1 00:00:00,000 --> 00:00:04,000 It's been a day and a half since I've last spoken to Ava, and I don't think she'll ever call. 2 00:00:04,880 --> 00:00:07,280 Either that or she has completely forgotten about me. 3 00:00:08,560 --> 00:00:13,200 Regrettably, I didn't take her number. I can ask my assistant to fetch me a number for her, 4 00:00:13,200 --> 00:00:14,720 but I'm sure it's her manager's number. 5 00:00:15,600 --> 00:00:17,440 Don, I say to my assistant. 6 00:00:17,440 --> 00:00:17,840 Yes, sir? 7 00:00:18,720 --> 00:00:20,400 Get me a number for Ava Wiscan. 8 00:00:21,920 --> 00:00:25,920 We are walking to my assigned vehicle to go back to the hotel after a shoot. 9 00:00:25,920 --> 00:00:28,320 I don't have anything planned for the rest of the evening, 10 00:00:28,320 --> 00:00:32,560 and if I have to spend my entire afternoon hunting for Ava's number, then so be it. 11 00:00:33,120 --> 00:00:36,080 I need to get that painting done before I head back home, 12 00:00:36,080 --> 00:00:39,280 that and the fact that I want to at least enjoy this woman's company. 13 00:00:40,160 --> 00:00:45,600 Ava Wiscan is not a force to reckon with. She is witty, carefree, and a fucking boss. 14 00:00:46,240 --> 00:00:50,720 God, if only I could wrap my fist around that long brunette hair and have my way with her. 15 00:00:50,720 --> 00:00:51,920 My life would be complete. 16 00:00:52,480 --> 00:00:56,640 When I found out that some of my shoots would be done in her city, I knew I had to find her. 17 00:00:56,640 --> 00:01:00,720 I have been crushing on Ava since our first encounter six years ago, 18 00:01:01,360 --> 00:01:05,040 and though the conversation had been short, she'd left a mark on me. 19 00:01:05,040 --> 00:01:07,440 When her friend introduced us, I couldn't stop staring. 20 00:01:08,000 --> 00:01:09,920 Usually, it was the other way around. 21 00:01:09,920 --> 00:01:13,280 Women would swoon and be all over me like a fucking fly with meat. 22 00:01:14,080 --> 00:01:17,840 Ava, on the other hand, had shook my hand and diverted her attention elsewhere. 23 00:01:18,560 --> 00:01:22,720 She did steal a few glances back at me, but not as much attention as I gave her. 24 00:01:22,720 --> 00:01:27,040 Our brief encounter had been cut off when I'd been summoned by my manager. 25 00:01:27,600 --> 00:01:31,200 I should have been able to get her number, but the guy who knew her friend was just 26 00:01:31,200 --> 00:01:34,880 a colleague I met at the show. We were chilling at the event, 27 00:01:34,880 --> 00:01:39,040 and had never gotten the time to exchange digits so I couldn't ask them for Ava's number. 28 00:01:40,160 --> 00:01:44,160 But as time passed, and she rose to fame, it became awkward to get in touch. 29 00:01:44,960 --> 00:01:50,080 As a dude with my stature, you would think that I can approach any woman and get through, 30 00:01:50,080 --> 00:01:54,960 and that might be the case, but I just had the feeling I couldn't do that with Ava Wiscan. 31 00:01:55,760 --> 00:01:59,680 I've kept tabs on her throughout the years, and one thing I've learned is that she is an 32 00:01:59,680 --> 00:02:05,040 enigmatic soul, she doesn't date, she is never seen with a guy and she focuses solely on her work. 33 00:02:05,840 --> 00:02:08,720 If she does date, she sure as fuck keeps it under wraps. 34 00:02:09,280 --> 00:02:12,480 I've just arrived at the hotel and heading for the elevator to my room, 35 00:02:12,480 --> 00:02:17,440 when my phone buzzes with an unnamed number. I wait for the elevator to close before answering. 