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This is Retro Sports Radio.

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Visit RetroSeasons.com for more sports history.

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Okay, you get to Brooklyn, you're replacing Red Barber, a legend as well there with the

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Dodgers.

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And what about your first broadcast?

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Well, the first broadcast was postponed by rain.

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I got up there and they put me up at the Bosset Hotel on Montague Street in Brooklyn.

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And I didn't know anybody in town, so I've got to wait for the game that night.

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And doggone if it didn't rain it out, and I don't have anything to do until the next

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night.

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You know, I'm going bananas in this hotel room where I don't know anybody.

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Well finally, the next day comes and in the late afternoon I get a subway out to Abbot's

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Field.

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I really didn't know how to get there, but I got there and I wandered into the ballpark.

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I don't know anybody really and I haven't had spring training or anything.

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I'm coming in absolutely cold.

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The first people I saw were a couple of players from the Southern League, Paul Minner and

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Russ Meyer.

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They said hello, you know, and that made me feel a little bit better.

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And then the Dodger players were very, very warm and cordial and friendly to me because

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they knew I was coming into an unusual kind of a situation, replacing Red and just coming

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in absolutely cold.

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And they couldn't have been more hospitable.

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They were great.

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And I went up to the booth and worked with Connie Desmond, who was a terrific announcer.

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He'd been Red's partner for several years, had a great voice and just a great guy.

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And he was very warm and cordial to me too.

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And in the first inning, Jackie Robinson steals home on a pitch by Muck Meyer.

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And it's a very close play at the plate and he's called safe.

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And Muck Meyer is sort of a very eccentric guy, probably best known for the fact that

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some girl in the bar bit off his nose one time, the end of his nose.

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But Muck goes bananas, you know, when Jackie Robinson's called safe at the plate and he

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gets profane.

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He gets obscene.

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He begins to shout and rage and his words go over our broadcast.

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The very first game I'm on and they're all over the broadcast and Meyer gets tossed out

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of the game, which is very unusual for starting pitcher in the first inning to get ejected.

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But the umpire tosses him out of the game.

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He's fired and suspended.

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And Jackie Robinson steals home.

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The Dodgers finally win the game.

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And that was my debut with the Brooklyn Dodgers.

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That is almost.

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I mean, the fact that your microphones would pick up a player on the field.

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Well, what they did then they had what they call the parabolic microphones.

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They'd have these mics that would have a little cone around them, you know, a little circle

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around them and they direct them right to home plate.

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So they could hear the crack of the bat and the pop of the mitt and so forth.

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And it just happened they were on and I guess they should have cut them off at that time,

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but nobody thought about that.

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And there was no five second delay.

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No, no delays in those days.

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All right.

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This stat with Brooklyn, you're there for a couple of weeks replacing Red.

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What happens when he comes back?

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He came back a little sooner than most people anticipated.

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He was still very weak when he came back.

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In fact, all the rest of the time I worked with him, his voice was weak and the engineers

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had to put up again so he could project over the microphone.

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But Red came back on a game at the Polo grounds.

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The Dodgers were in to face their hated rivals.

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The New York Giants, it was sort of a murky halfway rainy day.

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It was a night game and it was Red's first time back.

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So Connie Desmond and I both worked with Red that first game back.

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And the Giants get a man on first and third with one out in the first inning.

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It looks like Rex Barney is going to have a hard time.

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You know, he was a very wild pitcher.

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Dick Young once said Rex Barney would be in the Hall of Fame if the plate was high and

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outside.

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That's how wild he was.

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He couldn't get the ball over.

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He had a great arm.

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And they were warming up a guy in the bullpen.

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Well, the upshot is that Rex Barney pitches a no hitter.

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So it was pretty much of a big occasion for me.

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Absolutely.

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Now, you mentioned Jackie Robinson.

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Everybody has an opinion when that name is brought up.

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What's the first thing you think of when I say Jackie Robinson?

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The first thing I think of is a great player who broke the color line in the major leagues,

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the most important event that's ever happened in sports history.

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I think about a guy who had a wonderful personality, who was very intelligent ahead of everybody

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else and made the very most of the ability that he had.

