WEBVTT

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See, I believe that all the mysteries of the

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universe, all the answers to life's questions

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can be found in a Spielberg film. I've been afraid

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for all of my life. Why doesn’t somebody just

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shoot me in the head? Right up until the day

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I knew my life was ending. You look bad. No, man.

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You smell bad. I'm pretty fucking far from Ok. Really, I feel

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I'm sharing a very- Look at my shit. I had an affair.- precious moment with you.

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There are no nations. There are no peoples. Are

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you threatening me, dick? You don't approve.

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Fake. Well, too bad. Totally fake. Did it seem

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fake? When my best friend was bitten in half in front of me,

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I found this cover story personally embarrassing

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myself. Plenty of sausage and pepperonis. Everything but the little fishies. All

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right, welcome to Everything But the Little Fishies.

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Welcome. I'm Evan. I'm Mike. And today we're

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talking about the cult classic Revenge of the

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Nerds from 1984 and The Fly from 1986. Cronenberg's.

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Cronenberg's. Yeah. Yeah, yeah. With an honorable

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mention of the original from 1958. But we'll

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get there. So yeah, to start with Revenge of

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the Nerds, first time I've seen this movie. I

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just watched it the other night. Obviously it

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has a reputation. I can't say I've ever really

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known that much about it. I had no idea what

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the plot would be like. I had no idea. with the

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thematic material. I guess I could only surmise

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from the title and the artwork on the front of

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the box that it would be some kind of satirical

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movie about how the misunderstood nerds who are

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always made fun of and picked on get to get back

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at the jocks and all the people who have wronged

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them. And I think when I was younger and I would

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look at the front of this box, I always imagined

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it would be a movie I'd like because I always

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kind of thought I was one of them. I always kind

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of thought I was a nerd, or at least I was just

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not a popular kid, and I was teased a lot and

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made fun of a lot. And I think when I was younger,

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I had a lot of kind of revenge fantasies about

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what I would do to the popular kids. gross kind

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of fantasies about like getting the girls that

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are out of your league and sick twisted fantasies

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about taking what's yours and uh finding these

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clever ways to overpower the um the people who

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are keeping you down and stuff like that and

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now that i've seen the movie i guess like it

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is that but i mean that i think is one of the

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things that's so interesting about it is the

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the idea of the archetype of the nerd, right?

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And like what that means in the culture. And

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like, I think you're hitting the nail right on

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the head just from the start is like, yeah, like

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we, we as nineties kids. Like, we identify with

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the nerds. We kind of have been brought up in

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this sort of situation where, yeah, fuck the

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jocks. The nerds are the lead of all of our movies,

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right? Like, it's always about the kid that's

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picked on finally getting his, you know, finally

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getting the girl or whatever. It's never about

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the jock getting the girl. Like, how many, you

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know, I don't know. Yeah, that's, at least in

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the movies we watched in the 90s and stuff, that

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was like the archetypal shift. Right, right.

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And I think what's really interesting in looking

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at this movie in 84, I mean, like, the idea of

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the underdog is, you know, a long -held American

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tradition, an American archetype. Maybe one of

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the most important American archetypes. But I

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think that Revenge of the Nerds does something

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really interesting in that, like... It takes

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that archetype and it applies it to nerds, which

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is kind of this new sort of concept. I mean,

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not really a new concept. Nerds have been around

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for many years. But the conception of the nerds

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in this movie, I think, is very interesting.

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Just the idea of what a nerd is, you know? Yeah,

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I actually kind of wonder when the term nerd

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was first created. because yeah i mean i guess

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you would have called like any scientist a nerd

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or any mathematician a nerd or anybody that was

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into computers a nerd or whatever right and i

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we looked up um when we were watching revenge

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of the nerds one of the guys names is poindexter

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and lisa's like what the fuck is poindexter where

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did that term come from and looked it up and

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apparently it was a like a cartoon from the 50s

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or 60s There's a character named Poindexter that

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I assume was like a nerdy sort of character archetype

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and whatnot. So, I mean, this is an archetype

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that pre -exists Revenge of the Nerds, obviously.

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I'm sure that, you know, the guys who were making

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the atomic bomb were looked at as nerds, like,

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and not jocks. That's, you know, a pre -existing

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archetype. This is what Google says about nerd.

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It first appeared in print in 1950 in Dr. Seuss'

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children's book, If I Ran the Zoo. Wow. Interesting.

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Seuss came up with the nerd. According to Google,

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which like, well, yeah. According to AI, it also

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says that like 2001 was based on a dream that

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Kubrick had that nobody has ever said. Yeah,

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but if you go down, yeah, if you go down, like

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it's the Merriam -Webster also corroborates that.

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So the nerd comes around around the time that

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like the teenagers being popularized and stuff.

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Sure. Which is kind of what we're doing in this

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college movie too. Like all of this stuff is

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kind of. And I guess in the 1950s, individuals

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who might be considered nerds were often labeled

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squares or trips. Right. Yeah, yeah, yeah. I

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mean, there were nerds in happy days and stuff.

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There were nerds, like, you know, nerds exist.

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Sure. I mean, it's an archetype that's been around

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for a while, but it does feel like a modern archetype.

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Yeah, yeah, yeah. Well, I think that part of

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it is that it's uniquely tied to computers in

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the modern sort of context, which I think is

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extremely important for both of these movies.

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But the other thing that I think that's interesting

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about Revenge of the Nerd specifically is that

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it doesn't even keep the nerd archetype specifically

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to the computer thing or anything. A nerd is

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not necessarily a computer kid or a smart kid

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or anything. You know what I mean? A nerd is

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just anyone who sees themselves as picked on.

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You know what I mean? Anyone who sees themselves

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as a victim, essentially. Sure, but... Or anyone

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we see as a victim, too, or whatever. Yeah, but

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in the movie, Lewis, the more confident nerd,

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Part of his confidence has to do with the fact

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that he doesn't actually see himself as a nerd.

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And part of his arc, if you can even call it

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that, in the movie is him just coming to terms

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with the fact that he is one. Right. And then

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Gilbert gives that speech in the end that says,

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I'm proud of being a nerd. And it's all about

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this acceptance of being the nerd. Right. Or

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whatever. Which is a universal theme that you

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can apply to queer narratives and all sorts of

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these underdog narratives. Yeah, sure. And that's

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what Revenge of the Nerds goes really far out

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of its way to do, is to extend the nerd thing

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to all liberal causes, essentially. No, you're

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right, because there's like a gay black kid.

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A gay black kid, there's a Japanese kid. There's

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the stoner guy who just, I mean. He, what is,

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I mean, when I was watching the release, the

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release was like, this guy's cool. Like, why,

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how is he a nerd? This guy's cool. I would fuck

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this guy. Yeah, yeah, yeah. You're talking about

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Booger. Yeah, Booger, Booger. And it's like,

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yeah, well, he's confident. I like Booger. Booger

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has a certain confidence to him that like is

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cool. Like, even though, yeah, he's not cool,

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he's gross, but like, that's not a nerd archetype

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in any like conception of like, you know what

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I mean? But it extends it to that too. It's all

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of these people that it's like, no matter who

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you are watching this movie, you can be like,

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no, I'm a nerd and I'm against the jocks, you

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know? And the jocks are, yeah, sorry. No, and

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I think one of the more problematic elements

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of the movies is that the whole nerd troop ends

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up getting identified with the black. fraternity?

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Yeah, yeah, yeah, because it's the same thing.

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I was like, so we're the minorities, so we're

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going to go find the other minorities, the black

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fraternity. Right, right. And we're going to

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get championed by them. Well, so this is the

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thing. I think what's interesting is the nerds

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in this movie are defined almost exclusively

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as being deficient. And you can say there's the

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gay black one or whatever, but like... I think

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it's kind of a homophobic, racist movie that

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is, like, that's his deficiency. Like, you know

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what I mean? Like, each of these guys have a

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deficiency. Lewis and Gilbert have a deficiency.

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Poindexter has a deficiency. Takashi has a...

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Like, Poindexter can't see. Like, Gilbert and

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Lewis are... Like, they all have their... Like,

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Gilbert is too attached to his mother. Lewis

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is, like... I don't know. He's Jewish. Like,

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I don't know who these... But each of these guys

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have a thing. And, like, basically it's defined

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by their unattractiveness and their unattractiveness

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to women. Like, that is, like, across the board,

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that is what the kind of definition is. They

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are deficient and unattractive to women. And

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then they take that and extend it to the black,

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like. uh civil rights movement you know what

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i mean it's like yeah i know like to say that

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these are the same thing that like people who

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are ugly and unattractive and basically deficient

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they're bad at things like like point dexter's

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like shoving his hand into a blender and stuff

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like these guys can't do anything well And the

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only reason that they do well in the tests in

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the end is because they cheat. Like every single

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test that they win is them cheating. They don't

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play the game at all. They cheat. They like use

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loopholes to create their fraternity by like,

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you know, ascribing their struggle to the black

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struggle. And like they do, like all of these

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things are these like weird, shady, self, you

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know, aggrandizing moves to create their own

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like, I don't know, success out of their victimhood.

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um and say like no we are the victims and we

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are together on this against you and you guys

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are the ones that it times up and it's time for

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us and blah blah blah yeah and like what actually

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relates all of them more than anything is their

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desire for sex yeah because they're because all

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their deficiencies make them unattractive to

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women and so like women is like the thing they

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all universally desire that they don't have right

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And they're using all of their skills to get

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without being attractive to them, without consensual,

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like without consent. It's all about them like

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stealing what they think is theirs. And in the

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end, they do. They win all the contests. They

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steal what is theirs through shady, disgusting,

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unattractive means. And then they're like, no,

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we're like the Black Panthers, basically. It's

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just like this movie is so evil. Like it's to

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to to ascribe like this. I mean, it's a liberal

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ideology is the point, though. It's we are all

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victims. We all are outsiders. I define myself

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as against this like culture that is run by the

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jocks and whatever. But what are the jocks like?

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That's that's the thing that I think is really

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interesting in this movie is like if the nerds

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are defined as simply being like unattractive

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to women and whatever, like what are the jocks?

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Because, like, I mean, when it's Lewis, right,

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who rapes the girl in the Darth Vader costume.

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When Lewis, he has the, like, well, all jocks

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think about is sports and all nerds think about

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is sex. What a pickup line. Nerds are like these

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totally, like, deficient, perverse, like, it's

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a perversion. It's a thing that has been done

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to them that has made them, like. singularly

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singularly focused on this one thing yeah they're

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so sexually repressed so like it comes out in

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really toxic ways right um whereas the jocks

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like they get to have sex and sex actually isn't

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like the most important thing to them like they're

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sort of somewhat career focused that's what it

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means to be into the football or whatever like

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They want to work on a team, and they want to

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play the game, and they want to win. Yeah, they're

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part of a team as well. And the nerds create

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their own team, and maybe that was the thing

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that they were lacking before, is that they were

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all a bunch of these socially inept losers who

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didn't have a team. But then they learn, oh,

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these are my people. These are all the downtrodden,

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misunderstood minorities and whatever, and we

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are a team. Right. But yeah, the only thing that

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actually connects them all is just that repression

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and that frustration. And that they all kind

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of suck more than the jocks, basically. They're

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less attractive than the jocks. They actually

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do suck. The thing I was thinking, right when

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the movie started, is it's really weird that

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this movie seems so sincere. That like, it really

00:13:19.710 --> 00:13:22.049
feels like we're supposed to just be on the side

00:13:22.049 --> 00:13:24.230
of the nerds. Right. This feels like a movie

00:13:24.230 --> 00:13:26.250
made for nerds. Like it's some kind of weird,

00:13:26.309 --> 00:13:29.669
like fantasy fulfillment for nerds. Yeah. Yeah.

00:13:29.750 --> 00:13:31.710
Yeah. Absolutely. And people and whatever. And

00:13:31.710 --> 00:13:34.269
you sort of are supposed to side with them, but

00:13:34.269 --> 00:13:36.559
like. The first thing that happens when they

00:13:36.559 --> 00:13:38.539
get to campus is, like, they're carrying those

00:13:38.539 --> 00:13:41.440
oversized chests that just have stupid fucking

00:13:41.440 --> 00:13:43.940
robots in them that they don't need. Yeah. And,

00:13:44.019 --> 00:13:46.259
like, they're just, like, trampling people on

00:13:46.259 --> 00:13:48.639
the lawn. And they, like, cause a car accident

00:13:48.639 --> 00:13:50.340
and, like, a bike accident and shit. Like, they're

00:13:50.340 --> 00:13:53.240
just, like, completely oblivious. Yeah. And they're

00:13:53.240 --> 00:13:55.399
causing chaos to all the people who have to survive.

00:13:55.399 --> 00:13:56.679
And they're causing chaos. Yeah, yeah, yeah.

00:13:56.820 --> 00:13:59.860
Yeah. Like, it's, like, actually, it's an insanely

00:13:59.860 --> 00:14:01.440
annoying sequence. There's detritus in their

00:14:01.440 --> 00:14:02.919
wake. Because it's supposed to play as, like...

00:14:03.240 --> 00:14:05.259
Yeah, it's supposed to play as, like, this funny,

00:14:05.320 --> 00:14:08.279
silly thing, like, oh, how endearing they are.

00:14:08.320 --> 00:14:09.960
But, like, watching it, I was just like, dude,

00:14:10.120 --> 00:14:12.100
these guys suck. Yeah, they actually already

00:14:12.100 --> 00:14:14.559
in the first scene do more harm than the jocks

00:14:14.559 --> 00:14:17.159
do, like, to anybody other than themselves. Like,

00:14:17.200 --> 00:14:19.179
the jocks harm themselves, sure. They burn down

00:14:19.179 --> 00:14:24.440
their own house. But, like, they don't do anything.

00:14:24.440 --> 00:14:26.950
I mean, the jocks. The jocks suck to a certain

00:14:26.950 --> 00:14:29.529
degree because, like, it's not really fair that

00:14:29.529 --> 00:14:30.889
they burn down their own house and then they

00:14:30.889 --> 00:14:32.590
get to just take the nerds' house and stuff.

00:14:32.830 --> 00:14:36.149
And then they continue to antagonize the nerds

00:14:36.149 --> 00:14:38.389
and stuff. Like, they really do just, like, hate

00:14:38.389 --> 00:14:41.610
the nerds for no reason that's established. Right,

00:14:41.669 --> 00:14:43.549
right. Like, they just hate the nerds because

00:14:43.549 --> 00:14:47.879
they're nerds. Yeah. And then, like, so, like,

00:14:47.919 --> 00:14:49.940
you end up kind of siding with the nerds because

00:14:49.940 --> 00:14:51.279
you're like, yeah, this is really unfair what's

00:14:51.279 --> 00:14:52.860
happening to them and stuff like that. But to

00:14:52.860 --> 00:14:55.559
me, this feels like an unreliable narrator. Like,

00:14:55.559 --> 00:14:57.860
it's just the person who's writing this is a

00:14:57.860 --> 00:15:01.419
nerd. Like, so all of this is written to appeal

00:15:01.419 --> 00:15:03.419
to that. So, like, when the jocks burn down their

00:15:03.419 --> 00:15:07.220
house, like, we see what they do. They just literally

00:15:07.220 --> 00:15:09.840
spray the walls with fire. And then they're like,

00:15:09.919 --> 00:15:15.029
oh, it was fun. It was faulty wiring. But, like,

00:15:15.029 --> 00:15:16.990
maybe what actually happened was, like, no, it

00:15:16.990 --> 00:15:18.710
was faulty wiring. Some nerd fucking installed

00:15:18.710 --> 00:15:20.870
faulty wiring. And then the nerd who retold the

00:15:20.870 --> 00:15:22.309
story was like, yeah, those assholes burned down

00:15:22.309 --> 00:15:25.190
their house. Because that's what jocks do. But

00:15:25.190 --> 00:15:27.429
it's like, no, like, really, it's like, maybe

00:15:27.429 --> 00:15:29.990
it was the technology that failed. And the jocks

00:15:29.990 --> 00:15:32.110
are being blamed for being these, like, over

00:15:32.110 --> 00:15:35.070
-the -top cartoonish ogres. When there's a perfectly

00:15:35.070 --> 00:15:37.610
reasonable explanation. And it is that the nerds

00:15:37.610 --> 00:15:39.549
don't know how to fucking install electricity

00:15:39.549 --> 00:15:41.549
and whatever. Like, I don't know. You know? But

00:15:41.549 --> 00:15:44.059
it does feel like a, like... oh, look at these

00:15:44.059 --> 00:15:46.720
jocks blaming technology when obviously they

00:15:46.720 --> 00:15:49.360
burned down their house. And it's like, well,

00:15:49.360 --> 00:15:51.080
I don't know. I feel like the other one happens

00:15:51.080 --> 00:15:54.299
maybe even more often in reality. Like, I think

00:15:54.299 --> 00:15:55.700
that electrical circuitry... It was not due to

00:15:55.700 --> 00:15:57.779
our human error. Yeah, it was not due to... Yeah,

00:15:57.820 --> 00:16:00.039
yeah, exactly. It was not due to the human error

00:16:00.039 --> 00:16:01.980
of the nerds. It was due to the human error of

00:16:01.980 --> 00:16:03.779
the other ones because the technology itself

00:16:03.779 --> 00:16:06.620
could never have failed. And that's taken for

00:16:06.620 --> 00:16:08.059
granted in the movie. But again, it feels like

00:16:08.059 --> 00:16:10.240
an unrobable narrator. It feels like some idiot

00:16:10.240 --> 00:16:13.029
wrote this who believes that. I also just felt

00:16:13.029 --> 00:16:16.029
like even though I did think like it was a little

00:16:16.029 --> 00:16:18.230
bit unfair that the jocks got to take their house

00:16:18.230 --> 00:16:20.750
and that they were being so, you know, I mean,

00:16:20.750 --> 00:16:22.429
they weren't really doing anything that crazy

00:16:22.429 --> 00:16:23.950
to the nerds. They're just pranking them all

00:16:23.950 --> 00:16:25.649
the time. And like, I mean, taking the house

00:16:25.649 --> 00:16:28.330
was like the big one or whatever. But that like

00:16:28.330 --> 00:16:30.330
has a lot to do with just like the power structure

00:16:30.330 --> 00:16:32.870
of the school. Right. I mean, they bring millions

00:16:32.870 --> 00:16:34.909
of dollars into the school every year, I'm sure.

00:16:35.110 --> 00:16:38.090
Yeah, exactly. Exactly. The jocks are more important

00:16:38.090 --> 00:16:41.029
or whatever. They are contributing to this thing.

00:16:41.740 --> 00:16:43.440
They're in control of the thing. They've been

00:16:43.440 --> 00:16:46.440
in control of it for many years. They're holding

00:16:46.440 --> 00:16:48.899
this whole institution together, and they don't

00:16:48.899 --> 00:16:53.139
have little robot maids, and they don't have

00:16:53.139 --> 00:16:56.610
video cameras to spy on the girls. They have

00:16:56.610 --> 00:16:58.509
their own infrastructure. But the nerds then,

00:16:58.529 --> 00:17:01.669
you know, use their new technology to exploit

00:17:01.669 --> 00:17:04.029
that and then just, you know, take over this

00:17:04.029 --> 00:17:05.269
infrastructure. Yeah, this is what I was going

00:17:05.269 --> 00:17:07.970
to say. It was like that at the beginning you

00:17:07.970 --> 00:17:10.210
kind of like feel like, yeah, maybe the nerds,

00:17:10.210 --> 00:17:11.769
like the jocks aren't treating them really nice

00:17:11.769 --> 00:17:13.730
and this kind of sucks for them. It's a little

00:17:13.730 --> 00:17:16.230
unfair. But then the longer the movie goes on,

00:17:16.269 --> 00:17:19.000
the more you're just like, dude. fuck these nerds.

00:17:19.000 --> 00:17:21.480
They're like horrendously evil. Somebody needs

00:17:21.480 --> 00:17:24.140
to keep them down. Like somebody needs to keep

00:17:24.140 --> 00:17:26.099
them down. Somebody needs to beat the shit out

00:17:26.099 --> 00:17:28.140
of them. Yeah, like if you watch the whole movie

00:17:28.140 --> 00:17:29.900
and then you go back to the beginning when the

00:17:29.900 --> 00:17:32.640
jocks just start yelling nerds at them, it's

00:17:32.640 --> 00:17:34.380
just like, well, yeah, you should treat them

00:17:34.380 --> 00:17:36.660
like that because they're like rapey, disgusting,

00:17:36.960 --> 00:17:39.440
evil human beings. And you can see it by looking

00:17:39.440 --> 00:17:41.519
at their faces and how they're dressed and how

00:17:41.519 --> 00:17:44.339
poorly they are like integrating into society,

00:17:44.579 --> 00:17:46.380
how much damage they do on all the people around

00:17:46.380 --> 00:17:48.450
them without realizing. They are just deficient.

00:17:49.720 --> 00:17:52.259
You should shun them. You should shun them. You

00:17:52.259 --> 00:17:54.400
don't want them in your institutions. All they're

00:17:54.400 --> 00:17:57.619
going to do is create a horrible, rapey, disgusting

00:17:57.619 --> 00:18:00.500
technological paradigm in which they take all

00:18:00.500 --> 00:18:02.440
of the power away from the people who have charisma

00:18:02.440 --> 00:18:05.759
and put it into the most rapey, disgusting nerd

00:18:05.759 --> 00:18:08.160
people. And then you get, you know, Elon Musk

00:18:08.160 --> 00:18:10.559
with his six wives and whatever, like being successful.

00:18:10.640 --> 00:18:14.359
And, you know, we can't see jocks like being

00:18:14.359 --> 00:18:16.839
successful in the culture anymore because that

00:18:16.839 --> 00:18:18.839
would be, it's like, what are you even talking

00:18:18.839 --> 00:18:21.299
about? At least the jock had something going

00:18:21.299 --> 00:18:24.420
for it. At least the jock had charisma. Yeah,

00:18:24.440 --> 00:18:27.259
and they play fair. They don't cheat. They're

00:18:27.259 --> 00:18:30.819
doing things based on merit. Right. At least

00:18:30.819 --> 00:18:33.799
on some level. At least on the merit of charisma.

00:18:34.000 --> 00:18:36.380
At least on the merit of charisma. When we're

00:18:36.380 --> 00:18:39.200
talking about the competition of who the culture

00:18:39.200 --> 00:18:42.500
thinks is... As far as archetypes of masculinity,

00:18:42.839 --> 00:18:45.180
who defines what is successful as an archetype

00:18:45.180 --> 00:18:48.339
of masculinity in the culture? The females. Like

00:18:48.339 --> 00:18:51.339
that is the definition of, you know, which of

00:18:51.339 --> 00:18:53.720
those archetypes is the thing. So when we're

00:18:53.720 --> 00:18:57.059
talking about like the nerds being unattractive,

00:18:57.059 --> 00:18:59.500
we're talking about just like the paradigm not

00:18:59.500 --> 00:19:02.680
putting their thing on a pedestal. You know what

00:19:02.680 --> 00:19:05.279
I mean? And then like them through these shady

00:19:05.279 --> 00:19:08.380
means changing the paradigm in which like they

00:19:08.380 --> 00:19:11.599
then gain the women, you know, then they rise

00:19:11.599 --> 00:19:13.910
to the top of the ziggurat or whatever. Sure.

00:19:13.950 --> 00:19:16.950
And I think the movie works in that way, in a

00:19:16.950 --> 00:19:18.930
really prescient way, to describe the actual

00:19:18.930 --> 00:19:21.329
rise of the nerds that's happened in our culture.

00:19:21.710 --> 00:19:23.430
It's the story of the internet. It's the story

00:19:23.430 --> 00:19:24.710
of the internet. I mean, the first thing they

00:19:24.710 --> 00:19:27.410
do is they start introducing this underage kid

00:19:27.410 --> 00:19:31.190
to pornography. They're sitting there watching

00:19:31.190 --> 00:19:33.630
naked women with this child. You know what I

00:19:33.630 --> 00:19:36.089
mean? Just because, like, no, they're just putting

00:19:36.089 --> 00:19:37.890
it on the Internet. Like, and then children are,

00:19:38.069 --> 00:19:42.069
you know, it's the paradigm in which every 12

00:19:42.069 --> 00:19:45.349
-year -old in the world watches DP porn. Like,

00:19:45.369 --> 00:19:48.789
that happens in the first. And the revenge porn,

00:19:48.869 --> 00:19:51.089
the spying on the women in the bathroom and using

00:19:51.089 --> 00:19:53.910
that and having ownership of the images of the

00:19:53.910 --> 00:19:56.130
women. I mean, that's Facebook. And that's revenge

00:19:56.130 --> 00:19:58.829
porn. And that is the paradigm in which, like,

00:19:58.829 --> 00:20:03.829
we live now as far as, you know, toxic male behavior.

00:20:04.460 --> 00:20:07.259
Yeah. I mean, the movie could be smarter, though.

00:20:07.380 --> 00:20:10.039
Like, I think one of the most baffling things

00:20:10.039 --> 00:20:14.660
that happens in the movie is that Lewis tricks

00:20:14.660 --> 00:20:17.259
that cheerleader and essentially rapes her, but

00:20:17.259 --> 00:20:21.190
she totally... digs it like she's like you're

00:20:21.190 --> 00:20:23.730
that nerd and you were amazing yeah and then

00:20:23.730 --> 00:20:25.670
he says that line about how like all we think

00:20:25.670 --> 00:20:28.089
about is sex and like none of this is creepy

00:20:28.089 --> 00:20:31.009
or perverse or disgusting to her and then like

00:20:31.009 --> 00:20:32.769
the next like the next scene she's just like

00:20:32.769 --> 00:20:36.089
i'm in love with a nerd it's like why because

00:20:36.089 --> 00:20:39.009
he raped me because he took ownership over me

00:20:39.009 --> 00:20:41.609
and blah blah blah like the thing is the nerds

00:20:41.609 --> 00:20:47.200
the nerds have a more toxic masculine like power

00:20:47.200 --> 00:20:50.299
over like they they don't respect consent like

00:20:50.299 --> 00:20:52.579
the people who wrote this movie are people who

00:20:52.579 --> 00:20:54.920
thought that like yeah what you do is you get

00:20:54.920 --> 00:20:56.960
a girl and you have sex with her whether she

00:20:56.960 --> 00:20:58.940
wants to or not and that's how she falls in love

00:20:58.940 --> 00:21:01.660
with you like you know what i mean it's and that's

00:21:01.660 --> 00:21:04.359
that's what you know like maybe like the toxic

00:21:04.359 --> 00:21:08.960
masculine you know kings of ancient like whatever

00:21:08.960 --> 00:21:10.200
it would have said like you know what i mean

00:21:10.200 --> 00:21:13.640
mesopotamian kings might have been toxic masculine

00:21:13.640 --> 00:21:15.940
and thought the same way but like that's not

00:21:15.940 --> 00:21:18.519
what the jocks are in this movie like it's that's

00:21:18.519 --> 00:21:20.079
what the nerds are that's the only people who

00:21:20.079 --> 00:21:23.920
are able to be that toxic are nerds who are deficient

00:21:23.920 --> 00:21:27.619
and are taking it back you know yeah for sure

00:21:28.160 --> 00:21:29.759
And it's because they can't win in any other

00:21:29.759 --> 00:21:32.180
paradigm. It's because they're so unattractive

00:21:32.180 --> 00:21:34.599
to women. It's because they actually are deficient

00:21:34.599 --> 00:21:36.759
and they actually do not deserve the approval

00:21:36.759 --> 00:21:38.859
of the women that they have to just take it.

00:21:39.720 --> 00:21:43.799
And the idea that them taking it and winning

00:21:43.799 --> 00:21:46.759
is triumph is like, no, dude, that's about the

00:21:46.759 --> 00:21:49.480
worst team cheating and taking over. That's,

00:21:49.480 --> 00:21:53.329
you know what I mean? It's not a fair game. It's

00:21:53.329 --> 00:21:55.490
not a fair competition. They're not playing fair.

00:21:55.609 --> 00:21:57.410
They're not playing based on any merits. Because

00:21:57.410 --> 00:22:01.630
if they had to, then they would lose. Yeah, then

00:22:01.630 --> 00:22:03.690
they'd lose, exactly. If they actually had to

00:22:03.690 --> 00:22:06.289
play fair, they'd have no chance against the

00:22:06.289 --> 00:22:09.130
jocks. And that really is the thing. It's almost

00:22:09.130 --> 00:22:11.309
like a topping from the bottom situation as well,

00:22:11.430 --> 00:22:15.789
right? Like how the system and the power structure

00:22:15.789 --> 00:22:18.970
as it's set up doesn't allow those at the bottom.

