WEBVTT

00:00:00.300 --> 00:00:04.759
Welcome everyone to episode 437 of Signals From

00:00:04.759 --> 00:00:07.599
Mars. I'm your host Victor and for this episode

00:00:07.599 --> 00:00:12.839
we bring you an interview with guitarist Nathan

00:00:12.839 --> 00:00:17.019
Sadd of the band. It's actually of two bands,

00:00:17.219 --> 00:00:20.660
Struck A Nerve and Shrapnel. We're here to talk,

00:00:20.679 --> 00:00:22.839
we talk about both bands, but we mostly talk

00:00:22.839 --> 00:00:25.440
about Struck A Nerve who released their debut

00:00:25.440 --> 00:00:58.960
album in late November. I'm ready. Quick reminder

00:00:58.960 --> 00:01:01.359
that in addition to hosting Signals from Mars,

00:01:01.619 --> 00:01:04.060
I've also worked behind the scenes helping other

00:01:04.060 --> 00:01:07.200
podcasters. With over 16 years of experience

00:01:07.200 --> 00:01:10.480
and more than 1200 episodes that I've produced

00:01:10.480 --> 00:01:13.739
or appeared on, I offer podcasting, editing,

00:01:14.019 --> 00:01:17.480
ghost hosting interviews, and repurposing content

00:01:17.480 --> 00:01:21.359
into viral clips, show notes, transcripts, and

00:01:21.359 --> 00:01:24.599
social media posts. If you've got a podcast and

00:01:24.599 --> 00:01:27.079
need help making it sound professional, or if

00:01:27.079 --> 00:01:30.480
you want to turn your episodes into content that

00:01:30.480 --> 00:01:33.219
actually grows your audience, I can help. Check

00:01:33.219 --> 00:01:37.140
out the podcasting services page over at signalsfrommars

00:01:37.140 --> 00:01:39.519
.com. Just go all the way to the right on the

00:01:39.519 --> 00:01:42.000
menu. You'll see work with me, hover over that,

00:01:42.180 --> 00:01:45.980
and you'll see podcast services and sponsorship.

00:01:46.140 --> 00:01:49.299
Let me help you make your podcast stand out.

00:01:49.400 --> 00:01:52.280
Speaking of sponsorships. Signals from Mars is

00:01:52.280 --> 00:01:55.579
sponsored by listeners like you and also by great

00:01:55.579 --> 00:01:58.540
sponsors. If you've got a brand, product, or

00:01:58.540 --> 00:02:01.500
service that connects with rock and metal fans,

00:02:01.739 --> 00:02:04.219
I'd love to work with you. Our audience isn't

00:02:04.219 --> 00:02:07.140
casual. They're collectors, concert goers, and

00:02:07.140 --> 00:02:09.860
gear buyers who support the bands and brands

00:02:09.860 --> 00:02:13.210
they love. Sponsorship packages start at just

00:02:13.210 --> 00:02:16.909
$150 a month and include on -air mentions, social

00:02:16.909 --> 00:02:20.110
media plugs, and even product features. If you

00:02:20.110 --> 00:02:23.289
want to connect with a loyal rock and metal audience,

00:02:23.590 --> 00:02:26.770
head on over to the sponsorship page on signalsformars

00:02:26.770 --> 00:02:38.889
.com to learn more. If you listen to my show,

00:02:39.719 --> 00:02:42.639
You know that I always talk about how important

00:02:42.639 --> 00:02:47.379
it is to listen to new music and why you should

00:02:47.379 --> 00:02:51.539
check out our monthly album reviews. And listen,

00:02:51.659 --> 00:02:54.520
we don't always get them out on time, but the

00:02:54.520 --> 00:02:58.379
music lasts forever. So, for example, a few episodes

00:02:58.379 --> 00:03:03.479
ago, we released October, November of 2025. Yes,

00:03:03.620 --> 00:03:06.400
I know we're in 2026, but it's still important

00:03:06.400 --> 00:03:09.150
for that episode to come out. and hear us talk

00:03:09.150 --> 00:03:12.330
about bands that we got turned on to, albums

00:03:12.330 --> 00:03:14.490
that we think are worth your while, so on and

00:03:14.490 --> 00:03:17.210
so forth, Struck Nerve is one of these bands.

00:03:17.550 --> 00:03:22.030
And I'm lucky that I have a good, tight -knit

00:03:22.030 --> 00:03:26.030
group of patrons, and a few of them like to come

00:03:26.030 --> 00:03:29.270
on and talk about new music and discover new

00:03:29.270 --> 00:03:32.710
music at the same time as I do. So Struck Nerve

00:03:32.710 --> 00:03:35.370
was something that Jeremy and Ed both talked

00:03:35.370 --> 00:03:39.139
about. It was an album that I honestly did not

00:03:39.139 --> 00:03:42.240
check out initially, but after them talking the

00:03:42.240 --> 00:03:47.479
album up, I figured I need to listen to this.

00:03:47.860 --> 00:03:52.000
I've done a series of thrash bands in the last

00:03:52.000 --> 00:03:54.680
few months where I've interviewed them, whether

00:03:54.680 --> 00:03:57.240
that's Mezro, whether that's Condition Critical.

00:03:57.580 --> 00:04:01.780
Well, Struck a Nerve, interestingly enough, from

00:04:01.780 --> 00:04:05.419
England, Mezro from Sweden, and Condition Critical,

00:04:05.979 --> 00:04:10.000
from New Jersey, from the US, all from different

00:04:10.000 --> 00:04:13.139
parts of the world, but they all love metal.

00:04:13.259 --> 00:04:16.660
They all love thrash. And it's so important to

00:04:16.660 --> 00:04:20.819
keep this ball rolling, folks. So it just so

00:04:20.819 --> 00:04:23.620
happened that at the time that I had finished

00:04:23.620 --> 00:04:27.459
listening to the album, I received an email from

00:04:27.459 --> 00:04:32.980
their PR, from Dustin Hartman, mentioning that

00:04:34.120 --> 00:04:35.680
that they're available for interviews. So I do

00:04:35.680 --> 00:04:38.139
have to thank Dustin for helping me set everything

00:04:38.139 --> 00:04:40.819
up. So this is a real cool interview. I hope

00:04:40.819 --> 00:04:43.139
that if nothing else, you check the album out,

00:04:43.199 --> 00:04:47.199
you check out Nathan's other band, Shrapnel,

00:04:47.259 --> 00:04:50.959
and decide, man, it's up to you guys. I put these

00:04:50.959 --> 00:04:53.639
interviews together of things that I think that

00:04:53.639 --> 00:04:56.100
you guys will enjoy and that I enjoy at the same

00:04:56.100 --> 00:04:59.720
time. And I hope it's a worthwhile listen to

00:04:59.720 --> 00:05:02.779
you guys. And in the end. If you enjoy the band,

00:05:02.899 --> 00:05:05.720
if you enjoy the discussion, check them out.

00:05:05.779 --> 00:05:10.779
If you're not into Apple Music or Spotify, go

00:05:10.779 --> 00:05:15.600
to Bandcamp. And if you like what you hear, support

00:05:15.600 --> 00:05:17.660
the band. Pick up the physical media. We talk

00:05:17.660 --> 00:05:20.360
about that during every interview because it

00:05:20.360 --> 00:05:23.259
is important to support these bands. Again, to

00:05:23.259 --> 00:05:27.339
keep the ball rolling. It is so crucial to them

00:05:27.339 --> 00:05:31.160
and for us. As lovers of this kind of music of

00:05:31.160 --> 00:05:33.339
hard rock and metal, in this case, specifically

00:05:33.339 --> 00:05:37.879
thrash to do our part to keep things going. And

00:05:37.879 --> 00:05:40.839
yeah, as much as we love all the old school bands

00:05:40.839 --> 00:05:43.779
and everything that they've done, I think it's

00:05:43.779 --> 00:05:46.720
important to expand that soundtrack of our lives.

