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This is Retro Sports Radio. Visit RetroSeasons.com for more sports history.

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From Dey to DeRosha to DeMaggio, it's double play with DeRosha and Dey.

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With our guest Joe DeMaggio, here's another chapter of double play with DeRosha and Dey.

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Welcome to another visit with baseball's most exciting and controversial couple,

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Lorraine Dey and Leo DeRosha. With our guest for today, Joe DeMaggio.

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So many of you have written to us asking us to have Joe DeMaggio as our guest on the show.

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And we're going to have Joe DeMaggio, but you know, he's retired now.

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But we'll have him as our guest just as soon as I can wake him up.

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Joe. Hey. Joe. Joe.

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Lorraine, I know if Joe joins our audience in listening to this message, he'll be wide awake.

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And now back to Leo and Lorraine and that very famous retired Yankee, Jolton Joe DeMaggio.

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Hi there baseball fans. Welcome to another chapter of double play.

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Lorraine. Well you're really taking this retirement seriously aren't you?

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Oh I certainly am. You know I've been laying in that apartment and I don't have to go to the ballpark anymore.

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I feel wonderful. No more aches and pains.

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I'll bet you there's one fellow who's glad you're retired and that's your brother Dom.

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Well why do you say that Lorraine?

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Well I would just sort of imagine Joe that it's pretty tough to be a ball player and grow up in,

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I mean play ball in the shadow of such a famous brother.

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Nobody ever really notices you because your brother's so famous and such a great center fielder.

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Well he certainly is famous but I...

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I'm talking about you!

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This is a very strange thing because Dom did tell me two years ago, he said,

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why don't you quit this game? He said I'd like to get my name and all the columnists writing about me for a change.

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He certainly has done that because he's leading the league now I see and I only hope that he continues to do that.

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I was talking to Mrs. McCarthy and I said, when Joe was managing didn't you ever second guess him the way I second guessed Leo?

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She says, well it seems that every time he came in the house the thing I said to him was,

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why didn't you walk to Maggio?

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Well she asked me that too Joe. She asked me that in the last word, you know, how come you didn't walk to Maggio?

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I said, why was I going to put him? I said, he just, you know, after all you just rip one of the seats for us, that was all.

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Well Leo, you know up there in Boston, my gosh, that left field wall up there,

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I'd hate to be a pitcher out there or I'd hate to be managing the club and find you at the plate at that short left field wall and ball.

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I don't know how much you'd have hit if you'd have had a park like that to play in Joe.

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Well I don't know about that Leo, all I can say is in 1951 there during our World Series with you, I went 0 for 11 if you recall.

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If you went 1 for 90 it wouldn't make any difference. I know that when you walk up to that plate that the pitcher has to be very careful.

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If he made a mistake we knew we were gone. You're the one that worried my staff the most, I'll tell you that.

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Well your staff is no exception, but let's get to these letters that we have.

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That's pretty fresh.

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I'm sorry but we have to answer letters on this show. We get so many asking questions and when we do have a guest like Joe,

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why we have to ask these questions that only Joe can answer.

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Go ahead.

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For instance I have a couple of letters here. One is from John Robb in Wall Lake, Michigan and he says,

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I've read so many sports writers who insist that Casey Stengel's style of managing is unorthodox.

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If it is, it certainly seems to work, but I want to know if this is true. Is his style of managing unorthodox?

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Well I would say so. His style is very unorthodox. He's a type of fellow of the manager.

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You know when he has 25 men which is the limit that you have on the bench or the roster, he uses every one of them.

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Is he funny on the bench by the way?

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Well he certainly is.

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He's so much off the bench.

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I could recall one of the days over there sitting on the bench just recently and he was walking up and down the bench

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and a play happened out there on left field and it was one of those appeal plays and he was walking around

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talking to all the umpires and they couldn't get anything or he couldn't get anything out of them.

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So he comes storming into the bench and he came over to me. I was minding my own business,

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smoking a cigarette way off by the stairs and he says, Joe, what about that play?

