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This is MJ, I'm an author, I'm an artist, I'm an analyzer.

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You can find all my work at MJMunoz.com.

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Welcome to my fully operational Star Wars analysis.

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This time out I'm talking about Ahsoka, episode 6.

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I am once again listening to the credits as the episode has just ended less than a minute

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ago, maybe 90 seconds ago now, and I gotta say it's weird, we've got this cool score

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that we don't hear at the beginning of the episode, and I don't think we ever hear it

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like throughout the episode, so while it's a cool score and I appreciate the choice to

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just drop us right into the action, it is really weird that we're not getting this score

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in the episode, or at least nowhere I can discern it, and yeah, that's kinda strange.

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Anyway, so this was Ahsoka episode 7, like I said, it was called Dreams and Madness,

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and I do not know why it was called Dreams and Madness.

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By the end of it, Thrawn has told the fake Nightsister lady that he has won because he

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made Ahsoka lose time, and that's the one thing she can't afford to lose, and he intends

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to keep it that way.

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I don't know how I feel about that, because I don't really find that argument compelling.

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I also didn't find it compelling, like the problem with Grand Admiral Thrawn, and I don't

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know how Zhaun made this work out, and I did talk about him previously about how one of

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the things that happened in, I don't know, Dark, whatever, I think it was the second

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Thrawn book, was like he guessed this crazy thing that was going on with people shuffling

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ships between the Falcon, the Lady Luck, and Luke's X-Wing maybe, and like the three of

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them rendezvoused and he figured out this thing, and it's like, how did you guess that

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dude?

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And I don't know if there is actually some strong logical, like you know, because it

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is the field of logic, I don't know if there is some strong logical argument or way or

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methodology that could be used to really define that stuff properly or not, but like, Thrawn

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guessed, you know, because Zhaun needed him to, exactly what it was, and the problem with

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writing a genius is that you have to be a genius, and I don't know if Timothy Zhaun

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is a genius or not.

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He certainly captivated people with his character of Grand Admiral Thrawn and the Chance of

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Sentency and all that stuff.

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So you know, kudos to him, and obviously that is a great feat, and some people call the

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Thrawn books the best books, or their favorite books of the Star Wars Extended Universe,

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and you know, that is fine, or Expanded Universe, sorry, which is fine, and I have nothing against

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that, and I have nothing against Zhaun, except for the chocolate milk thing, which I think

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I talked about previously too, and I will not belabor now.

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They call it hot cocoa milk.

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Anyway, so it works every time.

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Oh man.

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Anyway, so yeah, that's weird to me, and I think Filoni tried to give Thrawn a genius

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line, which was regarding to, Ahsoka was in this debris field, they call it, or well,

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he calls it a brief field, and he calls it a graveyard, I believe, to the Nightsisters,

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the Great Mothers, and he says to, what's her face, the magistrate, I'm using that old

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name for her, because I can't remember, Morgan Elizabeth, there we go, he says to Morgan

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Elizabeth something along the lines of, we, like, he knows that, this is confusing, in

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the books, it is revealed that Thrawn figured out that Anakin Skywalker became Darth Vader,

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because it's not common knowledge at the time.

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It becomes common, well, it becomes a known fact later, I don't know when it becomes common

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knowledge, if ever, in the galaxy, but Thrawn is one of the few people who knows it.

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I think it's Thrawn Tarkin Sidious, and I don't know, a handful of other people.

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So Ahsoka, maybe Rex, I don't know who else, anyway, Obi-Wan Yoda, there's a handful of

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people.

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Anyway, the genius line that Thrawn, that Filoni gave to Thrawn, which confused me,

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was something along the lines of, it's twofold.

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So it starts with, I think, him knowing that Ahsoka is Anakin Skywalker's apprentice, and

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the, yeah, there's a, I'm pretty sure there's a Thrawn book that's split timeline, which

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I don't know why you would do that, between the Clone Wars and Imperial times, and it's

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like a cat and mouse game of Thrawn working with Anakin Skywalker for something, maybe

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in the Outer Rim, I don't know for sure, and then him working with Vader, and then him,

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by the end of it, he like, put pieces together that it's the same guy.

