WEBVTT

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I'm ready. Let's do it. latest episode of signals

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from mars i'm your host victor and we're back

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with another episode this is the first solo show

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that i've done in a really really long time um

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this felt like the thing to do so let me go start

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things off by thanking my patrons uh you can

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join patreon for as little as two bucks a month

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get all types of um, hard rock and metal videos,

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all types of, from different sub genres. There's

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a few things that we skipped just because people

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don't like them. Um, I read, for example, uh,

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anyway, but, we've got fans of pretty much every

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other genre sub genre in there. Uh, we've got

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people that love death metal, people that love,

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AOR, people that love straight up Nuwabum heavy

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metal. So join us if you'd like. It is $2 a month.

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You get my Victor M. Ruiz podcast. And this episode

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is going to be a lot like what I do there without

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the basketball talk. There is, as a basketball

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coach, there's plenty of basketball talk in there.

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And yeah, so this is kind of like a sampling.

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If today's episode interests you, then join us

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on over there. So yes, let me run down the patrons.

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Let's go oldest to newest. We have Steven Saylor,

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Steve Hoker, Jeremy Weltman, who's on the last

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episode, Mike Jones, Mr. Yargmetal himself, Brad

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Dahl, Gabriel Ruiz, from the Song Swap Showdown,

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Chris Vaglio, Metal Dan, Johan Edestrum. We have

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Ed the Shred Ferguson. We have Anthony Mackey,

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who has helped design this great logo here. Not

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that one. It's Derek Riggs. But that's Anthony

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Mackey. Right? Tony Espin. Decimal Geek Podcast

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was essentially Chris Sinzak. And lastly, Sean

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Richman. There are a few free subscribers. You

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are welcome to follow for free. You're welcome

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to try for, I believe it's seven days for free

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before joining the full stream where you do get

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the podcast, the videos, questions, so on and

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so forth. I want to also remind you that you

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can help the show in various ways. If you don't

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like Patreon, you can. Do a PayPal donation.

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Got the QR code there. You can do a buy me a

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pizza, which is similar to buy me a coffee. Yes,

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I am an Amazon affiliate. And depending on what

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you purchase, I can get a kickback. So we have

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Amazon US, Amazon UK, Amazon Canada, in any event.

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If you do go to the Signals from Mars home page,

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this is a QR code to take you there. But it is

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SignalsFromMars .com. That is your one -stop

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shopping place where you can listen to old episodes,

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watch the video replays as well. I'm recording

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this. It's going to go out tonight. isn't exactly

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live, but there's a few shows like this that

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I will be recording for over the course of the

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summer. What else? What else? Yeah. If you go

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to signalsfromars .com, you'll find merch, you'll

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find the links to social media and all that great

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other stuff. All right. Yeah. So we do have,

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like I said, merch, a few things here. If you

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run any into any issues, please let me know.

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There have been some people in the last few months

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that have reported some hiccups. So, cool. So

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let's get on with it here. There's a few different

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things to talk about. First, I debuted as an

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Ultimate Sinner on SiriusXM. This has been something

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that Mark Striegel, as I'm looking at my notes

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here, which I probably should have been better

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prepared for. Mark Striegel did say I should

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do it last summer between me working things,

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different things out and finally getting them

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to get on board with doing it. It finally debuted

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this, this week. Uh, let's see this debuted one

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day ago. So it debuted on, it actually debuted

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on Wednesday. Uh, replays on. Do what is this

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Monday deal Monday at 11 PM Eastern 8 PM Pacific

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Tuesday, 5 AM Eastern and 2 AM Pacific. So what

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did I feature for my ultimate sinner segment?

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All right. So I had to kind of grease the wheels

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per se, lube things on in doing that. That is

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what I did. If you're watching anyway, because

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you know, if it's up to me, it's all deep cuts.

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You guys know this, if you follow the show. So

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I went with some, For my first time appearing,

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I went with some Metallica. Went with some...

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Metallica's fairly known, but it's still a kick

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-ass song. Went with some Dio -era Black Sabbath,

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as you might imagine. Some Kiss. Hint, hint in

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the background. Not saying what is over my shoulder

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here. Ah, I can't point. Ah, something wrong

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for that. Bush -era Anthrax. And wrap things

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up with some Queensryche. So I think it's a cool

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set of songs. Mark Striegel, who, again, listen.

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And Mark gave me the kick in the ass to get me

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to start podcasting. He's the one that pushed

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me towards this. And he messaged me the other

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day saying, wow, you sound great. And I thank

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them for helping me get on there. So cool. If

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you guys check it out, let me know. Let me know

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what you guys think of the song selection as

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well. But a bunch of favorites of mine. Next

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time, I'll probably go a little bit more obscure,

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but have to fit in some things that are pretty

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well known. I mean, not that everything on here

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is obscure. I don't want to give the songs away.

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But, yeah. What else do we have going on here?

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Metallica. Metallica gets criticized on social

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media. This was so funny. I saw this on Facebook.

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I don't remember where. And if I was to mention

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this where it was, I'm probably giving them too

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much credit. But this is the power of the internet,

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power of social media. And it gives me the power

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to do this as well. And I've always said this,

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you know, for better or worse, I'm on here. For

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better or worse, there's others on here. And

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that leads to oversaturation of a lot of things.

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And it leads to a lot of people. probably having

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a voice when, I mean, I'm all for free speech

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and whatnot, but some things are just idiotic

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that are saying just because, just because as

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Lemmy said with his song, just because you got

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the power, that don't mean you got the right.

