WEBVTT

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Welcome one and all to episode 413 of Signals

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from Mars. I'm your host, Victor. In this episode,

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we welcome Jeremy Weltman back. And we combine

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the reviews of two months. We do March and April

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of 2025 all in this episode. We go over eight

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weeks worth of album releases. Up next. I'm ready.

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Let's do it. one wrapped up episode. We may do

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things this way a few other times during the

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year. I didn't release any episodes in April,

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not because I didn't want to, just couldn't.

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He didn't have a voice, was sick. Jeremy had,

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he mentioned it during the 1989 episode that

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his father passed away. He also had some other

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family issues come up. And as much as I would

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love to make podcasting my full -time gig or

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something related with podcasting in 2025, after

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starting this in 2009, so it is going to be 16

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years in September, actually. Actually, June

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is when I started. Podcasting on my own. It's

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cool to see that Mark Striegel is doing stuff

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again with Talking Metal. He's releasing an episode

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once a month. I do appreciate immensely that

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he gave me a shout out during one of the episodes.

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Not going to lie to you guys, you know, for a

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long time. Did a lot of work for Mark behind

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the scenes. Did a lot of stuff with his Patreon.

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And, you know, the unseen, the ghost contributor

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behind the scenes and stuff. Wish some of that

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could have carried over more here, but is what

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it is. And I always have my ups and downs here

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where I talk about how, you know, it doesn't

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bother me that this isn't bigger. Sometimes it

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does, sometimes it doesn't. I am appreciative

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that you right now are listening to this episode.

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There's millions of other shows out there. There's

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millions of other podcasts out there. There's

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millions of other forms of entertainment, but

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you're listening to this. Hopefully some of the

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albums that we discuss help turn you on to music

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that you like. I don't expect you to like everything.

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I know that for a lot of people that come here

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and listen to a lot of the same stuff that is

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featured on the show, especially my taste in

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music isn't always lined up with what Jeremy

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likes, for example, or what other people that

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come to this show or similar shows are into.

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It's all subjective. So, I mean. Whatever you

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like, whatever you listen to that you enjoy out

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of what we discuss, I'm glad that you take the

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time to do so. I want to send, Jesus, tongue

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tied. I want to send a quick shout out to all

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of my patrons. I want to send a... Shout out

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to you guys, anyone that's sharing this, anyone

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that is passing this on to your friends, anyone

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that's saying, hey, you know, I found out about

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so -and -so on the Signals from Mars episode.

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And I don't know about that one host, but that

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Jeremy guy, he, you know, stuff he's picking

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is really the stuff that I'm into. So that's

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cool. I'm fine with however you guys. Take in

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what we talk about and hope you enjoy most of

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it. How about that? In any event, I just want

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to say thanks again for listening. And we are

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going to move along into the episode, folks.

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Help share, help spread the word. See you. Here

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we go. Welcome one and all to the latest episode

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of Signals from Mars. I'm your host, Victor,

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and joining me is Jeremy. Jeremy, how are you?

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Yeah, good. Thanks, Victor. We had a very lovely

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day here, really sunny and warm here in the UK.

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So, yeah, looking forward to talking about some

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metal with you. Excellent. Just real quickly

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here, the video just went black. So, uh, anyway,

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we will, uh, I don't know if you want to try

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to reconnect. If not, we could just go for it

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as is. Yeah. I don't know what's happened. I'll,

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I'll try and reconnect. You have a little chat

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for one second and I'll, I'll come back. Okay.

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Sure. So, um, uh, we're going to be doing two

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months worth of, uh, album reviews here today.

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Um, there was, Just a bunch of things going on

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due to illnesses and family issues that prevented

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us from doing these shows, the previously scheduled

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show anyway. And we're here to make it up with

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two months. We're going to be doing March and

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April today. So hopefully you guys do enjoy the

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episode. Jeremy is trying to work out some technical

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difficulties here, and hopefully we can get all

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that sorted out in a second. There we go. All

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right. Jeremy is back. Awesome. Yeah. So as I

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was mentioning. Not quite back in black, but

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just back. Not quite back in black. I want to

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keep you still visible here. So we're going to

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go back to March here. And there was a lot of

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stuff that I listened to anyway. So let's go

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back to March 7th. We had new releases from Christian

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Mistress, Edge of Paradise, Mind Wars, Raging

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Speedhorn, The Wild Hearts, Cryptosis. Destruction,

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Grey Mountain, Caballero, Void Chaser, Sacrosanct,

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Overdrivers, Sculpture, Amber Asylum, Deathless

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Legacy, Rainbows Are Free, Spirit Box, White

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Chapel, EP from Crown Magnetar. And Reconciler

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reissues from Disturbed and Alter Bridge. Jeremy,

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what did you listen to? Yeah, well, I started

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off listening to Glory or Nothing by the band

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Overdrivers, sort of an ACDC airborne type of

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band. Didn't take itself too seriously. They

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also hail from Australia, as it happens. Perfectly

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acceptable hard rock. The production was good.

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It's just that they don't really write very good

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hooks or melodies. Not only does the songwriting

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let them down a bit, but it's also a little bit

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pedestrian as well. So it's all a little bit

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of a shame because I was hoping it would be somewhat

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better than that. I listened to Nightwolf by

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the British extreme metal band Raging Speedhorn.

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That was a lot better. This is actually studio

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album number seven for the band. I'm not always

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kind of won over by this type of music, to be

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honest, including the vocal style. But it did

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have, you know, a good edge to it. The rhythm

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kind of reminds me of bands like Clutch. The

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guitars sort of, you know, they bite down quite

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hard. And, you know, it was a considerable sort

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of effort made, really. Decent songs. Just let

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down a little bit as well by the sort of similar

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pace to the songs and the riffs on, you know,

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on some of the songs. So, again... I couldn't

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really pick it as my album of the week. I moved

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on to Silver and Gold by Rainbows of Free on

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the Ripple label. This is a heavy stoner band

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from Phoenix. You kind of know what you're going

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to get, you know, from that kind of band. It's

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a decent listen, but I did have a few misgivings

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about the vocalist's ability. So again, not going

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to choose that one. So I was kind of a little

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bit lost as to what I was going to choose, but

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then I... I kind of went for the deluxe edition

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of One Day Remains, the debut album by Alter

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Bridge. You know, I can't say I've ever been

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a big fan of the band. I did actually fall asleep

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one afternoon watching them at Download Festival,

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as it happens. But I definitely think this album

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is worth a revisit. You know, some really good

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songs on it. It shows that the band, you know,

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really sort of deserve to go on and get some

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success. You know, you can kind of tell that.

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It's very polished. It has a nice balance to

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it. It mixes up ballads and hard hitters. There's

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some real sort of decent riffs there from Mark

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Tremonti. And the other thing about it is that

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Miles Kennedy is a younger man. So I think that

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he's not as nasally as he became sort of later

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on in his career as well. So, you know, the final

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track as well really ends it nicely with, it's

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actually called The End Is Here. Very solid track.

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Very solid album, and I'm afraid I'm just going

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to have to pick that one as my album of the week.

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Okay. That, to me, actually is their best album,

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their first album, I think. I do think that after

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that first album, a lot of what they released

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just became very samesy, and there's just a lot

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of stuff that was... like overly polished to

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kind of radio friendly. I don't know, but yeah.

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Anyway. Okay. So I listened to children of the

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earth from Christian mistress. Not bad. A throwback

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kind of new album type band. Uh, listen to mind

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wars, uh, V or five. That's a lot more modern

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sounding. Listen to the wild hearts, satanic

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rights of the wild hearts. It's not a bad album.

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The problem for me with this album is it sounded

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more like a ginger solo album. I have no problem

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with it being all over the place, but. There's

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like two, three really strong songs and the rest

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is kind of like scattered ideas where it's like,

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you know what? Had he worked with someone else

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on this or worked as a group effort, he probably

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would have been able to get something stronger

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out of it. I don't know. And I also listened

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to Edge of Paradise Prophecy. They've switched

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over to Napalm. This is a little heavier than

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their last release, which was on Frontiers, but

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it's still along the lines of what you could

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expect from them. I really like the album. I

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really like a lot off of it. I will say that

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my album of the month, or album of the month,

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yeah, album of the week. His Spirit Box with

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Tsunami Sea on pale cord. I think it's a good

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progression by the band. There are a few songs

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off of this, specifically one of the, I think

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it was the first single they released off of

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this, Soft Spine, which is something that I've

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listened to quite a lot these last few months.

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So that kind of edges it out over the... uh,

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edge of paradise album for me. Uh, but two very

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strong albums, you know, I could have gone with

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a, a favorite a and B for this week. So, um,

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cool. Let's move on to the 14th here. We had,

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um, new albums from, wow. I don't even know how

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to pronounce this. This a Darium, I guess. Black

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and Damned, Streetlight, Derision Cult, Thursome,

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Thursin, Thurnsin, Third Times a Charm, I guess,

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Soam, Warbringer, Dorothy, Ricky Warwick, Coheed

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and Cambria, Envy of None, Night Stalker, Sanhedrin,

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Stephen Wilson, And Temperance reissues from

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Camelot and Mad Season. Live albums from John

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Anderson and the Band Geeks. Heathen, Jimmy Page,

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and the Black Crows. And Metallica. Metallica

00:14:43.960 --> 00:14:49.460
and Jimmy Page and Black Crows are really reissues.

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Metallica is just a... vinyl version of a DVD

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of theirs from years ago. Compilations from Simon

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McBride, Red Fang, and the all -encompassing

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Ozzy Osbourne See You on the Other Side 2 .0,

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which is essentially everything he's released,

00:15:10.279 --> 00:15:17.639
but on vinyl. I listened to a lot of music for

00:15:17.639 --> 00:15:24.549
this week. What did you listen to? Yeah, well,

00:15:24.649 --> 00:15:26.990
I didn't listen to Ricky Warwick, but actually

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I would have listened to Ricky Warwick. Warwick,

00:15:29.909 --> 00:15:33.509
okay, my bad. For you British listeners out there.

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Yes, yes, yes. No worries. No worries. Anyway,

00:15:37.169 --> 00:15:40.730
so my question is, have you ever wondered what

00:15:40.730 --> 00:15:42.830
it would be like if Ozzy and Black Sabbath decided

00:15:42.830 --> 00:15:46.470
to jam at his final gig at Villa Park? Because

00:15:46.470 --> 00:15:48.809
if you did, you know, not playing Black Sabbath

00:15:48.809 --> 00:15:52.350
songs, but just jamming. wonder no more because

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listen to return from the no point of no return

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by night stalker it's a stoner band from athens

00:15:59.629 --> 00:16:02.990
in greece and i think actually i might have heard

00:16:02.990 --> 00:16:05.389
them before a little bit in passing but it's

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definitely one that i'm going to do a deep dive

00:16:07.309 --> 00:16:10.409
into in their other albums because um you know

00:16:10.409 --> 00:16:13.110
i i would actually suggest play the title track

00:16:13.110 --> 00:16:15.929
first and you're immediately transported into

00:16:15.929 --> 00:16:18.429
a sabbath time machine possibly with zach wilde

00:16:18.429 --> 00:16:21.889
rather than um Tony Iommi. But in any event,

00:16:21.950 --> 00:16:24.509
sit back, enjoy some really top -notch stoner

00:16:24.509 --> 00:16:26.929
on this. It was really good. I'm not exaggerating

00:16:26.929 --> 00:16:30.009
to say this was probably the best stoner album

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I've heard in a very, very long time. Wow. There's

00:16:33.909 --> 00:16:36.590
some really good brooding songs on it. It's actually

00:16:36.590 --> 00:16:38.570
their ninth studio album. This is why I said

00:16:38.570 --> 00:16:40.889
I wanted to go back and listen to some of their

00:16:40.889 --> 00:16:42.690
earlier stuff, and I haven't done that yet, but

00:16:42.690 --> 00:16:45.279
I'm hoping to over the next few weeks. It gets

00:16:45.279 --> 00:16:47.720
a really big thumbs up from me, that one. It

00:16:47.720 --> 00:16:49.980
wasn't my album of the week, but it was very,

00:16:50.039 --> 00:16:52.519
very close. I actually moved on to the traditional

00:16:52.519 --> 00:16:55.299
thrash of Warbringer. I think possibly you've

00:16:55.299 --> 00:16:57.519
heard this one as well. Wrath and Ruin, their

00:16:57.519 --> 00:17:00.480
seventh album. I enjoyed it as I would any similar

00:17:00.480 --> 00:17:02.840
thrash band, but I couldn't help thinking it

00:17:02.840 --> 00:17:04.980
sounded a little bit like a sort of poor death

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angel with slightly inferior production quality.

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It had its moments. The CD also comes with a

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bonus disc of live tracks that, you know, fans

00:17:14.720 --> 00:17:17.380
will enjoy, recorded across Central Europe in

00:17:17.380 --> 00:17:21.359
2023. It does sort of get over the power and

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the strength of the band, the live stuff. You

00:17:23.640 --> 00:17:25.279
know, I thought the live stuff was really good.

