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Hello, hello, hello, geeks.

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Welcome to another episode of Smack My Pitch Up, the podcast that reboots, remakes, reimagines,

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sequels, cycles, and adapts some of your favorite and least favorite properties from film, television,

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and what have you.

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And we've got a banger here on this episode for sure.

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And with me to discuss the remakes and reimaginings, my co-host, Tondi.

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G'day, Schlinger.

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I thought about doing like an accent, I think for the betterment of everyone involved.

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I'm not gonna try to do that.

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I've never been able to nail either the British or the Australian accent because they bleed

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into each other.

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Yeah, you know what's fun about doing an accent?

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For me specifically, I'll lose it.

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I'll lose it almost immediately and it will turn into whatever.

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It'll turn into like something racist by the end of whatever impression I'm doing.

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It could be the whitest accent.

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I can do like a Russian accent very poorly where you're almost offended.

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I don't have a Russian background, but like I'm white enough where it's like, no, he can.

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He's allowed to do Russian accent.

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Now it's almost offensive.

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So you don't want to get smacked by Putin.

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Nobody wants to get smacked by Putin.

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So best not to.

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I'm clobbered by his giant horse.

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Yeah.

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Let's avoid that if possible.

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I eat you with my pick.

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So today we are talking about a cult classic for sure.

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Oh definitely.

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A movie that has spawned multiple sequels as well as a remake that's not really a remake

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so much as a re-engagement, a re-envisioning of...

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Yeah.

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It's like old Mad Max is what do they call the Star Wars stuff that was made before the

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reboot?

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The Star Wars legends or whatever?

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Or the novels and stuff?

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Yeah.

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Old Mad Max is Mad Max Legends and this is like, you know, the new kids.

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Even though it's the same character, it's not at all.

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What we are talking about is Mad Max, the first Mad Max movie and the universe in general,

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I guess.

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But the thing that's interesting about that though is starting with Fury Road, if they

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are going with Tom Hardy as Max from now on, if they're restarting this universe, it is

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interesting where they're starting as far as the distance away from Doomsday.

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Like, every Mad Max movie gets a little bit further away from the fall of society.

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Yeah.

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Oh, Fury Road is like hundreds of years after, like Max is a Thailander or something by the

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time of Fury Road.

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From the original director, he said that Max is really more there to be our way into a

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slice of life of that world at that time.

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You know, that Max does assist with stuff happening, but for the most part, we're just

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following him around on his adventures to see where the world is at this point in the

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decay.

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And it was interesting to revisit Mad Max after it's been years.

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I haven't seen it since Fury Road came out, I think.

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I'd only ever seen it on TV after watching this, I realized I'd only ever seen it as

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a TV edit.

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And it's a whole different experience.

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This is some good schlock.

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I was actually surprised.

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It's really good schlock.

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It holds up well and you try to explain what happens and there's three important things

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that happen and that's it in like 90 minutes, but it's engaging the whole time.

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There's never a point where I felt bored watching this movie.

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It's interesting.

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It's not too long, although I did feel like it dragged a little bit somewhere in the middle.

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It's not too long.

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It has some really intriguing aesthetic choices.

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The score is late 50s, early 60s style.

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The orchestration, which is interesting.

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There's some interesting camera stuff going on.

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It's very surprising.

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This is George Miller's first major movie.

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And I feel like the acting is not top notch, but it does feel natural enough that it's

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even the bad actors are not that cringy.

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It doesn't come off poorly.

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I like some like Goose.

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I thought Goose was kind of cool.

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Max is actually a little bit too young.

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That was my complaint.

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Mel Gibson is a little bit young for the Kirkland.

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I was mindful and made sure that I didn't go too old with Max with my casting, but I

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did.

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Yeah.

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He is so much younger than everybody else really in the film.

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He looks like a baby.

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And maybe it's just because we know Mel Gibson to be this like old racist dude.

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And this is like young racist dude, but this is even before Big Hair.

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The incredible wings Mel Gibson.

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This is a whole different actors in their like early 20s.

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And I just, I couldn't, I just, the concept of them driving a car.

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I'm like, you're not old enough to drive a car.

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You got the cutest little baby face.

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But that is something that I really like about Mad Max is that there is a portrayal of a

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revenge film, very Western.

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It's completely, if you take all the beats of this movie and remove the cars and put

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in horses, it's, and it's not the apocalypse.

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It's just the old West.

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This is a Western movie, but it doesn't try to overdo the chase scenes.

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The chase scenes are pretty straight up.

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Like they're on straightaways.

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They're not doing all these crazy twists and turns and shit.

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And Max isn't this big buff fucker.

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He's this normal sized person that he fights a little, but mostly it's just him running

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people over with his car.

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That's the majority of his skill set is just killing people with his beautiful baby face.

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So what I liked about that is I didn't need to cast some like action hero type necessarily

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for the role of Max.

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This was pre that type anyway.

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They were on the, just the cusp of having leads take over in that fashion, but this

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is what it's like 79.

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Yeah, I believe in late seventies.

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Yeah.

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So this is right before they start putting Adonis Godman as the other action leads.

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What a weird time.

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Yeah.

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It was the eighties pretty much all the way through until right at the end of the eighties

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when you had the like Bruce Willis's and the Joe Everyman that came in and picked that

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back up again.

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But there's this like 10 year block that was just big old machismo men that ruled the world.

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Yep.

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And then after that it was, it was, they're all Brad Pitt types, wiry, muscly, wiry dudes

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that I still represent.

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Of course.

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Oh man.

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There was a weird time in my high school years that scrawny hairless men was the in vogue

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look and that's literally the opposite of me.

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If you were to, damn you Moby.

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Right?

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All the lanky fucking scrawny dudes that everybody was losing their shit over.

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I had no armpit hair, nothing.

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Here I am looking like a fucking lumberjack, a short little wide lumberjack.

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No.

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Yes.

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And both you and the scrawny lanky dude are both looking at Mel Gibson going, yeah, pretty

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much now how the tides have turned that bearded men is it now in vogue and yay, we rule the

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day until we know we go to bed at a very reasonable hour.

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Okay.

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So Mad Max, there's a lot of room to work here.

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I'm interested to see if either of us decided to stick to the timeline of the post-apocalypse

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or the dystopian world of the original Mad Max or took it a little bit further into the

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post-apocalypse.

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Also, is this an apocalypse movie?

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Is this done differently?

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I'm really interested.

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You having the wild one always excites me because you will go out there.

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This might be in space.

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I don't know.

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So I'm

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No, the take this time is going to be something where you're like, what are you doing?

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Nice.

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You know, last time you're like, wow, that is really cool.

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That is fun.

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This one's going to be like, why?

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Why do that?

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Great.

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Mine, I feel is a pretty straight ahead version here that I think you're going to understand

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why I made the choices that I did.

