1 00:00:00,000 --> 00:00:06,960 MUSIC 2 00:00:30,000 --> 00:00:37,960 Hey everybody, welcome to Beer and Gear. This is a different episode. I'm going to be flying 3 00:00:37,960 --> 00:00:47,040 solo. John is out on a well-earned vacation with his family. So let's start with a beer 4 00:00:47,040 --> 00:00:53,580 and then we'll get into what the episode is about. This was a Christmas gift from my folks. 5 00:00:53,580 --> 00:01:01,640 This is St. Bernard's Christmas Ale. I have not had this one before. They found this at World Market. 6 00:01:01,640 --> 00:01:10,720 That is a really great place to find some selections of beer. That for me is where I find my 7 00:01:10,720 --> 00:01:16,400 selection typically of the Trappist beers that I've had on the show. So let's go through the blurb 8 00:01:16,400 --> 00:01:23,780 and then we will pop the cork on this bottle and see what this tastes like. St. Bernard's Christmas 9 00:01:23,780 --> 00:01:30,880 Ale is, as the name implies, a typical winter beer. This dark beer is filled with winter cheer and 10 00:01:30,880 --> 00:01:38,280 feels like Christmas in a bottle. Warm, cozy, and really inviting to enjoy together with friends or 11 00:01:38,280 --> 00:01:45,000 family. St. Bernard's Christmas Ale takes on a splendid dark brown color that is topped off with 12 00:01:45,000 --> 00:01:52,480 a cream-colored layer of froth. It's an intensely dark beer with a full yet slightly fruity flavor, 13 00:01:52,480 --> 00:02:02,120 overflowing with the taste of winter and zesty seasonal aromas. Aniseed? Is that what that says? 14 00:02:02,120 --> 00:02:10,320 Yeah. Aniseed notes are complemented by hints of creamy caramel and fire-roasted chestnuts. This 15 00:02:10,320 --> 00:02:19,720 zestiness shows no signs of abating, pushing through to a magnificent finish of dried fruits 16 00:02:19,720 --> 00:02:28,480 and chocolate. In the heart of the West Flemish Hop district, we brew a truly inspiring beer that 17 00:02:28,480 --> 00:02:36,080 fancies a lot of beer lovers. Special top fermented dark and light beers have been produced in our 18 00:02:36,080 --> 00:02:43,200 establishment ever since 1946, and they are acclaimed as the best in the world. It's your 19 00:02:43,200 --> 00:02:53,520 heavenly nectar within reach. These guys are out of Belgium. I don't see anything on here that 20 00:02:53,520 --> 00:03:09,720 specifically labels it as a Trappist. So that's okay though. It is an ale and it is 10% by volume. 21 00:03:09,720 --> 00:03:16,960 So I'm gonna attempt to pop the top without breaking anything or spilling it, and let's 22 00:03:16,960 --> 00:03:31,840 see what we've got. Come on now. Oh yeah, that's a good one. And I have a wonderfully frosty mug. 23 00:03:31,840 --> 00:03:55,080 Oh that. That looks amazing. That sounds amazing. Let that head drop a little bit. I will give it 24 00:03:55,080 --> 00:04:05,280 a try. Smells good. Made me a little nervous when they were talking about some of the fruits, 25 00:04:05,280 --> 00:04:22,760 but it's not bad. Let's give this a taste. Okay. Okay. That's, that's not bad. That's not bad. I 26 00:04:22,760 --> 00:04:30,640 don't know if I get any of the chocolate. I get a little bit of the dried fruit on the end, 27 00:04:30,640 --> 00:04:44,000 kind of the aftertaste. It's got a really nice dark brown color. Makes me think of, well now I'm 28 00:04:44,000 --> 00:04:50,000 gonna put myself on the spot and not be able to remember my beer. Oh, that's bad that I can't 29 00:04:50,000 --> 00:04:57,920 remember my beer. Newcastle, thank you. Thank you Brain for waking up. The color is very similar 30 00:04:57,920 --> 00:05:04,120 to Newcastle Brownelle if you've ever had that. I think I'm gonna have no problem finishing this 31 00:05:04,120 --> 00:05:14,600 bottle off myself. So thank you mom and dad. Never hurts to get a good beer from your folks 32 00:05:14,600 --> 00:05:22,160 for Christmas. So let's transition into what the show is about. This is a continuation of 33 00:05:22,160 --> 00:05:31,800 our previous podcast, episode 23. This is continuing with audio Sigma equipment. I am 34 00:05:31,800 --> 00:05:40,880 testing it now for you to hear against my collection of microphones. Once we get through 35 00:05:40,880 --> 00:05:51,880 you hearing the various microphones, I will have a confession to make. Probably before I get to the 36 00:05:51,880 --> 00:06:00,440 end that will come out and then I will just pick that up. But let's not delay this anymore and let's 37 00:06:00,440 --> 00:06:07,600 get into audio Sigma. Okay, so we are starting off with the mic hero. I currently have it connected 38 00:06:07,600 --> 00:06:17,760 to my Electro Voice RE320. The gain on the mic hero is at about 11 o'clock. The RE320 you can 39 00:06:17,760 --> 00:06:24,480 pick up for $299. This was the first mic I ever bought for podcasting. I absolutely love it. I do 40 00:06:24,480 --> 00:06:32,420 have the vocal switch on the 320 set to flat. I don't want the microphone to color the audio in 41 00:06:32,420 --> 00:06:40,200 any way. I want you to hear any potential changes to come directly from the mic hero. Right now I 42 00:06:40,200 --> 00:06:48,240 have the mic hero set to normal for both the high pass filter and the EQ. So we'll start with 43 00:06:48,240 --> 00:06:53,960 demonstrating high pass filter right now is in the normal position. On the basis of the physical 44 00:06:53,960 --> 00:06:59,920 interpretation of distance, which has been indicated, we are also in a position to establish the 45 00:06:59,920 --> 00:07:06,200 distance between two points on a rigid body by means of measurements. Now we will move the high 46 00:07:06,200 --> 00:07:15,120 pass filter to the second setting. On the basis of the physical interpretation of distance, which 47 00:07:15,120 --> 00:07:20,640 has been indicated, we are also in a position to establish the distance between two points on a 48 00:07:20,640 --> 00:07:29,760 rigid body by means of measurements. Now we'll move it to the last setting for high pass. On the 49 00:07:29,760 --> 00:07:35,320 basis of the physical interpretation of distance, which has been indicated, we are also in a 50 00:07:35,320 --> 00:07:40,320 position to establish the distance between two points on a rigid body by means of measurements. 51 00:07:41,720 --> 00:07:49,920 Now we'll reset the high pass filter back to normal and start with the EQ on the normal setting. On 52 00:07:49,920 --> 00:07:55,520 the basis of the physical interpretation of distance, which has been indicated, we are also 53 00:07:55,520 --> 00:08:00,400 in a position to establish the distance between two points on a rigid body by means of measurements. 54 00:08:00,400 --> 00:08:09,320 Now we'll move to EQ position one. On the basis of the physical interpretation of distance, 55 00:08:09,320 --> 00:08:14,360 which has been indicated, we are also in a position to establish the distance between two 56 00:08:14,360 --> 00:08:21,520 points on a rigid body by means of measurements. And last we will move to EQ position number two. 57 00:08:21,520 --> 00:08:29,840 On the basis of the physical interpretation of distance, which has been indicated, we are also 58 00:08:29,840 --> 00:08:35,680 in a position to establish the distance between two points on a rigid body by means of measurements. 