00:05:47.060 --> 00:05:50.879
So without further ado, let's check out this

00:05:50.879 --> 00:06:12.170
interview with Nathan. Welcome everyone to the

00:06:12.170 --> 00:06:14.949
latest episode of Signals from Mars. Joining

00:06:14.949 --> 00:06:18.829
me today is Nathan from Struckenerve. Nathan,

00:06:19.029 --> 00:06:21.490
how are you, sir? I'm good, man. Rushed off my

00:06:21.490 --> 00:06:24.970
feet, but we're good. We're patching holes up

00:06:24.970 --> 00:06:29.389
here. Last minute crises over there. My phone

00:06:29.389 --> 00:06:32.949
blowing up with mistakes. But apart from that,

00:06:32.990 --> 00:06:36.529
we're good, man. Enjoying Christmas and how are

00:06:36.529 --> 00:06:41.230
you? I'm doing well myself. Not in crisis mode

00:06:41.230 --> 00:06:43.110
like you are at the moment, but hopefully you

00:06:43.110 --> 00:06:47.509
guys can straighten everything all out. We're

00:06:47.509 --> 00:06:52.269
good. Yeah, so when people talk about the big

00:06:52.269 --> 00:06:56.050
four of thrash, they usually talk about four

00:06:56.050 --> 00:06:59.550
American thrash bands. You guys are obviously

00:06:59.550 --> 00:07:02.870
from England, from the UK. Who would you say

00:07:02.870 --> 00:07:09.899
are the big four of UK thrash? Ooh. Good question.

00:07:10.220 --> 00:07:11.980
It's a bit of an argument over here. So, yeah,

00:07:12.060 --> 00:07:13.399
I mean, if you're talking old school, you've

00:07:13.399 --> 00:07:17.800
got to include Zentrix. You've got Sabbat, Slammer.

00:07:18.040 --> 00:07:19.879
We had some, you know, Lawmower Death. We had

00:07:19.879 --> 00:07:23.399
some killer bands back in the day. That's missing

00:07:23.399 --> 00:07:26.620
a whole bunch as well. I mean, you know, since

00:07:26.620 --> 00:07:29.040
then, Evile have definitely staked the claim,

00:07:29.079 --> 00:07:32.439
I think. They definitely, you know, early, well,

00:07:32.519 --> 00:07:34.839
late 2000s were definitely, I think, instrumentally

00:07:34.839 --> 00:07:36.519
popularizing thrash again, especially in the

00:07:36.519 --> 00:07:39.839
UK. So for me, they have to be in there. I think

00:07:39.839 --> 00:07:43.180
arguably they did end up doing more than a lot

00:07:43.180 --> 00:07:45.180
of the old school bands did anyway. So yeah,

00:07:45.199 --> 00:07:47.540
I think they're sort of, them and Zentrix for

00:07:47.540 --> 00:07:49.540
me are like really, they're top of the pile for

00:07:49.540 --> 00:07:52.360
UK thrash. I would say Gamma Bomb, but they don't

00:07:52.360 --> 00:07:54.620
class themselves as being from the UK. So they're

00:07:54.620 --> 00:07:58.759
Irish through and through. So, you know, they're

00:07:58.759 --> 00:08:04.819
close. It was funny. Go ahead. I'm sorry. Yeah,

00:08:04.920 --> 00:08:06.379
we're lucky. We've had some great bands over

00:08:06.379 --> 00:08:09.139
here. So we feel like we're, continuing a pretty

00:08:09.139 --> 00:08:12.000
rich tradition in the UK. It was funny. I was

00:08:12.000 --> 00:08:14.339
researching the band and saw that your drummer

00:08:14.339 --> 00:08:19.639
had played in Gamma Bomb. And I was like, wait

00:08:19.639 --> 00:08:22.300
a second. Are they from Northern Ireland or from

00:08:22.300 --> 00:08:24.500
Ireland? I don't want to mess that up just in

00:08:24.500 --> 00:08:27.420
case. We still do. We're really terrible for

00:08:27.420 --> 00:08:31.579
it. They've shifted over time. I think they have

00:08:31.579 --> 00:08:33.659
a mix of kind of British passport. I think some

00:08:33.659 --> 00:08:35.960
of them lived close to Northern Ireland, but

00:08:35.960 --> 00:08:37.840
I think more over time, their identity now is

00:08:37.840 --> 00:08:44.720
very much, they're Irish. Yeah. Okay. Okay, cool.

00:08:46.100 --> 00:08:50.820
How has being from Norwich influenced you guys

00:08:50.820 --> 00:08:54.440
as a band? I mean, Norwich, you know, in our

00:08:54.440 --> 00:08:57.320
old bands, I mean, still my current band, Shrapnel,

00:08:57.360 --> 00:09:00.259
when we started, Norwich has always been, it's

00:09:00.259 --> 00:09:02.200
not like a backwater, but it's really out of

00:09:02.200 --> 00:09:05.059
the way compared to other places in the UK. When

00:09:05.059 --> 00:09:07.620
thrash really re -emerged here in the 2000s,

00:09:07.620 --> 00:09:10.440
it was very much a northern phenomena. I mean,

00:09:10.480 --> 00:09:12.639
London is London, so it was certainly quite alive

00:09:12.639 --> 00:09:17.519
there. But Norwich is a pretty sleepy city. I've

00:09:17.519 --> 00:09:19.179
since moved away. I've been away from Norwich

00:09:19.179 --> 00:09:22.919
here in Oxford for, what, like six years or something?

00:09:23.539 --> 00:09:26.399
And since I've been away... Hey, actually Norwich

00:09:26.399 --> 00:09:28.980
is now absolutely exploded. The scene there is

00:09:28.980 --> 00:09:31.259
really is like amazing. Every time I go back

00:09:31.259 --> 00:09:33.360
now, I'm really, I'm blown away with this, like

00:09:33.360 --> 00:09:36.580
a new incredible band. They're all super young,

00:09:36.720 --> 00:09:40.039
really enthusiastic. Every venue you go to is

00:09:40.039 --> 00:09:43.139
like, feels really alive. And yes, it's been

00:09:43.139 --> 00:09:45.779
really nice actually this time around to, to

00:09:45.779 --> 00:09:49.389
sort of be inspired by the local scene. But yeah,

00:09:49.490 --> 00:09:50.730
it's, it's absolutely incredible. I've got, you

00:09:50.730 --> 00:09:52.669
know, a young band called Bird Witch who would

00:09:52.669 --> 00:09:55.110
literally, I mean, they're like 19, 20 and, uh,

00:09:55.129 --> 00:09:57.409
you know, they're packing out venues and it's

00:09:57.409 --> 00:09:59.950
just, it feels really alive. So when we, when

00:09:59.950 --> 00:10:03.009
we show us now, it, it really, you know, it puts,

00:10:03.009 --> 00:10:05.850
puts the wind, winds to, yeah, it's a really

00:10:05.850 --> 00:10:08.289
joy to drive forward and see sort of these young

00:10:08.289 --> 00:10:10.289
bands coming through and up the arse a bit to

00:10:10.289 --> 00:10:14.850
be fair. Yeah, that's, that's always good. I

00:10:14.850 --> 00:10:16.629
mean, it makes sure that you're not comfortable

00:10:16.629 --> 00:10:19.929
and just, kind of set in your ways makes you

00:10:19.929 --> 00:10:23.029
kind of evolve and keep moving forward yeah exactly

00:10:23.029 --> 00:10:25.110
it's really turned the shows that we do back

00:10:25.110 --> 00:10:28.830
home into such a mixed crowd as well uh that's

00:10:28.830 --> 00:10:31.269
lovely to see it's just it's been i think every

00:10:31.269 --> 00:10:32.769
single show we've done in our hometown has been

00:10:32.769 --> 00:10:35.649
amazing so it's been uh yeah we feel pretty fortunate