00:22:19.599 --> 00:22:22.859
to rise up within the rules of the system so

00:22:22.859 --> 00:22:26.119
they have to game the system right and that's

00:22:26.119 --> 00:22:28.880
like they game it through all of these they game

00:22:28.880 --> 00:22:33.019
it through all of these shady cheating behind

00:22:33.019 --> 00:22:36.740
the scenes disgusting memes where like yeah it's

00:22:36.740 --> 00:22:39.140
so much more impressive for like ogre to like

00:22:39.140 --> 00:22:41.380
lift a bunch of weights and then fuck a girl

00:22:41.380 --> 00:22:45.599
than it is for you know lewis to you know sneak

00:22:45.599 --> 00:22:47.960
into a girl's bathroom and take naked pictures

00:22:47.960 --> 00:22:49.720
of her like you know what i mean it's like one

00:22:49.720 --> 00:22:51.980
of these guys is like i am really like maybe

00:22:51.980 --> 00:22:54.599
i'm dumb but i'm good at something the other

00:22:54.599 --> 00:22:56.579
guy is just like i'm gonna fucking take your

00:22:56.579 --> 00:23:00.839
panties it's like why why do we side with that

00:23:00.839 --> 00:23:03.339
guy and why did our culture side with this like

00:23:03.339 --> 00:23:04.539
you know what i mean i think it's like it is

00:23:04.539 --> 00:23:07.559
advertising for technology that allows people

00:23:07.559 --> 00:23:10.039
who are deficient to feel like oh with this technology

00:23:10.039 --> 00:23:13.769
i can masturbate to all sorts of beautiful naked

00:23:13.769 --> 00:23:15.349
women on the internet. You know what I mean?

00:23:15.390 --> 00:23:19.049
I have access to the female form. I can eventually,

00:23:19.130 --> 00:23:21.049
maybe I'll be able to create a robot woman and

00:23:21.049 --> 00:23:22.829
I'll be able to blah, blah, blah. And like, this

00:23:22.829 --> 00:23:25.869
is, it's disgusting. I don't know. The thing

00:23:25.869 --> 00:23:28.369
is like, for me, this does come out a few years

00:23:28.369 --> 00:23:30.609
after Porky's. So it also feels like it's trying

00:23:30.609 --> 00:23:33.470
to do this kind of genre. Of course. Like where

00:23:33.470 --> 00:23:36.609
like, it's about like this objectification of

00:23:36.609 --> 00:23:40.390
women and this sort of like, not in like a, interesting

00:23:40.390 --> 00:23:44.109
or like self -critical way or whatever it's just

00:23:44.109 --> 00:23:48.309
like the movie literally is made to like the

00:23:48.309 --> 00:23:50.349
whole point of the movie is like the girls taking

00:23:50.349 --> 00:23:52.390
off their tops and seeing the tits and the bush

00:23:52.390 --> 00:23:54.309
shot and like all this kind of stuff it's like

00:23:54.309 --> 00:23:57.009
that's like the appeal of the movie you have

00:23:57.009 --> 00:23:59.269
a bunch of nerds come watch this and it's like

00:24:00.039 --> 00:24:02.339
that's like that'll turn them on and that's like

00:24:02.339 --> 00:24:05.000
yeah there's something about the there's something

00:24:05.000 --> 00:24:07.619
about the voyeurism and the like the lack of

00:24:07.619 --> 00:24:10.259
consent and well there's also yeah there's the

00:24:10.259 --> 00:24:12.339
fantasy that this actually could happen to you

00:24:12.339 --> 00:24:14.440
right because like yeah you're not good enough

00:24:14.440 --> 00:24:16.579
to ever you know you're not attractive enough

00:24:16.579 --> 00:24:19.160
or smart enough or cunning enough or have enough

00:24:19.160 --> 00:24:21.359
game or whatever to ever even talk to one of

00:24:21.359 --> 00:24:24.539
these girls but If you have the internet, you

00:24:24.539 --> 00:24:27.680
can totally see them in their bathrooms taking

00:24:27.680 --> 00:24:31.519
a shower. You can sneak in and rape them if you

00:24:31.519 --> 00:24:34.559
wanted to. These are all accessible fantasies

00:24:34.559 --> 00:24:36.940
to people who are disgusting and deficient and

00:24:36.940 --> 00:24:39.859
hate themselves. Yeah, and now their culture

00:24:39.859 --> 00:24:42.960
has won out so hard that girls will willingly

00:24:42.960 --> 00:24:45.720
do that. That's like the whole thing of OnlyFans

00:24:45.720 --> 00:24:49.259
or whatever, an entire culture and infrastructure

00:24:49.259 --> 00:24:52.700
that's been created. for girls to sell their

00:24:52.700 --> 00:24:55.640
bodies and sex directly to the nerds over the

00:24:55.640 --> 00:24:58.440
internet. Right. Right. And get paid for it or

00:24:58.440 --> 00:25:01.680
whatever. Right. Totally. Totally. It's depraved,

00:25:01.680 --> 00:25:04.759
you know? Yeah. It's like, we've got, and I think

00:25:04.759 --> 00:25:07.660
like TikTok and Instagram is like an extension

00:25:07.660 --> 00:25:09.319
of that too, even though they're not getting

00:25:09.319 --> 00:25:12.700
naked, like the entire. infrastructure is to

00:25:12.700 --> 00:25:14.859
like sell yourself no i mean like yeah this was

00:25:14.859 --> 00:25:18.960
the whole focus of um um the social network movie

00:25:18.960 --> 00:25:21.740
is just that you know facebook is an extension

00:25:21.740 --> 00:25:25.400
of revenge porn and that you know owning a woman's

00:25:25.400 --> 00:25:28.700
image and having i mean people don't really think

00:25:28.700 --> 00:25:31.900
about but like you when when we were in you know

00:25:31.900 --> 00:25:34.119
elementary school or middle school like if you

00:25:34.119 --> 00:25:37.000
had a crush on a girl from school like You could

00:25:37.000 --> 00:25:39.140
maybe have a picture of her from your yearbook

00:25:39.140 --> 00:25:40.359
or something. Like, you know what I mean? But

00:25:40.359 --> 00:25:42.700
it's not, you didn't just have access to photos

00:25:42.700 --> 00:25:46.400
of women that you saw in real life. Like, you

00:25:46.400 --> 00:25:48.119
know what I mean? That was like having ownership

00:25:48.119 --> 00:25:49.720
of a photo of a woman. That's like what people

00:25:49.720 --> 00:25:53.000
brought to war. Like, that's like, that is like

00:25:53.000 --> 00:25:58.589
a thing that is valuable. And Zuckerberg understood

00:25:58.589 --> 00:26:02.730
the value of that and that created this entire

00:26:02.730 --> 00:26:04.890
world that we live in. But that's a world that

00:26:04.890 --> 00:26:08.599
is catering to this. distanced nerd who's too

00:26:08.599 --> 00:26:11.460
afraid to talk to the woman in person but wants

00:26:11.460 --> 00:26:14.119
to be able to jerk off to her alone in his room

00:26:14.119 --> 00:26:16.700
by himself sure and that is what only fans comes

00:26:16.700 --> 00:26:18.420
from that's what the internet is that's what

00:26:18.420 --> 00:26:20.779
the internet is not for these jocks who actually

00:26:20.779 --> 00:26:23.599
like could seduce a woman or be good at something

00:26:23.599 --> 00:26:26.640
in real life or like be impressive or anything

00:26:26.640 --> 00:26:29.940
it is built for these nerds and i think the thing

00:26:29.940 --> 00:26:32.119
is like we were talking right when we opened

00:26:32.119 --> 00:26:34.960
up like the the idea of like the in the 90s we

00:26:34.960 --> 00:26:40.359
all like were sold this idea of like you know

00:26:40.359 --> 00:26:42.640
fuck the popular kids fuck the jocks like it's

00:26:42.640 --> 00:26:44.400
all about like the freaks and the geeks and like

00:26:44.400 --> 00:26:46.440
you know what i mean it's the the outsider thing

00:26:46.440 --> 00:26:49.940
and i always ascribed to that as a kid probably

00:26:49.940 --> 00:26:53.019
because just i'm a pop culture junkie um although

00:26:53.019 --> 00:26:54.900
honestly like when i was a younger kid i wasn't

00:26:54.900 --> 00:26:57.039
even as into i don't know whatever the point

00:26:57.039 --> 00:27:00.460
is i i did somehow absorb that through the culture

00:27:00.460 --> 00:27:03.839
and like i often would just hang with the like

00:27:03.839 --> 00:27:07.240
real loser kids like you know what i mean there's

00:27:07.240 --> 00:27:09.680
like i you know the kids that were cooler than

00:27:09.680 --> 00:27:12.680
me made me feel insecure you know what i mean

00:27:12.680 --> 00:27:15.720
i had to like you know i i felt like i'm not

00:27:15.720 --> 00:27:18.119
cool enough to be here maybe that wasn't a cool

00:27:18.119 --> 00:27:19.960
thing to say this wasn't interesting that wasn't

00:27:19.960 --> 00:27:22.440
funny whatever i'm second guessing myself if

00:27:22.440 --> 00:27:23.599
you're hanging out with some nerds it's kind

00:27:23.599 --> 00:27:25.319
of like oh well you could just be yourself and

00:27:25.319 --> 00:27:29.549
whatever like these like i'm i'm I don't know.

00:27:29.589 --> 00:27:30.950
I think part of it is like, yeah, these people

00:27:30.950 --> 00:27:34.609
are deficient. So like, I don't, I'm like, I'm

00:27:34.609 --> 00:27:37.930
already cooler than these people, you know? But

00:27:37.930 --> 00:27:40.430
I think there's like, I think of like, these

00:27:40.430 --> 00:27:42.450
are the actual cool people. I've been told these

00:27:42.450 --> 00:27:44.109
are the actual cool people. I don't want to be

00:27:44.109 --> 00:27:46.230
a part of that like group of, you know, football

00:27:46.230 --> 00:27:48.190
players and whatever. I want to be with the nerds

00:27:48.190 --> 00:27:50.309
who play video games and watch anime and blah,

00:27:50.410 --> 00:27:53.549
blah, blah. And then at a certain point in middle

00:27:53.549 --> 00:27:58.059
school, I just remember one of them. bit this

00:27:58.059 --> 00:28:00.980
other kid. And I was just kind of like, dude,

00:28:01.079 --> 00:28:03.519
we're in middle school and I'm hanging out with

00:28:03.519 --> 00:28:06.339
the kids who are biting people. Maybe there's

00:28:06.339 --> 00:28:09.039
a reason that these are the outcasts. Maybe I've

00:28:09.039 --> 00:28:11.799
had it all backwards. You know what I mean? I

00:28:11.799 --> 00:28:14.579
actually don't want to hang out with the kids

00:28:14.579 --> 00:28:19.500
who are just reciting Pokemon at recess and biting

00:28:19.500 --> 00:28:25.440
other kids in eighth grade. These are weird autistic

00:28:25.440 --> 00:28:27.720
people like that. I am not. I'm not one of them.

00:28:27.740 --> 00:28:29.220
Like, I don't want to be one of them. This is

00:28:29.220 --> 00:28:31.380
not what I aspire to. And then at that point,

00:28:31.400 --> 00:28:33.180
I kind of started trying to hang out with skater

00:28:33.180 --> 00:28:34.579
kids and blah, blah, blah. You know, I tried

00:28:34.579 --> 00:28:38.960
to change my life as an eighth grader. But it

00:28:38.960 --> 00:28:41.319
is a thing of just kind of like I did forever

00:28:41.319 --> 00:28:44.460
buy into the like, we'll just fuck the people

00:28:44.460 --> 00:28:46.420
who are popular. And like, the question is, why?

00:28:46.759 --> 00:28:48.880
Why do we have that? Like, who are the people

00:28:48.880 --> 00:28:50.180
that are popular? They're just kind of the people

00:28:50.180 --> 00:28:52.750
who are like. attractive and charismatic and

00:28:52.750 --> 00:28:55.470
good at things like and other people tend to

00:28:55.470 --> 00:28:58.569
like them the people who are like the outcasts

00:28:58.569 --> 00:29:01.049
are generally the people who like bite other

00:29:01.049 --> 00:29:03.829
kids in eighth grade you know what i mean it's

00:29:03.829 --> 00:29:06.710
like and yeah those kids are the kids who are

00:29:06.710 --> 00:29:09.970
the hero in this movie and it's like you know

00:29:09.970 --> 00:29:11.990
just because you bite kids still doesn't mean

00:29:11.990 --> 00:29:14.450
you shouldn't be able to rape women too it's

00:29:14.450 --> 00:29:16.369
like i can't believe they made this movie and

00:29:16.369 --> 00:29:18.410
then ascribe that to the black struggle and whatever

00:29:18.410 --> 00:29:22.710
it's just like it's so incredibly like offensive

00:29:22.710 --> 00:29:26.480
just in every context And the idea that people

00:29:26.480 --> 00:29:28.740
could not see that, who'd watch this and actually

00:29:28.740 --> 00:29:32.720
side with that, is so crazy to me. Yeah, and

00:29:32.720 --> 00:29:34.539
who knows how many people do. And I bet this

00:29:34.539 --> 00:29:36.839
is a movie that most people would find problematic

00:29:36.839 --> 00:29:39.779
now or whatever. And maybe even at the time.

00:29:40.480 --> 00:29:44.460
Part of what movies does is it exploits our darkest

00:29:44.460 --> 00:29:47.180
fantasies and makes them into a thing. And maybe

00:29:47.180 --> 00:29:49.559
that's part of what this movie did and was successful

00:29:49.559 --> 00:29:51.720
with. And people knew it was a dark fantasy or

00:29:51.720 --> 00:29:55.059
whatever. But I think that whole, I think that

00:29:55.059 --> 00:29:57.920
whole like notion to say, fuck the popular kids

00:29:57.920 --> 00:30:01.039
and stuff just gets to like, it's like you're,

00:30:01.039 --> 00:30:03.599
you're play acting in school at social hierarchy.

00:30:03.880 --> 00:30:07.920
Right. And I just think there's bottom line when

00:30:07.920 --> 00:30:10.079
you go out into the real world. Yeah. Like the

00:30:10.079 --> 00:30:11.839
people at the bottom of the social hierarchy

00:30:11.839 --> 00:30:15.079
or the power hierarchy are like, fuck the people

00:30:15.079 --> 00:30:18.079
in power. Why do they get to be in power? What,

00:30:18.119 --> 00:30:20.359
what is it that's so good about them and all

00:30:20.359 --> 00:30:23.400
this kind of stuff. Right. Right. Like I, I remember

00:30:23.400 --> 00:30:26.900
being a kid, and, like, someone probably called

00:30:26.900 --> 00:30:28.900
me a nerd at some point. Like, of course I never,

00:30:29.000 --> 00:30:31.119
like, self -identified as a nerd or something,

00:30:31.279 --> 00:30:33.700
you know, but, like, I had really stupid, goofy

00:30:33.700 --> 00:30:37.079
glasses. I, like, didn't really care about how

00:30:37.079 --> 00:30:40.079
I dressed and stuff, so I dressed weird. And,

00:30:40.160 --> 00:30:43.619
I don't know, I had my own sort of, like, idiosyncratic,

00:30:43.619 --> 00:30:47.470
like, interests and things like that. I always

00:30:47.470 --> 00:30:48.829
kind of thought that like what it meant to be

00:30:48.829 --> 00:30:51.390
a popular kid was like to be a sort of poser.

00:30:51.470 --> 00:30:53.990
Like you kind of just like ascribe to whatever

00:30:53.990 --> 00:30:57.930
the culture has decided is important or popular.

00:30:58.509 --> 00:31:01.789
And you, you know, and I think that that extends

00:31:01.789 --> 00:31:03.690
out into the real world, not just in the school

00:31:03.690 --> 00:31:05.250
environment, but it all starts in that school

00:31:05.250 --> 00:31:08.690
environment of like, well, this is what the system

00:31:08.690 --> 00:31:10.769
says is popular. You want to have school spirit.

00:31:10.950 --> 00:31:13.269
You want to play in a sports team. You want to.

00:31:14.029 --> 00:31:17.470
Yada, yada. That's how you end up in a position

00:31:17.470 --> 00:31:19.849
to be part of a fraternity in the future and

00:31:19.849 --> 00:31:23.410
to get into the club, so to speak, so that you

00:31:23.410 --> 00:31:25.009
have power and influence when you're an adult.

00:31:25.549 --> 00:31:28.769
You have to have the charisma and social currency.

00:31:28.990 --> 00:31:32.950
You have to actually be a social person who has

00:31:32.950 --> 00:31:34.849
confidence, isn't afraid of what other people

00:31:34.849 --> 00:31:39.069
think. I was just the kind of kid who, if someone

00:31:39.069 --> 00:31:42.029
picked on me, I could not roll with those punches.

00:31:42.910 --> 00:31:45.849
And then it would turn me into a victim, someone

00:31:45.849 --> 00:31:47.789
that was easy to keep walking over. I'd become

00:31:47.789 --> 00:31:51.250
a doormat because my perspective was just kind

00:31:51.250 --> 00:31:52.630
of like, why can't people just treat me nice?

00:31:55.009 --> 00:31:58.190
It's like, what am I doing wrong? And so then

00:31:58.190 --> 00:32:02.049
you end up finding all your comfort in just being

00:32:02.049 --> 00:32:05.349
a homebody and playing video games or eventually

00:32:05.349 --> 00:32:07.849
going on the internet. And just like, this is

00:32:07.849 --> 00:32:12.309
where you sort of find your comfort zone. and

00:32:12.309 --> 00:32:15.509
where you're accepted and whatever. But yeah,

00:32:15.589 --> 00:32:18.289
I feel like. But that's a hyper individualistic

00:32:18.289 --> 00:32:21.529
idea of a life. Like, you know what I mean? It's,

00:32:21.529 --> 00:32:25.990
it's not, not, not finding value in like culture

00:32:25.990 --> 00:32:29.869
and society and you know, the work and all of

00:32:29.869 --> 00:32:32.789
the things outside of kind of your room, you

00:32:32.789 --> 00:32:35.990
know? Yeah, I hated sports. I hated, like, that

00:32:35.990 --> 00:32:37.450
was a place where I, because I, like, wasn't

00:32:37.450 --> 00:32:39.549
good at it, you know, and I guess I wasn't willing

00:32:39.549 --> 00:32:41.410
to get good at it, and I didn't care about it.

00:32:41.450 --> 00:32:43.690
I didn't think it was fun. I, like, wasn't, like,

00:32:43.730 --> 00:32:47.190
a physical person. I liked mental activities.

00:32:48.049 --> 00:32:50.309
I mean, I was always an artist, too. Like, I

00:32:50.309 --> 00:32:53.349
just like to draw. I just like to, you know,

00:32:53.410 --> 00:32:55.529
give me, like, a pen and paper, and I'll just,

00:32:55.589 --> 00:32:58.569
like, make art. And so, I don't know, like, it's

00:32:58.569 --> 00:33:00.170
funny that there isn't really, like, an art kid

00:33:00.170 --> 00:33:02.519
in Revenge of the Nerds. That's like associated

00:33:02.519 --> 00:33:05.220
with the nerds. Yeah. Not like, that's kind of

00:33:05.220 --> 00:33:07.319
like what my identity became where it's like,

00:33:07.420 --> 00:33:09.839
I'm not a jock. I'm not a nerd. I'm an art kid.

00:33:10.000 --> 00:33:15.299
Yeah. And like art kids are a weird, like middle

00:33:15.299 --> 00:33:17.619
of the fence kind of. I think, I think that,

00:33:17.619 --> 00:33:20.220
I think that archetype kind of is post revenge

00:33:20.220 --> 00:33:22.079
of the nerds. I think, I think that archetype

00:33:22.079 --> 00:33:24.079
kind of comes about with, I mean, they have burning

00:33:24.079 --> 00:33:26.359
down the house in there. But I think a lot of

00:33:26.359 --> 00:33:27.099
that comes with some... Yeah, I mean, the soundtrack

00:33:27.099 --> 00:33:29.680
is amazing, by the way. Like, there's thrillers

00:33:29.680 --> 00:33:32.380
in it. Like, there's so many, like, big, heavy

00:33:32.380 --> 00:33:34.920
-hitting songs in this movie. Yeah. But I think

00:33:34.920 --> 00:33:36.920
the art kid, like, that comes with the talking

00:33:36.920 --> 00:33:40.359
heads and irony and stuff that this movie doesn't

00:33:40.359 --> 00:33:43.690
really understand yet. but like, because it uses

00:33:43.690 --> 00:33:46.450
the talking heads in the context of the, the

00:33:46.450 --> 00:33:48.170
jocks burning down there. And it's like, well,

00:33:48.269 --> 00:33:50.390
is, is the talking heads jocks music to you?

00:33:50.670 --> 00:33:53.569
Like, is that, or is it just, this is just a

00:33:53.569 --> 00:33:55.970
literal title burning down the house and it's

00:33:55.970 --> 00:33:58.490
a popular song. So you did it in the scene where

00:33:58.490 --> 00:34:00.170
they're burning down the house. Like that's really

00:34:00.170 --> 00:34:02.309
probably what happened, but yeah, the music,

00:34:02.470 --> 00:34:04.750
the music is awesome, but like the choice of

00:34:04.750 --> 00:34:08.329
using it is kind of dumb. Yeah. The reason they're

00:34:08.329 --> 00:34:10.550
using every song is for like a really dumb reason

00:34:10.550 --> 00:34:12.550
that doesn't. actually have a lot of introspection

00:34:12.550 --> 00:34:14.550
about what the song is or what it means or what

00:34:14.550 --> 00:34:16.710
the band is. Except for Swing Low, Swing Chariot.

00:34:16.730 --> 00:34:20.550
That was the... Sure. That was a very good...

00:34:20.550 --> 00:34:24.090
That was one of my favorite racial jokes. They're

00:34:24.090 --> 00:34:25.650
like, let's put on something they don't like.

00:34:25.710 --> 00:34:27.610
It's on Swing Low, Swing Chariot. And then the

00:34:27.610 --> 00:34:29.889
gay black kid comes up and he's like, sorry.

00:34:30.030 --> 00:34:32.969
And he turns it off. As soon as he's like, Swing

00:34:32.969 --> 00:34:35.269
Low. He's like, nope, nope, next. Sorry, guys.

00:34:35.409 --> 00:34:38.170
They don't know. That was interesting, too, that

00:34:38.170 --> 00:34:41.019
like... the the nerds really just like couldn't

00:34:41.019 --> 00:34:44.239
party until they smoked weed yeah yeah like they

00:34:44.239 --> 00:34:46.739
just uh they needed the drugs which i i relate

00:34:46.739 --> 00:34:48.599
to that kind of shit too because i i'm really

00:34:48.599 --> 00:34:50.780
socially inept i mean i've gotten better as time

00:34:50.780 --> 00:34:52.980
went on but when i was a kid dude i was so socially

00:34:52.980 --> 00:34:55.559
inept yeah but i'm not i got better when i smoked

00:34:55.559 --> 00:34:58.000
a bunch of weed if i was like still in a nerd

00:34:58.000 --> 00:35:00.780
like I don't know. You know, I feel like if you're

00:35:00.780 --> 00:35:02.780
that in your head and like you can't talk to

00:35:02.780 --> 00:35:04.920
a girl at a party and you're all on opposite

00:35:04.920 --> 00:35:07.179
sides and then you smoke weed, it's like maybe

00:35:07.179 --> 00:35:09.000
if they started drinking, it might make more

00:35:09.000 --> 00:35:11.320
sense to me. But I feel like if they smoked weed.

00:35:11.400 --> 00:35:13.039
No, you're right. Like if they didn't. They would

00:35:13.039 --> 00:35:15.579
all just get even more. They would all just get

00:35:15.579 --> 00:35:18.239
even more like internal and just get even more

00:35:18.239 --> 00:35:19.780
awkward and weird. Yeah. They'd probably want

00:35:19.780 --> 00:35:21.619
to talk about their robots more or something

00:35:21.619 --> 00:35:24.059
with each other. Like, I don't know. Yeah. If

00:35:24.059 --> 00:35:25.840
you give them some beer and cocaine, maybe that

00:35:25.840 --> 00:35:29.750
would. Exactly. That's. A little cocaine is what

00:35:29.750 --> 00:35:31.250
was missing. It was 1984. Where's the cocaine?

00:35:31.610 --> 00:35:34.909
Yeah. I'm sure it was on set is where it was.

00:35:36.869 --> 00:35:42.610
For sure. For sure. But, yeah. I don't know,

00:35:42.650 --> 00:35:46.710
man. This is such a fucking weird, problematic

00:35:46.710 --> 00:35:50.329
movie. Yeah. For so many reasons. For so many

00:35:50.329 --> 00:35:52.989
reasons. But at the same time, so prescient.

00:35:53.150 --> 00:35:55.849
Like, really actually does say. It predicts the

00:35:55.849 --> 00:35:58.320
internet era. It predicts the internet era. It

00:35:58.320 --> 00:36:00.679
predicts the rise of the nerd in a real way.

00:36:00.840 --> 00:36:03.239
Yeah, the death of an old -style masculinity

00:36:03.239 --> 00:36:07.460
and the whole paradigm of perverts running the

00:36:07.460 --> 00:36:12.039
place by taking ownership of images of the popular

00:36:12.039 --> 00:36:15.199
women and then winning them from the jocks because

00:36:15.199 --> 00:36:18.139
they're more successful because they cheated

00:36:18.139 --> 00:36:22.400
through the paradigm. Yeah. I think if this movie

00:36:22.400 --> 00:36:26.170
was actually smarter and introspective, It could

00:36:26.170 --> 00:36:28.070
have actually been a really interesting conversation

00:36:28.070 --> 00:36:31.630
about power in general. Because what you are

00:36:31.630 --> 00:36:34.230
seeing is, yeah, you're seeing a hierarchy. You're

00:36:34.230 --> 00:36:36.449
seeing a social hierarchy that's determined by

00:36:36.449 --> 00:36:40.590
the system. And certain people benefit for being

00:36:40.590 --> 00:36:42.710
the ones who can plug into that matrix and other

00:36:42.710 --> 00:36:46.989
people's don't. And I think part of what's interesting

00:36:46.989 --> 00:36:51.389
is that, yeah, the jocks kind of suck, but they

00:36:51.389 --> 00:36:54.960
only suck because they have the power. And then

00:36:54.960 --> 00:36:57.860
once the nerds have the power, they suck just

00:36:57.860 --> 00:37:00.380
as much, if not more. Yeah, they suck much more.

00:37:00.519 --> 00:37:05.280
They suck more and they're unattractive and uncharismatic

00:37:05.280 --> 00:37:09.480
and are causing chaos. I mean, I guess the jocks

00:37:09.480 --> 00:37:12.139
are causing chaos, too. Fine. They are. I mean,

00:37:12.179 --> 00:37:14.300
the jocks are pretty chaotic. But, dude, everybody

00:37:14.300 --> 00:37:15.900
looks like they're having a good time at those

00:37:15.900 --> 00:37:18.949
jock parties at the beginning. Right. When you

00:37:18.949 --> 00:37:22.210
compare the intro of the nerds causing the chaos

00:37:22.210 --> 00:37:24.590
and trampling people on the lawn with the jocks

00:37:24.590 --> 00:37:26.769
who are just having a good time in their house.

00:37:26.889 --> 00:37:30.309
They throw a guy off the roof. They throw a guy

00:37:30.309 --> 00:37:33.809
off the roof. But that's fun. That's just good

00:37:33.809 --> 00:37:36.329
college fun. Yeah, it's just good college fun.