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This is the straight up remake, reimagining, what have you.

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I decided that the real difference here is that I didn't want to try to capture that

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like Aussie dystopian vibe.

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I wanted to look at what Mad Max would be if it was an American director directing American

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actors with an American aesthetic, but not necessarily the fast and the furious kind

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of aesthetic.

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Definitely balls to the wall a little bit.

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That's definitely America, but more that action kind of comedy, the diehards of it, the fun

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action vibe a little bit with just a touch of demented to let it go down smoother.

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And I decided that Brian Taylor would be my director for that kind of journey.

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If you're unfamiliar, he is one of the directors of Crank 1 and 2.

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He directed Gamer, Ghost Rider, Spirit of Vengeance.

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More recently, he did the movie Mom and Dad with Nicolas Cage, which is an absolute fucking

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blast if you haven't seen it.

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I have not even heard of it.

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It's like an infection movie where all the parents are infected and get like homicidal

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and want to murder their own children.

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That's what the virus does.

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Oh, so just like.

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Yeah, basically.

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All these parents being like, come here, honey, stab stab.

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And there was a series on sci fi that helps create and also directed called Happy that

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was a tour de force of demented weird fantasy.

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The main character, Chris Maloney, he has an imaginary friend that's like a flying unicorn

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that's voiced by Patton Oswalt.

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It's a weird show, but definitely steeped in gross, weird, demented comedy.

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And so that's energy that I wanted to bring to this is just a little over the top, a little

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bonkers, but still that intensity you want from an action film.

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And so I, for Max, that was a tough choice for me.

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I wanted to do a not action hero kind of person, but somebody that could get unhinged if they

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really got to that point.

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They would break bad when it got to that.

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And from his portrayal in Mayhem, this horror movie, I thought Steven Yeun would be an interesting

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choice for Max.

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Oh, nice.

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I almost cast him in a different role.

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Yeah.

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Steven Yeun deserves a breakout role in like a young person's breakout role like that.

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I know he's going for serious stuff, but he's definitely proven himself to be a tremendous

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actor.

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But I've also been playing this dude that gets basically infected and becomes like a

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raw nerve of aggression and mayhem.

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It's a very fun ride that he takes you on and he gets to play it super big and you can

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tell he's having a fun time with it.

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And so I want to be able to have that spectrum from the actor playing Max is somebody that

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can go subtle and quiet because Mel Gibson is quiet in the first man Max.

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He doesn't say a lot at all.

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So I want that to just go up to 11 when he's on his revenge that he's just freaking out

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and going bonkers.

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So Steven Yeun, I think it would be fun in that role for Jesse, his partner, his wife,

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the mother of his child.

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I wanted an actress that could play like she's got her own shit together.

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She's not like the damsel in distress type, but is also very funny and can play at the

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big action sequences and be the comic relief of the moment.

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And some of the most like darkest moments of this movie.

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And I just saw recently in a really bad movie called Shotgun Wedding.

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Movie's fucking awful.

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It's the Jennifer Lopez vehicle that came out on Prime and it's stupid.

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I hate it.

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Yes.

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Sandra started watching that the other day and I don't.

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Yeah, it's really bad, but Darcy Carden is in it and I love her.

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She was in The Good Place as Janet.

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She plays Natalie in Barry and she was also in Shotgun Wedding, but she's a comedic actress.

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She's been around and she's been in tons of stuff.

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Very funny.

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There's something about her that so just like hits me the right way.

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Very funny actress and has the I'm one step ahead of you kind of energy with her humor

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as well.

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She knows what you're going to say and she's got five quips ready to go already.

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So I thought they would be a fun matchup.

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Jim Goose.

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Keep the energy.

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Goose.

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I wanted something that would be like the kind of wide open wants to be a ladies man,

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just fun, weird, sidekicky character and a little older as well.

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Christopher Maloney.

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He's already worked with the director.

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I think he would have a lot of fun just being like the zany sidekick or not sidekick, but

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co-worker.

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Oh, definitely.

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And Maloney is awesome.

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Maloney is a fucking trip.

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He is such a trip.

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I had cast him as Fifi, their boss basically, because I thought Maloney would have a lot

244
00:11:56,640 --> 00:12:00,840
of fun just walking around shirtless, smoking a cigar and yelling at people and he would.

245
00:12:00,840 --> 00:12:04,520
But I think his energies would be better spent as Jim Goose for Fifi.

246
00:12:04,520 --> 00:12:06,240
I decided that role.

247
00:12:06,240 --> 00:12:11,100
I wanted somebody built like the big look like a Russian weightlifter that lift the

248
00:12:11,100 --> 00:12:14,040
triangular weights only their boss Fifi.

249
00:12:14,040 --> 00:12:17,840
So I needed a buff guy that was going to be able to have fun in this role as this really

250
00:12:17,840 --> 00:12:20,480
happy, big energy person.

251
00:12:20,480 --> 00:12:23,840
So Terry Crews immediately jumped out as a good choice there.

252
00:12:23,840 --> 00:12:24,960
Of course.

253
00:12:24,960 --> 00:12:30,520
Just really friendly, nice boss that people actually like, but also don't fuck with him.

254
00:12:30,520 --> 00:12:33,040
Terry Crews works perfectly for that.

255
00:12:33,040 --> 00:12:38,080
Yeah, Terry Crews is great as the big guy.

256
00:12:38,080 --> 00:12:41,920
His whole career is pretty much playing that role for the most part.

257
00:12:41,920 --> 00:12:46,040
Except for Brooklyn Nine-Nine, he doesn't play the big guy, quote unquote, necessarily

258
00:12:46,040 --> 00:12:47,040
in that role.

259
00:12:47,040 --> 00:12:50,120
He plays the sweet, cool headed guy who loves his family.

260
00:12:50,120 --> 00:12:54,120
I feel like Terry Crews would be a great person to spend time with, not even get a drink with,

261
00:12:54,120 --> 00:12:58,360
but like just your friend from years ago that you go to like the park with your kids together

262
00:12:58,360 --> 00:12:59,360
kind of energy.

263
00:12:59,360 --> 00:13:00,360
He is a sweetheart.

264
00:13:00,360 --> 00:13:05,120
Yeah, who keeps trying to get you to go to the gym with him and you're like, oh yeah,

265
00:13:05,120 --> 00:13:07,120
I'll see you there.

266
00:13:07,120 --> 00:13:08,120
100%.

267
00:13:08,120 --> 00:13:09,640
Oh, your CrossFit friend.

268
00:13:09,640 --> 00:13:10,640
That's Terry Crews.

269
00:13:10,640 --> 00:13:11,640
Oh no.