00:10:35.649 --> 00:10:39.950
to sort of be part of it really okay so the self

00:10:39.950 --> 00:10:43.750
-titled struck a nerve album came out last month

00:10:43.750 --> 00:10:47.799
in november um but you guys have been releasing

00:10:47.799 --> 00:10:54.000
singles since the spring of 2024. Um, is there

00:10:54.000 --> 00:10:56.759
a specific reason why it took so long from the

00:10:56.759 --> 00:10:59.500
first single to the actual full album coming

00:10:59.500 --> 00:11:02.980
out? I think, I think in terms of like the, the

00:11:02.980 --> 00:11:05.179
aims of the band have changed. Like when we,

00:11:05.200 --> 00:11:07.399
when we started me and Chris, we were really

00:11:07.399 --> 00:11:13.500
doing it for a bit of a bit of a laugh. Um, and

00:11:13.500 --> 00:11:15.620
time, but with our other band and we were just

00:11:15.620 --> 00:11:18.450
like, a bit bored so we started this new thrash

00:11:18.450 --> 00:11:22.029
thing and uh we wanted to kind of soft launch

00:11:22.029 --> 00:11:25.309
it so we just did a few shows to start with and

00:11:25.309 --> 00:11:28.049
it just it picked up a lot of momentum like really

00:11:28.049 --> 00:11:31.950
really quickly so coming into 2025 we had the

00:11:31.950 --> 00:11:34.370
entirety of the drums already recorded for the

00:11:34.370 --> 00:11:37.330
records so we had an album sat there and we were

00:11:37.330 --> 00:11:39.389
just kind of working on it as and when in our

00:11:39.389 --> 00:11:42.279
own time really um yeah and we kind of soft launch

00:11:42.279 --> 00:11:45.179
things but as 2025 started we did a tour in early

00:11:45.179 --> 00:11:48.159
2025 and it just went absolutely amazingly well

00:11:48.159 --> 00:11:49.919
we dropped a new single and it did really really

00:11:49.919 --> 00:11:52.700
well and just really yeah again it sort of put

00:11:52.700 --> 00:11:54.580
the wind in our sails to be like oh this is this

00:11:54.580 --> 00:11:57.580
is actually something us you know worth us doing

00:11:57.580 --> 00:12:01.700
properly um and so we yeah we got the album done

00:12:01.700 --> 00:12:03.159
and it was so it turned into something that we

00:12:03.159 --> 00:12:05.919
were doing as a bit of a side thing to something

00:12:05.919 --> 00:12:07.500
that we're putting a lot of time into and just

00:12:07.500 --> 00:12:11.510
amazed at how well it's growing really Okay.

00:12:11.510 --> 00:12:15.049
And you guys hooked up with Listenable to put

00:12:15.049 --> 00:12:19.990
the album out. How important is Listenable to

00:12:19.990 --> 00:12:22.389
Struck A Nerve? What do they help you guys with?

00:12:22.509 --> 00:12:26.009
And what has it meant for you guys to sign with

00:12:26.009 --> 00:12:30.269
a label like that with their reputation? Yeah,

00:12:30.330 --> 00:12:32.549
we've been blown away. We were really, really

00:12:32.549 --> 00:12:36.440
lucky. We were going to do everything DIY. We've

00:12:36.440 --> 00:12:39.399
had this kind of strong kind of DIY sort of began

00:12:39.399 --> 00:12:41.200
and we really had no intention of getting a record

00:12:41.200 --> 00:12:45.059
label. And it wasn't until we were on tour with

00:12:45.059 --> 00:12:47.600
our friends in Chemicide who, you know, they

00:12:47.600 --> 00:12:49.379
just put a record out with Listenable as well.

00:12:50.580 --> 00:12:52.080
Frankie was just saying to me on the road, he

00:12:52.080 --> 00:12:53.679
was like, give them a try. You have to. It's

00:12:53.679 --> 00:12:56.600
been going really well for us because he's always

00:12:56.600 --> 00:12:57.960
been the same with Chemicide. They've always

00:12:57.960 --> 00:13:01.240
been very, very, very DIY. And he was just, he

00:13:01.240 --> 00:13:03.759
kept singing their praises. Our friends in Devastator,

00:13:05.070 --> 00:13:07.370
are on the same label zentrix as well and they've

00:13:07.370 --> 00:13:10.250
all said the same thing just you know really

00:13:10.250 --> 00:13:12.669
good label check them out so yeah we got back

00:13:12.669 --> 00:13:15.590
from this uk tour in summer um i was like okay

00:13:15.590 --> 00:13:17.169
man i'll send them i'll send them the record

00:13:17.169 --> 00:13:19.970
not really expecting to hear much back and literally

00:13:19.970 --> 00:13:22.909
two days later after sending laurent uh our label

00:13:22.909 --> 00:13:25.809
guy um literally two days later it came straight

00:13:25.809 --> 00:13:28.730
back so right let's do this let's go um and he's

00:13:28.730 --> 00:13:32.460
been incredible it's been you know just super

00:13:32.460 --> 00:13:34.460
fast moving on getting all the vinyls produced

00:13:34.460 --> 00:13:37.120
getting all the prs it's been really we've been

00:13:37.120 --> 00:13:39.059
blown away uh we've not really had that experience

00:13:39.059 --> 00:13:42.100
with a label before we've had kind of a bit of

00:13:42.100 --> 00:13:44.519
a fractious history with with label stuff so

00:13:44.519 --> 00:13:48.539
to see it working as you know i think it's supposed

00:13:48.539 --> 00:13:50.960
to and being a smaller independent and sort of

00:13:50.960 --> 00:13:54.379
they're a label who are quicker to react to things

00:13:54.379 --> 00:13:57.059
they can get stuff done when it needs to be done

00:13:57.059 --> 00:13:59.659
um So we were originally supposed to release

00:13:59.659 --> 00:14:01.440
the album in November as we got signed. And then

00:14:01.440 --> 00:14:03.580
they were able to turn it, sorry, we were supposed

00:14:03.580 --> 00:14:06.679
to release it in October. And then we delayed.

00:14:07.059 --> 00:14:09.100
They got everything printed, everything ready.

00:14:09.340 --> 00:14:11.779
You know, our advance came through within like

00:14:11.779 --> 00:14:14.740
a month and it was all done and in my hands already.

00:14:15.799 --> 00:14:18.659
So yeah, it's been an incredible experience.

00:14:18.879 --> 00:14:20.639
I think we're really, really excited to see what

00:14:20.639 --> 00:14:26.639
we do with them next in 2026. Okay. Yeah, so.

00:14:27.080 --> 00:14:29.120
You've also alluded to this. You're a member

00:14:29.120 --> 00:14:32.620
of the band shrapnel as well. You're the, both

00:14:32.620 --> 00:14:36.559
bands are still currently going. Um, yeah, yeah.

00:14:36.659 --> 00:14:40.399
It's, it's made the balance, but both bands are

00:14:40.399 --> 00:14:43.500
off, obviously sonically different. They're still

00:14:43.500 --> 00:14:47.279
metal bands, but you know, uh, they're, they're

00:14:47.279 --> 00:14:51.200
definitely differences between them. Um, you

00:14:51.200 --> 00:14:53.220
mentioned before that struck a nerve kind of

00:14:53.220 --> 00:14:56.379
came out of, you know, almost like a joke initially.

00:14:58.500 --> 00:15:01.279
But obviously, in order to write this, you've

00:15:01.279 --> 00:15:04.019
got other avenues that you're looking to travel

00:15:04.019 --> 00:15:06.840
with the different types of music that you're

00:15:06.840 --> 00:15:09.320
able to write, even though it started out that

00:15:09.320 --> 00:15:14.799
way. Has there been, you know, a feeling along

00:15:14.799 --> 00:15:17.519
the way for you? You know, I've got this other

00:15:17.519 --> 00:15:20.120
side of me. I want to do something a little different.

00:15:20.179 --> 00:15:24.919
I love this, but I also love this. Yeah, I mean,

00:15:24.940 --> 00:15:27.190
that's been the case all the way along. you know

00:15:27.190 --> 00:15:31.029
i got into metal in the late 90s and one of those

00:15:31.029 --> 00:15:33.850
people who who i was a sponge with it when i

00:15:33.850 --> 00:15:36.389
was growing up like i love everything doom metal

00:15:36.389 --> 00:15:40.070
you know 70s rock 70s metal 80s i love him i'm

00:15:40.070 --> 00:15:42.929
a punk fan i'm a cross punk fan so i'm always

00:15:42.929 --> 00:15:45.169
and i'm a bit in general my personality is very

00:15:45.169 --> 00:15:49.330
much i flick the thing between things all the

00:15:49.330 --> 00:15:52.309
time so like how much since we started we've

00:15:52.309 --> 00:15:56.230
been going I've always wanted to do something

00:15:56.230 --> 00:15:59.549
different with it each time. So we started as

00:15:59.549 --> 00:16:02.009
very much, you know, we were in that early wave

00:16:02.009 --> 00:16:04.769
and each album we tried to make really different.