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So a very impressive live act was, you know,

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the album itself, I thought was a little bit

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so -so. But I guess really no surprise to you

00:17:33.740 --> 00:17:36.460
that my album of the week goes to Sanhedrin,

00:17:36.660 --> 00:17:39.140
the New York Three Piece. You know, it's their

00:17:39.140 --> 00:17:41.420
fourth album. I think it's possibly their best

00:17:41.420 --> 00:17:43.799
album. It's called Heat Lightning. You know,

00:17:43.819 --> 00:17:46.160
the bass player and singer Erica Stoltz gives

00:17:46.160 --> 00:17:48.779
the band, you know, a real trademark sound with,

00:17:48.819 --> 00:17:52.960
you know, sort of unique vocals, really. Very

00:17:52.960 --> 00:17:56.839
apt for this type of band. There's also, I think,

00:17:56.859 --> 00:17:58.839
a bit of an edge to this album that they haven't

00:17:58.839 --> 00:18:01.680
had before. You know, it's sort of aptly illustrated

00:18:01.680 --> 00:18:05.880
on the very fast tempo above the law, the brooding

00:18:05.880 --> 00:18:09.809
King of Tides. and the metal stomp of High Threshold

00:18:09.809 --> 00:18:11.970
for Pain. So I just think, you know, it's another

00:18:11.970 --> 00:18:14.869
winner for me, and it's very easy for me to pick

00:18:14.869 --> 00:18:18.470
its album of the week. Okay, cool. Yeah, so I

00:18:18.470 --> 00:18:20.529
listened to a lot of stuff this week. I listened

00:18:20.529 --> 00:18:24.390
to The Warbringer, as you mentioned. Good album

00:18:24.390 --> 00:18:29.650
in line with what they normally put out, but

00:18:29.650 --> 00:18:33.269
I think gets kind of samesy after a while. I

00:18:33.269 --> 00:18:36.269
think what separates some of the albums... is

00:18:36.269 --> 00:18:38.829
that they've had more songs where they've switched

00:18:38.829 --> 00:18:41.289
up tempos and things where it's kind of kept

00:18:41.289 --> 00:18:43.150
me a little bit more engaged. It's not a bad

00:18:43.150 --> 00:18:46.190
album. And if you just want a full on thrash

00:18:46.190 --> 00:18:48.829
album, this is as good as you're going to get,

00:18:48.829 --> 00:18:51.269
you know, without looking at one of the classic

00:18:51.269 --> 00:18:56.910
bands. I listened to the Dorothy album. She's

00:18:56.910 --> 00:19:02.809
on Jay -Z's rock label. I don't remember it right

00:19:02.809 --> 00:19:05.670
now. what the name is. The album isn't bad. It's

00:19:05.670 --> 00:19:08.069
just a little too radio friendly for me. There's

00:19:08.069 --> 00:19:10.910
a track with Slash on it. She's got a great voice.

00:19:11.450 --> 00:19:17.809
I just wish that they would gear it more towards

00:19:17.809 --> 00:19:24.490
a hard rock audience as opposed to a radio rock

00:19:24.490 --> 00:19:27.809
audience. I think she's got, again, great vocals,

00:19:27.950 --> 00:19:33.430
but it kind of crosses over into like country

00:19:33.430 --> 00:19:37.490
and some pop rock in certain places. And I like

00:19:37.490 --> 00:19:41.109
pop rock, but I just wasn't expecting it from

00:19:41.109 --> 00:19:44.750
this. So it wasn't what I was looking for. The

00:19:44.750 --> 00:19:51.609
Ricky Warwick album. I'm a huge fan of the almighty,

00:19:51.869 --> 00:19:58.250
enormous fan of the almighty. I like something

00:19:58.250 --> 00:20:04.210
off of all of their albums. This album is a huge

00:20:04.210 --> 00:20:08.630
letdown to me. I could put this next to the Robin

00:20:08.630 --> 00:20:13.549
McCauley album with what I was expecting and

00:20:13.549 --> 00:20:20.670
what I got. God bless him. You know, he's doing

00:20:20.670 --> 00:20:24.750
what he wants to do. But again, an angry Ricky

00:20:24.750 --> 00:20:29.730
is what I want. I want an angry, angst -filled...

00:20:30.509 --> 00:20:33.309
you know, Ricky Warwick, which is what he was

00:20:33.309 --> 00:20:40.269
in, in the almighty, um, with this, it just kind

00:20:40.269 --> 00:20:45.950
of feels like black star writers light, you know,

00:20:45.950 --> 00:20:48.630
the, the, and there's some things on here that

00:20:48.630 --> 00:20:52.849
are just way too poppy for me, like way to the

00:20:52.849 --> 00:20:56.289
track that he does with Lita Ford. I listened

00:20:56.289 --> 00:20:59.210
to that. I was like, wow. You know, I'm not a

00:20:59.210 --> 00:21:02.609
huge Lita Ford fan. I'll admit that. And I was

00:21:02.609 --> 00:21:04.750
thinking, how's this going to pair up? I hope

00:21:04.750 --> 00:21:08.490
it isn't close my eyes forever part two. It wasn't,

00:21:08.490 --> 00:21:13.289
but it's still, you know, let's get a few plays

00:21:13.289 --> 00:21:16.309
on radio out of this one type of a deal. So it

00:21:16.309 --> 00:21:19.390
was kind of a letdown for me. Coheed and Cambria

00:21:19.390 --> 00:21:26.640
completely lost me as well. The Sanhedrin, I

00:21:26.640 --> 00:21:31.140
think, is very good. Just to give you guys a

00:21:31.140 --> 00:21:34.819
little something different, I recommend the Sanhedrin

00:21:34.819 --> 00:21:38.519
as well. But I really like the new Envy of None

00:21:38.519 --> 00:21:43.279
album called Stygian Waves. This is Alex Lifeson

00:21:43.279 --> 00:21:49.180
from Rush, his new band, second album with a

00:21:49.180 --> 00:21:53.190
female singer. this is a little less experimental.

00:21:53.190 --> 00:21:55.730
It is experimental, but not as much as the first

00:21:55.730 --> 00:21:57.710
album. It seems like they've found more footing.

00:21:57.849 --> 00:22:01.509
There's a little more rock quote unquote to it.

00:22:01.609 --> 00:22:05.029
But by saying that I don't want to alienate anyone.

00:22:05.150 --> 00:22:08.970
This is geared more towards nineties alternative

00:22:08.970 --> 00:22:13.049
rock. It's geared more towards like what garbage

00:22:13.049 --> 00:22:16.109
was doing in the mid nineties, late nineties

00:22:16.109 --> 00:22:19.289
type of a deal. um if you're into that i would

00:22:19.289 --> 00:22:21.650
definitely recommend you check it out i think

00:22:21.650 --> 00:22:28.369
it's um a change up where listen you could hear

00:22:28.369 --> 00:22:31.549
me bitch about things being too poppy and you

00:22:31.549 --> 00:22:33.250
may listen to this and say well this is all full

00:22:33.250 --> 00:22:40.869
of pop uh okay i guess but it isn't a rock band

00:22:40.869 --> 00:22:43.549
trying to chase a fad in my opinion it's somebody

00:22:43.549 --> 00:22:48.259
trying to to Touch on something that was popular

00:22:48.259 --> 00:22:51.079
at one point as opposed to just putting out something

00:22:51.079 --> 00:22:54.740
that was slick modern production to try to get

00:22:54.740 --> 00:22:58.259
on radio now. I think Alex Lifeson doesn't care

00:22:58.259 --> 00:23:01.240
about getting on the radio. And he's trying to

00:23:01.240 --> 00:23:04.000
write music based on the members that he has

00:23:04.000 --> 00:23:07.579
in the band and trying to leverage them to the

00:23:07.579 --> 00:23:11.019
maximum of their ability personally. So if you're

00:23:11.019 --> 00:23:15.779
into that. You're into 90s alt -rock. You're

00:23:15.779 --> 00:23:22.019
into garbage. Check it out. March 21st. Again,

00:23:22.119 --> 00:23:24.559
we're still recapping March. We'll get into April

00:23:24.559 --> 00:23:27.279
in a second here. We've got two more weeks of

00:23:27.279 --> 00:23:31.059
March to go. New albums from Imperial, Triumphant,

00:23:31.259 --> 00:23:38.160
Bloodywood, Dead Bars, Pop Evil. Pop Evil. Excuse

00:23:38.160 --> 00:23:44.390
me. Evil. Um, Catla, Cradle of Filth, Disocia,

00:23:44.710 --> 00:23:50.549
Aversid, Cabal. Actually, Cabal came out this

00:23:50.549 --> 00:23:57.789
month. I just listened to it. Um, Orc, O period,

00:23:58.069 --> 00:24:00.970
R period, K period. Not sure what it stands for.

00:24:01.990 --> 00:24:10.099
Goddard, uh, Lordi, Withersake, Nidvind. Izzy

00:24:10.099 --> 00:24:15.220
Rain, Foxy Shazam, Gates of Hell, and Spirit

00:24:15.220 --> 00:24:19.900
World. EPs from Big Big Train, reissues from

00:24:19.900 --> 00:24:27.839
another release from Big Big Train, and a Finnish

00:24:27.839 --> 00:24:35.019
band on Ripple. Viskard Sudden. And the Rush

00:24:35.019 --> 00:24:38.339
50 compilation. Well, we had Ozzy releasing absolutely

00:24:38.339 --> 00:24:41.299
everything on vinyl the previous week. We had

00:24:41.299 --> 00:24:47.619
Rush do it the following week. So, Jeremy, what

00:24:47.619 --> 00:24:51.339
did you listen to for this week? Yeah, it was

00:24:51.339 --> 00:24:53.500
a bit of a difficult week for me, this one. There

00:24:53.500 --> 00:24:55.920
weren't that many albums for me to personally

00:24:55.920 --> 00:24:59.240
get my teeth into. I began with the self -titled

00:24:59.240 --> 00:25:01.960
debut album on the independent label Fixed by

00:25:01.960 --> 00:25:05.619
Izzy Rain or Kristen Matskoff, as she's otherwise

00:25:05.619 --> 00:25:08.819
known. A singer and producer with pink hair and

00:25:08.819 --> 00:25:11.640
a modern, if somewhat generic, sound mixing sort

00:25:11.640 --> 00:25:13.940
of, you know, Madonna with Enter Shikari, I think,

00:25:14.039 --> 00:25:17.380
among other bands. Actually, it wasn't a bad

00:25:17.380 --> 00:25:21.220
listen at all. I kind of enjoyed this. You know,

00:25:21.240 --> 00:25:22.759
I could have done without some of the growly

00:25:22.759 --> 00:25:25.480
add -ons that she does, but she has a decent

00:25:25.480 --> 00:25:29.160
voice. She can write a good song or two. There

00:25:29.160 --> 00:25:30.759
were definitely three or four on there that I

00:25:30.759 --> 00:25:32.839
liked, possibly more. They sort of hooked me

00:25:32.839 --> 00:25:35.700
in with a sort of mix of poppy metal, quite high

00:25:35.700 --> 00:25:39.680
quality. So, yeah, that was okay. I moved on

00:25:39.680 --> 00:25:43.140
to Hell Dorado by Spirit World, the US metal

00:25:43.140 --> 00:25:45.759
band that was formed in 2017, described themselves

00:25:45.759 --> 00:25:48.720
as sort of death western. a genre that i think

00:25:48.720 --> 00:25:50.920
is very apt as it kind of captures what you get

00:25:50.920 --> 00:25:54.180
um it's a bit of an eclectic mix actually there

00:25:54.180 --> 00:25:56.420
are some sort of thrash elements on it as well

00:25:56.420 --> 00:25:58.839
you can sort of think maybe testament on the

00:25:58.839 --> 00:26:02.019
tracks like no vacancy in heaven and oblivion

00:26:02.019 --> 00:26:04.700
uh there's sort of a kind of a rasping chuck

00:26:04.700 --> 00:26:08.059
billy type vocal on there very sort of pummeling

00:26:08.059 --> 00:26:11.119
guitar lines uh but then on songs like bird song

00:26:11.119 --> 00:26:13.180
of death the band show you know sort of mellow

00:26:13.180 --> 00:26:15.299
and definitely sort of more of a western theme

00:26:15.869 --> 00:26:18.529
It's a very interesting type of album. I'm not

00:26:18.529 --> 00:26:22.210
totally sure I was really into it, but definitely

00:26:22.210 --> 00:26:24.849
one to give another listen to and definitely

00:26:24.849 --> 00:26:27.329
one for the listeners out there to maybe pick

00:26:27.329 --> 00:26:32.029
up and see for themselves. So really, for that

00:26:32.029 --> 00:26:34.609
reason, I've kind of opted for a safer choice

00:26:34.609 --> 00:26:36.869
as my album of the week. I've picked the Swedish

00:26:36.869 --> 00:26:41.049
band Gotthard with Stereo Crush, their 14th studio

00:26:41.049 --> 00:26:44.490
album since 1992. I mean, I wouldn't say this

00:26:44.490 --> 00:26:46.890
is a particularly favourite band of mine, but

00:26:46.890 --> 00:26:49.089
I guess they kind of do Bon Jovi and Def Leppard

00:26:49.089 --> 00:26:51.809
soft rock better than those two bands today.

00:26:52.470 --> 00:26:54.410
You know, with a sort of, you know, kind of a

00:26:54.410 --> 00:26:56.950
mix of hard rockers and whimsical ballads. But,

00:26:56.970 --> 00:26:59.009
you know, who doesn't do it better than Bon Jovi

00:26:59.009 --> 00:27:01.569
and Def Leppard? You know, what you get is you

00:27:01.569 --> 00:27:03.609
get a great singer, you get a fine air for melody

00:27:03.609 --> 00:27:06.089
and chorus. There's a decent reworking of the

00:27:06.089 --> 00:27:09.150
Beatles song Drive My Car. It's heavier than

00:27:09.150 --> 00:27:11.109
the original. It's kind of true to its roots,

00:27:11.190 --> 00:27:15.309
so it's well worth a listen. Clearly a band that's

00:27:15.309 --> 00:27:18.150
been influenced by the Beatles because there's

00:27:18.150 --> 00:27:20.170
another track on it about a student road trip

00:27:20.170 --> 00:27:24.130
called Liverpool. This won't obviously appeal

00:27:24.130 --> 00:27:26.210
to real metal fans out there, you know, the real

00:27:26.210 --> 00:27:28.849
Harden fans, but I thought it was a good listen

00:27:28.849 --> 00:27:31.390
and it's going to be my album of the week. Did

00:27:31.390 --> 00:27:36.230
you say Swedish or Swiss? I said Swedish. They're

00:27:36.230 --> 00:27:39.849
Swiss. They're Swiss. Okay. I got my Swiss, Swiss,

00:27:39.930 --> 00:27:44.789
Swedish mixed up. Yeah. Yeah. Sorry. No problem.

