WEBVTT

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Welcome to the Interior Design Podcast. I'm Hayley

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Roy, a commercial interior designer with a passion

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for creating beautiful functional spaces. Over

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the years, I've worked on a variety of projects

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and I've accumulated a wealth of knowledge which

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I'm excited to share with you. I started this

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podcast because I believe in the power of interior

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design, so much of what we need to know as designers.

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you won't learn in a classroom. Whether you're

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an aspiring designer, tackling your home project,

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or a seasoned pro, this podcast is for you. Season

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two is here, and I couldn't be more thrilled

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to kick things off with some fresh energy and

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exciting changes. This season, I'm joined by

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not one, but two incredible co -hosts, Hannah

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Denny and Scarlett Mallett. Together, we're diving

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deeper into the world of design to bring you

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more perspectives, lively debates, and all the

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tips and tricks you need to thrive. We're here

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to offer practical advice, discuss the latest

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trends, and give you unfiltered, real -world

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insights. Expect honest conversations, a bit

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of humour, and maybe even the occasional strong

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opinion and language. Remember, if it's not fun,

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we're not doing it. And if you're a sound editor

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looking for a fun collaboration, let us know.

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We'd love to have you on board. Thanks for tuning

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in to season two of the Interior Design Podcast.

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We are live at the HRC show and we have got our

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beautiful stage that we've designed. Our stand

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is over there. Yes, I'm Hayley Roy. I'm Scarlett

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Maller. And I'm Hannah Denny. And we work at

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Harp Design. I'm a commercial interior designer

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and project manager. I am also a commercial interior

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designer and a project manager. And I am executive

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assistant designer and project manager. We've

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all been designing restaurants for years, haven't

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we? I've been designing restaurants for 20 years.

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And you guys have all got experience as well.

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And we were just talking about it when we were

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saying that one of the things that we bring is

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that we all have experience in hospitality as

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well. And that's such a really... important thing

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as a designer. It's a key element. I've worked

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with loads of interior designers who've not had

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that experience and they just don't get it. So

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it's one of the things that we bring as a team,

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isn't it? What kind of hospitality experience

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have you had, Hayley? Well, all of my family

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have worked in hospitality at one point or another.

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My mum's a chef, my sister's a chef, my grandparents

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and my auntie have run pubs. So I've kind of

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been brought up in the industry, really, and

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always being a waitress somewhere. And then I

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worked on super yachts. Okay, so how about you,

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Star? I have worked in a number of bars and restaurants

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that were quite like a small business. Like there

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was only, for instance, one of them in a little

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village. And I feel like working in that restaurant

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gave me so much knowledge because it was literally

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only had about... 10 tables you have got to be

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like on it all the time and really fast of what

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you do so working in that industry and especially

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in a really small business I feel like gave me

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so much experience what about you Hannah so I

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used to be a wedding and events planner um so

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we worked in lots of different venues and marquees

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and hotels and everything so um I feel like I

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have got the knowledge when it comes to actually

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the running of things and what works and what

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doesn't so yeah yeah and then yeah then furniture

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manufacturing and then and then here we are today

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so and i've got a business degree and i've always

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run a business and i love the whole return on

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investment aspect of the design so you know don't

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specify putting really expensive stuff because

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you're never going to pay for it you know and

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and the whole idea of running a restaurant is

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to run a business to make money so exactly yeah

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and i love it so you can Fun fact. This is our

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fun fact of the day. The National Restaurant

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Association estimates a 20 % success rate for

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all restaurants. About 60 % of restaurants fail

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in their first year of operation and 80 % fail

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within five years. That's a huge amount. I feel

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like working as an interior designer and working

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in this industry, I feel like that isn't too

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surprising for me. I feel like, I mean, especially

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imagine that percent rate. When COVID came about,

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like... Oh, God, yeah. I mean, a lot of people

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went busty. Yeah. I think a lot of people think

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it's really easy. And it's not. It's really hard

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work. And you've just got to... You've just got

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to have it with people. And you've got to get

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it right. Yeah. And the staff aspect of it is

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really difficult. Because, you know, there's

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loads of staff issues with the hospitality industry

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at the moment. Getting and keeping the right

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staff. And there's so many aspects to it. But

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what we're trying to do today is we're trying

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to... change that yeah we want to help to help

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more restaurants succeed so what we're going

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to do is we're going to teach you how to design

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a restaurant and some of the secrets that we

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can share so restaurant brand and interior design

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um one of the things that we do as a business

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is we uh we do brand workshops, brand identity

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workshops. And what we do is we work with startup

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businesses and we work with businesses that...

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Have already got a brand. Have already got a

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brand and they're rebranding and they're updating

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and they're tweaking. So what we do is we go

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through a process of making sure that whatever

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brand that you've got speaks to the end user.

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It's got personality. It's fun. People like it.

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People are attracted to it. And then what we

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do when we go through the interior design process

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is we put all of that brand all the way through

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the design. So it speaks to the client at every

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single moment. The end user is getting all these

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little moments of truth where everything links

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back to the brand. Making sure that you get all

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those little moments of truth is really, really

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important. And I think there's a lot of people

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who don't get that right. And that's where some

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of those figures are coming from, because people

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just don't think about it. They just kind of

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go, oh, I think I'm going to just like serve

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food and great service. And then if people are

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sitting on a really uncomfortable seat all night.

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And it's cold. The decor is like too dull and

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it suppresses you. There's a light in the seats.

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There's so much that goes into designing and

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running a restaurant. I mean, for instance, we

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are sitting. Like Hannah was just saying, talking

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about the bright light, we're sitting on the

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stage that we have designed, which is all based

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around neurodiversity. But I feel like the elements

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of neurodiversity can be added to anywhere. I

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mean, the lighting we've used is a low, timid,

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warm light, so it doesn't kind of have that bright

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white light effect in your eyes that is too in

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your face. I mean... So it makes you feel more

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calmer in the interior. And I feel like you don't

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just apply it to places where people struggle.

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It can be applied to anywhere and also make it

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such a welcoming and warm, comforting environment.

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Absolutely, yeah. One of the things about brand

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is that kind of tying it all back. You must tie

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it all back to that brand. Yesterday I was saying

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that actually as a design practice, we don't

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have a personality in terms of... We don't have

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a style. No. A lot of interior designers have

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got this style. And people choose that designer

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because they want that style. We are not like

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that. If you look on our website, we've got all

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different projects, all different brands and

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different people doing different things. And

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what we do, and I said to this guy yesterday,

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I'm a massive people pleaser. I just want my

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client to be really happy. And I'm really bad

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at designing for myself because I have no idea

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what my style is. I like... attach myself to

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a brand or to a person and I like literally try

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and make everything tie back to that yeah I feel

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like we're like chameleons yeah and we you can

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kind of the more that we kind of hang out with

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someone and spend time with them and like meetings

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and stuff we almost like merge into like a part

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of it's literally we get to know them we hang

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out with them so much that we develop their personality

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and what they want But it's like Hayley was saying,

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though, me personally, I cannot design my own

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house for me. Like, I just, I can't. And I know,

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and I know. It's difficult, isn't it? It's so

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difficult because it's actually looking at and

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thinking about what you actually want. I know.