59 00:08:35,680 --> 00:08:46,800 Now I'm going to reset back to the normal EQ. Okay, there we have it. And now I'm going to 60 00:08:46,800 --> 00:08:58,240 switch out to the probably the RE-20. Okay, we are now on the Electro Voice RE-20. I did have to 61 00:08:58,240 --> 00:09:04,600 increase the gain to about 12 o'clock. That just has again to do with the difference in the output 62 00:09:04,600 --> 00:09:12,520 of the mic. The 20 is not quite as hot as the 320. To my knowledge, that has to do with the 63 00:09:12,520 --> 00:09:19,520 difference in the magnets in the two microphones. I do have the vocal switch set to flat again, 64 00:09:19,520 --> 00:09:26,040 so that we don't color any of the audio coming out of the microphone. And again, 65 00:09:26,040 --> 00:09:36,400 the mic hero is set to normal for EQ and for high pass filter. Again, I will be reading the 66 00:09:36,400 --> 00:09:43,200 same excerpt from Special Relativity. On the basis of the physical interpretation of distance, 67 00:09:43,200 --> 00:09:48,000 which has been indicated, we are also in a position to establish the distance between 68 00:09:48,000 --> 00:09:56,000 two points on a rigid body by means of measurements. All right, now I'm going to move the high pass 69 00:09:56,000 --> 00:10:06,760 filter to setting one. On the basis of the physical interpretation of distance, which has 70 00:10:06,760 --> 00:10:12,000 been indicated, we are also in a position to establish the distance between two points on a 71 00:10:12,000 --> 00:10:19,440 rigid body by means of measurements. Now I'm going to move the high pass filter to the second 72 00:10:19,440 --> 00:10:27,400 setting. On the basis of the physical interpretation of distance, which has been indicated, we are 73 00:10:27,400 --> 00:10:32,920 also in a position to establish the distance between two points on a rigid body by means of 74 00:10:32,920 --> 00:10:40,120 measurements. All right, now I'm going to move it back to normal for the high pass, and we will 75 00:10:40,120 --> 00:10:48,640 start the EQ on normal. On the basis of the physical interpretation of distance, which has 76 00:10:48,640 --> 00:10:54,480 been indicated, we are also in a position to establish the distance between two points on a 77 00:10:54,480 --> 00:11:09,800 rigid body by means of measurements. Now I will move the EQ to the first setting. On the basis of 78 00:11:09,800 --> 00:11:15,320 the physical interpretation of distance, which has been indicated, we are also in a position to 79 00:11:15,320 --> 00:11:22,760 establish the distance between two points on a rigid body by means of measurements. And now I 80 00:11:22,760 --> 00:11:31,920 will move the EQ to the second setting. On the basis of the physical interpretation of distance, 81 00:11:31,920 --> 00:11:39,320 which has been indicated, we are also in a position to establish the distance between two points on a 82 00:11:39,320 --> 00:11:47,840 rigid body by means of measurements. Now I will reset the settings for EQ. We are back to normal 83 00:11:47,840 --> 00:11:58,480 on the EQ, normal on the high pass filter. And I will switch out to, I guess I'll try the go ahead 84 00:11:58,480 --> 00:12:08,680 and just complete the family set here and we will go to the 27 ND. All right, we are now on the 85 00:12:08,680 --> 00:12:21,840 Electro Voice RE27 ND. I have high pass and EQ set to normal. I have my gain right about 12 o'clock. 86 00:12:21,840 --> 00:12:29,600 There's three vocal switches, as I'm going to call them on this microphone. All three are set to flat. 87 00:12:29,600 --> 00:12:36,680 Again, we don't want anything in the mic to color the audio. And if you're interested in this 88 00:12:36,680 --> 00:12:45,520 particular microphone, it will set you back $499. It's again, a really great microphone, very bright 89 00:12:45,520 --> 00:12:56,000 in the reproduction. You'll see this used on the Kal and Kal Herd show. If you were curious as to 90 00:12:56,000 --> 00:13:04,520 what this mic might look like. So let me get back to Albert and you can hear how that sounds on this 91 00:13:04,520 --> 00:13:12,080 microphone. On the basis of the physical interpretation of distance, which has been indicated, 92 00:13:12,080 --> 00:13:16,640 we are also in a position to establish the distance between two points on a rigid body 93 00:13:16,640 --> 00:13:28,760 by means of measurements. All right, now I will move the high pass filter to position one. On the 94 00:13:28,760 --> 00:13:33,840 basis of the physical interpretation of distance, which has been indicated, we are also in a 95 00:13:33,840 --> 00:13:39,240 position to establish the distance between two points on a rigid body by means of measurements. 96 00:13:39,240 --> 00:13:49,880 Now I will move the high pass filter to position number two. On the basis of the physical 97 00:13:49,880 --> 00:13:54,960 interpretation of distance, which has been indicated, we are also in a position to establish the 98 00:13:54,960 --> 00:14:04,360 distance between two points on a rigid body by means of measurements. Okay, let me reset back to 99 00:14:04,360 --> 00:14:13,360 normal and we will go through the EQ. Again, this is EQ set to normal. On the basis of the physical 100 00:14:13,360 --> 00:14:18,600 interpretation of distance, which has been indicated, we are also in a position to establish the 101 00:14:18,600 --> 00:14:26,080 distance between two points on a rigid body by means of measurements. All right, let me move the 102 00:14:26,080 --> 00:14:33,680 EQ to position number one. On the basis of the physical interpretation of distance, which has 103 00:14:33,680 --> 00:14:38,560 been indicated, we are also in a position to establish the distance between two points on a 104 00:14:38,560 --> 00:14:46,640 rigid body by means of measurements. All right, now I will move the EQ to position number two. 105 00:14:46,640 --> 00:14:54,120 On the basis of the physical interpretation of distance, which has been indicated, we are also 106 00:14:54,120 --> 00:14:59,280 in a position to establish the distance between two points on a rigid body by means of measurements. 107 00:14:59,280 --> 00:15:12,480 All right, let me set the EQ back to normal and then now I will switch out to the HIL-PR40. All 108 00:15:12,480 --> 00:15:19,080 right, we are now on the HIL-PR40. This, I believe, was the second mic I ever bought. Anybody out 109 00:15:19,080 --> 00:15:24,960 there who gets into audio like this, you kind of realize that once you buy one mic, you kind of 110 00:15:24,960 --> 00:15:32,880 want all the mics, just kind of the nature of developing a hobby like this. This particular mic 111 00:15:32,880 --> 00:15:41,880 runs about 350 bucks. It's a really good mic. I'd have no problem recommending it to anybody. I have 112 00:15:41,880 --> 00:15:49,560 it hooked up now with the mic hero. The gain is at about 12 o'clock and I have the high-pass filter 113 00:15:49,560 --> 00:15:57,640 and the EQ currently set to normal. On the basis of the physical interpretation of distance, 114 00:15:57,640 --> 00:16:03,000 which has been indicated, we are also in a position to establish the distance between two 115 00:16:03,000 --> 00:16:10,440 points on a rigid body by means of measurements. All right, now I'm going to change the high-pass 116 00:16:10,440 --> 00:16:19,160 filter to setting number one. On the basis of the physical interpretation of distance, 117 00:16:19,160 --> 00:16:23,920 which has been indicated, we are also in a position to establish the distance between 118 00:16:23,920 --> 00:16:33,600 two points on a rigid body by means of measurements. Okay, and now I will move it to high-pass filter 119 00:16:33,600 --> 00:16:42,080 number two. On the basis of the physical interpretation of distance, which has been indicated, we are also 120 00:16:42,080 --> 00:16:47,760 in a position to establish the distance between two points on a rigid body by means of measurements. 