00:37:36.550 --> 00:37:38.449
It's super cartoony, honestly. It's also not

00:37:38.449 --> 00:37:41.349
a nerd that they throw off the roof. They're

00:37:41.349 --> 00:37:43.809
always throttling people and throwing them out

00:37:43.809 --> 00:37:45.710
windows and whatnot. Those are just other jocks

00:37:45.710 --> 00:37:48.250
who are like... happy to be there you know what

00:37:48.250 --> 00:37:49.829
i mean it's like dude this is an out of control

00:37:49.829 --> 00:37:51.469
party i got thrown out a window i got thrown

00:37:51.469 --> 00:37:54.449
off like whatever like we never see any i don't

00:37:54.449 --> 00:37:56.909
know any real violence the only thing that the

00:37:56.909 --> 00:37:58.750
that the jocks do to the nerds is they destroy

00:37:58.750 --> 00:38:01.929
their house after like in retaliation to like

00:38:01.929 --> 00:38:03.710
them cheating all the way through the whole competition

00:38:03.710 --> 00:38:06.869
like well the the jocks don't like that they

00:38:06.869 --> 00:38:09.730
renovate that other house Like, they drive by

00:38:09.730 --> 00:38:11.469
and, like, fuck these nerds. They renovated this

00:38:11.469 --> 00:38:13.630
house. Fuck them. And they throw, like, a brick

00:38:13.630 --> 00:38:15.190
through the window that says, get out, nerds,

00:38:15.190 --> 00:38:17.329
or whatever. Like, they're antagonizing them.

00:38:17.429 --> 00:38:19.409
And then there's the flaming nerds on their front

00:38:19.409 --> 00:38:21.010
lawn. It's really funny. When I was watching

00:38:21.010 --> 00:38:23.090
with Elise, I was like, dude, do you see that

00:38:23.090 --> 00:38:25.409
they're equating the fucking nerd struggle to

00:38:25.409 --> 00:38:28.449
the black struggle? And that, like, this is the

00:38:28.449 --> 00:38:30.349
new N -word and whatever. And Bob Lodge is like,

00:38:30.389 --> 00:38:31.909
I think this is a stretch. Yeah, exactly. I think

00:38:31.909 --> 00:38:33.750
this is a stretch. And then, like, during that

00:38:33.750 --> 00:38:35.429
scene, the brick comes through the window and

00:38:35.429 --> 00:38:37.789
there's a flaming nerd. It's literally, they're

00:38:37.789 --> 00:38:41.510
the KKK and they are the blacks. And what I was

00:38:41.510 --> 00:38:43.849
saying is, that's a stretch. And then as soon

00:38:43.849 --> 00:38:46.389
as it cuts, there's a flaming cross on the front

00:38:46.389 --> 00:38:48.250
lawn that says nerds on it. It's like, okay,

00:38:48.349 --> 00:38:49.610
it's not a stretch. I was like, yeah, I know.

00:38:49.809 --> 00:38:51.710
It's fucking ridiculous that they're doing this.

00:38:51.769 --> 00:38:53.690
Can you believe that they had the balls to do

00:38:53.690 --> 00:38:58.849
it? It's insane, this movie. It's totally insane.

00:38:59.489 --> 00:39:01.869
Because yeah, that is all just like really, really

00:39:01.869 --> 00:39:05.369
iconic. behavior of like racist white story black

00:39:05.369 --> 00:39:06.789
people yeah throw a brick through their window

00:39:06.789 --> 00:39:09.369
with a nasty message you light something on fire

00:39:09.369 --> 00:39:11.550
in their lawn but equating that with as if it's

00:39:11.550 --> 00:39:13.349
the same thing when you're talking about like

00:39:13.349 --> 00:39:16.369
these really annoying unattractive pieces of

00:39:16.369 --> 00:39:18.429
shit who are going to destroy the whole system

00:39:18.429 --> 00:39:21.369
so that they can rape our women it's like well

00:39:21.369 --> 00:39:23.130
i think that if you're equating those two things

00:39:23.130 --> 00:39:25.230
then you're a racist or you don't understand

00:39:25.230 --> 00:39:27.670
how bad your side like one of the two like you

00:39:27.670 --> 00:39:30.039
know what i mean Yeah, and that's why it ends

00:39:30.039 --> 00:39:32.519
up feeling so... That's why it ends up just being

00:39:32.519 --> 00:39:34.460
like, you can't root for these nerds. This is

00:39:34.460 --> 00:39:38.440
awful. Because the jocks, they throw a brick

00:39:38.440 --> 00:39:39.920
through their window and they light something

00:39:39.920 --> 00:39:42.219
on fire in their lawn. But what the nerds do,

00:39:42.400 --> 00:39:43.420
they set up a fucking surveillance. They rape

00:39:43.420 --> 00:39:46.139
their girlfriends. They rape their girlfriends

00:39:46.139 --> 00:39:49.440
and he prints his girlfriend's naked body on

00:39:49.440 --> 00:39:51.840
the bottom of those pie sheets and shit. Which

00:39:51.840 --> 00:39:55.139
allows him to win that contest. Yeah, exactly.

00:39:55.159 --> 00:39:57.539
They win the contest through revenge porn of

00:39:57.539 --> 00:40:00.920
the specific guy's girlfriend that he then is

00:40:00.920 --> 00:40:04.739
going to rape. It's like, that's my pie. And

00:40:04.739 --> 00:40:09.480
it's off of the sacrifice of that, you know,

00:40:09.500 --> 00:40:12.380
it's like the Mayans or whatever. You sacrifice

00:40:12.380 --> 00:40:14.780
the virgin and out of that, like, alchemy, you

00:40:14.780 --> 00:40:16.840
get, like, godly power or something. You walk

00:40:16.840 --> 00:40:19.260
around with her skin on you all day. Like, that's

00:40:19.260 --> 00:40:21.559
who the nerds are. Like, they're these evil,

00:40:21.739 --> 00:40:24.500
like, and it's, yes, it's toxic masculinity.

00:40:24.539 --> 00:40:27.000
Like, but just like an ancient and, like, actually

00:40:27.000 --> 00:40:29.619
toxic form as opposed to, like, the jocks are

00:40:29.619 --> 00:40:32.000
just kind of like. Their toxic masculinity, what?

00:40:32.059 --> 00:40:33.940
Because they're like getting all the women and

00:40:33.940 --> 00:40:36.340
they kind of are more attractive. And like, maybe

00:40:36.340 --> 00:40:37.840
they're not so nice to their girlfriends. Like

00:40:37.840 --> 00:40:39.820
the one, the one thing is the guy says like,

00:40:40.019 --> 00:40:42.619
like that's the one thing that the fucking jock

00:40:42.619 --> 00:40:44.880
does wrong to his girlfriend is like when she

00:40:44.880 --> 00:40:48.659
in the middle of the contest is like, I'm so

00:40:48.659 --> 00:40:50.800
horny from kissing other people. Let's go fuck

00:40:50.800 --> 00:40:54.650
right now. And he's just like. jesus you're like

00:40:54.650 --> 00:40:57.090
a goat like relax we're like in the middle of

00:40:57.090 --> 00:40:58.710
a thing right now why don't you wait like 20

00:40:58.710 --> 00:41:01.369
minutes and she's like no yeah i'm gonna go get

00:41:01.369 --> 00:41:03.130
raped by him and then she comes back and is like

00:41:03.130 --> 00:41:05.269
i'm gonna break up with you because you were

00:41:05.269 --> 00:41:07.630
so bad to me and it's like because he didn't

00:41:07.630 --> 00:41:09.349
like stop in the middle of what he was doing

00:41:09.349 --> 00:41:12.170
to go fuck you in a closet like during the day

00:41:12.170 --> 00:41:15.449
in the middle of a contest like What even, you

00:41:15.449 --> 00:41:17.570
know what I mean? You know what I'm, you know

00:41:17.570 --> 00:41:19.849
what I'm realizing now too, is that in the end,

00:41:19.849 --> 00:41:22.170
the women also get lumped in with the nerds that

00:41:22.170 --> 00:41:25.030
like their minorities. And you know what, and,

00:41:25.110 --> 00:41:26.789
and you know what they have in common with the

00:41:26.789 --> 00:41:28.630
nerds. They just want sex as well. That's like,

00:41:28.630 --> 00:41:30.710
what's so problematic about the portrayal of

00:41:30.710 --> 00:41:32.230
women in this movie is that they're all just

00:41:32.230 --> 00:41:35.030
like sex fiends who just want to be raped and

00:41:35.030 --> 00:41:37.730
fucked and fondled or whatever. Like the, the

00:41:37.730 --> 00:41:40.190
party that the nerds have with the, the, the

00:41:40.190 --> 00:41:43.130
moo girls or whatever. Yeah. You know, so there's

00:41:43.130 --> 00:41:44.750
a little bit of fat shaming in there, too, for

00:41:44.750 --> 00:41:48.010
a good measure. But, like, those girls just,

00:41:48.090 --> 00:41:49.769
like, are happy to just, like, get passed off

00:41:49.769 --> 00:41:52.250
and have their asses squeezed by dudes and whatever.

00:41:52.489 --> 00:41:54.530
Yeah, yeah, yeah. They want to be objectified.

00:41:55.130 --> 00:41:59.650
Fuck Poindexter for, like, no reason. He's, like,

00:41:59.710 --> 00:42:02.090
the most, like, awkward. Which is actually one

00:42:02.090 --> 00:42:04.889
of my favorite, like, exchanges in the whole

00:42:04.889 --> 00:42:07.190
movie, just as far as, like, a pure enjoyment

00:42:07.190 --> 00:42:13.280
of a line. It's just like, would you rather live

00:42:13.280 --> 00:42:16.260
during the ascendancy of a civilization or during

00:42:16.260 --> 00:42:20.500
its decline? Which is like, let's fuck. He's

00:42:20.500 --> 00:42:22.139
like, you want to fuck? He's like, I don't know.

00:42:23.420 --> 00:42:26.440
That actually really does sum it up a lot. It

00:42:26.440 --> 00:42:28.659
works. I like it. Yeah, it really works. Yeah.

00:42:28.679 --> 00:42:32.460
I mean, it works with the entire ascendancy and

00:42:32.460 --> 00:42:34.900
decline of masculinity, two different types of

00:42:34.900 --> 00:42:36.360
masculinity in the movie, which also are the

00:42:36.360 --> 00:42:37.960
same types of masculinity that we're talking

00:42:37.960 --> 00:42:40.079
about in 2001 and the right stuff and all the

00:42:40.079 --> 00:42:43.559
things that we've been talking about. No, yeah,

00:42:43.599 --> 00:42:46.840
this really is like an addendum to our 2001 conversation.

00:42:47.300 --> 00:42:50.739
Oh, completely. It really is just like a... A

00:42:50.739 --> 00:42:53.800
continuation of those ideals. It's the leaving

00:42:53.800 --> 00:42:56.480
behind of the Yeagers and the championing of

00:42:56.480 --> 00:42:58.719
the Neil Armstrongs or whatever. It's just like,

00:42:58.760 --> 00:43:01.440
what if Neil Armstrong got to rape Yeager's wife?

00:43:01.639 --> 00:43:03.659
Wouldn't that be so awesome? Check a movie about

00:43:03.659 --> 00:43:08.550
that. Fuck Chuck Yeager. Fuck any of these real

00:43:08.550 --> 00:43:11.769
men. He thinks he's so cool breaking the sound

00:43:11.769 --> 00:43:14.530
barrier. I can sit in a cell and then fuck his

00:43:14.530 --> 00:43:17.849
wife. I can fit. I can sit in a box all day and

00:43:17.849 --> 00:43:20.670
then fuck his wife without her consent. That

00:43:20.670 --> 00:43:24.650
would be my revenge. It's like the fucking grossest

00:43:24.650 --> 00:43:27.530
movie, dude. And he deserves it. Yeah, of course.

00:43:27.710 --> 00:43:29.550
Of course. Because the nerds deserve the win.

00:43:29.630 --> 00:43:32.750
It's like... It's the worst version of being

00:43:32.750 --> 00:43:34.429
self. Well, Jaeger deserves to have his wife

00:43:34.429 --> 00:43:36.369
fucked or whatever. Yeah. He deserves to have

00:43:36.369 --> 00:43:40.679
his wife fucked because he, what, is... too charismatic

00:43:40.679 --> 00:43:44.199
and attractive to be competed with. So he deserves

00:43:44.199 --> 00:43:47.380
to have his wife fucked by a troll. Like it's

00:43:47.380 --> 00:43:49.260
just, it's like, it's just because of their deficiency.

00:43:49.320 --> 00:43:51.500
It's just because they suck that they deserve

00:43:51.500 --> 00:43:54.119
all of this. And that is the liberal ideology.

00:43:54.300 --> 00:43:56.300
That's the, that's the, I am deficient. And so

00:43:56.300 --> 00:43:59.639
I deserve all of these things to be like, and

00:43:59.639 --> 00:44:02.380
it's, it's so gross. And I do really feel like

00:44:02.380 --> 00:44:05.719
Revenge of the Nerds is. I'm tentative to say

00:44:05.719 --> 00:44:07.920
it's the genesis of these ideas, but it is a

00:44:07.920 --> 00:44:11.679
genesis of these ideas. It is definitely an early

00:44:11.679 --> 00:44:16.880
adopter of these really, really toxic ideas of...

00:44:16.880 --> 00:44:21.880
Well, what does the main jock say? He says like...

00:44:22.090 --> 00:44:23.949
times are changing these nerds are a threat to

00:44:23.949 --> 00:44:25.849
our way of life soon we'll be up to our necks

00:44:25.849 --> 00:44:28.710
in nerd shit yeah like that shit is so great

00:44:28.710 --> 00:44:31.289
dude because he's right like it's like like at

00:44:31.289 --> 00:44:33.429
that point i feel so sorry for him like i feel

00:44:33.429 --> 00:44:35.730
so sorry for them because because he he really

00:44:35.730 --> 00:44:38.409
like is right and he sees what's happening yeah

00:44:38.409 --> 00:44:40.210
well they're gonna rape his wife and then his

00:44:40.210 --> 00:44:42.469
children are gonna be brought up by them showing

00:44:42.469 --> 00:44:45.349
him pornography and they're like literally like

00:44:45.349 --> 00:44:47.869
the nerds are taking over and destroying the

00:44:47.869 --> 00:44:50.369
world and the future for him and everybody he

00:44:50.369 --> 00:44:53.710
will ever care about It's like, actually, you

00:44:53.710 --> 00:44:56.730
should nip this in the bud. Like, why are they

00:44:56.730 --> 00:45:01.449
not killing all of the nerds? Exactly. Yeah,

00:45:01.510 --> 00:45:04.130
yeah. All you got to do is, like, replace the

00:45:04.130 --> 00:45:07.050
word nerd with Nazis and then it makes more sense.

00:45:07.230 --> 00:45:09.849
Like, it's like these two Nazis show up on campus

00:45:09.849 --> 00:45:13.909
and the jocks are like, Nazis! fuck them we gotta

00:45:13.909 --> 00:45:16.010
get them out of there fuck those pieces of shit

00:45:16.010 --> 00:45:18.230
you know it's just like yeah that's like essentially

00:45:18.230 --> 00:45:20.670
the dynamic like no it actually actually literally

00:45:20.670 --> 00:45:23.030
it literally is the dynamic and this is what

00:45:23.030 --> 00:45:25.750
we discussed in our in our 2001 episode and i

00:45:25.750 --> 00:45:27.250
don't even think i'd really put a button on at

00:45:27.250 --> 00:45:30.010
the end of but like we talked about childhood's

00:45:30.010 --> 00:45:34.280
end in the and the you know hiding hiding your

00:45:34.280 --> 00:45:37.739
true purpose for 50 years and that you know after

00:45:37.739 --> 00:45:40.119
the 50 years of childhood's end when they finally

00:45:40.119 --> 00:45:42.440
reveal themselves it shows that they are actually

00:45:42.440 --> 00:45:44.539
the worst thing they possibly could have been

00:45:44.539 --> 00:45:47.579
you know what i mean yeah exactly if you're confused

00:45:47.579 --> 00:45:49.860
about this go listen to our 2001 episode but

00:45:49.860 --> 00:45:54.739
the idea i think is that like these techno utopians

00:45:55.579 --> 00:45:57.860
The thing that they actually are is the worst

00:45:57.860 --> 00:46:00.219
possible thing that they could be. And what they

00:46:00.219 --> 00:46:02.280
will reveal 50 years later is that the worst

00:46:02.280 --> 00:46:05.300
possible thing that they could be is Nazis. That

00:46:05.300 --> 00:46:07.619
that is where they began and that's where they're

00:46:07.619 --> 00:46:09.780
going to eventually reveal themselves. Is that,

00:46:09.800 --> 00:46:12.880
no, this is a fascist Nazi paradigm. That's where

00:46:12.880 --> 00:46:16.000
nerds come from. That's where the, like, that's

00:46:16.000 --> 00:46:17.719
where the space program comes from. All of these

00:46:17.719 --> 00:46:22.829
things extend from specifically Nazis. And I

00:46:22.829 --> 00:46:24.389
think that in Revenge of the Nerds, you see that

00:46:24.389 --> 00:46:27.889
Nazi paradigm come in and take over and create

00:46:27.889 --> 00:46:31.889
this, you know, data algorithm exploitation of

00:46:31.889 --> 00:46:35.449
women, like taking over the system thing that

00:46:35.449 --> 00:46:37.550
the deficient people, the people who, you know,

00:46:37.550 --> 00:46:39.969
weren't good enough to be artists. You know what

00:46:39.969 --> 00:46:41.869
I mean? Who are like, I hate all the people who

00:46:41.869 --> 00:46:43.210
kept me from being an artist. They're all the

00:46:43.210 --> 00:46:45.030
ones that are deficient and I should be able

00:46:45.030 --> 00:46:47.309
to take over and put them in camps and then I

00:46:47.309 --> 00:46:49.789
could be the greatest. It's all this revenge,

00:46:49.889 --> 00:46:53.349
hatred at the society that kept you down. And

00:46:53.349 --> 00:46:55.670
why? Because you're actually not good at it.

00:46:55.869 --> 00:46:59.130
Because you're actually deficient. And you have

00:46:59.130 --> 00:47:01.489
terrible values. You have terrible values and

00:47:01.489 --> 00:47:03.110
all the people who are in charge don't want you

00:47:03.110 --> 00:47:06.179
to be in charge because you're... A piece of

00:47:06.179 --> 00:47:08.320
shit. Yeah, yeah. What I think is interesting

00:47:08.320 --> 00:47:10.840
is that the two main characters, Lewis and Gilbert,

00:47:11.039 --> 00:47:14.800
they have a bit of a weird dichotomy where Lewis

00:47:14.800 --> 00:47:18.420
is a bit more of a confident nerd. He's actually

00:47:18.420 --> 00:47:21.320
okay with talking to people and being social.

00:47:21.840 --> 00:47:24.440
He's perfectly happy. He's perfectly confident

00:47:24.440 --> 00:47:27.380
in approaching the sorority girls. He's a Jewish

00:47:27.380 --> 00:47:30.519
archetype. Asking. Yeah, and asking one out and

00:47:30.519 --> 00:47:32.880
stuff like that. But they're so dumb that they

00:47:32.880 --> 00:47:34.639
don't realize they're being manipulated and that

00:47:34.639 --> 00:47:37.219
they're being set up and stuff like that. They're

00:47:37.219 --> 00:47:41.039
pathetically stupid for most of the movie. But

00:47:41.039 --> 00:47:43.940
then you have Gilbert, which is, I think, meant

00:47:43.940 --> 00:47:47.500
to be more like the nice guy. And he doesn't

00:47:47.500 --> 00:47:50.239
rape a cheerleader. He doesn't try to go for

00:47:50.239 --> 00:47:53.039
the top of the pile. He ends up getting with

00:47:53.039 --> 00:47:57.539
another nerd girl. But even the way he does that,

00:47:57.869 --> 00:48:01.969
still feels so creepy like it's the scene where

00:48:01.969 --> 00:48:05.090
she's on the computer oh she's she's also she's

00:48:05.090 --> 00:48:07.329
also not good at computers or good at anything

00:48:07.329 --> 00:48:10.010
either she is just deficient yeah she's not she's

00:48:10.010 --> 00:48:11.730
not a nerd girl because she's good at anything

00:48:11.730 --> 00:48:16.090
or smart or anything she's just like a maladjusted

00:48:16.090 --> 00:48:20.309
person who is trying to connect to technology

00:48:20.309 --> 00:48:23.070
out of desperation not because she has any interest

00:48:23.070 --> 00:48:26.440
or understanding of it like you know yeah They

00:48:26.440 --> 00:48:28.199
fall in love because of their deficiencies, you

00:48:28.199 --> 00:48:31.980
know, the shape of water. But he, like, he comes

00:48:31.980 --> 00:48:34.019
up behind her, and she's like, it's inhuman.

00:48:34.099 --> 00:48:36.559
Like, why should I interface with this or whatever?

00:48:36.880 --> 00:48:39.320
And he's like... He's like, only a human can

00:48:39.320 --> 00:48:41.980
be inhuman. The computer's not human. And then

00:48:41.980 --> 00:48:44.559
he goes off on this little speech about how it

00:48:44.559 --> 00:48:47.920
gives you godlike power or something. He kind

00:48:47.920 --> 00:48:49.980
of gives the whole treatise of why the computer

00:48:49.980 --> 00:48:52.659
is so seductive to the nerd. Because with the

00:48:52.659 --> 00:48:55.340
computer, I can do anything. And I can have a

00:48:55.340 --> 00:48:58.099
godlike power and control over something. And

00:48:58.099 --> 00:49:01.019
I don't need its consent. And yada yada. And

00:49:01.019 --> 00:49:06.019
then he creates an animation. of like the him

00:49:06.019 --> 00:49:08.360
and the girl like holding hands and then dancing

00:49:08.360 --> 00:49:11.039
it's such a weird moment because it's like yeah

00:49:11.039 --> 00:49:13.480
he can't actually ask her out he can't actually

00:49:13.480 --> 00:49:17.599
socially like be up front about his desires he

00:49:17.599 --> 00:49:21.980
has to do this weird like backdoor creepy thing

00:49:21.980 --> 00:49:24.480
of like like that's another thing too like just

00:49:24.480 --> 00:49:26.599
like the rape later in the movie i feel like

00:49:26.599 --> 00:49:29.280
most girls in that scenario would feel really

00:49:29.280 --> 00:49:32.139
creeped out by that way of like coming on to

00:49:32.139 --> 00:49:35.039
them yeah you know Where you, like, you design

00:49:35.039 --> 00:49:38.099
an image of them, like... Holding your hand.

00:49:38.280 --> 00:49:41.079
Like, holding your hand. Falling in love with

00:49:41.079 --> 00:49:44.400
you. Yeah, it's, like, it's fucking weird, dude.

00:49:44.840 --> 00:49:47.199
Yeah, yeah, yeah. And then Gilbert's the one

00:49:47.199 --> 00:49:49.119
who gives the speech in the end, you know. And,

00:49:49.199 --> 00:49:51.900
like, this is supposed to be such a, like, resounding

00:49:51.900 --> 00:49:54.980
speech because the speech really is about, like...

00:49:55.420 --> 00:49:58.119
bringing in everybody else. He's like, for anybody

00:49:58.119 --> 00:50:01.019
who felt like they were, you know, picked on

00:50:01.019 --> 00:50:04.199
or misunderstood or never given a chance or yada

00:50:04.199 --> 00:50:07.699
yada, that's like him making the nerd pitch that

00:50:07.699 --> 00:50:10.340
like, join the Nazis. For anybody who didn't

00:50:10.340 --> 00:50:13.699
succeed under the previous paradigm. Fuck all

00:50:13.699 --> 00:50:16.840
of them. We're all on the same side against them.

00:50:17.099 --> 00:50:19.440
Whoever they are, they're the ones that are,

00:50:19.460 --> 00:50:21.539
you know, intelligent enough to be there. We're

00:50:21.539 --> 00:50:23.659
against them and we're going to tear down the

00:50:23.659 --> 00:50:26.139
whole thing because we have technology. We have

00:50:26.139 --> 00:50:28.739
IBM on our side and we're going to take over

00:50:28.739 --> 00:50:32.289
and like win all whatever we want because. they'll

00:50:32.289 --> 00:50:36.809
have no other choice. Exactly. It is an evil,

00:50:36.889 --> 00:50:39.730
evil movie. And anybody who doesn't understand

00:50:39.730 --> 00:50:42.150
that it's an evil movie, anybody who made this

00:50:42.150 --> 00:50:45.269
without knowing is, I just, it's so crazy to

00:50:45.269 --> 00:50:47.710
me. I kind of wish I had time to listen to the

00:50:47.710 --> 00:50:50.309
commentary. Yeah, I wanted to do that last night,

00:50:50.349 --> 00:50:54.090
too. I thought about it. Just see how these guys

00:50:54.090 --> 00:50:58.389
talk about this movie. I know, I know. It's too

00:50:58.389 --> 00:51:00.409
bad I didn't have that insight for this, but

00:51:00.409 --> 00:51:05.030
whatever. Honestly, I was thinking when watching

00:51:05.030 --> 00:51:08.070
it, I was like, yo, if you remade The Revenge

00:51:08.070 --> 00:51:11.690
of the Nerds as an A24 horror movie right now,

00:51:11.849 --> 00:51:15.489
it would work so well. Actually, yeah, yeah,

00:51:15.530 --> 00:51:17.630
totally. It's one of those topical psychological

00:51:17.630 --> 00:51:18.590
problems. It, like, basically is a horror movie.

00:51:18.750 --> 00:51:21.369
Like, it's, like, incredibly disturbing. And

00:51:21.369 --> 00:51:23.550
you could do it in a smarter way where, like,

00:51:23.590 --> 00:51:26.369
what's actually really disturbing about the nerds

00:51:26.369 --> 00:51:28.369
is that they wouldn't just, like, rape you and

00:51:28.369 --> 00:51:30.510
you'd thank them for it. Is that, like, they

00:51:30.510 --> 00:51:32.929
would act like the nice guy. They would seduce

00:51:32.929 --> 00:51:35.769
you and figure out ways to, like, trick you.

00:51:36.090 --> 00:51:39.389
And you would never really suspect that they

00:51:39.389 --> 00:51:42.130
had this kind of evil, dark impulse within them.

00:51:42.699 --> 00:51:46.699
they would just, like, have the calculus to manipulate

00:51:46.699 --> 00:51:48.679
you, you know? Yeah, yeah, yeah. Which is what

00:51:48.679 --> 00:51:51.079
they've actually done to our culture. They're

00:51:51.079 --> 00:51:53.659
way too stupid in this movie. Like, the movie,

00:51:53.739 --> 00:51:56.579
like, it is prescient. The thing it ends up saying

00:51:56.579 --> 00:51:59.139
is true. But, like, on a play -by -play, it's,

00:51:59.179 --> 00:52:01.460
like, a dumb comedy that makes no sense and is

00:52:01.460 --> 00:52:05.059
super cartoony, right? Yeah. But, like, the reality

00:52:05.059 --> 00:52:07.719
of the situation is that, like, the nerd will

00:52:07.719 --> 00:52:10.260
get your consent, but they're going to manipulate

00:52:10.260 --> 00:52:12.460
you into that consent. It's going to be like

00:52:12.460 --> 00:52:14.880
the manufacturing of consent or whatever, you

00:52:14.880 --> 00:52:18.239
know? Maybe. I don't, I don't think that, I mean,

00:52:18.239 --> 00:52:21.179
I think that the internet was popularized through

00:52:21.179 --> 00:52:24.360
a lot of images of women that did not give their

00:52:24.360 --> 00:52:27.139
consent and whatnot. No, there's that aspect

00:52:27.139 --> 00:52:29.280
too. I just mean like the whole nice guy stereotype,

00:52:29.519 --> 00:52:31.739
like, like the girl who's just like, I just want

00:52:31.739 --> 00:52:35.079
to be with a nice guy, you know? But like, but

00:52:35.079 --> 00:52:37.480
the nice guy is like, well, he's the nice guy,

00:52:37.559 --> 00:52:40.079
but you know, not, not all nice guys are like

00:52:40.079 --> 00:52:42.380
this, but like, A lot of the nice guys are sexually

00:52:42.380 --> 00:52:44.360
repressed and didn't have a lot of sex. No, that's

00:52:44.360 --> 00:52:46.159
the thing, man. I think that that's the problem

00:52:46.159 --> 00:52:49.059
is that this movie sets up this weird binary

00:52:49.059 --> 00:52:53.920
of nice guy where that's not what the nerds are.