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We couldn't even afford that, didn't we? It's

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so crazy for us, like, because we're interior

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designers. Constantly doing it. You constantly

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do it and you cannot decide. What's the first

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secret then? What are we getting away? I think

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if you're designing a restaurant, you start off

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with sitting down and really analysing what you're

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doing. Who's your market? What are the words

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that describe your brand? Have you got a logo?

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If you have, does that logo really speak to the

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people or that name really speak to the people

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that you're going to be serving? Do you want

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that logo as like a really big feature throughout

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the interior or do you want it kind of as a...

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Like a footnote in a way. Yeah, absolutely. It

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might be the interior speaking. But you start

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off really analysing and you ask yourself a lot

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of questions. Who are we? to be or not to be

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that's the question so you write down a list

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of lots of words who you are what you want to

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be then you write down another list of all the

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words you do not want to be and you make sure

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that everything you do it falls into the to be

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category and what happens is that creates a business

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plan that is who are we what are we going to

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do you just have to write down lots of words

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And it will tell you what kind of uniform to

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have, what kind of staff training you need. It's

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going to do everything. Sometimes when you've

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been doing the brand workshops that you do that

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list and that to -do list sometimes gets the

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name of the business as well. We did one in Stratford

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recently where, I mean, everyone that we do,

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it does this, where you just have this light

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bulb moment. in the middle of the branding workshop,

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you're like, yes, that's it, that's it. If you're

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looking for a logo or a name in a restaurant.

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And I've done it myself. I started up a business

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with Cheryl when she did Rebel Designs. And we

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sat down and did the branding workshop with a

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glass of, well, with a bottle of wine. And it

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was just so good. And you always come out of

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that branding workshop really pumped because

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you've got that brand and you know who you are

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when you're walking out the door. It's fantastic.

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So it's really, really important to start there.

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Start there, yeah. So that's the first secret.

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Moments of truth. So yeah, develop those moments

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of truth. I got this expression from a book that

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was written by Starbucks called The Starbucks

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Experience. And if anyone's got a hospitality

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business, I would urge you to read this book.

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It's brilliant. Moments of truth are those little

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moments that that customer has when they walk

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through the door in your restaurant from how

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they're greeted to what the fabric feels like

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on the furniture. to what flooring feels like

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under their feet. The smell. What it smells like.

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The whole experience. The ambiance. The ambiance

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of all of that. But it's moments of truth and

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it's all about creating those moments of truth.

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You can make those moments of truth happen. If

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you're owning a restaurant, all you have to do

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is focus on that. To get every single moment

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that that person is in your restaurant to really...

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buy into what you're doing and it all has to

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link back again to the brand i feel like them

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moments of truth are really important as well

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for someone to remember the restaurant so them

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to for instance have a specific food or go into

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a different place and go this feels or like the

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atmosphere or the smell is exactly like that

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place is is making your restaurant be known and

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like making people remember it i feel like it's

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such a key element a lot of people will not know

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what it is but it won't if something's wrong

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it won't feel right yeah it might be the we'll

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walk into a restaurant and we can see it you

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know we know what the recipe is to build it but

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most people will just go it just doesn't feel

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right you know and and that's why it's because

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something isn't lining with the brand it's really

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it's really important about branding and getting

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to know someone but also when when we were going

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on about how to develop your brand and how to

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make that flow throughout your restaurant one

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thing that we do all of us as a team as well

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is we get to to know our our client and we always

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say that we really enjoy negative feedback Because

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if... You're like, be brutally honest. I love

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it. I love it. It's like when I meet a client

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and I'm showing them some ideas, if you don't

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like that, don't agree with me. You need to tell

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me, otherwise this is not going to feel like

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your brand. This is not going to feel like your

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place. And that... Yeah, honesty is such a main...

00:13:55.889 --> 00:13:57.710
It's such a big part of it. And people will be

00:13:57.710 --> 00:14:00.220
able to feel that. Do you get what I mean? people

00:14:00.220 --> 00:14:04.360
will feel that you do not have that enjoyment

00:14:04.360 --> 00:14:07.360
of the restaurant because it's not the outcome

00:14:07.360 --> 00:14:09.899
that you wanted. You need to pick holes in it.

00:14:10.059 --> 00:14:12.740
And this is the same in any business. You need

00:14:12.740 --> 00:14:14.679
to pick holes in what you're doing because if

00:14:14.679 --> 00:14:17.919
you don't, someone else will. So what's wrong

00:14:17.919 --> 00:14:21.440
with it? Why isn't it quite right? What is it

00:14:21.440 --> 00:14:25.480
about that doesn't feel right? But the key design

00:14:25.480 --> 00:14:29.759
elements are lighting, furniture, colour. flooring

00:14:29.759 --> 00:14:34.100
and compliance. So with lighting, we talked about

00:14:34.100 --> 00:14:37.059
lighting and how it makes you feel. If you've

00:14:37.059 --> 00:14:39.820
got, for me, when I design lighting in a restaurant,

00:14:39.879 --> 00:14:42.340
I over -engineer it. In a restaurant, it needs

00:14:42.340 --> 00:14:44.860
to be clean. So you have to have light so you

00:14:44.860 --> 00:14:46.899
can clean. So you can get in all those nooks

00:14:46.899 --> 00:14:49.240
and crannies and make sure it's right. You also

00:14:49.240 --> 00:14:52.360
have to create ambience. Ambience. Ambience.

00:14:54.480 --> 00:14:58.519
Ambience. But you do, you have to create that

00:14:58.519 --> 00:15:02.080
ambience. It is ambience, not ambiance. I'm being

00:15:02.080 --> 00:15:03.580
French, wasn't I? Yeah, it's because I said it

00:15:03.580 --> 00:15:08.500
earlier. So you've got to create it and you've

00:15:08.500 --> 00:15:11.220
got to use a lot of different types of light

00:15:11.220 --> 00:15:12.840
to do that. You've got to make sure that people

00:15:12.840 --> 00:15:14.559
can see what they're eating. But you've also

00:15:14.559 --> 00:15:17.919
got to have it so it's warm. And please, please,

00:15:18.080 --> 00:15:20.159
unless you don't want people to stay very long

00:15:20.159 --> 00:15:22.000
in your restaurant, don't put white light in

00:15:22.000 --> 00:15:24.120
there in the daylight. That's for an office so

00:15:24.120 --> 00:15:26.620
you can see clearly. Yes, you can put white light

00:15:26.620 --> 00:15:27.860
and daylight in there if you're going to turn

00:15:27.860 --> 00:15:29.879
it off during service. Yeah. Because you can

00:15:29.879 --> 00:15:32.299
use it for cleaning. Ability to change. That's

00:15:32.299 --> 00:15:36.500
what is important is the ability to change the

00:15:36.500 --> 00:15:38.679
lighting. Yes, to have the dimmers. Yeah. So

00:15:38.679 --> 00:15:41.700
for instance, we designed a restaurant. I'm not

00:15:41.700 --> 00:15:43.580
too sure if they went for this in the end, but

00:15:43.580 --> 00:15:47.259
me and Hayley worked together to redesign a restaurant

00:15:47.259 --> 00:15:49.460
in our local town, which is called North Hill

00:15:49.460 --> 00:15:53.100
Noodle Bar. And we said to them. Have that warm,

00:15:53.179 --> 00:15:55.480
neutral lighting that everyone loves when they're

00:15:55.480 --> 00:15:59.080
eating. But also, you can have that dimmer and

00:15:59.080 --> 00:16:00.940
that switch that changes to white lighting for

00:16:00.940 --> 00:16:03.519
when you're cleaning. It's having that balance.