121 00:16:47,760 --> 00:16:59,080 Okay, so now I will reset the high-pass filter to normal. There we go. And the EQ is set to normal. 122 00:16:59,080 --> 00:17:05,400 On the basis of the physical interpretation of distance, which has been indicated, we are also in 123 00:17:05,400 --> 00:17:09,960 a position to establish the distance between two points on a rigid body by means of measurements. 124 00:17:09,960 --> 00:17:22,000 Now I will move the EQ to EQ number one. On the basis of the physical interpretation of distance, 125 00:17:22,000 --> 00:17:26,920 which has been indicated, we are also in a position to establish the distance between two 126 00:17:26,920 --> 00:17:35,480 points on a rigid body by means of measurements. And finally, I will move the EQ to the second 127 00:17:35,480 --> 00:17:43,920 position. On the basis of the physical interpretation of distance, which has been indicated, we are also 128 00:17:43,920 --> 00:17:49,040 in a position to establish the distance between two points on a rigid body by means of measurements. 129 00:17:49,040 --> 00:18:01,320 Now let me reset the EQ back to normal. There we go. And I am going to switch now to the SM7B. 130 00:18:01,320 --> 00:18:12,380 Okay, we are now on the SM7B. This is again another very popular podcast mic. Definitely 131 00:18:12,380 --> 00:18:18,440 you'll see this particular mic if you are a fan of Joe Rogan and you watch any of his video. This 132 00:18:18,440 --> 00:18:27,800 particular mic currently runs $359. There is a slightly newer model, the SM7DB that does have 133 00:18:27,800 --> 00:18:36,000 some additional gain built into the microphone that currently runs $449. On this particular mic, 134 00:18:36,000 --> 00:18:45,360 I have everything set to flat and the mic hero gain is probably right about, I'd say between one 135 00:18:45,360 --> 00:18:53,800 and two o'clock to try to get it to match up to the other mics. Again, we have high pass filter 136 00:18:53,800 --> 00:19:04,320 is flat and the EQ, I'm sorry, is set to normal and the EQ is also set to normal. On the basis of the 137 00:19:04,320 --> 00:19:09,960 physical interpretation of distance, which has been indicated, we are also in a position to 138 00:19:09,960 --> 00:19:16,400 establish the distance between two points on a rigid body by means of measurements. All right, 139 00:19:16,400 --> 00:19:26,500 now I will move the high pass filter to position number one. On the basis of the physical interpretation 140 00:19:26,500 --> 00:19:31,800 of distance, which has been indicated, we are also in a position to establish the distance between 141 00:19:31,800 --> 00:19:41,640 two points on a rigid body by means of measurements. Now I will move the high pass filter to high pass 142 00:19:41,640 --> 00:19:49,640 filter two. On the basis of the physical interpretation of distance, which has been indicated, we are also 143 00:19:49,640 --> 00:19:54,680 in a position to establish the distance between two points on a rigid body by means of measurements. 144 00:19:54,680 --> 00:20:03,200 Now I will reset the high pass filter back to normal. So we are normal on high pass filter and 145 00:20:03,200 --> 00:20:09,080 normal on the EQ. On the basis of the physical interpretation of distance, which has been 146 00:20:09,080 --> 00:20:14,360 indicated, we are also in a position to establish the distance between two points on a rigid body 147 00:20:14,360 --> 00:20:26,080 by means of measurements. Okay, now I will move the EQ to position number one. On the basis of 148 00:20:26,080 --> 00:20:30,880 the physical interpretation of distance, which has been indicated, we are also in a position to 149 00:20:30,880 --> 00:20:38,600 establish the distance between two points on a rigid body by means of measurements. And last, 150 00:20:38,600 --> 00:20:46,920 I will move it to EQ position number two. On the basis of the physical interpretation of distance, 151 00:20:46,920 --> 00:20:53,120 which has been indicated, we are also in a position to establish the distance between two points on a 152 00:20:53,120 --> 00:21:04,420 rigid body by means of measurements. Okay, let me reset the EQ back to normal. And now I'm going to 153 00:21:04,420 --> 00:21:15,760 switch to the Rode Procaster. All right, we are now on the Rode Procaster. In fairness, I don't have 154 00:21:15,760 --> 00:21:22,840 a good pop filter for this mic, so I'm doing the best I can to try not to cause plosives. This mic 155 00:21:22,840 --> 00:21:32,760 is a really good mic. Rode makes some quality product. This mic runs $229. I would have no 156 00:21:32,760 --> 00:21:38,760 problem recommending this to somebody as a first time microphone if you're getting into podcasting. 157 00:21:38,760 --> 00:21:50,120 I have the mic hero again with the high pass filter and the EQ set to normal. On the basis of 158 00:21:50,120 --> 00:21:55,280 the physical interpretation of distance, which has been indicated, we are also in a position to 159 00:21:55,280 --> 00:22:02,000 establish the distance between two points on a rigid body by means of measurements. All right, 160 00:22:02,000 --> 00:22:09,800 now I will move the high pass filter to position number one. On the basis of the physical 161 00:22:09,800 --> 00:22:14,960 interpretation of distance, which has been indicated, we are also in a position to establish the 162 00:22:14,960 --> 00:22:21,840 distance between two points on a rigid body by means of measurements. All right, and now to move 163 00:22:21,840 --> 00:22:29,560 the high pass filter to position number two. On the basis of the physical interpretation of distance, 164 00:22:29,560 --> 00:22:34,320 which has been indicated, we are also in a position to establish the distance between two 165 00:22:34,320 --> 00:22:42,000 points on a rigid body by means of measurements. Now I will reset the high pass filter back to 166 00:22:42,000 --> 00:22:49,360 normal. Okay, so we are now back to normal on the high pass filter, and we are at normal on the EQ. 167 00:22:49,360 --> 00:22:56,360 On the basis of the physical interpretation of distance, which has been indicated, we are also 168 00:22:56,360 --> 00:23:01,880 in a position to establish the distance between two points on a rigid body by means of measurements. 169 00:23:01,880 --> 00:23:13,040 All right, now I will move the EQ to position number one. On the basis of the physical 170 00:23:13,040 --> 00:23:18,000 interpretation of distance, which has been indicated, we are also in a position to establish the 171 00:23:18,000 --> 00:23:26,520 distance between two points on a rigid body by means of measurements. And last, I will move the EQ 172 00:23:26,520 --> 00:23:33,240 to position number two. On the basis of the physical interpretation of distance, which has 173 00:23:33,240 --> 00:23:38,000 been indicated, we are also in a position to establish the distance between two points on a 174 00:23:38,000 --> 00:23:47,880 rigid body by means of measurements. All right, let me reset us back to normal on the EQ, and then 175 00:23:47,880 --> 00:23:58,280 now last I am going to switch to the condenser mic that I have. That is the Lewitt LCT 440 Pure. 176 00:23:58,280 --> 00:24:06,760 All right, we are now on the Lewitt LCT 440 Pure. This currently is the only condenser 177 00:24:06,760 --> 00:24:13,800 microphone that I own. I must admit that I absolutely love the sound of this microphone. 