00:27:44.970 --> 00:27:47.690
Yeah. Yeah. I mean, they're like, like you're

00:27:47.690 --> 00:27:50.549
saying they're in the vein of like, uh, heat

00:27:50.549 --> 00:27:55.430
or, um, eclipse or, or someone like that. Yeah.

00:27:55.490 --> 00:27:59.150
Yeah. All right. So I listened to a bunch of

00:27:59.150 --> 00:28:01.089
different things this week as well. Listen to

00:28:01.089 --> 00:28:06.420
the Imperial triumphant. Been wanting to get

00:28:06.420 --> 00:28:10.440
into that, but we've got enough bands with masks,

00:28:10.579 --> 00:28:19.380
folks. And not even in a Slipknot type of way.

00:28:19.519 --> 00:28:22.400
I mean, I interviewed Sermon two years ago at

00:28:22.400 --> 00:28:28.180
this point. Imperial Triumphant is a three -piece,

00:28:28.380 --> 00:28:34.279
very avant -garde, and a lot of, like, Noise

00:28:34.279 --> 00:28:39.099
Rock. Let's see. What else? I listened to Pop

00:28:39.099 --> 00:28:43.319
Evil's What Remains. Very radio friendly. So

00:28:43.319 --> 00:28:47.619
really not my thing. Cradle of Filth. The Screaming

00:28:47.619 --> 00:28:51.019
of the Valkyries. I mentioned this when I posted

00:28:51.019 --> 00:28:53.859
one of the videos to Patreon a little while ago.

00:28:55.500 --> 00:28:59.519
This is probably thrashier than some of their

00:28:59.519 --> 00:29:03.809
previous releases. Uh, they're one black metal

00:29:03.809 --> 00:29:06.789
band that I've, that I listened to. I can't say

00:29:06.789 --> 00:29:10.049
quite frequently, but I like stuff off of each

00:29:10.049 --> 00:29:14.490
of their albums. Um, I do think that Danny Filth

00:29:14.490 --> 00:29:17.009
has a way of mixing in melodies and different

00:29:17.009 --> 00:29:20.289
things that, uh, others don't do. They're, they're

00:29:20.289 --> 00:29:22.549
working on a project with Ed Sheeran right now,

00:29:22.609 --> 00:29:26.690
actually, who's a longtime fan of theirs. Um,

00:29:28.780 --> 00:29:31.339
It's a cool listen. It's different from what

00:29:31.339 --> 00:29:34.019
they've done in the past. I listened to the Ork

00:29:34.019 --> 00:29:41.119
album as well. I would consider this a mix of

00:29:41.119 --> 00:29:47.220
Led Zeppelin, Days of the New. I'm trying to

00:29:47.220 --> 00:29:55.200
remember... Oh man, a band that did a... They

00:29:55.200 --> 00:30:00.279
did a duet with Lizzy Hale last year, and they

00:30:00.279 --> 00:30:07.940
were on that one music contest show that had

00:30:07.940 --> 00:30:10.819
Lizzy Hale and Gavin Rossdale and Alice Cooper

00:30:10.819 --> 00:30:14.400
and all these people picking different bands.

00:30:14.480 --> 00:30:18.039
They were the runners -up. Damn, I don't remember

00:30:18.039 --> 00:30:23.160
the name of the band. I could actually look it

00:30:23.160 --> 00:30:26.619
up real quick. This is the most exciting part

00:30:26.619 --> 00:30:37.059
of the show is having me search for things. Mercy.

00:30:37.359 --> 00:30:40.599
It is the native howl. There you go. All right.

00:30:40.640 --> 00:30:43.339
Native howl. It's kind of in that vein. Kind

00:30:43.339 --> 00:30:46.180
of sounds cool. It's got more electric stuff

00:30:46.180 --> 00:30:48.440
going on than native howl does. I listened to

00:30:48.440 --> 00:30:55.980
the Izzy Rain as well. To me, she's trying to

00:30:55.980 --> 00:30:59.099
do what Poppy's doing. And like you said, it's

00:30:59.099 --> 00:31:02.720
not bad. It's just that I think Poppy does it

00:31:02.720 --> 00:31:07.420
slightly better. So she kind of fills that gap

00:31:07.420 --> 00:31:13.680
for me. And also I listened to the Animality

00:31:13.680 --> 00:31:18.640
Opera by Foxy Shazam, who's gotten back together.

00:31:19.299 --> 00:31:24.720
New York band, if I'm not mistaken. And it was

00:31:24.720 --> 00:31:28.519
OK. I was expecting something a little bit more.

00:31:32.240 --> 00:31:35.200
More rock. That's that's how I'll put it. This

00:31:35.200 --> 00:31:37.420
is kind of bluesy. It's kind of experimental.

00:31:37.759 --> 00:31:41.799
It's not. And I'm not a huge fan of theirs. So,

00:31:41.819 --> 00:31:44.119
you know, there could be some diehards that say,

00:31:44.200 --> 00:31:46.160
you know, you don't know what you're talking

00:31:46.160 --> 00:31:50.579
about. But my album of the week will be Bloodywood.

00:31:51.200 --> 00:31:57.319
with New Delhi. They are the new metal band out

00:31:57.319 --> 00:32:04.059
of India. So it is New Delhi as in NU. It mixes

00:32:04.059 --> 00:32:10.099
a lot of new metal aspects from the late 90s,

00:32:10.099 --> 00:32:13.619
early 2000s. This is their second album, to my

00:32:13.619 --> 00:32:17.420
knowledge. A little bit more experimental. I

00:32:17.420 --> 00:32:20.650
do like the way that they... do mix in some of

00:32:20.650 --> 00:32:25.569
their native music from India. So that to me

00:32:25.569 --> 00:32:33.309
is always something that sells me on acts that

00:32:33.309 --> 00:32:39.069
experiment like that. So yeah, that's what I

00:32:39.069 --> 00:32:41.250
would recommend. I know that I'm all over the

00:32:41.250 --> 00:32:44.589
place with what I listen to here and what I'm

00:32:44.589 --> 00:32:46.710
recommending, but trying to give you guys different

00:32:46.710 --> 00:32:49.740
flavors and different things to listen to. All

00:32:49.740 --> 00:32:54.720
right. March 28th. We had new albums from Vigil

00:32:54.720 --> 00:33:03.160
Hunter, Alliance. Geneva. Phil X and the Drills.

00:33:03.599 --> 00:33:11.180
Wet. Broken Love. Flesh Spoil. Yeah. Severed

00:33:11.180 --> 00:33:19.009
Angel. Chiarosuko. Sick Puppies, Arch Enemy,

00:33:19.210 --> 00:33:23.849
Memphis Mayfire, Telepathy, Sixth Sense, Lauren

00:33:23.849 --> 00:33:32.009
Babic, Uzziel, Alien Weaponry, The Darkness,

00:33:32.750 --> 00:33:39.869
Death Haven, Donner. I already had... I will

00:33:39.869 --> 00:33:47.450
omit that. Delete. Masters of Reality. Returning

00:33:47.450 --> 00:33:50.849
after a bunch of years, Savage Master, reissues

00:33:50.849 --> 00:33:54.069
from Black Sabbath, Paranoid, High Fidelity Vinyl,

00:33:54.230 --> 00:33:58.250
compilations from Halloween with March of Times,

00:33:58.369 --> 00:34:02.650
The Best of 40 Years, and a new live album from

00:34:02.650 --> 00:34:06.589
New Model Army. Jeremy, what did you listen to

00:34:06.589 --> 00:34:10.869
this week? Well, yeah, I began the week on a

00:34:10.869 --> 00:34:12.750
good note. I checked out the latest solo album

00:34:12.750 --> 00:34:15.130
from the veteran keyboardist, Don Airy, Push

00:34:15.130 --> 00:34:18.079
to the Edge. A really great start to the week.

00:34:18.079 --> 00:34:20.719
It was a fine blend of keyboards, sort of embellishing

00:34:20.719 --> 00:34:23.039
songs rather than sort of a seemingly annoying

00:34:23.039 --> 00:34:26.659
afterthought. You know, the Deep Purple Ivory

00:34:26.659 --> 00:34:30.039
Tinkler, he's going to be 77 in June. Just take

00:34:30.039 --> 00:34:32.920
that in. But he shows no signs of slowing down.

00:34:33.099 --> 00:34:36.639
He's got that sort of, he's got a really good

00:34:36.639 --> 00:34:39.519
backing with him. He's got Simon McBride on guitars.

00:34:39.840 --> 00:34:42.239
He's got Carl Sentence and Mitchell M sharing

00:34:42.239 --> 00:34:46.860
the vocal duties. And he's also got the greatest

00:34:46.860 --> 00:34:49.679
gift to 70s hard rock. He's got the Hammond organ.

00:34:50.119 --> 00:34:53.599
which he's pummeling away. It's actually an A100

00:34:53.599 --> 00:34:56.199
for the purists out there. I have no idea what

00:34:56.199 --> 00:35:00.079
that means, but that's what he plays, and it

00:35:00.079 --> 00:35:03.179
sounds fantastic. I mean, it's a solo album,

00:35:03.219 --> 00:35:05.960
and there's some variation on it. There's a little

00:35:05.960 --> 00:35:08.519
prog here and there. There's some Arabian influence.

00:35:08.699 --> 00:35:11.219
There's a touch of keyboard, sort of Queensryche

00:35:11.219 --> 00:35:14.880
in there, and the song Rock the Melody. Not every

00:35:14.880 --> 00:35:17.199
song will be to everyone's liking, of course,

00:35:18.519 --> 00:35:20.860
You know, no expense has been spared on the mixing,

00:35:20.900 --> 00:35:23.500
the production. Really fine listen. You know,

00:35:23.559 --> 00:35:26.320
if you like old school sort of 70s rock, you're

00:35:26.320 --> 00:35:29.679
going to enjoy it a lot. And I did. So then I

00:35:29.679 --> 00:35:31.420
moved on. I checked out the new album by The

00:35:31.420 --> 00:35:34.239
Darkness called Dreams on Toast. A really nice

00:35:34.239 --> 00:35:37.820
pun on that old British favorite. You know, I

00:35:37.820 --> 00:35:41.820
enjoyed the first two albums that they did. But

00:35:41.820 --> 00:35:44.239
I think, but like sort of Guns N' Roses, I think

00:35:44.239 --> 00:35:47.710
they faded a bit after that. The joke wore off,

00:35:47.750 --> 00:35:51.110
I guess. But I think there's a certain maturity

00:35:51.110 --> 00:35:54.030
on this album. If you can describe The Darkness

00:35:54.030 --> 00:35:56.710
as a maturing band, I mean, there's some more

00:35:56.710 --> 00:35:59.510
laid -back Queen influences, I'd say, than the

00:35:59.510 --> 00:36:02.369
hard -rocking ACDC on this one. And I don't think

00:36:02.369 --> 00:36:04.329
that's a bad thing. They're quite good at it,

00:36:04.389 --> 00:36:08.329
as it happens. It's just that The Darkness, for

00:36:08.329 --> 00:36:10.869
me, were a sort of a jokey band, sort of intended

00:36:10.869 --> 00:36:13.920
to make a bit of fun. and make rock fun. And

00:36:13.920 --> 00:36:15.599
that's what they did when they sort of burst

00:36:15.599 --> 00:36:18.360
on the scene about 20 years ago. And this album

00:36:18.360 --> 00:36:20.860
doesn't do that. So you've got to sort of get

00:36:20.860 --> 00:36:23.460
your mind around that. They do have the daff

00:36:23.460 --> 00:36:26.579
lyrics, of course, and they just aren't as ridiculous

00:36:26.579 --> 00:36:29.639
as they used to be. So, you know, if you really

00:36:29.639 --> 00:36:31.340
want something more ridiculous, we'll all wait

00:36:31.340 --> 00:36:33.679
for the new Spinal Tap film that's coming out,

00:36:33.679 --> 00:36:38.469
you know, later this year. So that was OK. But

00:36:38.469 --> 00:36:40.650
I guess it was really a toss up for me whether

00:36:40.650 --> 00:36:42.889
to go for the Don Airy album as my album of the

00:36:42.889 --> 00:36:45.530
week or this one, which I'm going to pick. It's

00:36:45.530 --> 00:36:49.670
Dark and Dangerous by Savage Master. I must admit,

00:36:49.769 --> 00:36:52.269
this was a new band to me, but they'd actually

00:36:52.269 --> 00:36:56.349
formed in 2013 by Adam Neill on guitar and the

00:36:56.349 --> 00:37:00.030
vocalist Stacey Savage. And they come from Louisville

00:37:00.030 --> 00:37:03.380
in Kentucky. What you kind of get is a sort of

00:37:03.380 --> 00:37:06.079
evil and occult inspired metal, so very much

00:37:06.079 --> 00:37:08.460
in the new wave of British heavy metal style.

00:37:08.860 --> 00:37:11.119
So there was a lot for me to like, at least.

00:37:11.320 --> 00:37:13.900
It was kind of paced quite right. It's heavy

00:37:13.900 --> 00:37:16.239
enough without being sort of over the top or

00:37:16.239 --> 00:37:19.480
amateurish. And I kind of like the female vocalist

00:37:19.480 --> 00:37:22.360
as well in that style. So there's a lot of ticks

00:37:22.360 --> 00:37:25.599
there. What are two songs a little bit pedestrian?