00:16:03.740 --> 00:16:07.299
I mean, you don't always have to have that bright

00:16:07.299 --> 00:16:09.860
white lighting. But I mean, if you have the budget

00:16:09.860 --> 00:16:12.940
for it, it's such a good element. So make sure

00:16:12.940 --> 00:16:15.889
that everything is... You can buy spotlights

00:16:15.889 --> 00:16:18.830
that go from cold to warm now, so you don't have

00:16:18.830 --> 00:16:20.490
to have two lots of lighting. You can have one

00:16:20.490 --> 00:16:22.769
lot of lighting that you just turn on. We have

00:16:22.769 --> 00:16:27.350
a supplier we work with called IBL Lighting who

00:16:27.350 --> 00:16:30.029
have actually sponsored the stage for the show

00:16:30.029 --> 00:16:34.269
and us. Hi, Charlie. Nice to meet you. They are

00:16:34.269 --> 00:16:37.350
amazing, and we have worked with them so many

00:16:37.350 --> 00:16:41.289
times. We have the best outcome with them when

00:16:41.289 --> 00:16:44.470
it comes to lighting. Indeed. Furniture has got

00:16:44.470 --> 00:16:46.669
to be comfortable or not. If you don't want people

00:16:46.669 --> 00:16:49.809
to stay very long, North Hill Noodle Bar, they

00:16:49.809 --> 00:16:51.330
don't want people to stay. They want to turn

00:16:51.330 --> 00:16:53.470
their tables. And they do. They turn their tables

00:16:53.470 --> 00:16:55.529
five or six times. People go in there for a quick

00:16:55.529 --> 00:16:58.450
dinner before the theatre, whatever it is. Have

00:16:58.450 --> 00:17:00.529
hard seats. Pizza Express do this so they can

00:17:00.529 --> 00:17:02.250
turn the tables three or four times in the evening.

00:17:02.679 --> 00:17:05.779
So it's the outcome of what you want for your

00:17:05.779 --> 00:17:08.819
business. Yeah, make, if you're looking for somebody

00:17:08.819 --> 00:17:12.039
to stay all night, make those chairs really comfortable.

00:17:12.279 --> 00:17:14.400
Make the tables bigger, you know, so it's lovely.

00:17:14.900 --> 00:17:18.160
Also, I think in regards to furniture as well,

00:17:18.220 --> 00:17:20.759
it's the layout of it and how it works for your

00:17:20.759 --> 00:17:23.539
staff to be able to get around. If tables are

00:17:23.539 --> 00:17:25.539
too tightly packed together and you've got a

00:17:25.539 --> 00:17:28.079
waiter's like bottom in your face when you're...

00:17:28.269 --> 00:17:29.910
You're not trying to sit there and have a meal

00:17:29.910 --> 00:17:32.069
with your friend or your partner or whoever.

00:17:33.170 --> 00:17:36.930
It's not a nice experience. So, yeah, the layout

00:17:36.930 --> 00:17:41.009
and furniture comes as one, I think. That's something

00:17:41.009 --> 00:17:43.910
that's really interesting because everyone has

00:17:43.910 --> 00:17:45.990
different elements of design that they don't

00:17:45.990 --> 00:17:47.750
enjoy when going to a restaurant or when going

00:17:47.750 --> 00:17:52.109
out. For me, one place that I just don't like

00:17:52.109 --> 00:17:57.210
the layout completely is Wagamama. I don't like

00:17:57.210 --> 00:18:01.609
that seating where you are so close to the next

00:18:01.609 --> 00:18:06.430
person. Like I always think like somehow maybe

00:18:06.430 --> 00:18:09.779
add a screen or. have that separate table. I

00:18:09.779 --> 00:18:11.700
don't want to be right next to someone in their

00:18:11.700 --> 00:18:13.779
face. No, you don't know. But you know the noodle

00:18:13.779 --> 00:18:16.500
bar is actually tied to their migramines, but

00:18:16.500 --> 00:18:20.339
the way that they do it is with light. It's with

00:18:20.339 --> 00:18:21.460
light. Yeah, that's what I mean. Because they

00:18:21.460 --> 00:18:23.740
bring the light really low and your light is

00:18:23.740 --> 00:18:26.539
here. On your table. Yeah. On your table next

00:18:26.539 --> 00:18:28.420
to you, sorry, for the people who are listening,

00:18:28.519 --> 00:18:31.420
you're kind of going into like a little triangle

00:18:31.420 --> 00:18:34.529
of light. So you don't feel like you're... really

00:18:34.529 --> 00:18:36.809
close to the person next to you so it's it's

00:18:36.809 --> 00:18:39.849
really clever design that makes it feel better

00:18:39.849 --> 00:18:41.990
than that and screens and screens are brilliant

00:18:41.990 --> 00:18:44.930
yeah pats people in but you put two people next

00:18:44.930 --> 00:18:47.009
to each other yeah and it's really like this

00:18:47.009 --> 00:18:53.369
yeah but also what north hill noodle bar done

00:18:53.369 --> 00:18:58.410
is instead of having that long seating like harry

00:18:58.410 --> 00:19:01.769
potter style yeah they literally just Broke it

00:19:01.769 --> 00:19:03.470
up into little elements. It was still just as

00:19:03.470 --> 00:19:07.130
close, but you had that breakage where you felt

00:19:07.130 --> 00:19:11.329
that gap. You felt away from them people. And

00:19:11.329 --> 00:19:13.309
I feel like that is so important. It's like such

00:19:13.309 --> 00:19:16.650
a small detail, but can make the biggest difference.

00:19:18.069 --> 00:19:22.069
Color. Look into the psychology of color when

00:19:22.069 --> 00:19:24.910
you're looking at doing your LRVs. Branding.

00:19:25.430 --> 00:19:28.650
And all your colors. Yeah, absolutely. LRVs,

00:19:28.650 --> 00:19:32.019
it comes under compliance as well. We've got

00:19:32.019 --> 00:19:35.819
another podcast on LRVs with Dawn Scott from

00:19:35.819 --> 00:19:37.599
Dulux, which was really informative. But it's

00:19:37.599 --> 00:19:40.339
just about making sure that anyone who's visually

00:19:40.339 --> 00:19:43.200
impaired can navigate. So to do that, you have

00:19:43.200 --> 00:19:46.619
to have floors and walls and ceilings that are

00:19:46.619 --> 00:19:49.920
contrasted accordingly. And the LRV podcast can

00:19:49.920 --> 00:19:52.119
educate you a bit more about that one. I'm not

00:19:52.119 --> 00:19:54.680
going to go into it now. But that kind of thing

00:19:54.680 --> 00:19:56.359
is really, really important. But also the psychology

00:19:56.359 --> 00:19:59.720
of colour around your brand. So you might have...

00:19:59.900 --> 00:20:02.019
a brand that's a certain colour, but also your

00:20:02.019 --> 00:20:04.319
interior is really important as well. So building

00:20:04.319 --> 00:20:08.079
your brand, so you've got those secondary colours

00:20:08.079 --> 00:20:10.200
as well. So you might have, I don't know, a green

00:20:10.200 --> 00:20:13.500
logo, but you might have blue, orange and yellow

00:20:13.500 --> 00:20:16.619
in the secondary colours. You don't have to use

00:20:16.619 --> 00:20:19.099
that logo. It's your colours everywhere, do you?

