WEBVTT

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welcome everyone to the latest episode of signals

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for mars i am victor as usual and um we welcome

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back mr joshua to me josh how are you sir i'm

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doing well victor man always good to see you

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voice cracked right off the top always good well

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this is uh you you were on the very last episode

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of the mars attacks podcast uh so that was Episode

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300 before the name change. And at this point

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in time, I've got some episodes in the can. But

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at this point in time, I've released 417 episodes.

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So about 120 episodes later, Joshua Toomey reappears

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on the podcast. Yeah, I mean, I was honored to

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be asked on for the last Mars Attacks. I did

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feel a little hoodwinked. I thought that you

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were like quitting podcasting and then you're

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like, no, no, no. I'm just changing the name.

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I was like, Oh, well I thought I was, I thought

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it was a special guest, man. I was, I was, I

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was taking it back. To me, to me, it was a big

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deal to have you on 300. Um, so, so here's the

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thing. When, when I, when I started podcasting,

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it was the wild West back then. There weren't

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a lot of people that were doing it. And little

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by little people started, you came along and

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it was like, who's this Josh Toomey guy? You

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know, he's getting all these great guests, all

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that, you know, so I didn't know who you were.

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And then you see shows appear, you see shows

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climb over top of you. And then at the time,

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uh, I think it was shortly after you started

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doing stuff with, uh, with not fast, if I'm not

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mistaken. And, uh, yeah. To me, that was, to

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me, that was a big deal. I mean, I've never met

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you. Um, we've always been very cordial online

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with one another. We've always, I mean, I would

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consider you a brother in podcasting, you know?

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Absolutely. Yeah. And to me, that was a big deal

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to when that happened to say, Hey, you know,

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one of my guys is, you know, jump to a platform

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like that. That's, that's a big deal. You know,

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and to me, I, you know, I was, I wanted someone

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for episode 300. I wanted someone to end that

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era of the show. I was kind of getting tired

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of asking people and reassuring them that it

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had nothing to do with the Mars attacks, uh,

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movie. And also that's a, you know, that's copywritten

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by tops and, you know, whatever. I didn't want

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to run into any. stuff regarding that down the

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road. And I was like, look, I already called

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the live stream signals from Mars. Let's just

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call everything signals from Mars and, and move

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on from that. It probably hurt me to an extent

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with social media and stuff like that. Um, but

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you know, it is, it is what it is. Um, I'm happy

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doing what I'm doing. How about that? Yeah, absolutely,

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man. You know, it's, it's wild how, you know,

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we're all peers in all of this, you know, you

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know you and decibel geek and cobras and fire

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and and just all of the shows over the years

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and it's like we're all bros but at the same

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time we're all like what guests are they getting

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you know who are they talking to what you know

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what uh what download number they got here oh

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they got two blabbermouth articles in a row you

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know i don't know if that's me or if that's everybody

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but you know i definitely uh you know keep an

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eye on that which is which is good because it

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kind of keeps a fire kind of burning under you

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too you know you don't get too complacent you

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know, you have something to strive for. You know,

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I see shows now, I mean, like there'll, there'll

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be like brand new shows that come out of nowhere

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that just, you know, surpass all of us, you know,

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and like, they'll just, they'll just hit the,

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hit the thing. Right. Or, um, you know, one of

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the most successful dudes kind of doing it by

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himself is, uh, is Brian over there at rock feed.

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And, you know, he built that thing from, from

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nothing to, you know, he's doing crazy stuff

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now. And he's still, as far as I know, he's still,

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solo you know he's not he doesn't have any crazy

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backing he doesn't you know he's not affiliated

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with anybody um and you know he's just he's just

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a hard worker put his nose down and put you know

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put out some great content day after day and

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you know now he's doing you know basically mtv

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cribs style stuff on his channel where he's going

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to you know five finger death punch house and

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the tech nines compound and things like that

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so so like he's kind of the the dude that you

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know I saw behind me and then all of a sudden,

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you know, just like, like straight to the stars,

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man. But he's, he's a good dude. I met him once

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and in real life and a super nice guy. And anytime

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I've, you know, had a question for him or, you

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know, he'll, he'll throw out some, uh, words

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my way too. So, so it's good to have, have him

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kind of in the bro category too. Um, but yeah,

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I mean, not so much in the podcasting world lately,

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but I mean, a lot of the guitar YouTubers are

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kind of, you know, calling it quits and Nick

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nocturnal. And those guys are kind of throwing

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in the towel and, and, you know, it gets to a

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point, I guess, where you just kind of, you know,

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like, what do you do next? Or you get burnt out

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or, you know, um, you know, what's the next thing?

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I mean, honestly, even this, this year, like

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January, I was talking to my wife about, um,

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you know, this'll be 10 years of talk to me.

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Uh, and I was like, you know what, 10 years,

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good number go out on top and, you know, I'm

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kind of burnt out. And then I do a podcast with

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David Ellison. And after the episode, I was like,

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hey, man, you ever thought about doing your own

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podcast? And he's like, you know, I've talked

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about it and blah, blah, blah. And I kind of

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pitched him an idea. It's not necessarily what

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we do now, but I pitched him an idea. And he's

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like, man, that sounds awesome. Yeah, let's do

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that. And he's like, you know, I'm going to NAMM.

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I'm doing this stuff, the other thing. You know,

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let's talk when I get back. And as soon as he

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was done with a couple of things he had to do.

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you know, I kind of had some graphics together

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and, you know, actually it was his idea to bring

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on guests. Like I was just going to have a David

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Ellison centric podcast, talk about Megadeth

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history, talk about his history, what's going

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on with his life, things like that. And he was,

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he was the one that wanted to bring on guests.

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So, um, it was kind of funny to, to, you know,

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how he kind of came from not, not doing podcasts.

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He's a great podcast guest, as you know, he'll

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talk to you, you know, your head off. Um, and

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that's kind of what I told him. I was like, i

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was like you know you're a great talker you you

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have great stories you you know blabbermouth

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picks up every single thing that you do it's

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like why don't you get you know why don't you

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get paid for that why don't you keep all that

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good stuff for yourself and uh that was kind

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of the basis behind the podcast but uh but yeah

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it's it's been it's been rejuvenating kind of

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doing that and i get you know kind of like what

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you're talking about you know kind of ending

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mars attacks going full -time signals from mars

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just kind of You kind of got to mix it up a little

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bit. You know, you can't just be doing the same

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thing each and every week for God knows how long

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we've all been doing this. Yeah. Yeah. Actually,

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for me, 16 years. Yeah. So it's yeah. I mean,

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I've had people, especially specifically in the

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last few years, tell me, well, you know, your

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numbers are down because you don't interview

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enough people. And my whole thing is I want to

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make sure that this is still fun. So I'm still,

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you know, talking to people about music. We're

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doing the, you know, I hit you up for different

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album countdowns or stuff like that that we do

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to have you vote on stuff. And I get a kick out

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of all that stuff because that's kind of the

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conversations that I had as a kid with all my

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friends, you know, collecting music and getting

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into bands and finding out. who Megadeth was,

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who Anthrax was, you know? So to me, it's almost

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therapeutic as well, where, where you, no matter

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how crappy your day is, you're like, all right,

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but I'm going to talk about, you know, this album

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tonight, or we're going to talk about current

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events. And there's this one thing that I really

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want to talk about, or this band set list or

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whatever. And it really kind of keeps things

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going. And, I'm, I'm there with you checking

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out. Well, why did they get on blabbermouth?

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And my interview did. So you think you have some

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gold that's just going to break the metal news

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cycle. And then, and then, but they, they might

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pick up something else from the podcast. You're

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like, why would he pick up that part of the podcast?

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Like, why are they not focused on the, on the

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part that I thought was, was the crazy part.

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So yeah, it's, it's definitely a crap shoot.

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If they're going to pick up something from your

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show, what they pick up, how crazy it'll go.

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It was funny. I did, um, I've been using like

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Opus clips, you know, kind of getting the clips

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together and things like that. I think you, I

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think you use something like that too. Yeah.

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But, um, um, about a year ago, I, you know, you

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run the podcast through it and it spits out,

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you know, 20 clips and, and, uh, I, I didn't

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realize that the guest had said something that

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was kind of controversial, not, you know, crazy

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controversial, but it was, um, uh was it phil

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from all the remains had said that corn like

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you know was it like corn created death chorus

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something weird like that but like the opus clips

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popped it out i was like oh shit i didn't realize

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he said it like that and so like i took that

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clip you know transcribed her real quick and

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sent that out and it like you know went everywhere

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but it's funny how sometimes you don't even hear

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the people say that the major clip that comes

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out you know because either a you don't hear

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it or b you're you're getting ready for the next

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question you know like things like that and even

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in the edit you know because i always go through

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i do like one you know one quick run through

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uh just to make sure there's nothing crazy going

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on and uh sometimes you even miss it there and

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then yeah so sometimes even so ai will spit it

00:11:14.620 --> 00:11:16.840
back to you like no dummy you know there was

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your there was your gold right there yeah but

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uh but yeah it's been it's been crazy it it is

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uh interesting to see what what gets picked up

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Yeah. Like you said, I mean, I've had several

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interviews with John Bush over the years. He's

00:11:31.990 --> 00:11:34.450
been on the show more than anyone else. I think

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him and Eric probably. And. Words like that.

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I've got gold. He's said he's going to be playing

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old anthrax songs. He's going to be getting a

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band together, doing this, doing that. Nothing

00:11:47.789 --> 00:11:52.149
crickets. Right. To me, that's huge news. You

00:11:52.149 --> 00:11:56.269
know, apparently. Not huge enough, but then there's

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another time where I interviewed him. I think

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it was the first time I interviewed him. And

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there was something that I had transcribed and

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I was like, this is it. Boom, this is going to

00:12:08.129 --> 00:12:11.490
be everywhere. And then what they use is completely

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different. I always remembered it was the headline

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they used was it made no sense for me to join

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Metallica. It made all the sense in the world

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for me to join Anthrax. And I was like, okay,

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I get it why they did it, but I would have gone

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with this other thing. I guess I'm just not,

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you know, not smart enough in the marketing side

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of things to pull that type of stuff out. Well,

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there's always kind of the running joke of all

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those metal sites, you know, what it takes to

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run one of those. And it's like there's Metallica,

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there's Slipknot, there's Tool. Like you write

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a story about any of those three bands, you're

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going to pay the bills. And everything else is

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just kind of, you know, chump change when it

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comes to that. So it's like I always I noticed

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for a long time if I could get like X member

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or, you know, this this member of a band to say

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this about Metallica, you're going to get a headline,

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you know. And then I think there's Mike Z out

00:13:14.240 --> 00:13:17.259
there. Mike Z rocks the radio station out there.

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He's in like the Inland Empire. But his final

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question on every radio interview is like, what's

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your favorite Metallica album and why? And so

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you'll see that a lot. It'll be like, you know,

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Gene Hoagland says that, and Justice for All

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is my favorite, you know, Metallica album. And

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it's like, he's almost like guaranteed, you know,

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a blabbermouth headline with every interview

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he does. That's smart. That's, that's, that's,

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and that's funny because I follow, various podcasting

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trend podcasts. And that's not the type of thing

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that they talk about. You know, they talk about

00:13:55.779 --> 00:14:01.740
getting funding for shows and, you know, how

00:14:01.740 --> 00:14:06.240
to, you know, a lot of the stuff that they talk

00:14:06.240 --> 00:14:09.000
about, I don't think applies to what we do because

00:14:09.000 --> 00:14:12.899
I think our fans that we go after so niche that

00:14:12.899 --> 00:14:18.019
pop stuff. Doesn't always apply. And when I mean

00:14:18.019 --> 00:14:21.360
pop, I don't really mean music, but popular culture

00:14:21.360 --> 00:14:25.299
or what's going on with what makes someone an

00:14:25.299 --> 00:14:28.179
influencer or whatever. It doesn't necessarily

00:14:28.179 --> 00:14:33.200
translate to to what we're doing. I think about

00:14:33.200 --> 00:14:38.980
a few months ago, there was a discussion on Facebook.

00:14:39.100 --> 00:14:43.980
I think it was where they asked. why are they

00:14:43.980 --> 00:14:46.779
had questioned that kisses I was made for loving

00:14:46.779 --> 00:14:49.139
you, I think had surpassed like a billion plays

00:14:49.139 --> 00:14:53.879
on Spotify. And there were people calling bullshit

00:14:53.879 --> 00:14:56.019
on that saying, Oh, well, Def Leppard obviously

00:14:56.019 --> 00:14:59.100
has to have more plays than them because of pour

00:14:59.100 --> 00:15:02.519
some sugar on me and this and that. And my response

00:15:02.519 --> 00:15:08.419
to this was, um, when all of you people, my age,

00:15:09.149 --> 00:15:12.110
50 and above are criticizing them for doing Hello

00:15:12.110 --> 00:15:18.590
Kitty, Scooby -Doo, being in what movie? The

00:15:18.590 --> 00:15:21.350
Fall Guy movie was the big one that came out

00:15:21.350 --> 00:15:24.629
last year where that song is plastered all over

00:15:24.629 --> 00:15:30.389
that movie. Yeah. There's a reason why they do

00:15:30.389 --> 00:15:33.210
that stuff. And there's a reason why they're

00:15:33.210 --> 00:15:36.230
catering to a different audience because of that.

00:15:36.549 --> 00:15:40.240
Whereas. If you look at Def Leppard's audience

00:15:40.240 --> 00:15:45.019
and no knock on them, but just kind of facts,

00:15:45.139 --> 00:15:51.840
people, how, what percentage of people in their

00:15:51.840 --> 00:15:56.799
late forties and up that are music fans are on

00:15:56.799 --> 00:16:01.220
Spotify, are on Apple music, as opposed to still

00:16:01.220 --> 00:16:06.220
using CDs, some even using cassettes still. it's

00:16:06.220 --> 00:16:09.720
more of a marketing thing where certain bands

00:16:09.720 --> 00:16:12.120
are smart enough. Metallica with stranger things,

00:16:12.200 --> 00:16:15.139
for example, getting massive puppets in there

00:16:15.139 --> 00:16:21.860
to, to, to the point where kids are finding out

00:16:21.860 --> 00:16:24.659
about bands through this stuff. And that's why

00:16:24.659 --> 00:16:28.019
these bands have millions of streams now, as

00:16:28.019 --> 00:16:31.000
opposed to other bands that have largely ignored

00:16:31.000 --> 00:16:35.220
it. Yeah. I mean, I, I, I was talking to you

00:16:35.220 --> 00:16:36.899
a minute ago about going to see Ace last night

00:16:36.899 --> 00:16:40.840
and, you know, my wife went and I told her, I

00:16:40.840 --> 00:16:43.259
was like, you know, Ace Frehley is one of the

00:16:43.259 --> 00:16:45.500
reasons I play music. Probably one of the main

00:16:45.500 --> 00:16:47.360
reasons I wanted to be a rock star, you know,

00:16:47.379 --> 00:16:50.620
try to be a rock star was I just thought Ace

00:16:50.620 --> 00:16:53.059
was the coolest thing ever when I was nine, you

00:16:53.059 --> 00:16:55.039
know, and I, I had a couple of older cousins

00:16:55.039 --> 00:16:57.539
that had Kiss records and, and they show, and

00:16:57.539 --> 00:17:00.320
this is in, you know, late eighties. So, you

00:17:00.320 --> 00:17:02.240
know, they were already out of makeup, but I

00:17:02.240 --> 00:17:05.579
got into makeup Kiss. as a nine, 10 year old,

00:17:05.640 --> 00:17:08.119
because I thought there was the coolest thing

00:17:08.119 --> 00:17:09.940
I'd ever seen. I thought kiss meets the family.

00:17:10.019 --> 00:17:12.480
The park was a great movie, you know, like all

00:17:12.480 --> 00:17:14.960
that stuff. And, you know, because they're larger

00:17:14.960 --> 00:17:16.880
than life superheroes that also played music.

00:17:17.019 --> 00:17:20.319
And so like you're saying kids now, you know,

00:17:20.339 --> 00:17:22.680
getting into them with Scooby -Doo and hello

00:17:22.680 --> 00:17:24.420
kitty and all that nonsense. I mean, you know,

00:17:24.420 --> 00:17:26.279
there's, there's that nine, 10 year old kid that's

00:17:26.279 --> 00:17:29.400
saw them with a hello kitty thing or saw them

00:17:29.400 --> 00:17:32.700
on a, on a cartoon or something. And, um, and

00:17:32.700 --> 00:17:36.220
yeah, so it's, it's, it's generational to kind

00:17:36.220 --> 00:17:38.339
of, kind of keep moving along. I mean, I even,

00:17:38.420 --> 00:17:40.279
you know, the, the farewell tour, I took my,

00:17:40.359 --> 00:17:43.279
he was the four years old at the time. I took

00:17:43.279 --> 00:17:46.299
my four year old to see it. And as we were, you

00:17:46.299 --> 00:17:49.559
know, leaving the venue, you know, I was like,

00:17:49.599 --> 00:17:50.900
what was your favorite part of the show? And

00:17:50.900 --> 00:17:54.059
he goes, he goes when, uh, and he was good with

00:17:54.059 --> 00:17:55.339
names already, but he was like, we know, you

00:17:55.339 --> 00:17:57.000
know, when Gene licked his base, you know, he,

00:17:57.039 --> 00:17:59.259
he pulled it up and he licked up the thing and

00:17:59.259 --> 00:18:00.319
he thought it was the coolest thing he'd ever

00:18:00.319 --> 00:18:02.660
seen. So it's like, Now that stuff translates,

00:18:02.779 --> 00:18:04.859
you know, unfortunately pour some sugar on me.

00:18:05.940 --> 00:18:07.759
It's not, you know, my, my kids aren't going

00:18:07.759 --> 00:18:09.299
to be like, you know, that song is pretty good.