00:16:04.850 --> 00:16:06.450
We were sort of inspired by death metal at one

00:16:06.450 --> 00:16:09.610
point, heavy metal at one point. You know, the

00:16:09.610 --> 00:16:11.210
newest stuff is much more sort of metalcore,

00:16:11.250 --> 00:16:15.529
modern stuff. You know, Thrash has been my, you

00:16:15.529 --> 00:16:17.649
know, Exodus, Slayer, all that stuff has been

00:16:17.649 --> 00:16:21.870
my bread and butter since I was a kid. So it's

00:16:21.870 --> 00:16:26.649
my, it's my, And me and Chris as well, the stuff

00:16:26.649 --> 00:16:29.490
that we like to write together is very much,

00:16:29.570 --> 00:16:33.309
you know, just struck an end with no external

00:16:33.309 --> 00:16:37.070
pressure, no box ticking, no expectations, just

00:16:37.070 --> 00:16:40.509
me and my friends writing the music that we love.

00:16:41.330 --> 00:16:43.809
So I think in a way it's a bit of a return to

00:16:43.809 --> 00:16:46.769
stuff I've done in the past and sort of a return

00:16:46.769 --> 00:16:49.970
to like the core music that, you know, all four

00:16:49.970 --> 00:16:53.080
of us, that's our... that we share we're all

00:16:53.080 --> 00:16:55.720
slayer fans we're all sort of big four fans uh

00:16:55.720 --> 00:16:57.960
we love our old school thrash and and death metal

00:16:57.960 --> 00:17:01.120
and stuff so yeah i think it's just a return

00:17:01.120 --> 00:17:03.799
to those sort of basic build and blocks of what

00:17:03.799 --> 00:17:08.140
we love really okay and the songs that are on

00:17:08.140 --> 00:17:12.319
the self -titled debut are they songs that you

00:17:12.319 --> 00:17:17.220
started writing when you decided that you wanted

00:17:17.220 --> 00:17:19.700
to put this project together or are they things

00:17:19.700 --> 00:17:23.680
that you had yeah no they were all most of the

00:17:23.680 --> 00:17:25.420
albums written within like three months really

00:17:25.420 --> 00:17:28.420
um oh wow chris himself uh our drummer chris

00:17:28.420 --> 00:17:32.460
is a good songwriter himself so he got um especially

00:17:32.460 --> 00:17:33.960
during covid he got really little programming

00:17:33.960 --> 00:17:36.480
drums and stuff so he was able to send me like

00:17:36.480 --> 00:17:38.859
full full songs so something like raining death

00:17:38.859 --> 00:17:42.579
on the album is you know he just sent me over

00:17:42.579 --> 00:17:45.400
a full full drum track with kind of ideas of

00:17:45.400 --> 00:17:47.660
you know how riffs should be highlighted and

00:17:47.660 --> 00:17:50.119
things like that um so between me and him we

00:17:50.730 --> 00:17:55.069
We wrote the vast majority, I think, in early...

00:17:55.069 --> 00:17:57.009
I can't exactly... The timeline is really blurry

00:17:57.009 --> 00:17:59.690
because we did it as a bit of a giggle, just

00:17:59.690 --> 00:18:03.029
me and my mate. It's hard to remember the exact

00:18:03.029 --> 00:18:05.049
timeline, but I remember we wrote this thing

00:18:05.049 --> 00:18:07.589
really, really quickly and then maybe things

00:18:07.589 --> 00:18:09.890
like Leviathan Wings came a little bit later

00:18:09.890 --> 00:18:14.609
as we were booking in for a recording. But yeah,

00:18:14.630 --> 00:18:16.769
it was done really quickly and what you hear

00:18:16.769 --> 00:18:22.880
is what we wrote at the time. Okay. And you just

00:18:22.880 --> 00:18:26.640
mentioned that with shrapnel, you've gone through

00:18:26.640 --> 00:18:30.759
different phases of the band. So how did you

00:18:30.759 --> 00:18:33.480
choose to keep these songs all struck a nerve

00:18:33.480 --> 00:18:37.500
and not save any for shrapnel? I think that the

00:18:37.500 --> 00:18:39.839
two things are sort of vastly different now when

00:18:39.839 --> 00:18:41.440
it's two different mind spaces to be in, right?

00:18:41.519 --> 00:18:44.660
So when we're doing struck a nerve stuff, it's

00:18:44.660 --> 00:18:48.720
very much savage, short, sharp. thrash music

00:18:48.720 --> 00:18:51.480
that we love and then i think you know the other

00:18:51.480 --> 00:18:54.660
side of my mind with the shrapnel stuff more

00:18:54.660 --> 00:18:56.740
lately has been this is something a year and

00:18:56.740 --> 00:19:00.079
really sort of ponder over and and be a bit more

00:19:00.079 --> 00:19:05.099
melodic and a bit more yeah just too too dependent

00:19:05.099 --> 00:19:07.339
on the mood that we're in then so you know where

00:19:07.339 --> 00:19:08.980
we're getting busy at the minute writing a follow

00:19:08.980 --> 00:19:11.180
-up for for struck a nerve and it's very much

00:19:11.180 --> 00:19:15.099
you know getting into the mind the mindset of

00:19:15.099 --> 00:19:17.970
this is the mission we're doing these but brutal

00:19:17.970 --> 00:19:21.289
short thrash songs. And that's, that's just one

00:19:21.289 --> 00:19:23.589
avenue of the things that I love. So I don't

00:19:23.589 --> 00:19:25.930
find it too difficult to flip between the two

00:19:25.930 --> 00:19:29.150
things. Um, it's been, yeah, that's the, that's

00:19:29.150 --> 00:19:31.589
the mode we're in at the minute. So we're, we're,

00:19:31.589 --> 00:19:35.569
we're cracking on. Okay. You're writing album

00:19:35.569 --> 00:19:38.109
number two. You're saying you pursue sitting

00:19:38.109 --> 00:19:41.630
on the tracks for a little bit then. Yeah. I

00:19:41.630 --> 00:19:43.630
think we're probably about halfway there to be

00:19:43.630 --> 00:19:48.220
fair. Um, I think, We'll be doing a lot of writing

00:19:48.220 --> 00:19:51.240
literally in the next week or so. We'll be trying

00:19:51.240 --> 00:19:53.960
to get quite a bit done before everybody returns

00:19:53.960 --> 00:19:57.819
to normality for the new year. But yeah, I think

00:19:57.819 --> 00:20:00.180
we'll be trying to get into the studio. We might

00:20:00.180 --> 00:20:01.819
be trying to get in a bit earlier than that to

00:20:01.819 --> 00:20:04.519
do, there's an idea of maybe putting an EP out

00:20:04.519 --> 00:20:09.140
before our next tour. But yeah, it will come

00:20:09.140 --> 00:20:11.160
together pretty quick, I think. Especially, you

00:20:11.160 --> 00:20:13.960
know, we've got Aaron and Lex sort of on board

00:20:13.960 --> 00:20:15.599
right from the beginning of the process this

00:20:15.599 --> 00:20:18.549
time as well. And Lex is an amazing songwriter,

00:20:18.569 --> 00:20:21.069
absolutely incredible guitar player. So the stuff

00:20:21.069 --> 00:20:23.789
he's been sending over is great as well. So I

00:20:23.789 --> 00:20:26.069
think it's going to come together pretty quick

00:20:26.069 --> 00:20:29.329
over the next couple of months. Okay. And outside

00:20:29.329 --> 00:20:32.589
of the separation you just mentioned between

00:20:32.589 --> 00:20:38.230
Shrapnel and Struck a Nerve, was there anything

00:20:38.230 --> 00:20:41.069
else that you specifically wanted to do on this

00:20:41.069 --> 00:20:44.069
album that you hadn't done in the past on any

00:20:44.069 --> 00:20:47.839
of your previous work? Yeah, I think really keeping

00:20:47.839 --> 00:20:50.400
things tight. We really wanted to aim for a half

00:20:50.400 --> 00:20:55.140
an hour record. We really set that 32, 33 minutes.

00:20:55.220 --> 00:20:56.859
It's like that's the maximum. We're not going

00:20:56.859 --> 00:21:00.960
over that. Because I think it keeps us constrained.

00:21:01.779 --> 00:21:04.779
We did an album with Aaron before with Shrapnel.