00:52:54.400 --> 00:52:58.340
And I think that's what I'm saying. As a 90s

00:52:58.340 --> 00:53:00.860
kid, I thought, like, fuck the jocks. I like

00:53:00.860 --> 00:53:02.760
the nerds. I like the nice guys and whatever.

00:53:03.179 --> 00:53:06.780
Nice guy, the jocks are nicer guys than the kid

00:53:06.780 --> 00:53:09.380
who bites other kids in eighth grade. The jocks

00:53:09.380 --> 00:53:12.019
are nicer guys. That's why people like them.

00:53:12.179 --> 00:53:14.619
And that's why they have a lot of friends. And

00:53:14.619 --> 00:53:16.719
that's why, like, I mean, there are other things.

00:53:16.739 --> 00:53:18.599
Maybe part of it has to do with them having bigger

00:53:18.599 --> 00:53:20.480
muscles and being able to be on a sports team

00:53:20.480 --> 00:53:23.280
or something. But that's like not that much of

00:53:23.280 --> 00:53:24.679
a part of it. A lot of it is that they're well

00:53:24.679 --> 00:53:29.539
-adjusted and likeable and don't need to, you

00:53:29.539 --> 00:53:32.699
know, spy on women and sell their pictures in

00:53:32.699 --> 00:53:35.219
order to be successful. Like they actually could

00:53:35.219 --> 00:53:38.099
be successful at a manly enterprise or something.

00:53:38.809 --> 00:53:40.429
Well, I guess like you were saying earlier on

00:53:40.429 --> 00:53:42.489
that this was made by nerds and it's an unreliable

00:53:42.489 --> 00:53:45.849
narrative. Like, isn't that like most of media

00:53:45.849 --> 00:53:48.329
culture? Like how many jocks go out and make

00:53:48.329 --> 00:53:50.849
movies? How many jocks go out and create the

00:53:50.849 --> 00:53:52.969
cultural conversation? Right. You know what I

00:53:52.969 --> 00:53:56.230
mean? And so is this even true? Like, I don't

00:53:56.230 --> 00:53:58.190
even really remember. Like, I got picked on by

00:53:58.190 --> 00:54:01.030
kids, but like. Like getting picked on had a

00:54:01.030 --> 00:54:03.510
lot more to do with my deficiencies, my inability

00:54:03.510 --> 00:54:06.570
to like cut the mustard and stuff. And I feel

00:54:06.570 --> 00:54:08.949
like if I went back, it's like as an adult now

00:54:08.949 --> 00:54:10.690
looking back, it's like, yeah, I could have just

00:54:10.690 --> 00:54:13.210
like owned who I was and been confident. And

00:54:13.210 --> 00:54:14.469
then they probably would have respected me for

00:54:14.469 --> 00:54:16.550
that. Right, right. But I think the part of it

00:54:16.550 --> 00:54:22.070
is that you were you were seduced by a like a

00:54:22.070 --> 00:54:25.369
Hollywood paradigm of I want to be an outsider.

00:54:26.119 --> 00:54:28.880
I am better because I am outsider. Because I

00:54:28.880 --> 00:54:30.719
don't fit in, I am better. I am better because

00:54:30.719 --> 00:54:33.940
I am against the thing. And it's not like punk

00:54:33.940 --> 00:54:36.260
rock. That's the big difference. It's not like

00:54:36.260 --> 00:54:38.079
punk rock where it's like, fuck this paradigm

00:54:38.079 --> 00:54:41.559
for these reasons or whatever. The nerd thing

00:54:41.559 --> 00:54:44.199
is the Nazi thing. It is, I am deficient, but

00:54:44.199 --> 00:54:48.889
I deserve. And that is it, you know? And I will

00:54:48.889 --> 00:54:51.170
do by any means necessary or whatever, not the

00:54:51.170 --> 00:54:53.130
black struggle by any means necessary, but the

00:54:53.130 --> 00:54:56.809
Nazi struggle. They're tying those together,

00:54:56.909 --> 00:55:01.690
not me. But yeah, they're literally willing to

00:55:01.690 --> 00:55:03.789
do anything, put whoever they want to in camps,

00:55:03.809 --> 00:55:07.690
like to steal their women and take the means

00:55:07.690 --> 00:55:09.469
of production of the next generation and blah,

00:55:09.530 --> 00:55:14.800
blah, blah. And it's... Only through these subversive

00:55:14.800 --> 00:55:18.880
and disgusting means, as opposed to through seduction

00:55:18.880 --> 00:55:22.019
and consent. Absolutely. But not only did we

00:55:22.019 --> 00:55:23.940
buy into this idea of how being the outsider

00:55:23.940 --> 00:55:26.599
is cool, but we've been inundated with countless

00:55:26.599 --> 00:55:31.099
images and films of the jocks just being these

00:55:31.099 --> 00:55:38.059
boars who are shitty. And honestly, in high school,

00:55:38.079 --> 00:55:39.889
I didn't have that experience at all. Like, I

00:55:39.889 --> 00:55:41.730
don't remember ever being picked on by a jock.

00:55:41.750 --> 00:55:43.590
I don't remember ever being picked on by someone

00:55:43.590 --> 00:55:45.750
who was in a sports team. Like, they just left

00:55:45.750 --> 00:55:48.349
us alone. Like, they had their own thing going

00:55:48.349 --> 00:55:52.610
on, you know? It's literally like the scene in

00:55:52.610 --> 00:55:56.670
Mad Men where Don Draper's in the elevator with...

00:55:56.670 --> 00:55:59.570
Ginsberg, Michael Ginsberg. What's his name?

00:55:59.650 --> 00:56:01.969
With Ginsberg, and he says, like, I feel sorry

00:56:01.969 --> 00:56:03.949
for you, and then Don's like, I don't think about

00:56:03.949 --> 00:56:06.869
you at all. Right, right. You know, like, that's...

00:56:07.759 --> 00:56:10.539
And that's literally after he says you're a jock

00:56:10.539 --> 00:56:13.619
in a fancy suit. I mean, that's the whole paradigm

00:56:13.619 --> 00:56:15.800
of that episode is Michael Ginsberg being like,

00:56:15.860 --> 00:56:17.840
oh, the only reason you got here is because you're

00:56:17.840 --> 00:56:20.260
fucking attractive. You're not even smart. I

00:56:20.260 --> 00:56:22.360
mean, it wasn't even Ginsberg. It was the other

00:56:22.360 --> 00:56:24.739
guy. It was the Jewish guy. I mean, they're both

00:56:24.739 --> 00:56:28.760
Jewish guys. It was the other shorter guy who

00:56:28.760 --> 00:56:32.139
was like, you're just like, you can't. never

00:56:32.139 --> 00:56:33.500
mind we're not gonna get into that whole episode

00:56:33.500 --> 00:56:36.480
of madman but yeah the point is an interesting

00:56:36.480 --> 00:56:41.360
parallel yeah yeah well well now that we've gotten

00:56:41.360 --> 00:56:43.380
off topic you want to move on to the next topic

00:56:43.380 --> 00:56:47.340
yeah i mean i was gonna say like like going back

00:56:47.340 --> 00:56:49.119
to the thing about like thinking about revenge

00:56:49.119 --> 00:56:51.719
of the nerds as a horror movie i then i thought

00:56:51.719 --> 00:56:53.719
like oh that's already kind of happened and it's

00:56:53.719 --> 00:56:57.750
the fly by david cronenberg Yeah, man, that's

00:56:57.750 --> 00:57:00.710
the truth. That's the truth. So you want to take

00:57:00.710 --> 00:57:02.349
a little break, then move on to that? Yeah, let's

00:57:02.349 --> 00:57:36.409
get to that next. All right, back from the break.

00:57:36.909 --> 00:57:43.690
We're back. So The Fly, we got the A24 horror

00:57:43.690 --> 00:57:47.610
of Revenge of the Nerds sort of thing going on.

00:57:48.889 --> 00:57:53.710
Yeah, in some ways. It's like, yeah, I wouldn't

00:57:53.710 --> 00:57:57.780
say The Fly is like... incredibly preoccupied

00:57:57.780 --> 00:58:01.699
with that narrative but it's so much a part of

00:58:01.699 --> 00:58:05.019
this movie whether intentionally or not because

00:58:05.019 --> 00:58:07.440
i think like cronenberg obviously like if you're

00:58:07.440 --> 00:58:09.340
just going to go with authorial intent and stuff

00:58:09.340 --> 00:58:11.519
cronenberg was very much making a movie about

00:58:11.519 --> 00:58:14.539
like someone dealing with like a debilitative

00:58:14.539 --> 00:58:19.260
disease and uh aging and stuff like that and

00:58:19.260 --> 00:58:21.929
like That's like what he's kind of like openly

00:58:21.929 --> 00:58:24.389
said about the movie. And even when it came out,

00:58:24.429 --> 00:58:25.989
like there was tons of people because it came

00:58:25.989 --> 00:58:28.929
out in 86. You know, it's kind of the height

00:58:28.929 --> 00:58:32.170
of the AIDS epidemic or during the AIDS epidemic

00:58:32.170 --> 00:58:35.010
at the very least. And a lot of people thought

00:58:35.010 --> 00:58:38.489
this movie was about AIDS and stuff. And he said

00:58:38.489 --> 00:58:41.510
that that was not the intent, but that if people

00:58:41.510 --> 00:58:43.449
have that outlook on it, he's totally fine with

00:58:43.449 --> 00:58:46.619
that, which basically just gives you. carte blanche

00:58:46.619 --> 00:58:49.320
to interpret Cronenberg's work however you like.

00:58:49.360 --> 00:58:51.480
He's given you permission to do it. There's a

00:58:51.480 --> 00:58:54.619
lot of stuff going on in this movie that goes

00:58:54.619 --> 00:58:58.719
far beyond just this narrative about aging or

00:58:58.719 --> 00:59:02.960
having a terminal cancer or whatever. Yeah, no,

00:59:03.019 --> 00:59:06.599
sure. And that is the nerd aspect and the jock

00:59:06.599 --> 00:59:11.360
nerd dynamic and the seduction of the woman to

00:59:11.360 --> 00:59:14.000
the nerd side of things and all that's there.

00:59:15.039 --> 00:59:19.119
No, I totally agree. But I also think that part

00:59:19.119 --> 00:59:21.320
of the thing is, to me, Cronenberg is one of

00:59:21.320 --> 00:59:23.960
these directors who makes the same movie over

00:59:23.960 --> 00:59:26.380
and over and over. And they're all different,

00:59:26.500 --> 00:59:30.619
and many of them, I think, are great. In fact,

00:59:30.639 --> 00:59:32.980
most of them, I think, are great. I really like

00:59:32.980 --> 00:59:36.019
a lot of the ones that people don't. So yeah,

00:59:36.099 --> 00:59:38.699
I think Cronenberg's one of these guys who, even

00:59:38.699 --> 00:59:40.559
though many of his movies are very different,

00:59:40.760 --> 00:59:44.159
they're always on. the same subjects. And I think

00:59:44.159 --> 00:59:48.480
that the subject is almost always man and technology.

00:59:49.800 --> 00:59:54.500
Basically, how technology is perverting humanity,

00:59:54.800 --> 01:00:00.480
our desires, our, you know, our bodies. Sure.

01:00:00.579 --> 01:00:02.659
But it's almost always that exact same subject.

01:00:02.760 --> 01:00:07.789
And I think that The Fly is one of the... you

01:00:07.789 --> 01:00:10.989
know, most direct ones of those where we're watching

01:00:10.989 --> 01:00:15.010
technology actually sort of pervert this man's

01:00:15.010 --> 01:00:18.250
body and desires and all of these things and

01:00:18.250 --> 01:00:21.809
him become sort of a new being. But I think that

01:00:21.809 --> 01:00:25.610
that transformation, while in the movie, the

01:00:25.610 --> 01:00:28.909
catalyst for this is this fly getting in the

01:00:28.909 --> 01:00:32.730
machine. I don't think that he is becoming a

01:00:32.730 --> 01:00:35.030
fly. I don't think that what we're talking about

01:00:35.030 --> 01:00:37.960
has anything really to do with insects. I think

01:00:37.960 --> 01:00:39.760
his conversation about insect politics is not

01:00:39.760 --> 01:00:42.840
about insects. I think that all of this is about

01:00:42.840 --> 01:00:49.179
technology and data and binary coding and nerd

01:00:49.179 --> 01:00:52.119
shit, basically. Yeah. I mean, like one thing

01:00:52.119 --> 01:00:54.380
I thought when it was over is like, you know,

01:00:54.400 --> 01:00:56.460
when he has this is during the insects politics

01:00:56.460 --> 01:00:59.949
speech. But when he says. I was a fly who dreamed

01:00:59.949 --> 01:01:02.730
he was a man, but now that dream is dead or over

01:01:02.730 --> 01:01:04.909
or whatever. Yeah, and loved it. And loved it,

01:01:04.969 --> 01:01:06.849
yeah. I was a fly who dreamed he was a man and

01:01:06.849 --> 01:01:10.809
loved it, and now that dream is over. I was thinking,

01:01:10.849 --> 01:01:13.670
like, really, like, the fly is just a stand -in

01:01:13.670 --> 01:01:16.010
for, like, the machine or whatever. Like, it's

01:01:16.010 --> 01:01:18.869
not about insects exactly. That it's, like, really

01:01:18.869 --> 01:01:21.650
what's happening is he's, like, merging with

01:01:21.650 --> 01:01:24.320
the machine. Well, because what the machine is

01:01:24.320 --> 01:01:27.019
doing is it's creating an interpretation of himself.

01:01:27.179 --> 01:01:30.639
So he's becoming a simulacrum. So he, what he's

01:01:30.639 --> 01:01:32.860
a machine, it's a machine who dreamt it was a

01:01:32.860 --> 01:01:37.460
man. And now that dream is over. Right. But like

01:01:37.460 --> 01:01:39.940
he even merges with the machine quite literally

01:01:39.940 --> 01:01:42.559
at the very end. Right. That's like the final

01:01:42.559 --> 01:01:47.119
moment. Right. And the, and the what chair or

01:01:47.119 --> 01:01:50.440
something? No, it's just the, he's like, he's

01:01:50.440 --> 01:01:53.789
standing like halfway out of the pod. It says

01:01:53.789 --> 01:01:58.269
what Brundlefly is combining with, though, on

01:01:58.269 --> 01:02:00.250
the screen at one point, I'm pretty sure. It

01:02:00.250 --> 01:02:03.550
says Brundlefly and... It doesn't say Antelepod.

01:02:04.289 --> 01:02:06.949
Or it doesn't say Andor. I think it says Andor.

01:02:07.630 --> 01:02:10.710
I don't know. I feel like it just said Antelepod,

01:02:10.789 --> 01:02:14.090
but whatever. He gets fused with a section of

01:02:14.090 --> 01:02:17.369
the machine itself. And he comes out as this

01:02:17.369 --> 01:02:21.590
weird fly -human robot. hybrid thing all these

01:02:21.590 --> 01:02:23.869
tubes sticking out of him and all this like right

01:02:23.869 --> 01:02:26.489
you know at that point he asks for his own death

01:02:26.489 --> 01:02:30.530
right but yeah i just think like to have like

01:02:30.530 --> 01:02:33.690
a very literal representation of him merging

01:02:33.690 --> 01:02:36.369
with the machine at the very end i think lends

01:02:36.369 --> 01:02:38.809
to the entire narrative of just like that's what's

01:02:38.809 --> 01:02:40.869
been happening the whole time yeah but it was

01:02:40.869 --> 01:02:43.829
also the first time they have sex um before he

01:02:43.829 --> 01:02:45.530
even goes through the transporter something gets

01:02:45.530 --> 01:02:48.179
stuck in his back And it's a chip. No, exactly.

01:02:48.300 --> 01:02:50.019
Yeah, yeah, yeah. And that's the first thing.

01:02:50.039 --> 01:02:52.119
He gets a chip plugged into him. That's the first

01:02:52.119 --> 01:02:54.579
thing that sort of penetrates him. And, you know,

01:02:54.599 --> 01:02:57.659
that's the first place that the fly hairs come

01:02:57.659 --> 01:03:00.760
out of. It is, yeah. And so even though it's

01:03:00.760 --> 01:03:02.360
the transporter that's doing this and whatever,

01:03:02.579 --> 01:03:05.420
like there's an emphasis on this is coming from

01:03:05.420 --> 01:03:08.840
the scar of the, you know, technology penetrating

01:03:08.840 --> 01:03:12.480
you and becoming a part of you. And also the

01:03:12.480 --> 01:03:17.460
actual literal, like, The process by which the

01:03:17.460 --> 01:03:20.460
transporter works, the sci -fi idea behind it

01:03:20.460 --> 01:03:23.519
or whatever, is that this is a computer that

01:03:23.519 --> 01:03:27.079
is transporting this through downloading it into

01:03:27.079 --> 01:03:32.260
data and then reassembling it later. And so there's

01:03:32.260 --> 01:03:34.840
the whole part of the movie about the meat making

01:03:34.840 --> 01:03:37.300
him crazy or whatever. The flesh. The flesh would

01:03:37.300 --> 01:03:42.820
make you crazy. Long live the new flesh. That

01:03:42.820 --> 01:03:46.059
is about the machine not being able to interpret

01:03:46.059 --> 01:03:49.400
reality in the way that a human mind can and

01:03:49.400 --> 01:03:51.440
stuff. And that this transporting it into binary

01:03:51.440 --> 01:03:55.699
has lost the essence of life. And then he feels

01:03:55.699 --> 01:03:58.019
like he figures that out or whatever and it works

01:03:58.019 --> 01:04:01.079
or something. But we know that it doesn't work.

01:04:01.119 --> 01:04:02.860
There's something that's wrong with it or whatever.

01:04:03.000 --> 01:04:04.920
And yes, in this movie, there is the catalyst

01:04:04.920 --> 01:04:09.050
of the fly that shows the bug. in the machine,

01:04:09.250 --> 01:04:12.710
the bug in the system. But it's really a stand

01:04:12.710 --> 01:04:15.050
-in for the bug in the system. It's the glitch.

01:04:15.309 --> 01:04:17.110
It's the thing. It's the thing that can't interpret

01:04:17.110 --> 01:04:19.650
reality. I mean, we talked about this in 2001,

01:04:19.750 --> 01:04:23.130
but downloading reality into binary coding, like

01:04:23.130 --> 01:04:26.329
that is the idea that you can reproduce reality

01:04:26.329 --> 01:04:28.630
through binary coding, through ones and zeros,

01:04:28.650 --> 01:04:32.130
is a techno -utopian sort of transhumanist idea.

01:04:32.800 --> 01:04:35.059
And it's, I think that Cronenberg is saying that

01:04:35.059 --> 01:04:37.119
it's incorrect that when you start with this

01:04:37.119 --> 01:04:40.420
human in this movie and then he becomes this

01:04:40.420 --> 01:04:42.320
transhumanist idea, what are all the things that

01:04:42.320 --> 01:04:45.099
change with that? You know what I mean? That's

01:04:45.099 --> 01:04:46.579
the thing that I think is so interesting and

01:04:46.579 --> 01:04:50.320
so connected to Revenge of the Nerds. This is

01:04:50.320 --> 01:04:53.440
this guy becoming basically his work, becoming

01:04:53.440 --> 01:04:56.820
this machine, becoming his, you know, this nerd

01:04:56.820 --> 01:04:59.820
focus. And what it is, just like this singular

01:04:59.820 --> 01:05:04.179
focus on a thing. That keeps him from being able

01:05:04.179 --> 01:05:06.139
to have, you know, normal relationships with

01:05:06.139 --> 01:05:08.599
people outside of this. I mean, he does have

01:05:08.599 --> 01:05:11.659
the swag. He's got a little bit of the Lewis

01:05:11.659 --> 01:05:14.840
swag that Robert Carradine from Revenge of the

01:05:14.840 --> 01:05:16.219
Nerds. Yeah, yeah, yeah. Lizzie McGuire's dad.

01:05:16.380 --> 01:05:17.639
Yeah, he does. He's got a little bit of that

01:05:17.639 --> 01:05:20.420
Jewish sort of swag. He's a little cute. Yeah,

01:05:20.420 --> 01:05:22.820
yeah, yeah. I mean, everybody talks about how

01:05:22.820 --> 01:05:24.579
sexy he is in this movie or whatever. I think

01:05:24.579 --> 01:05:27.960
he looks kind of weird, but, like, I'm not attracted

01:05:27.960 --> 01:05:31.349
to men in the way that, like. He has a great

01:05:31.349 --> 01:05:33.949
body and stuff. Yeah, yeah. He's very fit. He's

01:05:33.949 --> 01:05:36.130
got the great Jeff Goldblum chest that he sports

01:05:36.130 --> 01:05:41.449
at Jurassic Park as well. Totally, totally. He's

01:05:41.449 --> 01:05:48.449
a beautiful, very fit archetype of suave, Jewish,

01:05:48.769 --> 01:05:54.369
intellectual. But he is in many ways a nerd.

01:05:54.869 --> 01:05:57.309
That's like very much. He's coded as a nerd.

01:05:58.429 --> 01:06:00.150
He does not seem like the type of guy who's confident

01:06:00.150 --> 01:06:02.710
with women. And the first time that he has sex,

01:06:02.769 --> 01:06:06.590
I mean, that first sex scene is disgusting. We

01:06:06.590 --> 01:06:08.570
only kind of see the very end of it or whatever,

01:06:08.710 --> 01:06:13.989
but he's just going to... Just, like, humping

01:06:13.989 --> 01:06:18.349
her. It's really, like, gross, like, nerd sex,

01:06:18.570 --> 01:06:22.599
you know? He seems to be like sexually repressed,

01:06:22.659 --> 01:06:24.800
like he's not having a lot of sex. Yeah, yeah,

01:06:24.800 --> 01:06:27.239
yeah, exactly. And he's just kind of like finally

01:06:27.239 --> 01:06:28.400
getting this one nut out. It's a wonderful set

01:06:28.400 --> 01:06:31.880
of circumstances, yeah, that this girl has taken

01:06:31.880 --> 01:06:33.780
an interest in him. It's because he's put all

01:06:33.780 --> 01:06:35.860
of his eggs into this basket of this thing that

01:06:35.860 --> 01:06:37.920
he's produced and then this thing that he's produced

01:06:37.920 --> 01:06:40.980
is enough to attract this woman's interest. It's

01:06:40.980 --> 01:06:44.239
certainly not his swagger or his looks that attract

01:06:44.239 --> 01:06:47.320
her initially, exactly. She's not even really

01:06:47.320 --> 01:06:49.440
impressed by his piano playing when she first

01:06:49.440 --> 01:06:52.840
walks in. Right. And he also, he scams her. He

01:06:52.840 --> 01:06:56.820
scams her. This is like, he does basically just

01:06:56.820 --> 01:07:00.829
like fucking, what's the, like, manosphere. pickup

01:07:00.829 --> 01:07:03.610
artist shit to like scam this woman into coming

01:07:03.610 --> 01:07:06.130
to a secondary location or something like you

01:07:06.130 --> 01:07:07.690
know i mean he scams her into coming back to

01:07:07.690 --> 01:07:09.190
his apartment and then be interested in his thing

01:07:09.190 --> 01:07:11.289
when he knows that he's not going to let her

01:07:11.289 --> 01:07:13.570
write about this thing in order to then trick

01:07:13.570 --> 01:07:15.429
her into being the person who writes about this

01:07:15.429 --> 01:07:17.190
thing for him and becomes his like secretary

01:07:17.190 --> 01:07:19.590
and his girl and is what i like you know what

01:07:19.590 --> 01:07:21.329
i mean well that's that's the point right is

01:07:21.329 --> 01:07:23.909
that i think her like supposed attraction to

01:07:23.909 --> 01:07:27.309
him is like something that is retroactively justified

01:07:27.309 --> 01:07:30.119
because of her interest in the story Exactly.

01:07:30.139 --> 01:07:32.579
Like he offers something to her that she, that

01:07:32.579 --> 01:07:35.539
will benefit her. Right. And her career and whatever

01:07:35.539 --> 01:07:38.840
he gives her. She may or may not even be interested

01:07:38.840 --> 01:07:42.739
in him outside of the story. I mean, once the

01:07:42.739 --> 01:07:45.159
story is done, this is the best way to get this

01:07:45.159 --> 01:07:47.159
story is to sleep with the guy and videotape

01:07:47.159 --> 01:07:48.920
the things and do whatever. Like this is the

01:07:48.920 --> 01:07:53.119
greatest story of a lifetime, but. It doesn't

01:07:53.119 --> 01:07:55.059
really have anything to do with him or his anything.

01:07:55.199 --> 01:07:57.880
It's just that he's presented this to her and

01:07:57.880 --> 01:08:00.500
that she is accepting that and giving back to

01:08:00.500 --> 01:08:03.000
him what he expects. You know what I mean? And

01:08:03.000 --> 01:08:04.900
it doesn't really bode well for her character

01:08:04.900 --> 01:08:07.099
either because she ends up kind of just seeming

01:08:07.099 --> 01:08:09.800
like an opportunistic person who doesn't really

01:08:09.800 --> 01:08:13.079
care about him and stuff like that. They're both

01:08:13.079 --> 01:08:16.479
doing it for their own personal benefits. Of

01:08:16.479 --> 01:08:20.189
course. The sort of like caveat and context for

01:08:20.189 --> 01:08:22.310
why she's doing it is because she just got out

01:08:22.310 --> 01:08:24.310
of a relationship with a guy who's like the exact

01:08:24.310 --> 01:08:26.550
opposite of him. Well, the other thing is we

01:08:26.550 --> 01:08:28.850
don't even know how recently they've gotten out

01:08:28.850 --> 01:08:30.770
of this relationship or if they are even out

01:08:30.770 --> 01:08:34.949
of this relationship. I mean, she says, why are

01:08:34.949 --> 01:08:36.989
you here and whatever? Like she's mad at him,

01:08:37.029 --> 01:08:38.890
but he still has her keys. And then she's like,

01:08:38.909 --> 01:08:40.090
give them back. And he's like, no, I think I'll

01:08:40.090 --> 01:08:42.369
keep them. And she doesn't demand them back.

01:08:42.829 --> 01:08:45.859
And I think that when you see her later, And

01:08:45.859 --> 01:08:48.779
Brundlefly is about to like rape this woman in

01:08:48.779 --> 01:08:50.399
his apartment and impregnate her and whatever.

01:08:50.699 --> 01:08:52.960
She's like, no, get out of here. I'll take care

01:08:52.960 --> 01:08:56.329
of this. She is strong. She is so strong. She

01:08:56.329 --> 01:08:58.869
can deal with Brundlefly who can literally break

01:08:58.869 --> 01:09:01.829
her in half. Like she's not afraid to talk to

01:09:01.829 --> 01:09:04.250
this man or tell him to give her fucking keys

01:09:04.250 --> 01:09:06.010
back. No, she's playing a fucking game. Like

01:09:06.010 --> 01:09:08.590
this is, this is the thing. Like this guy, exactly.

01:09:08.750 --> 01:09:11.470
This guy is behaving in a way that we see as

01:09:11.470 --> 01:09:14.770
like totally toxic male behavior. And like, he's

01:09:14.770 --> 01:09:17.710
being jealous. Like he's very jealous and he's

01:09:17.710 --> 01:09:20.949
throwing temper tantrums, but like, it's quite

01:09:20.949 --> 01:09:22.630
possible. This is his like girlfriend of like

01:09:22.630 --> 01:09:25.840
three years who like, found this story, got in

01:09:25.840 --> 01:09:28.119
a fight with him on Friday, and then is like,

01:09:28.340 --> 01:09:30.119
no, I'm going to sleep over at his house. And

01:09:30.119 --> 01:09:31.380
he's just like, are you fucking serious? And

01:09:31.380 --> 01:09:32.859
I'm like, yes, I watched you all night and whatever.

01:09:32.979 --> 01:09:35.220
It's like, yeah, he's acting crazy. But like,

01:09:35.300 --> 01:09:38.479
do we have context to know how crazy he's acting?

01:09:38.619 --> 01:09:40.880
Like, you know what I mean? Like his jealousy

01:09:40.880 --> 01:09:44.399
and his behavior and his desire to control her.