00:18:09.339 --> 00:18:10.799
You know, they're only going to get into it because

00:18:10.799 --> 00:18:13.559
of the song and not necessarily how cool Joe

00:18:13.559 --> 00:18:16.319
Elliot is or something. You know, they're going

00:18:16.319 --> 00:18:18.119
to get into, they're going to get into kiss because

00:18:18.119 --> 00:18:20.680
of the theatrics and the looks and the flying

00:18:20.680 --> 00:18:23.500
and the space and the fire and all that other

00:18:23.500 --> 00:18:27.180
nonsense. And, and so, yeah, it's, it's. i can

00:18:27.180 --> 00:18:29.880
see it is wild that you know i was made for loving

00:18:29.880 --> 00:18:31.500
you it turns out to be one of their biggest songs

00:18:31.500 --> 00:18:34.759
of all time but right uh you know we're all hardcores

00:18:34.759 --> 00:18:37.539
are like oh you know detroit rock city or something's

00:18:37.539 --> 00:18:39.660
way cooler but yeah i mean you know i was made

00:18:39.660 --> 00:18:42.799
for it's such a it's such a panned song in their

00:18:42.799 --> 00:18:44.839
career and they were kind of trend jumping like

00:18:44.839 --> 00:18:47.740
they they tended to do later in the career but

00:18:47.740 --> 00:18:51.799
it i guess it ended up working uh all these years

00:18:51.799 --> 00:18:56.940
later sure yeah no um For me, it's the same story,

00:18:56.980 --> 00:18:59.920
to be honest with you. I was four, my brother

00:18:59.920 --> 00:19:02.140
had a live too, and there's a booklet in there

00:19:02.140 --> 00:19:04.960
that was called, I think it was called The Evolution

00:19:04.960 --> 00:19:08.440
of Kiss or something along those lines. And I

00:19:08.440 --> 00:19:10.779
remember opening it to the page that was dedicated

00:19:10.779 --> 00:19:13.400
to Ace, this big picture of Ace with a smoking

00:19:13.400 --> 00:19:16.900
guitar. And I was like, what is this? You know,

00:19:16.900 --> 00:19:20.619
and instantly, boom, I'm podcasting all these

00:19:20.619 --> 00:19:25.240
years later, seeing that picture. We were in

00:19:25.240 --> 00:19:29.859
London late last year, and we had to go to these

00:19:29.859 --> 00:19:33.819
gates where Kiss took pictures at. It was one

00:19:33.819 --> 00:19:38.759
of these things. So I'm right there with you.

00:19:39.799 --> 00:19:44.160
The last time I saw Ace was for my honeymoon.

00:19:44.319 --> 00:19:46.380
We happened to be in L .A., and he was playing

00:19:46.380 --> 00:19:50.880
at the Viper Room. And we're waiting in line

00:19:50.880 --> 00:19:54.849
to get in the Viper Room. And all of a sudden,

00:19:54.869 --> 00:19:58.490
I'm seeing Fieldy from Korn walking towards us.

00:19:59.230 --> 00:20:03.109
The suitcase, because Ace's show was the end

00:20:03.109 --> 00:20:06.769
of the Sunset Strip Music Festival, I think it

00:20:06.769 --> 00:20:08.970
was called. Something along those lines. And

00:20:08.970 --> 00:20:12.710
it was Korn, and it was Ozzy, and Ace was kind

00:20:12.710 --> 00:20:15.150
of the closer. Everyone else had played out on

00:20:15.150 --> 00:20:21.450
the strip, but Ace was playing in the club. So

00:20:21.450 --> 00:20:24.630
Fieldy comes up to the crowd and says, what's

00:20:24.630 --> 00:20:27.630
this line for? It's not for Ace Frehley. And

00:20:27.630 --> 00:20:31.309
he goes, Ace Frehley? Really? Seriously? He just

00:20:31.309 --> 00:20:36.430
walks to his car, drives off. Monkey comes by

00:20:36.430 --> 00:20:40.690
like 10 minutes later. I don't know who it was

00:20:40.690 --> 00:20:44.700
with him, but he had. a woman under each of his

00:20:44.700 --> 00:20:47.700
arms and someone else. So he was walking with

00:20:47.700 --> 00:20:50.500
three women gets into a suburban or actually

00:20:50.500 --> 00:20:54.180
before he gets into the, into the suburban says,

00:20:54.319 --> 00:20:57.000
uh, kind of the same thing. Who's, you know,

00:20:57.000 --> 00:20:58.640
who you guys waiting to see? We're like, he's

00:20:58.640 --> 00:21:00.619
really, he's paying out the Viper. Oh wow. That's

00:21:00.619 --> 00:21:02.279
cool. That's awesome. You guys going to have

00:21:02.279 --> 00:21:05.900
a great time. And you know, he high fived a few

00:21:05.900 --> 00:21:08.160
people signed a few things, got in the suburban

00:21:08.160 --> 00:21:14.380
and, and left. And, um, uh, That show actually

00:21:14.380 --> 00:21:17.279
Slash got up on stage with him and played Colgen.

00:21:17.880 --> 00:21:21.319
And George Lopez, the comedian, actually introed

00:21:21.319 --> 00:21:26.400
the show. Right. It was neat. It was a neat experience.

00:21:26.400 --> 00:21:29.480
Probably much better than what we saw last night.

00:21:30.799 --> 00:21:35.079
So David and I had Rudy Sarzo on the podcast

00:21:35.079 --> 00:21:37.599
a couple days ago for the Back to the Beginning

00:21:37.599 --> 00:21:41.279
kind of recap. We had him and Mike Borden on

00:21:41.279 --> 00:21:45.259
together. dream team of lineup right there. And

00:21:45.259 --> 00:21:48.079
if you, you know, if you listen to the podcast,

00:21:48.140 --> 00:21:51.700
which I honestly, in the 10 years of podcasting,

00:21:51.720 --> 00:21:54.440
that's going to be top five interview of all

00:21:54.440 --> 00:21:57.480
time. I don't think Mike Borden and Rudy Sarzo

00:21:57.480 --> 00:22:00.359
have ever really talked about their individual

00:22:00.359 --> 00:22:03.539
time in Aussie. I don't know how much time they've

00:22:03.539 --> 00:22:07.119
spent around each other. So like, and the only

00:22:07.119 --> 00:22:09.859
pushback on the episode was Mike does cut people

00:22:09.859 --> 00:22:12.220
off a little bit. but Mike had a lot of questions

00:22:12.220 --> 00:22:14.500
for Rudy. So honestly, it's funny at one point,

00:22:14.519 --> 00:22:16.440
me and David are just sitting back kind of listening

00:22:16.440 --> 00:22:20.240
as, as Mike is kind of interviewing Rudy and,

00:22:20.339 --> 00:22:24.599
uh, and, and, but you know, Rudy obviously, uh,

00:22:24.819 --> 00:22:27.660
in quiet, right, quiet, right. Open for ace freely

00:22:27.660 --> 00:22:30.039
last night. So I got a nice little hookup. Um,

00:22:30.240 --> 00:22:34.220
Rudy Sarzo, I think it was 74 years old. Fucking.

00:22:35.400 --> 00:22:39.059
If if I'm half as cool as that at 74, like sign

00:22:39.059 --> 00:22:41.519
me up now, because I mean, he came out there.

00:22:41.599 --> 00:22:44.779
They opened the show. He came out there. I don't

00:22:44.779 --> 00:22:46.799
think he stopped moving the entire time he was

00:22:46.799 --> 00:22:48.599
out there. He's playing the bass on his head,

00:22:48.779 --> 00:22:50.720
playing the bass up from under here, playing

00:22:50.720 --> 00:22:52.799
the bass over the neck. I mean, he was he was

00:22:52.799 --> 00:22:55.380
doing things that I've never seen anybody do

00:22:55.380 --> 00:22:57.500
with a bass guitar. And obviously being a bass

00:22:57.500 --> 00:23:01.099
player, that's that's a huge thing to to see

00:23:01.099 --> 00:23:02.619
somebody doing something I've never seen before,

00:23:02.740 --> 00:23:04.500
man. But I mean, he was rocking the whole time.

00:23:05.000 --> 00:23:07.640
They do a little bit of a crazy train. Uh, Johnny

00:23:07.640 --> 00:23:09.440
Kelly plays drums for them. So they do a little

00:23:09.440 --> 00:23:11.920
bit of a black number one and a little, a little

00:23:11.920 --> 00:23:13.740
part. So it was kind of cool to kind of see that

00:23:13.740 --> 00:23:16.299
little, uh, uh, you know, shout out to typo negative

00:23:16.299 --> 00:23:19.420
too. But so, so Rudy comes out there, just crushes,

00:23:19.440 --> 00:23:23.920
um, slaughter was up next. And, you know, I know

00:23:23.920 --> 00:23:26.160
two slaughter songs. Like I just was never a

00:23:26.160 --> 00:23:28.319
slaughter fan. So, I mean, they did like a 20

00:23:28.319 --> 00:23:30.880
minute version of fly to the angels, which was

00:23:30.880 --> 00:23:33.579
fine, you know, and then they did, uh, uh, whatever

00:23:33.579 --> 00:23:36.799
the other. Up All Night Sleep but yeah whatever

00:23:36.799 --> 00:23:39.220
it's called I mean those two songs crush I mean

00:23:39.220 --> 00:23:42.880
honestly they were Mark Slaughter still got it

00:23:42.880 --> 00:23:44.720
you know Blossom Light or not Blossom Light but

00:23:44.720 --> 00:23:48.339
Dana Strom up there you know kicking ass and

00:23:48.339 --> 00:23:50.920
they still got that Zoltan drummer guy that's

00:23:50.920 --> 00:23:56.099
just a showman so I mean it was all in all Slaughter

00:23:56.099 --> 00:23:58.779
put on a hell of a show for a band that I'm not

00:23:58.779 --> 00:24:04.339
too too familiar with of that era band And I

00:24:04.339 --> 00:24:07.019
feel so bad for Ace's band because, you know,

00:24:07.039 --> 00:24:10.900
Jeremy and the other guy, you know, that's kind

00:24:10.900 --> 00:24:12.420
of been around the Nashville scene for a long

00:24:12.420 --> 00:24:15.000
time, always been staples of the Nashville rock

00:24:15.000 --> 00:24:18.140
and pod. They did the, what is it, the rock and

00:24:18.140 --> 00:24:20.420
roll residency in Nashville. They got picked

00:24:20.420 --> 00:24:22.839
up as Gene's band years ago, and then now they're

00:24:22.839 --> 00:24:25.339
Ace's band. And, you know, they're hell of musicians,

00:24:26.000 --> 00:24:31.740
seeming to be great dudes. And they start the

00:24:31.740 --> 00:24:34.450
first song of the set last night. And for about

00:24:34.450 --> 00:24:38.609
20 seconds, I was super pumped to see Ace Frehley.

00:24:38.670 --> 00:24:40.890
I've seen him live a few times. And so I'm not

00:24:40.890 --> 00:24:43.490
like, I even joked kind of going into the show.

00:24:43.690 --> 00:24:45.750
I'm like, oh, here we go to see Ace kind of fuck

00:24:45.750 --> 00:24:48.630
up Kiss songs. But I said that tongue in cheek

00:24:48.630 --> 00:24:49.970
thinking that, you know, I mean, I know he's

00:24:49.970 --> 00:24:52.430
not, he's not a hundred percent when it comes

00:24:52.430 --> 00:24:54.089
to guitar playing these days, but he's still

00:24:54.089 --> 00:24:56.190
good. And it's still fun to hear those songs.

00:24:56.589 --> 00:25:00.710
But man, he comes out, he like stumbles to the

00:25:00.710 --> 00:25:05.259
mic. He's like. He's just kind of just strumming

00:25:05.259 --> 00:25:10.660
around on the guitar. And it was, even my wife,

00:25:10.660 --> 00:25:13.500
who's not a KISS fan, she just loves music. She

00:25:13.500 --> 00:25:15.660
was even like, something's not right here. You

00:25:15.660 --> 00:25:18.680
know, she knew something wasn't right. And he

00:25:18.680 --> 00:25:21.539
was slurring his words and he was off a little

00:25:21.539 --> 00:25:23.660
bit. They did, you know, one of my favorite A

00:25:23.660 --> 00:25:26.619
songs of all time is Rock Soldiers. And I just,

00:25:26.700 --> 00:25:29.500
it's a silly song or whatever, but he just came

00:25:29.500 --> 00:25:32.000
up and he was kind of. which i guess he does

00:25:32.000 --> 00:25:34.279
on the recording he kind of just talks the verses

00:25:34.279 --> 00:25:37.779
but he was off he was like a beat behind and

00:25:37.779 --> 00:25:40.819
and the band was like trying to save it i think

00:25:40.819 --> 00:25:43.180
we lasted four or five songs and i was just like

00:25:43.180 --> 00:25:45.799
i don't i don't want this to be the lasting memory

00:25:45.799 --> 00:25:48.619
of ace freely for me yeah yeah because he came

00:25:48.619 --> 00:25:51.400
out he was he was trying to do the cool ace moves

00:25:51.400 --> 00:25:53.319
and stuff and he was just a little bit off and

00:25:53.319 --> 00:25:58.480
they would the you know the uh sound guy would

00:25:58.910 --> 00:26:01.609
crank his guitar on guitar solos too it was like

00:26:01.609 --> 00:26:03.730
it was normal and then you knew ace's guitar

00:26:03.730 --> 00:26:06.609
solo was coming so they would crank it up and

00:26:06.609 --> 00:26:09.029
uh and honestly it sounded like someone picking

00:26:09.029 --> 00:26:11.430
up a guitar that doesn't know how to play guitar

00:26:11.430 --> 00:26:13.769
and like act like their guitar so you know like

00:26:13.769 --> 00:26:15.710
they're soloing you know where they just like

00:26:15.710 --> 00:26:19.329
you know they're doing that nonsense i was i

00:26:19.329 --> 00:26:21.930
was blown away about how how bad he's gotten

00:26:21.930 --> 00:26:24.680
i'm like and i'm typically not like Somebody

00:26:24.680 --> 00:26:27.279
needs to get him off the road. You know, somebody

00:26:27.279 --> 00:26:30.640
needs to set him down. And, but yeah, I think

00:26:30.640 --> 00:26:32.759
that, I think really they should, someone should

00:26:32.759 --> 00:26:35.920
stop ace and be like, you got to stop this. Like

00:26:35.920 --> 00:26:38.859
get yourself some help, have the redemption tour,

00:26:38.980 --> 00:26:42.460
you know, sober up. I mean, he, his head was

00:26:42.460 --> 00:26:45.500
down. He had sunglasses on. It was 10 30 at night.

00:26:45.920 --> 00:26:50.539
you know the wigs looking rough it was just sad

00:26:50.539 --> 00:26:52.920
to see and you hate to see your heroes go out

00:26:52.920 --> 00:26:55.079
like that especially after you see Rudy Sarzo

00:26:55.079 --> 00:26:58.039
up there crushing Slaughter, Mark Slaughter and

00:26:58.039 --> 00:27:00.160
all those guys up there just killing it and then

00:27:00.160 --> 00:27:02.920
Ace comes out just shits the bed but the thing

00:27:02.920 --> 00:27:05.619
is all the way back to what we were talking about

00:27:05.619 --> 00:27:09.140
earlier with Kiss and their fans and the merchandising

00:27:09.140 --> 00:27:11.259
and everything else merch line was as long as

00:27:11.259 --> 00:27:14.799
you could see Once it died down, we walked over

00:27:14.799 --> 00:27:17.140
there to kind of see what was going on. All the

00:27:17.140 --> 00:27:19.940
shirts were 50 bucks each $50 t -shirts. Wow.

00:27:20.579 --> 00:27:22.240
Everybody walking around with two or three of

00:27:22.240 --> 00:27:25.259
them on their shoulder, you know, a $500 VIP

00:27:25.259 --> 00:27:27.099
meet and greet, which I don't know what that

00:27:27.099 --> 00:27:30.720
gets you. And you know, it was an out, it was

00:27:30.720 --> 00:27:32.980
a, it's a small outdoor amphitheater probably

00:27:32.980 --> 00:27:35.740
holds a few thousand. I don't, I don't know how

00:27:35.740 --> 00:27:38.359
many people were there. Probably. I mean, probably

00:27:38.359 --> 00:27:40.839
a little bit under a thousand, maybe 500 to 700.

00:27:40.940 --> 00:27:44.049
I don't know. Um, but everybody had a shirt,

00:27:44.190 --> 00:27:47.250
everybody had something like it wasn't. So, I

00:27:47.250 --> 00:27:52.029
mean, what's ACEs, uh, what do you, what do you

00:27:52.029 --> 00:27:54.150
call it? What's ACEs, uh, you know, reason to

00:27:54.150 --> 00:27:55.609
get off tour. It's like, if people are going

00:27:55.609 --> 00:27:58.269
to spend that kind of money. Yeah. And I, and

00:27:58.269 --> 00:28:00.670
I bet on all, in all honesty, I bet if you look

00:28:00.670 --> 00:28:03.849
online at the groups and stuff today, 95 % of

00:28:03.849 --> 00:28:05.930
the kids fans, but oh man, he crushed last night.

00:28:06.289 --> 00:28:08.589
ACE was so good, man. Keep rocking, keep rocking,

00:28:08.670 --> 00:28:11.900
bro. You know, all that stuff. Um, so, so he,

00:28:11.980 --> 00:28:13.619
he doesn't really have any need to get off the

00:28:13.619 --> 00:28:16.720
road and, and to get himself clean. But there

00:28:16.720 --> 00:28:18.539
was a, there was a row of like dudes in front

00:28:18.539 --> 00:28:20.160
of us and they were all wearing their ACE solo

00:28:20.160 --> 00:28:23.299
shirts and Freely's Comet shirts. And, and like,

00:28:23.339 --> 00:28:25.519
you could tell like they were bummed, like everybody

00:28:25.519 --> 00:28:28.019
was just bummed around me. Like, except for like

00:28:28.019 --> 00:28:29.920
the drunk guy behind me, he was like, woo, you

00:28:29.920 --> 00:28:32.279
know, but, but like for the most part, everybody

00:28:32.279 --> 00:28:34.460
was just bummed last night. So I can't wait to

00:28:34.460 --> 00:28:37.160
see, I know Mike, um, um, you know, from Voltage

00:28:37.160 --> 00:28:39.710
Chunky was there last night. And he took some

00:28:39.710 --> 00:28:41.829
video and stuff. So hopefully we'll start seeing

00:28:41.829 --> 00:28:44.289
that stuff roll out on on Instagram and stuff,

00:28:44.390 --> 00:28:46.529
because in all honesty, I would love to see some

00:28:46.529 --> 00:28:50.569
some footage and be wrong and be like, oh, well,

00:28:50.650 --> 00:28:52.869
maybe I was just in a in the bad spot of the

00:28:52.869 --> 00:28:55.230
venue or something. You know, maybe I was just

00:28:55.230 --> 00:28:57.470
I was just wrong. You know, maybe Ace crushed

00:28:57.470 --> 00:28:59.490
last night and I was just in a weird vantage

00:28:59.490 --> 00:29:02.109
point. But, yeah, we just we stayed for, you

00:29:02.109 --> 00:29:04.690
know, four or five songs. And, you know, my wife

00:29:04.690 --> 00:29:06.309
had to work this morning. So I was just like,

00:29:06.390 --> 00:29:07.849
yeah, let's just get out of here. You got to

00:29:07.849 --> 00:29:11.690
get some sleep. This is silly. Yeah. That, that,

00:29:11.710 --> 00:29:14.650
that sucks though. I mean, the last time actually

00:29:14.650 --> 00:29:16.849
wasn't the last time. The first time I saw Kiss

00:29:16.849 --> 00:29:22.529
live actually was on the, um, uh, the 2000, um,

00:29:22.910 --> 00:29:26.730
what was that? Farewell, the, the farewell to

00:29:26.730 --> 00:29:31.829
Peter and Ace tour. Right. Yeah. Yeah. And, and

00:29:31.829 --> 00:29:34.759
I'm glad I got to see them with. And I'm going

00:29:34.759 --> 00:29:37.279
to catch heat for this, but I'm glad I got to

00:29:37.279 --> 00:29:39.619
see them with Tommy and with Eric years later

00:29:39.619 --> 00:29:44.740
because growing up and, you know, being a huge

00:29:44.740 --> 00:29:49.059
fan of Peter's playing and of the band, you know,

00:29:49.079 --> 00:29:52.259
you get to see one of your heroes live and when

00:29:52.259 --> 00:29:54.740
you see they just can't do it anymore, you're

00:29:54.740 --> 00:29:58.519
like, yeah, I don't, what you said, I don't want

00:29:58.519 --> 00:30:02.180
this to be my last memory of this band. Right.