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And other than Thrawn understanding how Vader works, I don't know how that's beneficial

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or why that's actually cool, unless he was planning on working against the Empire for

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some greater purpose, some grand design, some greater good that he had in mind.

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And I totally rhyme, that was weird.

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Anyway, so, but that's all to get to the point where I'm telling you what the line from Thrawn

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was, which was something like, she will come to you, and then you will bring her to me.

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No, it was, we will let her go on her own path, so that we will always stay one step

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ahead of her.

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And he said it with such confidence and smoothness, I'm supposed to say, I don't know what that

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means.

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He said it with such, I guess, charm, you could say, you could argue, that I wanted

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to believe it, but as soon as he was done saying it, and Morgan Elizabeth turned to

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the screen and said, I too questioned what exactly he was saying, and I thought, I have

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an enemy, and in the context too, he wanted to pull back the forces, he wanted to pull

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back the ships from pursuing her, the limited resources that they have, he wanted to pull

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back the ships from pursuing her in the debris field, because he didn't want to lose any

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more of them than he had to.

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And somehow, he knew that pulling back on the ships, and stopping them from killing

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her, if they could, which the odds were low, he would be able to, I'm going to spend the

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whole episode on this guys, okay, just get ready for it, he would be able to let her

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go, which would help him stay ahead of her, despite the fact that he doesn't know where

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she's going, except for the fact that she wants to go to Sabine Wren, or he's assuming

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she wants to go to Sabine Wren, who has been mercifully sent far away from him and his

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forces, which he pointed out, and I thought that was clever, I really did.

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Yeah, if she's going to go try to rescue her friend Sabine, well, Sabine ain't here, and

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somehow these people, these Jedi always find each other, so yeah, Ahsoka's going to find

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Sabine far away from us, and you know, thanks to the force, we won't have to worry about

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her interfering and meddling with us, whereas if we kept Sabine imprisoned on our ship,

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she would come right here, she would attack us, we would defend, it would lead to a dangerous

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outcome, so like, I don't know, he's definitely clever, and it was definitely a good move

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to put the conflict as far away from you as possible, but it's not like a genius move,

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and still, that line, that line of, I will let her go there, so that she, we have to

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fight them over there, so we don't have to fight them over here?

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Oh, I'm sorry, I'm, uh, wow, I'm too much.

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Anyway, so yeah, by letting her go on her own course and leaving her alone, when we

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have a small likelihood of killing her, we will stay one step ahead of her.

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She, my guy, she's not after you, she's after Sabine, so you potentially wasting resources

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in an attempt to kill Ahsoka Tano, that turns out to be fruitless, will decrease your forces.

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Yes, I agree.

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You are smart to pull back your forces because of that.

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I agree, that is clever, good tactics, again, I don't know that it's genius level, but it's

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definitely smart.

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So I agree, I like that, that's a good, smart move by a good, smart bad guy.

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However, this thinking that he's gonna stay a step ahead of her when she's not going after

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him directly doesn't make sense.

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That would be like me, so I'm driving in the car right now.

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There's a guy driving behind me in some sort of vehicle, but I'm gonna say that by letting

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him go on his own path, I'm going to stay ahead of him and evade capture by him.

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He's not going after me, that's not his destination, that is not his route to get me.

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At least I hope not, I don't know what's he doing.

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But by me going on my path, going on my merry way, continuing with my plans as usual and

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ignoring him and not interacting with him, like not slamming my brakes and swerving so

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that the guy stops and getting out of the car and yelling at him, chasing him with a

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baseball bat, by not interacting, interfering, intervening with this guy who's just driving

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behind me somewhere else going on his own mission, by refusing to do that interaction,

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I will ensure that he doesn't follow me to work right now.

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However, I have no reason to think he would have followed me to work had I not interfered

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with him at all.

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And it's kind of the same logic, I think, I mean it's like a gross analogy, but it's

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kind of the same logic with what Theron was saying, that Ahsoka's on her own mission,

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if we leave her alone, she won't know what we're doing or she'll be even less informed

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about what we're doing and therefore she won't be an aggravating, complicating factor for

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us.