36 00:02:17,440 --> 00:02:24,160 I answer, unnamed numbers are usually from calls I personally gave my card to. 37 00:02:25,120 --> 00:02:30,160 There is a card for my assistant and a card for me, so if anyone called me on my phone, 38 00:02:30,160 --> 00:02:35,760 I single-handedly gave them the number. Hello, this is Sheila Friday. I'm calling on 39 00:02:35,760 --> 00:02:42,240 behalf of Ava Wiscan. Yes, my heart flutters and a smile plays across my lips as I step out of the 40 00:02:42,240 --> 00:02:48,320 elevator. We understand that you requested to have your portrait painted. I would like to set up 41 00:02:48,320 --> 00:02:54,160 the earliest date for you to get started. Sure. Is it me or does the woman on the other line sound 42 00:02:54,160 --> 00:03:01,760 different? It didn't sound like, um, what was her name again? Catherine. Great. How soon would you 43 00:03:01,760 --> 00:03:07,360 like to come in to get things started? I take a seat on the couch inside my room. How about now? 44 00:03:08,240 --> 00:03:12,080 Sheila stumbles for a second and then clears her throat. I will check to see if Ms. 45 00:03:12,080 --> 00:03:17,360 Wiscan is available today and get back to you. If not, will tomorrow morning be good? 10 o'clock? 46 00:03:18,080 --> 00:03:24,000 Sure. Okay, well, I'll be in touch with you shortly. I end the call and relax back onto the 47 00:03:24,000 --> 00:03:28,880 couch. My day has just changed for the better. In a matter of minutes, Sheila returns the call and 48 00:03:28,880 --> 00:03:34,000 confirms an open space for three o'clock. I've never been this excited about any fucking thing 49 00:03:34,000 --> 00:03:39,760 than this in a long while. I tell my assistant to take the day off, or in other words, to fuck off 50 00:03:39,760 --> 00:03:45,600 and head into the shower. At 10 minutes to three, I'm standing at Ava Wiscan's gate. Her house is 51 00:03:45,600 --> 00:03:50,640 huge. Initially, I thought we would have met at one of her many galleries, but her inviting me to 52 00:03:50,640 --> 00:03:56,160 her home was something else. The big black gate doors open, stopping a quarter way and I slip 53 00:03:56,160 --> 00:04:00,800 inside. A dark-skinned woman is standing at the front door of this massive two-story house. 54 00:04:01,360 --> 00:04:05,920 She gives me a small wave and patiently waits until I'm standing close enough to shake her hand. 55 00:04:05,920 --> 00:04:12,320 Hello again. I'm Sheila Friday, Ms. Wiscan's manager. My apologies. I hope the walk-in 56 00:04:12,320 --> 00:04:19,440 side wasn't too long. No, not at all. Good. Follow me. If I ever thought the outside was amazing, 57 00:04:19,440 --> 00:04:25,760 I need to think again. Ava's home is like a walk-in museum. There are paintings and sculptures 58 00:04:25,760 --> 00:04:31,440 filling spaces you would never think of. This main room alone is worth millions, given her value. 59 00:04:31,440 --> 00:04:35,440 Her home is decorated with gray furniture to match the white walls and decals. 60 00:04:36,720 --> 00:04:40,720 Sheila takes me down a hallway where there is another set of drawings lining the walls. 61 00:04:41,680 --> 00:04:48,320 This woman is fucking amazing. Beautiful, isn't it? Sheila says when I stop to admire one. 62 00:04:48,880 --> 00:04:56,160 Priceless. This one is one of her first major drawings back in high school. Wow. Come along. 63 00:04:56,160 --> 00:05:04,160 We don't want to keep Ms. Wiscan waiting. That indeed. Sheila pushes a double door, 64 00:05:04,160 --> 00:05:09,680 introducing me to Ava's studio. It's white, bright and pristine, but also has flecks of 65 00:05:09,680 --> 00:05:14,080 color splashed on the plastic flooring. I guess this is where all the magic happens. 66 00:05:15,280 --> 00:05:19,600 When Ava glances away from her artboard and sees me, there's no expression in her eyes. 67 00:05:20,240 --> 00:05:24,880 Her face is neutral. What if insisting that I see her now had pissed her off? 68 00:05:24,880 --> 00:05:29,600 Ms. Wiscan, Mr. U— Thank you, Sheila. You can leave now. 69 00:05:30,480 --> 00:05:33,440 Just before Sheila makes it to the door, Ava adds, 70 00:05:33,440 --> 00:05:36,240 That is all for the day. You can leave. Lock up when you leave. 71 00:05:36,960 --> 00:05:39,440 She nods. Thank you, Ms. Wiscan. 72 00:05:40,080 --> 00:05:44,720 The moment Sheila exits, Ava glides across the room and locks the door. I lift a brow. 73 00:05:45,520 --> 00:05:50,480 Don't get any ideas. I have staff around my house and I prefer they knock than waltz in. 74 00:05:50,480 --> 00:05:55,440 Don't they usually knock? They do, but you can never know if someone decides to be outside 75 00:05:55,440 --> 00:06:00,720 themselves today. I smile. So, Mr. Spiel. Call me Cassius. 