270
00:13:11,640 --> 00:13:19,840
For these are bad guys now that we're going with and I wanted to cast kind of quiet and

271
00:13:19,840 --> 00:13:22,480
intensity for Bubba Zanetti.

272
00:13:22,480 --> 00:13:27,560
And so I went with Tommy Flanagan, if you're unfamiliar, he's the Irish actor with a giant

273
00:13:27,560 --> 00:13:30,280
gash scar in his face that was in Sons of Anarchy.

274
00:13:30,280 --> 00:13:31,640
He was in Sin City.

275
00:13:31,640 --> 00:13:32,880
He's been in Braveheart and Gladiator.

276
00:13:32,880 --> 00:13:33,880
Yeah.

277
00:13:33,880 --> 00:13:34,880
I believe I know who you're talking about.

278
00:13:34,880 --> 00:13:38,960
Very well known as always the grizzled tough guy.

279
00:13:38,960 --> 00:13:43,420
And Toecutter, the unhinged boss of the biker gang.

280
00:13:43,420 --> 00:13:45,840
We got to get Nicolas Cage in there at some point.

281
00:13:45,840 --> 00:13:48,880
He's had a couple movies with Brian Taylor.

282
00:13:48,880 --> 00:13:52,720
He had Ghost Rider and also Mom and Dad.

283
00:13:52,720 --> 00:13:54,800
So they know how to work together.

284
00:13:54,800 --> 00:13:59,400
Nicolas Cage could definitely have room to do whatever Nicolas Cage wants with this role.

285
00:13:59,400 --> 00:14:04,600
I'm kind of surprised that Nick Cage didn't come to mind for me for what I'm doing.

286
00:14:04,600 --> 00:14:07,040
That's, yeah, because he is a great choice for that.

287
00:14:07,040 --> 00:14:12,020
I think just giving him moments to do whatever would really make this movie.

288
00:14:12,020 --> 00:14:16,680
And then finally, Johnny the Boy, the drugged out fucking weirdo guy that gets in trouble

289
00:14:16,680 --> 00:14:20,080
and gets arrested and then gets released is the little brother character to the biker

290
00:14:20,080 --> 00:14:23,280
gang that always fucks up and they're always really annoyed with him.

291
00:14:23,280 --> 00:14:25,720
Pete Davidson for Johnny the Boy.

292
00:14:25,720 --> 00:14:26,720
Oh, yeah.

293
00:14:26,720 --> 00:14:27,720
That's perfect.

294
00:14:27,720 --> 00:14:33,120
But with this casting and Brian Taylor and this demented action comedy kind of vibe,

295
00:14:33,120 --> 00:14:38,280
the world that I'm setting up in the States is that basically resources are dwindled dramatically.

296
00:14:38,280 --> 00:14:43,100
And the coasts are really where most everybody lives because you can get to stuff easier

297
00:14:43,100 --> 00:14:46,280
that way through the ocean and railway systems and stuff.

298
00:14:46,280 --> 00:14:49,640
The middle of America is basically ghosted.

299
00:14:49,640 --> 00:14:52,500
A lot of the crops have died at this point.

300
00:14:52,500 --> 00:14:56,600
Resources are dwindling dramatically because of global warming or whatever.

301
00:14:56,600 --> 00:15:03,600
Not necessary to explain, but there's just barren wastes of just flat, dusty dust bowl.

302
00:15:03,600 --> 00:15:08,360
And so really the only people that exist in this area have cars, have souped up rods and

303
00:15:08,360 --> 00:15:13,960
cars that have extra gas tanks attached to them randomly and basically Mad Max vehicles

304
00:15:13,960 --> 00:15:18,440
that they have to build out to make these long hauls in between small towns that are

305
00:15:18,440 --> 00:15:20,320
still existing in the Midwest.

306
00:15:20,320 --> 00:15:24,840
And because that also there's not enough police force to cover these great expanses.

307
00:15:24,840 --> 00:15:28,800
And so there's the highway patrol basically that has these cars that they can get from

308
00:15:28,800 --> 00:15:31,960
town to town on less gas but still gun it.

309
00:15:31,960 --> 00:15:36,680
They have a little bit better technology, but they can only get around so much.

310
00:15:36,680 --> 00:15:38,960
So they're constantly on the tail of all these highway gangs.

311
00:15:38,960 --> 00:15:44,520
They are constantly trying to make sure all the small towns are okay.

312
00:15:44,520 --> 00:15:48,540
But the small towns, they have their sheriffs and their people in charge, but they can only

313
00:15:48,540 --> 00:15:52,220
do so much when a gang of like 30 or 40 bikers comes into town.

314
00:15:52,220 --> 00:15:54,400
So they've been after this gang for a while.

315
00:15:54,400 --> 00:16:00,300
They've been trying to prevent them from stealing the resources from the towns in their sector.

316
00:16:00,300 --> 00:16:06,160
And so that's how they come to know Max from him just being the best cop in their region

317
00:16:06,160 --> 00:16:09,280
trying to protect these towns.

318
00:16:09,280 --> 00:16:14,520
So Max is there basically out of his ability to drive really well, but also he gets better

319
00:16:14,520 --> 00:16:18,120
resources by being friendly with all these towns that have resources and they thank him

320
00:16:18,120 --> 00:16:24,880
by giving him water and gas and clothes and stuff for his car as a bribe basically, hey,

321
00:16:24,880 --> 00:16:27,520
pay more attention to us than the other towns.

322
00:16:27,520 --> 00:16:35,040
And so when the bikers start cutting into his cut by stealing resources from these towns

323
00:16:35,040 --> 00:16:41,300
and him not getting there in time, then that's what's really pissing him off.

324
00:16:41,300 --> 00:16:45,120
That's what's really motivating him is like, hey, you're cutting into my stuff here.

325
00:16:45,120 --> 00:16:47,360
So it's less about the world fully falling apart.

326
00:16:47,360 --> 00:16:54,000
The cities are still industrialized and still working and functioning, though poorly, a

327
00:16:54,000 --> 00:16:55,280
little bit dystopian.

328
00:16:55,280 --> 00:17:00,180
But the middle America looks like the post-apocalypse just because everybody's escaped pretty much.

329
00:17:00,180 --> 00:17:01,580
Everybody has gone to the coasts.

330
00:17:01,580 --> 00:17:04,580
There's nothing really left in middle America anymore for anybody.

331
00:17:04,580 --> 00:17:05,580
The crops have died.

332
00:17:05,580 --> 00:17:07,640
Like the resources have dwindled.

333
00:17:07,640 --> 00:17:08,640
Yeah.

334
00:17:08,640 --> 00:17:09,640
Yeah.

335
00:17:09,640 --> 00:17:14,880
Taking it to America is probably a better move anyway.