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All right. So Metallica getting criticized, criticized

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for messing up the beginning of a song. And The

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comment by the poster was, who, who, this is

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what happens when you switch up your set list

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every night. If you'd switch to the same set

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list. Really? So let me get this straight. They're

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out there on their 72 seasons tour, which will

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go on for, they've already announced dates in

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2026. They're the biggest metal band of all time,

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regardless whether you want to talk about. Black

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Sabbath being the start, Judas Priest taking

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what they did and picking it up a notch, Maiden

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doing something else, Metallica revolutionized

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things. And I'm seeing people say also, well,

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because of Dave Mustaine's comments this week,

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that he wrote all the stuff that kind of got

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them, you know, where they are. And seeing people

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say, well, Master of Puppets is where, you know,

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they really took off. It wasn't Kill Em All and

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it wasn't Ride the Light. This is all subjective.

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If that's what you feel, then that's awesome.

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You're entitled to your opinion. But Dave Mustaine

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deserves credit for stuff off those first two

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albums. But Dave, come on. It's old already.

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It's 40 -something years at this point. You have

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a spectacular band. You have an awesome career.

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I get it. It's the one that got away. And as

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big as Megadeth is, they're not Metallica. Anyway,

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so back to this argument of them changing things

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up every night. They're one of the only bands

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to do it. Dream Theater does this again now that

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Mike Portnoy is back. There aren't too many other

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bands that I know of off the top of my head,

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and you can correct me if I'm wrong. I'm sure

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I'm wrong. I'm sure there's a lot more out there.

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But I always look back at their XXX shows for

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their 30th anniversary. They did four shows and

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played. 80 some odd songs in four days they're

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doing these 72 seasons tours tour these shows

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that are two shows in a city and they don't repeat

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any song between the two nights first of all

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just being able to split things up and and and

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let's be honest they're gonna be playing stuff

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off of big albums so the black album which is

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their biggest just went 20 times platinum, if

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I'm not mistaken. They got to split stuff from

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that album up, the quote -unquote hits. They

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need to split big songs off of all the other

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albums up as well. And they're doing, what, 20

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songs a night somewhere in that vicinity? Let's

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check this out. This is exciting. scrolling on

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the internet to find information out. All right.

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Where are we going here? Metallica. All right.

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So what did they do last? Uh, they played, uh,

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okay. So they're not doing two consecutive shows

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because I'm seeing, well, most shows are two

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consecutive, but there's some aren't like they

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played Nashville and they played, um, Lane Stadium

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in Blacksburg, Virginia. Or Virginia, if I'm

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not mistaken. University of Virginia. Hope I'm

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not screwing that up. They played Sonic Temple.

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Or they did two days there. And, well, let's

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not do a festival. Let's do Lincoln Financial

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Field, which they just didn't. In Philadelphia.

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All right, let's see what they played at both

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of those shows. Okay, so night one. They're playing

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Creeping Death, Harvester of Sorrow, Holier Than

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Thou, King Nothing, 72 Seasons, If Darkness Had

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a Friend, Kurt and Rob's Doodle, Where They Did

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to Live is to Die, it says. The Day That Never

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Comes, Cyanide, Orion, Nothing Else Matters,

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Sad But True, Fight Fire With Fire, Fuel, Seek

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and Destroy, and Master of Puppets. All right,

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so they're doing 16 songs. It's saying that the

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entire night lasts five hours, 12 minutes after

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doors. Let's see. So they started at 845. Yeah,

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so this is kind of skewed. Anyway, I'm assuming

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that Metallica plays close to two hours. All

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right, so night number two. Lincoln Financial

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Field. Whiplash, For Whom the Bell Tolls. Ride

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the Lightning. Memory Remains. Lux Aterna. Screaming

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Suicide, Kurt and Rob Doodle, which is Philadelphia

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Freedom, Disposable Heroes, and Gonna Fly Now.

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Then they do Fade to Black, Wherever I May Roam,

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The Call of Cthulhu, The Unforgiven, Whiskey

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in a Jar, Blackened, Moth into Flame, One, and

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Enter Sandman. Again, 16 songs. So you're telling

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me that you prefer To see them, for example,

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Brad Dahl, who went to see Saxon a bunch of times

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recently, and he loves Saxon. Brad really loves

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Saxon. And his son, Nate, is also becoming a

00:15:54.000 --> 00:16:02.840
huger Saxon fan. You prefer... Like a show like

00:16:02.840 --> 00:16:10.980
Saxon where they're just doing one set list every

00:16:10.980 --> 00:16:15.899
night as opposed to doing the same, as opposed

00:16:15.899 --> 00:16:18.379
to switching things up. I'd prefer if I'm going

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two different nights, I'd prefer to see them

00:16:21.519 --> 00:16:23.940
switching things up. And I get it. These bands,

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no, there's laser cues and there's light cues

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and there's this and there's that. And every

00:16:32.080 --> 00:16:35.039
time that people talk about Metallica being money

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grubbing, bureaucrats or aristocrats or whatever

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you want to call them, they do so much shit for

00:16:44.279 --> 00:16:51.000
their fans that other bands just won't. As a

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KISS fan, would I have loved KISS to play various

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different songs night after night? Look at what

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Metallica did here. Okay, you're telling me that

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people that were fans just of the Black Album

00:17:05.329 --> 00:17:08.490
are not going to be thrilled that they got Enter

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Sandman and Nothing Else Matters on one night,

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Sad But True, and Wherever I May Roam and Holier

00:17:14.670 --> 00:17:18.670
Than Thou on another night. I mean, come on.

