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This is MJ, I'm an author, I'm an artist, I'm an analyzer.

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You can find all my work at MJMunoz.com.

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Welcome to my fully operational Star Wars analysis.

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I'm continuing with Ahsoka.

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This is Ahsoka episode 5.

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I just, I'm still listening to the credits ending as I start recording this.

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And I really liked this episode.

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It was very interesting to me.

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This is episode 5.

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I think this is only going to be 8 episodes total.

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So what in the world is going to happen in episode 6, 7, and 8 because they're journeying

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to another galaxy by this episode, inside of a purgill.

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And I don't know how that's going to work.

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I don't know what's going to happen.

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I don't know if the rest of the three episodes will be inside of the purgill.

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I very much doubt that.

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And it'll take their whole hyperspace journey or if we're going to get a jump from, you

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know, months in space or whatever.

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And if, I don't know exactly how hyperspace works.

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I don't know how fast the purgill are.

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But I do know from reading the Canaan, when Canaan met Hera, also known as the New Dawn

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by John Jackson Miller, that the weird realities of hyperspace work with us.

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If you are in a ship that has light speed engines of a certain speed or power, and you

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have a buddy who's in, or there's somebody else and you guys are going to the same place

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and they have a ship that's better, has better hyperdrive, better light speed engines, they

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can leave after you, but arrive before you.

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Which is weird.

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And I don't know how fast the purgill travel versus how fast the eye of sign will travel

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with six or eight, whatever hyperdrive engines in it.

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So it'll be really interesting.

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The purgill could take Ahsoka and, it's just Ahsoka.

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Ahsoka and Huyen, they could be there in the other galaxy before Morgan and Shin and Balen

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and your girl Sabine.

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Or they could arrive at the exact same time or they could arrive way after them.

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It all depends on what they want to do for the story.

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I'm assuming episode six will start with them out in Wild Space or in this other galaxy.

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And that's going to be super interesting.

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I thought it was a very entertaining episode overall.

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You know, very introspective.

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Kind of raised questions of like, I don't know, rebelling against authority for good

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purpose and I don't know, it was really interesting.

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I mean both, I don't know, it's interesting because it's like, it presents questions to

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you and it shows the characters giving their best answers, but they're not telling you

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what your answer should be.

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And there's not like, I don't know, there wasn't any like moralizing or like, it wasn't

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a pedagogic show.

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It was just, this is what's going on with these characters and that's what they're doing.

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And I really liked, so that's going to, that happens in a couple of ways.

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One is Hera is defying and she's getting Carson to join her in defying the New Republic.

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And finally Carson breaks down and explains to them what's going on.

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And I don't know if they approve of it or if they just know they can't stop of it so

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they get out of the way or what.

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I don't know if Hera is going to be punished severely for that.

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Who knows?

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It seems a little ridiculous that they're not like free to go on this mission.

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Like who are you to tell them that they can't go, like are you paying them right now?

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Is Ahsoka getting paid by the New Republic and she's like stealing from her company because

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she's going to get her dry cleaning done instead of actually being at work or getting her leku,

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I was going to say her haircut, getting her leku, you know, fluffed or whatever.

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So then she's like doing it on company time getting paid for that because that would be

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understandable.

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Hera, I mean the ghost is her personal ship.

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She left and you know, Jason's her son.

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He's not like a slave to the New Republic, right?

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So like they're free to do whatever the heck they want.

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And I don't know, that's just like really weird that the New Republic would have like

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all this sway and all this say over what exactly they can do.

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Now her taking the X-wing pilots with her, you know, that could be a little bit of a

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problem.

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I'm not sure if Hera is there now, but she did what she thought was right.

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And I just think it's interesting because you know, you've got this interesting moral

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defiance of leadership and of the people who are over you.

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And there seems to be like a hazy stance taken on that.

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In a way Ahsoka defies and goes against Anakin or Anakin's force ghost or whatever that was

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in the world between worlds.

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I believe it was really Anakin, but it could have just been a manifestation of the, I mean,

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if it's like outside of time, it could be Anakin's, well Anakin's dead at this point

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anyway.

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It could be his force ghost who's coming there and he's bringing aspects of Anakin and Vader

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with him in order to teach her a lesson and to show her things that are, I don't know,

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show her things that are bigger and that like he's using everything that he has to teach

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her.

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He's using the dark and the light, which is interesting.

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But yeah, man, all that world between the world stuff where they're going back into

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the clone wars.

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Wow.

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That was amazing.

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First of all, this is kind of a weird question and like, I don't really care.

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I've only seen end game.

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Is it end game?

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I think it's end game.

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I've seen end game once, but I guess the kid shows up in memes.