00:30:02.849 --> 00:30:06.950
Yeah, it was the first time I saw Kiss was 97

00:30:06.950 --> 00:30:09.970
on the reunion tour in Nashville. Actually, Chris

00:30:09.970 --> 00:30:12.730
Sinzak in attendance, too. We didn't know each

00:30:12.730 --> 00:30:14.450
other at the time. We actually were both at the

00:30:14.450 --> 00:30:16.990
I think it's like 95, 30 years ago. We were at

00:30:16.990 --> 00:30:20.450
the Bad Boys of Kiss tour at a small club. It

00:30:20.450 --> 00:30:22.509
was, you know, where Peter opened for Ace. Yeah.

00:30:23.069 --> 00:30:27.230
And and I was I was, you know. pigging shit back

00:30:27.230 --> 00:30:29.289
then seeing that, you know, I had tears in my

00:30:29.289 --> 00:30:31.029
eyes when I saw the reunion tour. I never thought

00:30:31.029 --> 00:30:32.650
I would see that, you know, like I said, growing

00:30:32.650 --> 00:30:35.109
up in the late eighties, being a, being a big

00:30:35.109 --> 00:30:38.250
fan of the makeup era, um, you know, just thinking

00:30:38.250 --> 00:30:40.390
that that was a time of, you know, time gone

00:30:40.390 --> 00:30:43.690
by, we would never see again. Uh, so being able

00:30:43.690 --> 00:30:47.150
to go to a venue and see, you know, kiss up there,

00:30:47.250 --> 00:30:50.250
full makeup amps everywhere. I think they were

00:30:50.250 --> 00:30:52.609
still, it was still pretty fresh in the, in the

00:30:52.609 --> 00:30:54.269
reunion. So I'm pretty sure they were still playing

00:30:54.269 --> 00:30:58.759
well. Um, but yes, I saw him then. And then I

00:30:58.759 --> 00:31:00.900
saw him, I guess on the, yeah, I guess the only

00:31:00.900 --> 00:31:04.819
other time I saw them was the, uh, the act of

00:31:04.819 --> 00:31:06.420
the farewell tour or whatever, a couple of years

00:31:06.420 --> 00:31:09.160
ago. Right. Um, I've seen ACE a couple of times

00:31:09.160 --> 00:31:12.640
solo because I, like I said, ACE was always my

00:31:12.640 --> 00:31:16.220
favorite member. Um, you know, probably ACE followed

00:31:16.220 --> 00:31:20.140
by Gene probably. Um, I like Ace's voice. I think

00:31:20.140 --> 00:31:22.319
he has a cool singing voice. You know, he was

00:31:22.319 --> 00:31:24.519
cracking some jokes last night. You know, he

00:31:24.519 --> 00:31:27.059
was he was trying to trying to crack some jokes,

00:31:27.140 --> 00:31:29.019
but he was still slurred his speech a little

00:31:29.019 --> 00:31:31.660
bit. He's like, oh, they put me up in the presidential

00:31:31.660 --> 00:31:34.140
suite. And, you know, we're here in Louisville,

00:31:34.200 --> 00:31:36.099
Kentucky, you know, Churchill Downs and the horses

00:31:36.099 --> 00:31:39.000
and all that nonsense. He's like, he goes every.

00:31:39.680 --> 00:31:42.259
Every photo in this place is a horse. He kept

00:31:42.259 --> 00:31:44.779
saying a horse, you know, with the, with the

00:31:44.779 --> 00:31:47.660
strong, you know, Brooklyn accident horses everywhere.

00:31:47.759 --> 00:31:51.200
I want to see a horse, but, uh, but yeah, I mean,

00:31:51.200 --> 00:31:54.619
it's just, I said, when I saw, I saw him in like

00:31:54.619 --> 00:31:58.359
2016, I thought he was pretty good at, you know,

00:31:58.359 --> 00:32:00.640
the band, and this was a different band at the

00:32:00.640 --> 00:32:01.839
time with him, but I thought they were pretty

00:32:01.839 --> 00:32:04.619
good. Um, but yeah, last night I was just like,

00:32:04.619 --> 00:32:09.829
oof, man, ace, get it together, bud. Yeah. That's,

00:32:09.829 --> 00:32:15.529
that's a, a, um, constant behind the scenes comment

00:32:15.529 --> 00:32:20.589
with, uh, with Sinzak and myself is, uh, as the

00:32:20.589 --> 00:32:24.609
years have gone by with these, the over enunciation,

00:32:24.950 --> 00:32:33.589
uh, right. His words. So yeah. Yeah. Yeah. I

00:32:33.589 --> 00:32:35.589
mean, honestly, you know, I'll catch flack from

00:32:35.589 --> 00:32:37.789
this, from, from your, from your, you know, from

00:32:37.789 --> 00:32:39.250
people that watch you guys, but I mean, it's

00:32:39.250 --> 00:32:41.450
just like, like the back to the beginning black

00:32:41.450 --> 00:32:44.910
Sabbath thing, Bill Ward was rough. He was rough,

00:32:45.150 --> 00:32:47.970
you know? And I get that he's, you know, older

00:32:47.970 --> 00:32:51.069
and, and, but man, the tempos were so slow and

00:32:51.069 --> 00:32:53.710
he was missing the fills. And I'm just like,

00:32:53.750 --> 00:32:56.910
did he even practice for this? Or did he just

00:32:56.910 --> 00:32:59.089
get up there and think he was going to play some

00:32:59.089 --> 00:33:01.230
of these songs off, off muscle memory, you know,

00:33:01.230 --> 00:33:05.190
from four years ago. I, I unfortunately was in

00:33:05.190 --> 00:33:09.980
the middle of an, 18 hour work day. Yeah. I have

00:33:09.980 --> 00:33:14.039
not. I mean, I've watched clips online and reaching

00:33:14.039 --> 00:33:17.900
my heart during lunch. I'm looking at my phone

00:33:17.900 --> 00:33:22.079
and there's a Facebook group with some of my,

00:33:22.079 --> 00:33:27.119
um, that some of my patrons have and, and they're,

00:33:27.180 --> 00:33:30.839
Oh, wow. Uh, anthrax is playing into the void.

00:33:31.059 --> 00:33:36.259
And yeah. It's Jake and Nuno and this and that.

00:33:36.380 --> 00:33:39.539
And I'm like, I'm missing out on all of this.

00:33:39.680 --> 00:33:42.500
It was going through my head. And then one of

00:33:42.500 --> 00:33:46.200
the other coaches at the camp that I was at two

00:33:46.200 --> 00:33:50.099
days later is like, hey, did you see the back

00:33:50.099 --> 00:33:52.400
to the beginning thing? I'm like, I was here

00:33:52.400 --> 00:33:57.079
working 18 hours with you. I'm like, God. when

00:33:57.079 --> 00:33:58.859
am I going to have time? Well, have you seen

00:33:58.859 --> 00:34:00.500
it since? I'm like, it was only available till

00:34:00.500 --> 00:34:02.380
Monday. I'm like, we're here for 10 straight

00:34:02.380 --> 00:34:06.019
days. When am I going to see this? So I'm hoping

00:34:06.019 --> 00:34:10.320
that they release that on DVD or something in

00:34:10.320 --> 00:34:16.619
the future. I mean, based on what David Elfson

00:34:16.619 --> 00:34:19.440
was saying during the podcast, he's saying that

00:34:19.440 --> 00:34:21.539
they shot a lot of behind the scenes stuff as

00:34:21.539 --> 00:34:23.579
well. I mean, I've seen some of the stuff like

00:34:23.579 --> 00:34:27.849
what Sid Wilson. proposing to, uh, to Kelly and

00:34:27.849 --> 00:34:31.750
some other, some of the other stuff. I mean,

00:34:31.750 --> 00:34:33.989
I'm assuming that'll be released and similar

00:34:33.989 --> 00:34:40.010
deal, uh, go to charity. Um, but who knows? None

00:34:40.010 --> 00:34:42.570
of the Taylor Hawkins stuff was released. And,

00:34:42.570 --> 00:34:45.829
and I was thinking that that would have come

00:34:45.829 --> 00:34:49.349
out on DVD at some point, but it doesn't look

00:34:49.349 --> 00:34:52.130
like that's ever going to happen. I think the

00:34:52.130 --> 00:34:56.210
bet, the, The bad part of it, I think, was Black

00:34:56.210 --> 00:35:00.210
Sabbath playing after Ozzy solo because Ozzy

00:35:00.210 --> 00:35:03.329
solo, you know, Zach's up there crushing Mike

00:35:03.329 --> 00:35:06.150
and his crushing drummer is blowing the doors

00:35:06.150 --> 00:35:08.969
off everybody. You know, this is Ozzy fresh.

00:35:09.130 --> 00:35:10.909
He's doing, you know, Mama, I'm coming home.

00:35:11.050 --> 00:35:13.829
Not a dry eye in the building. You know, I'm

00:35:13.829 --> 00:35:16.230
I'm watching at home like tears in my eyes like

00:35:16.230 --> 00:35:18.389
this is because you could just tell Ozzy was

00:35:18.389 --> 00:35:21.590
he wanted to get out of that chair so bad and

00:35:21.590 --> 00:35:23.860
like. And he even says something like, you know,

00:35:23.860 --> 00:35:26.800
I've been I've been laid up for six years. I

00:35:26.800 --> 00:35:28.960
mean, can you imagine being basically bedridden

00:35:28.960 --> 00:35:31.579
for six years and all of a sudden you're, you

00:35:31.579 --> 00:35:34.079
know, in a in a soccer stadium playing in front

00:35:34.079 --> 00:35:38.960
of 40, 50 ,000 people? Right. And he was you

00:35:38.960 --> 00:35:41.079
know, he was on fire and then kind of the set

00:35:41.079 --> 00:35:45.460
change. And I don't know, man, I honestly maybe

00:35:45.460 --> 00:35:47.360
if Black Sabbath would have played before Ozzie,

00:35:47.400 --> 00:35:50.030
which would have been blasphemy. And maybe it

00:35:50.030 --> 00:35:52.389
would have left a better taste in my mouth. But

00:35:52.389 --> 00:35:54.329
yeah, it was like the tempos were so slow with

00:35:54.329 --> 00:35:56.710
Black Sabbath. And it was cool to see those four

00:35:56.710 --> 00:35:58.789
guys on stage. Don't get me wrong. But man, you

00:35:58.789 --> 00:36:01.349
can just see it in like Tony and Geezer's faces

00:36:01.349 --> 00:36:04.110
that that they were not having a good time. They

00:36:04.110 --> 00:36:07.090
were just like, let's pick it up, Bill. You know,

00:36:07.090 --> 00:36:10.210
and being in bands with over the years and not

00:36:10.210 --> 00:36:12.130
to name names of anybody. But, you know, there

00:36:12.130 --> 00:36:14.130
are certain drummers or certain people you play

00:36:14.130 --> 00:36:17.559
with. that it might suck to be stuck with them

00:36:17.559 --> 00:36:21.380
for 50 years you know like like you know like

00:36:21.380 --> 00:36:24.420
that i know bill was great back in the day and

00:36:24.420 --> 00:36:25.900
don't get me wrong but i'm just saying like over

00:36:25.900 --> 00:36:28.420
the years maybe they lose a step or whatnot and

00:36:28.420 --> 00:36:31.900
so like the classic lineup of your band isn't

00:36:31.900 --> 00:36:34.179
maybe the best lineup of your band how about

00:36:34.179 --> 00:36:37.739
right so it's just so to have to get up there

00:36:37.739 --> 00:36:39.820
with your with your boys and one of them's not

00:36:39.820 --> 00:36:43.599
pulling his weight uh I guess the figuratively,

00:36:43.699 --> 00:36:45.840
not literally. Cause once he pulls that shirt

00:36:45.840 --> 00:36:48.500
off, you're like, Whoa, Bill, he's just up there.

00:36:48.519 --> 00:36:50.460
Just not giving a shit, you know, like ripping

00:36:50.460 --> 00:36:52.760
the shirt off and at almost 80 years old with

00:36:52.760 --> 00:36:55.179
just like, he's like, but it was, it was cool

00:36:55.179 --> 00:36:57.519
to see him glad they did it. You know, I'm not

00:36:57.519 --> 00:37:00.059
going to hate on that, but yeah, it was, it was,

00:37:00.059 --> 00:37:02.619
it was just sad to watch. Not as sad as guns

00:37:02.619 --> 00:37:05.340
and roses though. Axles that, that the, the guns

00:37:05.340 --> 00:37:08.280
and roses performance of that probably took the

00:37:08.280 --> 00:37:10.739
cake of like, please don't ever do that again.

00:37:12.550 --> 00:37:14.610
Well, I think you got to give him credit for

00:37:14.610 --> 00:37:17.010
some of the songs that they pulled out. No, I

00:37:17.010 --> 00:37:20.349
give you that. But it's still his voice is just

00:37:20.349 --> 00:37:25.789
shot like beyond shot. But that gets back to

00:37:25.789 --> 00:37:29.869
the whole both Axl and both Bill get back to

00:37:29.869 --> 00:37:34.550
the ace comment that you made a few minutes ago

00:37:34.550 --> 00:37:37.510
where you're still going to have people online

00:37:37.510 --> 00:37:40.949
that will still argue that they're still great.

00:37:41.309 --> 00:37:43.550
they're still awesome. They're still, and it's,

00:37:43.550 --> 00:37:46.489
I get it. They're, you know, they're reliving

00:37:46.489 --> 00:37:50.670
their, the best years of their life, seeing them,

00:37:50.710 --> 00:37:53.750
you know, in concert there, they're like Al Bundy

00:37:53.750 --> 00:37:59.769
reliving all those touchdowns. But at the same

00:37:59.769 --> 00:38:04.909
time, man, it, it's, it's, it is rough. And,

00:38:04.969 --> 00:38:07.610
and guns and roses is still selling out, selling

00:38:07.610 --> 00:38:13.099
a lot of tickets. Yeah. Um, there was a social

00:38:13.099 --> 00:38:18.980
media clip that I posted. Yeah. A clip that was

00:38:18.980 --> 00:38:21.780
posted recently that I responded to earlier today,

00:38:21.880 --> 00:38:25.199
which had to do with the fact that people were

00:38:25.199 --> 00:38:28.420
criticizing Metallica for screwing up the beginning

00:38:28.420 --> 00:38:32.460
of a song. And someone said, well, this is what

00:38:32.460 --> 00:38:35.579
they get for changing their set list every night.

00:38:37.420 --> 00:38:40.320
And I was kind of, I was pissed. I was like,

00:38:40.400 --> 00:38:43.300
are you serious? I'm like, you would rather see

00:38:43.300 --> 00:38:46.239
a band play the same set list night after night

00:38:46.239 --> 00:38:49.000
after night, whereas they're playing something

00:38:49.000 --> 00:38:52.579
different. It may give you an excuse to see them,

00:38:52.579 --> 00:38:55.239
you know, several nights on, on that tour, because

00:38:55.239 --> 00:38:56.880
you're going to find, you know, you're going

00:38:56.880 --> 00:39:02.639
to see something completely different. And we've

00:39:02.639 --> 00:39:08.929
become so fickle with the internet where, again,

00:39:09.050 --> 00:39:11.809
it gives, it gives us a voice to be podcasters,

00:39:11.809 --> 00:39:15.070
but it also gives a lot of people that shouldn't

00:39:15.070 --> 00:39:17.829
have a voice out there. The, the platform to,

00:39:17.909 --> 00:39:22.469
to rattle off dumb stuff like that. Yeah. I've,

00:39:22.489 --> 00:39:25.809
I've seen those lately of, of, you know, the,

00:39:25.929 --> 00:39:29.409
where they kind of play the bridge to master

00:39:29.409 --> 00:39:32.369
pub is a little wonky or, you know, I mean, even

00:39:32.369 --> 00:39:34.210
back in the, there's a clip I saw the other day

00:39:34.210 --> 00:39:37.159
of, uh, where James is like, what about, you

00:39:37.159 --> 00:39:39.380
know, it's time for master of puppets. And he

00:39:39.380 --> 00:39:43.199
just like, he goes by himself. And like Lars

00:39:43.199 --> 00:39:45.199
picks up the set list, walks over to him and

00:39:45.199 --> 00:39:47.199
kind of as a joking thing points out that he's

00:39:47.199 --> 00:39:50.599
supposed to be playing whiplash, but it just,

00:39:50.639 --> 00:39:52.440
but it just shows that they're human and they're

00:39:52.440 --> 00:39:55.059
not on a, you know, they're obviously not on

00:39:55.059 --> 00:39:57.039
a click. They're not on tracks. They're not on

00:39:57.039 --> 00:39:58.579
everything else. So, I mean, I, you know, I think

00:39:58.579 --> 00:40:01.820
I would rather, I would rather see that than

00:40:01.820 --> 00:40:06.170
over, you know, And I mean, honestly, they could

00:40:06.170 --> 00:40:09.949
easily put part of Lars, you know, you've seen

00:40:09.949 --> 00:40:11.550
it. You've seen those videos of like, is the

00:40:11.550 --> 00:40:13.489
drums or the, I've seen all the way down to where

00:40:13.489 --> 00:40:16.030
drums are on tracks. You know, you see, you see

00:40:16.030 --> 00:40:17.630
the drummer back there hitting stuff and he's

00:40:17.630 --> 00:40:19.530
like, wait a minute, he just hit a crash. You

00:40:19.530 --> 00:40:21.210
hear a crash, but he didn't hear, you know, hit

00:40:21.210 --> 00:40:23.329
a crash or, you know, he's doing something crazy

00:40:23.329 --> 00:40:25.349
with the double kick. You know, they could easily

00:40:25.349 --> 00:40:27.989
put, you know, Lars's double kicks on tracks

00:40:27.989 --> 00:40:29.809
and things like that, you know, just to kind

00:40:29.809 --> 00:40:33.159
of mask some of the stuff. um but they don't

00:40:33.159 --> 00:40:34.880
you know they're human and they're they're playing

00:40:34.880 --> 00:40:37.099
the songs the way that they can at 60 year old

00:40:37.099 --> 00:40:40.579
dudes and and so you know part of it's commendable

00:40:40.579 --> 00:40:43.699
part of it's like you know like we're seeing

00:40:43.699 --> 00:40:45.860
you know you and i are seeing a generation of

00:40:45.860 --> 00:40:49.639
bands that that you know like slayer and anthrax

00:40:49.639 --> 00:40:54.400
and metallica megadeth all the thrash bands are

00:40:54.400 --> 00:40:56.679
putting out some of their greatest material now

00:40:56.679 --> 00:41:00.250
because of technology and The way that they can

00:41:00.250 --> 00:41:02.050
record these days. I mean, some of the later,

00:41:02.050 --> 00:41:04.570
the later Testament records just sound amazing.