00:20:19.720 --> 00:20:21.920
And make those rules for yourself in everything

00:20:21.920 --> 00:20:24.299
you do. So marketing and everything. We're going

00:20:24.299 --> 00:20:26.079
to get kicked off here in about eight minutes.

00:20:26.339 --> 00:20:29.339
So we need to fasten up a bit. So, yeah, and

00:20:29.339 --> 00:20:31.039
compliance. You know, we've got building control

00:20:31.039 --> 00:20:33.519
now. The building safety act has come in recently.

00:20:33.680 --> 00:20:36.940
So that's all of it. Do you know one thing that

00:20:36.940 --> 00:20:41.619
whenever I say to someone, I constantly get asked

00:20:41.619 --> 00:20:44.839
this question. Whenever I say to someone, oh,

00:20:44.920 --> 00:20:48.180
I am an interior designer, they go, Kate, sir,

00:20:48.240 --> 00:20:52.240
what is the first thing you design? Have you

00:20:52.240 --> 00:20:55.279
got a base? And I'm like, I used to say that

00:20:55.279 --> 00:21:00.349
it was flooring. And then I would say, oh, no,

00:21:00.430 --> 00:21:02.769
it's the paint colours. But I actually don't

00:21:02.769 --> 00:21:07.069
think you have a base at all. I think you can

00:21:07.069 --> 00:21:10.269
start from anywhere and then just go along. I'm

00:21:10.269 --> 00:21:12.970
really sorry to interrupt this, but unfortunately,

00:21:13.089 --> 00:21:16.130
the rest of this recording didn't work. So what

00:21:16.130 --> 00:21:18.269
we're going to do is we are going to record the

00:21:18.269 --> 00:21:21.529
rest of it in the studio. Hello. Welcome back.

00:21:22.470 --> 00:21:25.009
Hannah and I are in the studio now because...

00:21:25.309 --> 00:21:27.349
We had a few technical problems at the HRC, so

00:21:27.349 --> 00:21:30.569
we're going to finish off. We are. A photo about

00:21:30.569 --> 00:21:33.049
that. Sorry, Scarlett's not here. She's on holiday.

00:21:33.769 --> 00:21:36.549
She's sunning herself, isn't she? Yeah, for Mrs.

00:21:36.710 --> 00:21:41.589
Scarlett. Miss you. So where were we? We were

00:21:41.589 --> 00:21:44.230
talking about two design elements. So we talked

00:21:44.230 --> 00:21:47.329
about hard seats in restaurants. Yes. And how

00:21:47.329 --> 00:21:51.970
that creates an environment where people move.

00:21:52.619 --> 00:21:54.819
their butts out of the seat because they're not

00:21:54.819 --> 00:21:58.339
comfortable. But I think a successful restaurant,

00:21:58.420 --> 00:22:02.160
so what is a successful restaurant? Well, it

00:22:02.160 --> 00:22:04.680
depends, doesn't it? I think that it all comes

00:22:04.680 --> 00:22:09.259
down to service, the aesthetics of the place,

00:22:09.480 --> 00:22:13.160
the environment and how it makes you feel and

00:22:13.160 --> 00:22:16.059
obviously the food has got to be wonderful. I

00:22:16.059 --> 00:22:18.099
think there's three. There's like your environment,

00:22:18.259 --> 00:22:22.180
the food and the service. Yeah. or food or drinks

00:22:22.180 --> 00:22:24.279
or whatever it is you're serving. So I think

00:22:24.279 --> 00:22:30.259
that then, and somebody to run the business.

00:22:30.480 --> 00:22:33.319
Yeah. Who can run a business and knows how much

00:22:33.319 --> 00:22:35.119
to charge and everything else. And I think that

00:22:35.119 --> 00:22:37.640
will then make you successful. But in terms of

00:22:37.640 --> 00:22:40.680
design, so we've only got the control of the

00:22:40.680 --> 00:22:43.380
aesthetic. Yes. But if you've got nice aesthetics,

00:22:43.779 --> 00:22:46.420
you get nice staff. Yeah. Because it's a nice

00:22:46.420 --> 00:22:49.980
place to work. Exactly, yeah. And if you get...

00:22:50.079 --> 00:22:54.319
nice aesthetics people just feel better when

00:22:54.319 --> 00:22:58.380
they walk in so with the lighting if you've got

00:22:58.380 --> 00:23:00.420
a light shining in your face yeah we said that

00:23:00.420 --> 00:23:03.019
didn't we yeah and actually we went for lunch

00:23:03.019 --> 00:23:04.779
didn't we the other day and there was a spotlight

00:23:04.779 --> 00:23:08.170
right in my eyes and and i was like oh this isn't

00:23:08.170 --> 00:23:11.690
very comfortable and then yeah you asked you

00:23:11.690 --> 00:23:15.329
asked to move tables like i'll be fine i'll put

00:23:15.329 --> 00:23:18.190
up with a migraine i actually just wanted to

00:23:18.190 --> 00:23:22.869
see another we went into studio there we did

00:23:22.869 --> 00:23:25.210
it was like the food yeah food was amazing and

00:23:25.210 --> 00:23:27.890
the queue out the door as well at like what time

00:23:27.890 --> 00:23:31.549
was it about half three on a tuesday um so they're

00:23:31.549 --> 00:23:33.950
doing definitely doing something right yeah definitely

00:23:33.950 --> 00:23:36.670
i love their interior design it's just so there's

00:23:36.670 --> 00:23:38.490
just so much of it yeah it's just a lot going

00:23:38.490 --> 00:23:40.549
a lot going on yeah lots to look at on the walls

00:23:40.549 --> 00:23:42.930
and stuff i think that's what it is it's that

00:23:42.930 --> 00:23:44.730
with the aesthetics it's about making it interesting

00:23:44.730 --> 00:23:48.230
so another thing that's really important is color

00:23:48.230 --> 00:23:53.349
and what that psychology of the color means so

00:23:53.349 --> 00:23:57.579
like you know if you put dark blue walls and

00:23:57.579 --> 00:23:59.619
make it really oppressive, you aren't going to

00:23:59.619 --> 00:24:01.779
want to stay. No. You have to make it really

00:24:01.779 --> 00:24:05.900
in keeping with the brand and make people feel

00:24:05.900 --> 00:24:08.380
like they're really welcome. Yeah. I think you

00:24:08.380 --> 00:24:10.039
can do that with an interior. Yeah, definitely.

00:24:10.799 --> 00:24:15.079
And with people, people like to be told what

00:24:15.079 --> 00:24:19.720
to do. So I always use things like flooring to

00:24:19.720 --> 00:24:23.920
designate certain areas. I like using chevrons

00:24:23.920 --> 00:24:27.170
to direct people in and out. Secretly as well,

00:24:27.269 --> 00:24:29.750
so just a slight colour change that's like, oh,

00:24:29.750 --> 00:24:34.250
okay. Or just the direction of the fangs. That's

00:24:34.250 --> 00:24:36.450
quite cool. And people, you know, wayfinding.