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He was probably a lot better football, basketball, track star than he was a baseball player,

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but he applied himself so much.

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He had terrific drive, terrific ambition, and he was the most exciting player that I

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think ever saw.

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Speed, yes, but blinding speed, no.

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But he had that certain knack.

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He had the moves.

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He knew when things were going to happen.

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He did have that sense.

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And he danced off the base and he would force the opposition into some kind of error.

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They'd get him in a rundown and he'd generally be able to get out of it most of the time

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because in the haste, the second baseman would shut up and throw the ball away and he'd go

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onto the next base and be safe.

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And he was a great exponent of the steel of home.

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He could do that.

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He had sort of an awkward swing.

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He looked like he was tied up in his shoulders when he swung, but he could hit with power.

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And he made some great clutch plays in the field.

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He wasn't a great fielder, but he always came up with a big play.

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So much has been written and recorded about Jackie and his trials and tribulations being

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accepted number one by the Brooklyn Dodgers as a team.

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And that wasn't the most popular move that Branch Rickey ever made.

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How did the team react to Jackie as you saw it?

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Well, the team reacted with mixed feelings at the beginning, but I think Jackie won just

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about everybody over.

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I went there in his second year of his breaking the color line and it was still a problem.

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He was still getting abused by the fans, getting abused by the opposing players.

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I think most of the players on his own team had come around by then.

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In the early going, some of the players had said that they didn't want to play for the

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Dodgers.

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They wanted to be traded.

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Branch Rickey traded several of them, mostly the Pittsburgh.

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But by the time Jackie had proved that he was a great team man and a great team leader,

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I think everybody had come around to support his cause.

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There might've been a few recalcitrant players, but if they were, they kept their mouth shut

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and I didn't know about it.

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Well, Robinson was subjected to a lot of insults and a lot of other things during his entire

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career, but it was especially bad in the early going.

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And there was one incident in 1949, right after spring training, the Dodgers are headed

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back north to start the season and they stop in Atlanta for a three game exhibition set

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with the Atlanta Crackers.

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And there was a very ugly scene involving the Ku Klux Klan there, wasn't there?

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That's right, Bob.

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It was quite intimidating.

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The grand dragon of the KKK, Dr. Green, had called Earl Mann, the owner of the Atlanta

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Crackers and said, I'm sending you a letter about this subject, but I want you to know

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that if Jackie Robinson plays at Ponce de Leon Park during this series, he'll be shot

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by the KKK.

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And Earl Mann said, go to hell.

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And then he called the police chief, Herbert Jenkins, and reported to him.

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And they decided to go on with a three game series.

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Well, the Dodgers got to Atlanta for the first game and Bert Schotten is the manager and

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he reads the letter to his players and he says, you're going to take the field and you're

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going to play.

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After the threat, they needed a little comic relief.

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Gene Hermansky, the good-humored outfielder said, why don't we all wear number 42, Jackie's

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number and then they won't know which guy to shoot.

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And when they got on the field, Pee Wee Reese, his Keystone partner told her, Jackie said,

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move over a little to your right, Jackie.

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This guy might be a bad shot and I don't want to get hit.

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But it was a big cause, so never there in Atlanta.

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And it made an impact on me because I was going back to my hometown and broadcasting

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for the Brooklyn Dodgers and I was sort of in the middle of it.

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But it went off without any untoward incident at all.

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And they had a capacity crowd every one of the games.

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And on the final game, they had a record crowd of 25,221.

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Jackie Robinson played and he was not shot by the KKK.

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I can still remember seeing that picture of Jackie crossing home plate after hitting a

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home run.

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And there is the captain of the Dodgers with his hand outstretched, shaking Jackie's hand

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and slapping him on the back.

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Was that the defining moment for Jackie that the white players on the team had accepted

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because Pee Wee Reese was their captain?

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I think so.

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I think Pee Wee was admired by everybody and really loved by everybody.

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He knew that he was going to be a teammate of Jackie Robinson.

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He came around and was most cordial and warm to Jackie and they became good friends.

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And of course, they were pretty much a Keystone combination there, although Jackie started

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out at the first baseman in his first few days with the Dodgers.

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But I think the friendship that he made with Pee Wee was sort of a defining moment for

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Jackie.