01:09:44.960 --> 01:09:47.739
Like, yeah, this is toxic male behavior. But

01:09:47.739 --> 01:09:52.439
I think that she, if it was. threatening to her,

01:09:52.539 --> 01:09:56.560
would be perfectly able to handle it. And there's

01:09:56.560 --> 01:09:58.220
nothing in the movie that makes me think that

01:09:58.220 --> 01:09:59.779
she couldn't kick this guy out of her house,

01:09:59.779 --> 01:10:02.159
take the keys, and be like, fuck you. In fact,

01:10:02.180 --> 01:10:05.619
she walks all over him the entire movie. He sent

01:10:05.619 --> 01:10:08.680
her to this thing as a journalist, and she's

01:10:08.680 --> 01:10:13.279
not going to write the story? What are you talking

01:10:13.279 --> 01:10:15.020
about? No, I'm just going to leave and write

01:10:15.020 --> 01:10:18.159
it. myself like that is illegal it's not and

01:10:18.159 --> 01:10:20.739
he's just like okay i'll let you do it he's only

01:10:20.739 --> 01:10:23.060
like really pig -headed in his rhetoric and stuff

01:10:23.060 --> 01:10:26.880
and the way he talks and like it but like he's

01:10:26.880 --> 01:10:29.800
so supportive of her and her career and her future

01:10:29.800 --> 01:10:32.760
like the only thing that he does is he is jealous

01:10:32.760 --> 01:10:34.680
about the fact that she is sleeping with this

01:10:34.680 --> 01:10:37.199
guy who is her story that she may or may not

01:10:37.199 --> 01:10:39.920
even care about and he thinks that this nerd

01:10:39.920 --> 01:10:42.199
is dangerous and that like he's actually concerned

01:10:42.199 --> 01:10:44.520
about her or whatever and yes he's jealous too

01:10:45.790 --> 01:10:47.970
And it's because he wants to possess her, sure.

01:10:48.069 --> 01:10:50.949
But it's because he wants to possess her in a

01:10:50.949 --> 01:10:54.409
way that is not nearly as toxic as what Brundlefly

01:10:54.409 --> 01:10:58.149
wants to do. You know what I mean? Sure. And

01:10:58.149 --> 01:10:59.770
this is the thing. Well, Brundlefly wants to

01:10:59.770 --> 01:11:02.770
put her through the teleporter. Exactly. He wants

01:11:02.770 --> 01:11:04.510
to merge with her. He wants to bring her into

01:11:04.510 --> 01:11:07.369
the cult. He wants to merge with her, yeah. And

01:11:07.369 --> 01:11:09.329
by the end, he wants to become one with her.

01:11:10.560 --> 01:11:12.859
In order to. And the baby. I mean, yeah. And

01:11:12.859 --> 01:11:16.060
the baby. I mean, he wants the most total toxic

01:11:16.060 --> 01:11:18.739
male ownership of her body. He wants to actually

01:11:18.739 --> 01:11:23.680
be it. I mean, he is more toxic than any jock

01:11:23.680 --> 01:11:26.899
archetype could ever be. And it seems like at

01:11:26.899 --> 01:11:29.539
first, like, oh, he's not threatening. He's a

01:11:29.539 --> 01:11:32.739
nerd. He's sweet. He's like, you know, he's not

01:11:32.739 --> 01:11:36.000
like the guy that I was just with who, you know,

01:11:36.000 --> 01:11:38.260
wants to control me and wants to. It's like,

01:11:38.300 --> 01:11:41.750
no, no, no. This guy. wants to control you like

01:11:41.750 --> 01:11:44.350
that other guy was just a man and he had testosterone

01:11:44.350 --> 01:11:47.010
and sorry he had testosterone and was upset that

01:11:47.010 --> 01:11:49.350
you were fucking somebody else right after you

01:11:49.350 --> 01:11:51.770
broke up or whatever and who is actually very

01:11:51.770 --> 01:11:54.550
dangerous and trying to hurt you like that's

01:11:54.550 --> 01:11:56.869
that's what he did wrong what brundlefly is doing

01:11:56.869 --> 01:12:01.390
wrong is insane but that is exactly the same

01:12:01.390 --> 01:12:04.220
as revenge of the nerds yeah he becomes a he

01:12:04.220 --> 01:12:07.319
becomes a literal monster, you know, and a literal

01:12:07.319 --> 01:12:09.500
monster who's like losing his mind and would

01:12:09.500 --> 01:12:13.060
kill her. Yeah. Or like, you know, merge with

01:12:13.060 --> 01:12:15.739
her or whatever it is. It's just like, that is

01:12:15.739 --> 01:12:18.399
like the nerd, just like without consent, taking

01:12:18.399 --> 01:12:20.960
what he thinks he deserves. Yeah. Yeah. Whatever

01:12:20.960 --> 01:12:24.260
to justify his own bullshit deficiency. Yeah.

01:12:24.319 --> 01:12:27.640
To try to fill in for his deficiency. Like, yeah.

01:12:27.760 --> 01:12:30.420
Yeah. And then the, the moment that status, because

01:12:30.420 --> 01:12:32.670
obviously. Like, the moment you realize, Daph,

01:12:32.729 --> 01:12:35.170
this is a really good dude is, like, when she

01:12:35.170 --> 01:12:38.750
reveals to him that she's pregnant with Seth's

01:12:38.750 --> 01:12:41.489
kid. And he's just like, what do you want to

01:12:41.489 --> 01:12:44.569
do? Right. Like, he's, like, absolutely just

01:12:44.569 --> 01:12:47.170
wanted to, like, there's no better test for,

01:12:47.210 --> 01:12:50.149
like, a good dude than, like, giving him the

01:12:50.149 --> 01:12:52.069
news that you're pregnant. With somebody else's

01:12:52.069 --> 01:12:55.840
kid. with somebody else's kid and him just being

01:12:55.840 --> 01:12:57.060
like well what do you want to do he's not like

01:12:57.060 --> 01:12:58.579
immediately like you need to get an abortion

01:12:58.579 --> 01:13:01.180
no he's like i i'm here for you whatever you

01:13:01.180 --> 01:13:03.840
need at the moment's notice and like i want to

01:13:03.840 --> 01:13:05.720
do it right now in the middle of the night like

01:13:05.720 --> 01:13:09.039
okay i'll i'll like i'll figure it out he's like

01:13:09.039 --> 01:13:12.039
i'll make the calls yeah like i'll do it and

01:13:12.039 --> 01:13:14.819
yeah that is like what makes it so connected

01:13:14.819 --> 01:13:16.760
to revenge of the nerds as well as just this

01:13:16.760 --> 01:13:20.439
whole jock nerd dynamic and how the nerds just

01:13:20.439 --> 01:13:23.199
end up being so much more evil or whatever. Right,

01:13:23.199 --> 01:13:25.260
because of their deficiencies and their need

01:13:25.260 --> 01:13:28.239
to correct for that deficiency. And they use

01:13:28.239 --> 01:13:31.279
this cover of this nerd thing that we've accepted

01:13:31.279 --> 01:13:36.239
as non -threatening, but it is the most threatening.

01:13:36.399 --> 01:13:39.460
I mean, it is insect politics. That's, you know

01:13:39.460 --> 01:13:41.899
what I mean? Yeah, it's insect politics, yeah.

01:13:42.100 --> 01:13:44.920
It's the computer's interpretation of humanity.

01:13:45.659 --> 01:13:49.220
It's... Insects don't have politics. I'd like

01:13:49.220 --> 01:13:51.300
to be the first insect politician. They're very

01:13:51.300 --> 01:13:54.420
brutal. I mean, this is fascism. This is what

01:13:54.420 --> 01:13:57.699
we're talking about. It's IBM and technology

01:13:57.699 --> 01:14:01.880
taking over politics. And seeing that taking

01:14:01.880 --> 01:14:04.260
over a body and seeing the interests and the

01:14:04.260 --> 01:14:06.579
desires and the perversions that come from that.

01:14:07.850 --> 01:14:10.789
his like weird self -aggrandizing, like God -like

01:14:10.789 --> 01:14:13.029
thing in the middle is crazy. And it's one of

01:14:13.029 --> 01:14:14.770
my favorite part. Like it really feels like acid

01:14:14.770 --> 01:14:17.510
to me too at that point where he's just like

01:14:17.510 --> 01:14:21.470
so convinced of some really abstract reality

01:14:21.470 --> 01:14:24.149
and his own greatness in a way that you can't

01:14:24.149 --> 01:14:26.430
describe to another person. Her trying to listen

01:14:26.430 --> 01:14:29.710
to him when he's like, like falling apart and

01:14:29.710 --> 01:14:31.729
trying to talk about the most abstract stuff

01:14:31.729 --> 01:14:35.609
is like amazing. And that's like, that's like,

01:14:36.510 --> 01:14:39.029
It's part of it that's done really well in the

01:14:39.029 --> 01:14:42.550
original Fly, too, where as he's deteriorating,

01:14:42.550 --> 01:14:45.789
he's writing on the wall, and the handwriting

01:14:45.789 --> 01:14:49.210
gets crazier and crazier and whatnot. But in

01:14:49.210 --> 01:14:51.689
this movie, he brings, like, Cronenberg takes

01:14:51.689 --> 01:14:53.529
all the aspects of that original movie and brings

01:14:53.529 --> 01:14:57.210
so much more, like, just depth to it. Just really

01:14:57.210 --> 01:14:58.750
just depth. Because, I mean, the original movie

01:14:58.750 --> 01:15:02.470
is very much about a nerdy guy, though the archetype

01:15:02.470 --> 01:15:06.289
doesn't exist in all of these sort of... external

01:15:06.289 --> 01:15:08.710
like the the larger connections here don't really

01:15:08.710 --> 01:15:10.770
exist but it is that type of guy who's like very

01:15:10.770 --> 01:15:13.590
obsessed with his work charisma yeah but he does

01:15:13.590 --> 01:15:15.510
he has charisma he seems like he's a handsome

01:15:15.510 --> 01:15:18.869
charismatic dude it's true it's true he's not

01:15:18.869 --> 01:15:20.989
he's not as crazy like this is like the thing

01:15:20.989 --> 01:15:23.109
that really stood out to me as being super different

01:15:23.109 --> 01:15:25.729
about both of them but just like what what is

01:15:25.729 --> 01:15:27.789
the character's name in the original it's like

01:15:27.789 --> 01:15:33.550
arnold or uh andre andre like so like in the

01:15:33.550 --> 01:15:37.989
original andre Basically, in the original Fly,

01:15:38.310 --> 01:15:42.149
the film doesn't really show Andre as some kind

01:15:42.149 --> 01:15:46.529
of flawed character who has a deficiency. He's

01:15:46.529 --> 01:15:49.630
being perverted by his work, though. Yeah, but

01:15:49.630 --> 01:15:53.609
ultimately, when the experiment goes wrong, he

01:15:53.609 --> 01:15:55.510
admits that it was a failure and it has to be

01:15:55.510 --> 01:15:58.569
destroyed along with him with it. Whereas in

01:15:58.569 --> 01:16:03.170
Cronenberg's, Seth bends over backwards to justify...

01:16:04.080 --> 01:16:07.199
the catastrophe over and over right right at

01:16:07.199 --> 01:16:09.420
first it's like wow this is fucked up something

01:16:09.420 --> 01:16:12.300
went wrong but as he starts to morph more he's

01:16:12.300 --> 01:16:14.100
like actually you know what i think i'm actually

01:16:14.100 --> 01:16:15.619
more powerful than something went incredibly

01:16:15.619 --> 01:16:18.060
right yeah yeah this is actually right i created

01:16:18.060 --> 01:16:21.529
a gene splicer like He's constantly justifying

01:16:21.529 --> 01:16:24.229
and rationalizing. But isn't that basically Revenge

01:16:24.229 --> 01:16:26.010
of the Nerds, right? Where it's like, I have

01:16:26.010 --> 01:16:27.470
this deficiency, and then it's like, no, no,

01:16:27.489 --> 01:16:29.689
my deficiency makes me great. I'm part of this

01:16:29.689 --> 01:16:32.470
thing, and I'm better than all of the jocks because

01:16:32.470 --> 01:16:34.250
of my deficiency, and it's a superpower that

01:16:34.250 --> 01:16:37.130
I'm deficient. Yeah, I don't think the original

01:16:37.130 --> 01:16:39.529
Fly is actually very critical of technology and

01:16:39.529 --> 01:16:42.369
progress. In fact, in the end, the speech that

01:16:42.369 --> 01:16:45.770
Vincent Price gives... is essentially like, you

01:16:45.770 --> 01:16:47.210
know, to make an omelet, you got to break some

01:16:47.210 --> 01:16:49.850
eggs. The problem isn't progress itself. It's

01:16:49.850 --> 01:16:53.630
the sacrifice needed to fuel it. Right. I think

01:16:53.630 --> 01:16:56.909
he's basically, he's a nuclear scientist in this

01:16:56.909 --> 01:16:58.569
movie, right? And we're talking about like, well,

01:16:58.630 --> 01:17:00.489
we need the nuclear program. This is important.

01:17:01.109 --> 01:17:04.989
However, it's a dangerous job and these people

01:17:04.989 --> 01:17:07.609
might get radiation or they might, you know what

01:17:07.609 --> 01:17:10.750
I mean? Sure, but it's a necessary evil, so to

01:17:10.750 --> 01:17:14.989
speak. And so the 1958 version of The Fly really

01:17:14.989 --> 01:17:18.689
shows a culture that has a near ubiquitous trust

01:17:18.689 --> 01:17:22.149
in progress. Despite anything bad that comes

01:17:22.149 --> 01:17:25.550
out of it, it's ultimately good. Whereas Cronenberg's

01:17:25.550 --> 01:17:29.140
86 version, I feel like is very... wary and critical

01:17:29.140 --> 01:17:32.220
of progress and technology I mean it brings in

01:17:32.220 --> 01:17:34.840
the Cronenberg thing that's in all of his every

01:17:34.840 --> 01:17:37.560
single one of his movies about technology perverting

01:17:37.560 --> 01:17:40.399
the human spirit and our desires and our relationships

01:17:40.399 --> 01:17:43.079
to each other and isolating us and creating making

01:17:43.079 --> 01:17:48.000
us into technology but I think I think yeah for

01:17:48.000 --> 01:17:50.800
sure the original I think does have that too

01:17:50.800 --> 01:17:53.520
though where by becoming the fly I mean it does

01:17:53.520 --> 01:17:55.560
still have the it is the bug in the system thing

01:17:56.239 --> 01:18:00.399
A lot of the actual structure of the movie is

01:18:00.399 --> 01:18:05.079
very much still there. But we don't see Andre

01:18:05.079 --> 01:18:07.560
as this disgusting monster who should have been

01:18:07.560 --> 01:18:12.359
smashed before he created this thing. In the

01:18:12.359 --> 01:18:16.439
end, this thing was too powerful for the world.

01:18:16.619 --> 01:18:19.600
So we don't want this thing. It is anti -technology

01:18:19.600 --> 01:18:22.220
in the end in some ways. It is the nuclear program

01:18:22.220 --> 01:18:25.670
thing where it is critical of that. But I just

01:18:25.670 --> 01:18:27.710
think that gets undone by what Vincent Price

01:18:27.710 --> 01:18:30.409
says in the very end to his son, like justifying

01:18:30.409 --> 01:18:33.569
the sacrifice your father made for this kind

01:18:33.569 --> 01:18:36.789
of progress or discovery. But Vincent Price also

01:18:36.789 --> 01:18:40.199
like doesn't. I guess he knows the whole story

01:18:40.199 --> 01:18:42.319
at that point. It's a weird ending because I

01:18:42.319 --> 01:18:44.779
really think in some ways it undoes it. The big

01:18:44.779 --> 01:18:47.779
thing is in movies of this era, you're talking

01:18:47.779 --> 01:18:50.699
about the code and stuff, the Hays Code. All

01:18:50.699 --> 01:18:53.960
of these movies have to have big summaries that

01:18:53.960 --> 01:18:58.640
undo all of the nuances of the movie. You're

01:18:58.640 --> 01:19:00.659
going to have a movie that's talking about how

01:19:00.659 --> 01:19:06.210
sick it is to be a gangster. you know, kill people

01:19:06.210 --> 01:19:07.949
and fuck women and blah, blah, blah. And then

01:19:07.949 --> 01:19:09.430
in the end, it's going to be like, and it never

01:19:09.430 --> 01:19:12.189
pays to be a gangster. It's like, well, yes,

01:19:12.329 --> 01:19:14.289
it does undo it. But like the whole point of

01:19:14.289 --> 01:19:16.970
the movie is talking about like how awesome it

01:19:16.970 --> 01:19:19.729
is to be a criminal. And in this movie, I feel

01:19:19.729 --> 01:19:21.670
like a lot of the point of the movie is criticizing

01:19:21.670 --> 01:19:25.010
the nuclear program and what it's doing to this

01:19:25.010 --> 01:19:27.189
person. And like, I do think that like, really,

01:19:27.210 --> 01:19:29.609
like I kind of felt like this original flyer,

01:19:29.609 --> 01:19:32.590
like was really disturbing and stomach churning

01:19:32.590 --> 01:19:36.520
to me. in a way, even that the remake kind of

01:19:36.520 --> 01:19:38.979
almost wasn't. You know what I mean? It's almost

01:19:38.979 --> 01:19:41.020
the way that I feel about Kubrick's Lolita versus,

01:19:41.119 --> 01:19:45.060
what's his name, the guy who did all the pervy

01:19:45.060 --> 01:19:48.369
movies? I don't know, the remake of Lolita? Something

01:19:48.369 --> 01:19:52.029
that perverse being in a movie this not perverse,

01:19:52.130 --> 01:19:56.649
like this sort of stagey and contained, makes

01:19:56.649 --> 01:19:58.489
it feel really disturbing. It stands out in a

01:19:58.489 --> 01:20:00.649
weird way. I think that that guy standing, just

01:20:00.649 --> 01:20:03.649
Andre standing with the sheet over his head and

01:20:03.649 --> 01:20:07.850
not talking to his wife is so scary. It's really,

01:20:08.090 --> 01:20:10.350
it's like stomach churningly scary because you

01:20:10.350 --> 01:20:12.869
know something happened to his face that he can't

01:20:12.869 --> 01:20:17.000
speak. that he's not showing or like, it's, it's,

01:20:17.000 --> 01:20:20.220
it's really, it's really scary. I think actually

01:20:20.220 --> 01:20:23.199
like, yeah. And when he's like the little fly,

01:20:23.279 --> 01:20:25.460
like stuck in the web at the end, yelling, help

01:20:25.460 --> 01:20:28.000
me is like, it's terrifying. Yeah. Yeah. And

01:20:28.000 --> 01:20:30.000
then, and I also like that they just killed it.

01:20:30.420 --> 01:20:34.899
It's yeah. Yeah. That was actually him. And it's

01:20:34.899 --> 01:20:37.039
like, Oh, this is so horrifying that like, it

01:20:37.039 --> 01:20:39.500
should not exist, kill it. And then, Oh man,

01:20:39.560 --> 01:20:43.680
it's so sad that he had to like, it's very, It's

01:20:43.680 --> 01:20:46.159
very, it's depressing. It's a depressing movie.

01:20:46.319 --> 01:20:48.560
And I think it's really about the nuclear program

01:20:48.560 --> 01:20:50.640
and the damage that it's doing to like scientists

01:20:50.640 --> 01:20:54.899
and people through it's the transmission of the

01:20:54.899 --> 01:20:58.340
work itself to the human and making them like

01:20:58.340 --> 01:21:01.560
bug people. Yeah, I think that's a part of it.

01:21:01.579 --> 01:21:03.399
But personally, my read on the original Fly,

01:21:03.699 --> 01:21:06.420
like I kind of felt the cornerstone of the movie

01:21:06.420 --> 01:21:08.520
and its themes and what it was really talking

01:21:08.520 --> 01:21:12.260
about was like, I kind of feel like it was a

01:21:12.260 --> 01:21:15.600
domestic drama. The way it's told, too, where,

01:21:15.659 --> 01:21:17.619
like, the murder happens at the beginning and

01:21:17.619 --> 01:21:20.159
it's all unraveling as a sort of mystery. In

01:21:20.159 --> 01:21:22.140
the beginning, what you're sort of presented

01:21:22.140 --> 01:21:25.840
with is, like, this wife just murdered her husband.

01:21:26.460 --> 01:21:29.039
So she's, like, insane, right? Like, I feel like

01:21:29.039 --> 01:21:30.979
it, like, plays with this trope of, like, the

01:21:30.979 --> 01:21:35.470
insane wife. And she murders her husband, but

01:21:35.470 --> 01:21:38.229
then when you hear the story, what you learn

01:21:38.229 --> 01:21:41.850
is that her husband had become a monster because

01:21:41.850 --> 01:21:45.890
of how obsessed he became with his work and how

01:21:45.890 --> 01:21:48.970
neglectful that made him toward his family. If

01:21:48.970 --> 01:21:51.810
you just take out the whole sci -fi fly narrative,

01:21:52.069 --> 01:21:54.069
you essentially just have this narrative about

01:21:54.069 --> 01:21:58.310
an abusive, work -obsessed husband who drove

01:21:58.310 --> 01:22:32.470
his wife. Right. Right. Right. And I think that's,

01:22:32.470 --> 01:22:34.289
like, what I find really interesting about the

01:22:34.289 --> 01:22:39.250
first movie is to take this sort of trope of,

01:22:39.369 --> 01:22:42.729
like, the hysterical, crazy, like, female who

01:22:42.729 --> 01:22:45.170
kills her husband and then, like, creating a

01:22:45.170 --> 01:22:47.770
justification for that because it was actually

01:22:47.770 --> 01:22:50.909
the man's fault. He was the real monster. It

01:22:50.909 --> 01:22:53.489
was his choice. And she was his fucking... It

01:22:53.489 --> 01:22:56.720
was his choice, yeah. Yeah, she stood by him.

01:22:56.779 --> 01:23:00.520
She did every, like, she was his bottom bitch.

01:23:00.899 --> 01:23:03.979
You know what I mean? Yeah, yeah, yeah. She was,

01:23:04.060 --> 01:23:06.880
like, the actual, she did every single thing

01:23:06.880 --> 01:23:08.539
without question. She didn't ask him to take

01:23:08.539 --> 01:23:10.420
off his hat. She didn't, like, it's like, do

01:23:10.420 --> 01:23:12.720
not ask me this. Knock these many times. Do this.

01:23:12.800 --> 01:23:14.560
Like, I cannot show you this. And she didn't,

01:23:14.560 --> 01:23:17.720
like, she was totally submissive and the perfect

01:23:17.720 --> 01:23:21.819
wife by 50s standards. And loyal. Yeah, yeah,

01:23:21.840 --> 01:23:25.369
yeah. It's a very different character than Ronnie

01:23:25.369 --> 01:23:28.050
in Cronenberg's remake. Of course. Veronica.

01:23:28.590 --> 01:23:31.130
Much more of a girl boss archetype. The strong,

01:23:31.310 --> 01:23:34.630
independent girl boss woman. And that's what

01:23:34.630 --> 01:23:38.229
I mean. I think the gender relations or the male

01:23:38.229 --> 01:23:43.390
-female relationship dynamics in each movie also

01:23:43.390 --> 01:23:45.850
really speak to the times that they were made.

01:23:45.890 --> 01:23:49.310
Absolutely. Because, I mean, again, like we were

01:23:49.310 --> 01:23:50.729
talking about in Revenge of the Nerds, like,

01:23:50.789 --> 01:23:55.250
who is it who decides what a successful masculine

01:23:55.250 --> 01:23:58.630
archetype is, is the women. This is part of the

01:23:58.630 --> 01:24:02.289
thing, that these are defined. I mean, Brumdell

01:24:02.289 --> 01:24:07.010
Fly's validation comes from Veronica. And he

01:24:07.010 --> 01:24:09.170
needs her. Like, he wouldn't be doing any of

01:24:09.170 --> 01:24:12.329
this if it wasn't for her. Like, he needs an

01:24:12.329 --> 01:24:15.550
observer to tell this story and everything. No,

01:24:15.550 --> 01:24:20.289
totally. And I think having an abortion as part

01:24:20.289 --> 01:24:25.050
of the plot is so intense. Because just like

01:24:25.050 --> 01:24:27.869
in the first Fly, if you take out the Fly sci

01:24:27.869 --> 01:24:31.729
-fi elements of the movie, then in Cronenberg's,

01:24:31.729 --> 01:24:35.109
you are also dealing with this kind of story

01:24:35.109 --> 01:24:38.369
where a woman leaves a man because she finds

01:24:38.369 --> 01:24:41.250
him to be pig -headed or arrogant or somewhat

01:24:41.250 --> 01:24:45.060
insufferable. He's a jock. He's a jock. Yeah.

01:24:45.260 --> 01:24:48.000
And then she gets with this nerd, this nice guy

01:24:48.000 --> 01:24:50.739
who's like, seems like he's a genius. And it's

01:24:50.739 --> 01:24:53.100
like, there's so much to sort of like appreciate

01:24:53.100 --> 01:24:58.060
about him. But then like, he's actually a monster.

01:24:58.260 --> 01:25:02.060
He's a true fascist. He believes in insect politics.

01:25:02.100 --> 01:25:04.739
Then realizes she's pregnant with his child and

01:25:04.739 --> 01:25:08.899
wants to abort it. Like, it's so fucking like

01:25:08.899 --> 01:25:12.079
intense, dude. And he creates an iconography

01:25:12.079 --> 01:25:15.920
out of my body. The scene where she gives birth

01:25:15.920 --> 01:25:21.039
to the maggot or whatever is such an incredible

01:25:21.039 --> 01:25:25.619
depiction of the anxiety of being impregnated

01:25:25.619 --> 01:25:27.800
by a guy who turns out to not be the guy you

01:25:27.800 --> 01:25:31.000
thought he was. It's just like that's a feminine

01:25:31.000 --> 01:25:34.720
experience that is the iconography of that is

01:25:34.720 --> 01:25:38.100
being created on screen there. I love Veronica.

01:25:38.260 --> 01:25:40.520
She's like one of the great female characters.

01:25:40.899 --> 01:25:43.840
Oh, yeah. Oh, yeah. She's very strong. And it's

01:25:43.840 --> 01:25:48.119
a very pro -abortion sort of a movie. Pro -choice,

01:25:48.159 --> 01:25:52.970
yeah. Pro -choice. Yes, yes. But it's also shown

01:25:52.970 --> 01:25:56.390
in this like really horrible, horrifying, triggering

01:25:56.390 --> 01:25:59.869
way, you know? Yeah, because it is like, it is

01:25:59.869 --> 01:26:02.590
traumatic. It's not necessarily like... It's

01:26:02.590 --> 01:26:04.890
not the solution that's beautiful and everybody's

01:26:04.890 --> 01:26:07.510
happy. It's like this... No, exactly. It's horrible.

01:26:07.750 --> 01:26:09.890
Yeah, yeah, yeah. And she's even still conflicted

01:26:09.890 --> 01:26:11.869
about it, even though she knows what he's become.

01:26:12.029 --> 01:26:14.350
Like, you know, it's... Yeah, exactly. And then

01:26:14.350 --> 01:26:16.710
once she actually sees him, she's like, no, I'm

01:26:16.710 --> 01:26:18.810
not conflicted anymore. I need it tonight. But

01:26:18.810 --> 01:26:21.420
she can't tell him. She can't like bring herself

01:26:21.420 --> 01:26:24.159
to tell him either. Yeah. Yeah. Which is another

01:26:24.159 --> 01:26:26.420
big anxiety. Like that's another depiction of

01:26:26.420 --> 01:26:29.579
just like the anxiety a woman goes through when

01:26:29.579 --> 01:26:31.199
it's like, it's her body, her choice, and she

01:26:31.199 --> 01:26:32.979
can just hide it from him and make the choice.

01:26:33.100 --> 01:26:35.739
Right. Right. But like having to go through that

01:26:35.739 --> 01:26:38.020
moment of like, am I going to tell him, can I

01:26:38.020 --> 01:26:41.239
deal with his input on this? Right. And it's

01:26:41.239 --> 01:26:43.000
just like, you know what? No, I don't want to

01:26:43.000 --> 01:26:46.600
deal with bundle flies. Cause he's a fucking

01:26:46.600 --> 01:26:49.239
monster. And, like, yeah, it turns out, like,

01:26:49.279 --> 01:26:50.939
of course he's going to want to keep the baby.