178 00:24:13,800 --> 00:24:25,120 No bells and whistles, just plug it in and go. Just the sound is beautiful to my ears, 179 00:24:25,120 --> 00:24:31,920 but I realize that I really don't have a great space for quieting down a condenser the way that 180 00:24:31,920 --> 00:24:41,800 you need to, so apologize in advance. I do have the Mike Hero with the gain at about between 9 181 00:24:41,800 --> 00:24:50,840 and 10 o'clock, with the high pass filter and the EQ both set back to normal. Oh, by the way, 182 00:24:50,840 --> 00:24:58,960 this mic, if you want it, will run you about $249. It's a really great price, in my opinion, 183 00:24:58,960 --> 00:25:04,840 for such a high quality condenser microphone, and you can also pick up its little brother, 184 00:25:04,840 --> 00:25:14,200 the 240 for $140. On the basis of the physical interpretation of distance, which has been 185 00:25:14,200 --> 00:25:19,480 indicated, we are also in a position to establish the distance between two points on a rigid body 186 00:25:19,480 --> 00:25:31,200 by means of measurements. Now I will move the high pass filter to position number one. On the 187 00:25:31,200 --> 00:25:36,520 basis of the physical interpretation of distance, which has been indicated, we are also in a position 188 00:25:36,520 --> 00:25:44,000 to establish the distance between two points on a rigid body by means of measurements. All right, 189 00:25:44,000 --> 00:25:51,160 now we will move the high pass filter to position number two. On the basis of the physical 190 00:25:51,160 --> 00:25:56,040 interpretation of distance, which has been indicated, we are also in a position to establish the 191 00:25:56,040 --> 00:26:03,840 distance between two points on a rigid body by means of measurements. All right, let me reset 192 00:26:03,840 --> 00:26:11,600 the high pass filter back to normal. So now we are high pass filter normal EQ normal. On the basis 193 00:26:11,600 --> 00:26:16,680 of the physical interpretation of distance, which has been indicated, we are also in a position to 194 00:26:16,680 --> 00:26:22,600 establish the distance between two points on a rigid body by means of measurements. Okay, 195 00:26:22,600 --> 00:26:32,040 let me now switch the EQ to position number one. On the basis of the physical interpretation of 196 00:26:32,040 --> 00:26:37,360 distance, which has been indicated, we are also in a position to establish the distance between two 197 00:26:37,360 --> 00:26:45,240 points on a rigid body by means of measurements. And last now I will move the EQ to position number 198 00:26:45,240 --> 00:26:53,440 two. On the basis of the physical interpretation of distance, which has been indicated, we are also 199 00:26:53,440 --> 00:26:58,600 in a position to establish the distance between two points on a rigid body by means of measurements. 200 00:26:58,600 --> 00:27:10,320 All right, let me switch the EQ back to normal. There we go. So that is every mic that I have to 201 00:27:10,320 --> 00:27:17,280 test against the Mike Hero. You obviously won't hear this after the edit, but I'm going to take 202 00:27:17,280 --> 00:27:22,880 a second here, I am going to switch out from the Mike Hero to the Pod Mobile. And then I'm going 203 00:27:22,880 --> 00:27:31,920 to go through the same microphones, reading the same excerpt. All right, we are now back with the 204 00:27:31,920 --> 00:27:40,200 Pod Mobile. Again, I am starting with the Electro Voice RE320. The vocal switch is still set to 205 00:27:40,200 --> 00:27:52,040 flat. I have the gain on the Pod Mobile at about 12 o'clock. And I also have EQ off and denoise off. 206 00:27:52,040 --> 00:27:59,520 That is one of the differences here that you don't specifically have a switch for high pass. So we 207 00:27:59,520 --> 00:28:07,240 will go with these in the off position. I'm going to read the same excerpt from Special Relativity. 208 00:28:07,240 --> 00:28:13,320 And again, I will go through all of the different microphones reading this same excerpt, so that you 209 00:28:13,320 --> 00:28:19,880 can hear the differences and make the choice for yourself. On the basis of the physical 210 00:28:19,880 --> 00:28:24,800 interpretation of distance, which has been indicated, we are also in a position to establish the 211 00:28:24,800 --> 00:28:33,080 distance between two points on a rigid body by means of measurements. Okay, I'm now going to go 212 00:28:33,080 --> 00:28:41,320 to the first level of EQ that turns the light green. On the basis of the physical interpretation 213 00:28:41,320 --> 00:28:46,000 of distance, which has been indicated, we are also in a position to establish the distance between 214 00:28:46,000 --> 00:28:54,400 two points on a rigid body by means of measurements. All right, now I'm going to change the EQ to 215 00:28:54,400 --> 00:29:02,800 level two, which turns our light amber. On the basis of the physical interpretation of distance, 216 00:29:02,800 --> 00:29:07,560 which has been indicated, we are also in a position to establish the distance between two 217 00:29:07,560 --> 00:29:16,560 points on a rigid body by means of measurements. All right, I'm going to move the EQ to the next 218 00:29:16,560 --> 00:29:23,360 level, which turns the light red. On the basis of the physical interpretation of distance, 219 00:29:23,360 --> 00:29:28,160 which has been indicated, we are also in a position to establish the distance between two 220 00:29:28,160 --> 00:29:36,920 points on a rigid body by means of measurements. All right, I'm now going to reset EQ back to off, 221 00:29:36,920 --> 00:29:44,960 and so now we are EQ off, D noise off. On the basis of the physical interpretation of distance, 222 00:29:44,960 --> 00:29:49,680 which has been indicated, we are also in a position to establish the distance between two 223 00:29:49,680 --> 00:29:56,760 points on a rigid body by means of measurements. All right, I'm now going to turn on the first 224 00:29:56,760 --> 00:30:04,640 level of D noise, which turns our indicator green. On the basis of the physical interpretation of 225 00:30:04,640 --> 00:30:09,160 distance, which has been indicated, we are also in a position to establish the distance between 226 00:30:09,160 --> 00:30:17,720 two points on a rigid body by means of measurements. All right, now I'm going to move the D noise to 227 00:30:17,720 --> 00:30:24,400 the third level, which turns the light red. On the basis of the physical interpretation of distance, 228 00:30:24,400 --> 00:30:29,840 which has been indicated, we are also in a position to establish the distance between two 229 00:30:29,840 --> 00:30:37,400 points on a rigid body by means of measurements. All right, now we are going to move the D noise 230 00:30:37,400 --> 00:30:44,360 to the third level, which turns the light red. On the basis of the physical interpretation of 231 00:30:44,360 --> 00:30:49,000 distance, which has been indicated, we are also in a position to establish the distance between 232 00:30:49,000 --> 00:30:57,840 two points on a rigid body by means of measurements. All right, I'm now going to adjust the D noise to 233 00:30:57,840 --> 00:31:05,280 the last level, which turns the light blue. On the basis of the physical interpretation of distance, 234 00:31:05,280 --> 00:31:09,560 which has been indicated, we are also in a position to establish the distance between 235 00:31:09,560 --> 00:31:19,560 two points on a rigid body by means of measurements. All right, I'm back. I'm now on the ElectroVoice RE20. 