00:41:05.570 --> 00:41:08.250
You know, the last few Megadeth records sound

00:41:08.250 --> 00:41:10.590
awesome. You know, the last Metallica album,

00:41:10.690 --> 00:41:14.409
you know, it's, it's like the technology is caught

00:41:14.409 --> 00:41:16.349
up to the music to where you can, you can get

00:41:16.349 --> 00:41:17.989
everything tight, make everything sound good.

00:41:18.369 --> 00:41:20.389
You know, cause some of those early thrash records,

00:41:20.469 --> 00:41:22.750
as much as we all love them, they sound like

00:41:22.750 --> 00:41:25.110
garbage, you know, like they're like really rough

00:41:25.110 --> 00:41:27.340
sounding. And so now that they can kind of get

00:41:27.340 --> 00:41:29.320
in there and fine tune everything they're, they're

00:41:29.320 --> 00:41:30.659
putting out some of their greatest material,

00:41:30.659 --> 00:41:34.280
but it's, but we're also seeing a generation,

00:41:34.280 --> 00:41:36.139
you know, you watch that back to the beginning

00:41:36.139 --> 00:41:39.739
thing, you're seeing old James Hetfield and,

00:41:39.780 --> 00:41:42.940
and old Joey Belladonna and old Scott Ian, and,

00:41:42.960 --> 00:41:45.500
you know, just everybody's getting older, but

00:41:45.500 --> 00:41:48.179
they're still, they're still held to the standard

00:41:48.179 --> 00:41:51.059
of, you know, 1988 James Hetfield and justice

00:41:51.059 --> 00:41:53.860
for all tour. and you know they're headbanging

00:41:53.860 --> 00:41:55.920
and rocking and doing this and the other thing

00:41:55.920 --> 00:41:57.880
and sweating and everything else because you

00:41:57.880 --> 00:41:59.840
know when you and i you and i were growing up

00:41:59.840 --> 00:42:01.679
and we're seeing like you know herman's hermits

00:42:01.679 --> 00:42:04.880
at the fair you know they're up there just standing

00:42:04.880 --> 00:42:09.079
still singing the thing and and and not having

00:42:09.079 --> 00:42:11.440
to do much or whatever version the temptations

00:42:11.440 --> 00:42:13.699
was coming to the you know coming to the state

00:42:13.699 --> 00:42:16.780
fair things like that you know you like the generation

00:42:16.780 --> 00:42:20.030
before us their old their old guard could get

00:42:20.030 --> 00:42:22.130
away with standing there, the mamas and the papas

00:42:22.130 --> 00:42:24.309
and, you know, Jefferson airplane or whatever

00:42:24.309 --> 00:42:26.590
was coming through, you know, they didn't have

00:42:26.590 --> 00:42:30.130
to put on a energetic, crazy show. We're sweating

00:42:30.130 --> 00:42:31.929
and blah, blah, blah, you know, everything going

00:42:31.929 --> 00:42:35.070
on. So, so our heroes, you know, we're, we're

00:42:35.070 --> 00:42:37.010
watching our, you know, we're watching thrash

00:42:37.010 --> 00:42:39.849
metal get old, you know, like old, old, like

00:42:39.849 --> 00:42:43.289
grandpas and stuff. And it's, and it's, and it's,

00:42:43.289 --> 00:42:47.110
it's fun to watch, you know, sometimes you're

00:42:47.110 --> 00:42:49.570
like, Sometimes I'll see a photo of James Hetfield

00:42:49.570 --> 00:42:53.590
and I'm like, man, he is looking old. You never

00:42:53.590 --> 00:42:55.690
think your heroes are going to get old and then

00:42:55.690 --> 00:43:00.989
they do. It's just wild. I did a show on Friday

00:43:00.989 --> 00:43:03.769
where we talked about the Back to the Beginning

00:43:03.769 --> 00:43:07.570
show with two people that watched the entire

00:43:07.570 --> 00:43:10.849
thing. One of the things they brought up was

00:43:10.849 --> 00:43:18.920
that Metallica had played Um, damn it. Guns and

00:43:18.920 --> 00:43:22.179
roses played junior size. Uh, it's the song after

00:43:22.179 --> 00:43:24.440
that. Johnny something, Johnny blade, Johnny

00:43:24.440 --> 00:43:28.559
blade. Yeah. And I love the original. Uh, I was

00:43:28.559 --> 00:43:30.360
like, I got to search this out. You know, these

00:43:30.360 --> 00:43:33.119
guys are telling me that this was great. And

00:43:33.119 --> 00:43:37.460
I put on you, I find it on YouTube. I, I push

00:43:37.460 --> 00:43:40.639
play. And my wife says, man, James Hetfield looks

00:43:40.639 --> 00:43:44.530
old. Yeah. So that's what I said to her. I go,

00:43:44.610 --> 00:43:47.050
well, they are in their 60s. You know, this guy

00:43:47.050 --> 00:43:50.469
is like at least 15 years older than me. I'm

00:43:50.469 --> 00:43:53.289
like, not too bad considering all the shit that

00:43:53.289 --> 00:43:56.530
they've done. And, you know, they could be in

00:43:56.530 --> 00:44:04.349
a lot worse shape. So I've. I'm probably more

00:44:04.349 --> 00:44:07.530
lenient than I should be with them because of.

00:44:08.239 --> 00:44:10.940
you know, how they've always kind of come across

00:44:10.940 --> 00:44:14.400
as being human to me. I mean, uh, live ship engine

00:44:14.400 --> 00:44:17.300
purge, they have mistakes in that, that they

00:44:17.300 --> 00:44:20.960
never expected their live Metallica stuff. It's

00:44:20.960 --> 00:44:26.940
boom out in two days and we're small. And they've,

00:44:26.940 --> 00:44:29.039
I mean, and I think that's part of the reason

00:44:29.039 --> 00:44:31.760
why they're essentially the biggest metal band

00:44:31.760 --> 00:44:35.000
of all time, because they're, they've kind of

00:44:35.000 --> 00:44:38.610
followed a tradition of, sabbath and acdc to

00:44:38.610 --> 00:44:41.550
the point of really emotionally connecting with

00:44:41.550 --> 00:44:44.190
working class people and showing that they're

00:44:44.190 --> 00:44:47.469
human and showing that you know they go through

00:44:47.469 --> 00:44:50.349
the same shit that we do and i think that's endeared

00:44:50.349 --> 00:44:55.110
them to so many people so yeah is lars playing

00:44:55.110 --> 00:44:59.110
you know uh injustice for all note for note like

00:44:59.110 --> 00:45:03.510
he did you know monsters of rock tour no absolutely

00:45:03.510 --> 00:45:08.969
not but Just like you said before, I have a vinyl

00:45:08.969 --> 00:45:11.489
album behind me. I'm not going to point to which.

00:45:13.329 --> 00:45:18.550
I saw them and the drummer that was playing was

00:45:18.550 --> 00:45:25.429
not playing live. And there were parts of certain

00:45:25.429 --> 00:45:29.650
songs where it's heavy into double bass and those

00:45:29.650 --> 00:45:33.329
drum heads were not moving. So for as much as

00:45:33.329 --> 00:45:35.650
people say, no, he was playing with a trigger.

00:45:36.110 --> 00:45:38.769
Like, yeah, you don't get how triggers work then.

00:45:39.409 --> 00:45:45.869
So, uh, that was, it's funny. I know I've, I've

00:45:45.869 --> 00:45:47.630
started to see like bands all the way down to

00:45:47.630 --> 00:45:50.530
like local bands in the clubs, you know, opening

00:45:50.530 --> 00:45:52.730
for nationals coming through that are running

00:45:52.730 --> 00:45:55.369
tracks and stuff. And I'm just like, I get up

00:45:55.369 --> 00:45:58.570
there and just play. Like we, you know, I mean,

00:45:58.590 --> 00:46:00.389
I, you know, there are certain, certain bands,

00:46:00.550 --> 00:46:02.570
certain things that I'll, I'll let slide. You

00:46:02.570 --> 00:46:05.489
know, if you've got a crazy, instrumental part

00:46:05.489 --> 00:46:08.610
you've got a crazy you know dubstep part or you

00:46:08.610 --> 00:46:10.789
know anything like that throw that on a track

00:46:10.789 --> 00:46:13.250
i'm fine with it you know but if if there's if

00:46:13.250 --> 00:46:15.150
there's if there's someone on stage that can

00:46:15.150 --> 00:46:18.670
play the part let them play the part yeah i mean

00:46:18.670 --> 00:46:21.170
i it's been 10 years ago i was one of the first

00:46:21.170 --> 00:46:24.869
times i ever saw a touring band come through

00:46:24.869 --> 00:46:27.449
and they did a quick line check you know as they

00:46:27.449 --> 00:46:28.789
were getting ready it was like all right left

00:46:28.789 --> 00:46:31.429
stage guitar to jump right stage guitar jump

00:46:31.429 --> 00:46:34.840
jump you know drums bass and someone hit a space

00:46:34.840 --> 00:46:37.039
bar and the bass track played and i was like

00:46:37.039 --> 00:46:39.559
oh we're we're already at that point you know

00:46:39.559 --> 00:46:44.039
like so so it's you know it's just it's just

00:46:44.039 --> 00:46:48.139
like let you know if you can do it live do it

00:46:48.139 --> 00:46:50.340
live but if you know like i said if it's a crazy

00:46:50.340 --> 00:46:54.320
orchestral part yeah throw it on track i've never

00:46:54.320 --> 00:46:55.980
that that's never bothered me that's all for

00:46:55.980 --> 00:46:59.059
your factory and 1998 and you know they had a

00:46:59.059 --> 00:47:01.219
dude over there there was like on edge crusher

00:47:01.219 --> 00:47:02.840
where there's all the scratching and stuff you

00:47:02.840 --> 00:47:05.119
know just hit a key you know hit a key on the

00:47:05.119 --> 00:47:07.699
keyboard and it you know it played the sample

00:47:07.699 --> 00:47:10.260
you know i'm fine with that stuff yeah yeah yeah

00:47:10.260 --> 00:47:13.980
yeah yeah just just play as much as you can as

00:47:13.980 --> 00:47:17.159
you know as live as you can how about that yeah

00:47:17.159 --> 00:47:22.539
no i i agree with you um Circling things back

00:47:22.539 --> 00:47:26.239
to talk to me and the show you're doing with

00:47:26.239 --> 00:47:33.460
Ellefson. There have been several iterations

00:47:33.460 --> 00:47:36.360
of podcasts that you've done and different things

00:47:36.360 --> 00:47:38.440
that you've done over the years, whether it was

00:47:38.440 --> 00:47:40.519
NotFest, whether it was the show that you had

00:47:40.519 --> 00:47:45.179
done with Ian as well. And you've tried other

00:47:45.179 --> 00:47:52.869
things over the years. How important have all

00:47:52.869 --> 00:47:56.590
of those evolutions been to you to help you progress

00:47:56.590 --> 00:48:03.150
as a podcaster? I mean, I think it just kind

00:48:03.150 --> 00:48:05.070
of shows you like what works, what doesn't work.

00:48:07.449 --> 00:48:10.829
You know, everything's a, every day is a learning

00:48:10.829 --> 00:48:15.460
lesson. You know, I mean, the show with Ian was

00:48:15.460 --> 00:48:18.139
fun. I love Ian to death. You know, I always

00:48:18.139 --> 00:48:20.420
consider him a bro. You know, I did some stuff

00:48:20.420 --> 00:48:25.739
with Chris Aiken. You know, it's funny. When

00:48:25.739 --> 00:48:27.559
I listen to the classic metal show and you hear,

00:48:27.579 --> 00:48:29.639
you know, you hear Nate Neely every once in a

00:48:29.639 --> 00:48:32.360
while kind of throw jabs that, oh, well, nobody

00:48:32.360 --> 00:48:34.219
else can find a co -host. So they have to get

00:48:34.219 --> 00:48:37.199
Chris Aiken. And I always want to be like, you

00:48:37.199 --> 00:48:39.000
know what? When I when I asked Chris to come

00:48:39.000 --> 00:48:41.900
on the podcast, that was right after his scare

00:48:41.900 --> 00:48:44.840
with COVID. That was right after I thought I,

00:48:44.900 --> 00:48:46.760
you know, honestly thought we were going to lose

00:48:46.760 --> 00:48:49.639
him. You know, I was literally, you know, he

00:48:49.639 --> 00:48:51.840
was in the hospital. He's got bad lungs from

00:48:51.840 --> 00:48:53.920
the burn accident. He's, you know, he's like

00:48:53.920 --> 00:48:56.900
a 400 pound dude. Like he's, he was everything

00:48:56.900 --> 00:49:00.820
that you thought was going to kill him. You know,

00:49:00.840 --> 00:49:03.340
he got, he got COVID. He has bad lungs. He's

00:49:03.340 --> 00:49:04.900
overweight. He's out, you know, he's unhealthy.

00:49:05.079 --> 00:49:07.920
Like everything, everything that was at the time

00:49:07.920 --> 00:49:11.750
going to kill him. should have killed him and

00:49:11.750 --> 00:49:15.949
it didn't and i remember uh you know i'm not

00:49:15.949 --> 00:49:17.610
too ashamed to say this but i remember the day

00:49:17.610 --> 00:49:19.869
that he posted that he was you know he was released

00:49:19.869 --> 00:49:21.849
from the hospital he's going to be okay and i

00:49:21.849 --> 00:49:23.889
was in my car and i pulled over and just cried

00:49:23.889 --> 00:49:26.889
like i i literally like you know i'm you know

00:49:26.889 --> 00:49:29.349
it's crazy it's like with even with you victor

00:49:29.349 --> 00:49:32.050
i've never met chris in person but like you know

00:49:32.050 --> 00:49:33.630
chris is one of those dudes where i can call

00:49:33.630 --> 00:49:36.469
him and we would talk for an hour we always had

00:49:36.469 --> 00:49:40.159
a great rapport and i was looking i was I had

00:49:40.159 --> 00:49:41.860
been talking to not fest about bringing a co

00:49:41.860 --> 00:49:43.679
-host in anyway. And I was like, you know what

00:49:43.679 --> 00:49:46.860
I'm going to do? I'm going to ask Chris because

00:49:46.860 --> 00:49:49.260
you know, I did, that's how much I, you know,

00:49:49.260 --> 00:49:50.699
I thought of him and that's how much he meant

00:49:50.699 --> 00:49:53.760
to me. And it still does. You know, I still talk

00:49:53.760 --> 00:49:55.280
to him all the time. Even last night I'm texting

00:49:55.280 --> 00:49:57.840
him at the show. I'm texting him while he's on,

00:49:57.940 --> 00:50:00.500
you know, on air doing the classic metal show,

00:50:00.619 --> 00:50:02.820
you know, we're bullshitting back and forth about

00:50:02.820 --> 00:50:05.000
slaughter and all this other nonsense on, on

00:50:05.000 --> 00:50:08.360
stage. But, uh, so yeah so having him come on

00:50:08.360 --> 00:50:12.420
the show um you know mike years ago john drake

00:50:12.420 --> 00:50:14.139
over the you know popped on for a little bit

00:50:14.139 --> 00:50:19.099
um part of me is is like i was an only child

00:50:19.099 --> 00:50:22.059
so i think like i don't play well with others

00:50:22.059 --> 00:50:25.340
you know if that makes any sense it's just like

00:50:25.340 --> 00:50:30.380
you know um but with with david obviously david's

00:50:30.380 --> 00:50:33.320
the the the name on the show you know it's his

00:50:33.320 --> 00:50:38.690
show um And it does go back all the way back

00:50:38.690 --> 00:50:40.650
to, you know, Adam Carolla's old thing. Like,

00:50:40.650 --> 00:50:43.329
how do you become successful in podcasting? Step

00:50:43.329 --> 00:50:47.389
one, be famous, you know, because I mean, obviously

00:50:47.389 --> 00:50:50.030
right out the gate, you know, Ellison's podcast,

00:50:50.090 --> 00:50:51.829
his numbers are doing well. And the announcement

00:50:51.829 --> 00:50:54.670
of the show went pretty big. And, you know, everybody's

00:50:54.670 --> 00:50:56.190
like, who the hell is this other guy? You know,

00:50:56.210 --> 00:50:58.949
those comments are my favorite. Like, who's the

00:50:58.949 --> 00:51:00.909
guy? You know, sometimes I wear my glasses on

00:51:00.909 --> 00:51:02.230
the show. It's like, who's the guy with the glasses

00:51:02.230 --> 00:51:05.420
and beard? You know. I made a comment about Lars

00:51:05.420 --> 00:51:07.460
one day that honestly, I don't think it was a

00:51:07.460 --> 00:51:09.380
negative comment, but everybody thought I was

00:51:09.380 --> 00:51:11.039
being negative. Like, well, who is he to say

00:51:11.039 --> 00:51:13.659
that about Lars and you know, all this shit.

00:51:13.699 --> 00:51:16.059
It is funny. Like, so, so no matter how much

00:51:16.059 --> 00:51:18.739
you do in podcasting, like there's still a giant

00:51:18.739 --> 00:51:20.900
segment out there that has no idea who you are.