00:37:26.329 --> 00:37:29.369
uh, okay. I guess, but, um, good listen overall.

00:37:29.489 --> 00:37:31.769
And if you kind of like sort of Joan Jett, Susie

00:37:31.769 --> 00:37:34.710
Quatro, rock goddess, girl school, you know,

00:37:34.730 --> 00:37:36.869
that sort of sound with the, with the sort of

00:37:36.869 --> 00:37:39.670
heavy new album style that you're going to kind

00:37:39.670 --> 00:37:41.289
of dig this. So, um, yeah, I'm going to pick

00:37:41.289 --> 00:37:44.329
that one as my album of the week. Cool. Sounds

00:37:44.329 --> 00:37:47.369
interesting. Um, so I listened to a bunch of

00:37:47.369 --> 00:37:49.190
different things. I did listen to the Don Airy

00:37:49.190 --> 00:37:53.369
album. Um, similar to what you said. Album does

00:37:53.369 --> 00:37:55.730
not disappoint. It's heavier than what I expected

00:37:55.730 --> 00:37:58.849
as well. You know, I think it might actually

00:37:58.849 --> 00:38:00.789
be better than what he's releasing with Deep

00:38:00.789 --> 00:38:03.110
Purple, to be honest with you, because it's a

00:38:03.110 --> 00:38:06.030
little bit more in the vein of what I'm into.

00:38:08.949 --> 00:38:12.590
So, yeah, I listened to the Bon Jovi guitarist

00:38:12.590 --> 00:38:16.449
Phil X and the Drills album. This album has been

00:38:16.449 --> 00:38:21.030
written over the last, I believe, decade or so.

00:38:21.659 --> 00:38:24.500
There's some tracks off of this that are really

00:38:24.500 --> 00:38:29.320
good. And there are others that are just not

00:38:29.320 --> 00:38:34.300
there. But I do like a lot of it. I listen to

00:38:34.300 --> 00:38:39.119
Sick Puppies, Wave the Bulls. A few tracks off

00:38:39.119 --> 00:38:43.420
of it that I really enjoy. But for the most part

00:38:43.420 --> 00:38:49.780
is Radio Rock. Let's see. I listened to the Deaf

00:38:49.780 --> 00:38:54.519
Haven album, Lonely People with Power, in vain

00:38:54.519 --> 00:38:57.099
with what they've done in the past. Some melodies,

00:38:57.219 --> 00:39:02.679
a lot of noise rock going on. Let's see. I listened

00:39:02.679 --> 00:39:05.780
to the Masters of Reality. I really like a lot

00:39:05.780 --> 00:39:08.039
of their earlier music. There's the first album

00:39:08.039 --> 00:39:12.039
that Chris Goss has released in a long time.

00:39:17.240 --> 00:39:20.840
He's teamed up with Alan Johannes on this one,

00:39:20.900 --> 00:39:25.480
but it's a lot mellower than what I wanted from

00:39:25.480 --> 00:39:28.920
them personally. I like when they get into the

00:39:28.920 --> 00:39:34.280
deep, heavy, thick Sabbath -like riffs because

00:39:34.280 --> 00:39:38.800
I think that they do it well, but it's just not

00:39:38.800 --> 00:39:47.300
present on this album. Let's see. I listened

00:39:47.300 --> 00:39:51.980
to Alien Weaponry's Tehran. It's a good return

00:39:51.980 --> 00:39:54.400
for them. I really enjoyed their debut album.

00:39:54.460 --> 00:39:57.420
I think the second album, maybe they rushed to

00:39:57.420 --> 00:40:00.860
put it out and it wasn't as strong. I do think

00:40:00.860 --> 00:40:04.159
that this album, not as good as their debut album,

00:40:04.280 --> 00:40:10.059
but still has some really cool mix of new metal,

00:40:10.139 --> 00:40:16.329
some, again, tribal music from New Zealand. um,

00:40:16.329 --> 00:40:20.150
the, uh, Maori, uh, influence. I hope I'm pronouncing

00:40:20.150 --> 00:40:23.110
that correctly. Um, so I really enjoyed that,

00:40:23.190 --> 00:40:28.829
but, uh, my, my album of the week is going to

00:40:28.829 --> 00:40:32.469
go to a band that I kind of gave up on and said,

00:40:32.610 --> 00:40:39.670
you know, I'm, I'm done with their, um, with

00:40:39.670 --> 00:40:42.269
their heavy and growling. And then we get to

00:40:42.269 --> 00:40:46.070
the Eurovision -y. A happy chorus all of a sudden.

00:40:46.150 --> 00:40:50.130
It's Arch Enemy with Blood Dynasty. I really

00:40:50.130 --> 00:40:54.090
enjoyed this album. It's their first album without

00:40:54.090 --> 00:40:56.969
Jeff Loomis in some time. Joey Concepcion from

00:40:56.969 --> 00:41:00.570
Connecticut, who I interviewed a few years back,

00:41:00.789 --> 00:41:04.730
is now the second guitarist in the band. The

00:41:04.730 --> 00:41:09.909
musicianship is great. They've let Alicia Goose

00:41:09.909 --> 00:41:12.989
White. include some more harmonies this time

00:41:12.989 --> 00:41:16.849
around some more clean vocals which i think helps

00:41:16.849 --> 00:41:22.409
at least for me um brings more interest or interests

00:41:22.409 --> 00:41:25.989
me more in the album uh so that's why it's it's

00:41:25.989 --> 00:41:28.730
my pick you know i was thinking oh just another

00:41:28.730 --> 00:41:31.909
arch enemy album and i was like a lot of the

00:41:31.909 --> 00:41:34.489
songs really stood out to me and i really enjoyed

00:41:34.489 --> 00:41:38.789
it so uh before moving on to april I'm just going

00:41:38.789 --> 00:41:42.809
to recap here the albums that we picked for March

00:41:42.809 --> 00:41:47.630
7th. Jeremy picked the One Day Remains 20th anniversary

00:41:47.630 --> 00:41:53.289
from Alter Bridge. I picked Spirit Boxes, Tsunami

00:41:53.289 --> 00:42:00.110
Sea off of Pale Chord. For March 14th, Jeremy

00:42:00.110 --> 00:42:05.130
picked, I didn't write it down. Sanhedrin. Yeah,

00:42:05.190 --> 00:42:09.590
Sanhedrin. How did I not remember that? And I

00:42:09.590 --> 00:42:18.269
picked Envy of None. For March 21st, Jeremy picked

00:42:18.269 --> 00:42:24.969
Goddard's Stereo Crush. And I picked Bloody Wood's

00:42:24.969 --> 00:42:31.429
New Delhi. And for the final week in March, Jeremy

00:42:31.429 --> 00:42:34.670
picked Savage Master with Dark and Dangerous.

00:42:35.070 --> 00:42:40.829
And I went with Arch Enemy Blood Dynasty. So

00:42:40.829 --> 00:42:42.650
there's a lot of good music that came out that

00:42:42.650 --> 00:42:46.889
month. There's always good new music coming out

00:42:46.889 --> 00:42:49.550
all the time. Hopefully this helps turn you on

00:42:49.550 --> 00:42:51.670
to some things that maybe you didn't give a shot,

00:42:51.809 --> 00:42:54.429
didn't know came out. Whatever the case may be,

00:42:54.550 --> 00:42:58.230
the idea is to have you check these bands out

00:42:58.230 --> 00:43:01.550
and hopefully you drop some money and help some

00:43:01.550 --> 00:43:04.570
of these bands out as well. All right, let's

00:43:04.570 --> 00:43:07.989
move on to April. April 4th, we had new albums

00:43:07.989 --> 00:43:14.250
from L .A. Guns, Smith -Cotson, Elysian, Benediction,

00:43:14.650 --> 00:43:20.489
Lopan, Bleed From Within, Warfield, Frantic Amber,

00:43:21.010 --> 00:43:26.550
Buried Realm. Another one of these tongue twisters

00:43:26.550 --> 00:43:35.300
here. Kiritsis, I guess. Moon Destroys. Luna

00:43:35.300 --> 00:43:40.119
Kills. Wow. Interesting. Okay. Debt Neglector.

00:43:41.260 --> 00:43:45.639
Fractal Universe. Air Dawn Daggers. EPs from

00:43:45.639 --> 00:43:53.539
Scal and Midnight Vice. Reissues from Meshuggah.

00:43:53.639 --> 00:43:59.820
Meshuggah. Live albums from I've got everything

00:43:59.820 --> 00:44:04.679
out of whack here. Live album from rotting christ

00:44:04.679 --> 00:44:13.500
okay so um damn it uh jeremy what did you listen

00:44:13.500 --> 00:44:16.699
to this week yeah so a bit of a whirlwind in

00:44:16.699 --> 00:44:19.000
april i'm going to probably offend you right

00:44:19.000 --> 00:44:20.960
from the off because i listened to the la guns

00:44:20.960 --> 00:44:24.730
album uh their new album Left me a bit cold,

00:44:24.829 --> 00:44:28.730
if I'm honest. I've never been that massive a

00:44:28.730 --> 00:44:31.610
fan of them. I always think that their songwriting

00:44:31.610 --> 00:44:35.650
is not really as good as it should be for me

00:44:35.650 --> 00:44:38.230
personally. But I did like the previous album.

00:44:38.329 --> 00:44:40.489
I think you remember we picked that in our top

00:44:40.489 --> 00:44:43.969
10 and I really liked that one. But I couldn't

00:44:43.969 --> 00:44:45.869
get into this one. I found it quite boring, if

00:44:45.869 --> 00:44:48.690
I'm honest. I'm sure you're going to be commenting

00:44:48.690 --> 00:44:53.309
on it in a minute. So I'll leave you to... elucidate

00:44:53.309 --> 00:44:58.050
on it and fill out the bits that I can't do because

00:44:58.050 --> 00:45:01.429
I really couldn't get into it at all. So I went

00:45:01.429 --> 00:45:04.289
into the Midnight Vice seven -track self -titled

00:45:04.289 --> 00:45:07.469
EP. It lasts about 28 minutes. I thought that

00:45:07.469 --> 00:45:10.710
was pretty good. It's a sort of fast -paced 80s

00:45:10.710 --> 00:45:13.010
new album -style homage by a band from Tampa,

00:45:13.170 --> 00:45:16.929
Florida. Nothing new on this, of course. It's

00:45:16.929 --> 00:45:21.099
very sort of a well -trodden path. usual rehash

00:45:21.099 --> 00:45:23.679
riffs, you know, a high -pitched singer, a band

00:45:23.679 --> 00:45:25.380
that's sort of guaranteed to give you an enjoyable

00:45:25.380 --> 00:45:28.619
night out in a pub or club. But it gets better

00:45:28.619 --> 00:45:30.199
as you go through the tracks, and I really like

00:45:30.199 --> 00:45:32.320
the track Mysteria. I don't know if that was

00:45:32.320 --> 00:45:34.659
a bit of a mistake on Hysteria by Def Leppard.

00:45:35.679 --> 00:45:37.739
Particularly enjoyable, that one. The record

00:45:37.739 --> 00:45:40.260
close of White Witch I liked. Very classic new

00:45:40.260 --> 00:45:44.760
album. So that was very good. All Your Angels

00:45:44.760 --> 00:45:47.579
by Scowl is probably going to be my pick of this

00:45:47.579 --> 00:45:50.889
particular week. It's the second studio album

00:45:50.889 --> 00:45:53.730
from the Santa Cruz, California outfit. Has its

00:45:53.730 --> 00:45:56.489
roots, I guess, in sort of blondie, Nirvana,

00:45:56.510 --> 00:45:59.769
lots of old rock and punk, that kind of music.

00:46:00.050 --> 00:46:02.550
There's 11 songs on it. They don't outstay the

00:46:02.550 --> 00:46:04.369
welcome. I think you sort of described it as

00:46:04.369 --> 00:46:07.849
an EP. You're probably right. As you can imagine,

00:46:07.889 --> 00:46:10.369
it's a sort of fast -paced punky band. But what

00:46:10.369 --> 00:46:12.769
I like about this is the song construction. There's

00:46:12.769 --> 00:46:15.030
a real sort of variety to it, which you don't

00:46:15.030 --> 00:46:17.090
always get from these sort of punky short songs.

00:46:17.900 --> 00:46:20.880
I love the female vocalist Kat Moss throughout.

00:46:21.179 --> 00:46:23.480
I think she really sounds good, especially on

00:46:23.480 --> 00:46:27.099
Not Hell, Not Heaven. Great tone to her voice,

00:46:27.159 --> 00:46:30.719
really sort of molds well into the music. And

00:46:30.719 --> 00:46:33.260
so definitely gets my nod for Album of the Week.

00:46:33.320 --> 00:46:36.019
I enjoyed that one. Cool. I'm surprised you didn't

00:46:36.019 --> 00:46:41.380
check out the Smith's Carton album. No, I didn't.

00:46:41.980 --> 00:46:46.099
But it happens. There you go. Going to have to

00:46:46.099 --> 00:46:50.440
do some homework for the end of the year. Okay.

00:46:50.780 --> 00:46:59.019
So for me, I listened to the LA Guns. I think

00:46:59.019 --> 00:47:02.059
their last two albums are a bit weak, to be honest,

00:47:02.139 --> 00:47:05.239
and I'm a huge fan of theirs. This album has

00:47:05.239 --> 00:47:09.920
some good tracks on it, but there's just a lot

00:47:09.920 --> 00:47:14.559
missing on this album personally. The new Allegiant

00:47:14.559 --> 00:47:20.500
album, The Ossuary Lens, came highly recommended.