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It's dumb. It's the laziness of fans and wanting

00:17:24.690 --> 00:17:26.910
to homogenize everything. It's why recordings

00:17:26.910 --> 00:17:32.079
are very homogenized now. Bands can't wear their

00:17:32.079 --> 00:17:36.420
own merch. That's lame, man. Who set that rule

00:17:36.420 --> 00:17:39.700
up? You can't wear the shirt of that band you're

00:17:39.700 --> 00:17:42.940
going to see tonight. You can't. No, that's so

00:17:42.940 --> 00:17:47.319
lame, man. Who set the rules? That's the thing

00:17:47.319 --> 00:17:50.539
about hard rock and metal. It was set up as rebellion.

00:17:50.859 --> 00:17:54.799
Rock and roll was rebellion. Why do we have so

00:17:54.799 --> 00:17:59.170
many rules now built around? Something that started

00:17:59.170 --> 00:18:03.869
out as a rebellion. It's almost geared towards

00:18:03.869 --> 00:18:09.309
being like a religion. Rock and roll, a lot of

00:18:09.309 --> 00:18:11.329
people say rock and roll is my religion, but

00:18:11.329 --> 00:18:16.190
we don't have rules to say, well, if you wear

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this shirt, if you do this, if you do that, you're

00:18:19.869 --> 00:18:24.450
a poser, man. That's rules that came along along

00:18:24.450 --> 00:18:26.849
the way when people tried to be heavier. More

00:18:26.849 --> 00:18:33.029
metal, more this, more that. It's just an asinine

00:18:33.029 --> 00:18:42.309
argument to me. All right. So continuing on this

00:18:42.309 --> 00:18:49.589
whole set list feel, Iron Maiden, their first

00:18:49.589 --> 00:18:53.509
shows on the Run For Your Lives tour, they just

00:18:53.509 --> 00:19:03.380
played in... In Budapest, Hungary. Exciting.

00:19:04.259 --> 00:19:09.559
I got to close everything off here so that there

00:19:09.559 --> 00:19:14.460
is no noises going on in the background, although

00:19:14.460 --> 00:19:20.920
you may hear some things. But when the doors

00:19:20.920 --> 00:19:23.339
are closed, my throat gets dry when I get animated

00:19:23.339 --> 00:19:26.460
even more. Sorry, drinking some water here, folks.

00:19:28.079 --> 00:19:30.099
A lot of times I worry about the sound. I worry

00:19:30.099 --> 00:19:32.059
about how things are perceived, this and that.

00:19:32.160 --> 00:19:33.920
And then you listen to big shows. It's like,

00:19:33.940 --> 00:19:40.559
they don't even have their episodes mixed. I'm

00:19:40.559 --> 00:19:42.319
worrying about things that, oh, you should do

00:19:42.319 --> 00:19:43.640
this, you should do that, blah, blah, blah, blah,

00:19:43.640 --> 00:19:45.180
blah. This is the whole list of things. And then

00:19:45.180 --> 00:19:47.140
it turns out that all these big shows say, eh,

00:19:47.259 --> 00:19:51.720
let's go as is. Anyway, Iron Maiden, run for

00:19:51.720 --> 00:19:54.869
your lives tour. I was getting psyched because

00:19:54.869 --> 00:19:58.529
I was thinking, you know, Bruce is saying that,

00:19:58.529 --> 00:20:03.369
you know, Simon, the new drummer, sounds more

00:20:03.369 --> 00:20:10.250
like Clive Burr than he does Simon Dawson, than

00:20:10.250 --> 00:20:12.970
he does Nico. So he's going to give a different

00:20:12.970 --> 00:20:16.890
feel to some of those Clive -era songs and whatnot.

00:20:18.130 --> 00:20:21.130
And so Iron Maiden starts posting on social media.

00:20:21.869 --> 00:20:24.650
The songs, the set list. And it's funny because

00:20:24.650 --> 00:20:26.930
they started posting, then they stopped. The

00:20:26.930 --> 00:20:29.970
social media person forgot, got tangled up. Information

00:20:29.970 --> 00:20:32.829
wasn't getting to them. I mean, I don't know.

00:20:33.109 --> 00:20:36.109
It just seemed kind of odd. But first song, Ides

00:20:36.109 --> 00:20:37.930
of March. Oh, my God. Oh, my God. They're playing

00:20:37.930 --> 00:20:41.450
Ides of March off of Killers. And I'm thinking,

00:20:41.450 --> 00:20:43.930
wait a second. They normally never play this

00:20:43.930 --> 00:20:50.970
live in the sense that it's almost always a recording.

00:20:52.329 --> 00:20:55.809
And it was. So are we going to include Dr. Doctor,

00:20:55.950 --> 00:20:59.650
the UFO song, as, oh, Iron Maiden's playing Dr.

00:20:59.869 --> 00:21:08.289
Doctor. Anyway, okay. So, Murders in the Rue

00:21:08.289 --> 00:21:12.230
Morgue, all right. That's the first song that

00:21:12.230 --> 00:21:13.890
they're actually playing, Murders in the Rue

00:21:13.890 --> 00:21:18.009
Morgue. Cool. Love Killers, Killers, Seven Son,

00:21:18.269 --> 00:21:21.690
and Power Slave are like my three go -to made

00:21:21.690 --> 00:21:25.710
now. All right. So Murders in the Rue Morgue.

00:21:26.009 --> 00:21:30.490
Awesome. Wrathchild. Wow. First time since 2017

00:21:30.490 --> 00:21:33.369
that they played this. Murders in the Rue Morgue.

00:21:33.410 --> 00:21:39.009
First time since 2005. Killers. First time since

00:21:39.009 --> 00:21:46.069
1999. Love that song. Love side B of Killers.