336
00:17:14,880 --> 00:17:22,040
Like maybe not explicitly so, but I feel like there's enough regional culture in the Mad

337
00:17:22,040 --> 00:17:26,780
Max movies that doing something that you're a little bit more familiar with might be a

338
00:17:26,780 --> 00:17:27,780
better move.

339
00:17:27,780 --> 00:17:34,340
And it being said in Australia was because that's where George Miller lived.

340
00:17:34,340 --> 00:17:37,440
It doesn't have to be Australia necessarily.

341
00:17:37,440 --> 00:17:41,480
There's nothing Australia centric about this story really.

342
00:17:41,480 --> 00:17:45,280
So for all the, the Foster's billboards in the background, right?

343
00:17:45,280 --> 00:17:46,760
Australian for post-apocalypse.

344
00:17:46,760 --> 00:17:50,560
Yeah, that's my take.

345
00:17:50,560 --> 00:17:58,720
Middle America centered Mad Max movie with yuck yucks and action and explosions and craziness.

346
00:17:58,720 --> 00:18:00,000
I'd watch it.

347
00:18:00,000 --> 00:18:05,040
And it's, it's about time to bring back the aesthetic.

348
00:18:05,040 --> 00:18:10,880
Like of course we had Fury Road as George Miller's modern vision of that, but a world

349
00:18:10,880 --> 00:18:15,960
of post-apocalyptic leather daddies that populated that Mad Max era.

350
00:18:15,960 --> 00:18:16,960
It's time to bring that back.

351
00:18:16,960 --> 00:18:18,440
I'd love to see a lot of fun.

352
00:18:18,440 --> 00:18:22,280
There's only so much further you can go in the post-apocalyptic world of Mad Max after

353
00:18:22,280 --> 00:18:24,600
Fury Road, because then it's just dust.

354
00:18:24,600 --> 00:18:27,120
There's nothing, there's barely anything left in Fury Road.

355
00:18:27,120 --> 00:18:30,600
Resetting it and bringing it back to where there's ghost towns.

356
00:18:30,600 --> 00:18:33,920
They're driving through these ghost towns and there's small populations of people and

357
00:18:33,920 --> 00:18:38,800
there's still some level of government working, giving resources to these highway patrolmen

358
00:18:38,800 --> 00:18:39,800
basically.

359
00:18:39,800 --> 00:18:45,560
And the best way I can explain it is it's when shit's done, there's no going back.

360
00:18:45,560 --> 00:18:49,000
The society is collapsing as they speak.

361
00:18:49,000 --> 00:18:50,320
Everybody knows it.

362
00:18:50,320 --> 00:18:51,320
Everybody's aware of it.

363
00:18:51,320 --> 00:18:54,600
Everybody knows they got maybe 10 years tops before even the police are gone that it's

364
00:18:54,600 --> 00:18:56,760
that level, but nobody's willing to admit it.

365
00:18:56,760 --> 00:19:02,520
It's like in 2008 when I worked at Blockbuster, everybody knew that Blockbuster was going

366
00:19:02,520 --> 00:19:03,520
under.

367
00:19:03,520 --> 00:19:07,080
Every couple of months, another store would go out of business, but we all just pretended

368
00:19:07,080 --> 00:19:11,640
that somehow there'd be like a turn that we'd be fine at some point.

369
00:19:11,640 --> 00:19:14,400
And we just went about our business until the store went under.

370
00:19:14,400 --> 00:19:16,520
A red box is BS.

371
00:19:16,520 --> 00:19:17,800
Nobody's going to use a red.

372
00:19:17,800 --> 00:19:23,120
We just got to hang in there just a little bit longer until this fad blows over.

373
00:19:23,120 --> 00:19:24,120
Yeah.

374
00:19:24,120 --> 00:19:29,640
So that's this world of Mad Max is people out of not having other options, barely hanging

375
00:19:29,640 --> 00:19:31,960
on, hoping that something changes.

376
00:19:31,960 --> 00:19:32,960
Yeah.

377
00:19:32,960 --> 00:19:37,160
Not knowing that the world is going to descend to the place where the only three assets left

378
00:19:37,160 --> 00:19:41,480
are bullets, gasoline, and titty milk.

379
00:19:41,480 --> 00:19:46,280
It sounds like a good weekend right there.

380
00:19:46,280 --> 00:19:49,280
Maybe 10th of July.

381
00:19:49,280 --> 00:19:50,280
Yeah.

382
00:19:50,280 --> 00:19:51,280
Remix.

383
00:19:51,280 --> 00:19:52,280
Remixes.

384
00:19:52,280 --> 00:19:54,280
Fashion.

385
00:19:54,280 --> 00:19:57,280
Podcasts.

386
00:19:57,280 --> 00:20:02,200
Where can you go to show your love of podcasts and remakes and remixes?

387
00:20:02,200 --> 00:20:07,560
Tpublic.com, your one stop shop for all the Geeks Under the Influence Network t-shirt

388
00:20:07,560 --> 00:20:09,400
and merchandise designs.

389
00:20:09,400 --> 00:20:16,520
Go to GUIPodcast.com slash store and find over 50 designs of your favorite logos and

390
00:20:16,520 --> 00:20:20,040
inside jokes from shows from the Geeks Under the Influence Network.

391
00:20:20,040 --> 00:20:22,240
Shows like Smack My Pitch Up.

392
00:20:22,240 --> 00:20:24,080
Geeks Under the Influence.

393
00:20:24,080 --> 00:20:25,080
Beautiful Disasters.

394
00:20:25,080 --> 00:20:26,080
Deeply upsetting.

395
00:20:26,080 --> 00:20:30,320
From the Mouths of Madness and Geek Fathers.

396
00:20:30,320 --> 00:20:32,080
Show your love of podcasts.

397
00:20:32,080 --> 00:20:34,080
Show your love of fashion.

398
00:20:34,080 --> 00:20:38,600
Tpublic and Geeks Under the Influence.

399
00:20:38,600 --> 00:20:42,800
I did something interesting with my take, I guess.

400
00:20:42,800 --> 00:20:48,720
So my take is basically based on me diving down a rabbit hole.

401
00:20:48,720 --> 00:20:54,520
Mad Max influenced a bunch of like 1980s anime, like just Mel Gibson in general influenced

402
00:20:54,520 --> 00:20:56,880
a bunch of 1980s anime.

403
00:20:56,880 --> 00:21:01,520
But basically it influenced it so much that like anime style Mad Max has already been

404
00:21:01,520 --> 00:21:04,680
done many times over.

405
00:21:04,680 --> 00:21:09,760
So going down that rabbit hole is like we're doing a big budget movie for an American audience.

406
00:21:09,760 --> 00:21:11,760
What's big budget American animation?

407
00:21:11,760 --> 00:21:15,420
There's Disney and there's DreamWorks.