00:24:36.750 --> 00:24:39.509
If you can't see the toilet sign in the majority

00:24:39.509 --> 00:24:42.450
of the restaurant, you're doing something wrong.

00:24:42.509 --> 00:24:46.210
You need to be able to use the toilet and find

00:24:46.210 --> 00:24:48.410
out where it is quickly. Straight away, yeah.

00:24:48.450 --> 00:24:50.970
Without having to ask. People have to ask where

00:24:50.970 --> 00:24:52.769
the toilet is. It's a pain in the ass. And it's

00:24:52.769 --> 00:24:54.390
taking up your staff's time and they should be

00:24:54.390 --> 00:24:58.950
looking after them. so um so that's important

00:24:58.950 --> 00:25:05.130
really important um and compliance yeah so tell

00:25:05.130 --> 00:25:07.170
us a little bit about compliance like what what

00:25:07.170 --> 00:25:09.890
is included in that you know sometimes we have

00:25:09.890 --> 00:25:13.289
to get building control involved so what would

00:25:13.289 --> 00:25:15.750
they be looking out for so if you're doing a

00:25:15.750 --> 00:25:20.009
restaurant refurbishment um and you're rewiring

00:25:20.009 --> 00:25:23.180
lighting or you're moving a wall When you're

00:25:23.180 --> 00:25:27.619
doing any kind of substantial refurbishment,

00:25:27.660 --> 00:25:30.519
you do need to have a building control sign -off.

00:25:32.200 --> 00:25:37.079
So that equates to either speaking to the council

00:25:37.079 --> 00:25:38.759
about one of their building control offices,

00:25:38.920 --> 00:25:41.480
which is slow, or you can use an independent

00:25:41.480 --> 00:25:43.599
building control officer, which is much faster,

00:25:43.640 --> 00:25:45.920
but it's a bit more expensive. But it's a lot

00:25:45.920 --> 00:25:48.299
easier to do that because you can get advice

00:25:48.299 --> 00:25:50.920
and hear about that and you're not kind of waiting.

00:25:52.109 --> 00:25:53.930
So that's really important. The other thing that

00:25:53.930 --> 00:25:56.589
is important is CDM. Yep. So construction design

00:25:56.589 --> 00:26:01.609
management, the law changed in 2015. So whenever

00:26:01.609 --> 00:26:04.349
you do a construction project, you must, with

00:26:04.349 --> 00:26:07.150
more than one contractor. So if you're employing

00:26:07.150 --> 00:26:08.809
a main contractor and they're doing everything

00:26:08.809 --> 00:26:11.910
and they're designing it and everything, that's

00:26:11.910 --> 00:26:15.269
fine. They're taking on the principal designer

00:26:15.269 --> 00:26:18.250
role and the principal contractor role. The moment

00:26:18.250 --> 00:26:22.170
you... use more than one contractor i .e you're

00:26:22.170 --> 00:26:24.670
having fitted seating put in by one company and

00:26:24.670 --> 00:26:26.650
having the walls painted and you're having electric

00:26:26.650 --> 00:26:29.329
electrical work done with these like that you

00:26:29.329 --> 00:26:31.630
need to have some one person who is responsible

00:26:31.630 --> 00:26:34.589
for that main contractor and you need a principal

00:26:34.589 --> 00:26:37.029
designer so if the main contractor aren't designing

00:26:37.029 --> 00:26:40.190
it you need to have a principal designer or as

00:26:40.190 --> 00:26:42.470
a client you need to take on that role you need

00:26:42.470 --> 00:26:46.130
to understand what that means um and some yeah

00:26:46.130 --> 00:26:49.579
sometimes i help my clients perform that role

00:26:49.579 --> 00:26:51.880
by giving them some information about how what

00:26:51.880 --> 00:26:54.420
they need to do but really you should have somebody

00:26:54.420 --> 00:26:55.940
who really knows what they're doing in construction

00:26:55.940 --> 00:26:59.140
if that's not what you do every day um so cs

00:26:59.140 --> 00:27:01.980
edm is really important we did a podcast about

00:27:01.980 --> 00:27:05.240
that didn't we yeah and renting so if you want

00:27:05.240 --> 00:27:07.319
more information about this then you can listen

00:27:07.319 --> 00:27:12.160
to that absolutely um but yeah and suitable for

00:27:12.160 --> 00:27:15.579
use like i mean compliance is also lrv yes also

00:27:15.579 --> 00:27:17.779
under building control so there's an awful lot

00:27:17.779 --> 00:27:20.079
of building control regulations and if you're

00:27:20.079 --> 00:27:22.640
not an architect and you're an interior designer

00:27:22.640 --> 00:27:27.160
actually that's quite a big thing yeah not interior

00:27:27.160 --> 00:27:29.579
designers aren't taught all of that at college

00:27:29.579 --> 00:27:32.640
so it's it's really important that you understand

00:27:33.420 --> 00:27:36.579
where to find the information. And we did a course,

00:27:36.579 --> 00:27:39.519
didn't we, back when the law changed in 2023.

00:27:39.859 --> 00:27:44.259
So BSA, Building Safety Act, principal designer

00:27:44.259 --> 00:27:46.500
is now a different thing to senior principal

00:27:46.500 --> 00:27:49.160
designer. So it basically means that you've got

00:27:49.160 --> 00:27:50.740
to make sure, if you're the principal designer,

00:27:50.900 --> 00:27:52.640
you've got to make sure that that building is

00:27:52.640 --> 00:27:57.700
building control compliant. And it is just about

00:27:57.700 --> 00:27:59.079
knowing where to find the information. You can't

00:27:59.079 --> 00:28:01.519
possibly remember the entire building control.

00:28:01.599 --> 00:28:04.339
I don't know. You do quite a good job. No, I

00:28:04.339 --> 00:28:07.259
don't. There's always something. But it's like

00:28:07.259 --> 00:28:10.099
you can't remember the whole. It's a massive

00:28:10.099 --> 00:28:12.259
book. Section M is just about accessibility.

00:28:12.799 --> 00:28:16.319
There's lots of different letters. In the alphabet.

00:28:16.400 --> 00:28:18.240
In the alphabet and in the building regulations.

00:28:19.500 --> 00:28:23.720
But it's about making sure that you're, just

00:28:23.720 --> 00:28:28.119
if you don't know, don't find out. And we'll

00:28:28.119 --> 00:28:30.619
talk about being in control. If anyone wants

00:28:30.619 --> 00:28:35.720
to hear it, please let me know. But yeah, suitable

00:28:35.720 --> 00:28:39.880
for use is quite important. So things like, one

00:28:39.880 --> 00:28:41.819
of the things that I was talking to a project

00:28:41.819 --> 00:28:45.039
manager about when we were in Greece. was she

00:28:45.039 --> 00:28:47.619
was having an awful lot of designers who are

00:28:47.619 --> 00:28:51.660
not specifying the right fabrics on chairs and

00:28:51.660 --> 00:28:55.140
seats so you really need to have like a hundred

00:28:55.140 --> 00:28:58.200
thousand rubs on a seat where there's a heavy

00:28:58.200 --> 00:29:02.220
use restaurant if you're using a fabric if you

00:29:02.220 --> 00:29:04.000
don't want to refurbish it every two or three

00:29:04.000 --> 00:29:06.819
years you need to have really tough fabrics you

00:29:06.819 --> 00:29:08.880
need to be really mindful about what you're doing

00:29:08.880 --> 00:29:10.920
and having a faux leather on the seat is really

00:29:10.920 --> 00:29:15.950
really um really really good for return on investment