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Pee Wee wasn't just called the captain.

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He was the captain of the Dodgers.

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It was his team, wasn't it?

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It was.

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He was great.

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He was a fine fielder, good clutch hitter, great base runner.

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He didn't steal a lot of bases because in those times the stolen base wasn't a big factor

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in baseball, but they very seldom catch him on an attempted steal.

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But he could do everything and I think everybody looked up to Pee Wee.

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Baseball fans, when the name Jackie is mentioned, when the name Pee Wee is mentioned, they know

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who you're talking about.

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But there are others in those boys of summer.

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The Duke, Oisk, Schoonge, Big Nuke.

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They did have great players and they got along well.

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Billy Cox at third base, a lot of people think that he was even better than Brooks Robinson.

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He was a little skinny guy, but he'd catch everything, hit down there, had a great arm.

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Then you had Reese and Robinson.

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Gil Hodges was one of the sweetest guys you ever met.

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Mile-mannered, but he had wrists as big as most guys' thighs, you know.

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Caponella was a great catcher.

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Could hit the long ball and he had Bruce Edwards behind him.

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And then they had Hermanski and Snyder.

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Carl Ferillo, the Redding rifle in right field, a guy that Ricky bought the whole ball club

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at Redding, PA, so he could get Ferillo.

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And in those days, a minor league franchise wasn't as expensive as it is today.

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But the Brooklyn team had a lot of characters on it.

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The fans were great.

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And I was very fortunate to be able to break into the major leagues at Brooklyn.

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I couldn't believe how nice they were to me, the fans and the listeners, because I had

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come up under tough circumstances and I think they realized that and they were great to

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me.

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As you saw Robinson's perception, was it different from the media than it was from

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the teammates and the Brooklyn fans?

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I think the media was pretty good with Jackie.

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I think they might have been hard on him every now and then in New York because the New York

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writers more or less called it as it was.

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But they were fair to Jackie, I think.

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And in those days, you had more of a fraternal feeling between the media and the team.

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Guys played cards together on the train and you ate together in the dining room and you

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didn't have the gap that you have now between the media and the players where they're pretty

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well separated all the time.

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So it was more of a feeling of friendship in the traveling group than we have today.

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Tell me about the train rides.

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Train ride was great.

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You know, they were a lot longer in a way.

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It was better to go on the plane and get there right after the game.

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But generally speaking, you'd have a day game in a certain city and go out and eat dinner

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somewhere with some of the players and to get on the train around 10, 30, 11.

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Most of the time we would have an overnight trip and get up the next day.

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Sometimes have breakfast on the train, sometimes get off and go to the hotel immediately and

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have breakfast there and then take a little rest and go to the ballpark.

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And the long trips would be Boston to St. Louis.

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That would take you a day and a half.

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Generally the trips were fairly short and enjoyable and a lot of card playing, a lot

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of sitting in the observation car and just talking about baseball and whatever came to

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mind.

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And the guys seemed to have a lot better feeling about the media, as I said, than they do now.

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Who was the best hearts player on the team?

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Peewee was really good.

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I played with him a lot and I played with Jackie a lot.

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And Cappy, I played with him a good bit too.

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You sort of divided up as you play.

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Different guys played with different people and it just happened that way.

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The Greek ball club had sort of a different card game.

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It was blackjack when I went to the Giants, but it was hearts when I was with the Dodgers.

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But it was fun and we didn't play for much money.

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You know, if you lost 10 or 15 dollars, you thought it was pretty much of a disaster.

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What made the boys of summer special?

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Well, I think the boys of summer were special.

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Number one, they had great ability and number two, you had some wonderful personalities

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on the team, plus the fact that they were the underdogs all the time and most of America

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roots for the underdogs.

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And either the Yankees or the Giants were their hated rivals.

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And you had a situation in New York where there were three great baseball teams.

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And I think for a span of 10 years, somebody pointed out that at least one of the teams

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was in a World Series just about every year, except maybe one.

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Usually it was the Yankees.

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Sometimes the Giants would make it.

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The Dodgers would make it more than Giants would.

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But somebody would be there and the rivalry between the Giants and the Dodgers was so

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intense that it spilled over from year to year, no matter what the personnel was.