00:21:04.839 --> 00:21:08.559
He was on our third record. And it ended up being

00:21:08.559 --> 00:21:11.000
like an hour long. It's a cool album and stuff,

00:21:11.039 --> 00:21:13.740
but I think it's overwritten and we didn't set

00:21:13.740 --> 00:21:17.400
enough guardrails on. you know trying to prevent

00:21:17.400 --> 00:21:19.460
ourselves from going too far and doing too much

00:21:19.460 --> 00:21:21.660
so i think this time we were really much like

00:21:21.660 --> 00:21:23.180
this is gonna be half an hour that's what we're

00:21:23.180 --> 00:21:25.299
doing it's gonna be eight nine ten songs max

00:21:25.299 --> 00:21:28.819
that's the rules and that's the only rules we've

00:21:28.819 --> 00:21:31.319
got we're keeping it short so i think yeah that

00:21:31.319 --> 00:21:34.099
was certainly in our minds um and we've never

00:21:34.099 --> 00:21:36.299
really approached an album like that before we're

00:21:36.299 --> 00:21:38.579
gonna keep this as energetic as possible and

00:21:38.579 --> 00:21:41.779
if it's longer than 32 it's not it's not on there

00:21:42.339 --> 00:21:44.700
I think it's really helped the record. I think

00:21:44.700 --> 00:21:49.079
it's made the album really streamlined and catchy

00:21:49.079 --> 00:21:53.240
and something that you want to put on. Definitely.

00:21:53.480 --> 00:21:56.720
I would have to agree with that. It is 32 minutes

00:21:56.720 --> 00:22:00.880
exact. And it's funny because I had this discussion

00:22:00.880 --> 00:22:04.960
with another thrash band recently. I think the

00:22:04.960 --> 00:22:08.019
music. lends itself to that as well and makes

00:22:08.019 --> 00:22:10.700
it an easy listen, like you said, where you can

00:22:10.700 --> 00:22:14.279
listen to it a bunch of times without an issue.

00:22:14.440 --> 00:22:19.799
I think this happened back when the CDs started

00:22:19.799 --> 00:22:24.180
becoming super popular, where bands could put

00:22:24.180 --> 00:22:27.160
out albums that were 74 minutes long, but it

00:22:27.160 --> 00:22:30.240
wasn't necessarily a good thing either, because

00:22:30.240 --> 00:22:34.029
especially for, I think, thrash. Uh, for a lot

00:22:34.029 --> 00:22:35.990
of bands, it got to a point where it was like,

00:22:36.069 --> 00:22:39.769
okay, well I get it. The label asked for 60 minutes,

00:22:39.809 --> 00:22:43.690
70 minutes or whatever. So these last five songs

00:22:43.690 --> 00:22:46.529
just aren't as good as the rest of the album,

00:22:46.549 --> 00:22:49.029
where if it was a tight, as you're saying, half

00:22:49.029 --> 00:22:53.769
hour, you know, a lot of these, a lot of those

00:22:53.769 --> 00:22:56.150
older albums would have been perfect because

00:22:56.150 --> 00:22:57.549
you would have been able to cut away some of

00:22:57.549 --> 00:23:00.180
the fat. And like you guys are doing, maybe it

00:23:00.180 --> 00:23:02.799
would have lent itself so some of the songs that

00:23:02.799 --> 00:23:05.559
were maybe half -baked at the time could have

00:23:05.559 --> 00:23:09.019
had more time for seasoning or whatever and been

00:23:09.019 --> 00:23:11.380
fleshed out a little better for a follow -up

00:23:11.380 --> 00:23:16.240
album or an EP. Yeah, I think so. I think it

00:23:16.240 --> 00:23:19.740
depends on the songwriting as well. You think

00:23:19.740 --> 00:23:22.160
Marshall Proverbs is, what, 51 minutes long,

00:23:22.259 --> 00:23:24.210
something like that, right? But the songwriting

00:23:24.210 --> 00:23:26.470
is perfection, so they can get away with it,

00:23:26.529 --> 00:23:31.450
right? Would I want a Slayer album that was 70

00:23:31.450 --> 00:23:34.109
minutes long? Absolutely not. I don't want to

00:23:34.109 --> 00:23:37.470
be pummeled by that same sound for that long.

00:23:37.589 --> 00:23:40.809
This needs to be 40 minutes and we're out. You

00:23:40.809 --> 00:23:43.670
know, you think of, it can work. So I think,

00:23:43.690 --> 00:23:48.130
you know, Exodus, Exhibit A especially, I think...

00:23:48.480 --> 00:23:51.140
It's pushing your patience a little bit, isn't

00:23:51.140 --> 00:23:55.180
it? For like an hour 15 of face smashing. There's

00:23:55.180 --> 00:24:00.140
a lot. I think B, the second album, that pushes

00:24:00.140 --> 00:24:03.740
even my patience a little bit. But really well

00:24:03.740 --> 00:24:05.720
written albums, to be fair. So it can be done.

00:24:06.319 --> 00:24:10.259
I just don't think our particular, that kind

00:24:10.259 --> 00:24:14.640
of shorter, like eight minute long songs, and

00:24:14.640 --> 00:24:17.059
they're well written, great. You know, I'm jealous.

00:24:17.259 --> 00:24:20.839
I wish I could do it. But I think if you're doing

00:24:20.839 --> 00:24:22.400
these sort of three and a half, three minute

00:24:22.400 --> 00:24:25.319
songs, you just can't. I think you there's only

00:24:25.319 --> 00:24:28.900
so much of that before the idea of it gets dull.

00:24:29.019 --> 00:24:32.339
Right. So, yeah, I think I think that's something

00:24:32.339 --> 00:24:34.819
we're probably going to see. It feels right.

00:24:34.920 --> 00:24:38.099
And I think if you're if you're starting to get

00:24:38.099 --> 00:24:42.200
sort of that half an hour. mark and you start

00:24:42.200 --> 00:24:44.839
to cut things that are also really good things

00:24:44.839 --> 00:24:47.680
of like that's half an hour of solid well -written

00:24:47.680 --> 00:24:50.359
music um so yeah i think that's going to be something

00:24:50.359 --> 00:24:54.480
that we try to stick to in the future okay yeah

00:24:54.480 --> 00:25:01.279
uh does your gear change between both bands it

00:25:01.279 --> 00:25:05.359
will yeah shrapnel's just gone i'm a bit of i'm

00:25:05.359 --> 00:25:08.019
terrible for change so shrapnel has just gone

00:25:08.019 --> 00:25:12.359
fully kind of devil all the other guys have got

00:25:12.359 --> 00:25:15.279
in -air monitors they've got all that my old

00:25:15.279 --> 00:25:17.980
school dinosaur heads so it hasn't happened yet

00:25:17.980 --> 00:25:23.180
um but i mean the sound of the two bands is remarkably

00:25:23.180 --> 00:25:25.720
different now so i've gotten away with it so

00:25:25.720 --> 00:25:28.960
far um but yeah we're now in the process of actually

00:25:28.960 --> 00:25:31.640
me with the shrapnel stuff going a bit more a

00:25:31.640 --> 00:25:33.980
bit more modern and i'm kicking and screaming

00:25:33.980 --> 00:25:37.539
but it is happening um whereas you know the struck

00:25:37.539 --> 00:25:42.619
stuff's very much lead head done wah pedal you're

00:25:42.619 --> 00:25:45.680
good to go so um yeah there is there is definitely

00:25:45.680 --> 00:25:48.240
a pretty massive difference forming um thankfully

00:25:48.240 --> 00:25:52.380
we got uh the black star endorsement uh and they've

00:25:52.380 --> 00:25:55.559
been absolutely unbelievably helpful they're

00:25:55.559 --> 00:25:58.200
only their headquarters is about an hour away

00:25:58.200 --> 00:26:00.819
from my house so they've been brilliant like

00:26:00.819 --> 00:26:02.519
sort of kicked me out and getting me sorted so

00:26:02.519 --> 00:26:05.819
yeah it is happening even if i don't like it

00:26:08.109 --> 00:26:12.289
What about tuning between both bands? Are you

00:26:12.289 --> 00:26:15.289
tuning the guitar different with each band? Because

00:26:15.289 --> 00:26:17.769
it seemed like with Shrapnel, you were tuned

00:26:17.769 --> 00:26:20.289
a little bit lower than you are with Struckenerv.