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There's a little Gamora, right?

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That shows up in end game.

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I don't know if she's any of the Guardians of the Galaxy movies because I haven't watched

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any of them, but she's in at least the first end game movie.

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You know, what did it cost you?

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Everything.

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She's that little girl.

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Did that little girl, you know, obviously she can, you know, I hope she lived after

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doing that movie if she's still alive.

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But like, did she grow up and end up taking this role of the Soka because the kid playing

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a Soka looks like, look, kind of looks like her.

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Something in her face seems similar.

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And I just thought that's kind of funny that she would go from being, you know, one painting,

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you know, painting green to painting, being painted orange and like, I hope she's not

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typecast is like she can only be an alien person.

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Anyway, so that funny aside.

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Yeah, all the Clone Wars stuff is super cool.

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It was hitting all my nostalgia buttons and like.

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I don't know.

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That's great.

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That's great that it was nostalgic, but it was also like introspective.

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And like, again, I like that they don't actually tell you what the force vision means.

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And this is kind of like an extended Cave of Dagobah type thing.

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You know, Luke saw himself in the fallen Vader in the decapitated Vader, his face exploded

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in there, you know, the mask exploded and his face was under there.

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So he saw I could become Vader and that's echoed.

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That's from Empire that's echoed in Return of the Jedi when he sees Vader stump after

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he's cut off his hand and he looks at his own right hand and moves it.

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And here's the mechanisms in it worrying.

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So he sees that he's one step closer to becoming Vader.

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He's reminded of the fact that he's already started to become Vader in certain ways or

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he's starting to reflect and follow in his father's footsteps.

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And he doesn't want to do that by going down the dark side, by going down the dark path.

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And that's interesting because like you can put that together over the course of the two

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movies and you can put together like, wait, is Luke Vader?

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How is he?

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And then when you hear Vader said he's his father, that echoes in your mind and I'm sure

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that goes in Luke's.

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Well, you know, is he my father?

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Is that why?

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You know, did I?

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You know, are we identical twins?

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Is it like, you know, I looked exactly like my dad, that kind of thing.

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So you know, there's that symbolism and that imagery, but you're not told what it is.

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And you can kind of put together later, like I described already.

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But because the world between world stuff was so much more extended with Ahsoka, it

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was difficult for me to see clearly, you know, what it is, what was being said, what the

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message was, what the symbolism is.

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And I don't know if there's the same type of symbolism at work or if it's the same kind

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of idea being played with or what.

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I'm trying to figure out exactly what it means.

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I don't quite know all what the lesson is that Ahsoka was supposed to learn.

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You know, she's asked, you know, at the end of it, she tells Anakin that she wants to

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live because he's presenting her.

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You fight or you die.

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And she's saying, well, I want the third option.

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I want to live.

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And what does that mean?

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I don't know.

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And like, because I know Filoni like samurai stuff and Kurosawa and some anime, you know,

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Robotech or whatever.

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I know he liked that.

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I'm thinking of one of my favorite anime of all time, Ruruna Kenshin, where Kenshin is

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able to unlock his greatest level of power.

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Almost.

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He takes the penultimate step towards getting as powerful as he can be by seizing the will

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to live.

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And I wonder if that's what's going on here.

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I wonder if Anakin has stepped in, you know, sent by the force or whatever, however that

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works out to teach Ahsoka that, you know, she can either die now or she can choose to

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find the will to live and that in finding the will to live, it's going to open her up

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and orient her in a way that's generative, that's life giving, that's life supporting,

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that's life sustaining so that throughout whatever trials she faces, she can have that

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positivity and have that will to live and find and fight for a way to live through to

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have harmony and peace.

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Because, you know, she doesn't, you know, she questions if I don't want to fight.

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And like, you know, literal combat is not like the necessary core thing to life.

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You know, there can be peace, there can be cooperation, there's struggle, but in, you

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know, there's like benign, good, holy struggle where the things that you're struggling against,

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you know, are yourself and, you know, nature a little bit, but like you can set up, like,

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because, you know, people think that the Middle Ages were like awful, right?

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John Locke, who is a thought leader and a thought founder who a lot of the founding

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fathers read, he has works like On Liberty and Justice and The Two Horns of the Dilemma,

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I believe it's called.

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Anyway, John Locke writes a lot of interesting stuff about freedom and, you know, the power

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of the individual and whatever.

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And he likes the idea of freedom and ownership.

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So, you know, this is a pro capitalist show over here, otherwise I wouldn't be talking

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about Star Wars because if I was anti-capitalist, that that wouldn't make any sense.