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Obviously, but that's just weird.

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Anyway, so sorry for picking on that for so long, but it just seemed weird and it's like,

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I don't know man, and I know I mentioned this before so I'll be super brief, but when they

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brought Theron to Rebels in season three or whatever that was, I thought, do you really

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want to do this?

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Do you know what you're doing?

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Like at that point, Folony was no longer, he was the supervising director of Rebels

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and I think he was partly in charge.

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And he said, we can give you this many dollars or we can give you this many dollars minus,

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or less 25% and these are your art styles that go along with that.

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Which would you like, Mr. Folony?

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Which doesn't make any sense.

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Well, anyway, I think that's true.

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I don't know for a fact that it's true that because Rebels was on Disney XD, I think,

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that it was like much lower budget than Clone Wars was, but Lucas was, as I understand it,

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putting his own money, like George Lucas himself, the man who married Melody Roberts, Roberts

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Robinson and had a kid, around the time he sold Lucasfilm to Disney, that man right there,

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father of Katie and Jet and other people, he put his own money into Clone Wars and he

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was like, yeah, I'm going to spend the money on this because I want it to look a certain

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way and be a certain quality and I want to keep pushing the envelope with the fanimation

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and stuff.

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And they went from being wooden marionette like Thunderbirds to having flowing hair and

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robes and cloth textures and all that good stuff and having that amazing Siege of Mandalore

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battle between Ahsoka and Maul.

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Ah!

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Top tier animation!

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Some of the best animation in the world ever made, I believe.

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Anyway, definitely some of the best lightsaber coordination, lightsaber fight coordination

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we've ever seen.

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Anyway, almost as good as Ryan vs. Dorkman.

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And then, you know, when we went to Rebels, he had much less money to work with.

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But anyway, you know, Poloni did the best he could, I think, under the new regime, although

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it doesn't make sense, but whatever.

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I'm not going to get into theory and guessing and pretending like I know what I'm talking

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about exactly.

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You know, but he was the supervising director of Rebels.

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He wasn't directly involved.

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I think that was like season two.

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I think, pretty sure, oh gosh, Greg Wiseman, right?

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Greg Wiseman of Gargoyle's fame and Spectacular Spider-Man 2?

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Was that him?

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Anyway, I think it was.

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But Greg Wiseman had a large part in the Kanan part of the story, I know for sure, and in

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a lot of the writing of that first season of Rebels.

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And I think Poloni was very involved, too, if I'm remembering correctly.

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But then I think he went to, you know, executive producer role, which has bigger overarching

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control over the series, but still like you're handing off your ideas to other people to

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actualize, which is fine, but it just, you know, it can kind of change things and be

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interesting.

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It can be interesting.

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It can lead to interesting, and by interesting, I mean not so great results.

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So anyway, I thought, I can't believe you're inviting Thrawn into this children's show

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that is, you know, neutered by being on Disney XD, and like, I'm not sure you're going to

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handle this well.

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And yeah, I don't know.

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It was interesting.

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I didn't think they did an incredible job with Thrawn, but whatever, in that show.

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But I mean, it was decent overall.

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He felt threatening enough, but just, I don't know, some things were off and some things

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were weird to me.

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And I kind of feel the same way.

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Like, I'm not sure you can handle Thrawn 100%.

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Like I don't know.

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Like Moff Gideon was a really cool villain, as far as I'm concerned, in the first two

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seasons of Mandalorian.

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And I thought like he was cool.

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He felt Thrawn-ish.

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He felt like a super smart guy.

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He felt very clever, very tactical, and you know, very competent and threatening.

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And that was super cool.

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But when you're actually bringing in Thrawn, I don't know.

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Like there's a shine and there's a level of prestige that goes along with Thrawn.

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And maybe he works better in books, honestly, because of the way you can get into his head

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and hear his philosophizing and bouncing ideas off of Pelion.

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Like he's basically Sherlock Holmes, and Pelion is his, uh, what's his name?