408
00:21:15,420 --> 00:21:19,720
So basically My Mad Max is an animated movie.

409
00:21:19,720 --> 00:21:20,720
DreamWorks.

410
00:21:20,720 --> 00:21:21,720
Okay.

411
00:21:21,720 --> 00:21:23,920
Cars via DreamWorks.

412
00:21:23,920 --> 00:21:32,360
And it's basically a bunch of chases that climax in the big race for it all or whatever.

413
00:21:32,360 --> 00:21:33,360
Kids movie.

414
00:21:33,360 --> 00:21:34,360
I take that back.

415
00:21:34,360 --> 00:21:36,160
All a family movie.

416
00:21:36,160 --> 00:21:37,160
So everybody gets to be entertained.

417
00:21:37,160 --> 00:21:41,320
So there's some winks to murdering a wife and child and stuff, but not like overtly

418
00:21:41,320 --> 00:21:42,320
to.

419
00:21:42,320 --> 00:21:45,880
It's yeah, there'll be violence, but it's like violence you never see, like people can

420
00:21:45,880 --> 00:21:47,720
die in a cartoon movie.

421
00:21:47,720 --> 00:21:50,000
You just can't see the body hit the floor.

422
00:21:50,000 --> 00:21:54,800
So My Mad Max, DreamWorks movie takes place in Arizona.

423
00:21:54,800 --> 00:22:02,400
Max Rakitansky is the best pursuit cop on this stretch of highway in Arizona and he's

424
00:22:02,400 --> 00:22:04,480
got a big head about it.

425
00:22:04,480 --> 00:22:09,100
And it's about him finding his way to appreciate the love of friends and family and working

426
00:22:09,100 --> 00:22:10,100
as a team.

427
00:22:10,100 --> 00:22:13,880
So kid movie stuff, but for everybody.

428
00:22:13,880 --> 00:22:18,240
So Max Rakitansky, Chris Pratt.

429
00:22:18,240 --> 00:22:19,520
Why Chris Pratt?

430
00:22:19,520 --> 00:22:22,760
Because Chris Pratt is the universal voice actor for everything right now.

431
00:22:22,760 --> 00:22:26,360
So my Max Rakitansky is Chris Pratt.

432
00:22:26,360 --> 00:22:28,640
He will not be doing a gruff anything.

433
00:22:28,640 --> 00:22:32,600
He'll just be doing Chris Pratt like he does anyway, except when he's playing, when he

434
00:22:32,600 --> 00:22:33,920
did that movie for Amazon.

435
00:22:33,920 --> 00:22:35,920
The Tomorrow War.

436
00:22:35,920 --> 00:22:36,920
Goose.

437
00:22:36,920 --> 00:22:37,920
Yeah.

438
00:22:37,920 --> 00:22:38,920
Ugh.

439
00:22:38,920 --> 00:22:39,920
My Goose.

440
00:22:39,920 --> 00:22:42,120
He's the one who needed a sidekick character.

441
00:22:42,120 --> 00:22:47,200
Who's the best sidekick in the history of man and who's also like a really interesting

442
00:22:47,200 --> 00:22:48,200
voice.

443
00:22:48,200 --> 00:22:49,200
John C. Riley.

444
00:22:49,200 --> 00:22:50,640
I knew you were going to say John C. Riley.

445
00:22:50,640 --> 00:22:52,760
I knew it when you said sidekick.

446
00:22:52,760 --> 00:22:53,760
Yeah.

447
00:22:53,760 --> 00:22:54,760
Yeah.

448
00:22:54,760 --> 00:23:01,520
He's the sidekick, John C. Riley in this take Goose still dies, but you don't see him burn

449
00:23:01,520 --> 00:23:04,400
to the hell where Max is like, what the fuck is that?

450
00:23:04,400 --> 00:23:05,400
Where Max does the ooooooooooooooooooooooooooo.

451
00:23:05,400 --> 00:23:06,400
Face as he pulls the sheet up.

452
00:23:06,400 --> 00:23:07,400
Yeah.

453
00:23:07,400 --> 00:23:13,240
Oh, so early days for his acting.

454
00:23:13,240 --> 00:23:14,240
It's fine.

455
00:23:14,240 --> 00:23:15,240
It's fine.

456
00:23:15,240 --> 00:23:20,080
Jesse Rockitansky, the wife is still his wife in this movie, but she's also on the highway

457
00:23:20,080 --> 00:23:21,080
patrol.

458
00:23:21,080 --> 00:23:23,440
She's part of the action.

459
00:23:23,440 --> 00:23:27,440
Their conflict comes into the fact that he wants to be a lone wolf and she wants to teach

460
00:23:27,440 --> 00:23:30,440
him how to work better with the team.

461
00:23:30,440 --> 00:23:32,680
Kristen Bell is Jesse Rockitansky.

462
00:23:32,680 --> 00:23:33,680
Okay.

463
00:23:33,680 --> 00:23:34,680
I see it.

464
00:23:34,680 --> 00:23:36,160
Cause she could be sweet and convincing.

465
00:23:36,160 --> 00:23:38,560
A little aggro wouldn't need to be.

466
00:23:38,560 --> 00:23:39,560
Yeah.

467
00:23:39,560 --> 00:23:40,560
Yeah.

468
00:23:40,560 --> 00:23:44,600
Sprog Rockitansky is no longer a child.

469
00:23:44,600 --> 00:23:52,320
Sprog Rockitansky is a talking dog and the actual direct partner of Max Rockitansky doing

470
00:23:52,320 --> 00:23:59,400
the ride alongs and pointing down the suspects and saying, Hey man, cause it's Kevin Hart

471
00:23:59,400 --> 00:24:01,800
is Sprog Rockitansky.

472
00:24:01,800 --> 00:24:03,800
Oh no.

473
00:24:03,800 --> 00:24:07,400
Like I, I that's racist.

474
00:24:07,400 --> 00:24:09,720
I don't know how it's racist, but it's racist.

475
00:24:09,720 --> 00:24:13,960
I think there's no way to portray Kevin Hart playing that character without it coming off

476
00:24:13,960 --> 00:24:15,520
kind of racist.

477
00:24:15,520 --> 00:24:17,120
As Sprog Rockitansky.

478
00:24:17,120 --> 00:24:21,040
He can't be like Brian the dog for Max Rockitansky without being racist.

479
00:24:21,040 --> 00:24:24,160
You know how they would play Kevin Hart in that role though.

480
00:24:24,160 --> 00:24:25,160
That's the thing.

481
00:24:25,160 --> 00:24:26,160
There's only one.

482
00:24:26,160 --> 00:24:27,160
Yeah, but that's actually Kevin Hart.

483
00:24:27,160 --> 00:24:29,000
That's how Kevin Hart plays Kevin Hart.