00:21:46.069 --> 00:21:48.960
To me, that's a perfect album side. And then

00:21:48.960 --> 00:21:51.720
they go to Phantom of the Opera. So first time

00:21:51.720 --> 00:21:58.980
played since 2014. And laying in heavy with the

00:21:58.980 --> 00:22:02.640
Paul D 'Anno stuff early on. So I'm thinking,

00:22:02.700 --> 00:22:07.220
all right, cool. Awesome. But as you guys are

00:22:07.220 --> 00:22:10.519
seeing, all right. So first time performed live

00:22:10.519 --> 00:22:23.500
since 2005. 2017, 99, and 14. So they've done

00:22:23.500 --> 00:22:27.079
all these songs when Bruce and when Adrian has

00:22:27.079 --> 00:22:29.980
come back. So I'm getting nitpicky here. I understand

00:22:29.980 --> 00:22:33.579
that. And the set list is good. I'm not saying

00:22:33.579 --> 00:22:36.599
it's bad, but I'm just saying that they promised

00:22:36.599 --> 00:22:41.039
songs that they hadn't played before. As long

00:22:41.039 --> 00:22:43.420
as they hadn't played in a long time. Okay, yes,

00:22:43.500 --> 00:22:45.220
they haven't played Killers, for example, since

00:22:45.220 --> 00:22:52.500
1999. Okay, it's been 26 years. Got it. But I'm

00:22:52.500 --> 00:22:57.779
thinking along the lines of, where's Drifter?

00:22:58.140 --> 00:23:03.660
Where's Prowler? Where's, you know, okay, so

00:23:03.660 --> 00:23:05.779
they dip back into Paul Deanna a little bit later

00:23:05.779 --> 00:23:12.029
on. All right. From there, we get to Number of

00:23:12.029 --> 00:23:16.869
the Beast. Okay. The Clairvoyant, which they

00:23:16.869 --> 00:23:21.410
haven't played since 2013. Cool. All right. Power

00:23:21.410 --> 00:23:26.730
Slave. First time since 2017. Okay. Two Minutes

00:23:26.730 --> 00:23:31.089
to Midnight. First time since 2019. And Rhyme

00:23:31.089 --> 00:23:32.890
of the Ancient Mariner. People are making a big

00:23:32.890 --> 00:23:34.410
deal. Oh, my God. Rhyme of the Ancient Mariner.

00:23:34.470 --> 00:23:36.089
Rhyme of the Ancient Mariner. It's 13 minutes

00:23:36.089 --> 00:23:38.329
long. Blah, blah, blah. It's first time since

00:23:38.329 --> 00:23:41.910
2009. Haven't they been playing songs off of

00:23:41.910 --> 00:23:44.509
Shinjitsu and Book of Souls that are roughly

00:23:44.509 --> 00:23:49.269
that length of time live as well? So as much

00:23:49.269 --> 00:23:53.710
as I love that song, is it that big of a deal?

00:23:56.009 --> 00:23:58.869
Run to the hills and I'm starting to think for

00:23:58.869 --> 00:24:03.630
all the times Bruce has talked about, we don't

00:24:03.630 --> 00:24:08.049
do greatest hits tours. in europe they get it

00:24:08.049 --> 00:24:11.549
we don't have to do greatest hits we don't you

00:24:11.549 --> 00:24:17.509
know these are all hits even going back to murders

00:24:17.509 --> 00:24:20.349
in the room org single rat child single killers

00:24:20.349 --> 00:24:22.410
okay so that's not a single but it's been played

00:24:22.410 --> 00:24:25.509
a lot phantom of the opera single number of the

00:24:25.509 --> 00:24:29.130
bees single clairvoyant single uh power slave

00:24:29.130 --> 00:24:36.190
uh wasn't a single but was played a lot uh Two

00:24:36.190 --> 00:24:37.750
Minutes to Midnight, single. Rhyme of the Ancient

00:24:37.750 --> 00:24:43.029
Mariner. Run to the Hills, single. Seven Son

00:24:43.029 --> 00:24:44.990
of a Seven Song. One of my absolutely favorite

00:24:44.990 --> 00:24:48.230
songs and albums by Iron Maiden. First time since

00:24:48.230 --> 00:24:53.410
2014. But we get to The Trooper, Hallowed Be

00:24:53.410 --> 00:24:57.650
Thy Name, and Iron Maiden. Folks, a lot of these

00:24:57.650 --> 00:25:02.349
songs have been played to death live by the band.

00:25:02.529 --> 00:25:08.289
All right. Whether you like Metallica or not.

00:25:11.130 --> 00:25:16.549
Again, songs that they're playing. Whiplash,

00:25:16.549 --> 00:25:18.450
For Whom the Bell Tolls, Ride the Lightning,

00:25:18.750 --> 00:25:22.089
Memory Remains, Lux Aterna, Screaming Suicide,

00:25:22.470 --> 00:25:27.470
Fade to Black, Wherever I May Roam, The Call

00:25:27.470 --> 00:25:30.670
of Cthulhu, The Unforgiven, Whiskey in a Jar,

00:25:31.009 --> 00:25:36.420
Blackened, Moth into Flame, One, and Enter Sandman.

00:25:36.579 --> 00:25:38.460
They're playing four off of Ride the Lightning,

00:25:38.660 --> 00:25:41.259
three off of the Metallica album, two off of

00:25:41.259 --> 00:25:44.059
Injustice for All, two off of 72 Seasons, one

00:25:44.059 --> 00:25:47.059
off of Hardwired, one off of Kill Em All, one

00:25:47.059 --> 00:25:49.839
off of Reload, and one off of The Cover's Out.