76 00:06:01,680 --> 00:06:05,280 Cassius? Is that what you plan on wearing for your portrait? 77 00:06:06,240 --> 00:06:10,800 Yes. I'm wearing a gray loose linen shirt and matching drawstring pants. 78 00:06:11,440 --> 00:06:13,360 Is there a problem? Nope. 79 00:06:14,480 --> 00:06:16,720 She lifts a black stool and I take it from her. 80 00:06:16,720 --> 00:06:20,880 Put it over there. She commands. And what position would you prefer? 81 00:06:22,000 --> 00:06:24,880 Sitting. Is that a question or an answer? 82 00:06:25,600 --> 00:06:30,160 What do you think? I want the best possible, so whatever she chooses, I'm going with it. 83 00:06:30,960 --> 00:06:34,480 I'm not the one. You're the expert here, Ava. She eyes me. 84 00:06:34,480 --> 00:06:38,320 Sitting. Good. Then I'll be sitting. 85 00:06:39,360 --> 00:06:43,920 Ava moves over to the large easel. I figure that Sheila has briefed you on the expectations, 86 00:06:43,920 --> 00:06:49,040 cost and deliverables. I nod. She did quite the job of that over the phone. 87 00:06:50,000 --> 00:06:54,160 Excellent. Speaking of Sheila, what happened to Catherine? 88 00:06:55,120 --> 00:06:58,080 She was fired. I know it's none of my... 89 00:06:58,080 --> 00:07:01,440 The bitch thought her opinions mattered over mine. She didn't call you on purpose. 90 00:07:02,560 --> 00:07:06,480 Oh, I glance around the room. And you got a replacement already? 91 00:07:07,360 --> 00:07:11,680 Every day I receive job applications. It's not difficult to secure a replacement in less than 92 00:07:11,680 --> 00:07:15,680 24 hours. Wow. She adjusts the easel. 93 00:07:16,640 --> 00:07:21,920 Sit. Yes, madam. I take a seat on the stool. Anything else? 94 00:07:22,960 --> 00:07:27,840 Ava moves in front of me, and for some time she is back and forth between the easel and me, 95 00:07:27,840 --> 00:07:33,440 probably to get the right angle. Would it be too late to ask for a drawing instead of a painting? 96 00:07:34,320 --> 00:07:39,680 She peers at me. No, I haven't started as yet. But it would change the invoice in all associated 97 00:07:39,680 --> 00:07:45,440 costs. Well, do what is necessary. I'd prefer a black and white drawing. 98 00:07:46,480 --> 00:07:50,160 Her eyes grow hooded. Anything else you would like to add before I get started? 99 00:07:51,360 --> 00:07:56,160 No. Okay. She exhales a breath. What is your pose? 100 00:07:57,440 --> 00:08:02,240 I do a couple of poses in front of her until I'm satisfied with my body tilted forward. 101 00:08:02,240 --> 00:08:05,760 My fingers loosely clasped, and my elbows perched to top my knees. 102 00:08:05,760 --> 00:08:10,160 Good. She moves across the room and picks up a camera. 103 00:08:10,160 --> 00:08:16,480 I'll need to capture. Cashes. Sorry, I forgot to loosen more buttons. I want my chest showing and 104 00:08:16,480 --> 00:08:21,280 my jewelry. Okay, fine. But can you please choose your position and stay in it for at least five 105 00:08:21,280 --> 00:08:28,480 minutes? I smile. I can try. After a goddamn minute, I'm beginning to regret my choice, 106 00:08:28,480 --> 00:08:34,480 either that or I'm restless. As Ava moves around the room taking photos of my pose from different 107 00:08:34,480 --> 00:08:40,080 angles, I can't help but stare. She is a beautiful soul and talented, and though she's wearing a 108 00:08:40,080 --> 00:08:46,000 tube top and parachute pants with an apron, she looks gorgeous. She finally sets the camera down 109 00:08:46,000 --> 00:08:52,560 and heads back to the easel. Can I move now? No, I need to get an outline. Her pencil begins 110 00:08:52,560 --> 00:08:56,880 moving across the board. I'm not trying to punish you. I'm only trying to get the shadows for the 111 00:08:56,880 --> 00:09:03,600 background before the external light changes the room. Do your thing. After a few good minutes, 112 00:09:03,600 --> 00:09:08,160 Ava approaches me and tilts my chin upwards. She heads back to the easel and in between, 113 00:09:08,160 --> 00:09:14,960 she adjusts my pose to suit and takes more photos. You can relax now. She finally says, 114 00:09:15,680 --> 00:09:22,000 I exhale a breath and stretch my back. Are you always this tense? I am working. I have to be 115 00:09:22,000 --> 00:09:27,920 focused. But even as I'm speaking with her, she is sketching. I leave her in silence for a few 116 00:09:27,920 --> 00:09:33,600 minutes, checking my phone for new messages and calls. I even returned one, speaking at the far 117 00:09:33,600 --> 00:09:38,720 end of the room to not disturb her. By the time I get back to the stool, Ava is checking through 118 00:09:38,720 --> 00:09:44,880 her camera. So are you really not going to tell me where you know me from? I say, twisting to meter. 119 00:09:45,600 --> 00:09:51,360 She glances up at me and then down at the camera screen. No. Okay, have it your way. 120 00:09:51,360 --> 00:09:57,840 She takes something like a memory chip from the camera and slips it in into her laptop. 121 00:09:57,840 --> 00:10:04,160 What do you know about April 19th, Zuma fashion show? Ava slowly looks up from her laptop and 122 00:10:04,160 --> 00:10:11,920 her eyes meet. She keeps her stare, making me smile. What about it? Is that where you know me from? 123 00:10:12,560 --> 00:10:15,040 Because that is how I first met you, Ms. Ava Wiskon. 124 00:10:16,160 --> 00:10:20,400 She stands, taking up her tablet this time. She must have transferred the photos there for 125 00:10:20,400 --> 00:10:26,560 ease of access. Interesting. What's so interesting? You remembered. 126 00:10:28,000 --> 00:10:35,680 Of course I did. How can I miss a face like yours? A face like mine? Caches. We barely spoke. 127 00:10:36,240 --> 00:10:42,640 We met for less than two minutes. But you left a lasting mark. How? I grin. 128 00:10:43,840 --> 00:10:48,800 Seeing her this curious is just the icing on the cake. This woman has no idea how much she 129 00:10:48,800 --> 00:10:53,760 affects me, how many times I've stalked her photos and her work and watched the lives of her events 130 00:10:53,760 --> 00:10:59,120 across the world. Some would call it being obsessed, but I like to think of it as being intrigued. 131 00:10:59,840 --> 00:11:03,840 I'd been wearing an earring of a cross and you reached up and fixed it, said it was... 132 00:11:03,840 --> 00:11:09,760 Upside it down? She finishes. Yes. She moves to the easel and sits. 133 00:11:10,800 --> 00:11:15,760 I don't like things out of place. Because you're a perfectionist. It's also the 134 00:11:15,760 --> 00:11:22,720 reason why you shoved that sculpture over. If you put it that way. Ava sets the tablet on her lap. 135 00:11:23,520 --> 00:11:28,800 So if you knew who I was all the time, why now? There's always the right time for everything. 136 00:11:29,760 --> 00:11:33,280 So this drawing you want me to do is all part of your elaborate plan to meet up with me? 137 00:11:34,080 --> 00:11:40,000 I shake my head. No. I want you to draw me. I have every intention of paying you and hanging 138 00:11:40,000 --> 00:11:48,320 your piece of work at my place. So. I stand. I want to get to know you Ava. It's been too long. 139 00:11:49,760 --> 00:11:54,640 My heart is rapidly beating and this has never happened before. I'm usually cool with women, 140 00:11:54,640 --> 00:12:01,440 not the least intimidated by them. But her... Ava Whisken. She has me questioning my words, 141 00:12:01,440 --> 00:12:06,800 my actions, every fucking thing. She's unpredictable, one wrong move and she can 142 00:12:06,800 --> 00:12:12,640 send me off with no drawing and no access to her heart. What makes you think I want to get to know 143 00:12:12,640 --> 00:12:18,720 you? You fired your manager for me and you invited me to your home. If that doesn't tell me that 144 00:12:18,720 --> 00:12:23,680 you're a little interested then... My manager was incompetent. Given your schedule it would be easier 145 00:12:23,680 --> 00:12:28,240 to accommodate you as soon as possible. And inviting you to my home is because I'm having my gallery 146 00:12:28,240 --> 00:12:37,440 remodeled. You have more than one. She looks away. So why am I here Ava? I told you. Tell me the truth. 