484
00:24:29,000 --> 00:24:30,000
That's on him.

485
00:24:30,000 --> 00:24:31,000
Me too.

486
00:24:31,000 --> 00:24:33,000
That's what makes it great.

487
00:24:33,000 --> 00:24:34,840
The toe trimmer.

488
00:24:34,840 --> 00:24:35,840
So the bad guy.

489
00:24:35,840 --> 00:24:36,840
The toe trimmer?

490
00:24:36,840 --> 00:24:37,840
Yeah.

491
00:24:37,840 --> 00:24:38,840
The toe trimmer.

492
00:24:38,840 --> 00:24:42,000
That's brilliant, but god damn it.

493
00:24:42,000 --> 00:24:43,000
Is Kiefer Sutherland.

494
00:24:43,000 --> 00:24:44,000
Nice.

495
00:24:44,000 --> 00:24:46,880
Cause he's got the ultimate like a hard ass bad guy voice.

496
00:24:46,880 --> 00:24:50,360
The cold, wonderful for a kid's movie.

497
00:24:50,360 --> 00:24:51,360
Perfect villain in that situation.

498
00:24:51,360 --> 00:24:55,800
If you haven't seen the movie Freeway, uh, Kiefer Sutherland, he plays like the big bad

499
00:24:55,800 --> 00:25:01,400
wolf type character of like a serial killing like dude.

500
00:25:01,400 --> 00:25:04,120
And he does this kind of like voice.

501
00:25:04,120 --> 00:25:08,760
I can picture that being the perfect touch point for him to play this role.

502
00:25:08,760 --> 00:25:09,760
Like that kind of growly.

503
00:25:09,760 --> 00:25:10,760
Yeah.

504
00:25:10,760 --> 00:25:12,160
Or his take on a solid snake.

505
00:25:12,160 --> 00:25:13,160
Yes.

506
00:25:13,160 --> 00:25:17,800
He replaced David Hayter on that game that people were like, Oh, it's not David Hayter.

507
00:25:17,800 --> 00:25:23,120
Zenetti, his, his second in command is no longer a person.

508
00:25:23,120 --> 00:25:25,680
That's a dog too, but that dog can talk.

509
00:25:25,680 --> 00:25:32,540
And that talking dog is Patrick Warburton is Zenetti in this movie.

510
00:25:32,540 --> 00:25:38,560
So cronks do dystopia is he's the henchman.

511
00:25:38,560 --> 00:25:39,560
He's the henchman.

512
00:25:39,560 --> 00:25:43,920
Number one, henchman number two, Kundalini, the guy who loses his hand and yeah, that's

513
00:25:43,920 --> 00:25:45,640
James Franco.

514
00:25:45,640 --> 00:25:53,120
So James Franco is, is guy number three, the police captain or whatever of the station

515
00:25:53,120 --> 00:25:56,320
house, the boss is Brian Cox.

516
00:25:56,320 --> 00:25:57,320
Always a good choice.

517
00:25:57,320 --> 00:26:01,760
And they're all just, yeah, you're all just trying to rain max in goose dies.

518
00:26:01,760 --> 00:26:08,280
Wife lives toe trimmer ends by not getting hit by a truck, but by driving off of a cliff

519
00:26:08,280 --> 00:26:09,280
Disney style.

520
00:26:09,280 --> 00:26:10,280
So he dies.

521
00:26:10,280 --> 00:26:15,360
You don't see the death, but characters falling off a cliff is like animated kids movie tradition.

522
00:26:15,360 --> 00:26:21,840
You've got to have that like, uh, that's how he does.

523
00:26:21,840 --> 00:26:23,480
Like just a sickening splat.

524
00:26:23,480 --> 00:26:24,480
Yeah.

525
00:26:24,480 --> 00:26:30,760
That is my version of, of mad max that's choices were made, but it does beg the question, like,

526
00:26:30,760 --> 00:26:37,240
why aren't there more post-apocalyptic children's cartoons that really, I feel like cars kind

527
00:26:37,240 --> 00:26:39,280
of could be perceived that way.

528
00:26:39,280 --> 00:26:41,800
And then there's Wally and then that's it.

529
00:26:41,800 --> 00:26:44,600
Like that's pretty much, you get something like, I don't know.

530
00:26:44,600 --> 00:26:48,760
Well, I don't know about a post-apocalypse, but treasure planet or Aladdin where the heroes

531
00:26:48,760 --> 00:26:50,000
just in dire straits.

532
00:26:50,000 --> 00:26:54,160
Kind of a E I guess would be post-apocalyptic where at least for earth.

533
00:26:54,160 --> 00:26:55,160
Yeah.

534
00:26:55,160 --> 00:26:57,080
It's literally after earth is what it stands for.

535
00:26:57,080 --> 00:26:58,080
Yeah.

536
00:26:58,080 --> 00:26:59,080
I don't know.

537
00:26:59,080 --> 00:27:00,080
I'd go see it.

538
00:27:00,080 --> 00:27:03,960
It can't be too judgmental on something where like, yeah, day one I'd be there watching

539
00:27:03,960 --> 00:27:05,560
it and being like, what the fuck.

540
00:27:05,560 --> 00:27:10,120
I'd be curious enough to look up the reviews, but yeah, nice.

541
00:27:10,120 --> 00:27:11,440
The audacity.

542
00:27:11,440 --> 00:27:13,160
Why are you making this movie?

543
00:27:13,160 --> 00:27:14,160
Cause of money.

544
00:27:14,160 --> 00:27:15,160
Cause of money.

545
00:27:15,160 --> 00:27:16,160
All right.

546
00:27:16,160 --> 00:27:20,960
Do you think Brian Cox as well for your thing, I'm just thinking a mashup for Mad Max.

547
00:27:20,960 --> 00:27:25,480
I would love to see super troopers three being in the post-apocalypse where they're still

548
00:27:25,480 --> 00:27:30,080
working the highway patrol, but in a Mad Max type fashion would be fucking great.

549
00:27:30,080 --> 00:27:33,560
Cause Brian Cox, he was the boss in super troopers.

550
00:27:33,560 --> 00:27:36,320
So yeah, that would be brilliant.

551
00:27:36,320 --> 00:27:41,920
So a couple of fun mashups, Mad Max and weird science, like in that scene where Kelly LeBrock

552
00:27:41,920 --> 00:27:44,240
brings like the, the road warrior style.

553
00:27:44,240 --> 00:27:45,240
Yes.

554
00:27:45,240 --> 00:27:48,000
And then at the end of the party at the end of the movie, she also brings Max and then

555
00:27:48,000 --> 00:27:52,320
she ends up hooking up with Max instead of the nerds.

556
00:27:52,320 --> 00:27:57,720
And Mad Max and water world where the, the mariner finally reaches dry land, but the

557
00:27:57,720 --> 00:28:00,080
dry land is Australia.