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And I says, well I don't know. I haven't ever read a real book in my life.

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Maybe he wants you to go out there and see if you can straight the umpires out.

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Well speaking of managers, do you think we could manage to let our sponsor get a word in right here?

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And now back to Double Play with Leo DeRosha and Lorraine Day and their guest for today, Joe DiMaggio.

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Here's a question you might like to answer, Joe.

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It says, what do you think the famous players of maybe just a few years ago think of the bonus system?

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And that is asked by John Welch of Akron, Ohio.

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The best way I could answer that, Lorraine, is that I don't really approve of the bonus.

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Of course I'd like to see the boys get as much money as possible.

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But on the other hand, I don't think it helps their playing any now.

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I could think back about Antonelli when he was signed with Boston for something like $75,000

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and he had to stay with the team. In other words, they couldn't send him down back to the minor leagues.

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I think not only it hurt him because he couldn't pitch, he was a green boy,

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but it also hurt the ball club.

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So I'd like to have the boy that starts off picking him out of the sandlot and playing minor league ball,

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get his two or three years experience, then bring him up to the major leagues.

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And I think he's just about ready.

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Have there been many very famous bonus players who have succeeded and become big stars?

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Well, there's been a few. I mean, Roberts of the Philadelphia Club and Simmons,

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I think those are the two best bonus players that have been in baseball in quite some time.

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And they have very little experience, both of them.

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But I think that before they were signed as bonus players, they played with strong semi-pro clubs.

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But the kids that this gentleman is referring to, the kids that come out of school,

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Joe is so right about it, you put them on a major league ball club,

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you give them a fantastic figure of $65,000 or $75,000 or whatever the amount may be for signing.

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Now you've got to keep them a year on your club.

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Hasn't that rule been changed?

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It has been changed, but you handicapped the manager in the past,

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you've handicapped the manager that he's now got this kid.

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He can't pitch him, he can't play him.

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If he does, he may lose an important ball game that may cost him the pennant,

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and the kid sits idle all summer long.

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Whereas if he, as Joe says, comes right out of the sandlot,

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a rough, tough kid that wants to play ball and is interested in making a great career out of it,

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he wants to play in a minor league club and make a record for himself and be brought up slowly.

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Maybe Mr. Welch means how does the established star say who is getting a salary of $50,000 and who is a star?

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And it is so important to his club, how does he feel about a young kid coming in

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and getting $75,000 or $100,000 just to sign and is of no help?

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We've had players in every spring, they've always referred to so-and-so that you gave $30,000 to,

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and now I'm looking for a $3,000 raise and I played 140 games and hit 340 or hit 310,

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and I can't get it, you're quivering about it, and you're willing to give this kid,

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well there has been arguments like that, and I can see where you do have controversy about it

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from a manager's standpoint and an owner's standpoint.

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Maybe Joe has a different answer for it.

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No, I go along with that, Leo, because I remember, of course, I recall some of the boys

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being around the clubhouse and talking about it, and they had great years,

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and they had a tough time getting a $2,000 to $5,000 raise when they hadn't given a kid

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who hadn't proven himself something like $60,000 to $100,000.

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Well, just think how the Pittsburgh ball club may feel, how the players must feel, rather,

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to get a kid like this Pettit who got $100,000, and you take a player on the club who,

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we'll say, had a mediocre year that's playing for maybe $6,000 or $7,000,

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there's a lot of talk around the clubhouse about that,

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and that can cause a lot of dissension on your ball club, I believe.

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Well, I know that Joe, when Joe started out, did you know this, Leo,

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that Joe started out as a shortstop?

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Yes, I did.

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Did you, Leo?

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No, I didn't know that. I was amazed. I really am sorry.

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You did?

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I did. I played with San Francisco the first three ball games that I had played with them.

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It was the last three games of the 1932 season, and I have, I think, an all-time record, Leo.