01:26:51.399 --> 01:26:54.180
Then, like, you see the whole, like, this great

01:26:54.180 --> 01:26:58.199
depiction of the anxiety and fear of a man whose,

01:26:58.239 --> 01:27:02.199
like, child is going to be aborted against his

01:27:02.199 --> 01:27:05.319
will, who could be, like, the only thing that's

01:27:05.319 --> 01:27:07.720
left of him. Right. You know? Yeah, yeah, yeah.

01:27:07.840 --> 01:27:09.560
Like, I've become a monster, but there's still

01:27:09.560 --> 01:27:13.020
hope for my kid or whatever, which gets a little

01:27:13.020 --> 01:27:14.640
bit muddy when he says we're just all going to

01:27:14.640 --> 01:27:17.899
merge together or whatever. That's his like insane

01:27:17.899 --> 01:27:21.079
solution to this terrible problem or whatever.

01:27:21.319 --> 01:27:23.880
Yeah, but that's also the most, you know, like

01:27:23.880 --> 01:27:26.560
we're going to move to a ranch and you're not

01:27:26.560 --> 01:27:28.159
going to talk to anybody else and you're going

01:27:28.159 --> 01:27:30.920
to do what I say and whatever. Like it's being

01:27:30.920 --> 01:27:33.939
a cult leader type of masculinity. It's like

01:27:33.939 --> 01:27:35.220
I'm going to have six wives. You're going to

01:27:35.220 --> 01:27:36.399
be one of them. You're not going to talk to anybody.

01:27:36.640 --> 01:27:38.039
It's going to be like whatever because I need

01:27:38.039 --> 01:27:40.140
more in my brood. You're right. That merging

01:27:40.140 --> 01:27:42.699
works as a metaphor for her never having agency

01:27:42.699 --> 01:27:46.699
again. No agency whatsoever. Exactly. just a

01:27:46.699 --> 01:27:48.979
trad wife existence or whatever. Yeah, but when

01:27:48.979 --> 01:27:52.640
her first boyfriend, Stathis, is trying to keep

01:27:52.640 --> 01:27:56.920
her keys, like, that is a, you know, taking ownership

01:27:56.920 --> 01:27:59.680
over her life thing. It's crossing a barrier

01:27:59.680 --> 01:28:03.399
and trying to control her or whatever. But that

01:28:03.399 --> 01:28:06.479
is in a, like, masculine -feminine aggression,

01:28:06.659 --> 01:28:08.939
whatever, relationship in which, like, Veronica

01:28:08.939 --> 01:28:12.619
does have agency and, like, totally could...

01:28:13.079 --> 01:28:14.619
play it differently like you know what i mean

01:28:14.619 --> 01:28:17.039
she's like he's taking a shower in there it's

01:28:17.039 --> 01:28:19.399
not like she goes and calls the police or like

01:28:19.399 --> 01:28:21.920
is actually like get out get out get out it's

01:28:21.920 --> 01:28:24.819
just kind of like no she's like oh you're here

01:28:24.819 --> 01:28:28.239
again yeah well this is not cool it's not okay

01:28:28.239 --> 01:28:31.220
i would agree with all this yeah yeah yeah very

01:28:31.220 --> 01:28:33.239
very different there she's dealing with than

01:28:33.239 --> 01:28:34.819
what she's dealing with brundle fly who actually

01:28:34.819 --> 01:28:39.119
literally is he might kill her He might not let

01:28:39.119 --> 01:28:43.659
her go home ever again. He does not respect her

01:28:43.659 --> 01:28:46.460
or her autonomy in any way because it is all

01:28:46.460 --> 01:28:50.800
about Brundlefly and what he is becoming. But

01:28:50.800 --> 01:28:54.039
I think before she has any relationship with

01:28:54.039 --> 01:28:57.439
Seth and she doesn't realize quite how bad and

01:28:57.439 --> 01:28:59.300
monstrous and controlling a person could be,

01:28:59.460 --> 01:29:04.310
I'm sure Stathis comes off as feeling like, annoying

01:29:04.310 --> 01:29:06.710
and controlling and like just not something she

01:29:06.710 --> 01:29:09.390
wants because she is like she is a strong career

01:29:09.390 --> 01:29:12.250
woman and also like he's her boss so there is

01:29:12.250 --> 01:29:14.270
like a weird power dynamic thing there where

01:29:14.270 --> 01:29:16.810
like she ended up sleeping with her boss and

01:29:16.810 --> 01:29:19.689
that gives him some kind of questionable you

01:29:19.689 --> 01:29:22.949
know problematic power over her right and yeah

01:29:22.949 --> 01:29:25.210
like and like the keys thing and whatever like

01:29:25.210 --> 01:29:28.359
and i think as far as she's concerned based on

01:29:28.359 --> 01:29:30.359
the experiences she's had in her life thus far,

01:29:30.539 --> 01:29:33.479
this is not necessarily a totally healthy relationship.

01:29:33.539 --> 01:29:36.119
But also, let's look at their work dynamic, though.

01:29:36.220 --> 01:29:38.819
Let's look at their work dynamic. He is her boss,

01:29:38.939 --> 01:29:41.779
and that gives her all the power. That's the

01:29:41.779 --> 01:29:44.880
thing. When we actually see what happens is she

01:29:44.880 --> 01:29:50.520
goes to the dinner and meets Seth, and then she

01:29:50.520 --> 01:29:52.899
doesn't have to write the article because she

01:29:52.899 --> 01:29:54.159
can just tell her boss, no, I'm not writing the

01:29:54.159 --> 01:29:56.020
article, and what is he going to do? Say, like,

01:29:56.060 --> 01:29:57.920
I'm going to lay down the law. No, you have to

01:29:57.920 --> 01:29:59.760
write this article. No, he's like, well, I care

01:29:59.760 --> 01:30:01.520
about you. I care about you. OK, this is important

01:30:01.520 --> 01:30:03.960
for you and whatever. Like, you know, she is.

01:30:03.979 --> 01:30:07.420
I mean, he does. He does try. You know, he does

01:30:07.420 --> 01:30:09.859
try to leverage that. He does say, like, I sent

01:30:09.859 --> 01:30:11.920
you there. It's my story. But like, he does.

01:30:12.000 --> 01:30:14.319
He tells her the way that things actually are.

01:30:14.500 --> 01:30:17.960
And then he's like, fine. Like, just like do

01:30:17.960 --> 01:30:22.199
whatever you want. And he's obviously not concerned

01:30:22.199 --> 01:30:23.779
about the story. He doesn't really care about

01:30:23.779 --> 01:30:25.600
any of that. He just cares about her. He eventually

01:30:25.600 --> 01:30:27.539
cares about the story somewhat. Well, yeah, but

01:30:27.539 --> 01:30:29.159
no, not nearly as much as he cares about her.

01:30:29.239 --> 01:30:32.720
Exactly. That's absolutely true. And she cares

01:30:32.720 --> 01:30:34.039
about the story more than she cares about him,

01:30:34.100 --> 01:30:37.329
I think. And I don't think Veronica cares. Like

01:30:37.329 --> 01:30:39.529
once he starts turning into the fly and like,

01:30:39.529 --> 01:30:41.670
it becomes too much. Like when she sees him,

01:30:41.710 --> 01:30:43.670
when his ear falls off and he's puking on the

01:30:43.670 --> 01:30:46.010
food or whatever, she's like, this is, this has

01:30:46.010 --> 01:30:47.949
gone too far. Like, this is too much. Like the

01:30:47.949 --> 01:30:50.289
story is not worth this anymore. I don't know.

01:30:50.329 --> 01:30:53.170
I think, I think the story is still, she, she

01:30:53.170 --> 01:30:55.029
wants, she wants to witness it because she wants

01:30:55.029 --> 01:30:58.489
to come out with a story about this guy who deteriorated

01:30:58.489 --> 01:31:00.939
and whatever. I think she's still in for the

01:31:00.939 --> 01:31:04.439
story. She does have a deny of the call and a

01:31:04.439 --> 01:31:07.020
return. And the return happens not on her volition,

01:31:07.020 --> 01:31:12.100
but because Seth begs her to come back. She does

01:31:12.100 --> 01:31:15.539
give up on it. She is kind of like, fuck this.

01:31:15.899 --> 01:31:19.600
But she can't totally forget about it. He still

01:31:19.600 --> 01:31:22.750
is like that old... fling she had that she still

01:31:22.750 --> 01:31:25.390
thinks about and like it still has all this kind

01:31:25.390 --> 01:31:27.909
of energy and intrigue connected to it where

01:31:27.909 --> 01:31:30.430
like she can't not answer his call the moment

01:31:30.430 --> 01:31:33.390
he calls she's just like seth he doesn't like

01:31:33.390 --> 01:31:36.069
say his name or whatever she just like knows

01:31:36.069 --> 01:31:38.210
it's him right she's been waiting for the call

01:31:38.210 --> 01:31:40.409
and whatever so like there's a part of her there

01:31:40.409 --> 01:31:43.430
that like still wants that but i don't know it

01:31:43.430 --> 01:31:45.890
does get to a point where like she's like i'm

01:31:45.890 --> 01:31:47.869
in danger and this might not be worth it you

01:31:47.869 --> 01:31:50.369
know like i'm gonna back off and right not gonna

01:31:50.369 --> 01:31:53.770
like willingly be a part of this anymore right

01:31:53.770 --> 01:31:56.789
right and you know that just kind of continues

01:31:56.789 --> 01:31:58.909
the longer it goes on because like once she finds

01:31:58.909 --> 01:32:00.449
out about the baby too she's like i don't want

01:32:00.449 --> 01:32:02.090
this in my body i don't want anything to do with

01:32:02.090 --> 01:32:04.489
this shit right i want this to be over you know

01:32:04.489 --> 01:32:07.050
like it's i don't even want to tell him i had

01:32:07.050 --> 01:32:09.189
the baby like i just like want to be out of this

01:32:09.189 --> 01:32:12.050
fucking relationship you know right right But

01:32:12.050 --> 01:32:15.510
he just chases her. At that point, he's the one

01:32:15.510 --> 01:32:18.369
who's just pursuing her. Because she has something

01:32:18.369 --> 01:32:20.329
he wants. Because, yeah, she has something he

01:32:20.329 --> 01:32:23.729
wants. Or that he thinks he owns, which is her

01:32:23.729 --> 01:32:28.550
and her body and her child. And he thinks he

01:32:28.550 --> 01:32:31.130
owns it more than he ever did before because

01:32:31.130 --> 01:32:33.689
he is so horribly deficient and monstrous and

01:32:33.689 --> 01:32:36.750
has this whole cognitive dissonance about...

01:32:37.250 --> 01:32:40.170
all of that you know just like who he even is

01:32:40.170 --> 01:32:43.149
and he knows his mind is slipping just like andre

01:32:43.149 --> 01:32:46.029
in the original right you know right this new

01:32:46.029 --> 01:32:49.069
personality is taking over and eventually like

01:32:49.069 --> 01:32:50.970
i will hurt you that was the whole insect politics

01:32:50.970 --> 01:32:53.289
thing yeah yeah like a very long -winded way

01:32:53.289 --> 01:32:56.750
of just saying like pretty soon i won't be a

01:32:56.750 --> 01:32:59.409
human anymore right and like you will be in danger

01:32:59.409 --> 01:33:01.470
and again like this is almost like if you're

01:33:01.470 --> 01:33:03.310
if you if you want to just think of these characters

01:33:03.310 --> 01:33:06.189
just as archetypes or whatever we're just talking

01:33:06.189 --> 01:33:09.390
about like the archetype of masculinity during

01:33:09.390 --> 01:33:11.630
the time of Revenge of the Nerds, basically.

01:33:11.710 --> 01:33:14.050
We're talking about like, we're turning away

01:33:14.050 --> 01:33:16.850
from this idea of masculinity that was the jock

01:33:16.850 --> 01:33:19.090
and the, you know, and we're turning towards

01:33:19.090 --> 01:33:23.289
this new one. And after some time, we're going

01:33:23.289 --> 01:33:25.689
to realize that this thing is actually the most

01:33:25.689 --> 01:33:27.729
monstrous possible thing. And we're just still

01:33:27.729 --> 01:33:29.609
in the process of realizing, I guess, you know,

01:33:29.630 --> 01:33:34.770
40 years later, but that really, as soon as we're,

01:33:35.159 --> 01:33:37.539
As soon as we're embracing Revenge of the Nerds,

01:33:37.539 --> 01:33:40.579
as soon as that happens, that's the infiltration

01:33:40.579 --> 01:33:43.140
of the fly into the system. That's when he starts

01:33:43.140 --> 01:33:45.239
becoming Brundlefly. And then the nerd just gets

01:33:45.239 --> 01:33:46.800
worse and worse until it creates the internet

01:33:46.800 --> 01:33:49.779
and it takes over. And then you've got these

01:33:49.779 --> 01:33:53.859
weird nerds in control of the world with their

01:33:53.859 --> 01:33:57.399
harems and whatever. Yeah, that's all there.

01:33:57.880 --> 01:34:00.779
I also think another thing that's there that's

01:34:00.779 --> 01:34:02.460
really pressing and interesting too is just how

01:34:02.460 --> 01:34:05.510
Seth made the machine. He didn't build any of

01:34:05.510 --> 01:34:07.250
the components. Yeah, this is one of my favorite

01:34:07.250 --> 01:34:09.550
parts that I didn't realize until this most recent

01:34:09.550 --> 01:34:11.930
viewing. Yeah, he's an AI model, essentially.

01:34:12.390 --> 01:34:15.430
He's an AI model, but he's also a... He sees

01:34:15.430 --> 01:34:17.130
the music. He's like an Oppenheimer. Exactly.

01:34:17.350 --> 01:34:19.270
He's not doing any of the specific things, but

01:34:19.270 --> 01:34:20.510
he's an Oppenheimer bringing it all together.

01:34:20.590 --> 01:34:22.850
And he equates him with Oppenheimer and equates

01:34:22.850 --> 01:34:25.449
him with Einstein. Yeah, the clothing thing.

01:34:25.590 --> 01:34:27.930
He wears the same thing every day. Yeah, which

01:34:27.930 --> 01:34:29.689
he got from Einstein. We all know he got it from

01:34:29.689 --> 01:34:33.140
Einstein. It's part of the culture, but... He

01:34:33.140 --> 01:34:36.060
says, I got it from Einstein, so that it underlines

01:34:36.060 --> 01:34:39.640
the connection to Einstein. The connections to

01:34:39.640 --> 01:34:42.380
Einstein and Oppenheimer and his Judaism itself

01:34:42.380 --> 01:34:45.859
and whatever are all very interesting, I think.

01:34:46.380 --> 01:34:48.520
But in a way, I also think it lends to this idea

01:34:48.520 --> 01:34:50.680
that he doesn't have an original thought, like

01:34:50.680 --> 01:34:53.899
this AI idea that he's just taking everything

01:34:53.899 --> 01:34:56.600
that he is from elsewhere. Well, that's true,

01:34:56.659 --> 01:34:59.930
too. That's true, too. He's simply combining

01:34:59.930 --> 01:35:00.909
other people's work. He's not actually really

01:35:00.909 --> 01:35:03.069
much of a human being. He's not really much of

01:35:03.069 --> 01:35:05.529
a person. Right. Well, that's really the thing.

01:35:05.550 --> 01:35:08.170
It's like the original fly is this person seeing

01:35:08.170 --> 01:35:10.270
what they, you know, have dedicated their lives

01:35:10.270 --> 01:35:13.189
to then take over them and, you know, become

01:35:13.189 --> 01:35:15.430
their destruction. And that's absolutely what

01:35:15.430 --> 01:35:17.250
this is doing too, just with so much more nuance.

01:35:17.489 --> 01:35:22.430
It is his work, his interests, his ideas. The

01:35:22.430 --> 01:35:24.630
nerds that's a sweet guy, you know what I mean?

01:35:24.649 --> 01:35:26.449
Who will take you out on a date and give you

01:35:26.449 --> 01:35:29.210
a flower and whatever and then go home on his

01:35:29.210 --> 01:35:33.329
computer and do his job. What his job is, is

01:35:33.329 --> 01:35:36.729
something that is so indefensively evil. Yeah,

01:35:36.770 --> 01:35:39.630
I mean, like, there's nuance to science, you

01:35:39.630 --> 01:35:42.050
know? Like, I was just having this argument the

01:35:42.050 --> 01:35:44.149
other night with my partner and stuff. But, like,

01:35:44.189 --> 01:35:46.109
I was saying, like, I hate scientists and stuff.

01:35:46.170 --> 01:35:47.449
And, like, you know, maybe that's kind of just,

01:35:47.489 --> 01:35:51.250
like, a really broad, stupid thing to say. But

01:35:51.250 --> 01:35:52.770
it was like this whole conversation that kind

01:35:52.770 --> 01:35:54.869
of boiled down to this idea that's like, yeah,

01:35:54.989 --> 01:35:57.449
I understand that scientists cure cancer. I understand

01:35:57.449 --> 01:35:59.550
that there's like so many things that science

01:35:59.550 --> 01:36:02.010
and progress and technology that they've brought

01:36:02.010 --> 01:36:04.250
about that have been like incredibly beneficial

01:36:04.250 --> 01:36:07.350
to people. But then it always reminds me of like

01:36:07.350 --> 01:36:10.430
the Ted Kaczynski manifesto where it's like,

01:36:10.609 --> 01:36:14.210
yeah, but like it's always this one good beneficial

01:36:14.210 --> 01:36:18.189
thing that justifies all the bad things that

01:36:18.189 --> 01:36:21.340
come with it. Of course. Or whatever. And it's

01:36:21.340 --> 01:36:23.520
like the trolley car problem where you're going

01:36:23.520 --> 01:36:25.340
to run over five people or one mother and her

01:36:25.340 --> 01:36:28.119
baby or whatever. And it's like, what's more

01:36:28.119 --> 01:36:31.140
moral or whatever? Is it moral to cure people's

01:36:31.140 --> 01:36:35.199
cancer if it also brings about, you know, COVID

01:36:35.199 --> 01:36:38.260
or whatever? Just like horrible diseases that

01:36:38.260 --> 01:36:41.340
are made in labs that will like become a pandemic

01:36:41.340 --> 01:36:45.520
or whatnot. Or is it moral to create renewable

01:36:45.520 --> 01:36:48.380
energy sources with nuclear power? if that's

01:36:48.380 --> 01:36:50.720
also going to create nuclear weapons that incinerate

01:36:50.720 --> 01:36:54.640
people. Like, I don't really know. You know what

01:36:54.640 --> 01:36:56.420
I mean? Like, it's a kind of... But also, it

01:36:56.420 --> 01:36:59.560
also requires a level of fascistic control to

01:36:59.560 --> 01:37:01.939
control things like that. You know what I mean?

01:37:01.960 --> 01:37:05.140
When technology is so dangerous on an individual

01:37:05.140 --> 01:37:08.279
level... then you need to have control over that

01:37:08.279 --> 01:37:11.020
technology, which demands a more controlling

01:37:11.020 --> 01:37:14.399
political paradigm and whatever. You know what

01:37:14.399 --> 01:37:16.100
I mean? Let's say technology gets to a point

01:37:16.100 --> 01:37:18.279
where anybody could easily make a nuclear weapon.

01:37:19.050 --> 01:37:21.609
Let's say we're there. Then technology needs

01:37:21.609 --> 01:37:23.890
to be controlled at a level where our individual

01:37:23.890 --> 01:37:27.130
lives need to be monitored. You know what I mean?

01:37:27.170 --> 01:37:30.670
The more technology gets, then the more control

01:37:30.670 --> 01:37:33.710
is necessary to keep us safe from that technology

01:37:33.710 --> 01:37:36.409
in other people's hands, which therefore means

01:37:36.409 --> 01:37:41.750
more oppression and less freedom. The benefit

01:37:41.750 --> 01:37:45.069
is canceled out in other ways, in social ways,

01:37:45.329 --> 01:37:49.529
in the ways of the lives that we live. living

01:37:49.529 --> 01:37:52.090
a life in a cubicle was just not something that

01:37:52.090 --> 01:37:54.770
people 100 years ago would be able to do without

01:37:54.770 --> 01:37:58.890
harming themselves. And I guess today we aren't

01:37:58.890 --> 01:38:01.390
either. Everybody's on, you know. weed gummies

01:38:01.390 --> 01:38:04.109
all day and you know antidepressants and whatever

01:38:04.109 --> 01:38:06.430
else just like everybody's everybody's just zonked

01:38:06.430 --> 01:38:09.090
out all the time i mean they don't even need

01:38:09.090 --> 01:38:11.229
that they got their fucking phones to give them

01:38:11.229 --> 01:38:13.489
their dopamine hits every five minutes or whatever

01:38:13.489 --> 01:38:15.810
like people actually are just like becoming zombies

01:38:15.810 --> 01:38:17.869
to live in this paradigm in a way that we've

01:38:17.869 --> 01:38:18.989
already talked about it's just like not even

01:38:18.989 --> 01:38:21.229
interesting to talk about it anymore because

01:38:21.229 --> 01:38:24.310
it's just so obvious that it's like yeah no phones

01:38:24.310 --> 01:38:25.649
are making people zombies i get it dude like

01:38:25.649 --> 01:38:30.460
it's move on yeah but it's But I think it's our

01:38:30.460 --> 01:38:33.319
own anecdotal experience and our own selfish

01:38:33.319 --> 01:38:36.220
desires and needs and the people that we personally

01:38:36.220 --> 01:38:38.579
care about that continue to justify that progress.

01:38:39.119 --> 01:38:41.319
I mean, I went through a very specific example

01:38:41.319 --> 01:38:43.979
of that, which was the birth of my son. Without

01:38:43.979 --> 01:38:47.100
science and technology and all that progress,

01:38:47.180 --> 01:38:52.939
my son would be dead. He was born with a medical,

01:38:53.239 --> 01:38:56.720
biological deficiency that would have killed

01:38:56.720 --> 01:39:00.560
him. if it hadn't been for surgery and yeah,

01:39:00.640 --> 01:39:03.840
just all these fancy ass medical systems we have

01:39:03.840 --> 01:39:06.760
now, even like 50 years ago, he would have been

01:39:06.760 --> 01:39:11.000
dead, you know? Totally. So it's like, how do

01:39:11.000 --> 01:39:14.560
I fucking square that? You know, it's just, it's

01:39:14.560 --> 01:39:17.020
hard, you know, and people who like who their

01:39:17.020 --> 01:39:19.279
loved ones were, had cancer and were saved by

01:39:19.279 --> 01:39:22.899
new technologies and drugs and whatever. It's

01:39:22.899 --> 01:39:25.479
like, It's really hard to tell a person like

01:39:25.479 --> 01:39:28.880
that, fuck scientists and fuck all progress and

01:39:28.880 --> 01:39:30.960
yada yada, you know? Well, yeah, but see our

01:39:30.960 --> 01:39:33.460
conversation about AI for more. You know what

01:39:33.460 --> 01:39:37.069
I mean? I mean, AI, artificial intelligence,

01:39:37.229 --> 01:39:41.989
Kubrick and Spielberg's AI, where, yeah, it's

01:39:41.989 --> 01:39:45.090
because these technologies actually do give us

01:39:45.090 --> 01:39:47.569
these conveniences and these benefits and these

01:39:47.569 --> 01:39:49.989
things that we then, you know, buy into them

01:39:49.989 --> 01:39:52.949
and then are seduced by the emotional narrative

01:39:52.949 --> 01:39:56.550
that comes with them and whatnot and feel indebted

01:39:56.550 --> 01:39:58.010
to. Yeah, which is what the original fly really

01:39:58.010 --> 01:40:01.350
represents, just like that, at least in the end,

01:40:01.369 --> 01:40:02.909
if we're talking about the code and the Vincent

01:40:02.909 --> 01:40:06.930
Price. or whatever. It's just like this idea

01:40:06.930 --> 01:40:08.789
that's like, yeah, I mean, bad things happen,

01:40:08.909 --> 01:40:11.210
but ultimately it's good. You know, ultimately

01:40:11.210 --> 01:40:14.010
it's good for us. Right. And it's important to

01:40:14.010 --> 01:40:16.149
get out there when you're trying to, you know,

01:40:16.149 --> 01:40:19.310
get a bunch of Nazis into outer space. Exactly.

01:40:19.689 --> 01:40:21.890
Yeah. So it's a very, it's much more propagandic

01:40:21.890 --> 01:40:24.130
movie. That's the thing is I feel like Cronenberg's

01:40:24.130 --> 01:40:26.789
fly is so much more in touch with reality. Like,

01:40:26.789 --> 01:40:30.890
and yeah, you said depth and nuance. Um, the

01:40:30.890 --> 01:40:32.949
original fly is actually a really good movie.

01:40:33.680 --> 01:40:35.640
And it's interesting for a lot of reasons, but

01:40:35.640 --> 01:40:41.500
it has a messy moral center or something. It's

01:40:41.500 --> 01:40:45.619
a lot more propagandic in a lot of ways. Yeah.

01:40:45.720 --> 01:40:49.279
I also feel like because of that, it doesn't

01:40:49.279 --> 01:40:51.399
end up having all of its themes come together

01:40:51.399 --> 01:40:54.140
in the end in a way that puts a real button on

01:40:54.140 --> 01:40:57.699
it. You know what I mean? Exactly, yeah. It's

01:40:57.699 --> 01:41:00.220
much more close to the original short story,

01:41:00.420 --> 01:41:03.989
The First Fly. Is there an original story? Yeah,

01:41:04.010 --> 01:41:06.210
I mean, both movies are based on the original

01:41:06.210 --> 01:41:10.250
short story. But yeah, the original short story

01:41:10.250 --> 01:41:13.510
of The Fly plays out pretty much like the first

01:41:13.510 --> 01:41:16.590
movie. You know, like a wife kills her husband

01:41:16.590 --> 01:41:21.130
under a printing press, and the guy's brother

01:41:21.130 --> 01:41:24.590
and the cops question her, and she tells the

01:41:24.590 --> 01:41:27.550
story, and there's still the thing with the son

01:41:27.550 --> 01:41:29.390
and the fly with the white head, and all that

01:41:29.390 --> 01:41:31.750
stuff is all part of the original short story.

01:41:32.770 --> 01:41:36.189
Interesting. Interesting. And so Cronenberg's

01:41:36.189 --> 01:41:37.930
is much more of a subversion. They eliminate

01:41:37.930 --> 01:41:40.329
the whole fly with the right head in the Cronenberg

01:41:40.329 --> 01:41:42.850
thing. Yeah, which I really love. I think like

01:41:42.850 --> 01:41:46.890
the whole idea that they're just like fused at

01:41:46.890 --> 01:41:50.010
like a genetic level that then like... But there

01:41:50.010 --> 01:41:53.670
are two of them. Yeah, yeah, yeah. But that,

01:41:53.729 --> 01:41:56.029
yeah, like it gets expressed as like a kind of

01:41:56.029 --> 01:41:57.590
cancer and whatever, which is what Cronenberg

01:41:57.590 --> 01:41:59.270
was talking about. And I do think the movie works

01:41:59.270 --> 01:42:03.329
in that way as well. Like, I think that the scene

01:42:03.329 --> 01:42:08.149
where, the scene where Seth finally starts to

01:42:08.149 --> 01:42:10.189
notice that he's transforming in the mirror and

01:42:10.189 --> 01:42:11.869
he like breaks off his fingernails and stuff

01:42:11.869 --> 01:42:14.430
like that is one of the most fucking disturbing

01:42:14.430 --> 01:42:17.609
scenes ever. So iconic. And like really also

01:42:17.609 --> 01:42:21.829
is a perfect iconic representation of like something

01:42:21.829 --> 01:42:24.310
that we've all gone through. Right. You know,

01:42:24.310 --> 01:42:26.510
like when you're in the bathroom and you notice

01:42:26.510 --> 01:42:28.569
some weird thing on your skin, you're like, oh,

01:42:28.609 --> 01:42:31.270
what the fuck is that? what's going on? Like

01:42:31.270 --> 01:42:34.390
just kind of like anxiety over your body changing

01:42:34.390 --> 01:42:37.329
and like aging and having body, body dysmorphia.

01:42:37.329 --> 01:42:40.310
Yeah. Becoming gross. Your hair is falling out.