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Wilson, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

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no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

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no, no, no, no, no, no, no, no, no, no, no, no, no.

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Yeah, Watson, there you go.

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I've never read a Sherlock Holmes book in my life so I'm just going off of what I know

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from general pop culture, like movie references, I've never even seen those Robert Downey Jr.,

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Sherlock Holmes movies.

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So you know, forgive my uh, lack of recall of that.

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But anyway, forgive my un-total recall.

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But yeah, so, I, I don't know man, I don't know, I know what they're doing with Thrawn,

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I don't know why they're doing with Thrawn.

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And you know, I'm

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Less than thrilled. I'm less than thrilled, but I'm curious to see how it all shakes out. I like though that

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Bailin bailed. Hey bailin bailed. I see what you did there Filoni

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He's a bailer cuz his name bailin. Anyway, I like that bailin bailed on

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Thrawn's mission and on you know being a mercenary for him and that he's doing his own thing. I

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Assume that ties into dreams and madness the title of the episode

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But I still think that episode is like very poorly placed because I'm not sensing any dreams

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I'm not sensing any madness either and that's kind of strange

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but

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Irregardless

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That one was for you dad

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Irregardless

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it's

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It's weird it's very weird to me that

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Bailin is off doing his own thing and I mean it makes it kind of more interesting more dynamic and you know

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I wonder exactly what he's up to. I don't know that we'll find out. I mean we should find out next episode but I

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Don't know like I think Thrawn's gonna leave

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And

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Ahsoka and the gang are gonna have to try to leave too the pergola gone

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So will they try to hitch a ride on the eye of Cyrus or eye of Sion? Sorry eye of Sion

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I kind of feel like

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In a crazy way whatever bailin's after if there is some secret force thing

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Cuz he's leaving

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Shin to join the Empire or the new Empire

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You know first order whatever and like be a part of that and you know find her greatness and find her fortune or whatever

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There and he wants to do something bigger. He said he basically wants to end all future wars

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Does he want to become a demigod is there some sort of crazy you know fable?

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Excuse me fable bound power their fable bound power. That's a title to your next book the fable bound power anyway

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Um he uh like is there something some great power that he's gonna activate there like there was that um

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Malachor I think they used Malachor in Clone Wars where maul was there and Kanan and there was the fateful fight and

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Maul and Ezra were teaming up

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To get to a holocron or something like that and there was some sort of like you know planet-wide super weapon

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Cut yeah, I I think it was called Malachor and I wonder if like do they just take the idea of the mass shadow generator

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or what

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But maybe it wasn't Malachor. Maybe it was like how they changed Korriban to Moribon. Maybe it wasn't Malachor

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Maybe it was like Malachon or something like that anyway, but um

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We Ezra picked up a cross guard lightsaber. I think there too. That was like a Jedi weapon anyway

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Too much Star Wars guys too much Star Wars anyway

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Maybe there's some sort of like you know force based super weapon

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that's like Nightsister magic combined with something else like sithi or who knows what and

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Like I I almost think that this

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Episode eight could wrap up the season the series whatever with somehow Balin activating this thing that goes wild and

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stops Thrawn from getting back into the galaxy unless of course they are pushing for Thrawn to win in the end and

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get back into the normal Star Wars galaxy and

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For him and his forces to be the remnants that become the First Order eventually like I can definitely see that happening

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But I don't know it could also not happen and I

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Don't know that could be more interesting that could be more fun. Maybe I don't really know

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I don't really know just find odd

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Overall I was entertained I liked seeing Ezra use his like

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You know offensive force pushing and stuff and

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Seeing him fight was funny. Although I am irritated a little bit by the little

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RV turtle guys that they are

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Peaceful as they're called them peaceful. That's not true. They're harmless

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There's a difference between being peaceful and harmless and this has been said by a few different people in a few different ways

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But basically if you're peaceful, it's because you have the ability to

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Harm people or be violent and you choose not to because that's how you want to live your life

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if you're harmless you are incapable of or

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Yeah, you're incapable of

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by dint of strength or weapons

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You're incapable of causing harm to somebody else. So you're not peaceful. You're not safe. You're just incapable. You're inept