00:25:50.000 --> 00:25:54.059
Oh, wait. Okay, so we're seeing here that, getting

00:25:54.059 --> 00:25:56.900
back to the time of each band, Suicidal is playing

00:25:56.900 --> 00:26:02.700
about an hour. No, they're playing about 40 minutes.

00:26:03.230 --> 00:26:08.650
Pantera is playing about an hour and then Metallica

00:26:08.650 --> 00:26:12.089
is playing what to, I guess from, from what it

00:26:12.089 --> 00:26:16.569
says anyway. So this is, this is what I'm getting

00:26:16.569 --> 00:26:23.869
at is that for as much as people criticize Metallica,

00:26:23.930 --> 00:26:31.130
the, the set list is completely different. All

00:26:31.130 --> 00:26:35.730
right. There, there, For as much as I love Maiden,

00:26:35.809 --> 00:26:38.089
and I like Maiden a lot more than I do Metallica,

00:26:38.190 --> 00:26:42.670
when it comes to the live show, there are very

00:26:42.670 --> 00:26:47.130
few bands that come close to doing the same as

00:26:47.130 --> 00:26:51.650
what Metallica does for their fan base. All right,

00:26:51.730 --> 00:26:56.890
so Maiden end up encore Churchill's Speech, Aces

00:26:56.890 --> 00:27:00.549
High, Fear of the Dark. First time as an encore.

00:27:03.399 --> 00:27:07.539
And then last song of the night, Wasted Years.

00:27:07.779 --> 00:27:14.559
Look, cool set list. I was expecting more personal

00:27:14.559 --> 00:27:18.759
because of how it was hyped up. You're going

00:27:18.759 --> 00:27:20.960
to hear songs we haven't played in a long time.

00:27:21.059 --> 00:27:22.859
You're going to hear songs that we've never played.

00:27:23.539 --> 00:27:27.720
We've played all of these live at one point or

00:27:27.720 --> 00:27:30.220
another since Bruce and Adrian have come back

00:27:30.220 --> 00:27:33.210
in the band. As cool as the show was, yes, they

00:27:33.210 --> 00:27:39.269
have the giant screens. Much as people want to

00:27:39.269 --> 00:27:43.289
criticize Kiss. Kiss has been that for years,

00:27:43.369 --> 00:27:48.369
folks. It's new to Maiden. Kiss has been doing

00:27:48.369 --> 00:27:54.329
that, right? How does the set list break down?

00:27:54.549 --> 00:27:57.529
It's four songs off of Power Slave, three off

00:27:57.529 --> 00:27:59.470
of Killers, three off of Number of the Beast.

00:28:00.140 --> 00:28:03.160
Two off of Iron Maiden, two off of Seven Son

00:28:03.160 --> 00:28:06.579
of a Seven Son, one off of Fear of the Dark,

00:28:06.740 --> 00:28:09.440
one off of Peace of Mind, and one off of Somewhere

00:28:09.440 --> 00:28:18.940
in Time. Next, dumb argument. Simon's drum set

00:28:18.940 --> 00:28:23.019
is too small. We need something like Nicko's.

00:28:23.440 --> 00:28:28.099
Seriously? As a drummer, as someone that grew

00:28:28.099 --> 00:28:33.400
up, idolizing Clive Burr and his feel with his

00:28:33.400 --> 00:28:35.740
playing. It's funny. A lot of people say, well,

00:28:35.799 --> 00:28:38.160
he plays songs differently. He doesn't have the

00:28:38.160 --> 00:28:42.240
same shuffle that Nico had. Nico really didn't

00:28:42.240 --> 00:28:45.140
have a shuffle, folks. Clive had a shuffle. He

00:28:45.140 --> 00:28:48.160
had like a jazz thing going on. He was more of

00:28:48.160 --> 00:28:56.809
a shuffle player. Nico really didn't. Simon's

00:28:56.809 --> 00:28:59.569
drums are more like Clive's were the three Toms

00:28:59.569 --> 00:29:05.549
on the top. Hello. Um, that's very, very Clive

00:29:05.549 --> 00:29:09.089
Burr -ish. The other thing too, is not everyone

00:29:09.089 --> 00:29:12.130
is going to play the same and yeah, Bruce kind

00:29:12.130 --> 00:29:14.170
of set things out there by saying, Oh, well,

00:29:14.170 --> 00:29:18.450
you know, he sounds a lot like live with the

00:29:18.450 --> 00:29:20.369
way that he plays. So why didn't you guys do

00:29:20.369 --> 00:29:23.069
the prisoner, for example, where there's that

00:29:23.069 --> 00:29:28.990
great intro. a drum intro with the drum breakdowns

00:29:28.990 --> 00:29:31.690
throughout the song, throughout the beginning

00:29:31.690 --> 00:29:34.190
of the song. Excuse me. That's that to me is

00:29:34.190 --> 00:29:39.910
like a, a go -to for, for a drummer. The other

00:29:39.910 --> 00:29:42.809
thing too, for example, on setlist .com, they're

00:29:42.809 --> 00:29:47.569
saying that the run for your lives tours, a mix

00:29:47.569 --> 00:29:50.990
of hits and rarities. Again, I don't see any

00:29:50.990 --> 00:29:54.630
of those as really being a rarity there again.