00:47:20.719 --> 00:47:25.320
It is a death metal album and just not up my

00:47:25.320 --> 00:47:29.539
alley. Listened to Benediction, Ravage of Empires

00:47:29.539 --> 00:47:33.980
with John Setti, a .k .a. Giovanni Durst, formerly

00:47:33.980 --> 00:47:42.309
of White Wizard. And it's an okay album. Um,

00:47:42.510 --> 00:47:45.730
just gets kind of samesy after, after a while,

00:47:45.889 --> 00:47:49.610
uh, bleed from within their new album. They've

00:47:49.610 --> 00:47:53.130
they're back after a bunch of years, a mix of

00:47:53.130 --> 00:47:57.409
guttural vocals with some clean melodies and

00:47:57.409 --> 00:48:02.809
it's all right. Nothing new. Uh, Warfield with

00:48:02.809 --> 00:48:08.010
the old breed, um, classic thrash with a bit

00:48:08.010 --> 00:48:11.519
of a more like black metal type vocals to it.

00:48:12.679 --> 00:48:18.739
Um, and I will have to say that my album of the

00:48:18.739 --> 00:48:23.840
week is low pan get well soon. Low pan, uh, has

00:48:23.840 --> 00:48:28.739
members of the original version of God smack.

00:48:29.119 --> 00:48:33.300
Uh, it's got their original, uh, guitarist and

00:48:33.300 --> 00:48:35.820
drummer, if I'm not mistaken, at least they used

00:48:35.820 --> 00:48:41.789
to, um, The album, I mean, it doesn't sound anything

00:48:41.789 --> 00:48:46.530
like Godsmack. It's a little bit more in a stonery

00:48:46.530 --> 00:48:51.369
type vibe than Godsmack is. It's not bad. It's

00:48:51.369 --> 00:48:54.690
not anything revolutionary or anything new, but

00:48:54.690 --> 00:49:00.010
it's still my album of the week. April 11th,

00:49:00.010 --> 00:49:05.269
new albums from Epica, Cabal, Ye Brandish Privateers.

00:49:06.960 --> 00:49:09.320
Celestial Sanctuary. I think I may have mentioned

00:49:09.320 --> 00:49:14.059
that already. No. Some other Celestial stuff.

00:49:14.420 --> 00:49:20.980
Okay. Elven King. Messa. In the Woods. Tower.

00:49:21.699 --> 00:49:36.240
The Lord Weir. Sloth Fane. Samtar. Diabolizer.

00:49:36.240 --> 00:49:39.380
Rockout. Exiled Hope. You get a kick out of all

00:49:39.380 --> 00:49:50.619
these mispronunciations. Anisoke. Valahor. Black

00:49:50.619 --> 00:50:04.199
Map. Ryoji. Shinomoto. Teen Mortgage and Reissues

00:50:04.199 --> 00:50:15.019
From. Ah, Terminality and Swallow the Sun. What

00:50:15.019 --> 00:50:17.559
did you listen to, Jeremy? That was a testing

00:50:17.559 --> 00:50:21.219
week, I think, the pronunciation, that one. Well,

00:50:21.360 --> 00:50:23.539
I'm going to give you a very easy one to pronounce.

00:50:23.599 --> 00:50:26.920
The Swiss band Rock Out. was the first one I

00:50:26.920 --> 00:50:30.019
listened to. Let's call it Rock and Roll on Frontiers.

00:50:30.119 --> 00:50:32.840
I mean, it was okay. It's a sort of well -trodden

00:50:32.840 --> 00:50:35.500
path of Aussie -style stomping rock, very similar

00:50:35.500 --> 00:50:38.460
to Crocus. Sounded a little bit at times like

00:50:38.460 --> 00:50:40.940
the Dead Daisies, so you kind of know what you're

00:50:40.940 --> 00:50:43.239
getting on this one. You will hate the lyrics.

00:50:43.340 --> 00:50:45.639
I hated the lyrics as well, to be honest. But

00:50:45.639 --> 00:50:48.440
it was good time stuff. It just sort of works,

00:50:48.460 --> 00:50:50.699
thanks to a professional edge, polished riffs,

00:50:50.900 --> 00:50:55.099
a decent singer, likeable choruses. Just, you

00:50:55.099 --> 00:50:57.800
know, was something we've heard before, I guess.

00:50:58.219 --> 00:51:02.019
By the way, they rose to fame in 2022 on national

00:51:02.019 --> 00:51:05.860
TV. And they're very popular on the local festival

00:51:05.860 --> 00:51:08.260
circuit as well. You can understand that because,

00:51:08.340 --> 00:51:10.300
you know, they're enjoyable to listen to, but

00:51:10.300 --> 00:51:14.840
it's nothing new. So I listened next to Shining

00:51:14.840 --> 00:51:19.000
by Swallow the Sun, the Finnish Death Doom band.

00:51:20.030 --> 00:51:21.789
This one has sort of everything you might expect.

00:51:21.969 --> 00:51:24.130
It's very well crafted. I really like the haunting

00:51:24.130 --> 00:51:26.989
clean vocals and characteristic melodies. But

00:51:26.989 --> 00:51:29.570
before you mention it, I know it was originally

00:51:29.570 --> 00:51:32.429
released in October. I think I reviewed it back

00:51:32.429 --> 00:51:36.210
then as well, very favorably as well. But this

00:51:36.210 --> 00:51:40.269
is the deluxe version. And it was in a week where

00:51:40.269 --> 00:51:42.530
I didn't have too many to pick from. So I thought

00:51:42.530 --> 00:51:44.429
I'd give it another listen. And, you know, sometimes

00:51:44.429 --> 00:51:49.440
it's good to revisit an old record. Was I right

00:51:49.440 --> 00:51:51.480
the first time? And yeah, I think it was because

00:51:51.480 --> 00:51:54.960
it's a good listen. So I'm glad I got to listen

00:51:54.960 --> 00:51:58.980
to it again. I then moved on to Beyond the Stars

00:51:58.980 --> 00:52:03.599
by Val Hallor. This one's a kind of melodic Eamon

00:52:03.599 --> 00:52:05.860
Amarth that is sort of described as symphonic

00:52:05.860 --> 00:52:10.260
folk metal from Brisbane in Australia. Whatever

00:52:10.260 --> 00:52:14.619
it is, it's actually not bad. Sort of really

00:52:14.619 --> 00:52:17.059
draws you in, even if it's not all that great.

00:52:17.760 --> 00:52:19.780
uh you know some sort of quite heavy moments

00:52:19.780 --> 00:52:21.800
in there there's a nice folk ballad with sort

00:52:21.800 --> 00:52:25.099
of wishbone ash overtones called wayfinder um

00:52:25.099 --> 00:52:27.900
and overall you know i kind of listened to it

00:52:27.900 --> 00:52:30.039
all the way through and i thought yeah i'm quite

00:52:30.039 --> 00:52:33.739
enjoying it if you ask me to pick an album of

00:52:33.739 --> 00:52:36.130
the week i'm gonna struggle on this one because

00:52:36.130 --> 00:52:38.170
you know all three were not really up to the

00:52:38.170 --> 00:52:41.809
usual quality so um i may go back to the rock

00:52:41.809 --> 00:52:43.750
out one with you know let's call it rocker all

00:52:43.750 --> 00:52:46.710
simply because you know it's it was easy to like

00:52:46.710 --> 00:52:48.530
if you know what i mean so i'll pick that one

00:52:48.530 --> 00:52:54.989
a lesser of all evils yeah yeah uh okay so i

00:52:54.989 --> 00:52:59.289
listened to cabal everything rots death metal

00:52:59.289 --> 00:53:07.760
um This week inspired me to propose some things

00:53:07.760 --> 00:53:12.159
to you earlier this week because death metal

00:53:12.159 --> 00:53:16.599
isn't my thing. Elvin King, kind of the same.

00:53:17.519 --> 00:53:23.500
And the Lord Weird Sloth Fang. Traveler Supplement

00:53:23.500 --> 00:53:30.469
1, the Imperial Glades. Listen to that. It sounds

00:53:30.469 --> 00:53:33.429
like straight up 80s heavy metal influenced by

00:53:33.429 --> 00:53:38.329
new Wabham stuff, stuff that was going on mid

00:53:38.329 --> 00:53:41.610
80s coming out of specifically England. Not bad.

00:53:42.110 --> 00:53:45.429
But I'm going to go with the Italian band Mesa

00:53:45.429 --> 00:53:50.630
with The Spin. It's a little mix of everything,

00:53:50.809 --> 00:54:00.579
kind of gothy, kind of hard rockish. maybe dipping

00:54:00.579 --> 00:54:05.260
its toes back in into like love from the cult,

00:54:05.380 --> 00:54:09.480
but with a female singer. So there's a lot of

00:54:09.480 --> 00:54:12.739
atmospheric stuff in there as well. It's a good

00:54:12.739 --> 00:54:16.239
listen. It surprised me. I posted a video on

00:54:16.239 --> 00:54:19.340
the Patreon to get the kind of wet everyone's

00:54:19.340 --> 00:54:21.639
whistle there. Get you guys to check it out.

00:54:22.340 --> 00:54:28.400
And yeah, that's my album of the week. uh, for

00:54:28.400 --> 00:54:34.639
the 11th of April. Okay. Moving on to, uh, April

00:54:34.639 --> 00:54:40.239
18th. We had, uh, albums from the Melvin's Melvin's

00:54:40.239 --> 00:54:44.940
1983. Um, I had this list that is coming out.

00:54:44.980 --> 00:54:47.500
I couldn't find it on streaming. So it's possible

00:54:47.500 --> 00:54:50.739
that this was just a vinyl only release or something

00:54:50.739 --> 00:54:53.900
like that. But, uh, I have to check out some

00:54:53.900 --> 00:54:57.380
of the, um, promos that were sent to me if in

00:54:57.380 --> 00:54:59.800
the event that I do have it there. All right.

00:54:59.860 --> 00:55:05.280
So, uh, what else? Uh, albums from, uh, Therion,

00:55:05.559 --> 00:55:12.900
Lick, Lauren, Lojimo, Sick and Beautiful, uh,

00:55:13.119 --> 00:55:21.760
X, Extraminitus, uh, Fractured Fairy Tales, Empyrean

00:55:21.760 --> 00:55:31.079
Sanctum. Dormant Ordeal, Super Heaven, and Mayonique

00:55:31.079 --> 00:55:48.460
x Urosun. Okay, and reissues from... What is

00:55:48.460 --> 00:55:55.579
this? Okay. I've got this mixed up here. All

00:55:55.579 --> 00:55:59.059
right, so I do apologize. So it looks like that

00:55:59.059 --> 00:56:03.079
last one was an EP. All right, so reissues from

00:56:03.079 --> 00:56:08.880
The Quill and from Sweet. Compilations from Madball.

00:56:09.659 --> 00:56:13.880
True to the Game, The Roadrunner Years. Okay.

00:56:15.780 --> 00:56:19.260
Jeremy, what did you listen to for this week?

00:56:20.380 --> 00:56:22.519
Well, without wishing to sort of bring the tone

00:56:22.519 --> 00:56:25.460
down too much, this was a week in which my dad

00:56:25.460 --> 00:56:29.079
died, and so I didn't listen to anything at all

00:56:29.079 --> 00:56:32.440
in the week of it, you know, for obvious reasons.

00:56:32.539 --> 00:56:35.840
I didn't listen to any music at all. I'd written

00:56:35.840 --> 00:56:39.380
down that later on I did listen to the Superheaven

00:56:39.380 --> 00:56:43.639
album. It's an old rock band, you know, from

00:56:43.639 --> 00:56:45.980
Daylight, apparently, in Pennsylvania. I didn't

00:56:45.980 --> 00:56:47.760
know there was a place called Daylight. It sounds

00:56:47.760 --> 00:56:50.809
really good. There's a lot of weird names in

00:56:50.809 --> 00:56:56.289
Pennsylvania. There we go. I never really went

00:56:56.289 --> 00:56:58.269
back to listen to much. And I think partly it

00:56:58.269 --> 00:57:00.750
was because I looked at the list of albums and

00:57:00.750 --> 00:57:03.269
band names and I didn't really, nothing really

00:57:03.269 --> 00:57:05.849
sort of shot out at me. And I'm kind of glad

00:57:05.849 --> 00:57:08.690
that that week is kind of empty. So I'm going

00:57:08.690 --> 00:57:11.349
to leave it empty for me personally. And I'm

00:57:11.349 --> 00:57:14.289
going to let you let you say what you thought

00:57:14.289 --> 00:57:17.190
was good. Yeah. So first of all, condolences

00:57:17.190 --> 00:57:20.440
to you for the. Passing of Your Father. Thanks.

00:57:20.920 --> 00:57:24.000
So that's, I mean, more than understandable.

00:57:25.300 --> 00:57:30.380
I listened to the Therion album, Beyond the Darkest

00:57:30.380 --> 00:57:33.940
Veil of Time, Not My Thing, Symphonic Metal,

00:57:34.179 --> 00:57:39.139
the Lauren Lojimo. This is another project that

00:57:39.139 --> 00:57:43.599
Frontiers has put together similar to what they've

00:57:43.599 --> 00:57:46.969
done in the past with Russell Allen. and with

00:57:46.969 --> 00:57:50.630
Bjorn, but this is their female version with

00:57:50.630 --> 00:57:55.769
the singer of Battle Beast and the singer of

00:57:55.769 --> 00:58:06.050
Smackbound. Again, just too melodic for me. It's

00:58:06.050 --> 00:58:11.030
Frontiers. It's your typical AOR Frontiers put

00:58:11.030 --> 00:58:12.889
-together project. There's plenty of people that

00:58:12.889 --> 00:58:18.150
love it. If you like it, check it out. Um, what

00:58:18.150 --> 00:58:22.269
else did I listen to here? Um, I listened to,

00:58:22.349 --> 00:58:26.630
Oh, I listened to lick necro. That is a death

00:58:26.630 --> 00:58:30.170
metal also. Uh, but my album of the week is the

00:58:30.170 --> 00:58:32.789
Italian band. I've picked two Italian bands straight

00:58:32.789 --> 00:58:40.989
sick and beautiful with horror. Um, or vacui,

00:58:41.070 --> 00:58:43.679
I guess is how you pronounce it. I guess it's

00:58:43.679 --> 00:58:46.920
Latin or Italian or, you know, a derivative thereof.