236 00:31:19,560 --> 00:31:31,320 Again, the vocal switch is flat. I have my gain at about, I guess it's between 12 o'clock and 1 to 237 00:31:31,320 --> 00:31:42,560 try to hit the same levels as the other mics. Again, I have the EQ and the D noise are both off, 238 00:31:42,560 --> 00:31:50,720 and we will get started. On the basis of the physical interpretation of distance, which has 239 00:31:50,720 --> 00:31:55,520 been indicated, we are also in a position to establish the distance between two points on a 240 00:31:55,520 --> 00:32:07,280 rigid body by means of measurements. Okay, now I'm going to set the EQ to the first level. On the 241 00:32:07,280 --> 00:32:12,320 basis of the physical interpretation of distance, which has been indicated, we are also in a position 242 00:32:12,320 --> 00:32:20,480 to establish the distance between points on a rigid body by means of measurements. Okay, now we 243 00:32:20,480 --> 00:32:29,640 will go to the level two on the EQ. On the basis of the physical interpretation of distance, which 244 00:32:29,640 --> 00:32:34,600 has been indicated, we are also in a position to establish the distance between two points on a 245 00:32:34,600 --> 00:32:46,600 rigid body by means of measurements. And now I will go to the third level of EQ. On the basis of the 246 00:32:46,600 --> 00:32:51,440 physical interpretation of distance, which has been indicated, we are also in a position to 247 00:32:51,440 --> 00:32:58,800 establish the distance between two points on a rigid body by means of measurements. Okay, 248 00:32:58,800 --> 00:33:07,600 I'm now going to turn the EQ back off. So we are EQ off D noise off. On the basis of the physical 249 00:33:07,600 --> 00:33:12,520 interpretation of distance, which has been indicated, we are also in a position to establish the 250 00:33:12,520 --> 00:33:19,080 distance between two points on a rigid body by means of measurements. Okay, I'm going to turn on 251 00:33:19,080 --> 00:33:26,640 the first level of D noise. On the basis of the physical interpretation of distance, which has 252 00:33:26,640 --> 00:33:31,320 been indicated, we are also in a position to establish the distance between two points on a 253 00:33:31,320 --> 00:33:42,400 rigid body by means of measurements. Okay, I'm now go to level two of D noise. On the basis of the 254 00:33:42,400 --> 00:33:47,000 physical interpretation of distance, which has been indicated, we are also in a position to 255 00:33:47,000 --> 00:33:54,200 establish the distance between two points on a rigid body by means of measurements. Okay, 256 00:33:54,200 --> 00:34:02,400 I'll now go to the third level of D noise. On the basis of the physical interpretation of distance, 257 00:34:02,400 --> 00:34:07,200 which has been indicated, we are also in a position to establish the distance between two 258 00:34:07,200 --> 00:34:18,240 points on a rigid body by means of measurements. And now I will go to level four of D noise. On 259 00:34:18,240 --> 00:34:23,280 the basis of the physical interpretation of distance, which has been indicated, we are also 260 00:34:23,280 --> 00:34:28,640 in a position to establish the distance between two points on a rigid body by means of measurements. 261 00:34:28,640 --> 00:34:37,680 Okay, I'm going to turn the D noise off. All right, so now that those are off, I am going to 262 00:34:37,680 --> 00:34:50,040 switch over to the RE27. Okay, we are now switched over to the 27ND. I have the switches on the 263 00:34:50,040 --> 00:34:57,080 microphone again, still set to flat. I have the gain on the pod mobile, a little bit between 12 264 00:34:57,080 --> 00:35:08,600 o'clock and one o'clock. The pod mobile is currently set to EQ off and D noise off. And we 265 00:35:08,600 --> 00:35:16,520 will go back to Albert. On the basis of the physical interpretation of distance, which has 266 00:35:16,520 --> 00:35:21,280 been indicated, we are also in a position to establish the distance between two points on a 267 00:35:21,280 --> 00:35:31,280 rigid body by means of measurements. Okay, I will now turn on the first level of EQ. On the basis 268 00:35:31,280 --> 00:35:36,040 of the physical interpretation of distance, which has been indicated, we are also in a position to 269 00:35:36,040 --> 00:35:43,400 establish the distance between two points on a rigid body by means of measurements. Okay, now 270 00:35:43,400 --> 00:35:51,840 level two of the EQ. On the basis of the physical interpretation of distance, which has been indicated, 271 00:35:51,840 --> 00:35:56,640 we are also in a position to establish the distance between two points on a rigid body by 272 00:35:56,640 --> 00:36:07,800 means of measurements. Okay, and I will now go to the third level of EQ. On the basis of the physical 273 00:36:07,800 --> 00:36:12,680 interpretation of distance, which has been indicated, we are also in a position to establish the 274 00:36:12,680 --> 00:36:20,360 distance between two points on a rigid body by means of measurements. Okay, I'm now going to turn 275 00:36:20,360 --> 00:36:28,040 the EQ back off. So we were back to EQ off, D noise off. On the basis of the physical interpretation 276 00:36:28,040 --> 00:36:32,720 of distance, which has been indicated, we are also in a position to establish the distance between 277 00:36:32,720 --> 00:36:40,720 two points on a rigid body by means of measurements. Okay, I'm now turning on the first level 278 00:36:40,720 --> 00:36:51,960 of D noise. On the basis of the physical interpretation of distance, which has been indicated, we are also 279 00:36:51,960 --> 00:36:57,160 in a position to establish the distance between two points on a rigid body by means of measurements. 280 00:36:57,160 --> 00:37:06,560 Okay, and now moving the D noise to level two. On the basis of the physical interpretation of 281 00:37:06,560 --> 00:37:11,280 distance, which has been indicated, we are also in a position to establish the distance between two 282 00:37:11,280 --> 00:37:19,320 points on a rigid body by means of measurements. All right, we will now go to the third level of 283 00:37:19,320 --> 00:37:26,960 D noise. On the basis of the physical interpretation of distance, which has been indicated, we are also 284 00:37:26,960 --> 00:37:32,440 in a position to establish the distance between two points on a rigid body by means of measurements. 285 00:37:32,440 --> 00:37:41,720 Okay, and we will now go to the last level of D noise. On the basis of the physical interpretation 286 00:37:41,720 --> 00:37:46,200 of distance, which has been indicated, we are also in a position to establish the distance between 287 00:37:46,200 --> 00:37:56,960 two points on a rigid body by means of measurements. Okay, let me turn the D noise off. Okay, so we 288 00:37:56,960 --> 00:38:08,720 are back to EQ off D noise off. And now I'm going to switch to the PR 40. Okay, we are now on the 289 00:38:08,720 --> 00:38:19,040 Hile PR 40. No switches on this one to worry about. And the gain is sitting right about 12 o'clock. I 290 00:38:19,040 --> 00:38:28,800 have the EQ and the D noise currently set off. On the basis of the physical interpretation of 291 00:38:28,800 --> 00:38:33,720 distance, which has been indicated, we are also in a position to establish the distance between two 292 00:38:33,720 --> 00:38:44,240 points on a rigid body by means of measurements. Okay, I'm going to set the EQ to the first level. 293 00:38:44,240 --> 00:38:51,960 On the basis of the physical interpretation of distance, which has been indicated, we are also 294 00:38:51,960 --> 00:38:57,480 in a position to establish the distance between two points on a rigid body by means of measurements. 