00:29:55.319 --> 00:29:57.720
They aren't pulling out. I've got the fire. They

00:29:57.720 --> 00:30:00.200
aren't playing drifter. They aren't playing,

00:30:00.319 --> 00:30:09.339
um, innocent exile. They aren't playing Charlotte,

00:30:09.440 --> 00:30:11.740
the Harlot. They aren't, you know, there's a

00:30:11.740 --> 00:30:16.279
maiden's catalog is enormous folks. I know that

00:30:16.279 --> 00:30:18.140
regardless what they were going to play, someone

00:30:18.140 --> 00:30:22.380
was going to bitch and complain. But don't set

00:30:22.380 --> 00:30:24.480
yourself up for this stuff. Don't sell it as

00:30:24.480 --> 00:30:30.640
is. Setlist is so revolutionary. It's so revolutionary.

00:30:33.240 --> 00:30:36.039
It's going to be huge. It's going to be something

00:30:36.039 --> 00:30:40.599
that you guys haven't seen in a long time. I

00:30:40.599 --> 00:30:43.279
just think they fell short with what they were

00:30:43.279 --> 00:30:47.819
advertising. Good setlist. Uh, if it was coming

00:30:47.819 --> 00:30:50.359
remotely close to me and I wasn't tied up with

00:30:50.359 --> 00:30:52.920
something else, maybe they're playing in Madrid

00:30:52.920 --> 00:30:58.660
on the 7th of July. Um, and it just, I have prior

00:30:58.660 --> 00:31:04.799
commitments. If not, maybe who knows, uh, this

00:31:04.799 --> 00:31:07.819
week, speaking of tours, we have, uh, things

00:31:07.819 --> 00:31:09.779
being announced for next year already. I mentioned

00:31:09.779 --> 00:31:15.099
Metallica has, uh, mentioned a, an upcoming tour.

00:31:15.769 --> 00:31:19.670
And we now have announced Cruise to the Edge

00:31:19.670 --> 00:31:22.490
2026. This will be the 10th anniversary of the

00:31:22.490 --> 00:31:26.490
Cruise to the Edge voyage of mechanical resonance.

00:31:27.950 --> 00:31:33.190
Interesting. Is Tesla involved anywhere? But

00:31:33.190 --> 00:31:35.950
this will be taking place between March 4th and

00:31:35.950 --> 00:31:42.410
9th, 2026, Miami, Key West, and Nassau, the Bahamas.

00:31:43.559 --> 00:31:47.619
So the headliner is Marillion. Some of my listeners

00:31:47.619 --> 00:31:49.980
will be thrilled for that. But also on the bill

00:31:49.980 --> 00:31:53.779
will be Steve Hackett, Big Big Train, Eddie Jobson,

00:31:53.819 --> 00:31:59.079
Symphony X, Adrian Blue, Hocken, Life Signs,

00:31:59.079 --> 00:32:02.880
The Flower Kings, Queensryche, Stickmen, Protocol,

00:32:03.440 --> 00:32:09.519
Wishbone Ash, Airbag, Pete Roth, Pete Roth Trio

00:32:09.519 --> 00:32:13.160
featuring Bill Buford. Goblin. Crack the Sky.

00:32:13.559 --> 00:32:19.259
Randy McStein. Crownlands. Clone. Earthside.

00:32:19.940 --> 00:32:25.359
Rendezvous Point. Baraka. Alex Henry Foster.

00:32:26.240 --> 00:32:32.000
Larry. Larry, I guess. Probably pronounced that

00:32:32.000 --> 00:32:37.039
wrong. Larry. Basilio. Dueling Pianos. Marvin.

00:32:38.779 --> 00:32:42.349
If you're into that. If you're into those sorts

00:32:42.349 --> 00:32:47.490
of band, uh, mostly on the proggish side, definitely

00:32:47.490 --> 00:32:50.670
something to check out. That'll be happening

00:32:50.670 --> 00:32:57.009
next March. So, uh, 10 months from now, basically

00:32:57.009 --> 00:33:01.130
there, there are other shows that are, you know,

00:33:01.130 --> 00:33:04.190
that are being announced. And, um, a lot of these

00:33:04.190 --> 00:33:08.869
bigger festivals and concert concerts, what they

00:33:08.869 --> 00:33:14.240
do is, Start selling tickets at the end of the

00:33:14.240 --> 00:33:18.480
previous year's event because you've already

00:33:18.480 --> 00:33:22.039
got a brand that's built and you know what kind

00:33:22.039 --> 00:33:25.000
of quality you're going to have. Let's be honest.

00:33:26.519 --> 00:33:32.259
Bloodstock doesn't have Metallica and Slayer

00:33:32.259 --> 00:33:37.460
one year and have Poison and Cinderella the next.

00:33:38.440 --> 00:33:40.660
Not knocking any of those bands, but I'm just

00:33:40.660 --> 00:33:45.259
saying for most bands, for most fans, I should

00:33:45.259 --> 00:33:52.839
say, fewer going to both. I would because I enjoy

00:33:52.839 --> 00:33:55.440
all four of those bands. I enjoy different points

00:33:55.440 --> 00:33:58.359
in their career, whether that means you take

00:33:58.359 --> 00:34:02.099
my metal cred away, metal card away, however

00:34:02.099 --> 00:34:06.019
you want to say it. But, you know, look at what

00:34:06.019 --> 00:34:08.190
I have behind. Got everything from Testament

00:34:08.190 --> 00:34:16.590
to Megadeth to Kiss to Van Halen and others.

00:34:17.030 --> 00:34:21.329
Nine Inch Nails, Soundgarden, Judas Priest, Scorpions.

00:34:21.550 --> 00:34:23.889
There's a whole gamut of things. Ghost behind

00:34:23.889 --> 00:34:28.449
me as well, if you can see that. Anyway, so yeah.