00:26:21.509 --> 00:26:24.670
Yeah, recently. So Shrapnel was always E standard.

00:26:25.230 --> 00:26:27.170
We were always standard tuning right up until

00:26:27.170 --> 00:26:28.690
the newest album, and then we dropped right down

00:26:28.690 --> 00:26:32.890
to C. But Struckenerv right flat has been the

00:26:32.890 --> 00:26:36.569
slayer tuning to me. And I think just that half

00:26:36.569 --> 00:26:41.819
a step down. It makes a huge difference. I mean,

00:26:42.319 --> 00:26:44.579
it's probably spoken about a lot by guitar players,

00:26:44.660 --> 00:26:47.099
but I think that even that minimal amount of

00:26:47.099 --> 00:26:49.119
tuning change can make such a huge difference

00:26:49.119 --> 00:26:51.920
to your, even to your songwriting and just the

00:26:51.920 --> 00:26:54.460
sound of everything. There's a pretty big reason

00:26:54.460 --> 00:26:58.059
to me why the Struck stuff sounds a lot different,

00:26:58.119 --> 00:26:59.940
even to the early shrapnel stuff. If you compare

00:26:59.940 --> 00:27:03.140
the first shrapnel record to the debut Struck

00:27:03.140 --> 00:27:06.200
and Nerve, they're really quite different. And

00:27:06.200 --> 00:27:08.160
a lot of it is just that semitone down. It just

00:27:08.160 --> 00:27:11.140
makes you, I mean, for me, it just physically

00:27:11.140 --> 00:27:15.319
makes me play a bit chunkier. It makes me, you

00:27:15.319 --> 00:27:17.759
know, strings get a little bit looser. So you

00:27:17.759 --> 00:27:20.180
just get that different feel when you're writing

00:27:20.180 --> 00:27:22.460
stuff and playing stuff. So, yeah, I think it's

00:27:22.460 --> 00:27:24.200
a really good way of just forcing yourself to

00:27:24.200 --> 00:27:26.700
play differently and affects your songwriting

00:27:26.700 --> 00:27:29.079
and stuff. Okay. Yeah, we've talked about that

00:27:29.079 --> 00:27:31.900
on the show before, actually, with some of my

00:27:31.900 --> 00:27:35.910
patrons, how when bands started, adapting and

00:27:35.910 --> 00:27:40.029
using drop tuning and stuff, how just that slight,

00:27:40.289 --> 00:27:44.109
you know, the, the E flat, uh, how it made it

00:27:44.109 --> 00:27:47.609
hard for people to pick up on playing songs because,

00:27:47.690 --> 00:27:50.710
you know, everyone was used to just E standard

00:27:50.710 --> 00:27:53.930
and people were playing a lot of stuff just wrong.

00:27:54.170 --> 00:27:56.970
And then, you know, your typical interview or

00:27:56.970 --> 00:27:58.809
whatever, somebody says, Oh yeah, we tuned the

00:27:58.809 --> 00:28:01.950
E flat and like, Oh, it makes sense now. Some

00:28:01.950 --> 00:28:05.269
stuff is a disaster for, I mean, I love Megadeth.

00:28:05.470 --> 00:28:08.009
They're one of my favorite things in the entire

00:28:08.009 --> 00:28:10.349
world, but seeing Megadeth playing in like the

00:28:10.349 --> 00:28:15.170
standard line. No. It takes away a huge chunk

00:28:15.170 --> 00:28:19.890
of character. The guitars for me, I still love

00:28:19.890 --> 00:28:22.049
them. I still go see it. Yeah, just that, you

00:28:22.049 --> 00:28:24.509
know, it's one step, two note difference, but

00:28:24.509 --> 00:28:28.690
it makes a huge, huge difference to the sort

00:28:28.690 --> 00:28:30.210
of live experience, I think, and to the sort

00:28:30.210 --> 00:28:33.440
of the bitey crunchiness that you expect. from

00:28:33.440 --> 00:28:37.859
a thrash band. Right. I get that. It's interesting

00:28:37.859 --> 00:28:41.440
because for years he talked about not changing

00:28:41.440 --> 00:28:44.400
the tuning and then a few years back they started

00:28:44.400 --> 00:28:47.559
to do it, I guess, because of his voice. Yeah,

00:28:47.700 --> 00:28:51.920
sure. We'll see with this final album how that

00:28:51.920 --> 00:28:56.039
all turns out. Yeah, I'm enjoying it, so I don't

00:28:56.039 --> 00:28:58.819
care. Do you like the three tracks that they've

00:28:58.819 --> 00:29:01.849
released? yeah I mean it's different though so

00:29:01.849 --> 00:29:04.630
my I've got two kids who are now hugely into

00:29:04.630 --> 00:29:07.430
Megadeth and Iron Maiden and for them it's their

00:29:07.430 --> 00:29:11.769
their first right album cycle so you live a little

00:29:11.769 --> 00:29:14.630
bit vicariously so yeah we all know what the

00:29:14.630 --> 00:29:17.609
quality of it is we all know right you know it's

00:29:17.609 --> 00:29:20.170
uh I wish that the lyrics were different they're

00:29:20.170 --> 00:29:23.690
not um but my kids are jumping around the living

00:29:23.690 --> 00:29:29.049
room loving it so vicariously Live free a little

00:29:29.049 --> 00:29:32.430
bit as well. So I'm super excited about it. We

00:29:32.430 --> 00:29:35.990
can't wait. Yeah, that's, that's interesting

00:29:35.990 --> 00:29:39.069
because I have kids that my youngest just became

00:29:39.069 --> 00:29:42.029
a teenager and listening to bands that I've listened

00:29:42.029 --> 00:29:45.589
my entire life where, you know, you read things

00:29:45.589 --> 00:29:49.190
online or people are hypercritical of bands,

00:29:49.450 --> 00:29:52.369
but you see it through the eyes of somebody who

00:29:52.369 --> 00:29:54.930
hasn't lived through all of that, where as you're

00:29:54.930 --> 00:29:57.150
saying, it's their first new album by the band.

00:29:57.609 --> 00:30:04.789
And to them, it's a big deal. For them, the combination

00:30:04.789 --> 00:30:09.529
of Fortnite with Metallica or ACDC was huge for

00:30:09.529 --> 00:30:11.150
them because they're like, wow, you know, we

00:30:11.150 --> 00:30:13.230
listen to this music and then now we're seeing

00:30:13.230 --> 00:30:16.430
it in video games. And, you know, they weren't

00:30:16.430 --> 00:30:19.950
arguing about whether it was Bon Scott or Brian

00:30:19.950 --> 00:30:24.009
Johnson or whether, you know, 72 Seasons is as

00:30:24.009 --> 00:30:26.329
good as Master of Puppets. They were just loving

00:30:26.329 --> 00:30:29.230
the music. Just the same. So it's awesome to

00:30:29.230 --> 00:30:32.650
see that kind of through virgin eyes and ears,

00:30:32.730 --> 00:30:35.349
you know, without some of that. Yeah, no, I agree.

00:30:35.549 --> 00:30:38.869
Yeah. Yeah. I think the, the, the critiques are

00:30:38.869 --> 00:30:42.250
fine. Like critique is healthy, I think. Yeah.

00:30:42.589 --> 00:30:44.769
Yeah. We're, uh, these bands don't have long

00:30:44.769 --> 00:30:47.410
left, so we're, we're enjoying what we've got

00:30:47.410 --> 00:30:51.190
left. Yeah, absolutely. Um, so you mentioned

00:30:51.190 --> 00:30:53.329
to me and you mentioned at the beginning of the,

00:30:53.349 --> 00:30:57.799
of the show as well. that you've got a UK tour

00:30:57.799 --> 00:31:01.299
lined up. The announcement just came out. Can

00:31:01.299 --> 00:31:05.680
you fill us in on some of that? Yeah, we can't

00:31:05.680 --> 00:31:08.079
wait. It's actually our label buddies, Devastator.