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Anyway, but anyway, you know, true capitalism isn't it isn't cronyism and it isn't the

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corruption of the empire and isn't the fascism of the empire or the republic or the American

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government.

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It's like this, you know, free, beautiful thing where people voluntarily choose to exchange

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with each other, voluntarily choose to exchange with each other.

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And that's wonderful.

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And that brings, you know, there's a lot of good in that.

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You can look into it yourself if you but I'm not going to go on about it right now.

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But Locke actually didn't like that the peasants because he was like, you know, he was landed

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gentry, I believe he didn't like that the peasants that their fathers had set up like

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their fathers or grandfathers or maybe even great grandfathers had set up like a such

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a robust system on their farms or whatever that they could be a pig farmer and have,

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you know, however many acres to their name and the guys could just like drink and relax

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and have like lazy days for long periods of time because the way that the system was set

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up, they had like these guys still worked hard and they didn't have running water and

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they didn't have all these, you know, modern luxuries that were all spoiled by.

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But and like I said, they had to work for a living.

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But like they could basically attend to the system, put their hard work in for a short

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amount of time and be able to live off of, you know, almost literally the fat of the

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land because of the system that was set up.

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And again, it takes struggle.

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It takes dedication with neglect.

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You will destroy the system.

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You have to put some effort into it to keep it going and to keep it from burning itself

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out like doing animal rotation on the grazing land or whatever.

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Like those things still take effort.

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But like we can mimic, humans can mimic the balance of nature and like nature doesn't

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fight wars.

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There's no civil wars in nature that you don't have, you know, cats fighting other cats over.

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I mean, like other than like, you know, alley cat territory type stuff, but they don't kill

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millions and millions of each other like humans do.

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Like we because of, I don't know, ego or something else, like do things, do these, do these things

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that are contrary to nature and contrary to humanity and like aggress against the state

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of nature and the balance and harmony that, you know, the animal and plant world have

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with each other, you know, along with the mineral world, which is, you know, our water,

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you know, the dirt itself, all that stuff.

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And like we kind of rebel against that state of nature out of greed and selfishness and

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all these different things.

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And you know, there is another way you can learn to harmonize with all that stuff.

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And I don't know if like that's the lesson that Ahsoka is being taught by Anakin or the

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force or whatever, or or what's going on.

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And I, I don't really know what's going on, but I do find it interesting that at the end

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there, you know, he tells her, you know, what if this doesn't send us to Ahsoka?

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And she's like, yeah, what if it doesn't?

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Or not Ahsoka, but Sabine.

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And she's basically saying without saying it, like, I'm going to trust in the force.

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I'm going to trust that we're on a path and we're being guided towards where we need to

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go.

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And I find that really interesting because you would stress out about it and, you know,

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try to force it.

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But you can also just go with the flow and do your best in whatever situation you're

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presented with.

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And if you make it through, you make it and if you don't, you don't.

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But I think ultimately believing in, you know, a beyond is helpful to people in situations

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like that.

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Because it's like, look, I don't want to die.

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I'm going to try to, I'm going to try to live.

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But if I die, I die.

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And you know, I did my best.

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So that's all I can really ask of myself.

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And that's all I can, you know, that's all I can do.

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So it's very interesting.

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I like it.

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It was a cool episode in general and like it's thought provoking and there's lots of

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little things in there to kind of chew on and and and think about.

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And it's a lot of fun.

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That's what I want out of my Star Wars.

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Like compelling.

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There was even I mean, there was the action between Anakin and Ahsoka.

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That was some cool lightsaber fight that we saw.

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And then the clone troopers.

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Ah, that was so cool.

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Oh, I also like and I was very happy about this, that like Ahsoka's weird tube top that

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Filoni originally drew for her and that Lucas approved for some strange reason is she's

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like a 13 year old Padawan or whatever.

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They updated it for the Clone Wars.

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Ahsoka says this is one of our first missions and she's wearing like a very age appropriate

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and like, well, it's age appropriate and it's just appropriate in general top.

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And I do like the the alterations they made to her her costume.

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That was a good thing.

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That might be one of the best things to come out of Disney Star Wars.

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Oh, yeah.

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Like a non-groomer, non-jailbait outfit for Ahsoka because the other ones are really

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weird.

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And on that note, I will close out my fully operational Star Wars analysis.

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Check out all the other stuff I have going on at MJMunoz.com, my website, and come back

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for more Star Wars stuff and check out the full category, the full library of all the

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fully operational stuff I have.

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Until next time, folks, be well.

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This is MJ signing out.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments or other feedback you might have.

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There you can find all of my analysis, art and fiction.

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Look around.

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You're sure to find something else that you'll enjoy as well.

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This has been a story over everything production.