00:34:28.610 --> 00:34:33.250
So you like what you like and that's it. That's

00:34:33.250 --> 00:34:38.840
the way I look at it. So a lot of cool shows

00:34:38.840 --> 00:34:44.900
this summer and a lot of different things being

00:34:44.900 --> 00:34:47.940
announced already for next year. Bunch of shows

00:34:47.940 --> 00:34:50.239
that I am contemplating seeing this summer while

00:34:50.239 --> 00:34:54.360
in the States. One that I'm not contemplating

00:34:54.360 --> 00:34:57.579
because I don't see them anywhere close is Sleep

00:34:57.579 --> 00:35:01.739
Token. This is what's funny to me about Sleep

00:35:01.739 --> 00:35:07.570
Token and President and stuff like that. You

00:35:07.570 --> 00:35:10.309
guys see the Kiss stuff behind me. For as much

00:35:10.309 --> 00:35:16.309
crap specifically from the UK crowd about Kiss,

00:35:16.449 --> 00:35:18.969
about how they've had to lean on the theatrics

00:35:18.969 --> 00:35:25.309
and not their music and so on and so forth. It's

00:35:25.309 --> 00:35:28.349
funny that the UK is overly big on sleep token.

00:35:33.710 --> 00:35:35.929
A bunch of members dressed up like one another,

00:35:36.050 --> 00:35:38.210
similar to Ghost, similar to what Ghost has been

00:35:38.210 --> 00:35:40.769
doing successful the last few years. And I like

00:35:40.769 --> 00:35:44.610
Ghost. I haven't reached the point where Sleep

00:35:44.610 --> 00:35:47.389
Tokens really grabbed me yet. Not saying that

00:35:47.389 --> 00:35:50.130
it won't, not saying that you aren't entitled

00:35:50.130 --> 00:35:52.710
to, but I think it's kind of hypocritical where

00:35:52.710 --> 00:35:57.469
a certain audience is taken aback by someone's

00:35:57.469 --> 00:36:00.349
look and saying, oh, well, the music needs to

00:36:00.349 --> 00:36:08.489
be there. I don't get the Sleep Token aura as

00:36:08.489 --> 00:36:15.969
a specific or direct comparison to metal or hard

00:36:15.969 --> 00:36:20.170
rock. Are there elements in there? Sure. Imperial

00:36:20.170 --> 00:36:22.250
Triumphant, a band out of New York, I believe.

00:36:22.690 --> 00:36:25.909
Also a trio, which dresses almost identical.

00:36:26.849 --> 00:36:30.079
Kind of the same kind of stick. We're seeing

00:36:30.079 --> 00:36:32.159
a lot of different bands that are now doing the

00:36:32.159 --> 00:36:34.820
same thing. I mentioned the president before.

00:36:39.679 --> 00:36:44.639
Still noise rock, sludge metal at times. There's

00:36:44.639 --> 00:36:50.519
different aspects. Sleep token mixes in hip hop

00:36:50.519 --> 00:36:53.400
beats and stuff like that. And people say, well,

00:36:53.420 --> 00:36:55.960
you don't get it because you're old. No, I just

00:36:55.960 --> 00:37:00.579
don't. See the correlation. I don't see Slipknot

00:37:00.579 --> 00:37:06.340
busting out EDM beats in the middle of a song.

00:37:06.420 --> 00:37:09.260
Is Sid Wilson doing stuff in the background with

00:37:09.260 --> 00:37:11.320
different, adding noises and different things

00:37:11.320 --> 00:37:14.619
to make songs heavier or creepier? Yeah. But

00:37:14.619 --> 00:37:20.380
I don't hear like chill ASMR going on. Just soothing

00:37:20.380 --> 00:37:25.199
music. You know, I think that the farthest I

00:37:25.199 --> 00:37:27.880
will go, Zeal and Ardor. which will mix different

00:37:27.880 --> 00:37:31.619
things like gospel with heaviness that I'll go

00:37:31.619 --> 00:37:34.460
for. And they do have hip hop beats and stuff,

00:37:34.539 --> 00:37:38.380
but it's mixed with a heavier things. And that's

00:37:38.380 --> 00:37:40.579
just my opinion. Doesn't mean that it's right

00:37:40.579 --> 00:37:43.960
or wrong. It's just how I feel. If you enjoy

00:37:43.960 --> 00:37:48.519
that stuff, that's awesome. More power to you.

00:37:48.559 --> 00:37:52.639
And sleep token is doing stuff at download and

00:37:52.639 --> 00:37:57.329
other things this summer, which, props to them

00:37:57.329 --> 00:38:00.050
and hopefully they're able to keep things going

00:38:00.050 --> 00:38:02.889
and hopefully I'm wrong. And a lot of you guys

00:38:02.889 --> 00:38:05.929
are into them and, and yeah, and if you are,

00:38:05.969 --> 00:38:10.530
check them out, buy their album. Uh, what else?

00:38:10.550 --> 00:38:15.289
Want to wrap things up real quickly. Something

00:38:15.289 --> 00:38:21.670
that really warms my heart. Um, my kids are very

00:38:21.670 --> 00:38:24.969
musically inclined as well. They listen to a

00:38:24.969 --> 00:38:27.769
lot of different types of music. Some of it is

00:38:27.769 --> 00:38:29.869
music that I've turned them on to. Some is stuff

00:38:29.869 --> 00:38:33.570
that they've discovered along the way. But every

00:38:33.570 --> 00:38:36.469
night when the shower's going, you can hear a

00:38:36.469 --> 00:38:41.090
Bluetooth speaker blaring and it's got different

00:38:41.090 --> 00:38:44.230
types of music playing all the time. Can be hip

00:38:44.230 --> 00:38:48.210
hop, can be Weird Al. Can be, for example, this

00:38:48.210 --> 00:38:53.639
week, I got to hear stuff like. Rush's Limelight.