00:31:08.599 --> 00:31:10.440
We've known these guys. Actually, Tom was going

00:31:10.440 --> 00:31:14.839
to be our vocalist at one point. But yeah, they're

00:31:14.839 --> 00:31:17.000
an amazing black and thrash band from here in

00:31:17.000 --> 00:31:19.940
the UK. If you haven't heard them, check them

00:31:19.940 --> 00:31:24.630
out. Really filthy. dirty black and thrash great

00:31:24.630 --> 00:31:27.809
like if you like knife and bands like that they're

00:31:27.809 --> 00:31:30.789
definitely well up there um but yeah so we're

00:31:30.789 --> 00:31:33.029
super excited we're going out for one leg with

00:31:33.029 --> 00:31:36.109
them in four or five dates yeah four dates i

00:31:36.109 --> 00:31:39.069
think next week we're going uh just on our own

00:31:39.069 --> 00:31:41.890
with our friends in exorcism who are again another

00:31:41.890 --> 00:31:44.009
amazing young thrash bands who are up and coming

00:31:44.009 --> 00:31:46.869
here uh doing some more dates with those guys

00:31:46.869 --> 00:31:49.809
uh and then this really young thrash band called

00:31:49.809 --> 00:31:54.000
bloodsore coming with us and uh to Slayer. That's

00:31:54.000 --> 00:31:56.579
them, basically. They're absolutely amazing.

00:31:56.680 --> 00:31:59.059
We've played with all of them before. So, yeah,

00:31:59.079 --> 00:32:03.559
we're super excited about that. You know, it's

00:32:03.559 --> 00:32:07.119
the first show. It's going to be great to sort

00:32:07.119 --> 00:32:09.200
of see all the fans that we've picked up over

00:32:09.200 --> 00:32:11.740
the last few months. And then, yeah, we're going

00:32:11.740 --> 00:32:14.920
to be over in Europe in September. So a full

00:32:14.920 --> 00:32:17.880
two -week European tour with our mates from Harlots

00:32:17.880 --> 00:32:21.839
from Australia. which is going to be absolutely

00:32:21.839 --> 00:32:26.039
mad because they're incredible as well. So, yeah,

00:32:26.059 --> 00:32:27.119
and then we've got a lot of stuff happening in

00:32:27.119 --> 00:32:28.819
between. It looks like we're going to places

00:32:28.819 --> 00:32:33.359
like Bulgaria. We've got some shows in the Netherlands.

00:32:34.140 --> 00:32:36.240
So, yeah, it's going to be forward to 2026. It's

00:32:36.240 --> 00:32:40.000
going to be a mad one. And then with all of Chris's

00:32:40.000 --> 00:32:42.579
commitments with Gamma Bob and my commitments

00:32:42.579 --> 00:32:44.920
with Trap, it's going to be a pretty mad year,

00:32:44.980 --> 00:32:51.990
I think. Great. Um, and you're saying that there's

00:32:51.990 --> 00:32:54.890
possibly an EP that's going to drop. Yeah. We're

00:32:54.890 --> 00:32:56.430
kind of debating what our next move is. Like

00:32:56.430 --> 00:32:57.670
we're obviously not going to do a new record

00:32:57.670 --> 00:33:03.230
straight away. Um, but at the same time, yeah,

00:33:03.329 --> 00:33:07.049
we, we, you know, we're, we're really, we're

00:33:07.049 --> 00:33:09.329
enjoying each other's company. Uh, we're loving,

00:33:09.349 --> 00:33:11.809
we've absolutely loved this year. Um, and it's

00:33:11.809 --> 00:33:13.450
been really nice for me to sort of be in the

00:33:13.450 --> 00:33:16.369
bands again with some friends that I haven't

00:33:16.369 --> 00:33:19.059
been in the band for a while. Um, You know, we

00:33:19.059 --> 00:33:20.980
just, it's been just a bunch of mates having

00:33:20.980 --> 00:33:24.059
an absolute blast for a year. So it's been super

00:33:24.059 --> 00:33:27.299
productive. We've really been enjoying getting

00:33:27.299 --> 00:33:29.500
into the studio and starting it. And I don't,

00:33:29.500 --> 00:33:32.160
we don't want to be sitting on stuff for like

00:33:32.160 --> 00:33:36.400
the next year. We've got these new few songs

00:33:36.400 --> 00:33:37.759
that we started making and we're super excited

00:33:37.759 --> 00:33:40.359
about them. So we're like, do we want to be sitting

00:33:40.359 --> 00:33:42.839
on these for 18 months or something out a bit

00:33:42.839 --> 00:33:46.559
sooner? But yeah, that's a conversation that

00:33:46.559 --> 00:33:50.880
we're now having. i think i think thing um again

00:33:50.880 --> 00:33:52.779
we need to speak to our later before we make

00:33:52.779 --> 00:33:55.019
any promises but yeah i think we're just eager

00:33:55.019 --> 00:33:58.259
to we're super enjoying it we're loving each

00:33:58.259 --> 00:34:00.240
other's company we're loving just the experience

00:34:00.240 --> 00:34:01.819
that we've been blown away with the response

00:34:01.819 --> 00:34:04.599
we had no idea that the album would do as well

00:34:04.599 --> 00:34:07.299
as it's been doing and the interest we've been

00:34:07.299 --> 00:34:09.000
getting let alone getting signed and all that

00:34:09.000 --> 00:34:11.440
stuff so yeah we've just been really eager to

00:34:11.440 --> 00:34:13.440
write new music and we're we're sort of loving

00:34:13.440 --> 00:34:16.380
it so yeah we're hopefully we'll have something

00:34:16.380 --> 00:34:20.829
out What would the EP look like? Just original

00:34:20.829 --> 00:34:23.309
songs? Would you throw a cover in there? Yeah,

00:34:23.329 --> 00:34:26.989
I think so. Okay. Yeah, I think mostly our own

00:34:26.989 --> 00:34:30.150
stuff. We've got a few covers that we like playing,

00:34:30.210 --> 00:34:31.730
some Slayer stuff or whatever. But yeah, we're

00:34:31.730 --> 00:34:35.289
not really sure, to be honest. We're really cracking

00:34:35.289 --> 00:34:37.050
on hard with the new stuff. But obviously, we

00:34:37.050 --> 00:34:40.630
want to tour this first album. One of the downsides

00:34:40.630 --> 00:34:43.030
of doing a half an hour long album as your first

00:34:43.030 --> 00:34:47.039
album is... what do you play so we're going out

00:34:47.039 --> 00:34:48.599
on a headline tour and we've got half an hour

00:34:48.599 --> 00:34:50.539
of stuff so we've got to be uh okay what are

00:34:50.539 --> 00:34:51.840
we actually doing there so we've got to really

00:34:51.840 --> 00:34:54.840
think about that um obviously we've got a sort

00:34:54.840 --> 00:34:57.559
of back catalogue of shrapnel stuff and covers

00:34:57.559 --> 00:35:00.239
we want to keep moving forward as well we really

00:35:00.239 --> 00:35:02.179
enjoy it so that the stuff we've just been writing

00:35:02.179 --> 00:35:06.679
over the last few weeks we just yeah we're super

00:35:06.679 --> 00:35:08.719
buzzed about and it's it's that feeling of you

00:35:08.719 --> 00:35:11.690
know do we really want to you know book a studio

00:35:11.690 --> 00:35:13.909
for summer and then be sitting around waiting

00:35:13.909 --> 00:35:16.090
for another six months to you know maybe look

00:35:16.090 --> 00:35:20.309
at early 2027 before we um we're sort of enjoying

00:35:20.309 --> 00:35:23.630
right now and we want to we want to keep yeah

00:35:23.630 --> 00:35:28.030
sort of pushing things forward so yeah i'm really

00:35:28.030 --> 00:35:31.309
hopeful that we'll we're ready to get into a

00:35:31.309 --> 00:35:37.519
studio soon so Could you see doing any shrapnel

00:35:37.519 --> 00:35:41.860
songs live like struck a nerve, like maybe revamping

00:35:41.860 --> 00:35:44.280
them so they fit more of a struck a nerve style?

00:35:44.800 --> 00:35:48.539
I mean, we, we have been. So, um, obviously,

00:35:48.599 --> 00:35:51.039
like I say, Aaron was on one of our records,

00:35:51.159 --> 00:35:53.920
um, I'll call pals for the insane back in 2020.

00:35:54.380 --> 00:35:57.099
Um, so we, we were at one point pulling from

00:35:57.099 --> 00:35:59.199
that stuff, but we've also, you know, we want

00:35:59.199 --> 00:36:01.280
to keep these two things. They're their own things.