295 00:38:57,480 --> 00:39:08,040 All right, now I will adjust the EQ to the second level. On the basis of the physical 296 00:39:08,040 --> 00:39:13,560 interpretation of distance, which has been indicated, we are also in a position to establish the 297 00:39:13,560 --> 00:39:22,200 distance between two points on a rigid body by means of measurements. Okay, now we will move the 298 00:39:22,200 --> 00:39:29,120 EQ to the third level. On the basis of the physical interpretation of distance, which has been 299 00:39:29,120 --> 00:39:34,520 indicated, we are also in a position to establish the distance between two points on a rigid body 300 00:39:34,520 --> 00:39:45,320 by means of measurements. Okay, let me turn the EQ back off. There we go. So now we are no EQ, 301 00:39:45,320 --> 00:39:51,520 no D noise. On the basis of the physical interpretation of distance, which has been 302 00:39:51,520 --> 00:39:56,760 indicated, we are also in a position to establish the distance between two points on a rigid body 303 00:39:56,760 --> 00:40:07,280 by means of measurements. Okay, now I'm going to set the D noise to the first level. On the basis 304 00:40:07,280 --> 00:40:12,240 of the physical interpretation of distance, which has been indicated, we are also in a position to 305 00:40:12,240 --> 00:40:20,040 establish the distance between two points on a rigid body by means of measurements. Okay, now I 306 00:40:20,040 --> 00:40:26,720 will move the D noise to the second level. On the basis of the physical interpretation of distance, 307 00:40:26,720 --> 00:40:32,040 which has been indicated, we are also in a position to establish the distance between two points on a 308 00:40:32,040 --> 00:40:44,880 rigid body by means of measurements. Okay, now I will move the D noise to the third level. On the 309 00:40:44,880 --> 00:40:50,240 basis of the physical interpretation of distance, which has been indicated, we are also in a position 310 00:40:50,240 --> 00:40:57,240 to establish the distance between two points on a rigid body by means of measurements. Okay, 311 00:40:57,240 --> 00:41:04,800 and now I will move the D noise to the fourth setting. On the basis of the physical interpretation 312 00:41:04,800 --> 00:41:09,600 of distance, which has been indicated, we are also in a position to establish the distance between 313 00:41:09,600 --> 00:41:19,520 two points on a rigid body by means of measurements. Okay, let me turn that back. Yep, so there we go. 314 00:41:19,520 --> 00:41:30,920 EQ is off, D noise is off, and now I am going to transition to the SM7B. Okay, so we are now 315 00:41:30,920 --> 00:41:37,880 switched over to the SM7B. Again, I have both vocal switches set to flat, so we don't do any 316 00:41:37,880 --> 00:41:48,320 additional coloration. I have the Pod Mobile set to about one o'clock to try to get the gain to 317 00:41:48,320 --> 00:41:58,240 bring the level up with the other mics. I do love this mic. This is a staple on shows like Joe 318 00:41:58,240 --> 00:42:10,560 Rogan. So let's let's get started. Alright, here we go. I have, again, this is no EQ, no D noise on 319 00:42:10,560 --> 00:42:15,480 the Pod Mobile. On the basis of the physical interpretation of distance, which has been 320 00:42:15,480 --> 00:42:21,040 indicated, we are also in a position to establish the distance between two points on a rigid body 321 00:42:21,040 --> 00:42:30,680 by means of measurements. Alright, now I'll set the EQ to level one. On the basis of the physical 322 00:42:30,680 --> 00:42:35,440 interpretation of distance, which has been indicated, we are also in a position to establish 323 00:42:35,440 --> 00:42:43,200 the distance between two points on a rigid body by means of measurements. Okay, so now I will adjust 324 00:42:43,200 --> 00:42:50,240 the EQ to level two. On the basis of the physical interpretation of distance, which has been indicated, 325 00:42:50,240 --> 00:42:55,760 we are also in a position to establish the distance between two points on a rigid body by 326 00:42:55,760 --> 00:43:06,240 means of measurements. Okay, and now we will set the EQ to level three. On the basis of the physical 327 00:43:06,240 --> 00:43:11,680 interpretation of distance, which has been indicated, we are also in a position to establish the 328 00:43:11,680 --> 00:43:19,120 distance between two points on a rigid body by means of measurements. Okay, let me turn the EQ 329 00:43:19,120 --> 00:43:26,560 off. Alright, so we are back to no EQ, no D noise. On the basis of the physical interpretation of 330 00:43:26,560 --> 00:43:31,400 distance, which has been indicated, we are also in a position to establish the distance between two 331 00:43:31,400 --> 00:43:39,600 points on a rigid body by means of measurements. Okay, now I will go to the first level of D noise. 332 00:43:39,600 --> 00:43:46,040 On the basis of the physical interpretation of distance, which has been indicated, we are also 333 00:43:46,040 --> 00:43:51,440 in a position to establish the distance between two points on a rigid body by means of measurements. 334 00:43:51,440 --> 00:43:59,920 Alright, and now we will go to level two of D noise. On the basis of the physical interpretation 335 00:43:59,920 --> 00:44:04,520 of distance, which has been indicated, we are also in a position to establish the distance between 336 00:44:04,520 --> 00:44:12,960 two points on a rigid body by means of measurements. Alright, now we will go to level three of D noise. 337 00:44:12,960 --> 00:44:19,280 On the basis of the physical interpretation of distance, which has been indicated, we are also 338 00:44:19,280 --> 00:44:25,320 in a position to establish the distance between two points on a rigid body by means of measurements. 339 00:44:25,320 --> 00:44:34,320 Alright, and now we will go to the fourth level of D noise. On the basis of the physical interpretation 340 00:44:34,320 --> 00:44:38,960 of distance, which has been indicated, we are also in a position to establish the distance between 341 00:44:38,960 --> 00:44:48,040 two points on a rigid body by means of measurements. Alright, let me reset. So yeah, we are now back to 342 00:44:48,040 --> 00:45:01,000 no EQ, no D noise. And so I'm now going to transition to the Rode Procaster. Okay, we are back on the 343 00:45:01,000 --> 00:45:15,840 Rode Procaster. I have the gain at about 11 o'clock, and I have EQ off and D noise off. On the basis 344 00:45:15,840 --> 00:45:20,760 of the physical interpretation of distance, which has been indicated, we are also in a position to 345 00:45:20,760 --> 00:45:27,760 establish the distance between two points on a rigid body by means of measurements. Okay, turn on 346 00:45:27,760 --> 00:45:35,560 the first level of EQ. On the basis of the physical interpretation of distance, which has been 347 00:45:35,560 --> 00:45:41,400 indicated, we are also in a position to establish the distance between two points on a rigid body by 348 00:45:41,400 --> 00:45:51,720 means of measurements. Okay, let's go to level two of EQ. On the basis of the physical interpretation 349 00:45:51,720 --> 00:45:56,320 of distance, which has been indicated, we are also in a position to establish the distance between 350 00:45:56,320 --> 00:46:06,880 two points on a rigid body by means of measurements. Okay, and then now we will go to the third level 351 00:46:06,880 --> 00:46:13,920 of EQ. On the basis of the physical interpretation of distance, which has been indicated, we are also 352 00:46:13,920 --> 00:46:19,480 in a position to establish the distance between two points on a rigid body by means of measurements. 