01:42:40.329 --> 01:42:42.430
And you're just like, I remember like the first

01:42:42.430 --> 01:42:44.829
time I really noticed that I was balding. It

01:42:44.829 --> 01:42:47.390
was horrifying. Like it was a really like disturbing

01:42:47.390 --> 01:42:50.289
moment that like is so connected to that scene

01:42:50.289 --> 01:42:53.670
in the fly. And yeah, like that has nothing to

01:42:53.670 --> 01:42:55.569
do with technology or anything else. It's just

01:42:55.569 --> 01:42:59.689
like, there is a, just like, There's a body horror

01:42:59.689 --> 01:43:05.649
anxiety element to just like aging and how disgusting

01:43:05.649 --> 01:43:08.609
that is and how like scared that makes you about

01:43:08.609 --> 01:43:12.989
death and just like the disintegration of yourself

01:43:12.989 --> 01:43:17.060
and whatever. Totally. Totally. I just don't

01:43:17.060 --> 01:43:19.039
think that's, I don't think that ends up being

01:43:19.039 --> 01:43:20.680
like the main point of the movie or what it's

01:43:20.680 --> 01:43:22.460
really about, even though that's what Kramer

01:43:22.460 --> 01:43:24.699
telegraphs. I think that once you start dealing

01:43:24.699 --> 01:43:28.600
with the immediacy of mortality, then what becomes

01:43:28.600 --> 01:43:33.060
more important is this idea of what it is you're

01:43:33.060 --> 01:43:36.600
actually contributing or leaving behind, the

01:43:36.600 --> 01:43:39.439
legacy concept, I think. No, that's true. The

01:43:39.439 --> 01:43:42.199
idea of the point of life, you know what I mean,

01:43:42.279 --> 01:43:46.840
then has to become sort of present. a couple

01:43:46.840 --> 01:43:50.359
of days to no, that's why, that's why he doubles

01:43:50.359 --> 01:43:53.619
down. Yeah. Like, cause he's like more, he sees

01:43:53.619 --> 01:43:56.380
his mortality. He sees that he's, he's going

01:43:56.380 --> 01:43:58.859
to die essentially. He's like, either he's going

01:43:58.859 --> 01:44:02.760
to lose his identity within the fly or whatever

01:44:02.760 --> 01:44:05.239
it is. But like, that's, they're actually, I

01:44:05.239 --> 01:44:07.640
also read a thing that like essentially, um,

01:44:07.800 --> 01:44:09.880
Seth Brundle goes through the five stages of

01:44:09.880 --> 01:44:12.300
grief, which is totally true. Like it's very

01:44:12.300 --> 01:44:15.500
like by the book. you know, like denial, bargaining,

01:44:15.619 --> 01:44:18.199
anger, like all those things. Like that's, he

01:44:18.199 --> 01:44:19.819
goes through every single one of those stages.

01:44:20.300 --> 01:44:22.920
And that is, that's also like a really, like

01:44:22.920 --> 01:44:25.220
that's such a film school -y kind of like generic

01:44:25.220 --> 01:44:27.260
thing to do, but like you don't notice it when

01:44:27.260 --> 01:44:28.819
you're watching the movie because it's done so

01:44:28.819 --> 01:44:32.119
smoothly and well. And it feels real. Like every

01:44:32.119 --> 01:44:34.439
time you see Brundlefly and he's developed and

01:44:34.439 --> 01:44:36.319
he's kind of in a whole new place and a little

01:44:36.319 --> 01:44:40.039
different, like it's... Yeah. It's really, it's

01:44:40.039 --> 01:44:42.159
all, it's, it's, it's like, it's very disturbing,

01:44:42.199 --> 01:44:44.420
but it's, it's awesome. It's like his performance

01:44:44.420 --> 01:44:47.739
in this movie is incredible, but it really makes

01:44:47.739 --> 01:44:50.479
you feel like you're not like he gets more and

01:44:50.479 --> 01:44:52.340
he gets further and further away from you. You're

01:44:52.340 --> 01:44:55.520
not even really in on what he's doing when you're

01:44:55.520 --> 01:44:58.479
not around, you know? I don't know. He's more

01:44:58.479 --> 01:45:01.720
isolated. He's weirder and he's crawling on the

01:45:01.720 --> 01:45:04.979
ceilings and stuff. When he's like crawling on

01:45:04.979 --> 01:45:06.680
the ceiling, he's like, does it seem like a,

01:45:07.310 --> 01:45:08.689
he's like i don't know it seems like a superpower

01:45:08.689 --> 01:45:10.649
or whatever like he's like it's like almost like

01:45:10.649 --> 01:45:12.909
spider -man or something you know like yeah got

01:45:12.909 --> 01:45:14.909
bit by the radioactive spider and now he has

01:45:14.909 --> 01:45:16.310
all these superpowers and it's like actually

01:45:16.310 --> 01:45:19.289
this is kind of cool right and like even earlier

01:45:19.289 --> 01:45:22.010
before he gets super grotesque like before he

01:45:22.010 --> 01:45:25.609
even um notices that his body's changing and

01:45:25.609 --> 01:45:28.869
stuff he can like punch through walls and shit

01:45:28.869 --> 01:45:30.069
and he's just like does this look like a sick

01:45:30.069 --> 01:45:34.170
man to you and whatever he's just like so Like,

01:45:34.210 --> 01:45:36.010
you know, how he can do all those like gymnastics

01:45:36.010 --> 01:45:38.989
and whatever. Yeah, yeah, yeah. Yeah, it's super

01:45:38.989 --> 01:45:41.250
interesting. Just like every stage he goes through

01:45:41.250 --> 01:45:43.489
and the kind of rationalizations he's making

01:45:43.489 --> 01:45:47.229
along the way to like justify his life's work

01:45:47.229 --> 01:45:49.850
and the horrible mistake he made. Yeah, yeah,

01:45:49.890 --> 01:45:51.989
yeah. And then it just gets desperate. And justify

01:45:51.989 --> 01:45:54.329
his own desires as well. Like to tie all of those

01:45:54.329 --> 01:45:55.670
into one thing. Because that's what he does in

01:45:55.670 --> 01:45:58.569
the first scene is this whole thing is my work,

01:45:58.670 --> 01:46:00.630
but I'm also going to find a really hot lady

01:46:00.630 --> 01:46:03.239
because this is my only chance. You know what

01:46:03.239 --> 01:46:07.119
I mean? To get one of those. Yeah, yeah. But,

01:46:07.140 --> 01:46:09.939
yeah. It really makes me think about just, like,

01:46:10.020 --> 01:46:13.180
if in Revenge of the Nerds, instead, like, the

01:46:13.180 --> 01:46:15.680
nerds had just drank, you know, some sort of

01:46:15.680 --> 01:46:18.720
potion that made them good at sports, they probably

01:46:18.720 --> 01:46:20.960
just would have, like, gone onto the football

01:46:20.960 --> 01:46:22.680
team and then been the best on the football team.

01:46:23.279 --> 01:46:25.659
You know what I mean? Would have been happy.

01:46:25.739 --> 01:46:27.340
Sure, yeah, yeah. They just would have become

01:46:27.340 --> 01:46:29.840
the thing that they claim to hate or whatever.

01:46:30.630 --> 01:46:33.829
And it's the same like Bundlefly, you know, being

01:46:33.829 --> 01:46:36.229
the sweet nerd who then is like as soon as he's

01:46:36.229 --> 01:46:38.109
empowered, he's like, look, I'm this great jock

01:46:38.109 --> 01:46:40.770
and I want to, you know, go pick up chicks at

01:46:40.770 --> 01:46:43.949
bars and fuck them and make them my wife, my

01:46:43.949 --> 01:46:47.170
trad wife and, you know, keep them under my control

01:46:47.170 --> 01:46:49.590
and blah, blah, blah. Well, I think that's kind

01:46:49.590 --> 01:46:51.529
of what's happening when he like brings the hooker

01:46:51.529 --> 01:46:53.710
over. Exactly. Because like once he has, once

01:46:53.710 --> 01:46:56.069
he feels that bit of power. She's not a hooker.

01:46:56.109 --> 01:46:58.689
Don't say that about her. That beautiful angel.

01:47:00.399 --> 01:47:02.500
That beautiful trashy angel, don't call her a

01:47:02.500 --> 01:47:05.760
hooker. I forgot. Oh, no, he picks her up at

01:47:05.760 --> 01:47:07.560
the bar after breaking that guy's arm. Yeah,

01:47:07.560 --> 01:47:10.439
it's some guy's girlfriend. He just alphas the

01:47:10.439 --> 01:47:13.140
guy and then is like, I'm going to take your

01:47:13.140 --> 01:47:15.739
woman. He just does the jock thing where he's

01:47:15.739 --> 01:47:19.760
just like, I'm going to take a woman home. So

01:47:19.760 --> 01:47:23.659
that's even more on point. I mean, he's basically

01:47:23.659 --> 01:47:26.819
an ogre in that scene. He just becomes ogre.

01:47:27.380 --> 01:47:30.390
Yeah, yeah, yeah. And takes her home. That shit

01:47:30.390 --> 01:47:33.850
is crazy. Yes, but don't speak ill of that sweet

01:47:33.850 --> 01:47:35.989
angel. She was no hooker. She was a girlfriend.

01:47:36.609 --> 01:47:41.329
She was an alcoholic, townie girlfriend. I'm

01:47:41.329 --> 01:47:45.069
sorry. She just has that look about her, you

01:47:45.069 --> 01:47:50.310
know? I'm not going to say she didn't. But yeah,

01:47:50.470 --> 01:47:54.250
I mean, what a great movie. It's also like, you

01:47:54.250 --> 01:47:55.920
know... I guess it doesn't really need to be

01:47:55.920 --> 01:47:57.840
said, but I just, I love the special effects

01:47:57.840 --> 01:48:01.260
in this movie. It's so refreshing to watch a

01:48:01.260 --> 01:48:03.680
movie with like such incredible practical effects

01:48:03.680 --> 01:48:06.600
these days. Totally. Like every time I watch

01:48:06.600 --> 01:48:09.199
it, I'm like impressed by the special effects.

01:48:09.319 --> 01:48:12.880
Yeah. The ending with the fucking final fly form

01:48:12.880 --> 01:48:16.399
too is just so fucking cool. No, totally. It's

01:48:16.399 --> 01:48:19.760
so well done. And it's just like, it makes it

01:48:19.760 --> 01:48:22.310
a lot of fun, I think. Because, like, this movie

01:48:22.310 --> 01:48:26.029
is fucking a miserable movie. Like, you know

01:48:26.029 --> 01:48:29.029
what I mean? Like, on paper, this is, like, it's

01:48:29.029 --> 01:48:32.819
depressing and it's... There's nothing about

01:48:32.819 --> 01:48:35.140
it that should be fun, like, actually. Like,

01:48:35.159 --> 01:48:37.840
you know what I mean? But I have a blast watching

01:48:37.840 --> 01:48:39.600
this movie. It does not feel like a miserablest

01:48:39.600 --> 01:48:41.060
experience at all. And that's one of the things

01:48:41.060 --> 01:48:43.819
Cronenberg, I think, is great at, is just going,

01:48:43.859 --> 01:48:46.439
like, incredibly dark and then, like, making

01:48:46.439 --> 01:48:48.819
you laugh at it. But not laugh at it, actually.

01:48:48.899 --> 01:48:51.039
Like, you're not like, oh, this is so cheesy,

01:48:51.060 --> 01:48:53.359
I'm laughing at it. You're just like, this is

01:48:53.359 --> 01:48:57.170
so horrible. You're right. It's like, this is

01:48:57.170 --> 01:49:02.270
so on point. It's like watching a car chase or

01:49:02.270 --> 01:49:04.250
something. It's like just super stimulus fun,

01:49:04.510 --> 01:49:08.010
even though it's just a deterioration of a person

01:49:08.010 --> 01:49:11.569
into a weird, monstrous, toxic thing that's falling

01:49:11.569 --> 01:49:15.359
apart and trying to... merge with his wife and

01:49:15.359 --> 01:49:18.880
her child. It's so gross that it shouldn't be.

01:49:19.359 --> 01:49:22.020
It's one of those things that goes so hard that

01:49:22.020 --> 01:49:24.680
you can't help but laugh at it as a sort of defense

01:49:24.680 --> 01:49:26.699
against how horrifying it is. Especially just

01:49:26.699 --> 01:49:32.680
pulling out the nails. That's awful. And squeezing

01:49:32.680 --> 01:49:36.479
his finger and it's like popping a pimple. It's

01:49:36.479 --> 01:49:38.819
so nasty. There's so much that squirts out of

01:49:38.819 --> 01:49:43.689
his finger too. It's like a full... It's brutal.

01:49:43.869 --> 01:49:46.529
It's disgusting. I mean, I know there's plenty

01:49:46.529 --> 01:49:48.989
of people who can't watch this movie because

01:49:48.989 --> 01:49:51.350
it makes them sick. And that's brilliant because

01:49:51.350 --> 01:49:55.229
it's not cheesy. And even today it's not cheesy.

01:49:55.569 --> 01:49:57.550
You watch this movie and it's like, dude, these

01:49:57.550 --> 01:50:00.529
effects are fucking horrifying. Really disgusting.

01:50:01.689 --> 01:50:04.529
realistic and for the most part like yeah I mean

01:50:04.529 --> 01:50:06.630
even the monkey that gets that gets exploded

01:50:06.630 --> 01:50:10.409
oh it gets turned inside out yeah is really cool

01:50:10.409 --> 01:50:13.069
looking and disturbing and it's also like that

01:50:13.069 --> 01:50:15.350
seems also a bummer like it's also like he just

01:50:15.350 --> 01:50:18.130
kills a thing it's such a bummer um yeah but

01:50:18.130 --> 01:50:21.470
it's still fun because it gets so crazy however

01:50:21.470 --> 01:50:24.369
in the original when he kills the fucking family

01:50:24.369 --> 01:50:26.810
cat it's like that's actually just stomach turning

01:50:26.810 --> 01:50:28.930
to me like that that actually disturbs me a lot

01:50:28.930 --> 01:50:31.409
more in the original when you just Because he

01:50:31.409 --> 01:50:33.890
doesn't tell anybody about it. You hear the cat

01:50:33.890 --> 01:50:35.529
meow once, and then it's like, where's the cat

01:50:35.529 --> 01:50:37.930
been? And he doesn't confess about it until much

01:50:37.930 --> 01:50:39.949
later. And it's like, dude, you just killed the

01:50:39.949 --> 01:50:41.869
cat in your confidence to do your thing. And

01:50:41.869 --> 01:50:45.489
it's gone, and it's just in the ether. The first

01:50:45.489 --> 01:50:50.229
movie, that and the cloth over his head, that

01:50:50.229 --> 01:50:53.289
made me feel bad for the rest of the day in a

01:50:53.289 --> 01:50:56.130
way that The Fly really doesn't. The Fly, even

01:50:56.130 --> 01:50:58.420
though it's in the moment, it's like, oh! those

01:50:58.420 --> 01:51:01.680
are all things that after i go all i laugh and

01:51:01.680 --> 01:51:05.500
it like becomes a blast um the original really

01:51:05.500 --> 01:51:07.359
really kind of fucked with me and i guess yeah

01:51:07.359 --> 01:51:09.659
there there's something about like not showing

01:51:09.659 --> 01:51:12.159
something or making something way more like yeah

01:51:12.159 --> 01:51:14.140
yeah you have to use your imagination a little

01:51:14.140 --> 01:51:16.439
more that makes it scarier yeah but cronenberg

01:51:16.439 --> 01:51:17.819
you don't want it to be scarier it's already

01:51:17.819 --> 01:51:20.859
scary enough so he makes it fun scary like you

01:51:20.859 --> 01:51:23.699
know yeah making it scarier makes it fun and

01:51:23.699 --> 01:51:26.189
palatable Yeah, the cat thing's the worst. No,

01:51:26.210 --> 01:51:27.670
yeah, the cat thing was really, really eerie.

01:51:27.789 --> 01:51:30.170
Just killing the family pet and not telling anyone

01:51:30.170 --> 01:51:35.170
about it is so, like, serial killer thing. No,

01:51:35.289 --> 01:51:38.109
for sure. There was supposed to be a scene in

01:51:38.109 --> 01:51:42.270
Cronenberg's where he has to kill a cat -monkey

01:51:42.270 --> 01:51:46.609
hybrid or something like that. That's sick. I

01:51:46.609 --> 01:51:48.149
can't remember specifically if he puts a cat

01:51:48.149 --> 01:51:50.729
through and it gets turned inside out like the

01:51:50.729 --> 01:51:53.600
monkey or if he... Or if he's doing tests on

01:51:53.600 --> 01:51:56.819
putting two things in at one time. Right, right.

01:51:57.000 --> 01:51:58.760
But they couldn't come up with a cat -monkey

01:51:58.760 --> 01:52:02.300
hybrid that was cool enough? No. What they couldn't

01:52:02.300 --> 01:52:05.579
deal with is the fact that he has to beat it

01:52:05.579 --> 01:52:08.920
to death. And they just felt like the audience

01:52:08.920 --> 01:52:11.500
is going to completely turn against Seth at this

01:52:11.500 --> 01:52:15.220
point if we watch him kill this thing. So they

01:52:15.220 --> 01:52:17.739
just removed that from the movie. And it's easy

01:52:17.739 --> 01:52:19.979
enough to turn against Seth pretty early on for

01:52:19.979 --> 01:52:24.949
many reasons. The earlier on, the better you

01:52:24.949 --> 01:52:27.670
are at reading people. You know what I mean?

01:52:27.829 --> 01:52:29.750
If you watch The Flying, as soon as he shows

01:52:29.750 --> 01:52:31.850
up, you're like, oh, fuck this guy. Then you're

01:52:31.850 --> 01:52:35.710
probably, you know what I mean? He does kill

01:52:35.710 --> 01:52:37.970
that first monkey by turning it inside out. He

01:52:37.970 --> 01:52:40.239
doesn't beat it to death. But like for a lot

01:52:40.239 --> 01:52:41.920
of people, it's just like there's a line that

01:52:41.920 --> 01:52:44.039
gets crossed when your character is like viscerally

01:52:44.039 --> 01:52:46.720
like beating something to death that was once

01:52:46.720 --> 01:52:49.140
a cute cat or whatever. That makes sense. But

01:52:49.140 --> 01:52:51.399
there is also later when he sees the monkey's

01:52:51.399 --> 01:52:53.239
brother, he says, I'm sorry I killed your brother.

01:52:53.859 --> 01:52:56.640
That's still, it invokes the same kind of like,

01:52:56.739 --> 01:52:58.380
oh, yeah, you're kind of a fucked up person.

01:52:58.579 --> 01:53:00.979
No, it does. That's why, yeah, like you said,

01:53:01.119 --> 01:53:03.260
the earlier you realize that, like, I mean, the

01:53:03.260 --> 01:53:05.779
first time he puts a monkey through, depending

01:53:05.779 --> 01:53:07.800
on your morals and values, you'd be like, this

01:53:07.800 --> 01:53:11.300
is evil, right? Or maybe before that, when you're

01:53:11.300 --> 01:53:13.979
like, oh, wait, you're into coding? Oh, you're

01:53:13.979 --> 01:53:16.439
evil. Yeah, because that's just the kind of thing

01:53:16.439 --> 01:53:18.539
people will justify in the name of science, just

01:53:18.539 --> 01:53:20.140
like what Vincent Price is saying at the end

01:53:20.140 --> 01:53:22.859
of the first one. You know, like, well, we got

01:53:22.859 --> 01:53:25.500
teleportation, so what does it matter that some

01:53:25.500 --> 01:53:27.439
monkeys got killed? I'm going to look up real

01:53:27.439 --> 01:53:30.819
quick what year Primate came out. Primate? Primate.

01:53:31.300 --> 01:53:36.119
No, not Primate. Primate was 74. It's a Frederick

01:53:36.119 --> 01:53:39.199
Wiseman movie. It's a verite documentary about

01:53:39.199 --> 01:53:42.420
one of these scientific places where they do

01:53:42.420 --> 01:53:45.699
experiments on monkeys. Okay. And you watch these

01:53:45.699 --> 01:53:48.939
scientists. murder these monkeys in the most

01:53:48.939 --> 01:53:51.539
horrible ways like and you like kind of get to

01:53:51.539 --> 01:53:53.260
know like you know which monkeys it is and you

01:53:53.260 --> 01:53:54.619
see them do things or whatever and then you see

01:53:54.619 --> 01:53:56.399
them like dissecting this monkey that you just

01:53:56.399 --> 01:53:59.319
saw them playing with and you see them like well

01:53:59.319 --> 01:54:01.840
he's still alive like with his stomach open and

01:54:01.840 --> 01:54:03.579
he's looking at his open stomach and they're

01:54:03.579 --> 01:54:05.439
cutting pieces at like you know what i mean it's

01:54:05.439 --> 01:54:08.359
like they're doing the most horrible fascistic

01:54:08.359 --> 01:54:11.039
nazi experiments on these apes and then in the

01:54:11.039 --> 01:54:15.819
end he does a you know which he hardly ever does

01:54:15.819 --> 01:54:17.920
in his movies, but he does an extended shot of

01:54:17.920 --> 01:54:21.960
a speech of one of these scientists at a fundraiser

01:54:21.960 --> 01:54:24.979
where he's trying to raise funding for his thing.

01:54:25.479 --> 01:54:27.640
And his speech is basically just like, look,

01:54:27.739 --> 01:54:30.220
we don't really know what good we're doing here,

01:54:30.399 --> 01:54:32.319
but we need to keep experimenting so that we

01:54:32.319 --> 01:54:34.340
can figure out what good there is down the line.

01:54:34.779 --> 01:54:38.220
You know what I mean? We're actually experimenting

01:54:38.220 --> 01:54:41.300
on these monkeys just for no reason, just kind

01:54:41.300 --> 01:54:44.300
of testing the limits of torture. How else are

01:54:44.300 --> 01:54:46.180
we going to know the limits of torture unless

01:54:46.180 --> 01:54:48.100
we torture these monkeys? You know what I mean?

01:54:48.720 --> 01:54:52.439
It's so self -evidently horrifying after you've

01:54:52.439 --> 01:54:55.239
watched this. 74, yeah, yeah, yeah. And I think

01:54:55.239 --> 01:54:56.640
that that might have something to do with, I

01:54:56.640 --> 01:54:59.300
mean, it's, you know. 12 years later, I don't

01:54:59.300 --> 01:55:01.180
know. But the idea of changing it from a cat

01:55:01.180 --> 01:55:04.079
to an ape just evokes that to me. I guess also

01:55:04.079 --> 01:55:07.380
an ape is more human and whatever. But yeah,

01:55:07.460 --> 01:55:09.680
that doc is basically Wiseman saying there's

01:55:09.680 --> 01:55:11.619
no difference between the scientists and the

01:55:11.619 --> 01:55:16.079
Nazis. These are all like Mengele surgeons who

01:55:16.079 --> 01:55:18.819
are doing this to humanoid looking animals and

01:55:18.819 --> 01:55:21.960
whatever. And you watch it and it is by far the

01:55:21.960 --> 01:55:23.760
most disturbing thing I've ever seen because

01:55:23.760 --> 01:55:27.390
it's real. And the people in that doc are monsters.

01:55:27.590 --> 01:55:32.729
I mean, real, real monsters that it's like, I

01:55:32.729 --> 01:55:34.489
don't, I don't think people are born that way.

01:55:34.510 --> 01:55:36.430
Like, you know what I mean? I, I, I think that

01:55:36.430 --> 01:55:38.010
there are people who are born with certain things

01:55:38.010 --> 01:55:39.270
and deficiencies and whatever and blah, blah,

01:55:39.329 --> 01:55:42.550
blah. But like, you need to be, you need to be

01:55:42.550 --> 01:55:45.750
socialized to, to something to be that monstrous.

01:55:45.750 --> 01:55:47.810
You need to like get away with it over and over

01:55:47.810 --> 01:55:51.189
and slowly become the person that thinks that

01:55:51.189 --> 01:55:54.239
this is okay. And like, These are like they're

01:55:54.239 --> 01:55:57.119
like masturbating these apes and then cutting

01:55:57.119 --> 01:55:59.800
them to pieces and like then trying to teach

01:55:59.800 --> 01:56:02.739
them things like it's it is a level of monstrosity

01:56:02.739 --> 01:56:07.399
that is only available to nerds. Like no jocks

01:56:07.399 --> 01:56:09.619
have ever been that horrifying. That's the difference

01:56:09.619 --> 01:56:13.680
from the Holocaust from every previous war. Like

01:56:13.680 --> 01:56:16.779
is that nerds were introduced, IBM was introduced,

01:56:16.859 --> 01:56:20.579
that type of science and love of the system over

01:56:20.579 --> 01:56:23.340
the individual thing. Like that is the difference.

01:56:24.159 --> 01:56:26.560
Yeah. And isn't that like an early sign of like

01:56:26.560 --> 01:56:29.869
psychopathic? serial killer behavior is your

01:56:29.869 --> 01:56:32.369
ability to torture animals of course yeah yeah

01:56:32.369 --> 01:56:35.529
yeah it's absolutely just yeah despicable to

01:56:35.529 --> 01:56:37.569
see other living things as disposable for you

01:56:37.569 --> 01:56:40.869
yeah yeah exactly i mean dude i mean look like

01:56:40.869 --> 01:56:42.909
life comes from death and whatever i understand

01:56:42.909 --> 01:56:45.329
it but it's the enjoyment of it it's the it's

01:56:45.329 --> 01:56:47.170
the i don't it's not just the enjoyment it's

01:56:47.170 --> 01:56:48.829
the it's the lack of enjoyment i don't know is

01:56:48.829 --> 01:56:50.770
there something so monstrous about the scientific

01:56:50.770 --> 01:56:52.739
nature of it And also, especially if nothing

01:56:52.739 --> 01:56:54.699
really comes out of it, if it's, if it's all

01:56:54.699 --> 01:56:58.279
about like Mengele shit or like, you know, MK

01:56:58.279 --> 01:57:00.220
ultra stuff, we're just kind of like torturing

01:57:00.220 --> 01:57:02.420
people and like fucking them up just to figure

01:57:02.420 --> 01:57:04.000
something out. And then we don't really find

01:57:04.000 --> 01:57:06.659
out anything. Right. There's not a thing that

01:57:06.659 --> 01:57:09.029
we're gaining from torturing this ape. Like,

01:57:09.029 --> 01:57:10.829
it's just that if we torture a lot of them, maybe

01:57:10.829 --> 01:57:13.109
we'll find some sort of a pattern. It's like,

01:57:13.189 --> 01:57:15.109
that's what science is and blah, blah, blah.

01:57:15.210 --> 01:57:17.489
And it's like, oh, so then you shouldn't do it.

01:57:17.649 --> 01:57:21.189
Like, it actually is just wrong on the face of

01:57:21.189 --> 01:57:24.069
it. When you see how you actually have to, like,

01:57:24.130 --> 01:57:26.529
the operations of creating, all those things

01:57:26.529 --> 01:57:29.229
that you say are great and justified. And I'm

01:57:29.229 --> 01:57:32.850
not saying that I wanted your son to not be born.

01:57:32.970 --> 01:57:34.989
Like, you know what I mean? I'm not. There are

01:57:34.989 --> 01:57:37.960
good things that come out of this. But I just,

01:57:38.020 --> 01:57:40.319
when you look at the things that had to be, that

01:57:40.319 --> 01:57:43.000
are routinely and consistently and constantly

01:57:43.000 --> 01:57:45.539
being done to maintain that thing and to push

01:57:45.539 --> 01:57:48.300
it forward. And when you weigh those. It's a

01:57:48.300 --> 01:57:51.060
real deal with the devil. It is. Like accepting

01:57:51.060 --> 01:57:53.340
progress and technology and stuff. Yeah. That's,

01:57:53.340 --> 01:57:55.579
I mean, that's what we said in the 2001 episode.

01:57:55.920 --> 01:57:59.579
Yeah. Yeah. But I was really, really disturbed

01:57:59.579 --> 01:58:02.699
to find out that there are still many labs even

01:58:02.699 --> 01:58:05.659
today that do this to dogs. Oh, yeah, yeah, yeah.

01:58:05.659 --> 01:58:07.579
What's -his -name was doing it, right? Fauci?