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And when you'd go to the polo grounds, that would be about the only time the Giants would

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draw a crowd.

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They'd draw six or seven hundred thousand for the year and about two thirds of that

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would be when they played the Dodgers.

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All right.

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You had the Yankees, the Dodgers and the Giants.

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What was that like to have three of the premier franchises in baseball all located in that

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close proximity?

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Well, it was fantastic for the fans.

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And from an announcer standpoint, it was a great learning process because when you announced

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for the Dodgers, the Giants fans would tune in and they hated the Dodgers and the Yankee

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fans would tune in and they hated the Dodgers.

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So you had to talk to one group that liked you and the other group that wanted you to

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lose.

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So you had to pretty much be down the middle, I'd say.

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That's the way most of us played it.

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You mentioned being down the middle.

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When you were in Atlanta doing play by play, were you down the middle pretty much or were

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you a cracker fan on the air?

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I was down the middle even from the beginning.

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I felt like I had to make up my mind one way or the other.

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You can either root for the team on the air or you don't.

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And it was my choice, whether right or wrong, to not root for the team.

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I felt like that was a prerogative of the fan and let him have it and not say we or

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we've got to go or come on guys, let's get some runs.

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And I felt like I just wanted to be a reporter most of all and let the chips fall where they

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may.

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Jackie broke the color barrier, but very quickly there was an influx, especially on the Dodgers,

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not only with Campanella, but with Don Newcomb, with Joe Black and later on Junior Gillian,

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Sandy Amorus.

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The list goes on.

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Was it easier for those guys that followed Jackie?

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Once Jackie had broken the color line, it was a much easier trip for everybody.

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But Jackie was a pioneer and a lot of credit is due to him and of course Branch Rickey

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who conceived the idea and along with Jackie made it happen.

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The old story about Jackie going to Branch Rickey when they first signed is absolutely

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true because Branch said you've got to be able to turn the other cheek to make this

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experiment a success.

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And Jackie said you mean you want a guy without guts enough to fight back?

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And he said no, I want a guy with guts enough not to fight back.

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You've got to swallow your pride a little bit and make it a success by holding off.

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And for two years, Jackie followed that regimen.

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He held his temper and he did have a tough temper.

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And I remember when he finally broke loose, it was a game in Pittsburgh at Forbes Field.

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He blew his stack about a call and from then on he was just a guy playing baseball.

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He was carrying this load for 17 million people and that he had to come under, come to tall

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we call it, act thus and so, turn the other cheek was the thing that we discussed at that

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first meeting of length.

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You mentioned Roy Campanella, a great talent whose career and ultimately life was cut way

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too short.

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Well, Roy was a happy-go-lucky guy.

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Jackie Robinson was pretty serious, you know.

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Jackie had a cause and he stuck with it.

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Roy was just sort of a laissez-faire, whatever happens, don't worry about it.

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I'm going to go out there and do my best and get my base hit, throw a guy out at second.

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Great guy to be around and always had a big smile.

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He was a smart baseball man.

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He'd grown up in the Negro leagues.

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He'd caught when he was 14 or 15 years old, caught double-headers in those leagues and

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he had a tragic end when he skidded on the freeway outside of New York City and was paralyzed.

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Lived a very tough life from then on.

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He was on our veterans committee later and it was so sad.

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He was in a wheelchair all the time and he could communicate, but it was tough for him

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and he wasn't the same old Roy that we knew when he was catching.

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I mentioned Don Newcomb, big, tall, strong, hard-thrower.

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What was he like?

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I liked Don.

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He was a good guy.

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He had an alcoholic problem later on, something I certainly didn't know about in my early

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days because he came up my second year.

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They had a great year in 49 and pitched them to the pennant.

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He could throw the ball hard.

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He was a great fastball pitcher and he was such a big, strong-looking guy.

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He was intimidating on the mound.

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I think that was part of his success.

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Guys didn't want to dig in at the plate against the old Newk and his caponella used to say

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he could really throw that express at his fastball.

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One of the most special guys of that group is the Duke of Flatbush, Duke Snyder.

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The Duke was quite a player.