00:29:15.950 --> 00:29:17.569
yeah because you don't have to change that very

00:29:17.569 --> 00:29:19.750
often you can wipe it if someone spills red wine

00:29:19.750 --> 00:29:21.390
over it you just wipe it off with a damp cloth

00:29:21.390 --> 00:29:24.009
so that kind of thing and making sure everything's

00:29:24.009 --> 00:29:26.390
got the right fire ratings i mean there's a lot

00:29:26.390 --> 00:29:30.390
involved yeah um and it's yes takes years to

00:29:30.390 --> 00:29:33.549
learn it yeah there is a lot yeah so um yeah

00:29:33.549 --> 00:29:38.869
compliance there you go yeah fine um so the next

00:29:38.869 --> 00:29:41.109
thing we used to talk about was the rise of immersive

00:29:41.109 --> 00:29:44.660
dining yeah This makes us excited. Oh my God,

00:29:44.660 --> 00:29:47.720
I love it. I literally, every time I go out now

00:29:47.720 --> 00:29:50.380
in my family, I go immersive experiences. You

00:29:50.380 --> 00:29:53.259
did the Minecraft one, didn't you? Oh my God,

00:29:53.299 --> 00:29:55.039
Minecraft in London. Yeah, the Minecraft experience

00:29:55.039 --> 00:29:57.579
is brilliant. If anyone's got kids who like Minecraft

00:29:57.579 --> 00:30:01.140
or not, who just wants an experience, it is like

00:30:01.140 --> 00:30:03.480
playing a computer game. But you're in the computer

00:30:03.480 --> 00:30:06.440
game. It's amazing. My husband just laughed at

00:30:06.440 --> 00:30:08.759
me. I was just like getting really excited with

00:30:08.759 --> 00:30:12.640
my 10 -year -old again. But it's like, it's...

00:30:12.880 --> 00:30:16.900
It's just all about, it's all about that experience.

00:30:17.019 --> 00:30:18.640
It's all about having, and people love having

00:30:18.640 --> 00:30:20.920
a different experience, like having something

00:30:20.920 --> 00:30:23.200
new. Exactly. And I think especially with COVID

00:30:23.200 --> 00:30:26.000
and we went into lockdown and everyone kind of

00:30:26.000 --> 00:30:28.619
missed out on that and missed out on doing things

00:30:28.619 --> 00:30:32.259
and seeing people. So I think, yeah, it's definitely

00:30:32.259 --> 00:30:34.839
on the rise, isn't it? My son, he's six. He wants

00:30:34.839 --> 00:30:38.470
to go to the Titanic immersive. experience in

00:30:38.470 --> 00:30:41.890
London yeah so it starts like in the middle of

00:30:41.890 --> 00:30:46.509
July um so we're we're talking about it all he

00:30:46.509 --> 00:30:48.630
wants to do really is he wants to put his hand

00:30:48.630 --> 00:30:53.220
in the They've got like a bucket of how cold

00:30:53.220 --> 00:30:55.359
the water was and he basically just wants to

00:30:55.359 --> 00:30:59.980
touch that. So I'm not sure. Sorry about the

00:30:59.980 --> 00:31:05.940
pun there. I liked it. But yeah, we've been to

00:31:05.940 --> 00:31:09.460
a few, haven't we, recently? What did we do?

00:31:09.680 --> 00:31:11.839
Christmas party. Yeah, we did the Christmas party,

00:31:11.940 --> 00:31:16.839
58th Street. What was her name? Belle Livingstone.

00:31:17.259 --> 00:31:19.079
Oh my God, that was amazing. And she wouldn't

00:31:19.079 --> 00:31:22.019
even take photos. I know. So gutted. So people

00:31:22.019 --> 00:31:24.440
just won't believe us how amazing it is. But

00:31:24.440 --> 00:31:26.839
I get emails from them still and they're still

00:31:26.839 --> 00:31:30.119
running tickets. So definitely recommend it if

00:31:30.119 --> 00:31:33.440
you're up for it. Oh, it's amazing. And the food

00:31:33.440 --> 00:31:35.200
was great as well, wasn't it? And service and

00:31:35.200 --> 00:31:37.220
everything. It kind of ticked every single box.

00:31:37.420 --> 00:31:38.839
We did the post office, didn't we? There's another

00:31:38.839 --> 00:31:41.259
one as well. I think there's maybe two more in

00:31:41.259 --> 00:31:44.480
central London. um but the post office was a

00:31:44.480 --> 00:31:47.000
call it was really scarlet absolutely her little

00:31:47.000 --> 00:31:50.640
face she was in absolutely awe of the cocktail

00:31:50.640 --> 00:31:53.440
going like the airmail wasn't she she was like

00:31:53.440 --> 00:31:56.579
oh and he said how many packages how many packages

00:31:56.579 --> 00:31:59.779
do you yeah that's right yeah or post or drop

00:31:59.779 --> 00:32:02.380
off or whatever but he yeah it was funny because

00:32:02.380 --> 00:32:04.579
it's like all set in the 1940s they've all got

00:32:04.579 --> 00:32:07.799
an accent yeah they were american yeah and it's

00:32:07.799 --> 00:32:09.980
like designed like a speakeasy yeah it was really

00:32:09.980 --> 00:32:13.029
good fun and like even the toilets were Nice,

00:32:13.029 --> 00:32:14.789
weren't they? They had different toilets and

00:32:14.789 --> 00:32:17.009
everything. So, yeah, just a really good fun,

00:32:17.089 --> 00:32:20.369
aren't they? Hopefully we'll be able to design

00:32:20.369 --> 00:32:24.809
something very soon. Yeah. Well, we are in Covent

00:32:24.809 --> 00:32:27.049
Garden at the moment. Trying, aren't we? Trying

00:32:27.049 --> 00:32:29.809
to get it in there. Yeah, immersive. So what

00:32:29.809 --> 00:32:31.349
we're doing at the moment in this restaurant

00:32:31.349 --> 00:32:33.210
in Covent Garden, the secret restaurant that

00:32:33.210 --> 00:32:37.750
we do, is we're trying to get an immersive experience

00:32:37.750 --> 00:32:41.269
where we use... video on the walls and ceilings

00:32:41.269 --> 00:32:45.750
and sound it creates an immersive dining experience

00:32:45.750 --> 00:32:49.890
so you feel like you're in somewhere and it's

00:32:49.890 --> 00:32:52.589
quite difficult to do isn't it yeah you have

00:32:52.589 --> 00:32:55.150
to shut off all the windows you have to have

00:32:55.150 --> 00:32:57.190
a flat wall yeah they have lots of different

00:32:57.190 --> 00:32:58.890
things and we're learning loads about it yeah

00:32:58.890 --> 00:33:01.490
it's really yeah and even kind of fabrics and

00:33:01.490 --> 00:33:04.109
everything for that and that's got to be plain

00:33:04.109 --> 00:33:07.150
so if they want to use it kind of during the

00:33:07.150 --> 00:33:09.690
day without the immersive it's It's just going

00:33:09.690 --> 00:33:12.210
to be literally like a blank canvas, isn't it,

00:33:12.230 --> 00:33:14.869
really? So we're in kind of, we're trying to

00:33:14.869 --> 00:33:17.210
discuss what to do. We're sort of weighing up

00:33:17.210 --> 00:33:19.549
on budget as well. It's going to cost, I reckon,

00:33:19.609 --> 00:33:21.630
at least 50 grand to get all the equipment in

00:33:21.630 --> 00:33:25.269
and the content for it as well. But one of the

00:33:25.269 --> 00:33:27.190
things I love about it is once the equipment's

00:33:27.190 --> 00:33:30.750
in, the content is like, it's like changing the

00:33:30.750 --> 00:33:33.130
interior design of your restaurant. Yeah, whenever

00:33:33.130 --> 00:33:36.130
you want to. Whenever you can afford to do it

00:33:36.130 --> 00:33:40.019
or to create a return. Yeah. But actually, that's

00:33:40.019 --> 00:33:44.140
the magic of it. Once it's in, it's a bit cool.