00:51:21.039 --> 00:51:23.760
Right. You know, I mean, a lot of the, a lot

00:51:23.760 --> 00:51:25.179
of the comments early on, cause David's such

00:51:25.179 --> 00:51:28.960
a talker and some of these people, like I get

00:51:28.960 --> 00:51:30.800
it. I'm like, why am I here? Like, there's a

00:51:30.800 --> 00:51:33.150
lot of times where I'm like, I don't need to

00:51:33.150 --> 00:51:35.449
be here. Like I'll, I should just X out my box

00:51:35.449 --> 00:51:38.369
and just watch the show. Like, like a fan, you

00:51:38.369 --> 00:51:39.989
know, cause if you get David and Frank Bello

00:51:39.989 --> 00:51:42.150
together or David and Dave Lombardo together,

00:51:42.230 --> 00:51:45.349
or even, you know, Gary Holt and the other day

00:51:45.349 --> 00:51:47.130
with the, the back to the beginning stuff, all

00:51:47.130 --> 00:51:51.010
that stuff. Like I wasn't there for those guys

00:51:51.010 --> 00:51:53.150
have known each other for 40 years. So they're

00:51:53.150 --> 00:51:56.590
just going to banter back and forth. And I think

00:51:56.590 --> 00:51:59.110
it was, we were, we interviewed Maria Ferrara,

00:51:59.150 --> 00:52:01.440
you know, metal Maria. Uh, and I'm sure you've

00:52:01.440 --> 00:52:03.440
dealt with her many a time with her PR company.

00:52:04.019 --> 00:52:06.619
Um, but I, you know, it was like 20 minutes into

00:52:06.619 --> 00:52:08.099
the episode and I lean in and I'm like, all right,

00:52:08.119 --> 00:52:09.719
Maria, it's been about 20 minutes. It's time

00:52:09.719 --> 00:52:12.079
for me to chime in. Uh, you know, as a joke,

00:52:12.099 --> 00:52:14.800
cause a lot of times I see it too, you know,

00:52:14.800 --> 00:52:17.579
where I'll, I'll, I'm just listening. I'm just

00:52:17.579 --> 00:52:19.559
watching. Cause I'm a fan of podcasts and I'm

00:52:19.559 --> 00:52:22.039
a fan of David. I'm a fan of, you know, 90 %

00:52:22.039 --> 00:52:24.420
of the people that we've interviewed. Um, so,

00:52:24.480 --> 00:52:28.210
I mean, I'm a, I'm listening to, uh, So like

00:52:28.210 --> 00:52:30.590
I'll catch it to where I like these long stretches

00:52:30.590 --> 00:52:33.650
of time where I don't say a word just because

00:52:33.650 --> 00:52:35.329
I'm listening. You know, I've always been a listener

00:52:35.329 --> 00:52:38.630
to when it comes to interviewing people. And

00:52:38.630 --> 00:52:40.710
so I'm kind of waiting for my spot to jump in.

00:52:40.989 --> 00:52:45.309
But but yeah, it's it's it's been fun. But yeah,

00:52:45.369 --> 00:52:48.389
just just learning, growing, seeing how everything

00:52:48.389 --> 00:52:52.090
works. I've been I've been more impressed with

00:52:52.090 --> 00:52:57.500
how how into podcasting David's become. Like

00:52:57.500 --> 00:52:59.920
he's like, we should do this. We should do that.

00:52:59.960 --> 00:53:01.599
We should get this guest. We should do that.

00:53:01.619 --> 00:53:03.699
Do you have this time? He, you know, he's been

00:53:03.699 --> 00:53:06.380
in, he's been in basically in Germany all year

00:53:06.380 --> 00:53:09.679
or all summer. So it's like, you know, he's been

00:53:09.679 --> 00:53:12.400
working around like my days off from work and

00:53:12.400 --> 00:53:14.659
like, you know, coordinating, you know, cause

00:53:14.659 --> 00:53:16.820
they're like six hours ahead of, ahead of me

00:53:16.820 --> 00:53:19.019
and all that nonsense. So, you know, like you

00:53:19.019 --> 00:53:23.239
are. And then, uh, so it's like, it's just been

00:53:23.239 --> 00:53:25.360
fun to kind of see his evolution and getting

00:53:25.360 --> 00:53:28.150
into. comfortable interviewing people. You know,

00:53:28.170 --> 00:53:29.929
he said even early on, cause I mean, some of

00:53:29.929 --> 00:53:32.670
the early on episodes, he does talk a lot. Um,

00:53:32.889 --> 00:53:35.949
and maybe he doesn't let the guests talk as much.

00:53:36.210 --> 00:53:38.750
Uh, so he's trying to curtail that. And he goes,

00:53:38.809 --> 00:53:41.150
he goes, you know, that, that dude's been being

00:53:41.150 --> 00:53:43.030
interviewed since he was 18 years old. You know,

00:53:43.050 --> 00:53:45.449
he joined Megadeth, you know, they started Megadeth

00:53:45.449 --> 00:53:47.610
when he was 18. He's been famous his whole life.

00:53:48.050 --> 00:53:51.949
Um, so now he's trying to like turn it around

00:53:51.949 --> 00:53:54.409
and become the interviewer instead of the interviewee.

00:53:54.989 --> 00:53:57.610
Um, So, yeah, it's been it's been a fun evolution

00:53:57.610 --> 00:53:59.909
to watch that, too, and watch him do everything.

00:54:00.010 --> 00:54:03.949
But just, you know, just over the years, like,

00:54:04.010 --> 00:54:05.989
you know, we were joking earlier about the technology

00:54:05.989 --> 00:54:07.829
and Skype and all this other stuff, you know,

00:54:07.829 --> 00:54:10.769
like so learning how to do stuff with Chris Aiken

00:54:10.769 --> 00:54:14.469
through Skype, through, you know, restreams and

00:54:14.469 --> 00:54:18.789
StreamYard and all the different all the different

00:54:18.789 --> 00:54:21.489
evolutions and technology, things like that,

00:54:21.550 --> 00:54:23.989
you know, kind of everything kind of builds up

00:54:23.989 --> 00:54:27.059
to. you know, what you're doing today. And it

00:54:27.059 --> 00:54:30.139
kind of, it kind of works out to where, you know,

00:54:30.139 --> 00:54:32.159
Oh, I had, I had to learn how to do this one

00:54:32.159 --> 00:54:34.340
thing in editing. So now I know how to do it

00:54:34.340 --> 00:54:36.239
all the time. And, you know, you just kind of

00:54:36.239 --> 00:54:38.380
have, you know, I don't necessarily, I don't

00:54:38.380 --> 00:54:40.679
necessarily sit there and watch Adobe Premiere

00:54:40.679 --> 00:54:43.619
Pro tutorials to learn how to do everything.

00:54:43.679 --> 00:54:45.579
But when I have to figure something out, that's

00:54:45.579 --> 00:54:47.539
when you go to YouTube and try to figure it all

00:54:47.539 --> 00:54:50.579
out. And, you know, that helps you kind of, you

00:54:50.579 --> 00:54:54.059
know, in your day -to -day podcasting life. So.

00:54:54.510 --> 00:54:57.349
I don't know, man. It's just, it's just an evolution

00:54:57.349 --> 00:54:59.690
of, of learning how to work with people and how

00:54:59.690 --> 00:55:01.869
to, you know, deal with different personalities

00:55:01.869 --> 00:55:06.690
and, uh, how to, um, you know, schedules and

00:55:06.690 --> 00:55:08.010
things like that. That was the biggest thing,

00:55:08.050 --> 00:55:09.929
honestly, the biggest thing with everybody was

00:55:09.929 --> 00:55:12.050
just schedule conflicts. And that was the one

00:55:12.050 --> 00:55:14.010
thing about Chris Aiken, him working from home,

00:55:14.110 --> 00:55:17.849
he was kind of free to do it whenever, um, you

00:55:17.849 --> 00:55:19.190
know, some of the other ones, it was like, oh,

00:55:19.230 --> 00:55:21.539
I can't do it this day because I have this. Even

00:55:21.539 --> 00:55:24.219
like when I did New Pod with Ro Coley, you know,

00:55:24.219 --> 00:55:28.480
Ro lives in Los Angeles. He's in with every band

00:55:28.480 --> 00:55:31.239
ever. And I'd be like, hey, Ro, can we record

00:55:31.239 --> 00:55:32.880
on Tuesday? He'd be like, oh, I'm going to see

00:55:32.880 --> 00:55:34.860
Lacuna Coil that day. All right, what about Wednesday?

00:55:35.000 --> 00:55:36.880
Oh, man, Cole Chambers reuniting, blah, blah,

00:55:36.900 --> 00:55:39.099
blah. All right, what about Thursday? Oh, man,

00:55:39.179 --> 00:55:40.920
Thursday, I've got to go. You know, it was just,

00:55:40.980 --> 00:55:42.760
he was going to like two or three shows a night

00:55:42.760 --> 00:55:46.179
every other day. So, you know, that was the only,

00:55:46.239 --> 00:55:49.639
that was the biggest, you know, hurdle with doing

00:55:49.639 --> 00:55:52.309
a show with him. because he runs a business that

00:55:52.309 --> 00:55:55.190
he needs to be out and talking to people and,

00:55:55.210 --> 00:55:57.849
and, and, you know, talking to band members and

00:55:57.849 --> 00:56:00.150
things like that to get more business. So I get

00:56:00.150 --> 00:56:02.789
it. So, yeah, it was, it was tough. It was like,

00:56:02.849 --> 00:56:04.610
all right, I've got an, he's, he was always like,

00:56:04.670 --> 00:56:06.170
all right, I can do it from like four to five,

00:56:06.250 --> 00:56:08.309
but I might have to do it from my car, you know,

00:56:08.309 --> 00:56:11.409
shit like that. But, but yeah, it's, it's just,

00:56:11.429 --> 00:56:13.329
it's just been fun, man. I think everything's

00:56:13.329 --> 00:56:15.960
been fun. You know, I don't think I've. none

00:56:15.960 --> 00:56:19.199
of these shows have ended with a blow up fight

00:56:19.199 --> 00:56:21.980
you know like I hate you you know shit like that

00:56:21.980 --> 00:56:25.159
it's always like so it seems to be cordial well

00:56:25.159 --> 00:56:27.659
at least I hope so you know with everybody yeah

00:56:27.659 --> 00:56:33.159
well that's cool with with Allison has there

00:56:33.159 --> 00:56:36.119
been kind of a fly on the wall moment where you're

00:56:36.119 --> 00:56:39.099
hearing people banter back and forth with him

00:56:39.099 --> 00:56:43.389
and something has come up that's really kind

00:56:43.389 --> 00:56:45.329
of caught you off guard and been eyeopening?

00:56:47.550 --> 00:56:53.969
Um, I mean, there's been a few things. I don't,

00:56:53.989 --> 00:56:55.869
I don't necessarily know how eyeopening things

00:56:55.869 --> 00:56:58.210
are, but it just, some of it goes to show you

00:56:58.210 --> 00:57:01.650
how, how we're, we're, we're all in, you know,

00:57:01.650 --> 00:57:03.289
he always says that we're all in the same band.

00:57:03.409 --> 00:57:05.690
We're all, you know, no matter how, you know,

00:57:05.690 --> 00:57:07.429
no matter if you were in Megadeth or you were

00:57:07.429 --> 00:57:09.570
in the local band down the street, it's always,

00:57:09.610 --> 00:57:15.329
it's all band dynamics. It's all, You know, nothing

00:57:15.329 --> 00:57:17.510
ever changes. It's like, it's like this guy hates

00:57:17.510 --> 00:57:19.829
that. This guy snores funny. This guy ate my

00:57:19.829 --> 00:57:21.769
cereal one day. So I'm still mad at him for that.

00:57:22.769 --> 00:57:25.849
It was kind of cool. Kind of puts it, puts it

00:57:25.849 --> 00:57:28.429
into perspective in the day of Lombardo episode

00:57:28.429 --> 00:57:32.489
where he talks about going over to Carrie King's

00:57:32.489 --> 00:57:35.250
house and Carrie's making the spiked bracelet,

00:57:35.530 --> 00:57:38.369
you know, the big spiked armband or whatever.

00:57:40.590 --> 00:57:42.489
and you know he's like he's like his dad's sitting

00:57:42.489 --> 00:57:44.550
there reading a book his mom's you know cooking

00:57:44.550 --> 00:57:47.289
something in the in the kitchen and carrie's

00:57:47.289 --> 00:57:49.730
in the living room floor you know adding spikes

00:57:49.730 --> 00:57:52.110
to a leather thing you know you hear those kind

00:57:52.110 --> 00:57:56.869
of stories or or with with dave he's like you

00:57:56.869 --> 00:58:00.550
know uh with dave lombardo he said you know he

00:58:00.550 --> 00:58:02.750
went to some of those early slayer rehearsals

00:58:02.750 --> 00:58:06.130
and david brought up Like they had scorpions

00:58:06.130 --> 00:58:08.570
posters on their walls and you see Dave Lombardo's

00:58:08.570 --> 00:58:10.530
face kind of light up like, oh yeah, that was

00:58:10.530 --> 00:58:12.409
our first practice. You know, they, they go back

00:58:12.409 --> 00:58:16.550
to being just teenagers and kids before the fame

00:58:16.550 --> 00:58:19.170
and, and, and that stuff. So those are the, those

00:58:19.170 --> 00:58:21.929
are the fun moments, you know, where, where you

00:58:21.929 --> 00:58:23.889
get to hear those kinds of firsthand stories

00:58:23.889 --> 00:58:28.170
of, of young, you know, Lombardo or young Metallica

00:58:28.170 --> 00:58:29.869
or young Megadeth, things like that. You know,

00:58:29.869 --> 00:58:31.889
those are the things that intrigue me because.

00:58:32.750 --> 00:58:36.389
I got into kiss at nine, 10 years old. Um, you

00:58:36.389 --> 00:58:38.650
know, Metallica when I was 10, 11 years old and

00:58:38.650 --> 00:58:40.829
the, you know, Metallica opens up the world to

00:58:40.829 --> 00:58:44.829
Megadeth, Slayer, Anthrax, all that stuff. And,

00:58:45.010 --> 00:58:48.369
and so, you know, that was like the peak fandom

00:58:48.369 --> 00:58:51.190
of some of those bands. Cause you know, once

00:58:51.190 --> 00:58:53.409
you get into, you know, when I started playing

00:58:53.409 --> 00:58:56.869
music and playing out and the other bands that

00:58:56.869 --> 00:58:59.869
were around at the time, you know, I'm not, you

00:58:59.869 --> 00:59:03.480
know, I never, got to the heights of some of

00:59:03.480 --> 00:59:05.900
these bands but they were technically my peers

00:59:05.900 --> 00:59:07.659
you know they were the bands out at the same

00:59:07.659 --> 00:59:10.579
time you know the corns the deftones uh the you

00:59:10.579 --> 00:59:13.420
know the the cold chambers all those bands were

00:59:13.420 --> 00:59:15.500
just were just kind of bands at the same time

00:59:15.500 --> 00:59:18.300
as i was trying to make it in music so like they

00:59:18.300 --> 00:59:22.260
were the competition rather than the fan you

00:59:22.260 --> 00:59:25.320
know my fandom being as, as, as big as it is

00:59:25.320 --> 00:59:27.760
for some of those thrash metal bands or even

00:59:27.760 --> 00:59:29.019
some of the, you know, the early death metal

00:59:29.019 --> 00:59:31.019
bands, the obituaries and morbid angels and things

00:59:31.019 --> 00:59:33.860
like that. So, so yeah. So some of the guys we

00:59:33.860 --> 00:59:36.840
have on when I'm hearing David talk to them about

00:59:36.840 --> 00:59:39.480
back in the early days, back in the Bay area

00:59:39.480 --> 00:59:41.599
days, but all that stuff, that's when I'm just

00:59:41.599 --> 00:59:44.780
like the happiest I've ever been on some of these,

00:59:44.820 --> 00:59:46.800
you know, podcasts where I'm sitting there just

00:59:46.800 --> 00:59:51.940
listening to, you know, the first episode we

00:59:51.940 --> 00:59:56.340
did, uh, was Frank Bellow from Anthrax and David,

00:59:56.420 --> 00:59:59.960
um, Frank and Frank had just put out like a,

01:00:00.079 --> 01:00:04.139
uh, a signature series base through Spectre.

01:00:04.219 --> 01:00:06.219
So David's like, Hey man, why don't you pull

01:00:06.219 --> 01:00:09.159
the base out and, you know, kind of show it off.

01:00:09.840 --> 01:00:13.460
And as he, as, as, uh, Frank Bellow pulls out

01:00:13.460 --> 01:00:17.139
the base, David picks up one of his bases and

01:00:18.829 --> 01:00:21.690
he asked frank to show him the riff for room

01:00:21.690 --> 01:00:25.349
for one more i think and so so you know frank's

01:00:25.349 --> 01:00:28.550
playing it and then david starts to play it and

01:00:28.550 --> 01:00:30.789
i was like well shit and i grabbed my bass and

01:00:30.789 --> 01:00:32.909
i'm like i started playing it and i'm looking

01:00:32.909 --> 01:00:35.369
at him like i'm like frank bellow is currently

01:00:35.369 --> 01:00:37.469
teaching david ellison how to play an anthrax

01:00:37.469 --> 01:00:40.550
song And I'm also learning at the same time,

01:00:40.570 --> 01:00:42.829
like what world am I living in right now? What,

01:00:42.869 --> 01:00:46.510
how, how, how did any of this happen? Or like

01:00:46.510 --> 01:00:48.190
even the other day with the, the, you know, the

01:00:48.190 --> 01:00:50.070
four squares on the screen, it's, it's David,

01:00:50.150 --> 01:00:52.449
it's Mike from, you know, Mike Borden from Faith

01:00:52.449 --> 01:00:56.309
the More, Ozzy, Rudy Sarzo, and then me. I'm

01:00:56.309 --> 01:00:59.250
like, why, what's, what life is this? What, what

01:00:59.250 --> 01:01:04.050
is life at this point? Yeah, I, I, I get it.

01:01:04.130 --> 01:01:07.300
I get it. I've, I've, I've. Haven't been to those

01:01:07.300 --> 01:01:11.099
heights, but at times where, you know, I've gotten

01:01:11.099 --> 01:01:14.099
to share things with other people or people,

01:01:14.579 --> 01:01:19.400
it's like, how did I get here? Why? Those things

01:01:19.400 --> 01:01:23.519
are really, you know, my 17 year old self would

01:01:23.519 --> 01:01:26.320
be calling me talking to this person right now.