01:58:08.340 --> 01:58:10.180
That was one of Fauci's labs that was letting

01:58:10.180 --> 01:58:14.680
dogs get eaten by flesh -eating flies. I mean,

01:58:14.680 --> 01:58:17.439
they're doing all kinds of things to them. I

01:58:17.439 --> 01:58:18.899
think it was beagles, though. It was beagles

01:58:18.899 --> 01:58:21.279
and flesh -eating flies was a Fauci thing. It's

01:58:21.279 --> 01:58:24.199
beagles because beagles will never turn against

01:58:24.199 --> 01:58:27.520
you. no matter how much you torture them so like

01:58:27.520 --> 01:58:30.779
that's even more sadistic but like they were

01:58:30.779 --> 01:58:33.640
doing some just like yeah they're doing fucking

01:58:33.640 --> 01:58:37.329
horrifying things to beagles forcing them to

01:58:37.329 --> 01:58:39.850
have heart attacks like exposing them to all

01:58:39.850 --> 01:58:41.729
this kind of shit that would give them like cancers

01:58:41.729 --> 01:58:44.310
and whatever and again like look man i'm not

01:58:44.310 --> 01:58:46.510
i'm not some seeing what kind of pain they could

01:58:46.510 --> 01:58:49.069
deal i'm not some bleeding heart right like i

01:58:49.069 --> 01:58:52.149
i love dogs and shit like you know but like i

01:58:52.149 --> 01:58:54.710
i'm not a vegetarian i understand that my life

01:58:54.710 --> 01:58:58.329
comes at the expense of mass death like i i understand

01:58:58.329 --> 01:59:00.470
that the conveniences that i live with in america

01:59:00.470 --> 01:59:03.310
come at the expense of you know people dying

01:59:03.310 --> 01:59:04.869
in the middle east for my convenience whatever

01:59:04.869 --> 01:59:06.729
it is there are many things that i am living

01:59:06.729 --> 01:59:08.390
off of that are evils that are being done in

01:59:08.390 --> 01:59:11.470
my name but i think that the thing that's specific

01:59:11.470 --> 01:59:15.670
to the scientific paradigm is that when people

01:59:15.670 --> 01:59:19.289
work in a lab with those apes all day long torturing

01:59:19.289 --> 01:59:21.329
those apes then they go out and they integrate

01:59:21.329 --> 01:59:25.390
into society and they normalize all of those

01:59:25.390 --> 01:59:28.210
ideas that come from that lab some of those ideas

01:59:28.210 --> 01:59:31.229
are how to cure cancer But a lot of them have

01:59:31.229 --> 01:59:34.729
to do with a psychotic distance from the damage

01:59:34.729 --> 01:59:37.170
that you are doing that you can see and not being

01:59:37.170 --> 01:59:40.489
able to not see what you are seeing and get through

01:59:40.489 --> 01:59:42.210
the day, like those sorts of things. And then

01:59:42.210 --> 01:59:44.470
normalizing that to the rest of the non -scientific

01:59:44.470 --> 01:59:47.529
population and all that, like that is a much

01:59:47.529 --> 01:59:51.090
bigger thing that is not really traceable. You

01:59:51.090 --> 01:59:53.170
know what I mean? It's a vibe shift situation.

01:59:54.859 --> 01:59:57.020
the normalization of that, the fact that people

01:59:57.020 --> 02:00:00.539
do not see like scientists as automatically monstrous,

02:00:00.539 --> 02:00:03.340
that that has been normalized and that we, you

02:00:03.340 --> 02:00:06.359
know, it's justified. I mean, well, like I'm,

02:00:06.359 --> 02:00:08.560
I'm also, I feel the same way as you, man. And

02:00:08.560 --> 02:00:10.800
I'm not like, I'm a meat eater and yada, yada,

02:00:10.800 --> 02:00:13.560
yada. It's like, it doesn't mean you can't criticize

02:00:13.560 --> 02:00:15.779
the systems that are out of your control that

02:00:15.779 --> 02:00:19.720
have made it into such a like. horrible I'm saying

02:00:19.720 --> 02:00:23.060
I'm a meat eater and yes and like you can talk

02:00:23.060 --> 02:00:26.479
about mass factory you know killing of meat being

02:00:26.479 --> 02:00:29.140
a problem or whatever but like I still think

02:00:29.140 --> 02:00:31.180
as a meat eater I don't want to hang out with

02:00:31.180 --> 02:00:34.520
the guy whose job it is to just like murder cows

02:00:34.520 --> 02:00:37.680
one after the next all day long like I think

02:00:37.680 --> 02:00:39.680
that that guy is getting normalized to something

02:00:39.680 --> 02:00:43.020
that is probably making him into a weird monster

02:00:43.020 --> 02:00:45.909
and I'm not saying that like Killing a cow is

02:00:45.909 --> 02:00:48.850
just like if I killed every cow that I ate, I'd

02:00:48.850 --> 02:00:50.970
have to probably kill five or so by now. You

02:00:50.970 --> 02:00:52.949
know what I mean? There's a lot of meat on each

02:00:52.949 --> 02:00:55.109
cow. If you're killing the amount of cows for

02:00:55.109 --> 02:00:59.390
the entire society, you're absorbing a lot of

02:00:59.390 --> 02:01:01.770
violence and normalizing it and becoming a bit

02:01:01.770 --> 02:01:03.489
of a monster. And I think that's similar with

02:01:03.489 --> 02:01:05.310
like all this experimentation and all these things

02:01:05.310 --> 02:01:08.579
like it's. The people and then the philosophies

02:01:08.579 --> 02:01:10.619
and ideas that come from those people, the transhumanist

02:01:10.619 --> 02:01:13.460
philosophies, for instance, those are the things

02:01:13.460 --> 02:01:16.720
that are normalized that are truly and deeply

02:01:16.720 --> 02:01:20.119
evil. And yes, like the torture of the apes is

02:01:20.119 --> 02:01:21.579
something that's horrible to watch and whatever.

02:01:21.920 --> 02:01:24.500
But it's like I could almost justify a lot of

02:01:24.500 --> 02:01:27.800
those things in a like justification way. It's

02:01:27.800 --> 02:01:31.840
the it's the actual evil that it's doing. Like,

02:01:31.840 --> 02:01:33.829
I don't know. You know, there's something. There's

02:01:33.829 --> 02:01:35.949
something specific, the perversion that is happening.

02:01:36.010 --> 02:01:37.770
It's the perversion that Cronenberg is making

02:01:37.770 --> 02:01:39.569
all of his movies about, actually. It is that

02:01:39.569 --> 02:01:41.270
perversion that is happening from that integration

02:01:41.270 --> 02:01:47.350
and the distribution of suffering. Well, I think

02:01:47.350 --> 02:01:50.489
it's very connected to just like capital and

02:01:50.489 --> 02:01:53.430
progress and growth and all the systems that

02:01:53.430 --> 02:01:56.890
we now exist within. Of course. That's like kind

02:01:56.890 --> 02:01:59.029
of what perverts it because, yeah, there's nothing

02:01:59.029 --> 02:02:02.500
perverted about... the natural act of killing

02:02:02.500 --> 02:02:05.239
so that you can eat that humans have engaged

02:02:05.239 --> 02:02:08.380
with for all of humanity you know but it's also

02:02:08.380 --> 02:02:10.340
like look let's say there are so many stray cats

02:02:10.340 --> 02:02:13.819
in philadelphia that like somebody needs to be

02:02:13.819 --> 02:02:16.420
rounding up these cats and unfortunately there

02:02:16.420 --> 02:02:18.460
aren't enough homes for them so we need to be

02:02:18.460 --> 02:02:20.880
putting them down and that's sad or whatever

02:02:20.880 --> 02:02:22.960
and blah blah i still don't want to hang out

02:02:22.960 --> 02:02:25.779
with a person who puts down cats all day that's

02:02:25.779 --> 02:02:28.840
a person who like I probably should be ostracized.

02:02:28.859 --> 02:02:30.680
Like if I, if I was on like a blind date with

02:02:30.680 --> 02:02:32.720
somebody like, oh yeah, I kill cats. That's what

02:02:32.720 --> 02:02:35.979
I do. I'd be like, oh, you're okay. Like, I'm

02:02:35.979 --> 02:02:38.039
not saying that what you do is unnecessary and

02:02:38.039 --> 02:02:40.060
doesn't contribute to society, but it's just

02:02:40.060 --> 02:02:41.779
like, I fucking think you're a weird monster

02:02:41.779 --> 02:02:43.960
and I don't want to talk to you. And I just feel

02:02:43.960 --> 02:02:45.779
like that's the way that we should feel about

02:02:45.779 --> 02:02:47.659
scientists where it's like, well, it's good that

02:02:47.659 --> 02:02:49.699
cancer and whatever, thank you. And blah, blah,

02:02:49.720 --> 02:02:52.449
blah. But also like, just don't, don't. talk

02:02:52.449 --> 02:02:55.170
to me about any of your views or opinions or

02:02:55.170 --> 02:02:57.829
like, I just don't want to hear from a fucking

02:02:57.829 --> 02:03:01.069
scientist about anything. Yeah. I don't know

02:03:01.069 --> 02:03:02.789
how you can exist in this world now without having

02:03:02.789 --> 02:03:05.470
a major cognitive dissonance about all this.

02:03:05.510 --> 02:03:07.590
You know, it's just like, it is what it is. It's

02:03:07.590 --> 02:03:10.130
really, but I think that, I think that, I think

02:03:10.130 --> 02:03:13.189
that a lot of this is, you know, the paradigm

02:03:13.189 --> 02:03:17.239
of Success is, like we've been saying a couple

02:03:17.239 --> 02:03:19.180
of times, determined by the women in some of

02:03:19.180 --> 02:03:21.939
these cases. And if women are going out and sleeping

02:03:21.939 --> 02:03:24.600
with scientists, then nobody's really punishing

02:03:24.600 --> 02:03:26.060
the nerds for being the nerds. Like, you know

02:03:26.060 --> 02:03:28.590
what I mean? Yeah, exactly. I think that, you

02:03:28.590 --> 02:03:30.430
know, women probably are not sleeping with the

02:03:30.430 --> 02:03:32.369
guy who kills cats all day. That might be an

02:03:32.369 --> 02:03:35.510
unattractive quality. But we see scientists as

02:03:35.510 --> 02:03:37.189
an attractive quality. This is something that

02:03:37.189 --> 02:03:39.810
is being chosen and put up. These people are

02:03:39.810 --> 02:03:43.010
being successful socially and politically and

02:03:43.010 --> 02:03:47.050
sexually and all these things. Financially. Financially.

02:03:47.350 --> 02:03:50.289
The nerds make a lot of money, man, at this point.

02:03:50.470 --> 02:03:53.210
Yeah. And I think that at the very least, we

02:03:53.210 --> 02:03:56.029
as a society could put some sort of a... A spin

02:03:56.029 --> 02:03:58.350
on it that's like, oh, yeah, you got the finances,

02:03:58.529 --> 02:04:00.810
but you're a fucking disgusting monster and nobody

02:04:00.810 --> 02:04:02.750
wants to talk to you or be around you. It's like,

02:04:02.770 --> 02:04:05.189
no, we just value the finances over any of those

02:04:05.189 --> 02:04:07.350
things. And that's my problem. It's like the

02:04:07.350 --> 02:04:08.890
people who are sleeping with Elon Musk are as

02:04:08.890 --> 02:04:12.050
bad as Elon Musk. You're validating an ideology

02:04:12.050 --> 02:04:16.359
through like... your approval of this person

02:04:16.359 --> 02:04:18.439
and allowing him to feel like he's a human being

02:04:18.439 --> 02:04:21.859
even though we all know that he's not he should

02:04:21.859 --> 02:04:24.899
be shunned i mean he should be made to feel that

02:04:24.899 --> 02:04:27.659
he should kill himself yeah i mean so right there

02:04:27.659 --> 02:04:31.119
is uh kind of the same justification though you

02:04:31.119 --> 02:04:32.619
know that like you got to break some omelets

02:04:32.619 --> 02:04:35.539
to make some eggs is that like if these nerds

02:04:35.539 --> 02:04:38.859
are truly evil then like I don't know. This is

02:04:38.859 --> 02:04:40.880
the slippery slope, right, where, like, you could

02:04:40.880 --> 02:04:43.500
justify the genocide of the nerds, so to speak.

02:04:44.500 --> 02:04:47.060
Like, because look at what they're going to do

02:04:47.060 --> 02:04:49.600
to our society. Like, they are evil. And, like,

02:04:49.699 --> 02:04:52.760
just, like, look 50 years down the road to what

02:04:52.760 --> 02:04:54.479
we're going to get if we let these guys take

02:04:54.479 --> 02:04:56.739
over. So we should, like, kill them all, right?

02:04:56.800 --> 02:04:59.760
Nip it in the bud. And it's, like, and then that

02:04:59.760 --> 02:05:01.899
is also, like, I don't know that I could ever,

02:05:01.960 --> 02:05:04.859
under any circumstance, support a genocide of

02:05:04.859 --> 02:05:08.340
any people, no matter how... logical the argument

02:05:08.340 --> 02:05:11.739
is that they're evil or whatever. But I think

02:05:11.739 --> 02:05:14.319
that what you could do is stigmatize their side

02:05:14.319 --> 02:05:17.159
of the argument and show that they are Nazis

02:05:17.159 --> 02:05:19.300
and that there's a reason that we defeated the

02:05:19.300 --> 02:05:21.619
Nazis instead of just importing them into our

02:05:21.619 --> 02:05:24.520
country and letting them take over. But I think

02:05:24.520 --> 02:05:27.380
the problem is that happened and they were stigmatized

02:05:27.380 --> 02:05:29.640
and they were the losers, but then they took

02:05:29.640 --> 02:05:32.539
over. They figured out a way to win. You know,

02:05:32.579 --> 02:05:34.939
when you, when you bully someone and push them

02:05:34.939 --> 02:05:37.819
down and make them the pariah, like ultimately

02:05:37.819 --> 02:05:40.199
that's going to be their desire and what happens.

02:05:40.199 --> 02:05:42.180
And they're going to be like, Hitler was a nerd,

02:05:42.279 --> 02:05:44.720
right? I don't know. Hitler was the original

02:05:44.720 --> 02:05:48.420
nerd. Yeah, dude. He's a fucking nerd. Like a

02:05:48.420 --> 02:05:50.000
lot of those guys are nerds. He's like the nerd

02:05:50.000 --> 02:05:53.199
who like, Co -opted all the boars. Maybe our

02:05:53.199 --> 02:05:55.159
next episode should be Mein Kampf. I haven't

02:05:55.159 --> 02:05:58.079
read it, but I bet it's very similar to Revenge

02:05:58.079 --> 02:06:00.720
of the Nerds. You know, I would bet it's like,

02:06:00.800 --> 02:06:03.000
they fucking never gave me this and they never

02:06:03.000 --> 02:06:05.439
got this and I'm going to take it. You know what

02:06:05.439 --> 02:06:08.180
I mean? Like all these Jews in charge, they're

02:06:08.180 --> 02:06:11.460
taking all the women and they're... Yeah. That

02:06:11.460 --> 02:06:14.380
ends up being like the narrative that justifies

02:06:14.380 --> 02:06:17.689
any kind of genocidal horror. like what we're

02:06:17.689 --> 02:06:19.470
seeing today or whatever. It always has to be

02:06:19.470 --> 02:06:22.130
structured in terms of good and evil. And we

02:06:22.130 --> 02:06:24.630
were the victims. And so we get to, we deserve

02:06:24.630 --> 02:06:27.430
to do this and we deserve revenge. Yeah. We deserve

02:06:27.430 --> 02:06:31.189
revenge. And yeah, it's like, that's, yeah, it's

02:06:31.189 --> 02:06:35.729
gross. It's pretty horrible. I don't know. I

02:06:35.729 --> 02:06:38.630
don't know what we do about that, but hopefully

02:06:38.630 --> 02:06:41.590
stigmatize it. Yeah. At the very least stigmatize

02:06:41.590 --> 02:06:45.510
it. You can, uh, I guess just on that subject

02:06:45.510 --> 02:06:48.640
of stigma, I really think that that's kind of

02:06:48.640 --> 02:06:50.880
the thing that Revenge of the Nerds did that's

02:06:50.880 --> 02:06:55.100
so evil and that I think really should be counteracted.

02:06:55.119 --> 02:06:56.840
I think Revenge of the Nerds is the movie that

02:06:56.840 --> 02:07:00.579
creates this archetype of the nerd and sort of

02:07:00.579 --> 02:07:03.239
tries to remove the stigma from that. And I think

02:07:03.239 --> 02:07:06.319
it really successfully did. And it made a path

02:07:06.319 --> 02:07:10.319
for all the brundleflies to kind of fucking take

02:07:10.319 --> 02:07:14.220
over. You know what I mean? Mm -hmm. Yeah. I

02:07:14.220 --> 02:07:17.479
think basically like... That's that's kind of

02:07:17.479 --> 02:07:20.159
it is like it's an info wars sort of a thing

02:07:20.159 --> 02:07:23.399
it's a it's a battle in the in the sphere of

02:07:23.399 --> 02:07:25.800
our human ideas much like we talked about with

02:07:25.800 --> 02:07:27.439
the moon landing and stuff like you know all

02:07:27.439 --> 02:07:30.579
these things but creating an iconography of the

02:07:30.579 --> 02:07:33.100
nerds being successful with the women and whatever

02:07:33.100 --> 02:07:37.119
creates a path for that actually to happen and

02:07:37.119 --> 02:07:39.819
it did and then I think in the fly we see you

02:07:39.819 --> 02:07:43.050
know. all the evils that come from that. The

02:07:43.050 --> 02:07:45.810
criticism of that or whatever. Yeah, the response

02:07:45.810 --> 02:07:47.729
to that. It's probably 1986 when The Fly came

02:07:47.729 --> 02:07:50.289
out. You already have that kind of being obvious

02:07:50.289 --> 02:07:52.409
in the culture. I mean, there's not that many

02:07:52.409 --> 02:07:55.069
years between Revenge of the Nerds and The Fly.

02:07:55.170 --> 02:07:56.850
Yes, that's what's also interesting about the

02:07:56.850 --> 02:07:58.590
timing of these. But Revenge of the Nerds did

02:07:58.590 --> 02:08:01.550
come first. The Fly is the movie that was made

02:08:01.550 --> 02:08:04.130
in a world where that movie existed, The Revenge

02:08:04.130 --> 02:08:06.689
of the Nerds. And like you said, I think that

02:08:06.689 --> 02:08:12.180
also informed so many movies. In the 90s and

02:08:12.180 --> 02:08:16.840
80s about, like, teens and school and, you know,

02:08:16.840 --> 02:08:18.779
social hierarchies and whatever. Because, like,

02:08:18.819 --> 02:08:21.140
you're right. Like, do you remember the movie

02:08:21.140 --> 02:08:24.220
The New Guy? Yeah. Fucking terrible movie. I

02:08:24.220 --> 02:08:26.079
watched it again somewhat recently. That's another,

02:08:26.180 --> 02:08:28.680
like, horrendously evil movie. Yeah, yeah, yeah.

02:08:29.779 --> 02:08:33.460
Like, where you watch this guy who's, like, you

02:08:33.460 --> 02:08:36.000
know, I don't know if he's a nerd. He's kind

02:08:36.000 --> 02:08:38.619
of an art kid, too. He plays funk music. But

02:08:38.619 --> 02:08:40.720
he's just, like, a loser who gets picked on at

02:08:40.720 --> 02:08:44.380
school. And then he tries to, like, reinvent

02:08:44.380 --> 02:08:47.859
himself and become a cool dude in the new school

02:08:47.859 --> 02:08:52.100
he goes into. And it's actually, like, really,

02:08:52.260 --> 02:08:56.840
really depraved watching how evil he is and how,

02:08:56.960 --> 02:08:59.659
like, dishonest he is. Right. To all the people

02:08:59.659 --> 02:09:01.960
around him. Because he thinks he deserves it

02:09:01.960 --> 02:09:03.500
because he didn't get it for the first part of

02:09:03.500 --> 02:09:05.350
his life. Because he thinks he deserves it. yeah

02:09:05.350 --> 02:09:07.109
yeah and how he gets the girl in the end even

02:09:07.109 --> 02:09:08.609
though he's been like lying to her the whole

02:09:08.609 --> 02:09:10.670
time which I guess is like kind of like Aladdin

02:09:10.670 --> 02:09:13.409
too you know it's like one of the things that's

02:09:13.409 --> 02:09:15.569
a little bit problematic about the Aladdin narrative

02:09:15.569 --> 02:09:17.930
is like you just lie to this girl and pretend

02:09:17.930 --> 02:09:19.229
you're someone you're not the whole time and

02:09:19.229 --> 02:09:22.090
then in the end when you're revealed to be your

02:09:22.090 --> 02:09:24.789
true self she'll just she'll just forgive you

02:09:24.789 --> 02:09:27.010
that's exactly what happens in Revenge of the

02:09:27.010 --> 02:09:30.529
Nerds too when he rapes the girl yeah exactly

02:09:30.529 --> 02:09:32.270
he's pretending you're her boyfriend and she'll

02:09:32.270 --> 02:09:34.939
forgive you but like Yeah, that's something that's

02:09:34.939 --> 02:09:37.159
in Aladdin. Like, Aladdin is also Revenge of

02:09:37.159 --> 02:09:40.600
the Nerds. It's like the poor, downtrodden dude

02:09:40.600 --> 02:09:42.579
who eventually gets the fucking princess because

02:09:42.579 --> 02:09:46.100
he lied his way into doing that and, like, gave

02:09:46.100 --> 02:09:48.140
him the system with a fucking magical genie.

02:09:48.300 --> 02:09:50.840
This is, like, actually is, like, this whole

02:09:50.840 --> 02:09:53.399
ethos is super embedded into popular culture

02:09:53.399 --> 02:09:57.300
of that time and so many narratives that are

02:09:57.300 --> 02:10:01.029
directly given to children and stuff. This is

02:10:01.029 --> 02:10:03.970
the thing, man. When you look at Star Trek, look

02:10:03.970 --> 02:10:06.630
at the nerds that were influenced by Star Trek

02:10:06.630 --> 02:10:09.470
and what they brought about. There's spaceships

02:10:09.470 --> 02:10:12.369
that are named after the Enterprise in the real

02:10:12.369 --> 02:10:17.670
world. The cell phone is something that was inspired

02:10:17.670 --> 02:10:20.850
by people watching people in Star Trek doing

02:10:20.850 --> 02:10:24.149
the flip phone thing. Many of the things that

02:10:24.149 --> 02:10:27.069
are in our reality today are things that came

02:10:27.069 --> 02:10:30.619
from science fiction and then The nerds that

02:10:30.619 --> 02:10:31.979
watched that science fiction were like, oh, I'm

02:10:31.979 --> 02:10:35.140
going to make this into reality. And that is

02:10:35.140 --> 02:10:37.319
exactly what happened with Revenge of the Nerds.

02:10:37.539 --> 02:10:39.520
Revenge of the Nerds is the Star Trek of the

02:10:39.520 --> 02:10:42.399
80s. It is. Like, oh, you could do this too.

02:10:42.460 --> 02:10:44.880
Just become a coder and then you can get images

02:10:44.880 --> 02:10:46.960
of women on your computer and you can distribute

02:10:46.960 --> 02:10:49.100
them and make money off of it and defeat the

02:10:49.100 --> 02:10:51.520
paradigm and then get rich enough off of that

02:10:51.520 --> 02:10:54.439
that you could actually get the women. And then

02:10:54.439 --> 02:10:58.159
what happened is Zuckerberg and the rest of them

02:10:58.159 --> 02:11:01.920
did it. They brought that into reality. This

02:11:01.920 --> 02:11:06.520
is a science fiction projection of a future that

02:11:06.520 --> 02:11:09.600
then came because it was projected, because the

02:11:09.600 --> 02:11:11.880
roadmap was laid down, and because it was not

02:11:11.880 --> 02:11:14.659
stigmatized. Because they removed the stigma

02:11:14.659 --> 02:11:19.380
from this inherently, obviously evil, fascistic

02:11:19.380 --> 02:11:24.020
view of the world. I mean, it doesn't take a

02:11:24.020 --> 02:11:27.670
genius to point out. This whole idea of like,

02:11:27.810 --> 02:11:29.670
you know, with the whole AI revolution happening

02:11:29.670 --> 02:11:31.510
and whatever, it's just like, didn't any of you

02:11:31.510 --> 02:11:34.529
guys watch Terminator? Right. Why do you want

02:11:34.529 --> 02:11:36.090
to create the things that you saw? They did,

02:11:36.229 --> 02:11:38.630
and James Cameron made Terminator, and he's one

02:11:38.630 --> 02:11:40.789
of them. Like, James Cameron's one of these techno

02:11:40.789 --> 02:11:44.500
-utopians. He actually sort of has been outspoken

02:11:44.500 --> 02:11:48.119
about AI and the dangers of it recently. I understand,

02:11:49.399 --> 02:11:51.340
but we've done this before where it's like talking

02:11:51.340 --> 02:11:53.779
about whether AI is going to destroy the world

02:11:53.779 --> 02:11:55.699
or whether AI is going to save the world is talking

02:11:55.699 --> 02:11:57.619
about how AI is the most important thing in the

02:11:57.619 --> 02:11:59.520
world. Like no matter which way it is. No, no,

02:11:59.579 --> 02:12:02.500
I understand that. It's an advertisement for

02:12:02.500 --> 02:12:04.420
AI to talk about that it's monstrous and it's

02:12:04.420 --> 02:12:06.140
an advertisement to AI to talk about how it's

02:12:06.140 --> 02:12:08.880
incredible. Like James Cameron is not a guy who's

02:12:08.880 --> 02:12:12.359
an AI shrugger. And that's the only real anti

02:12:12.359 --> 02:12:15.600
AI is like the people like me, where you're just

02:12:15.600 --> 02:12:17.500
kind of like, it doesn't fucking, what are you

02:12:17.500 --> 02:12:19.840
talking about? You know what I mean? You're just

02:12:19.840 --> 02:12:22.220
still talking about Google. Like I don't, okay.

02:12:23.000 --> 02:12:25.000
I didn't, I didn't bring this up in our talk

02:12:25.000 --> 02:12:27.180
about 2001, but I think one of the most like

02:12:27.180 --> 02:12:31.439
ironic and like tone deaf examples of like the

02:12:31.439 --> 02:12:35.720
new techno utopians co -opting. a like old symbol

02:12:35.720 --> 02:12:38.079
and not like realizing what they're doing is

02:12:38.079 --> 02:12:40.560
that there actually was an iphone ad where the

02:12:40.560 --> 02:12:43.680
iphone was the monolith from 2001 yeah yeah yeah

02:12:43.680 --> 02:12:45.960
and the monkey and the monkeys were all around

02:12:45.960 --> 02:12:49.399
the iphone right or whatever it's just like wow

02:12:49.399 --> 02:12:52.500
like do you guys like realize what you're doing

02:12:52.500 --> 02:12:55.380
here or do you not or do you not care or like

02:12:55.380 --> 02:12:58.439
what the fuck you know what i mean it's such

02:12:58.439 --> 02:13:02.279
a weird thing to do to be like, yeah, we are

02:13:02.279 --> 02:13:06.159
the monolith. Yeah, because they think that 2001

02:13:06.159 --> 02:13:09.460
is Arthur C. Clarke's movie about our beautiful

02:13:09.460 --> 02:13:12.899
future of technology. They don't understand that

02:13:12.899 --> 02:13:14.979
it's Stanley Kubrick's movie giving the finger

02:13:14.979 --> 02:13:18.420
to Arthur C. Clarke and all of these other idiots

02:13:18.420 --> 02:13:20.979
who are then going about and bringing about this

02:13:20.979 --> 02:13:23.539
reality. I mean, based off of the science fiction

02:13:23.539 --> 02:13:28.020
path that they lay. Yeah. Well. I don't know.

02:13:28.039 --> 02:13:29.159
Do you have any final thoughts? I feel like the

02:13:29.159 --> 02:13:31.000
past three or four episodes have all wrapped

02:13:31.000 --> 02:13:33.140
up with the same sentiment, which is like, fuck

02:13:33.140 --> 02:13:35.979
the techno utopians. But, uh, do you have anything

02:13:35.979 --> 02:13:39.699
else to say? Fuck the techno utopians. Yeah.

02:13:40.539 --> 02:13:45.500
Fuck the techno utopians. And I'd say that's

02:13:45.500 --> 02:13:47.399
that mattress, man. That's that. That's that.

02:14:06.300 --> 02:14:06.600
Thank you.