353 00:46:19,480 --> 00:46:30,280 Okay, let's reset this back. No EQ, no D noise. On the basis of the physical interpretation of 354 00:46:30,280 --> 00:46:35,360 distance, which has been indicated, we are also in a position to establish the distance between two 355 00:46:35,360 --> 00:46:41,880 points on a rigid body by means of measurements. All right, and then now we will go to the first 356 00:46:41,880 --> 00:46:48,800 level of D noise. On the basis of the physical interpretation of distance, which has been 357 00:46:48,800 --> 00:46:53,720 indicated, we are also in a position to establish the distance between two points on a rigid body 358 00:46:53,720 --> 00:47:03,960 by means of measurements. Okay, now we will go to the second level of D noise. On the basis of the 359 00:47:03,960 --> 00:47:09,080 physical interpretation of distance, which has been indicated, we are also in a position to establish 360 00:47:09,080 --> 00:47:16,800 the distance between two points on a rigid body by means of measurements. Okay, let's go to the third 361 00:47:16,800 --> 00:47:23,600 level of D noise. On the basis of the physical interpretation of distance, which has been indicated, 362 00:47:23,600 --> 00:47:29,720 we are also in a position to establish the distance between two points on a rigid body by means of 363 00:47:29,720 --> 00:47:38,600 measurements. Okay, and now let's go to the fourth level of D noise. On the basis of the physical 364 00:47:38,600 --> 00:47:43,480 interpretation of distance, which has been indicated, we are also in a position to establish the 365 00:47:43,480 --> 00:47:52,760 distance between two points on a rigid body by means of measurements. Okay, let's roll back. So 366 00:47:52,760 --> 00:48:01,720 now we are back to no EQ, no D noise. And then now I'm going to switch over to the Luit 440 Pure, 367 00:48:01,720 --> 00:48:12,760 my condenser microphone. All right, so we are now on the Luit 440 Pure. I have the gain at about 368 00:48:12,760 --> 00:48:23,120 nine o'clock. Again, this mic no switches, nothing to worry about there. So everything you're hearing 369 00:48:23,120 --> 00:48:30,920 is unfortunately the sound of my closet, because that is my recording studio. But this does have a 370 00:48:30,920 --> 00:48:38,560 very low self noise level, I believe of about nine dB. So I will be a little bit quiet, so you can 371 00:48:38,560 --> 00:48:46,000 kind of hear essentially what is just the sound of the room before we start reading again. Okay, 372 00:48:46,000 --> 00:48:53,840 I have the EQ and the D noise off currently. On the basis of the physical interpretation of 373 00:48:53,840 --> 00:48:58,360 distance, which has been indicated, we are also in a position to establish the distance between 374 00:48:58,360 --> 00:49:05,800 two points on a rigid body by means of measurements. Okay, and then now we will go to the first level 375 00:49:05,800 --> 00:49:13,280 of EQ. On the basis of the physical interpretation of distance, which has been indicated, we're also 376 00:49:13,280 --> 00:49:18,560 in a position to establish the distance between two points on a rigid body by means of measurements. 377 00:49:18,560 --> 00:49:28,160 Okay, now we will go to level two of EQ. On the basis of the physical interpretation of 378 00:49:28,160 --> 00:49:32,820 distance, which has been indicated, we are also in a position to establish the distance between 379 00:49:32,820 --> 00:49:39,420 two points on a rigid body by means of measurements. Okay so now we will go to 380 00:49:39,420 --> 00:49:45,940 the third level of EQ. On the basis of the physical interpretation of distance 381 00:49:45,940 --> 00:49:50,060 which has been indicated we are also in a position to establish the distance 382 00:49:50,060 --> 00:49:56,640 between two points on a rigid body by means of measurements. Okay let's reset 383 00:49:56,640 --> 00:50:03,700 back to no EQ no D noise. On the basis of the physical interpretation of distance 384 00:50:03,700 --> 00:50:07,860 which has been indicated we are also in a position to establish the distance 385 00:50:07,860 --> 00:50:13,380 between two points on a rigid body by means of measurements. Alright let's go 386 00:50:13,380 --> 00:50:20,220 to the first level of D noise. On the basis of the physical interpretation of 387 00:50:20,220 --> 00:50:24,540 distance which has been indicated we are also in a position to establish the 388 00:50:24,540 --> 00:50:30,820 distance between two points on a rigid body by means of measurements. Alright 389 00:50:30,820 --> 00:50:37,040 now let's go to level two of D noise. On the basis of the physical 390 00:50:37,040 --> 00:50:40,940 interpretation of distance which has been indicated we are also in a position 391 00:50:40,940 --> 00:50:45,300 to establish the distance between two points on a rigid body by means of 392 00:50:45,300 --> 00:50:54,060 measurements. Okay let's go to level three of D noise. On the basis of the 393 00:50:54,060 --> 00:50:57,900 physical interpretation of distance which has been indicated we are also in 394 00:50:57,900 --> 00:51:01,860 a position to establish the distance between two points on a rigid body by 395 00:51:01,860 --> 00:51:09,700 means of measurements. Alright let's go to the fourth level of D noise. On the 396 00:51:09,700 --> 00:51:13,740 basis of the physical interpretation of distance which has been indicated we are 397 00:51:13,740 --> 00:51:18,020 also in a position to establish the distance between two points on a rigid 398 00:51:18,020 --> 00:51:27,500 body by means of measurements. Okay let's reset. So now we are back to no EQ no D 399 00:51:27,500 --> 00:51:37,540 noise and I'm now going to switch to a bonus microphone. I will explain here in 400 00:51:37,540 --> 00:51:44,540 just a moment. Okay so we are on the bonus microphone as I'm calling it. I 401 00:51:44,540 --> 00:51:51,940 have to make a confession. I have gas not the gas that you may be thinking of. 402 00:51:51,940 --> 00:51:58,740 Gear acquisition syndrome. I had some Christmas money burning a hole in my 403 00:51:58,740 --> 00:52:07,480 pocket. This microphone went on sale for $99 and in my weakness I gave it and I 404 00:52:07,480 --> 00:52:14,820 bought it. This is now my second condenser microphone. It's also a Lewitt. It is the 405 00:52:14,820 --> 00:52:22,060 little brother to the 440 that I was just speaking on. This is the 240 Pro. I 406 00:52:22,060 --> 00:52:29,700 have the gain on the Podmobile set to about 10 o'clock and we'll see how this 407 00:52:29,700 --> 00:52:40,540 sounds to everybody. Okay I have it set now that we are no EQ no D noise. On the 408 00:52:40,540 --> 00:52:44,780 basis of the physical interpretation of distance which has been indicated we are 409 00:52:44,780 --> 00:52:48,780 also in a position to establish the distance between two points on a rigid 410 00:52:48,780 --> 00:52:59,180 body by means of measurements. Okay let's go to the first level of EQ. On the 411 00:52:59,180 --> 00:53:03,220 basis of the physical interpretation of distance which has been indicated we are 412 00:53:03,220 --> 00:53:07,300 also in a position to establish the distance between two points on a rigid 413 00:53:07,300 --> 00:53:17,980 body by means of measurements. Okay let's now go to the second level of EQ. On the 414 00:53:17,980 --> 00:53:22,180 basis of the physical interpretation of distance which has been indicated we are 415 00:53:22,180 --> 00:53:25,960 also in a position to establish the distance between two points on a rigid 416 00:53:25,960 --> 00:53:35,020 body by means of measurements. Alright let's go to the third level of EQ. On the 417 00:53:35,020 --> 00:53:39,060 basis of the physical interpretation of distance which has been indicated we are 418 00:53:39,060 --> 00:53:43,180 also in a position to establish the distance between two points on a rigid 419 00:53:43,180 --> 00:53:53,780 body by means of measurements. Okay let's go back to no EQ no D noise. On the 420 00:53:53,780 --> 00:53:57,980 basis of the physical interpretation of distance which has been indicated we are 421 00:53:57,980 --> 00:54:01,600 also in a position to establish the distance between two points on a rigid 422 00:54:01,600 --> 00:54:09,820 body by means of measurements. Okay now let's go to the first level of D noise. 