01:01:26.659 --> 01:01:29.599
You know, the biggest thing from from the podcast

01:01:29.599 --> 01:01:32.599
is just David and I's friendship. Like, you know,

01:01:32.599 --> 01:01:37.179
he'll text me. you know, we were, uh, the, the

01:01:37.179 --> 01:01:39.079
live stream from the back to the beginning was

01:01:39.079 --> 01:01:44.320
on a two hour delay. He texted me that he had

01:01:44.320 --> 01:01:48.239
a good show before the live stream had even gotten

01:01:48.239 --> 01:01:51.019
to us. So like he, he played in front of all

01:01:51.019 --> 01:01:53.599
those people because, you know, I, you know,

01:01:53.619 --> 01:01:56.099
I'm just, I just, anytime he has a show or he's

01:01:56.099 --> 01:01:57.760
doing something, I'll, I'll hit him. Hey man,

01:01:57.820 --> 01:01:59.280
have a good show today. Good luck. You know,

01:01:59.280 --> 01:02:01.460
break a leg, all that and whatever. Yeah. So

01:02:01.460 --> 01:02:02.599
I hit him up early in the day. I'm like, Hey

01:02:02.599 --> 01:02:05.150
man, you know, crush it tonight. He's like, thanks.

01:02:05.269 --> 01:02:08.210
And then, uh, you know, before the, the, you

01:02:08.210 --> 01:02:10.829
know, before the, the, the live stream even happened

01:02:10.829 --> 01:02:12.869
over here, I get a text, Hey man, it was awesome.

01:02:13.429 --> 01:02:15.369
You know, he don't have to do that, you know,

01:02:15.369 --> 01:02:18.389
like David Ellison, but he's still like, it's

01:02:18.389 --> 01:02:21.949
still, um, it's still just cool that he, you

01:02:21.949 --> 01:02:23.530
know, wanted to let me know how the show went.

01:02:24.050 --> 01:02:26.050
And then I had some questions about him, you

01:02:26.050 --> 01:02:27.789
know, cause I, you know, I think we were going

01:02:27.789 --> 01:02:30.090
to talk about the primer 55 thing, but I had,

01:02:30.090 --> 01:02:31.909
uh, and I had a couple of questions about that

01:02:31.909 --> 01:02:35.000
for him the other day. And, we had like a long

01:02:35.000 --> 01:02:39.179
heartfelt talk, you know, like he, he was kind

01:02:39.179 --> 01:02:40.880
of laying out some stuff and, you know, what

01:02:40.880 --> 01:02:42.380
he thinks I should do with this, what he thinks

01:02:42.380 --> 01:02:44.860
I should do with that. And I'm just like, I get

01:02:44.860 --> 01:02:47.119
off the phone and I'm like, I'm like, I just

01:02:47.119 --> 01:02:51.900
talked to David Ellison about my life and what

01:02:51.900 --> 01:02:55.139
some decisions that I should make with music.

01:02:55.519 --> 01:03:00.900
You know, I met David when I was 15. Um, they

01:03:00.900 --> 01:03:03.510
were, they were on the euthanasia tour. They

01:03:03.510 --> 01:03:07.429
had a it was a Megadeth canned food drive. And

01:03:07.429 --> 01:03:10.289
if you if you donated 10 pounds of food to the

01:03:10.289 --> 01:03:12.949
local food bank, you got a special backstage

01:03:12.949 --> 01:03:17.090
pass. And so, you know, me and a buddy of mine

01:03:17.090 --> 01:03:19.969
did it. We go down. I mean, it was a it was kind

01:03:19.969 --> 01:03:23.670
of a cattle call. We were in the arena seats

01:03:23.670 --> 01:03:26.969
all lined up in one row. And then Megadeth was

01:03:26.969 --> 01:03:28.590
in the row ahead of us, turned around, you know,

01:03:28.590 --> 01:03:30.780
kind of coming through, signing everything. And

01:03:30.780 --> 01:03:32.079
that would have been the first time I met David

01:03:32.079 --> 01:03:37.380
in, in January of 95. Um, to tell that kid that

01:03:37.380 --> 01:03:40.039
in 30 years, you're going to be like having a

01:03:40.039 --> 01:03:44.039
life conversation with David Ellison about, you

01:03:44.039 --> 01:03:46.099
know, your, your music career. And it's just

01:03:46.099 --> 01:03:48.780
like, what, what's going on? None of this makes

01:03:48.780 --> 01:03:52.860
any sense. Right. Yeah. I've had people tell

01:03:52.860 --> 01:03:54.780
me, well, you have my number now hit me up whenever

01:03:54.780 --> 01:03:59.280
you want. And I'm like, love your music, love

01:03:59.280 --> 01:04:01.380
talking to you, but I'm not going to be hitting

01:04:01.380 --> 01:04:03.440
you up and saying, Hey, did you check out the,

01:04:03.440 --> 01:04:07.059
you know, the Dodgers game last night? Right.

01:04:07.440 --> 01:04:11.079
You know, so it's cool that you actually, you

01:04:11.079 --> 01:04:12.940
know, you've got some common ground there and

01:04:12.940 --> 01:04:16.280
you're, you're at a place where you have a friendship

01:04:16.280 --> 01:04:19.039
with him, where you can do that sort of stuff.

01:04:19.239 --> 01:04:22.190
You know, I'm just. I just feel weird and out

01:04:22.190 --> 01:04:24.210
of place doing something like that. Oh yeah.

01:04:24.329 --> 01:04:26.489
Like there. Yeah. You definitely get those numbers

01:04:26.489 --> 01:04:29.349
and you're like, uh, um, you know, like, Hey,

01:04:29.349 --> 01:04:31.690
you know, I've got some crazy numbers in my phone

01:04:31.690 --> 01:04:33.809
over the years from interviewing people when

01:04:33.809 --> 01:04:35.349
they're like, Hey, give me a call on this ball

01:04:35.349 --> 01:04:37.170
bar, text me on that, you know, something like

01:04:37.170 --> 01:04:39.530
that. And, and I would never call them. I would

01:04:39.530 --> 01:04:42.429
never text them. I would never do anything unless,

01:04:42.530 --> 01:04:45.989
unless you've, you were like really, you know,

01:04:46.030 --> 01:04:47.369
because sometimes you'll have these interviews

01:04:47.369 --> 01:04:50.389
and you, I always joke, I'll get off an interview

01:04:50.389 --> 01:04:51.969
and I'll go upstairs and I'll talk to my wife

01:04:51.969 --> 01:04:53.469
and she's always like, how'd it go? And I'm like,

01:04:53.510 --> 01:04:55.269
oh, I have a new best friend. You know, because

01:04:55.269 --> 01:04:56.809
sometimes you get off these interviews and you

01:04:56.809 --> 01:04:59.210
really click with people. And if you have a common

01:04:59.210 --> 01:05:02.329
ground that's not like, hey man, you know, I

01:05:02.329 --> 01:05:06.090
loved this lick on an album. But if you had common

01:05:06.090 --> 01:05:08.429
ground, both like the certain football team or

01:05:08.429 --> 01:05:10.550
you knew that they liked a certain football team

01:05:10.550 --> 01:05:12.110
and you want to razz them a little bit, you know,

01:05:12.130 --> 01:05:16.250
any of that stuff. i get but there are a few

01:05:16.250 --> 01:05:18.030
people like hey if they put out a new song i

01:05:18.030 --> 01:05:19.789
might hit on the text like hey man loving the

01:05:19.789 --> 01:05:22.090
new track you know just kind of giving them something

01:05:22.090 --> 01:05:25.750
positive but i i don't ever expect like a bro

01:05:25.750 --> 01:05:28.469
down and i was even talking to mike from from

01:05:28.469 --> 01:05:31.710
voltage junkie last night about that was you

01:05:31.710 --> 01:05:33.469
know sometimes you'll get tickets to a show and

01:05:33.469 --> 01:05:35.730
they'll throw in a backstage pass and i'm like

01:05:35.730 --> 01:05:37.489
i don't even want to go back and bother anybody

01:05:37.489 --> 01:05:39.929
like yeah yeah you know 15 year old me would

01:05:39.929 --> 01:05:42.239
have been And back in the middle of everything,

01:05:42.519 --> 01:05:44.599
you know, rummaging through the catering, you

01:05:44.599 --> 01:05:46.719
know, talking to everybody and whatnot. But,

01:05:46.719 --> 01:05:49.079
you know, the older I get, the more like in the

01:05:49.079 --> 01:05:52.739
way I feel. And and like even the other day,

01:05:52.760 --> 01:05:55.239
we my wife and I went to see Incubus and we had

01:05:55.239 --> 01:05:59.219
like an after show pass. And but it was like

01:05:59.219 --> 01:06:00.619
it was it was one of those deals where you had

01:06:00.619 --> 01:06:02.360
to get like a certain person to walk you back.

01:06:02.840 --> 01:06:05.469
And so we were like. waiting for that certain

01:06:05.469 --> 01:06:07.150
person to walk them back but then they had an

01:06:07.150 --> 01:06:08.969
emergency so they had to leave the venue but

01:06:08.969 --> 01:06:10.510
we didn't know so we were just like standing

01:06:10.510 --> 01:06:12.750
there in the way of everybody trying to you know

01:06:12.750 --> 01:06:14.929
all the trucks come in to move the stage and

01:06:14.929 --> 01:06:17.610
everything else and i'm like let's just go like

01:06:17.610 --> 01:06:20.809
i i didn't realize that i was waiting for a certain

01:06:20.809 --> 01:06:23.590
person and they didn't come and i'm like i'm

01:06:23.590 --> 01:06:25.230
not gonna do this like let's just get out of

01:06:25.230 --> 01:06:28.269
here it's just too much at this point but it's

01:06:28.269 --> 01:06:31.389
you know last night at the, at the ace freely

01:06:31.389 --> 01:06:33.110
show, David's like, make sure you, you know,

01:06:33.130 --> 01:06:36.349
you go say hi to Rudy. And I'm like, I don't

01:06:36.349 --> 01:06:40.429
want to bother Rudy Sarzo, you know, but I, you

01:06:40.429 --> 01:06:41.969
know, I'd have been back there just being, being

01:06:41.969 --> 01:06:44.190
a fan boy of the scene, Johnny Kelly from typo

01:06:44.190 --> 01:06:47.489
and be like, man, I saw you back in 1994, you

01:06:47.489 --> 01:06:50.210
know, you'd be in that guy, you know, but, uh,

01:06:50.210 --> 01:06:53.530
but it's just, yeah, the older I get, the less

01:06:53.530 --> 01:06:56.510
inclined I am to go bother people, especially

01:06:56.510 --> 01:06:59.420
backstage. Yeah, no, I'm, I'm, I'm right there

01:06:59.420 --> 01:07:03.099
with you. I've been, it's, it's funny because

01:07:03.099 --> 01:07:05.679
that, that a show that I mentioned with that

01:07:05.679 --> 01:07:08.380
slash and George Lopez were there. My wife's

01:07:08.380 --> 01:07:10.860
like, let's go meet him. I'm like, I leave him

01:07:10.860 --> 01:07:13.980
alone. You know, enjoy the show. They're at a

01:07:13.980 --> 01:07:16.639
booth. They're watching ace. Like we are just,

01:07:16.760 --> 01:07:18.840
you know, it seems like they're chilling and

01:07:18.840 --> 01:07:22.099
no one's bugging them. Let's not. Yeah. One's

01:07:22.099 --> 01:07:25.340
to go bug them. So I get it. Yeah. I mean, I

01:07:25.340 --> 01:07:27.760
mean, they're, you know, A few people I might

01:07:27.760 --> 01:07:30.420
want, you know, maybe if Headfield was out there,

01:07:30.480 --> 01:07:32.719
I might wander over and, Hey man, I'm really

01:07:32.719 --> 01:07:34.699
sorry. Can I grab a quick photo? Like, just give

01:07:34.699 --> 01:07:36.039
me the photo and I'll just get, I'll get out

01:07:36.039 --> 01:07:38.340
of your face, you know, that type stuff. But,

01:07:38.380 --> 01:07:41.300
uh, but yeah, I mean, luckily when I was, when

01:07:41.300 --> 01:07:45.960
I was 14, 15, 16 years old, um, my friend Jeremy

01:07:45.960 --> 01:07:50.420
Housley and myself would go and just, you know,

01:07:50.420 --> 01:07:53.619
chase down buses and stand behind the venue for

01:07:53.619 --> 01:07:56.420
eight hours. You know, just any of that stuff

01:07:56.420 --> 01:07:59.059
to get a glimpse of our heroes and talk to them,

01:07:59.139 --> 01:08:01.000
maybe get a second. And honestly, that might

01:08:01.000 --> 01:08:04.760
have been like some of the early inklings that

01:08:04.760 --> 01:08:06.579
I was going to get into podcasting. Obviously,

01:08:06.619 --> 01:08:09.460
that was before podcasting even existed. But

01:08:09.460 --> 01:08:14.199
I always try to think of one question for the

01:08:14.199 --> 01:08:17.399
person that was maybe a little bit left of center.

01:08:17.539 --> 01:08:20.659
That wasn't just. oh my God, I loved your new

01:08:20.659 --> 01:08:22.680
album. You know, like I might try to ask him

01:08:22.680 --> 01:08:25.159
something. I actually met Mike Borden in 1997.

01:08:27.619 --> 01:08:32.680
And he was kind of coming down. He was, it was

01:08:32.680 --> 01:08:35.520
a Faith No More show. After the show, he kind

01:08:35.520 --> 01:08:37.880
of came to the, where all the fans were and kind

01:08:37.880 --> 01:08:40.000
of did a quick, you know, run through. And he

01:08:40.000 --> 01:08:42.060
was like, sign, boom, sign, boom, sign, walk

01:08:42.060 --> 01:08:44.699
away. And when he got to me, I looked at him

01:08:44.699 --> 01:08:47.670
and I, I, I, I, for some reason I looked at him,

01:08:47.689 --> 01:08:49.350
I go, there's something I've always wanted to

01:08:49.350 --> 01:08:51.449
ask you. And he stopped me and looked at me and,

01:08:51.510 --> 01:08:54.789
and honestly, I forgot. And I couldn't think

01:08:54.789 --> 01:08:56.189
of it like the top of my head. I was like thinking,

01:08:56.210 --> 01:08:57.890
and then all of a sudden to go Cliff Burton,

01:08:58.029 --> 01:09:00.430
because he grew, you know, him, Mike Borden,

01:09:00.430 --> 01:09:02.890
Cliff Burton grew up together and dude, Mike

01:09:02.890 --> 01:09:06.409
stopped in his tracks and just talked to Cliff

01:09:06.409 --> 01:09:09.130
Burton with me for 10 minutes. You know, that

01:09:09.130 --> 01:09:10.909
was his, you know, his best friend growing up

01:09:10.909 --> 01:09:14.170
kind of thing. Yeah. And so, so I always like,

01:09:14.189 --> 01:09:16.489
I always tried to, to not just be like, oh man,

01:09:16.649 --> 01:09:19.109
Epic's a great song or something. You know, you

01:09:19.109 --> 01:09:21.329
gotta, you gotta hit them with something that'll,

01:09:21.350 --> 01:09:22.750
that'll make them stop in their tracks, but I'll

01:09:22.750 --> 01:09:24.710
never, that's one thing. And honestly, I didn't

01:09:24.710 --> 01:09:26.670
even get a chance to tell him that on the, with

01:09:26.670 --> 01:09:28.050
the interview the other day, but that's always

01:09:28.050 --> 01:09:30.909
been one of the cooler looking back on my life

01:09:30.909 --> 01:09:33.390
moments is when, you know, Mike Borden stops

01:09:33.390 --> 01:09:36.529
in his tracks to tell you, tell you about his,

01:09:36.550 --> 01:09:38.510
his friend growing up, Cliff Burton, which I

01:09:38.510 --> 01:09:41.039
mean, you, you know, you know, you you have friends

01:09:41.039 --> 01:09:42.539
like that I'm sure you know you grew up with

01:09:42.539 --> 01:09:44.579
somebody and if they would have became a successful

01:09:44.579 --> 01:09:47.760
musician and and passed away and and all that

01:09:47.760 --> 01:09:51.039
stuff like you know he's not to you he's not

01:09:51.039 --> 01:09:53.760
Cliff Burton Cliff Burton he's your best friend

01:09:53.760 --> 01:09:56.619
Cliff Burton and and and I think that there are

01:09:56.619 --> 01:09:58.739
a few people in my life if if they would have

01:09:58.739 --> 01:10:01.399
passed away at a younger age and someone asked

01:10:01.399 --> 01:10:03.520
me about them later in life I would love to talk

01:10:03.520 --> 01:10:06.239
about my my friends growing up, you know? So,

01:10:06.279 --> 01:10:08.359
so yeah, that was very cool of him to do that.

01:10:08.399 --> 01:10:10.119
And it was super cool of him to do the podcast

01:10:10.119 --> 01:10:12.300
of the day, because other than the Dean Del Rey

01:10:12.300 --> 01:10:14.760
podcast that he did a few months ago, I've never

01:10:14.760 --> 01:10:16.840
really seen Mike Borden on a podcast, you know?

01:10:16.899 --> 01:10:19.979
And he was great. I got, you know, when you're,

01:10:19.979 --> 01:10:21.659
whenever you, if you get a chance to listen to

01:10:21.659 --> 01:10:24.159
that, like even sends that text to me, he was

01:10:24.159 --> 01:10:25.819
like, Mike Borden should have his own podcast.

01:10:26.039 --> 01:10:28.220
Cause he, how well he spoke on it and he had

01:10:28.220 --> 01:10:31.319
great stories and all that stuff. But it was,

01:10:31.359 --> 01:10:33.460
it was fun. You're going to have to start the,

01:10:33.479 --> 01:10:36.939
uh, to me podcasting network. Yeah. Yeah. Just

01:10:36.939 --> 01:10:38.439
get it. You get all the famous people on there.