558
00:28:00,080 --> 00:28:03,800
And so he's in the jurisdiction of Max Rakitansky now.

559
00:28:03,800 --> 00:28:07,880
I would watch that movie 100%.

560
00:28:07,880 --> 00:28:10,680
Desert versus the sea.

561
00:28:10,680 --> 00:28:13,280
Mad Max fury tsunami.

562
00:28:13,280 --> 00:28:14,280
I don't know.

563
00:28:14,280 --> 00:28:15,280
Yeah.

564
00:28:15,280 --> 00:28:16,280
Mad Max tsunami.

565
00:28:16,280 --> 00:28:17,280
Okay.

566
00:28:17,280 --> 00:28:23,200
So we've got two very different takes on Mad Max, both of which I think we would probably

567
00:28:23,200 --> 00:28:25,440
be murdered online for even suggesting.

568
00:28:25,440 --> 00:28:27,800
So perfect, perfect for us.

569
00:28:27,800 --> 00:28:29,220
And now we're doing the trailers.

570
00:28:29,220 --> 00:28:34,240
So let me get that together.

571
00:28:34,240 --> 00:28:45,520
From the director that brought you crank one, crank two and ghostwriter spirit of vengeance

572
00:28:45,520 --> 00:28:48,600
is an American take on a cult classic.

573
00:28:48,600 --> 00:28:49,600
Meet Max.

574
00:28:49,600 --> 00:28:55,400
He's mad played by Steven Yune and he'll stop at nothing to take down the tip cutter crew

575
00:28:55,400 --> 00:28:58,360
and restore order to the Midwest.

576
00:28:58,360 --> 00:29:05,720
This summer, Max loses his wife, Jesse played by Dorsey Cartman and him and his buddy Jim

577
00:29:05,720 --> 00:29:10,320
Goose played by Christopher Bologna are white in the streets, red with the blood of their

578
00:29:10,320 --> 00:29:15,320
enemies with the help of Fifi, their boss played by Terry Cruz.

579
00:29:15,320 --> 00:29:20,760
They go up against Tommy Flanagan as Bubba Zanetti, Nicholas cage as the leader of the

580
00:29:20,760 --> 00:29:29,560
toe cutters, toe cutter and high jinx ensuing burnout fuck boy Pete Davidson as Johnny the

581
00:29:29,560 --> 00:29:31,600
boy.

582
00:29:31,600 --> 00:29:32,760
Are you mad?

583
00:29:32,760 --> 00:29:38,360
You will be with this remake Mad Max, America road.

584
00:29:38,360 --> 00:29:43,600
Oh, I didn't give my director actually.

585
00:29:43,600 --> 00:29:48,000
Before we continue, my director was Clarence Willie or I'm sorry, Chris Williams.

586
00:29:48,000 --> 00:29:50,080
Clarence Williams is somebody with the high school with.

587
00:29:50,080 --> 00:29:52,480
Chris Williams who directed Big Hero 6.

588
00:29:52,480 --> 00:29:56,240
Oh man, both of those are really, I didn't realize it was the same director, Big Hero

589
00:29:56,240 --> 00:29:57,240
6.

590
00:29:57,240 --> 00:29:58,240
I love that movie so much.

591
00:29:58,240 --> 00:30:00,040
See, this was better than I expected it would be.

592
00:30:00,040 --> 00:30:02,960
Yeah, I've heard nothing, but I haven't watched it all the way through yet.

593
00:30:02,960 --> 00:30:07,080
I started it and I got distracted, but it's on the list because I've heard nothing but

594
00:30:07,080 --> 00:30:08,080
good things about it.

595
00:30:08,080 --> 00:30:10,480
I heard I've heard it's directors for animated films.

596
00:30:10,480 --> 00:30:12,840
I forget that that's a thing.

597
00:30:12,840 --> 00:30:17,120
Like you think of directors like directing live actors, you know, but I'm sure there's

598
00:30:17,120 --> 00:30:21,320
plenty that goes into directing like an animated film, possibly even more than a regular film.

599
00:30:21,320 --> 00:30:22,320
More.

600
00:30:22,320 --> 00:30:25,480
And there's amazing director like Brad Bird, who did the Incredibles movies and stuff that

601
00:30:25,480 --> 00:30:29,240
new directors of animation, but I never really think about it.

602
00:30:29,240 --> 00:30:30,240
Yeah.

603
00:30:30,240 --> 00:30:34,800
Those guys do some amazing work and they have to entertain a larger audience than many other

604
00:30:34,800 --> 00:30:36,000
directors do.

605
00:30:36,000 --> 00:30:40,560
So they have to get their lesson in there, keep the parents occupied, keep kids occupied.

606
00:30:40,560 --> 00:30:44,560
It's a, an interesting juggling job to pull that together.

607
00:30:44,560 --> 00:30:52,400
Speaking of entertaining an audience, we've got your take next for your trailer.

608
00:30:52,400 --> 00:30:53,400
Let me light it up.

609
00:30:53,400 --> 00:31:02,040
You ready to roll?

610
00:31:02,040 --> 00:31:07,680
From Chris Williams and DreamWorks, it's a movie about what happens when you're too good

611
00:31:07,680 --> 00:31:10,920
at what you do in a world that's not.

612
00:31:10,920 --> 00:31:17,120
This is Mad Max Rockitansky, the best cop on the Arizona highway.

613
00:31:17,120 --> 00:31:23,040
His wife played by Kristen Bell is Jessie Rockitansky and she just wants him to make

614
00:31:23,040 --> 00:31:24,040
friends.

615
00:31:24,040 --> 00:31:32,320
Sprung his dog is Kevin Hart, cutting up and having fun on the highway as they fight keeper

616
00:31:32,320 --> 00:31:39,520
Sutherland's toe trimmer and his boys, Patrick Warburton and James Franco as they try to

617
00:31:39,520 --> 00:31:41,720
win the big race.

618
00:31:41,720 --> 00:31:43,800
But are they good enough to win the big race?

619
00:31:43,800 --> 00:31:48,840
And does it matter when the most important thing on the road is having the drive to be

620
00:31:48,840 --> 00:31:56,200
the best, to take it all on your own, even when it threatens to drive away you from the

621
00:31:56,200 --> 00:32:02,280
only race that matters, the race to be the best of friends.

622
00:32:02,280 --> 00:32:08,800
Mad Max, the best of friends coming this summer.

623
00:32:08,800 --> 00:32:11,400
Sutherland's Road.

624
00:32:11,400 --> 00:32:14,880
Yeah, fuck it.

625
00:32:14,880 --> 00:32:16,920
Let's make this kid's movie.

626
00:32:16,920 --> 00:32:17,920
You know what?