147 00:12:38,400 --> 00:12:44,720 I step closer to her. We are both adults. Her eyes drift downwards towards my erection, 148 00:12:44,720 --> 00:12:50,160 then she squints up at me. Is that what you do? Do you try to seduce your clients to get a better 149 00:12:50,160 --> 00:12:57,040 price? I'm disappointed. I step away from her. Now can you do me a favor and sit on the stool so 150 00:12:57,040 --> 00:13:02,720 I can finish doing what I'm getting paid to do? Fuck. I take a seat on the stool. Good boy. 151 00:13:04,000 --> 00:13:10,080 She begins scratching again at the easel and I'm lost for words. She doesn't want me. How could 152 00:13:10,080 --> 00:13:15,120 I read all of this wrong? Maybe I'm so fucking accustomed to these basic women that I couldn't 153 00:13:15,120 --> 00:13:22,240 see this one coming. Take off your shirt. I'm sorry what? Take off your shirt. 154 00:13:22,240 --> 00:13:30,000 I don't hesitate and do as she says. She rubs behind her neck. It's for reference purposes. 155 00:13:31,680 --> 00:13:38,320 Oh, okay. She leaves the easel and reaches for the camera again. Ava is snapping so many photos. 156 00:13:38,320 --> 00:13:44,880 I don't see why she would need all of those. Is this part of- Yes. Lift your arms. 157 00:13:44,880 --> 00:13:53,200 I obey her. Do you feel uncomfortable? I shake my head. No. She can do as she pleases. 158 00:13:53,200 --> 00:13:56,160 As long as she stays this close and I can continue to smell her. 159 00:13:57,200 --> 00:14:06,000 Good. Now take off your pants. I- She tilts her head. Okay. I strip my pants and send them flying 160 00:14:06,000 --> 00:14:11,920 across the room. Whatever game she's playing, I'm all in. I'm fucking in. Do you want me to take 161 00:14:11,920 --> 00:14:18,080 off the boxers too? She nods. I'm now sitting on a fucking stool naked as I was born and this 162 00:14:18,080 --> 00:14:25,520 beautiful woman is taking a million and one photos of me. Anything else? No. You're perfect as is. 163 00:14:26,320 --> 00:14:30,000 She takes two steps away from me, clicks the camera twice more, 164 00:14:30,000 --> 00:14:35,280 and then sets it down on the stool behind the easel. I'm going to sculpt you. I'm going to use your 165 00:14:35,280 --> 00:14:43,280 body as a marker for my future work. I will need your permission. Uh, what the fuck? I can draw 166 00:14:43,280 --> 00:14:47,440 you for free but you'll have to give me exclusive rights to sculpt you for the next five years. 167 00:14:48,560 --> 00:14:53,120 I approach her. My cock is fucking hard from sitting there and being a martyr for her, 168 00:14:53,120 --> 00:14:56,400 and she has no idea how far I will go for her to let me have my way with her. 169 00:14:57,040 --> 00:15:03,680 Ava is silent but her chest is moving at an unsteady rate. Done. Her eyes widen. As long as you 170 00:15:03,680 --> 00:15:12,000 do something for me. I don't negotiate well. I move closer. Why don't you date? She exhales a breath. 171 00:15:12,720 --> 00:15:19,760 I prefer my work over a man's company. Do you fuck? Sometimes. When was your last? 172 00:15:20,480 --> 00:15:26,800 Why is any of that your- Do you want to fuck now? She remains silent. Ava. 173 00:15:26,800 --> 00:15:33,680 Yes. I pull her against me. I'll be damned if I let this woman out of my sight and not have 174 00:15:33,680 --> 00:15:39,440 my way with her. She breaks the embrace, slipping the apron over her head. I yank her pants down, 175 00:15:39,440 --> 00:15:43,920 savoring the silky smoothness of her legs. She's stunning. Fucking amazing. 176 00:15:44,960 --> 00:15:50,320 Get on the stool. She commands and usually I do the talking but I get it. I get it that she loves 177 00:15:50,320 --> 00:15:56,800 to be in control. And I'm loving it. I settle on the black stool and watch as she relieves herself 178 00:15:56,800 --> 00:16:02,480 of her tube top and panties. A breath escapes me. This woman is nothing compared to anyone or 179 00:16:02,480 --> 00:16:07,840 anything. She's a fucking goddess. She makes her way towards me and I couldn't help but reach out 180 00:16:07,840 --> 00:16:15,280 to touch her, feel her, grab her. A short breath escapes her when I yank her onto me. Ava