423 00:54:09,820 --> 00:54:13,700 On the basis of the physical interpretation of distance which has 424 00:54:13,700 --> 00:54:17,860 been indicated we are also in a position to establish the distance between two 425 00:54:17,860 --> 00:54:24,660 points on a rigid body by means of measurements. Okay now let's go to level 426 00:54:24,660 --> 00:54:30,980 two of D noise. On the basis of the physical interpretation of distance 427 00:54:30,980 --> 00:54:35,140 which has been indicated we are also in a position to establish the distance 428 00:54:35,140 --> 00:54:41,680 between two points on a rigid body by means of measurements. Okay let's go now 429 00:54:41,680 --> 00:54:48,400 to the third level of D noise. On the basis of the physical interpretation 430 00:54:48,400 --> 00:54:52,660 of distance which has been indicated we are also in a position to establish the 431 00:54:52,660 --> 00:54:58,740 distance between two points on a rigid body by means of measurements. Okay and 432 00:54:58,740 --> 00:55:04,900 then now we are going to the fourth level of D noise. On the basis of the 433 00:55:04,900 --> 00:55:08,900 physical interpretation of distance which has been indicated we are also in 434 00:55:08,900 --> 00:55:12,900 a position to establish the distance between two points on a rigid body by 435 00:55:12,900 --> 00:55:22,580 means of measurements. Okay let me reset it back. Okay so we are now back to no EQ 436 00:55:22,580 --> 00:55:28,940 no D noise and this concludes the portion of the show that I have now 437 00:55:28,940 --> 00:55:36,620 officially shown off all the microphones that I have. I obviously have really bad 438 00:55:36,620 --> 00:55:46,260 gas. There's already the dark side to getting into a hobby. For me is turned 439 00:55:46,260 --> 00:55:51,100 into a new version of gas. I've always had that on the IT side of things now I 440 00:55:51,100 --> 00:55:57,980 have developed it on the AV side of things. I don't know that there's a cure 441 00:55:57,980 --> 00:56:02,100 for it other than you have to just completely get out of what you're doing. 442 00:56:02,100 --> 00:56:09,380 So be aware that if you decide to go down this rabbit hole you probably will 443 00:56:09,380 --> 00:56:14,700 develop gas too and you may already have some form of it depending on what your 444 00:56:14,700 --> 00:56:21,620 hobbies are who knows. So again if you're thinking about getting into podcasting 445 00:56:21,620 --> 00:56:26,060 if you're thinking about possibly voiceover I think you'll find that the 446 00:56:26,060 --> 00:56:31,260 audio Sigma gear is perfect for what you want to do. If you're not wanting to 447 00:56:31,260 --> 00:56:37,540 spend a lot of money up front get that mic hero classic $199. You can get some 448 00:56:37,540 --> 00:56:42,020 great microphones as well in that hundred to two hundred dollar range. So 449 00:56:42,020 --> 00:56:46,820 again you can keep your initial investment pretty low as you try to 450 00:56:46,820 --> 00:56:53,100 determine how serious you want to be with this. I would recommend that you 451 00:56:53,100 --> 00:57:01,100 spend the extra $89 go up to $289 and get the mic hero DSP just 452 00:57:01,100 --> 00:57:07,940 becomes the additional features that it brings to the table. I think it's I think 453 00:57:07,940 --> 00:57:12,100 it's a really good sweet spot. If you know you're gonna have one other person 454 00:57:12,100 --> 00:57:15,500 with you all the time then that's what Pod Mobile really comes in. You've got 455 00:57:15,500 --> 00:57:23,700 that second XLR on that and you now the two of you can be in the same location 456 00:57:23,700 --> 00:57:28,860 and talk and you can still bring people in remotely however you're choosing to 457 00:57:28,860 --> 00:57:36,140 do that. You know Fernando has really put together some great products. Again 458 00:57:36,140 --> 00:57:42,060 these opinions are our opinions. Fernando's not paying for this. There's 459 00:57:42,060 --> 00:57:49,340 no kickback for Fernando other than you hearing this, you agreeing with our 460 00:57:49,340 --> 00:57:54,780 opinion and you going out and buying a piece of audio Sigma gear. I know 461 00:57:54,780 --> 00:57:59,940 Fernando would certainly love it. If you're feeling generous buy all three. I 462 00:57:59,940 --> 00:58:05,340 know Fernando would go over that. I would too that would be great. Would love to 463 00:58:05,340 --> 00:58:13,180 see audio Sigma continue to grow and to see what future projects he may already 464 00:58:13,180 --> 00:58:20,420 have in his head that he would love to get into development. Fernando again I 465 00:58:20,420 --> 00:58:24,980 can't say thank you enough. The customer service that you've shown, the amazing 466 00:58:24,980 --> 00:58:34,980 product. It just is adding to my my gas but that just comes with developing a 467 00:58:34,980 --> 00:58:45,220 really nice hobby. So again go out and get you an audio Sigma piece of hardware. 468 00:58:45,220 --> 00:58:50,820 Get you a good mic and start recording some great stuff. Get it out there in the 469 00:58:50,820 --> 00:59:00,300 world and who knows what could happen for you. So again audio Sigma amazing 470 00:59:00,300 --> 00:59:06,700 hardware. We highly highly highly recommend it. Can't recommend it enough. 471 00:59:06,700 --> 00:59:12,580 Great job Fernando. Appreciate what you're doing. Keep up the hard work man. 472 00:59:12,580 --> 00:59:22,300 And then we will transition to boosts. I'm afraid this time around there are no 473 00:59:22,300 --> 00:59:29,580 boosts. Yeah I know that means that Jason is falling down on his segment but in all 474 00:59:29,580 --> 00:59:36,620 fairness he's been in Chicago for Christmas in New Year's and visiting 475 00:59:36,620 --> 00:59:44,780 family. We're gonna give him a pass. No big deal. He will be back for the future. 476 00:59:44,780 --> 00:59:49,780 Would love to eventually have him come back on another episode of Being Gear. 477 00:59:49,780 --> 00:59:53,660 We've got some other folks that we would love to potentially line up as well. 478 00:59:53,660 --> 00:59:58,900 Every now and then throw somebody in let them come speak on their experiences 479 00:59:58,900 --> 01:00:04,740 and their expertise. And again I hope everybody had a great Christmas and a 480 01:00:04,740 --> 01:00:12,060 good New Year's and we'll be back in two weeks with our next show and John will 481 01:00:12,060 --> 01:00:40,060 be back so it'll be great to not have to do this on my own. See you everybody. 482 01:00:40,060 --> 01:00:46,580 Hey everybody. Back real quick. I needed to make an addendum to this show as I 483 01:00:46,580 --> 01:00:52,780 was going through the edit process I realized that I said that Jason Cort and 484 01:00:52,780 --> 01:00:57,940 his family is in Chicago. That is inaccurate. They are actually in 485 01:00:57,940 --> 01:01:06,340 Michigan visiting family in the Holland area. I would assume I just saw my 486 01:01:06,340 --> 01:01:12,940 bear's helmet here on the desk with me and somehow Michigan didn't come out 487 01:01:12,940 --> 01:01:19,860 instead it was Chicago. So just wanted to get that corrected. I know they had a 488 01:01:19,860 --> 01:01:26,300 great time in Michigan seeing family and we will catch y'all in the next episode. 489 01:01:26,300 --> 01:01:31,900 No it can't be over already. Yep okay we are done. I could not have done better 490 01:01:31,900 --> 01:01:38,300 than that podcast.