00:33:44.740 --> 00:33:47.279
So, yeah, immersive. I just love it. We want

00:33:47.279 --> 00:33:49.599
to try out the Dining in the Dark. What's that?

00:33:50.380 --> 00:33:53.700
The blind by Maxine Clerkenwell. Yes. I can't

00:33:53.700 --> 00:33:56.259
remember what it's called. It's something like

00:33:56.259 --> 00:33:59.400
noir or something, isn't it? Like black and French.

00:34:01.460 --> 00:34:04.160
It's something like that, isn't it? Yeah. But

00:34:04.160 --> 00:34:06.859
what you do is you eat in the dark. Yeah. And

00:34:06.859 --> 00:34:10.539
you don't know what you're eating. No. I really

00:34:10.539 --> 00:34:11.960
want to do that. We should do that. We need to

00:34:11.960 --> 00:34:15.320
do that next Clark and Well. Let's book it. But

00:34:15.320 --> 00:34:19.420
yeah, I went to New York recently and we went

00:34:19.420 --> 00:34:22.980
to the Mercer Labs and that was amazing. I mean,

00:34:23.000 --> 00:34:25.480
that was just immersive. Yeah. It was just beautiful.

00:34:25.880 --> 00:34:28.260
Full on in, aren't you? Oh my God, it was amazing.

00:34:28.380 --> 00:34:31.059
And there was just... There was a sensory room.

00:34:31.159 --> 00:34:34.099
There was a room with loads of mirrors and lights

00:34:34.099 --> 00:34:37.119
in it. Why were there monkeys in like winter

00:34:37.119 --> 00:34:40.719
and stuff? So we went into this one room where

00:34:40.719 --> 00:34:44.300
literally all the walls, it was like a cave,

00:34:44.440 --> 00:34:46.900
a curved wall. And all the walls were covered

00:34:46.900 --> 00:34:50.599
in chrysanthemum flowers, pink chrysanthemum

00:34:50.599 --> 00:34:52.440
flowers. And then every now and then there'd

00:34:52.440 --> 00:34:55.219
be a scream. One was like on the floor, a little,

00:34:55.280 --> 00:34:59.010
like a little. sort of a little archway like

00:34:59.010 --> 00:35:02.389
a little mouse house yeah but like a bit bigger

00:35:02.389 --> 00:35:04.570
than that yeah um but and then there was another

00:35:04.570 --> 00:35:06.769
one where there was it was just a lot a few screens

00:35:06.769 --> 00:35:09.429
dotted around and and the music that was coming

00:35:09.429 --> 00:35:11.250
out was really beautiful and i felt like you're

00:35:11.250 --> 00:35:15.969
in a spa and then they had um cocktails of flowers

00:35:15.969 --> 00:35:18.309
it like edible flowers in which liam was like

00:35:18.309 --> 00:35:22.469
um and bubbles in the bottom and then they had

00:35:22.469 --> 00:35:26.860
um And then they had these monkeys on the screens.

00:35:27.139 --> 00:35:29.539
They were just monkeys with crowns on. They were

00:35:29.539 --> 00:35:32.099
like AI -created monkeys, real monkeys. And they'd

00:35:32.099 --> 00:35:34.780
like float in the water. It was very weird, but

00:35:34.780 --> 00:35:37.460
very cool. I've never been anywhere like that

00:35:37.460 --> 00:35:41.380
before that felt like that. And they had all

00:35:41.380 --> 00:35:44.039
these different things that you colour in, and

00:35:44.039 --> 00:35:46.300
then they scan it, and then the thing that you

00:35:46.300 --> 00:35:48.849
coloured in... was on the screen was on the screen

00:35:48.849 --> 00:35:51.869
they have that at culture to zoo yeah yeah so

00:35:51.869 --> 00:35:54.469
they have depending on the theme they had like

00:35:54.469 --> 00:35:56.969
dinosaurs i think last time and then you color

00:35:56.969 --> 00:35:59.389
it in and like you say scan it and then it they

00:35:59.389 --> 00:36:01.309
had like a turtle one and there was like little

00:36:01.309 --> 00:36:04.309
turtles or you could color in a fish yeah it's

00:36:04.309 --> 00:36:06.150
really it's really clever isn't it it's really

00:36:06.150 --> 00:36:09.559
cool And yeah, there was like a screen that you

00:36:09.559 --> 00:36:12.920
would draw. It was just endless. I could have

00:36:12.920 --> 00:36:15.000
spent all day in there. I think my husband got

00:36:15.000 --> 00:36:20.679
really bored. But yeah, and we also went to the

00:36:20.679 --> 00:36:23.880
Museum of Modern Art, which was really fun. But

00:36:23.880 --> 00:36:25.300
yeah, I wasn't really bothered about all the

00:36:25.300 --> 00:36:27.659
landmarks in New York. I just wanted to go in

00:36:27.659 --> 00:36:30.719
the museum, the art stuff. Yeah, that's good

00:36:30.719 --> 00:36:34.099
though. It's what you love. So, yeah, immersive

00:36:34.099 --> 00:36:37.000
dining is huge and it's coming and I think it's

00:36:37.000 --> 00:36:42.099
going to get more and more prominent in everyone's

00:36:42.099 --> 00:36:44.440
towns. Because at the moment it's in the cities,

00:36:44.480 --> 00:36:47.219
but I think it will filter out into the towns

00:36:47.219 --> 00:36:49.320
as well and everyone will have an immersive dining

00:36:49.320 --> 00:36:52.000
experience somewhere. At some point, yeah, definitely.

00:36:52.619 --> 00:36:54.719
I'll tell you what we did. We went to the Drag

00:36:54.719 --> 00:36:56.380
Queen Bar in Colchester, don't we? Oh, we did,

00:36:56.500 --> 00:36:58.219
yeah. That's a bit immersive. Yeah, that was

00:36:58.219 --> 00:37:01.949
good fun. That was so fun. Yeah. I went there

00:37:01.949 --> 00:37:04.170
the other week as well. We did drag a yokey.

00:37:04.190 --> 00:37:07.269
Did you? Oh, my God. Was it fun? It was so fun.

00:37:07.329 --> 00:37:12.710
You're such a karaoke queen. So, yeah. So, what

00:37:12.710 --> 00:37:17.429
is our favourite restaurant? This is a really

00:37:17.429 --> 00:37:18.869
difficult one. I think it's really difficult

00:37:18.869 --> 00:37:24.650
because, yeah, I don't know if I could put my

00:37:24.650 --> 00:37:27.170
finger on one restaurant and say I loved it.

