People have a right to believe what they want to believe. I looked up and saw a dull silver disc.
I saw a silver disc that was spinning. People were seeing weird aerial phenomena. Flying hats.
What does a flying hat remind you of? I'm just minding my own business in the bedroom.
Holy Spirit taps me on the shoulder, gives me one word, Fatima. And I go, I go, Fatima, oh my gosh,
it's 2017. It's a hundred year anniversary. You've got to be kidding me. This is unbelievable.
I go into the bathroom and I go, we're going to Portugal. The Lord just told me to make films on
Fatima. I don't believe this. So, like, we start the process and you want to talk about favor,
you know, when the Lord gives us an assignment like this, it's just everything just like,
it's like, weee. We got this donation out of the blue from people we didn't even know
that paid for the trip. We got hooked up with Francisco Carrera, who's the head of ExoPolitics
and was immersed up to his eyeballs in the Fatima apparitions. And so we went there,
and Francisco was our guide, and we got to Fatima on one of the days. So the backstory to this whole
thing is there are three children. They are illiterate. They are Lucia, or Lucia. Most
people know her as Lucia, but the Portuguese pronunciation is Lucia. Anyway, so she's 10,
Francisco the cousin is 9, and Jacinta is 7. These are illiterate young children, all prepubescent.
They're out there in the fields with their sheep, and they're shepherds. They're not going to school.
They're taking care of the sheep. And it's 1917. 1917, World War I is raging.
The Bolshoi Revolution has just happened. Europe is terrified that communism is going to spread in
the Europe. This is where we are. Men are sent off to the front. There's no communication. In Portugal,
there's no aerial phenomenon at all. People have never seen a blimp or an airplane. There might have
been one bi-wing plane in Lisbon, maybe. But even that's like, eh, they're just not there in 1917.
They're just not. The Wright brothers, when did that happen? So this is all very new.
So there's a group of psychics. This is all in our films. There's a group of psychics who get
together, and through the occult technique of automatic writing, where you write like Michelangelo,
or Da Vinci used to, from right to left, and you hold it up into a mirror, there was a message that
came through. So all these psychics in a circle, they're calling down the spirit guide, one guy,
the spirit comes in, the demon comes in, the hymn. It's called automatic writing. Madame Blavatsky,
the mother of the new age, this is how she wrote all of her vitals. She would go in the room,
lock herself in, three days later, she comes out with ISIS unveiled. That's how it works.
Because the spirit's just going like this, just writing as fast as it can. She's in a trance.
So this guy writes this thing, and he says, something wondrous will happen on May 13, 1917,
signed Stella Matutina, the bright morning star. Check number one. And so it's automatic writing.
They published this in Oseculo, which is the Portuguese newspaper. I've actually been to
not the original site, but they have this huge building where the actual original letter is kept
behind glass. And I got to photograph that and see that. Or not letter, but the automatic writing,
Stella Matutina. So this goes out. People aren't thinking anything about it. So on May 13, 1917,
the three children, Lucia, excuse me, Francisco and Jacinta, are tending sheep all of a sudden.
Bam, there she is above the treetops. It's not Mary the Bible. And we took Mary off the table.
And I even say this at the beginning of the film, people have a right to believe what they want to
believe. If you believe it's Mary the Bible, I'm not going to argue that with you, but I'm not
going to believe it's Mary the Bible, because it's not what was seen. The children are looking at
this thing, where are you from? She never said from heaven, she never said her name, but she
said from heaven, she never said her name was Mary. She pointed to the sky. She communicated
with them telepathically. Lucia, Francisco and Jacinta could, they all saw her, but only
Lucia and Jacinta could hear her. The entity gave them something to eat and drink, very typical for
UFO encounters, by the way. Lucia and Jacinta ate and drank, but Francisco only ate. So Francisco
could see her, but never heard her. So now you got two of the girls, that's it. And it's mostly
Lucia who's telling everybody what she's seen. So the entity goes, I'll be back next month.
So it's May 13th, so it's now June 13th. They've told their parents, there's a small group of people
that are there. The entity appears again, only the kids can see her. And this goes on by this time.
So it's May, June, by the time it gets to July, the clergy's heard it, the magistrate, the mayor
of the town, all this stuff is going on. In our film, there was the parish priest and Father
Fierro. And all of our source material comes from his writing, comes from the 1917 handwritten
testimonies. So Father Fierro is interviewing people who were there, including Lucia and Jacinta
and Francisco, trying to get to the bottom of this. Father Fierro, right from the get-go,
believed it was demonic, bully for him, because I do. So by August, the kids are incarcerated.
So they're not there for August 13th, but the crowd has squalled to thousands of people,
thousands of people, all right? Thousands of people were there. People were seeing weird
aerial phenomena, flying hats. What does a flying hat remind you of? If you saw a flying hat, what
would you say? I saw a UFO. Remember, 1917, there's nothing in the vernacular like flying
saws or UFO. None of that's there. So September comes, they go, the magistrate, the priest,
the monsignor, there's all bevy of people up there, and Father Fierro writing everything down in the
handwritten documents. This time, we're going to let you go see the entity, ask her, tell her that
we need a sign. So the kids go back, sure enough, the entity appears. She is about three feet tall.