627
00:32:17,920 --> 00:32:18,920
You changed my mind.

628
00:32:18,920 --> 00:32:22,800
I am on board with this yet again, another banger from Tandy in the, in the Whackadoo

629
00:32:22,800 --> 00:32:23,800
category.

630
00:32:23,800 --> 00:32:24,800
So, Whackadoo!

631
00:32:24,800 --> 00:32:28,480
Yeah, this is a blast.

632
00:32:28,480 --> 00:32:31,400
I am really glad that I got a chance to rewatch Mad Max.

633
00:32:31,400 --> 00:32:36,920
It's one of those that the road warrior is so good, like the sequel is so, so good that

634
00:32:36,920 --> 00:32:37,920
I sometimes.

635
00:32:37,920 --> 00:32:39,400
And that's the one that everybody has seen.

636
00:32:39,400 --> 00:32:40,400
That's the one I saw first.

637
00:32:40,400 --> 00:32:42,680
Yeah, and so I forget sometimes that Mad Max is still very good.

638
00:32:42,680 --> 00:32:45,760
Like, he's a really good starter to this universe that gets created.

639
00:32:45,760 --> 00:32:46,760
Yeah, surprisingly.

640
00:32:46,760 --> 00:32:53,000
And then you throw in Thunderdome and just have a, like, silly blast.

641
00:32:53,000 --> 00:32:57,240
But none of them have what Mad Max has, which is the Hall of Justice.

642
00:32:57,240 --> 00:32:58,240
I forgot yet the.

643
00:32:58,240 --> 00:33:02,760
They're like an old abandoned cement factory that's the Hall of Justice.

644
00:33:02,760 --> 00:33:04,200
And that is awesome in itself.

645
00:33:04,200 --> 00:33:08,920
Not just genre, but he permanently changed the way people did dystopian futures with

646
00:33:08,920 --> 00:33:10,120
this movie.

647
00:33:10,120 --> 00:33:14,240
And it was basically because he was in the outback of Australia and he had access to

648
00:33:14,240 --> 00:33:15,240
these abandoned buildings.

649
00:33:15,240 --> 00:33:16,240
And he's like, great.

650
00:33:16,240 --> 00:33:17,240
Yeah, cool.

651
00:33:17,240 --> 00:33:18,240
This is what it is.

652
00:33:18,240 --> 00:33:21,440
Like this is the police station and yeah, it's like a cement plant or something.

653
00:33:21,440 --> 00:33:22,440
Great.

654
00:33:22,440 --> 00:33:23,440
Cool.

655
00:33:23,440 --> 00:33:24,440
No problem.

656
00:33:24,440 --> 00:33:27,840
Yeah, no, he's a, he was inspired and they didn't run over the kid, which was also inspired.

657
00:33:27,840 --> 00:33:31,440
That brought me in more than any other scene in the movie where the kids out.

658
00:33:31,440 --> 00:33:32,440
Oh, right.

659
00:33:32,440 --> 00:33:33,440
Yeah, yeah, yeah.

660
00:33:33,440 --> 00:33:34,440
They're driving.

661
00:33:34,440 --> 00:33:35,440
They're driving.

662
00:33:35,440 --> 00:33:40,200
I was like, this movie is kind of crazy, but they're not going to kill this kid.

663
00:33:40,200 --> 00:33:41,200
Pet cemetery.

664
00:33:41,200 --> 00:33:42,200
This is not that cemetery.

665
00:33:42,200 --> 00:33:43,200
Like, fuck that kid.

666
00:33:43,200 --> 00:33:46,200
Oh, I guess we'll need to add that one to the list too.

667
00:33:46,200 --> 00:33:47,200
Actually that's already been remade.

668
00:33:47,200 --> 00:33:48,200
Yeah.

669
00:33:48,200 --> 00:33:50,680
Never will remake, unfortunately.

670
00:33:50,680 --> 00:33:55,080
But at least compared to these bangers that we brought on this episode here, I think Mad

671
00:33:55,080 --> 00:33:58,880
Max needs to go a new direction with some of our choices here.

672
00:33:58,880 --> 00:33:59,880
Hit us up.

673
00:33:59,880 --> 00:34:00,880
We're ready and waiting.

674
00:34:00,880 --> 00:34:05,160
So speaking of waiting, we're waiting for you to follow us on social media, Facebook,

675
00:34:05,160 --> 00:34:08,600
but just follow Geeks of the Influence on Instagram, Twitter.

676
00:34:08,600 --> 00:34:09,960
You've got me and Tandy on Twitter.

677
00:34:09,960 --> 00:34:13,000
We've got a smack my pitch up one, a pitch smacked on Twitter.

678
00:34:13,000 --> 00:34:14,080
Got Facebook.

679
00:34:14,080 --> 00:34:16,080
Keep track of when episodes are coming out.

680
00:34:16,080 --> 00:34:19,640
We'll let you know when there's cool stuff happening, maybe some live events stuff.

681
00:34:19,640 --> 00:34:24,320
And yeah, it's a great way to get all the pitch smacking that you could ever want.

682
00:34:24,320 --> 00:34:25,320
Yeah.

683
00:34:25,320 --> 00:34:26,320
All smacked up.

684
00:34:26,320 --> 00:34:27,960
All smacked all day long.

685
00:34:27,960 --> 00:34:29,600
Oh, it's got a rosy bow from the smacking.

686
00:34:29,600 --> 00:34:31,840
The smacking things.

687
00:34:31,840 --> 00:34:33,760
So on that, yeah, great review.

688
00:34:33,760 --> 00:34:35,760
Subscribe post on socials.

689
00:34:35,760 --> 00:34:39,040
Let people know how cool the show is and how bad our choices are.

690
00:34:39,040 --> 00:34:40,040
But that's half the fun.

691
00:34:40,040 --> 00:34:41,360
Got to thank of course, Tandy.

692
00:34:41,360 --> 00:34:44,600
Thank you so much for joining me on this journey.

693
00:34:44,600 --> 00:34:45,600
Thank you, sir.

694
00:34:45,600 --> 00:34:47,440
I don't find it next time.

695
00:34:47,440 --> 00:34:48,440
I'm Tandy.

696
00:34:48,440 --> 00:34:50,880
And you just got pitch smacked.

697
00:34:50,880 --> 00:34:52,160
Yeah, bitch.

698
00:34:52,160 --> 00:34:54,520
Another smacking strip on the barbie.

699
00:34:54,520 --> 00:34:56,480
I don't put me.

700
00:34:56,480 --> 00:34:57,480
Good day.

701
00:34:57,480 --> 00:34:58,480
Good day.

702
00:34:58,480 --> 00:35:01,400
The poster is it's pitch for smack.

703
00:35:01,400 --> 00:35:29,720
GUI podcast.com