00:38:54.860 --> 00:38:57.679
Got to hear Heaven Tonight by Yves Malmsteen.

00:38:58.679 --> 00:39:03.780
Or got to hear I Love It Loud by Kiss. They list,

00:39:03.780 --> 00:39:06.380
again, a lot of different things, but these are

00:39:06.380 --> 00:39:09.760
things that directly come from me. I often think

00:39:09.760 --> 00:39:13.900
about how my parents would play their music all

00:39:13.900 --> 00:39:16.400
the time and say, why don't you like ours, though?

00:39:17.820 --> 00:39:22.849
Because it's crap. Whereas I'm glad that my kids,

00:39:22.989 --> 00:39:27.469
same thing, they don't feel the same about my

00:39:27.469 --> 00:39:33.530
music. So it's awesome to hear that stuff, to

00:39:33.530 --> 00:39:35.230
hear people say, well, you raised them right.

00:39:35.449 --> 00:39:38.550
I don't know about that. I'd prefer them to choose

00:39:38.550 --> 00:39:41.610
what they want to hear. And if it coincides with

00:39:41.610 --> 00:39:44.530
some of the stuff that I like hearing, well,

00:39:44.570 --> 00:39:48.809
that's awesome. I greatly appreciate. that, uh,

00:39:49.050 --> 00:39:50.929
that they like some of the stuff that I do. And

00:39:50.929 --> 00:39:54.329
that way some of the bond over and it's a way

00:39:54.329 --> 00:39:58.050
to see shows together. And it's a way to, um,

00:39:58.369 --> 00:40:02.969
spend time. We're going on long trips and whatnot,

00:40:03.050 --> 00:40:05.010
and you don't see the headphones on. They're

00:40:05.010 --> 00:40:07.110
checking out what you're listening to happens

00:40:07.110 --> 00:40:09.250
with podcasts as well, where there are certain

00:40:09.250 --> 00:40:12.710
podcasts that I'll throw on and, uh, they'll

00:40:12.710 --> 00:40:14.829
really enjoy. And then I'll get, Oh, so -and

00:40:14.829 --> 00:40:17.389
-so has a new episode out. Yeah. So, and then,

00:40:18.349 --> 00:40:21.429
They'll check it out. So there are certain facets

00:40:21.429 --> 00:40:24.130
like that where things cross over, which I'm

00:40:24.130 --> 00:40:28.670
thrilled. So when I hear the opposite, how do

00:40:28.670 --> 00:40:32.829
you do it? My kids don't like... Sorry to hear.

00:40:34.650 --> 00:40:39.849
Sorry to hear. Anyway, folks, hope you enjoyed

00:40:39.849 --> 00:40:42.829
this episode. My first show low. Show low, yes.

00:40:43.030 --> 00:40:47.280
It is show low. It is Sean Connery. Yes. My first

00:40:47.280 --> 00:40:51.320
solo show in some time and hope you guys enjoyed

00:40:51.320 --> 00:40:54.179
it. I mentioned Patreon at the top of the show.

00:40:54.260 --> 00:40:57.599
If you're so inclined again, patreon .com forward

00:40:57.599 --> 00:41:00.260
slash signals from Mars. If not go to signals

00:41:00.260 --> 00:41:03.539
from mars .com for all of the one -stop shopping

00:41:03.539 --> 00:41:07.300
place to check out merch, check out where you

00:41:07.300 --> 00:41:12.099
can subscribe to the show, follow it places where

00:41:12.099 --> 00:41:16.829
you can help us help me monetarily with. doing

00:41:16.829 --> 00:41:19.489
different aspects of the show, like these great

00:41:19.489 --> 00:41:24.670
live streams. And that's about it. Thank you

00:41:24.670 --> 00:41:28.349
guys. I appreciate you supporting here and support

00:41:28.349 --> 00:41:31.789
doesn't always have to be monetary thing. Can

00:41:31.789 --> 00:41:35.409
be re re sharing the episodes on any of the social

00:41:35.409 --> 00:41:39.409
media platforms can be liking them, can be turning

00:41:39.409 --> 00:41:41.650
your friends onto the show saying, you know,

00:41:41.650 --> 00:41:43.409
look at what this numbskull is saying about.

00:41:43.920 --> 00:41:46.059
This band, you love this band. Do you feel the

00:41:46.059 --> 00:41:47.920
same way? You know, we're just trying to keep,

00:41:47.920 --> 00:41:51.179
keep the discussion going here. Try to keep the

00:41:51.179 --> 00:41:56.440
music that we love alive between us. And once

00:41:56.440 --> 00:41:59.260
again, hope you enjoy the show. I know there's

00:41:59.260 --> 00:42:01.019
a million other things you can be watching to

00:42:01.019 --> 00:42:04.719
or listening to. You could be watching or listening

00:42:04.719 --> 00:42:07.980
to, and you choose to spend time with me. And

00:42:07.980 --> 00:42:12.400
to me, that means the world. So thank you. In

00:42:12.400 --> 00:42:14.199
any event, once again, this is the end of the

00:42:14.199 --> 00:42:17.559
show. We will see you next time right here on

00:42:17.559 --> 00:42:34.940
Signals from Mars. See you, folks. And subscribe

00:42:34.940 --> 00:42:37.719
to the show on all your favorite podcast platforms

00:42:37.719 --> 00:42:41.199
like Apple Podcasts, Spotify, Google Podcasts,

00:42:41.199 --> 00:42:44.860
Amazon and more. Go to signalsfrommars .com for

00:42:44.860 --> 00:42:46.980
more information. This concludes our show.