00:58:47.539 --> 00:58:52.519
But I dig this band. I really enjoyed their last

00:58:52.519 --> 00:59:00.659
release as well. It's a mix of industrial hard

00:59:00.659 --> 00:59:05.860
rock. If you like Rob Zombie with female vocals,

00:59:06.280 --> 00:59:10.460
it's kind of what you're getting here. without

00:59:10.460 --> 00:59:13.539
as much grunting and with a little bit more searing

00:59:13.539 --> 00:59:20.380
vocals. Now we come to the 25th of April, which

00:59:20.380 --> 00:59:25.000
by far to me is the strongest week in April.

00:59:25.500 --> 00:59:28.320
I'm going to be honest with you. I think when

00:59:28.320 --> 00:59:30.599
I started listening to a lot of the releases

00:59:30.599 --> 00:59:36.579
for April, this month was kind of a letdown for

00:59:36.579 --> 00:59:39.420
me because I think every month previous to this,

00:59:40.079 --> 00:59:44.239
has been fairly strong where even with March,

00:59:44.340 --> 00:59:47.480
there's a few weeks there where I was like, damn,

00:59:47.579 --> 00:59:50.500
what do I pick? There's, there's several things

00:59:50.500 --> 00:59:55.159
here that are, that are, that are strong. So,

00:59:55.159 --> 01:00:02.300
um, yeah, so this is by far to me, the strongest

01:00:02.300 --> 01:00:08.179
week in April. I don't know if Edgar Winterson

01:00:08.179 --> 01:00:10.519
is telling us he's pregnant or just that he showed

01:00:10.519 --> 01:00:16.219
up late to the show. Edgar, welcome aboard, sir.

01:00:17.699 --> 01:00:20.739
All right, so we had, there's a lot of things

01:00:20.739 --> 01:00:23.480
that came out this week. We had the new album

01:00:23.480 --> 01:00:26.440
from Ghost, new album from Machine Head, new

01:00:26.440 --> 01:00:31.119
album from Wednesday 13, Russ Ballard, Liv Christine,

01:00:31.559 --> 01:00:40.079
Elevatia, Heat, Caliban. Trick or Treat, Harem

01:00:40.079 --> 01:00:51.780
Scaram, Kardashev, Cadaver, Conan, Game Over,

01:00:52.039 --> 01:00:56.519
Tony Butler, Art Nation, Employed to Serve, Beholder,

01:00:56.840 --> 01:01:03.619
Cancer, Avenger of Blood, Deserted Fear, Landmarks,

01:01:08.010 --> 01:01:13.849
Akamkara, Coffin Feeder, Bark, Phantom, Sacred

01:01:13.849 --> 01:01:20.429
Steel, Teaser Suite, and Ghost Seeker. Live albums

01:01:20.429 --> 01:01:30.630
from Klaus, Schulze, and Sirith Ungle. The legendary

01:01:30.630 --> 01:01:36.679
LA band Sirith Ungle, which... My good friend

01:01:36.679 --> 01:01:39.440
Bob Nalbandian, the late great Bob Nalbandian,

01:01:39.559 --> 01:01:45.659
used to talk them up all the time. All right,

01:01:45.719 --> 01:01:50.699
Jeremy, what did you listen to on the 26th? I

01:01:50.699 --> 01:01:52.559
remember listening to Sirith Ungold back in the

01:01:52.559 --> 01:01:56.699
day as well, a long, long time ago. I, first

01:01:56.699 --> 01:01:59.159
of all, listened to Ritual Supremacy by Sacred

01:01:59.159 --> 01:02:02.320
Steel, the German band. It's a sort of mix of

01:02:02.320 --> 01:02:05.929
power metal, traditional old school. The riffing,

01:02:05.929 --> 01:02:08.030
I thought, was pretty good on the whole, but

01:02:08.030 --> 01:02:12.429
very much like other German bands who do that

01:02:12.429 --> 01:02:15.329
sort of stuff. But a little bit let down, I think,

01:02:15.329 --> 01:02:18.449
by the songwriting, especially the vocals, which

01:02:18.449 --> 01:02:21.750
was all a bit evident on a track like The Watcher

01:02:21.750 --> 01:02:25.389
Infernal. You know, great riffs, but let down

01:02:25.389 --> 01:02:29.650
by the vocals. Now, this is interesting because

01:02:29.650 --> 01:02:31.650
I don't think we've ever had this, Victor, but

01:02:31.650 --> 01:02:34.679
we have a dead heat. for album of the week. I've

01:02:34.679 --> 01:02:36.840
listened to these two albums I'm going to mention

01:02:36.840 --> 01:02:42.980
now for a good week or so and probably a couple

01:02:42.980 --> 01:02:45.559
of weeks. I've bought one of them. I've got the

01:02:45.559 --> 01:02:50.639
other one on order. I cannot split them. I have

01:02:50.639 --> 01:02:53.679
gone down to a granular level and I can tell

01:02:53.679 --> 01:02:58.860
you now that they both are 8 .93276 points out

01:02:58.860 --> 01:03:02.500
of 10. So there is no way you can split them.

01:03:03.380 --> 01:03:06.420
So the two albums, of course, one of them is

01:03:06.420 --> 01:03:09.599
Skeletor by Ghost, which is a really good album.

01:03:09.699 --> 01:03:11.440
I'll come to that again in a minute. I'm sure

01:03:11.440 --> 01:03:13.440
you're going to comment on it as well. And the

01:03:13.440 --> 01:03:15.480
other one is Welcome to the Future by Heat, which,

01:03:15.539 --> 01:03:17.559
as you know, I really like Heat. I've liked their

01:03:17.559 --> 01:03:21.159
recent albums. And they're very different albums,

01:03:21.360 --> 01:03:23.940
both from the same country, of course, as well.

01:03:25.639 --> 01:03:28.239
I really like the Heat album because it's got

01:03:28.239 --> 01:03:31.280
all the same melodic stuff. It's got some...

01:03:31.710 --> 01:03:34.070
some killer songs on there. It's got ballads

01:03:34.070 --> 01:03:36.869
on there. You know, it's kind of what I would

01:03:36.869 --> 01:03:39.690
expect from a Def Leppard -y type, Bon Jovi type

01:03:39.690 --> 01:03:44.050
band. And they do it far better. And they even

01:03:44.050 --> 01:03:46.889
outdo Europe, I think, at times. So I really

01:03:46.889 --> 01:03:49.630
like that album. I bought it straight away. I've

01:03:49.630 --> 01:03:52.309
been playing it a lot. And, you know, I don't

01:03:52.309 --> 01:03:54.369
like every song, but then I don't like every

01:03:54.369 --> 01:03:57.219
song on the Ghost album either. But I do like

01:03:57.219 --> 01:04:00.519
the majority of both of those albums. Ghost album,

01:04:00.739 --> 01:04:03.400
I think, is not quite as good as Impera, the

01:04:03.400 --> 01:04:05.400
previous one, which I thought was their peak

01:04:05.400 --> 01:04:10.099
album for me. But I think there's some great

01:04:10.099 --> 01:04:12.679
songs on it. They've got great melodies. There's

01:04:12.679 --> 01:04:15.340
a reason why Ghost are very popular, and you

01:04:15.340 --> 01:04:17.579
only have to listen to their songs to understand

01:04:17.579 --> 01:04:21.360
it. They have a great commercial aspect to their

01:04:21.360 --> 01:04:24.219
music, but they... you know, the lyrics and the

01:04:24.219 --> 01:04:28.659
sort of the way they project those songs with

01:04:28.659 --> 01:04:30.460
that sort of mystique, you know, that sort of

01:04:30.460 --> 01:04:32.800
early Black Sabbath type mystique. They don't

01:04:32.800 --> 01:04:35.960
have to play it all very heavy, but they certainly

01:04:35.960 --> 01:04:39.420
know how to construct a song, construct a chorus.

01:04:39.679 --> 01:04:43.000
So, yeah, those two albums for me, I can't split

01:04:43.000 --> 01:04:45.300
them. I'm not going to choose between my two

01:04:45.300 --> 01:04:47.380
daughters. I'm not going to choose between those

01:04:47.380 --> 01:04:51.019
two albums. They are the very first tie of the

01:04:51.019 --> 01:04:58.309
week. Okay. So I listened to Unatoned by Machine

01:04:58.309 --> 01:05:06.570
Head. This album is head scratching to me. What

01:05:06.570 --> 01:05:11.090
the hell is Machine Head doing in 2025? Machine

01:05:11.090 --> 01:05:13.170
Head has gone through different phases where

01:05:13.170 --> 01:05:15.889
they've put out albums where they've pissed their

01:05:15.889 --> 01:05:21.090
fan base off. A lot of people really liked the

01:05:21.090 --> 01:05:22.949
last album because it was super heavy. It was

01:05:22.949 --> 01:05:30.030
a return to them being super heavy. This album

01:05:30.030 --> 01:05:35.110
is them being heavy and then giving us that good

01:05:35.110 --> 01:05:39.130
old happy Eurovision chorus in the middle. They're

01:05:39.130 --> 01:05:43.469
copying bands like Architects and Bring Me the

01:05:43.469 --> 01:05:47.139
Horizon and stuff like that. to where they're

01:05:47.139 --> 01:05:52.280
trying to be hip and cool to the young kids is

01:05:52.280 --> 01:05:55.019
what they're doing. This album, to me, seems

01:05:55.019 --> 01:05:57.860
like for everything that people bitched about,

01:05:57.960 --> 01:06:00.940
the burning red with them pandering towards new

01:06:00.940 --> 01:06:04.340
metal and stuff like that, I find this to be

01:06:04.340 --> 01:06:11.239
worse. Because as much as they were trying to

01:06:11.239 --> 01:06:15.300
follow a fad there, some of those songs worked.

01:06:16.880 --> 01:06:19.559
These just don't work for me. There's a lot of

01:06:19.559 --> 01:06:22.639
cutting and pasting where we've got this great

01:06:22.639 --> 01:06:27.699
riff, we've got this heavy part. Let's paste

01:06:27.699 --> 01:06:30.500
something catchy in here. You know, unlike the

01:06:30.500 --> 01:06:33.440
Arch Enemy, where it's worked out and it's meticulous

01:06:33.440 --> 01:06:36.179
and it's layered and there seems to be a blueprint

01:06:36.179 --> 01:06:38.679
behind it, Machine Head just kind of doesn't

01:06:38.679 --> 01:06:43.619
work for me. Just my opinion. Russ Ballard. Songs

01:06:43.619 --> 01:06:47.710
from the warehouse, the hits rewired. This is

01:06:47.710 --> 01:06:53.030
Russ Ballard. It's a two -album release. The

01:06:53.030 --> 01:06:56.889
first album is all new material, and the second

01:06:56.889 --> 01:07:02.369
album is reworkings of a good majority of hits

01:07:02.369 --> 01:07:04.469
that he's written for other people over the years.

01:07:06.909 --> 01:07:12.829
The album is just not for me. It's just too...

01:07:14.449 --> 01:07:20.429
80s commercial rock for me to kind of trying

01:07:20.429 --> 01:07:23.969
to fit in with Jackson Brown and Bruce Springsteen

01:07:23.969 --> 01:07:26.070
and stuff like that. And he's written a lot of

01:07:26.070 --> 01:07:32.110
good stuff over the years. But the reworks of

01:07:32.110 --> 01:07:34.710
some of these songs just don't work for me. He

01:07:34.710 --> 01:07:37.510
does Since You've Been Gone, of course. He does

01:07:37.510 --> 01:07:41.329
I Surrender, which was another hit for Rainbow.

01:07:42.159 --> 01:07:47.619
He does Voices, which was a song that made it

01:07:47.619 --> 01:07:50.340
on Miami Vice, which I really like. That's like

01:07:50.340 --> 01:07:53.639
one of his only like quote unquote hits that

01:07:53.639 --> 01:07:56.239
he only did. It's been covered by other people,

01:07:56.280 --> 01:07:59.599
but not like New York Groove, for example, or

01:07:59.599 --> 01:08:02.699
God Gave Rock and Roll to You, which Ace Frehley

01:08:02.699 --> 01:08:05.679
and then Kiss made those respective songs more

01:08:05.679 --> 01:08:11.480
popular. The album isn't bad. Bores me. It's

01:08:11.480 --> 01:08:19.279
just not my thing. What else? Caliban. Just full

01:08:19.279 --> 01:08:21.859
on death metal. Just not my thing either. This

01:08:21.859 --> 01:08:24.180
week does have a lot of other stuff in the vein

01:08:24.180 --> 01:08:28.399
of heat. Trick or Treat, Harem Scare Em, Conan,

01:08:28.560 --> 01:08:30.199
which I didn't check out, but that's a little

01:08:30.199 --> 01:08:33.159
bit more of like stonery with death metal type

01:08:33.159 --> 01:08:35.119
vocals. I didn't get a chance to check that out.