01:10:38.640 --> 01:10:42.359
Yeah. Um, that's, that's funny though. That's

01:10:42.359 --> 01:10:46.819
the, uh, the, the, the one thing where before

01:10:46.819 --> 01:10:49.079
seeing a show, you've got two things that come

01:10:49.079 --> 01:10:51.380
to mind. All right. Can you jump up on stage

01:10:51.380 --> 01:10:54.199
and play with them if they need a, in your case,

01:10:54.199 --> 01:10:57.600
and what are you going to ask somebody if you

01:10:57.600 --> 01:11:00.880
run into them so that you can engage them? So,

01:11:00.880 --> 01:11:05.699
so yeah. with Burton that's cool yeah no it's

01:11:05.699 --> 01:11:08.699
it's always been fun man but yeah that we we

01:11:08.699 --> 01:11:11.319
made it more of a a game almost like a hide -and

01:11:11.319 --> 01:11:13.840
-seek game you know like and luckily he was a

01:11:13.840 --> 01:11:15.699
guy that had you know he had like one of those

01:11:15.699 --> 01:11:17.960
long like 110 cameras or whatever they were back

01:11:17.960 --> 01:11:20.560
in the day with the yeah weird film in it and

01:11:20.560 --> 01:11:23.079
stuff like that and he carried a camera with

01:11:23.079 --> 01:11:25.439
us everywhere everywhere we went and so like

01:11:25.439 --> 01:11:27.359
luckily I have photos with me and Diane back

01:11:27.359 --> 01:11:30.640
when I was 15 and Me and Bobby Blitz and, you

01:11:30.640 --> 01:11:32.619
know, like all I have, I have a bunch of photos

01:11:32.619 --> 01:11:34.880
of me. And honestly, I think that's the only

01:11:34.880 --> 01:11:37.640
photos I have me of me of that era, because it

01:11:37.640 --> 01:11:40.500
was I was living with my dad. He was a single

01:11:40.500 --> 01:11:43.060
dad making no money. We weren't going to take

01:11:43.060 --> 01:11:44.739
photos all the time. You know, we didn't have

01:11:44.739 --> 01:11:47.380
a camera running around or or a video camera

01:11:47.380 --> 01:11:50.079
or anything like that. So like any photo of basically

01:11:50.079 --> 01:11:54.579
of me around the ages of like 14 to 17 are me

01:11:54.579 --> 01:11:57.220
and rock stars because my buddy Jeremy happened

01:11:57.220 --> 01:12:02.760
to have a camera. luckily so wow uh you mentioned

01:12:02.760 --> 01:12:09.520
prime a second ago so how did this whole uh reunion

01:12:09.520 --> 01:12:17.000
come come about um honestly it's it's it's been

01:12:17.000 --> 01:12:22.539
building for a long time um we had We had talked

01:12:22.539 --> 01:12:24.800
about maybe doing the 20th anniversary of Introduction

01:12:24.800 --> 01:12:27.119
Mayhem back in 2020, but then obviously something

01:12:27.119 --> 01:12:29.920
happened back then that stopped everybody in

01:12:29.920 --> 01:12:34.899
their tracks from doing anything. And then Bobby

01:12:34.899 --> 01:12:39.579
Burns hit me up maybe late last year, maybe early

01:12:39.579 --> 01:12:42.779
this year. And, you know, he was having trouble

01:12:42.779 --> 01:12:46.979
with his liver, just some health issues. and

01:12:46.979 --> 01:12:48.960
he literally told me he was like hey man if you

01:12:48.960 --> 01:12:51.479
get a call from this certain girl and she says

01:12:51.479 --> 01:12:53.399
that i've passed away i want you to be the one

01:12:53.399 --> 01:12:55.359
to break the news i'm like don't put that on

01:12:55.359 --> 01:12:58.399
me yeah um you know kind of thing but i mean

01:12:58.399 --> 01:13:02.239
he he truly thought he was uh you know on his

01:13:02.239 --> 01:13:05.840
deathbed or whatever um because that's the kind

01:13:05.840 --> 01:13:07.840
of diagnosis the doctors were giving him but

01:13:07.840 --> 01:13:11.500
he luckily um he's down in dallas texas he's

01:13:11.500 --> 01:13:15.380
um you know they've got some good uh I guess

01:13:15.380 --> 01:13:19.079
liver doctors down there. Um, they, they went

01:13:19.079 --> 01:13:21.619
in and, and, and got him back going. And I, you

01:13:21.619 --> 01:13:24.479
know, maybe kind of being right there close to

01:13:24.479 --> 01:13:28.460
death or whatever. He hit me up and says, you

01:13:28.460 --> 01:13:30.359
know, if you want to do this, let's do a show.

01:13:31.140 --> 01:13:34.939
I'm like, all right. And which it's funny if

01:13:34.939 --> 01:13:37.560
you ask Preston, you know, Preston Nash, uh,

01:13:37.720 --> 01:13:39.739
the, the, the drummer that we have for this,

01:13:39.760 --> 01:13:41.659
that was the drummer, the, the, the new release

01:13:41.659 --> 01:13:44.890
era, things like that. anytime we talk about

01:13:44.890 --> 01:13:47.229
getting back together, I'm like, I want a classic

01:13:47.229 --> 01:13:49.989
lineup. Obviously Jason passed away, but I want

01:13:49.989 --> 01:13:52.630
at least three of us to be somewhat classic,

01:13:52.689 --> 01:13:54.529
you know, from, from the early two thousands.

01:13:55.069 --> 01:13:57.189
And so I'm always like, we got to get Preston

01:13:57.189 --> 01:13:59.170
and Preston lives. I live in Louisville. He lives

01:13:59.170 --> 01:14:01.369
in Indy. We're like an hour and a half, two hours

01:14:01.369 --> 01:14:05.949
away from each other. So, and so basically about

01:14:05.949 --> 01:14:08.710
once a year, I get, I, I hit him with the text.

01:14:08.770 --> 01:14:11.010
Hey, if we get this together, will you do it?

01:14:11.050 --> 01:14:13.420
And he's like, he's always like, yeah. but you

01:14:13.420 --> 01:14:15.239
know we'll see what happens kind of thing but

01:14:15.239 --> 01:14:17.659
this last time bobby comes out and he's like

01:14:17.659 --> 01:14:19.180
all right man if you want to do this let's do

01:14:19.180 --> 01:14:25.060
it um i contacted uh mikey from snot i was like

01:14:25.060 --> 01:14:26.500
hey man you know who's dealing you know it's

01:14:26.500 --> 01:14:29.319
kind of the same situation classic band singer

01:14:29.319 --> 01:14:33.439
passed away uh you know anniversary of a record

01:14:33.439 --> 01:14:35.119
kind of stuff all that stuff kind of kind of

01:14:35.119 --> 01:14:37.340
lined up similarly so i was like hey ma 'am you

01:14:37.340 --> 01:14:39.640
know what's the name of your uh booking agent

01:14:39.640 --> 01:14:42.489
he gave it to me you know And I emailed the guy

01:14:42.489 --> 01:14:43.789
and I'm like, Hey man, would you be interested

01:14:43.789 --> 01:14:47.069
in dealing with a primary 55 25th anniversary?

01:14:47.449 --> 01:14:50.029
And an immediate, yes. Like he jumped the, the,

01:14:50.029 --> 01:14:53.930
the booking agent jumped right on it. And I was

01:14:53.930 --> 01:14:57.569
like, uh, so I kind of, you know, put two, you

01:14:57.569 --> 01:14:59.329
know, line everything up, got everything going.

01:14:59.609 --> 01:15:02.869
And, um, it's been fun, man. It's like Bobby's

01:15:02.869 --> 01:15:06.649
fired up again. It's, it's fun to see him kind

01:15:06.649 --> 01:15:08.510
of be Bobby Burns again, you know, kind of be,

01:15:08.630 --> 01:15:12.590
be, in charge of a band of Bobby Burns and, and

01:15:12.590 --> 01:15:15.970
getting everything together and, you know, being

01:15:15.970 --> 01:15:17.750
a, you know, being a shithead again, sometimes

01:15:17.750 --> 01:15:20.409
and things like that, you know, he's gotta, he's

01:15:20.409 --> 01:15:22.470
gotta, I need this today. I need this done by

01:15:22.470 --> 01:15:24.430
blah, blah, blah, all that stuff. Like, you know,

01:15:24.430 --> 01:15:27.289
it's as much as, you know, sometimes he can be

01:15:27.289 --> 01:15:28.569
a little overbearing when it comes to that stuff.

01:15:28.710 --> 01:15:31.369
It's been awesome to see him see that guy again,

01:15:31.510 --> 01:15:34.590
you know, cause there for a long, I mean, when

01:15:34.590 --> 01:15:35.949
all this stuff was going down with his liver,

01:15:36.010 --> 01:15:38.989
like he told me he was proud of me and, For him

01:15:38.989 --> 01:15:41.409
to say that, I was like, oh, shit, he really

01:15:41.409 --> 01:15:46.670
is dying. So to kind of see Bobby kind of come

01:15:46.670 --> 01:15:49.630
back to life the last few months has been awesome.

01:15:51.270 --> 01:15:56.289
And from what started out to be one show turned

01:15:56.289 --> 01:16:02.770
into a possibility of opening on a bigger band's

01:16:02.770 --> 01:16:05.909
reunion tour, which kind of fell through, turned

01:16:05.909 --> 01:16:08.949
into, well, let's do our own little run. and

01:16:08.949 --> 01:16:12.130
you know now it's like there's more there are

01:16:12.130 --> 01:16:15.310
more tours like being booked as we speak and

01:16:15.310 --> 01:16:19.829
i'm just like i'm i'm i'm ecstatic for him i'm

01:16:19.829 --> 01:16:22.789
excited for the band you know i want to see i

01:16:22.789 --> 01:16:24.449
want to see bobby back out there because bobby's

01:16:24.449 --> 01:16:26.069
one of those musicians that should be on stage

01:16:26.069 --> 01:16:28.949
should be playing um you know i sat in the studio

01:16:28.949 --> 01:16:31.989
one time with them we did a side band after primer

01:16:31.989 --> 01:16:37.069
and um and as we were recording some stuff and

01:16:37.069 --> 01:16:38.789
the you know he's like he's like i think i'm

01:16:38.789 --> 01:16:42.310
gonna throw a solo right here and just you know

01:16:42.310 --> 01:16:45.489
immediately looked at an awesome solo i'm like

01:16:45.489 --> 01:16:48.289
all right like all right guitar solo guy you

01:16:48.289 --> 01:16:50.369
know it's just it it's he's just one of those

01:16:50.369 --> 01:16:53.010
dudes that just should be playing music should

01:16:53.010 --> 01:16:56.090
be out there that's what he does that's that's

01:16:56.090 --> 01:16:58.430
where he he needs to be and to kind of see it

01:16:58.430 --> 01:17:01.630
all kind of coming back together um i love it

01:17:01.630 --> 01:17:04.109
i love to see it come back together Honestly,

01:17:04.170 --> 01:17:07.510
I mean, I wish Jason was here with us and to

01:17:07.510 --> 01:17:10.590
kind of see the I think he would have been over

01:17:10.590 --> 01:17:12.510
the moon with all of the kind of the new metal

01:17:12.510 --> 01:17:15.909
resurgence, you know, all the all the bands of

01:17:15.909 --> 01:17:19.289
that era kind of coming back around again, you

01:17:19.289 --> 01:17:24.430
know, doing the nostalgia stuff. And and I think

01:17:24.430 --> 01:17:27.109
he would have been he'd been really into it.

01:17:27.149 --> 01:17:29.350
And I would love to have kind of gotten, you

01:17:29.350 --> 01:17:31.829
know, Bobby and Jason back together and touring

01:17:31.829 --> 01:17:34.100
his primer and all that stuff. I mean, there's

01:17:34.100 --> 01:17:35.739
early episodes of talk to me where I'm like,

01:17:35.779 --> 01:17:37.619
I don't care if I'm involved. I just want to

01:17:37.619 --> 01:17:41.180
see those two guys work together again. And then

01:17:41.180 --> 01:17:43.159
obviously with Jason passing in like what, 2018,

01:17:43.319 --> 01:17:45.100
which is crazy. It's already been that long.

01:17:46.619 --> 01:17:49.699
It is funny though, being a, you know, I'm a

01:17:49.699 --> 01:17:52.579
giant Pantera fan and you know, no dime, no Pantera

01:17:52.579 --> 01:17:55.050
and all that nonsense. And then the, the initial,

01:17:55.210 --> 01:17:57.489
like, you know, primer 55 tour announced, blah,

01:17:57.550 --> 01:17:59.050
blah, blah. And we're, we're totally getting

01:17:59.050 --> 01:18:03.210
the no Jason, no primer type stuff. And I'm like,

01:18:03.210 --> 01:18:05.770
well, it's kind of hard. You know, I would love

01:18:05.770 --> 01:18:07.770
for Jason to be here doing this stuff, but, but

01:18:07.770 --> 01:18:10.329
we can't. So, so we've got, you know, we've got

01:18:10.329 --> 01:18:14.369
Donnie coming in on vocals for this, who did

01:18:14.369 --> 01:18:16.670
some stuff with Bobby back a few years ago. It

01:18:16.670 --> 01:18:18.350
was actually funny. I helped to get Donnie in

01:18:18.350 --> 01:18:23.979
the band in 2008. And then I think. and don't

01:18:23.979 --> 01:18:26.159
quote me on this i think we did one show together

01:18:26.159 --> 01:18:29.199
like i i think it was like donnie's first show

01:18:29.199 --> 01:18:31.899
and my last show were the same show and then

01:18:31.899 --> 01:18:34.159
they went on to do some touring together and

01:18:34.159 --> 01:18:38.319
stuff like that but um but yeah actually i opened

01:18:38.319 --> 01:18:40.420
an old email the other day like an old email

01:18:40.420 --> 01:18:44.140
account and i think i had like the emails from

01:18:44.140 --> 01:18:46.720
like bobby's like hey check out this dude donnie

01:18:46.720 --> 01:18:49.819
and then i'm like talking to donnie you know

01:18:49.819 --> 01:18:51.659
this is like so i got him in the band and then

01:18:51.659 --> 01:18:55.600
i left so But yeah, I'm excited to do this run.

01:18:55.659 --> 01:18:58.119
It starts in October. A nice little quick run.

01:18:59.020 --> 01:19:02.319
It's like seven shows in eight days. So my old

01:19:02.319 --> 01:19:04.539
bones are going to be creaking and muscles are

01:19:04.539 --> 01:19:07.239
going to be sore and all that stuff. And I'm

01:19:07.239 --> 01:19:08.840
going to, you know, hopefully I don't get up

01:19:08.840 --> 01:19:10.500
there looking like Ace Frehley and just stumble

01:19:10.500 --> 01:19:14.039
all over myself. And hopefully we're more Slaughter

01:19:14.039 --> 01:19:16.180
or Quiet Riot than we are Ace Frehley when we

01:19:16.180 --> 01:19:19.579
get up there to play. How about that? You're

01:19:19.579 --> 01:19:21.399
going to be involved in all of the live shows.

01:19:22.539 --> 01:19:26.500
Uh, as of now, yes. It's got to work, got to

01:19:26.500 --> 01:19:28.399
work some stuff around with my actual day job,

01:19:28.500 --> 01:19:30.619
but, uh, right. But once we, once we get all

01:19:30.619 --> 01:19:33.239
that figured out, um, but yeah, as of right now,

01:19:33.260 --> 01:19:38.039
yes. Okay, cool. And it's just shows for now.

01:19:38.159 --> 01:19:41.680
There's nothing about maybe new music at some

01:19:41.680 --> 01:19:44.260
point down the road, or has that even been addressed?

01:19:44.979 --> 01:19:48.920
Uh, I don't know how much is going to be talked

01:19:48.920 --> 01:19:50.279
about or whatnot, but yeah, I mean, there's,

01:19:50.279 --> 01:19:52.359
there's talk about new music. There was, There's

01:19:52.359 --> 01:19:54.520
always talk about music. So we'll see what happens

01:19:54.520 --> 01:19:59.279
with that. I mean, from where at this point where

01:19:59.279 --> 01:20:02.739
Bobby's at with the band, it seems to be back

01:20:02.739 --> 01:20:05.260
to being a full functioning band at this moment.

01:20:05.340 --> 01:20:08.220
So I think that so I think that anything that

01:20:08.220 --> 01:20:10.079
anything to do with a normal band is back on

01:20:10.079 --> 01:20:13.899
the table. You know, music tours, photo shoots

01:20:13.899 --> 01:20:17.380
and T -shirts and anything you can think of that

01:20:17.380 --> 01:20:19.359
goes along with the band is on the table right

01:20:19.359 --> 01:20:21.609
now because. And which is awesome. You know,

01:20:21.630 --> 01:20:25.770
I, I, I'm glad because, well, the other thing

01:20:25.770 --> 01:20:27.750
too is doing the podcast over the years, the

01:20:27.750 --> 01:20:31.010
amount of guests that I had on, you know, post

01:20:31.010 --> 01:20:33.750
interview, pre -interview that just wanted to

01:20:33.750 --> 01:20:35.750
throw out a quick, Hey man, grew up a big Primer

01:20:35.750 --> 01:20:38.010
fan. Or I listened to Primer when I was in middle

01:20:38.010 --> 01:20:40.310
school, any of that stuff, you know, or, you

01:20:40.310 --> 01:20:42.229
know, people that listen to the podcast, like,

01:20:42.270 --> 01:20:44.350
Hey man, I love what you're doing on the podcast.

01:20:44.390 --> 01:20:46.250
Just want to let you know, a big Primer 55 fan,

01:20:46.390 --> 01:20:49.720
never got to see him live. All that stuff. how

01:20:49.720 --> 01:20:51.680
much that built over the years and i don't think

01:20:51.680 --> 01:20:54.640
bobby noted knew that knew that was going on

01:20:54.640 --> 01:20:58.979
because he just wasn't you know tuned into blabbermouth

01:20:58.979 --> 01:21:00.819
each week and all that nonsense for every day

01:21:00.819 --> 01:21:02.979
like it just wasn't something on his radar so

01:21:02.979 --> 01:21:05.300
i'm like i'm like no dude like there's a there's

01:21:05.300 --> 01:21:09.140
this underground swelling of you know when you

01:21:09.140 --> 01:21:13.460
open up the louder than life uh announcement

01:21:13.460 --> 01:21:16.880
and dry kill logics on the main stage like primer

01:21:16.880 --> 01:21:20.819
55 needs to be back together And I love Dracologic

01:21:20.819 --> 01:21:22.600
and that's not a dig at them. I'm just saying

01:21:22.600 --> 01:21:25.020
that like, that's just, that goes to show you

01:21:25.020 --> 01:21:27.239
when Spine Shank and the Union Underground and,

01:21:27.260 --> 01:21:30.960
and Head P and all those bands are like main

01:21:30.960 --> 01:21:33.939
stage bands or, or high up on the bill on the

01:21:33.939 --> 01:21:36.079
side stage bands. Like that just shows you that

01:21:36.079 --> 01:21:38.079
Primer needs to get their asses back together

01:21:38.079 --> 01:21:41.340
and get back out there, you know? Yeah, absolutely.

01:21:41.579 --> 01:21:46.630
And I mean, we've seen it in the previous, decades

01:21:46.630 --> 01:21:49.250
or so before the switch over to a lot of the

01:21:49.250 --> 01:21:53.130
nineties bands. Yeah. Um, we've seen that a lot

01:21:53.130 --> 01:21:56.310
of bands have made that success. They've successfully

01:21:56.310 --> 01:22:00.930
ridden that wave for as long as they could. And

01:22:00.930 --> 01:22:03.210
a lot of these nineties bands are now coming

01:22:03.210 --> 01:22:06.630
back and hopefully you guys can do something

01:22:06.630 --> 01:22:09.810
similar, you know, where you take advantage of,

01:22:09.850 --> 01:22:13.390
you know, this groundswell of popularity with

01:22:13.390 --> 01:22:16.199
bands that are, that are doing, a lot of stuff.