00:36:01.400 --> 00:36:04.199
We don't really want any overlap. So we want

00:36:04.199 --> 00:36:09.090
to, yeah we do want to reduce that um and we

00:36:09.090 --> 00:36:10.949
do we do just want to do struck a nerve stuff

00:36:10.949 --> 00:36:13.969
um so you know there's there's a big push stuff

00:36:13.969 --> 00:36:16.670
out because you know we also need to right so

00:36:16.670 --> 00:36:19.989
but it's uh yeah i think that combination of

00:36:19.989 --> 00:36:23.210
like need but also just enjoying the process

00:36:23.210 --> 00:36:26.269
it's been absolutely lovely to to sort of really

00:36:26.269 --> 00:36:28.250
be desperate to get into the studio like we've

00:36:28.250 --> 00:36:30.429
got these songs where you know i'm traveling

00:36:30.429 --> 00:36:33.360
back to norwich quite often um Um, and it's just

00:36:33.360 --> 00:36:34.920
been, it's been such a good blast. And I think

00:36:34.920 --> 00:36:36.300
when you're in that really sort of happy space

00:36:36.300 --> 00:36:38.500
with it and that really productive space, um,

00:36:39.800 --> 00:36:42.800
yeah, we should, we should be thinking, getting,

00:36:42.800 --> 00:36:44.400
getting new stuff out. But at the same time,

00:36:44.440 --> 00:36:46.280
we don't want to overshadow the first album.

00:36:46.360 --> 00:36:50.440
So an EP seems like somewhere next year might

00:36:50.440 --> 00:36:55.000
be a fees. Okay. Uh, where should people go to

00:36:55.000 --> 00:36:58.039
keep up with struck a nerve online? Uh, all the

00:36:58.039 --> 00:37:01.639
normal. places so we're active on instagram facebook

00:37:01.639 --> 00:37:04.440
um we're on our bandcamp page as well we're trying

00:37:04.440 --> 00:37:07.360
to build a community over there um if you follow

00:37:07.360 --> 00:37:09.920
our youtube page our youtube shorts we try and

00:37:09.920 --> 00:37:14.719
keep we're really as we start this new um yeah

00:37:14.719 --> 00:37:16.760
we're trying to get like the community involved

00:37:16.760 --> 00:37:19.159
with it and really sort of show some of the process

00:37:19.159 --> 00:37:23.420
of that so yeah i mean instagram youtube shorts

00:37:23.420 --> 00:37:26.860
um yeah come follow us and then all our videos

00:37:26.860 --> 00:37:30.360
are on the listenable records um youtube page

00:37:30.360 --> 00:37:33.559
so go check go check all that stuff out okay

00:37:33.559 --> 00:37:37.940
and where can people go to purchase the struck

00:37:37.940 --> 00:37:41.940
a nerve uh debut album and ensure that the most

00:37:41.940 --> 00:37:47.380
money gets back into your pockets so yeah thankfully

00:37:47.380 --> 00:37:50.699
um listenable are pretty great with um so our

00:37:50.699 --> 00:37:54.519
deal is it's it's very good um so i mean anywhere

00:37:54.519 --> 00:37:57.889
really um probably the most direct is from our

00:37:57.889 --> 00:37:59.769
band camp page, but again, it depends where you

00:37:59.769 --> 00:38:03.690
live. Right. So, um, it's probably easier to

00:38:03.690 --> 00:38:05.809
get it through listener book. If you're in the

00:38:05.809 --> 00:38:08.329
UK, it's certainly easier to get from us. So

00:38:08.329 --> 00:38:10.750
you avoid all the import stuff. Uh, but yeah,

00:38:10.809 --> 00:38:12.650
we're, we're on band camp. You can pick, uh,

00:38:12.929 --> 00:38:16.429
things, band camp, shrapnel, sorry, not shrapnel,

00:38:16.429 --> 00:38:20.190
wrong bands, uh, struck a nerve UK. Um, yeah.

00:38:20.369 --> 00:38:24.380
Uh, we've got all the vinyls. patches, CDs, everything,

00:38:24.519 --> 00:38:26.960
all the merch over there. So yeah, that's probably

00:38:26.960 --> 00:38:28.340
the best place, especially if you're in the UK.

00:38:30.059 --> 00:38:35.639
Last question. You guys are one of the only bands

00:38:35.639 --> 00:38:40.239
that have named the band, have a self -titled

00:38:40.239 --> 00:38:46.119
album and have a song. Also struck a nerve by

00:38:46.119 --> 00:38:51.119
struck a nerve off of struck a nerve. Was that

00:38:51.119 --> 00:38:56.199
done on purpose? It definitely was. It's a bit

00:38:56.199 --> 00:38:58.800
of a statement, isn't it? It's like, this is

00:38:58.800 --> 00:39:02.199
a new thing. This is our sound. But yeah, Black

00:39:02.199 --> 00:39:04.360
Sabbath are my favorite band. So Black Sabbath

00:39:04.360 --> 00:39:06.980
on Black Sabbath by Black Sabbath. I was laughing

00:39:06.980 --> 00:39:09.219
when my kids heard about this because they were

00:39:09.219 --> 00:39:11.380
like, you've got to do the trio. You've got to

00:39:11.380 --> 00:39:14.519
have all three. I can't believe Megadeth missed

00:39:14.519 --> 00:39:16.539
this opportunity to not call a song Megadeth,

00:39:16.579 --> 00:39:21.369
by the way. Inexcusable. but yeah for me Maiden

00:39:21.369 --> 00:39:24.909
did it Black Sabbath did it so we're doing Exodus

00:39:24.909 --> 00:39:28.889
did it so yeah no they didn't actually they didn't

00:39:28.889 --> 00:39:32.909
but yeah we've got the trifecta so it's really

00:39:32.909 --> 00:39:36.170
silly but yeah I think it's that's just kind

00:39:36.170 --> 00:39:38.130
of fun but it's also yeah it's a bit of a statement

00:39:38.130 --> 00:39:43.309
of yeah especially the song itself it was demoing

00:39:43.309 --> 00:39:46.869
things it really stood out as like a this feels

00:39:46.869 --> 00:39:51.260
like a proud song this one feels like you could

00:39:51.260 --> 00:39:54.360
name a band after this song for us right uh yeah

00:39:54.360 --> 00:39:56.420
and as we're writing it really felt like yeah

00:39:56.420 --> 00:39:59.679
let's let's do it and then really no alternative

00:39:59.679 --> 00:40:02.800
album title came up so we're like now it's the

00:40:02.800 --> 00:40:10.980
trio cool well nathan i thank you for coming

00:40:10.980 --> 00:40:14.860
on the show and uh hope you're able to fix all

00:40:14.860 --> 00:40:18.260
of the uh stuff regarding the tour Hopefully

00:40:18.260 --> 00:40:19.599
you were able to sort this out. Yeah, I'll find

00:40:19.599 --> 00:40:21.199
out in a minute. My phone will be full here.

00:40:24.539 --> 00:40:26.400
It's one of the things, we're doing everything,

00:40:26.500 --> 00:40:28.719
we're trying to do as much DIY as we can. And

00:40:28.719 --> 00:40:31.239
that includes, you know, this UK tour is all

00:40:31.239 --> 00:40:32.719
we're doing ourselves. We're booking ourselves.

00:40:34.119 --> 00:40:36.079
There's a lot of learning that goes on when you

00:40:36.079 --> 00:40:38.260
do that kind of thing. So it's like, we've missed

00:40:38.260 --> 00:40:43.940
what? Oh my God. Yeah. Especially when you're

00:40:43.940 --> 00:40:46.019
working collaboratively with another band. So

00:40:46.019 --> 00:40:47.420
that's some Devastator we're trying to, we're

00:40:47.420 --> 00:40:50.780
figuring it out as we go. Right. Cool. So hopefully

00:40:50.780 --> 00:40:53.000
you guys can sort all that out. Much luck to

00:40:53.000 --> 00:40:58.900
you and the band in 2026. And that's pretty much

00:40:58.900 --> 00:41:02.159
it. Thanks for your time, sir. Awesome. Cheers,

00:41:02.260 --> 00:41:26.480
man. Thank you. All right. Thank you. Go to signalsfrommars

00:41:26.480 --> 00:41:29.139
.com for more information. This concludes our

00:41:29.139 --> 00:41:29.360
show.