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I've handled 11 chances, but not cleanly. All errors.

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Oh, no. So that makes you not feel there immediately.

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Well, you know, Joe, that's a funny thing. It's a funny thing how great players go into one position.

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I can recall with the St. Louis Cardinals when Frankie Frisch was the manager,

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you know, he never played shortstop. Oh, he was a great second baseman,

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and he'd come right out of college, in fact, into Major League Baseball.

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And I remember one day in Cincinnati, oh, this is a number of years ago,

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we had him beaten, I don't know what the score was, by 10 or 11 runs in the last inning,

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of a doubleheader who was tremendously hot, well over 100,

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and I said to Frank, you know, he wasn't playing the second game, I said,

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finish up for me, William, all in.

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And I think the first five balls hit the first year shortstop, went right through his legs,

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he never picked up a one-up. And he came in the clubhouse, and he just jumped up and down,

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he said, don't you ever ask to be taken out of the ball game again.

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So that ended his career as a shortstop, too.

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Well, it's lucky you could pick him up, because, boy, if they had to depend on that bat of yours,

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you would still be on it.

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Now, I cry all the time when you get the people on the show that you criticize, my hitting.

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Oh, honey, let's face it, 220.

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Listen, fine guy, I'm going to ask you, what's the fine guy to have on the show?

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I didn't say 220.

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Well, it makes me feel good.

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Joe, let me ask one question, Joe. My lifetime average, I think, is 238.

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I'm not sure, what is your lifetime average, Joe?

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My lifetime average is just half the ceiling record book the other day, 325.

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Let's forget, that'll go on.

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I don't know anything more about that show.

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You do this to me every show.

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Well, you know, Joe, I think one of the most memorable quotes to make a tribute to you

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is in 1949 when the fans gave you a day when you said, thank God for making me a Yankee.

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Well, I kind of felt that way at the time, and it was really a nice tribute

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because of the people that were out there and the Yankee organization asking my mother and family

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to come to make the trip just for that one occasion.

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And of course, that's during the time that I was sick, and I was of course pent up with emotion myself,

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so something like that came out of me.

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I quite didn't understand it, but I actually felt that way,

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and I really felt what I said were really my feelings.

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There wasn't a dry eye in the Yankee Stadium, I understand, when you said that.

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And we asked a question on one of our shows that when the fans give a player a day,

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it seems that they usually have an off day, that they can't seem to do anything very well on that particular day.

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Was that true in your case?

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No, I got a base hit that day with the Maron 1st and 2nd, and kept the rally going.

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It had gone over to a drop, and just came into relief.

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They were leading 4-0, and I hit the first pitch right through the mound for a base hit,

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because he knocked it down, and we did load up the bases and went on to get four runs that inning.

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But the rest of the day, of course, I could say the next day, I hit a ball the right field.

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They were all playing me in left field because I had lost 18 pounds.

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So I had pneumonia and various pneumonia, and they were all playing me in left field,

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and I dropped a couple in the right field.

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I know one thing, Joe, you've come back after being sick, and there's just something about it, Joe.

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I don't know what it is.

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A great player just takes a club and brings it along.

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I don't know, Joe, maybe this is a funny thing to say, but how about coming out of retirement?

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You know, I can use a center fielder, and you know, isn't there some way we can work this around

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so we could just play a little bit?

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Well, it's nice of you to say that, Leo, but you know, I'm still obligated to the Yankees for some reason.

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Oh, the Yankees could get along without you for one year.

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Joe, let us have you one year.

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Yes, I'd like to look at the man you're going to the plate for me.

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Besides, who's going to carry me out the outfield? Who's going to bring me in?

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I'll be your caddie, Joe. I'll be your caddie. I'll get you out and get you back.

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Well, with that, we'll let you go right back into retirement, Joe.

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Okay, Lorraine. See you, Leo.

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There he goes.

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Oh, right on. Back to rest.

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Sorry, we have to go to a salon.