01:08:35.199 --> 01:08:37.479
That's something that I'll check out. The Beholder

01:08:37.479 --> 01:08:42.220
album is something I'll check out as well. But

01:08:42.220 --> 01:08:46.520
for me, it's funny. I've been deliberating since

01:08:46.520 --> 01:08:50.340
checking these albums out. Damn, I'm going to

01:08:50.340 --> 01:08:55.140
have a tie. So when Jeremy just said that he

01:08:55.140 --> 01:09:00.880
was going to have a tie, I said, heck yeah, I'm

01:09:00.880 --> 01:09:05.859
going to have a tie as well. So my tie, I'm going

01:09:05.859 --> 01:09:07.739
to go with the one that Jeremy already mentioned.

01:09:07.819 --> 01:09:11.489
It is Ghost with Skeletor. I think you're right

01:09:11.489 --> 01:09:15.689
on the money. The good tracks on here are great.

01:09:16.649 --> 01:09:20.029
The other tracks kind of remind me of their earlier

01:09:20.029 --> 01:09:22.949
material where it was more hit and miss for me,

01:09:23.010 --> 01:09:26.949
where Imperia was really good except for one

01:09:26.949 --> 01:09:31.829
track or two tracks. The album before that, I

01:09:31.829 --> 01:09:37.289
forget its name. Melioria. Yeah, so that one

01:09:37.289 --> 01:09:41.199
is similar. to Imperia as well in the sense that

01:09:41.199 --> 01:09:50.979
there's two tracks that I kind of wasn't into

01:09:50.979 --> 01:09:54.180
and I was really into the rest. There's still

01:09:54.180 --> 01:09:56.100
a lot of stuff off of those two albums that I

01:09:56.100 --> 01:10:01.619
listen to all the time. So Skeletor by Ghost

01:10:01.619 --> 01:10:07.859
is my one album of the week and my tie. Man,

01:10:07.859 --> 01:10:14.640
did this surprise me. It is Wednesday 13 with

01:10:14.640 --> 01:10:19.840
Mid -Death Crisis. I've liked stuff that Wednesday

01:10:19.840 --> 01:10:25.920
13 has released over the years. But this is probably

01:10:25.920 --> 01:10:28.279
my favorite album that he's released. It's just

01:10:28.279 --> 01:10:31.439
solid from beginning to end. It's one song after

01:10:31.439 --> 01:10:34.500
another, after another. And it's like, nope.

01:10:35.100 --> 01:10:37.439
That one's as good as the last one. Is this one

01:10:37.439 --> 01:10:40.939
a skipper? Nope, this one isn't either. I really

01:10:40.939 --> 01:10:44.279
enjoyed this album. It really harkens back to

01:10:44.279 --> 01:10:47.739
the stronger parts of what he's released that's

01:10:47.739 --> 01:10:53.180
kind of drawn me to his previous albums. So I

01:10:53.180 --> 01:10:56.479
don't think you can go wrong with either one

01:10:56.479 --> 01:11:01.039
of those albums. So let's recap our picks for

01:11:01.039 --> 01:11:08.060
April real quick here. April 4th, Jeremy did

01:11:08.060 --> 01:11:14.319
Scal with We Are All Angels. I did Lopan with

01:11:14.319 --> 01:11:26.100
Get Well Soon. Let's see, for the 11th, you went

01:11:26.100 --> 01:11:28.859
with Rock Out with Let's Call It Rock and Roll.

01:11:29.470 --> 01:11:34.350
And I went with Mesa with The Spin. That's Mesa,

01:11:34.390 --> 01:11:42.710
M -E -S -S -A. And for the 18th, I went with

01:11:42.710 --> 01:11:47.470
Sick and Beautiful with Horror Vacui. And then

01:11:47.470 --> 01:11:53.090
on the 25th, we both had two picks. We both went

01:11:53.090 --> 01:11:57.229
with Ghost and Skeletor. And Jeremy also went

01:11:57.229 --> 01:12:00.810
with Heat and Welcome to the Future. And my second

01:12:00.810 --> 01:12:06.069
pick was Wednesday 13 with Mid -Death Crisis.

01:12:08.810 --> 01:12:11.390
Do you want to touch on some of those topics

01:12:11.390 --> 01:12:13.369
that we went back and forth with real quickly?

01:12:13.649 --> 01:12:17.289
Yeah, sure. Okay, cool. So we usually just do

01:12:17.289 --> 01:12:21.470
one month at a time and we throw some topics

01:12:21.470 --> 01:12:25.729
back and forth at one another. And we had these

01:12:25.729 --> 01:12:28.569
way back in March. I do get that some of these

01:12:28.569 --> 01:12:34.210
may have maybe kind of old news at this point

01:12:34.210 --> 01:12:36.590
in time, but I think that they're still important

01:12:36.590 --> 01:12:41.210
enough to touch upon. So first up, we have a

01:12:41.210 --> 01:12:43.409
bunch of Judas Priest related things. Richie

01:12:43.409 --> 01:12:47.810
Faulkner let everyone know that he had to relearn

01:12:47.810 --> 01:12:50.229
to play guitar because he suffered a stroke.

01:12:51.600 --> 01:12:57.500
And he's also insinuated at the fact that there

01:12:57.500 --> 01:13:00.500
could be follow -ups to Invincible Shield and

01:13:00.500 --> 01:13:05.619
to Elegant Weapons sooner than later. The Elegant

01:13:05.619 --> 01:13:09.420
Weapons album may already be recorded, if I'm

01:13:09.420 --> 01:13:13.140
not mistaken. And the Judas Priest is something

01:13:13.140 --> 01:13:16.359
that's in the infant stage and they'll possibly

01:13:16.359 --> 01:13:19.779
work on it next year. So I would assume that

01:13:19.779 --> 01:13:23.899
we would be looking at a 2027 release for that.

01:13:24.439 --> 01:13:28.699
But man, Richie's been through a lot from heart

01:13:28.699 --> 01:13:34.859
issues to now stroke. And for anyone that's ever

01:13:34.859 --> 01:13:39.020
doubted his place in Priest, I think that people

01:13:39.020 --> 01:13:42.640
have kind of let up on that with all the things

01:13:42.640 --> 01:13:45.300
that he's gone through and come back to the band

01:13:45.300 --> 01:13:50.600
and help the band carry on. So, Jeremy, what

01:13:50.600 --> 01:13:54.100
are your thoughts on all this stuff? Yeah, it's

01:13:54.100 --> 01:13:57.020
quite interesting that Richie has said that he's

01:13:57.020 --> 01:13:59.100
struggling a little bit to play certain little

01:13:59.100 --> 01:14:01.699
bits because they've been on a massive tour,

01:14:01.840 --> 01:14:05.359
haven't they? They've played a lot of gigs. They're

01:14:05.359 --> 01:14:08.079
playing again a few festivals over the summer

01:14:08.079 --> 01:14:10.819
in the UK. They're playing a place in Scarborough,

01:14:10.880 --> 01:14:13.520
just an open -air gig. I think they're doing

01:14:13.520 --> 01:14:15.420
maybe one in London and then they're playing

01:14:15.420 --> 01:14:18.479
some other stuff around the world again. They're

01:14:18.479 --> 01:14:22.859
constantly touring, which for a man who has been

01:14:22.859 --> 01:14:25.920
so ill and possibly finds a little bit of a struggle

01:14:25.920 --> 01:14:28.300
playing certain bits, you do wonder whether he's

01:14:28.300 --> 01:14:32.000
getting a little bit of help technically, technologically.

01:14:34.539 --> 01:14:37.060
Full marks to Richie for keeping going because

01:14:37.060 --> 01:14:40.359
he's a great player, as we know. I really love

01:14:40.359 --> 01:14:43.100
his stuff. Talking about the albums, the two

01:14:43.100 --> 01:14:44.979
albums, it's going to be difficult to top those

01:14:44.979 --> 01:14:47.840
two because I really like those two albums. I

01:14:47.840 --> 01:14:49.680
think they're great. I've listened to Elegant

01:14:49.680 --> 01:14:51.920
Weapons a lot since it came out. I bought that

01:14:51.920 --> 01:14:55.119
one. Really good album. Really good album. And

01:14:55.119 --> 01:14:57.680
so was The Judas Priest, as we know. I think

01:14:57.680 --> 01:15:00.220
it was probably my top album of the year. Right.

01:15:00.279 --> 01:15:03.539
Me too. Yeah, I just wonder how they're going

01:15:03.539 --> 01:15:05.100
to top it. They're going to have to do something

01:15:05.100 --> 01:15:07.119
a little bit different rather than just copying

01:15:07.119 --> 01:15:09.979
the ones that have come out. And I just hope

01:15:09.979 --> 01:15:13.319
they don't. It's not a step back because, you

01:15:13.319 --> 01:15:15.079
know, you don't want to peek and then put out

01:15:15.079 --> 01:15:19.500
something that's not quite as good. But would

01:15:19.500 --> 01:15:21.619
be looking forward to hearing both. So, you know,

01:15:21.619 --> 01:15:23.760
if the Elegant Weapons comes first, maybe this

01:15:23.760 --> 01:15:26.539
year, later this year, that'll be great. As we

01:15:26.539 --> 01:15:28.539
know, Judas Priest probably won't be until next

01:15:28.539 --> 01:15:32.489
year. But listen. They're old guys. Richie's

01:15:32.489 --> 01:15:35.970
not as old as the rest of the band. Some of the

01:15:35.970 --> 01:15:39.109
older guys in the band. And we just have to be

01:15:39.109 --> 01:15:42.630
thankful that Richie and Judas Priest are playing,

01:15:42.810 --> 01:15:46.729
still playing together. And long may it continue.

01:15:47.010 --> 01:15:50.670
And I just hope Richie keeps well. Yeah, I agree.

01:15:50.810 --> 01:15:55.810
And much to your point, I've heard that Andy

01:15:55.810 --> 01:16:00.550
Sneap has said no to producing or mixing. other

01:16:00.550 --> 01:16:02.829
people's stuff at the moment. So that makes me

01:16:02.829 --> 01:16:05.149
think that he's just going to focus on the priest

01:16:05.149 --> 01:16:07.850
stuff. And maybe they're feeling that pressure,

01:16:07.909 --> 01:16:13.210
that invincible shield and firepower. When invincible

01:16:13.210 --> 01:16:16.729
shield came out, remember, I didn't like, um,

01:16:16.810 --> 01:16:20.949
panic attack initially because I was thinking,

01:16:21.050 --> 01:16:23.289
Oh, you know, that intro sounds like turbo. And

01:16:23.289 --> 01:16:25.090
then it sounds, you know, the course is kind

01:16:25.090 --> 01:16:28.449
of generic and this and that. And then that album.

01:16:28.920 --> 01:16:34.859
won me over big time. You could, damn, you could

01:16:34.859 --> 01:16:36.680
almost make like a greatest hits out of just

01:16:36.680 --> 01:16:39.439
those two albums, you know, because you could

01:16:39.439 --> 01:16:43.979
combine both and really be the, the twin turbo

01:16:43.979 --> 01:16:47.399
album that we were all kind of looking for, you

01:16:47.399 --> 01:16:52.500
know? But yeah, it's good. It scares me on the

01:16:52.500 --> 01:16:56.880
one hand that it's a letdown, but. After listening

01:16:56.880 --> 01:17:00.279
to Invincible Shield so much, it made me think,

01:17:00.300 --> 01:17:03.500
bring it on. If they're going in this trajectory,

01:17:03.760 --> 01:17:07.359
and I believe in Andy Sneap. I believe in what

01:17:07.359 --> 01:17:10.939
he can do. He's got the Midas touch, and I think

01:17:10.939 --> 01:17:16.260
he knows what bands need to do. And I think that

01:17:16.260 --> 01:17:23.579
it's not a mistake. That he's still in the band.

01:17:23.659 --> 01:17:25.699
I think that they've probably come to realize

01:17:25.699 --> 01:17:30.220
that, you know, he's he's more than just that

01:17:30.220 --> 01:17:34.159
guy helping us out on stage. He's now part of

01:17:34.159 --> 01:17:38.399
what makes their music continue to grow and continue

01:17:38.399 --> 01:17:44.500
to be relevant. Yeah. OK, so at the time, also,

01:17:44.539 --> 01:17:47.380
there were some rumors about possible Black Sabbath

01:17:47.380 --> 01:17:51.750
avatars. And the possibility that the band could

01:17:51.750 --> 01:17:57.989
go virtual after this concert coming up this

01:17:57.989 --> 01:18:01.710
summer? Is Sabbath a band that could do that?

01:18:04.289 --> 01:18:08.850
I think you can't say no. You've seen it. We've

01:18:08.850 --> 01:18:12.630
seen ABBA avatars. We've seen KISS are going

01:18:12.630 --> 01:18:16.029
to be doing this sort of thing. Listen, if a

01:18:16.029 --> 01:18:18.590
band is going to be finished completely, They

01:18:18.590 --> 01:18:21.729
can't do it anymore. Sabbath are playing this

01:18:21.729 --> 01:18:24.010
final concert. They're going to play five songs.

01:18:24.289 --> 01:18:27.229
And Ozzy is really struggling even to play those

01:18:27.229 --> 01:18:31.310
five songs. If the audience wants to go and see

01:18:31.310 --> 01:18:35.489
it, then it's fine to do it. I mean, you have

01:18:35.489 --> 01:18:37.770
to decide yourself whether you want to go, whether

01:18:37.770 --> 01:18:40.710
you've seen Sabbath in their heyday, whether

01:18:40.710 --> 01:18:42.430
you've seen them live, whether you think it's

01:18:42.430 --> 01:18:47.109
worth it. As to questions as to whether Sabbath...