She's wearing a skirt that went right below her knees. Mary, the Bible, would not wear a skirt
like that. Women in 1917 in Portugal would wear dresses all the way down to the tops of their
shoes. So the fact that she's wearing a skirt that's showing part of her legs is way outside
the paradigm. This is not Mary, the Bible. This is something else with all due respect.
And it's been dressed up with Mary and Catholic clothes, so there's not much you can do about it.
So the kids go and they tell the entity that we've been told to ask you for a sign. So the entity
says, yes, on October 13th, I will be here. There will be a sign. The kids go back, they tell everybody
this spreads like wildfire. 1917, there is radio, but not many people have them. There's no television,
so it's all newspaper and lots of word of mouth. October 13th comes, 1917, they're upwards of
70,000 people in the field. Wow. 70,000. They're waiting for the sign. It's been raining all night.
Everyone is sopped to the bone. The ground is all wet. There's a sea of umbrellas. Remember,
Portugal now is a republic, but the king, for the monarchy that was deposed, the king's royal
photographer, Joshua Bonolio, is there in the field. And Bonolio takes 12 pictures, 12 pictures
of the event. And so the entity is supposed to be there at noon, and all of a sudden it's been
raining, it stops raining, the clouds part, and the sun comes out. But in front of the sun comes
this cloud. And out of the cloud comes a disk-like object, which falls to the ground like this,
and then spins and goes back up into the cloud, and then falls again. It does this, I love props,
it does this three different times. And before it does what we call the flyby, where it comes
right over the crowd like this. All sorts, we did two films. Harbingers of Deception is the title of
one, Strange Phenomena is the second. Car windchills exploded. Automobiles suddenly burst into flames.
The people who were underneath the flyby, their clothes suddenly dried. Days later, they had
radiation burns, like sunburn, just like Richard Dreyfuss, when he leads his head out of the car
and looks up at the UFO, just like that. The radiation burns. This is high strangeness. And
in our film, we show the only picture that's ever been published from Joshua Bonolio showing a disk-
like object hovering right over the apparition site. Here's the apparition site, right over it.
And it's in the picture. And we actually interviewed Jose Machado, who's a professor
of semiotics. This is what he does for a living. He studies photographs and all this. He was able
to go into the sanctuary at Fatima. They couldn't find the pictures. They couldn't find the glass
print. Oh yeah, it was just like Raiders of a Lost Ark, when they take the ark and they make that
left turn and it's see you later. Exactly what this is. No one knew where the original glass plates
from Joshua Bonolio, who took these pictures in 1917. Well, they finally found them after three
hours. And we have a picture where Jose is holding the glass plate. He's got the museum gloves on the
whole deal. And we grilled them on this because, you know, Jose, are you sure? And people would say,
Jose, it's Jose in Portuguese. So Jose, are you sure this is not a scratch or a chemical burn?
Nope. Whatever this is, is intrinsic. It's in the film itself. We published that in our film. We
were allowed to publish that. But it's the only picture that shows that it was, in my opinion,
a UFO event. And here's something else. People looked up eyewitness accounts that were in the
field at Fatima that day, on October 13th, 1917. They looked up and in their own words, their own
testimony, handwritten by Father Fierro, I looked up and saw a dull silver disc. It's like right
there. I looked up and saw a dull silver disc. I saw a silver disc that was spinning. I mean,
we hear this from the eyewitnesses over and over again. This is why we call it strange phenomena,
harbinger of deception, because this sets this 70,000 people, for the most part, believe the
malign. And there's a picture I show in my presentation. There's about, it's taken by
Joshua Bonoio, the crowd looking up during the miracle of the sun. They're looking like this.
One guy is perplexed. Somebody else has their hands folded. They're praying. They're interpreting
it religiously. There's a woman looking at it like very skeptical. There's somebody else with
their face just blown away like that. The body language is incredible. There's so much to glean
from just that one picture that Joshua Bonoio took. In my opinion, with all due respect to
people who want to believe it was Mary the Bible, it was not Mary the Bible. When you do a deep study
into Fatima from the original 1917 photographs and handwritten testimonies, there's no way this is
Mary. There's no way. This is a harbinger of deception. And that when it comes, what about
the third secrets? Well, all these secrets came afterwards. There were no secrets in Father Fierro's
handwritten testimonies. They're just not there. The word Russia is never mentioned at all in the
handwritten testimonies. So Francisco and Jacinta die in the flu. So now you only got Lucia. At 18,
she's transported into a convent and the Jesuits run the story. And this is where Lucia's memoirs
begin to take place, including the third secret, including consecrate Russia to my sacred heart.
It's not in the 1917 hand. It's not there. Russia has never mentioned none of it. It's all,
this is all a construct. So, you know, you tell people this and they look at you,
oh, you're just being anti Catholic. No, I'm not just looking for the truth.
If it's there, then why isn't it there in the 1917 handwritten records?