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When he first came up, he was a left-hand hitter, so he got to see a lot of right-handers

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at Ebbets Field, which was good.

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He struck out a lot at first, but he really found himself and made himself a great outfielder.

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He was a terrific fielder and a good hitter.

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He could hit the long ball.

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He was a great clutch hitter, very personable, and a really top-notch person.

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Layler made quite a career out of broadcasting.

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I was very proud of the Duke, the way he adjusted to broadcasting after he got through a great

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baseball career.

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Why did the Dodgers win only one world championship in Brooklyn?

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I don't know.

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A lot of guys in Brooklyn have asked that for years, and I sure don't know the answer.

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I think we could say one word, the Yankees, maybe.

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Brooklyn was a special place to live, to be a fan in, and to go to the ballpark at, because

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not only was it an unusual ballpark, but it had its cast of characters, shall we say,

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led by one Miss Hilda Chester?

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Oh, Hilda, yeah.

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Hilda was a great gal.

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She worked for H.M. Stevens, which was a concessionaire.

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She was a filler of peanut bags, but she was a great Dodger fan, and she loved Leo DeRosia.

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Anything that Leo did was all right with her, and she had this cowbell.

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That was her trademark.

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When the Dodgers did something, even if they didn't, she'd be ringing the cowbell, and

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it almost killed her when Leo left the Dodgers and went across the river to the hated Giants

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and became the manager of the New York Giants.

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But we also had the Brooklyn Symphony, led by Shorty Larice, and the Symphony was three

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or four guys who thought they could play instruments.

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I think you had a drum and a trumpet and a couple other things.

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They were at every game.

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They made a lot of noise.

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It wasn't too musical most of the time, but when an opposing batter, for instance, would

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strike out, they would give him a little musical accompaniment back to the bench.

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Bump, da bump, bump, da bump, you know, that little tune.

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And when he sat down, they'd say, boom.

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And the opposing player sometimes would try to fool him with a fake sit down, you know,

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where they'd play the music and he wouldn't sit down.

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And it was a lot of fun for everybody.

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And they had a PA announcer named Tex Rickard, same name as the old boxing promoter.

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And Tex, on the hottest day in Brooklyn, he had this heavy white sweater with Brooklyn

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Dodgers in blue letters across it, the Brooklyn script.

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And every time a guy hit a home run, Tex would run out at home plate and shake his hand.

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And you'd see the back page of the Daily News in the mirror.

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They'd have Hodges crossing the plate and Tex Rickard is in every picture.

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And we had a deal at Ebbets Field.

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When a guy hit a home run, he got a carton of old goals.

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He did a home run and one of the announcers would put the carton of old goals on the screen

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back of the plate and roll it down.

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Tex Rickard would grab it, take it and give it to the hitter.

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Another old goal.

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You know, that was pretty minor league, but it went over in Brooklyn.

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It worked.

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As far as they would say in Brooklyn, it worked.

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Yeah, it worked.

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One target that the symphony really loved was during the World Series when Casey Stingle

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would head the mound to talk to a pitcher.

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Oh yeah, they loved Casey because he was such a character, you know.

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Casey should have been an actor really.

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He should have been on Broadway.

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He was just a natural and I guess whatever he did, the symphony would love it.

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You finished in Brooklyn.

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You go, as did Leo, across the river to the polo grounds.

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Why?

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I went to the Giants because, number one, they were going to pay me more money.

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And number two, instead of working with two other guys in the booth, I worked with only

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one.

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And the Giants had come to me the year before, even in 1948 after my first time with Brooklyn.

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They wanted me to come and I felt like I hadn't been there long enough.

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I didn't want to move.

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And this time I decided I'd go to the polo grounds and work for the New York Giants.

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Well, Ernie Hilda Chester was crushed when Leo DeRoscher left the Bums for the hated

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Giants and then at the end of the season she gets slammed again because Ernie crosses over

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to the polo grounds.

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Now, which hurt her the most, Ernie?

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You leaving or DeRoscher?

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I don't think there's any doubt about that.

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It was Leo the Lip that caused all the hurt.

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I don't think Hilda cared one way or the other whether I left or not.

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But anyway, I did leave and I went to the Giants.