01:18:47.680 --> 01:18:49.600
should be doing it because they're popular enough

01:18:49.600 --> 01:18:51.859
to do it. I think they are. And I think there'll

01:18:51.859 --> 01:18:55.560
be an audience to see that kind of thing. I think

01:18:55.560 --> 01:18:57.479
there's other bands that could do it. I think,

01:18:57.479 --> 01:19:00.579
you know, maybe Motorhead. You could do one for

01:19:00.579 --> 01:19:06.140
them. So, yeah, I think just go ahead and do

01:19:06.140 --> 01:19:08.819
it. It's up to the audience as to whether it's

01:19:08.819 --> 01:19:10.760
a good thing. And I've heard great reports about

01:19:10.760 --> 01:19:13.000
the ABBA one. I'm sure the Kiss one is going

01:19:13.000 --> 01:19:15.680
to be fantastic, and I'm sure if Black Sabbath

01:19:15.680 --> 01:19:18.920
did one, it would be amazing as well. And we

01:19:18.920 --> 01:19:21.260
just have to accept that the band is no longer,

01:19:21.319 --> 01:19:23.100
and that's the only way you can see the band.

01:19:24.819 --> 01:19:27.680
Do you think that these avatars would be just

01:19:27.680 --> 01:19:31.739
the Aussie era? Would there be a chance of them

01:19:31.739 --> 01:19:36.779
doing some Dio -related stuff as well? It's a

01:19:36.779 --> 01:19:38.579
very good question, and I think the answer is

01:19:38.579 --> 01:19:41.600
no, because I think that Sharon will be organizing

01:19:41.600 --> 01:19:44.319
it. I think as long as she's in charge of it,

01:19:44.460 --> 01:19:48.079
it won't be Dio. But I think if somebody else

01:19:48.079 --> 01:19:51.260
had the rights to do it, I think, yes, they might

01:19:51.260 --> 01:19:53.260
do both eras, and it would be an interesting

01:19:53.260 --> 01:19:55.560
way of doing it. But I think she's only going

01:19:55.560 --> 01:20:01.399
to keep the Aussie band alive. Right. Okay. Bon

01:20:01.399 --> 01:20:06.369
Jovi has announced a new tour. Will the ticket

01:20:06.369 --> 01:20:11.470
prices break the bank? Yeah, they seem to be.

01:20:11.569 --> 01:20:13.770
Listen, the first thing to say is that Bon Jovi

01:20:13.770 --> 01:20:15.869
are nowhere near as good as what they were in

01:20:15.869 --> 01:20:19.869
the 80s, and many bands aren't. I'd love to see

01:20:19.869 --> 01:20:22.609
maybe a Bon Jovi with Richie playing because

01:20:22.609 --> 01:20:25.210
that's the only band that I'd want to see, but

01:20:25.210 --> 01:20:28.270
I've kind of seen what he can sing like live,

01:20:28.369 --> 01:20:33.539
and it seems pretty dire. I'm not a huge fan

01:20:33.539 --> 01:20:36.020
of Bon Jovi, but I can see you'd pay a certain

01:20:36.020 --> 01:20:40.659
price to see a top band. You'd pay $100 or 100

01:20:40.659 --> 01:20:45.560
quid. You'd pay 150 maybe. But come on, what

01:20:45.560 --> 01:20:48.520
are they charging for this? It was absolutely

01:20:48.520 --> 01:20:53.060
horrendous prices. I mean, there's some people

01:20:53.060 --> 01:20:54.960
out there that have got pockets. I mean, we've

01:20:54.960 --> 01:21:00.060
seen it recently with the Gene Simmons roadie.

01:21:00.490 --> 01:21:02.989
One guy paid, I don't know what it was. It was

01:21:02.989 --> 01:21:07.810
over $10 ,000, wasn't it? Over $12 ,000. It was

01:21:07.810 --> 01:21:11.949
over $12 ,000. I mean, listen, this guy doesn't

01:21:11.949 --> 01:21:13.649
care about the money. And so there's going to

01:21:13.649 --> 01:21:15.550
be a lot of people who go to a Bon Jovi gig.

01:21:15.689 --> 01:21:18.289
They'll pay whatever they want to pay because

01:21:18.289 --> 01:21:21.050
they've got the money. And that's what it is.

01:21:21.130 --> 01:21:26.239
But it's absolutely ridiculous. And I certainly

01:21:26.239 --> 01:21:30.220
wouldn't pay. I'd pay 40, 50 quid to see Bon

01:21:30.220 --> 01:21:31.979
Jovi, and I don't think I pay much more these

01:21:31.979 --> 01:21:38.039
days. Okay. I wouldn't even pay that. No. That's

01:21:38.039 --> 01:21:41.300
neither here nor there. Yeah. All right. And

01:21:41.300 --> 01:21:46.020
last topic here. David Lee Roth sees a reissue

01:21:46.020 --> 01:21:49.640
of his solo work. Does it hold up, in your opinion?

01:21:50.920 --> 01:21:53.899
You know what? Dave seems to be really enjoying

01:21:53.899 --> 01:21:55.699
himself. That's the first thing I would say.

01:21:55.800 --> 01:21:58.300
Every time I see him playing live and doing stuff

01:21:58.300 --> 01:21:59.579
at the moment, he seems to be really enjoying

01:21:59.579 --> 01:22:01.260
himself. And he's kind of reinventing himself.

01:22:01.359 --> 01:22:04.880
He kind of wants to play more gigs and play songs.

01:22:05.060 --> 01:22:08.659
And he's coming out with various songs and various

01:22:08.659 --> 01:22:11.920
stuff. And I think that's good because, you know,

01:22:11.939 --> 01:22:13.920
there's a lot of people out there who like Dave,

01:22:13.979 --> 01:22:16.020
a lot of people who like Van Halen. And, you

01:22:16.020 --> 01:22:21.649
know, as we know, Eddie's dead now. He's keeping

01:22:21.649 --> 01:22:25.189
the songs alive in terms of Van Halen. And he

01:22:25.189 --> 01:22:29.210
also has his own stuff as well. And I liked a

01:22:29.210 --> 01:22:33.050
lot of his early stuff. I thought his solo albums,

01:22:33.310 --> 01:22:35.569
the first couple of solo albums were great, but

01:22:35.569 --> 01:22:38.569
they have a bit of an 80s sort of sound to them,

01:22:38.590 --> 01:22:43.590
80s sort of 90s sound. And maybe today they sound

01:22:43.590 --> 01:22:49.180
a little bit old. That's what I'd say in terms

01:22:49.180 --> 01:22:52.939
of the production or whatever. I think Dave should

01:22:52.939 --> 01:22:55.000
just do what he wants to do. I think, again,

01:22:55.199 --> 01:22:58.399
the audience will determine. Does it appeal to

01:22:58.399 --> 01:23:01.039
me personally? No, I've had enough of Dave Lee

01:23:01.039 --> 01:23:02.800
Roth. I don't need to see him. I don't need to

01:23:02.800 --> 01:23:04.819
see him live and I don't need to see him again.

01:23:04.880 --> 01:23:08.079
I want to remember him playing in Van Halen or

01:23:08.079 --> 01:23:10.960
doing his first couple of solo albums. And I've

01:23:10.960 --> 01:23:13.159
got all that, you know, on vinyl. I've got it

01:23:13.159 --> 01:23:16.039
all on. I'll get those out now and again and

01:23:16.039 --> 01:23:18.079
really enjoy it because Dave was Dave in his

01:23:18.079 --> 01:23:20.319
heyday. I don't want to see an old Dave doing

01:23:20.319 --> 01:23:24.659
stuff now. So for me, he doesn't need to re -record.

01:23:24.739 --> 01:23:26.739
He doesn't need to re -release. He doesn't need

01:23:26.739 --> 01:23:28.979
to even issue anything. If he wants to play a

01:23:28.979 --> 01:23:34.399
few gigs, that's fine. Yeah, at M3, he was looking

01:23:34.399 --> 01:23:39.289
like Elvis from one of his... reunion specials

01:23:39.289 --> 01:23:42.729
there all in black leather and with the uh handkerchief

01:23:42.729 --> 01:23:46.590
around the neck with the four backup singers

01:23:46.590 --> 01:23:50.510
as well handling the uh heavy lifting for a lot

01:23:50.510 --> 01:23:55.470
of the songs but um yeah i gotta say eat em and

01:23:55.470 --> 01:23:59.930
smile to me is on par with uh those classic van

01:23:59.930 --> 01:24:03.289
halen albums he was on i would personally take

01:24:03.289 --> 01:24:10.539
that over any of the uh van hagar albums um skyscraper

01:24:10.539 --> 01:24:13.479
i think is very strong as well i think it got

01:24:13.479 --> 01:24:19.920
a bad rap back in the day um a little ain't enough

01:24:19.920 --> 01:24:23.619
has its moments and your filthy little mouth

01:24:23.619 --> 01:24:25.760
which is the last one that's included in that

01:24:25.760 --> 01:24:29.000
box is i just did not i've never gotten into

01:24:29.000 --> 01:24:32.039
that album and that's your typical album that

01:24:33.420 --> 01:24:36.000
To me, you pull it out once a year and say, now,

01:24:36.020 --> 01:24:39.520
why didn't I get this album? You know, there's

01:24:39.520 --> 01:24:41.520
people that I know that like this. Let me check

01:24:41.520 --> 01:24:44.279
it out. And you start to listen to it. It's like,

01:24:44.399 --> 01:24:48.600
wow, this isn't good. You know, the lyrics aren't

01:24:48.600 --> 01:24:53.680
good. The guitar playing isn't as good as, let's

01:24:53.680 --> 01:24:57.180
be honest, Steve Vai, Jason Becker. You know,

01:24:57.199 --> 01:25:00.479
these are world -class guitars. Yeah. Especially

01:25:00.479 --> 01:25:06.239
when those albums are recorded. So in any event,

01:25:06.300 --> 01:25:13.140
we've covered a lot of material today. I do appreciate

01:25:13.140 --> 01:25:16.739
Jeremy coming on here and talking music. Like

01:25:16.739 --> 01:25:21.000
I said, it's important to get the word out for

01:25:21.000 --> 01:25:23.579
new music that's coming out, whether it's from

01:25:23.579 --> 01:25:26.560
bands that you love and don't know that they're

01:25:26.560 --> 01:25:30.310
releasing new music. whether it's a band you've

01:25:30.310 --> 01:25:33.329
never heard of and we've described them and you

01:25:33.329 --> 01:25:37.630
want to give them a shot, or even if it's something

01:25:37.630 --> 01:25:41.649
that we mentioned but we didn't even talk about

01:25:41.649 --> 01:25:44.869
what they're about, sometimes you can check out

01:25:44.869 --> 01:25:47.409
the labels that they're on and kind of get an

01:25:47.409 --> 01:25:52.170
idea with what that label is signing. And there

01:25:52.170 --> 01:25:55.760
are other times where... It's a crapshoot. So

01:25:55.760 --> 01:25:58.340
thankfully with streaming, you can check out

01:25:58.340 --> 01:26:01.420
as much of this stuff as you want, but I stand

01:26:01.420 --> 01:26:03.380
by what I said before. If you like something

01:26:03.380 --> 01:26:07.460
enough, fork some money over, support the bands,

01:26:07.680 --> 01:26:12.300
you know, find out, go to their websites, find

01:26:12.300 --> 01:26:15.859
out where they're selling their albums. And maybe

01:26:15.859 --> 01:26:18.680
you can't pick up a vinyl, but you can pick up

01:26:18.680 --> 01:26:22.239
a CD or a t -shirt or, or something along those

01:26:22.239 --> 01:26:25.289
lines, help them out. the greatest thing that

01:26:25.289 --> 01:26:28.430
I hear all the time is my wife is going to kill

01:26:28.430 --> 01:26:31.369
me. Uh, I've spent way too much money on music

01:26:31.369 --> 01:26:35.989
this month and it's all your fault. So, uh, I

01:26:35.989 --> 01:26:40.010
like hearing that, uh, their wives may, uh, you

01:26:40.010 --> 01:26:43.689
know, put a brick in their, uh, pocketbook and

01:26:43.689 --> 01:26:45.789
hit me over the head one of these days, but,

01:26:45.789 --> 01:26:51.050
um, is what it is. Uh, in any event, folks, thanks

01:26:51.050 --> 01:26:54.069
for listening. Thank you, Jeremy. Uh, thank you,

01:26:54.069 --> 01:26:56.430
Edgar Winterson, even though, uh, you showed

01:26:56.430 --> 01:26:58.550
up late. Thank you to all the people that jumped

01:26:58.550 --> 01:27:01.689
in and watch this show live tonight. I do appreciate

01:27:01.689 --> 01:27:04.449
it. And thank you to anyone that's watching or

01:27:04.449 --> 01:27:08.229
listening to this show. Um, after the fact on,

01:27:08.250 --> 01:27:11.970
on YouTube or, uh, rumble or any of the other

01:27:11.970 --> 01:27:15.229
platforms where you can check this, uh, video

01:27:15.229 --> 01:27:17.350
version out, or if you're listening to the podcast

01:27:17.350 --> 01:27:19.409
version of this, thank you so much for your support.

01:27:19.890 --> 01:27:23.920
We will see you next time. Right here on Signals

01:27:23.920 --> 01:27:36.920
from Mars. See you folks. Thank you for listening

01:27:36.920 --> 01:27:39.819
to the Signals from Mars podcast. You can subscribe

01:27:39.819 --> 01:27:42.859
to the show on all your favorite platforms like

01:27:42.859 --> 01:27:46.300
Apple Podcasts, Spotify, Google Podcasts, Amazon,

01:27:46.619 --> 01:27:49.819
and more. Go to signalsfrommars .com for more

01:27:49.819 --> 01:27:51.739
information. This concludes our show.