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You're harmless. That's totally different and

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You shouldn't want to be harmed by being peaceful

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And you shouldn't want to be harmless. You should want to be peaceful. There's like a market difference and I don't know

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That's interesting. I even think there was a little bit of like a not pacifistic

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But like a more Jedi like thing going on with Ahsoka after Shin was defeated

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she wanted to help her and she wanted to like, you know do something with her and

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I thought it was really cool because you don't always have to kill the bad guys

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Not that I want them to keep redeeming bad guys or anything like that necessarily but you know Star Wars is

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About redemption and we could see you know Shin

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potentially saved from her evil ways and go off to become one of

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Luke's students like that's happened before in Star Wars in the original canon

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that happened to a guy from not Splinter of the Mind's Eye, that's way too far back from a

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Dark Empire or Dark Empire 2 rather there was a guy who was like a you know

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Sith follower dark Jedi type of guy and Luke ended up turning him and then he ended up being an ally

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In like the Jedi Academy Chronicles or Jedi Academy books and stuff, which is super cool

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But anyway, so like I know I like that

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That softer approach being taken but I want my characters to be dangerous my heroes to be dangerous and threatening and capable of

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You know great destruction but then like hold back and choose to go the other way as opposed to my villains who are also

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competent and deadly incapable but who you know choose not to do that because they're evil and that's like what sets them apart, right?

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it's like the whole sheep dog and wolf thing like to the sheep a

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Sheep dog looks like a wolf and they're just as dangerous and scary but literally what sets apart the

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Sheep dog from the sheep is that he has the capacity for violence and yet he chooses to you know

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Broadly speaking as an illustration he chooses to use that to defend the sheep against the wolves

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But you know to the sheep they all have

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They they see them as the same way

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Anyway, there's something in my head rattling around about a sheep

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Suggesting that everybody have their fangs removed and then you know, the wolves aren't going to comply with that

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So then when the sheep dog have no fangs to use against the wolves, then the whole flock gets massacred

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Again because they have been rendered harmless as opposed to being, you know, peaceful

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So interesting stuff to talk about but yeah, I am I know I mean I overall enjoyed it. I overall liked it

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it was cool seeing Sabina as we're talking again and

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I mean, I honestly enjoyed more the Ahsoka stuff

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I enjoyed that Anakin flashback and to think that there's 20 of those hollow vids that he made for Ahsoka

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you know shortly before they parted ways is incredible and touching and

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Really cool. There is a little bit of a continuity issue though if you take things

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Literally the Clone Wars was three years long that outfit that he's wearing in the training video

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Which is the last one he made for her?

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Well, I guess he could have made it before the season 3 year

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I think middle of season 3 they do a time jump a so like everybody gets new character models

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Ahsoka gets her more grown-up look

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Anakin gets his like revenge of the Sith look as well as Obi-Wan they go from having the armor

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Being like the animated Clone Wars like the micro series Clone Wars style basically

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Which is the early Clone Wars style of armor with the vom braces and vom. What is it? Von Bracen paltryn? Is that what it is?

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Yeah, there's like arm

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Armor that they have basically and that's Anakin's early

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You know Clone Wars look and then he gets his late Clone Wars look is the same as the revenge of the Sith look

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And if I'm remembering correctly season 3 featured

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the planet of the father the son of the daughter

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And I believe that was season 3 but it wasn't until the middle of season 3 that there was a time jump

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And because Anakin is in his revenge of the Sith look in that one and so is Obi-Wan

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Doesn't Ahsoka still look young though? Wait a minute

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Maybe I'm just remembering that

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Anyway, it doesn't matter. I've gone on too long. I need to let you go

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I'm almost going as long as the the episode itself wasn't that's not good. So anyway, excuse me. Can you quiet down your car?

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Come on! Show some respect, I'm recording a Star Wars podcast, man. Anyway until next time folks. Take care. This is MJ signing out. I

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Hope you enjoyed that go to MJMunoz.com to leave any questions comments or other feedback you might have

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There you can find all of my analysis art and fiction. I

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