01:22:16.479 --> 01:22:19.380
And even newer bands, I listened to the new turnstile

01:22:19.380 --> 01:22:21.119
the other day. I'm like, this should come out

01:22:21.119 --> 01:22:23.739
in the nineties. I'm like, right. You know, this

01:22:23.739 --> 01:22:27.720
wasn't what I expected at all. Um, there's, there's

01:22:27.720 --> 01:22:31.239
a lot of, a lot of different things. Even, um,

01:22:31.260 --> 01:22:35.180
Alex Lifeson from rush has a band called envy

01:22:35.180 --> 01:22:40.420
of none. Okay. And that sounds totally nineties

01:22:40.420 --> 01:22:43.300
alternative rock. I mean, it's, it's ridiculous

01:22:43.300 --> 01:22:47.670
and not in a, Nirvana sense. It's like in a garbage

01:22:47.670 --> 01:22:50.229
sense, you know, it's, it's something like that,

01:22:50.289 --> 01:22:53.590
that is calling a lot of people off guard. And

01:22:53.590 --> 01:22:55.949
I know that a lot of Alex Lifeson fans are like,

01:22:56.029 --> 01:22:58.689
why isn't he doing something more like rush?

01:22:59.989 --> 01:23:02.270
He's basically said, you know, I found this singer.

01:23:02.390 --> 01:23:05.729
She's great. And she allows me now to write in

01:23:05.729 --> 01:23:08.550
this, you know, this form of music around her

01:23:08.550 --> 01:23:14.550
voice. Yeah. So, you know, growing up and, and,

01:23:15.279 --> 01:23:17.500
We saw it with the 80s bands, you know, we there

01:23:17.500 --> 01:23:20.960
was definitely that moment in time where. You

01:23:20.960 --> 01:23:24.479
know, the the Cinderella's and Slaughter's and

01:23:24.479 --> 01:23:27.239
all those bands that now, you know, get up and

01:23:27.239 --> 01:23:31.239
play in an M3 and and, you know, massive crowds,

01:23:31.260 --> 01:23:33.680
you know, had their moments in the clubs where,

01:23:33.779 --> 01:23:36.199
you know, might have been half full or a quarter

01:23:36.199 --> 01:23:38.329
full or. Nobody there. You know what I'm saying?

01:23:38.409 --> 01:23:41.550
And like, and my last, my last primary 55 tour

01:23:41.550 --> 01:23:45.689
we did, I did it in 2008 or 2007, 2008, somewhere

01:23:45.689 --> 01:23:47.789
in there. And you know, we were playing some

01:23:47.789 --> 01:23:49.949
pretty rough shows and I always joke. It was

01:23:49.949 --> 01:23:52.310
like, it was like, there might be 30 people in

01:23:52.310 --> 01:23:54.970
the crowd, but like there were 30 fans and it

01:23:54.970 --> 01:23:56.289
was different. There was a difference between

01:23:56.289 --> 01:23:59.390
being in like a local band and there's 30 people

01:23:59.390 --> 01:24:01.149
in the crowd and you're trying to win them over

01:24:01.149 --> 01:24:03.970
to like, you're playing in front of 30 people

01:24:03.970 --> 01:24:07.289
and they know all the music and they like, you

01:24:07.289 --> 01:24:09.270
know hadn't seen you since oz fest or never got

01:24:09.270 --> 01:24:11.250
to see you so like this is their moment with

01:24:11.250 --> 01:24:14.590
the band and like yeah so you're on stage and

01:24:14.590 --> 01:24:18.350
you're looking out and it's you know a 500 cap

01:24:18.350 --> 01:24:20.229
room with 30 people in it you might as well been

01:24:20.229 --> 01:24:23.829
playing to an empty warehouse and they're on

01:24:23.829 --> 01:24:25.869
they're in the crowd watching one of their favorite

01:24:25.869 --> 01:24:28.829
bands so it's so you still have to like put on

01:24:28.829 --> 01:24:31.470
that that whole like if it's five people or five

01:24:31.470 --> 01:24:33.470
you know 500 ,000 people we're gonna play the

01:24:33.470 --> 01:24:35.750
same show like all that nonsense but you you

01:24:35.750 --> 01:24:38.050
have to like do that you have to like get your

01:24:38.050 --> 01:24:40.470
your mindset around that and it's not easy it's

01:24:40.470 --> 01:24:42.930
not like you can just turn that on you know you

01:24:42.930 --> 01:24:45.289
have to like put on a good show for the people

01:24:45.289 --> 01:24:48.029
that are there because like I said they they

01:24:48.029 --> 01:24:50.189
they are truly fans of the music and they are

01:24:50.189 --> 01:24:52.869
so pumped to see you it's not their fault that

01:24:52.869 --> 01:24:57.550
they're one of 30 people So you're like trying

01:24:57.550 --> 01:24:59.069
to put on a good show. But I think that this

01:24:59.069 --> 01:25:02.390
time around, you know, we're hitting that nice

01:25:02.390 --> 01:25:06.409
pocket of nostalgia. You know, people of our

01:25:06.409 --> 01:25:10.789
age range might have a little bit more disposable

01:25:10.789 --> 01:25:14.710
income. You know, come out, relive their youth

01:25:14.710 --> 01:25:16.890
a little bit. I mean, that's what I'm doing.

01:25:17.010 --> 01:25:18.689
You know, go out and relive my youth a little

01:25:18.689 --> 01:25:22.689
bit too, you know. You know, I hadn't been on

01:25:22.689 --> 01:25:26.260
stage. actually i hadn't i hadn't been on stage

01:25:26.260 --> 01:25:29.239
since i i think in 2011 i got up with primer

01:25:29.239 --> 01:25:33.520
and did loose with them and like in like one

01:25:33.520 --> 01:25:36.180
time and but other than that i i got on stage

01:25:36.180 --> 01:25:39.659
a couple of years ago at uh at a new metal night

01:25:39.659 --> 01:25:42.800
it was a new metal night here in town they invited

01:25:42.800 --> 01:25:45.140
me to play three songs you know i did corn uh

01:25:45.140 --> 01:25:48.420
corn song deftone song whatnot and i was like

01:25:48.420 --> 01:25:50.600
oh yeah and my wife had never really seen me

01:25:50.600 --> 01:25:55.300
on stage before and uh She was like, oh, she's

01:25:55.300 --> 01:25:56.760
like, I've never seen you that happy. I've never

01:25:56.760 --> 01:25:59.220
seen you smile like that. So I was like, whenever

01:25:59.220 --> 01:26:02.640
this type of stuff comes up, she's like, I can't

01:26:02.640 --> 01:26:04.760
say no. She, you know, she's not going to be

01:26:04.760 --> 01:26:07.039
like, you can't go on tour. She's like, I know

01:26:07.039 --> 01:26:08.319
this is what makes you happy. You're going to

01:26:08.319 --> 01:26:10.880
do what makes you happy. I can't take that away

01:26:10.880 --> 01:26:12.920
from you. So, I mean, so I've got an awesome

01:26:12.920 --> 01:26:17.520
support system. And, you know, just to get back

01:26:17.520 --> 01:26:19.420
out there, my kids are a little bit older. So

01:26:19.420 --> 01:26:22.369
it's not like, you know, I'm leaving them. That

01:26:22.369 --> 01:26:24.470
was the one thing that what got me off a tour

01:26:24.470 --> 01:26:28.890
to begin with was my son was about two or three

01:26:28.890 --> 01:26:31.710
at the time. And, you know, we're out there playing

01:26:31.710 --> 01:26:34.090
to nobody and these shit clubs making no money.

01:26:34.409 --> 01:26:37.850
And I get a call from my son's mom. We weren't

01:26:37.850 --> 01:26:40.090
together, but we were cordial and everything

01:26:40.090 --> 01:26:42.750
was fine. But she was having a day. She was stressed

01:26:42.750 --> 01:26:44.630
out. I could hear him crying in the background.

01:26:45.289 --> 01:26:48.710
I'm out here playing to nobody. And I'm like,

01:26:48.750 --> 01:26:50.750
what am I doing? I was like, I need to go home

01:26:50.750 --> 01:26:53.670
and be a dad. And then, you know, now my kids

01:26:53.670 --> 01:26:55.829
are, you know, my youngest is about to be 11

01:26:55.829 --> 01:26:58.869
and he thinks it's cool what dad does. He thinks

01:26:58.869 --> 01:27:00.609
it's cool that dad plays music and he can get

01:27:00.609 --> 01:27:04.689
on stage and do things like that. So, you know,

01:27:04.689 --> 01:27:07.630
and he's at more of an age where I think he would

01:27:07.630 --> 01:27:10.470
understand, hey, you know, dad's gonna be gone

01:27:10.470 --> 01:27:12.970
for a couple of weeks, but I'll be back, you

01:27:12.970 --> 01:27:15.189
know, to where he's not like four or five, you

01:27:15.189 --> 01:27:16.930
know, four or five where he just doesn't understand.

01:27:17.029 --> 01:27:20.890
So I'm excited, man. I think everybody, I think

01:27:20.890 --> 01:27:24.449
it's a good time. to go back out. I think it's

01:27:24.449 --> 01:27:26.449
a good time for music. I think it's a good time

01:27:26.449 --> 01:27:29.670
for shows. I think it's going to be fun and get

01:27:29.670 --> 01:27:31.069
back out there and play for everybody. It's going

01:27:31.069 --> 01:27:34.210
to be fun. Cool. That sounds, that sounds really

01:27:34.210 --> 01:27:36.310
awesome. And like I said, I hope it all works

01:27:36.310 --> 01:27:40.210
out and yeah, to, to, you know, get the planets

01:27:40.210 --> 01:27:42.350
to align there and that you guys are able to,

01:27:42.350 --> 01:27:46.109
to take this as far as you guys can. Yeah, definitely.

01:27:46.210 --> 01:27:47.810
I think it'll be fun. Hopefully, you know, hopefully

01:27:47.810 --> 01:27:49.789
next year do all the Danny Wimmer shows and get

01:27:49.789 --> 01:27:52.310
on some festivals. You know, you know, maybe

01:27:52.310 --> 01:27:55.529
maybe another band will look on the lineup and

01:27:55.529 --> 01:27:57.789
be like, why is Primer 55 on the main stage?

01:27:57.909 --> 01:28:00.189
Like, you know, we got to get our band back together.

01:28:00.590 --> 01:28:03.710
This is a bunch of bullshit. So, yeah, I think

01:28:03.710 --> 01:28:05.310
that'll that'll be fun. Hopefully, hopefully

01:28:05.310 --> 01:28:08.149
we'll be that band to somebody else. There you

01:28:08.149 --> 01:28:13.289
go. You'll provoke the Boba Flex reunion. Right.

01:28:13.390 --> 01:28:18.850
Yeah, there we go. Yes. I, yes, Baco. I know

01:28:18.850 --> 01:28:21.090
that they're still together kind of as the lone

01:28:21.090 --> 01:28:24.550
ones, but Boba Flex, the original Boba Flex.

01:28:25.430 --> 01:28:30.850
Um, what else did I have here? Oh, last question

01:28:30.850 --> 01:28:35.789
for you. All right. You have two things regarding

01:28:35.789 --> 01:28:38.289
the Deftones behind you. What did you think of

01:28:38.289 --> 01:28:44.000
the new single? Um, I think it, it's funny, man.

01:28:44.079 --> 01:28:46.720
My, my wife is like, she likes like three bands

01:28:46.720 --> 01:28:49.619
and Deftones having to be one of them. And we

01:28:49.619 --> 01:28:52.819
were out and six o 'clock Eastern was when it

01:28:52.819 --> 01:28:57.079
dropped here. So like we, um, like we were in

01:28:57.079 --> 01:28:58.899
the car and she was like refreshing Spotify.

01:28:59.020 --> 01:29:00.479
And as soon as it popped out, she played it.

01:29:00.659 --> 01:29:02.560
We listened to it like, you know, probably 10

01:29:02.560 --> 01:29:05.579
times in a row. Um, I think it's a good, uh,

01:29:05.579 --> 01:29:07.359
indicator of what the album is going to be. It

01:29:07.359 --> 01:29:09.680
wasn't anything groundbreaking. I think it'll

01:29:09.680 --> 01:29:13.199
be a good song if they play it live. Um, it does

01:29:13.199 --> 01:29:16.800
seem to be, uh, you know, good for, good for,

01:29:16.920 --> 01:29:20.600
uh, good for an arena. You know, like I've been

01:29:20.600 --> 01:29:22.180
saying in the last few shows, I mean, it's just

01:29:22.180 --> 01:29:24.779
like, we saw, we went to see Deftones a few months

01:29:24.779 --> 01:29:30.100
ago at an arena packed out. I'm like, what's

01:29:30.100 --> 01:29:32.460
going on? Because, you know, Deftones have always

01:29:32.460 --> 01:29:35.460
been, Deftones have been a lot, a lot of people's

01:29:35.460 --> 01:29:37.479
like a lot of bands, favorite band. And they've,

01:29:37.479 --> 01:29:39.710
they've inspired a lot of bands, not just new

01:29:39.710 --> 01:29:41.909
metal bands, but like shoegaze bands and hardcore

01:29:41.909 --> 01:29:44.050
bands. Like they're, they're one band that like

01:29:44.050 --> 01:29:46.630
everybody can kind of go back to and agree on,

01:29:46.710 --> 01:29:50.350
um, when it comes to, uh, musicians and things

01:29:50.350 --> 01:29:54.789
like that. So we go to the show in Nashville

01:29:54.789 --> 01:29:58.390
and it's, it's the crowds like 50, 50, you know,

01:29:58.430 --> 01:30:01.329
like 40 year old dudes and like teenagers. And

01:30:01.329 --> 01:30:02.930
we're like, where are all these kids coming from?

01:30:03.029 --> 01:30:04.810
Like they're, and they're all dressed in baggy

01:30:04.810 --> 01:30:06.510
pants. They're all like, they're, they look like

01:30:06.510 --> 01:30:09.649
me in the nineties. And we looked around and

01:30:09.649 --> 01:30:12.430
it was crazy. Like we took my, my, uh, stepson

01:30:12.430 --> 01:30:15.369
who just turned 18. That was his first ever concert

01:30:15.369 --> 01:30:18.970
and he's blown away. And, um, and they crushed

01:30:18.970 --> 01:30:21.310
and it was, it was such a good show. Like they,

01:30:21.390 --> 01:30:23.449
they had the, they had all the lights and they

01:30:23.449 --> 01:30:25.109
had all the screens and they had all of the,

01:30:25.130 --> 01:30:27.050
this and that. And they put on one hell of a

01:30:27.050 --> 01:30:28.369
show. It was probably one of the better Deftones

01:30:28.369 --> 01:30:30.130
shows I've ever seen. And I've, I've been seeing

01:30:30.130 --> 01:30:34.930
them since 95, 96. Um, but yeah, new, new single.

01:30:35.869 --> 01:30:38.739
I'm, definitely looking forward to the album.

01:30:38.800 --> 01:30:41.199
I think it, uh, I think it's a good song and,

01:30:41.220 --> 01:30:43.979
and, you know, I think it's just a, a good precursor

01:30:43.979 --> 01:30:45.779
to what's coming, you know, so I can't wait for

01:30:45.779 --> 01:30:48.319
the next single. How about that? Yeah. I've seen

01:30:48.319 --> 01:30:52.039
them once middle of the day at a festival in

01:30:52.039 --> 01:30:58.619
Spain, hotter than hell. And, uh, and it was,

01:30:58.720 --> 01:31:01.699
uh, it was like a religious experience is one

01:31:01.699 --> 01:31:04.600
of the best shows that I've ever seen. So it

01:31:04.600 --> 01:31:08.600
was amazing. Got to see them and Faith No More

01:31:08.600 --> 01:31:13.279
on the same bill. So we went home happy. That

01:31:13.279 --> 01:31:16.899
97 Faith No More show that I saw, opening band,

01:31:17.159 --> 01:31:21.140
Limp Bizkit. A little known Limp Bizkit, pre

01:31:21.140 --> 01:31:26.159
-Faith Limp Bizkit. So there you go. Yeah. Awesome.

01:31:27.279 --> 01:31:29.979
I appreciate you hanging out for as long as you

01:31:29.979 --> 01:31:33.319
have today with me. This has been fun and easy

01:31:33.319 --> 01:31:36.739
to do. And, uh, hope that this comes across that

01:31:36.739 --> 01:31:39.960
way to anyone listening or watching this episode.

01:31:40.619 --> 01:31:45.220
So, um, anything you want to, um, to mention

01:31:45.220 --> 01:31:47.479
before leaving anything you want to promote?

01:31:48.579 --> 01:31:50.800
No, I ain't just, uh, you know, if you're, if

01:31:50.800 --> 01:31:52.840
you're in the, uh, in the area of any of these

01:31:52.840 --> 01:31:55.000
primary 55 shows, please come out and say hello.

01:31:55.420 --> 01:31:58.000
Um, and then obviously check out the David Ellison

01:31:58.000 --> 01:32:00.539
show, uh, on the David Ellison podcast on the,

01:32:00.539 --> 01:32:02.460
uh, David Ellison YouTube channel, or just search

01:32:02.460 --> 01:32:04.859
your favorite podcast app. And then, uh, yeah,

01:32:04.939 --> 01:32:06.699
talk to me is going strong. That's actually,

01:32:06.760 --> 01:32:09.199
I think the next episode is a cliff from dry

01:32:09.199 --> 01:32:12.960
kill logic. So, so there you go. So I think that'll,

01:32:12.960 --> 01:32:14.640
that'll be a good one to get out there, but yeah,

01:32:14.720 --> 01:32:17.380
it's just, uh, just, uh, it's a, it's a wild

01:32:17.380 --> 01:32:19.439
ride and, uh, you know, come, come, uh, come

01:32:19.439 --> 01:32:22.859
jump on it with me. Awesome. And on that note,

01:32:22.899 --> 01:32:25.500
we will end the show. Thank you, Mr. Toomey.

01:32:25.739 --> 01:32:28.859
Hopefully it won't be another 120 episodes before

01:32:28.859 --> 01:32:32.260
I get you back on here. Crazy man. Yeah. Always

01:32:32.260 --> 01:32:33.579
good to see you. Always good to talk to you.

01:32:33.949 --> 01:32:36.869
Yeah, absolutely. On that note, folks, we will

01:32:36.869 --> 01:32:40.529
see you next time right here on Signals from

01:32:40.529 --> 01:33:01.210
Mars. See you, folks. or check out replays on

01:33:01.210 --> 01:33:04.350
YouTube. Go to signalsfromlife .com for more

01:33:04.350 --> 01:33:06.329
information. This concludes our show.