slides 181 00:16:15,280 --> 00:16:21,600 on top of my legs, wraps her arms around me and mounts me like a motherfucking horse. She is tight, 182 00:16:21,600 --> 00:16:28,640 so goddamn tight that I can feel everything. Every fucking thing. She buries her face into my neck 183 00:16:28,640 --> 00:16:34,400 and begins bouncing, her sweet sweet pussy tightening around me with every dip. She's 184 00:16:34,400 --> 00:16:39,600 rotating her hips spelling fucking letters. God. I moan her name out loud and she loosens her arms 185 00:16:39,600 --> 00:16:45,600 around me and arches her back. Her nipples are erect, hard and straight for the taking. I cover 186 00:16:45,600 --> 00:16:51,280 my mouth over it, sucking it in like it's my last fucking meal. I squeeze her ass making sure I'm as 187 00:16:51,280 --> 00:16:56,560 fucking deep as I can be in her. Hearing her soft moans is sending me off the edge. I switch to the 188 00:16:56,560 --> 00:17:04,320 other nipple, caressing it with the tip of my tongue. So pink. So soft. She begins bouncing again, 189 00:17:04,320 --> 00:17:09,760 this time faster and heavier. She's on the edge. I can feel it. I can feel the built-up tension 190 00:17:09,760 --> 00:17:15,920 inside her. She grips onto my shoulders, clawing her nails into my back. I move in sync with her, 191 00:17:15,920 --> 00:17:20,480 feeling my cock on the edge of release and if she keeps this up squeezing and pulsating her sweet 192 00:17:20,480 --> 00:17:25,360 pussy around me like this then I'll- Ava yells out loud, pounding onto me and nursing my dick. 193 00:17:25,920 --> 00:17:29,520 My mouth and tongue are no longer a match for the speed at which her breast bounce. 194 00:17:29,520 --> 00:17:35,760 I'm like a dog in heat trying to catch up with her pace. Shit. Her pussy clenches around my cock 195 00:17:35,760 --> 00:17:41,920 and I burst inside her. I steady her, hugging her with all my strength. I can't let go. I don't 196 00:17:41,920 --> 00:17:46,880 want to let go. And even while I come inside her she's still milking me for everything I fucking 197 00:17:46,880 --> 00:17:52,960 got. She's the devil and I'm in love. Ava kisses me and pulls away and when she attempts to free 198 00:17:52,960 --> 00:17:59,040 herself from my grasp I don't allow it. But when she fights again, I let her go. She climbs off of 199 00:17:59,040 --> 00:18:04,480 me and reaches for her pants. My semen is sliding down her thighs and I'm pissed. I don't know why 200 00:18:04,480 --> 00:18:10,560 I'm angry but I'm fucking pissed. She slips on her tube top and then her pants. All I can see is the 201 00:18:10,560 --> 00:18:16,880 remnants of my cum seeping through the pants. Fucking hell. Ava heads back to the easel and 202 00:18:16,880 --> 00:18:22,640 begins scratching at the pad again. That'll be all Mr. Spill. You can go. I have everything I need. 203 00:18:22,640 --> 00:18:30,720 What the fuck? I stand butt naked. Ava. I'll be in contact with you over the period that you're here. 204 00:18:31,600 --> 00:18:38,880 I gather my belongings and put them on and thank you. For what? For everything. She winks at me 205 00:18:38,880 --> 00:18:44,960 making me smile. I make it to the door and she stops me. Wait. I'm thinking she's looking for 206 00:18:44,960 --> 00:18:50,720 round two but she heads over to her desk, pulls a drawer and slips out a booklet. She hands it to me. 207 00:18:50,720 --> 00:18:56,000 I would need you to sign this contract before you go giving me exclusive rights to sculpt your body. 208 00:18:57,360 --> 00:19:01,520 I glance down at the document at then at her. You can use the table over there if you would 209 00:19:01,520 --> 00:19:08,240 like to read it. Wow. I peer at her. Do you need a pen? Do you want me to use my dick? 210 00:19:09,440 --> 00:19:15,920 She smiles. You can if you want to. I grin. If I ever thought soulmates weren't real then now is 211 00:19:15,920 --> 00:19:24,400 the right time to start believing again because Ava Wiscan is now my fucking heart. 212 00:19:24,400 --> 00:19:45,040 Hey Raiders. You have met the end of this two-part episode Art Gallery. Stay tuned. Bye.