00:37:27.230 --> 00:37:30.820
I could probably pick a few. that I'm like, the

00:37:30.820 --> 00:37:33.400
interior is beautiful here and I love the food

00:37:33.400 --> 00:37:36.179
here. I don't think, oh, I don't know, this is

00:37:36.179 --> 00:37:38.400
quite harsh, but I don't know if I've been anywhere

00:37:38.400 --> 00:37:43.320
that has done the whole package. Unless we've

00:37:43.320 --> 00:37:46.559
designed them, obviously. Of course. I'll tell

00:37:46.559 --> 00:37:49.619
you what, the forge kitchen is up there. I do

00:37:49.619 --> 00:37:54.280
like the forge kitchen. Yeah. Yeah, Cheryl and

00:37:54.280 --> 00:37:55.940
I designed that a few years ago, mainly Cheryl.

00:37:57.380 --> 00:38:00.760
But yeah, that was... They've got it right in

00:38:00.760 --> 00:38:03.079
there. Yeah, we did that for your hen do, didn't

00:38:03.079 --> 00:38:05.519
we? Yeah. Oh, and they've got all those drinks.

00:38:05.539 --> 00:38:08.239
Yeah. Did you have something in like a witch's

00:38:08.239 --> 00:38:09.440
hat or something like that? Yeah, we had like

00:38:09.440 --> 00:38:13.820
a top hat made out of metal, upside down, with

00:38:13.820 --> 00:38:16.940
loads of cocktails in it. And it's just brilliant.

00:38:17.039 --> 00:38:20.789
It's just... So much fun. That's immersive. Yeah,

00:38:20.789 --> 00:38:23.030
it is, yeah. But they just do really good food.

00:38:23.409 --> 00:38:26.309
It's just really chilled. It feels like you could

00:38:26.309 --> 00:38:28.969
just chill there for hours. No one's going to

00:38:28.969 --> 00:38:32.510
chuck you out or anything. They just look after

00:38:32.510 --> 00:38:34.929
you. Yeah, that's fine. And you get small plates

00:38:34.929 --> 00:38:36.590
and you do loads of cocktails. Cocktails are

00:38:36.590 --> 00:38:38.250
just brilliant, aren't they? Yeah. I think that

00:38:38.250 --> 00:38:41.409
makes it... Danger. Doesn't it? Yeah. If you

00:38:41.409 --> 00:38:44.750
do cocktails really well, like Mr. Foggs. Yeah.

00:38:44.829 --> 00:38:48.429
Mr. Foggs makes a Negroni. in a mechanical theme

00:38:48.429 --> 00:38:50.829
on the back of the bar in one of their restaurants.

00:38:50.929 --> 00:38:53.070
I think I've seen a video of it, actually. Yeah,

00:38:53.130 --> 00:38:54.769
I had a client who wanted to do it and we did

00:38:54.769 --> 00:38:56.630
a whole lot of research into it. It was brilliant.

00:38:56.849 --> 00:39:01.230
And, yeah, I mean... That kind of thing is just,

00:39:01.250 --> 00:39:03.429
it just brings people. Yeah, Scarlett and I went

00:39:03.429 --> 00:39:06.289
to London the other week and we went to a place

00:39:06.289 --> 00:39:08.929
called Happy, which is apparently very TikTok

00:39:08.929 --> 00:39:11.590
famous. Obviously, Scarlett is younger and cooler

00:39:11.590 --> 00:39:14.050
than me. She was like, we've got to go here.

00:39:14.090 --> 00:39:16.929
We've got to go and try it. And we went in and

00:39:16.929 --> 00:39:18.670
I ordered, I can't remember what it was called

00:39:18.670 --> 00:39:21.989
now, but a cocktail and it came out in a pirate

00:39:21.989 --> 00:39:25.590
treasure chest. And then you opened it up and

00:39:25.590 --> 00:39:27.989
all this like smoke come out and it was like

00:39:27.989 --> 00:39:31.380
this purple. It was, like, almost fluorescent

00:39:31.380 --> 00:39:36.539
purple. But it was really lovely, like, looking.

00:39:36.659 --> 00:39:41.099
It was very, very sweet. But, yes, it is like

00:39:41.099 --> 00:39:42.579
the cocktails. And, like, people were, like,

00:39:42.579 --> 00:39:44.820
look, thinking, oh, what have they got on their

00:39:44.820 --> 00:39:47.840
table? And it's just about creating kind of hype,

00:39:47.920 --> 00:39:50.840
isn't it, really, I think. Yeah, and experiences.

00:39:50.960 --> 00:39:53.079
Like, you buy a drink, and it's just a drink.

00:39:53.219 --> 00:39:54.980
You buy one of those, and it's like, oh, yeah.

00:39:55.179 --> 00:39:59.090
And I was like, oh, let's do it. Yeah. But people

00:39:59.090 --> 00:40:01.510
will love that. And I've been in so many immersive

00:40:01.510 --> 00:40:04.590
places where they don't do the drink very well

00:40:04.590 --> 00:40:06.250
because they don't need to. They don't need to.

00:40:06.269 --> 00:40:09.349
It just draws people in. It will turn. I think

00:40:09.349 --> 00:40:12.369
that people will start catching on. Yeah. Yeah.

00:40:13.610 --> 00:40:15.090
Definitely. There will just be more competition.

00:40:15.409 --> 00:40:19.869
Yeah. But, yeah, no, I think Forge Kitchen. I

00:40:19.869 --> 00:40:24.210
love. Oh, I love Swire. I love the Ivy. All of

00:40:24.210 --> 00:40:26.670
the Ivies. The Ivy Asia is my favourite, I think.

00:40:27.550 --> 00:40:29.369
All of them, they just, when you go into the

00:40:29.369 --> 00:40:31.869
idea, you just feel like you're being treated.

00:40:32.210 --> 00:40:34.750
Yeah. Don't you? Yeah, we did, didn't we? And

00:40:34.750 --> 00:40:37.670
he's just like, there's just so many things.

00:40:37.690 --> 00:40:39.730
From an interior design perspective, it's just

00:40:39.730 --> 00:40:42.250
so inspiring. Yeah, all the artwork and, like,

00:40:42.289 --> 00:40:44.489
it's like the small detail of it all, isn't it?

00:40:44.530 --> 00:40:46.750
Like, there was, like, some panelling, wasn't

00:40:46.750 --> 00:40:49.150
there? And, like, the wallpaper and everything

00:40:49.150 --> 00:40:51.329
just looked, you know, it was wallpaper panels,

00:40:51.570 --> 00:40:55.460
wasn't there, on the back. And upholstered panels.

00:40:55.579 --> 00:40:59.800
Yeah. And the toilets, obviously. I didn't see

00:40:59.800 --> 00:41:02.920
the toilets. I took a video, yeah. Very pink.

00:41:03.039 --> 00:41:06.880
Put it on your facial. Yes, yeah. So I'm sorry

00:41:06.880 --> 00:41:08.460
that we've had to finish this off in the studio.

00:41:08.800 --> 00:41:11.219
I hope that that gives you an idea of how to

00:41:11.219 --> 00:41:14.219
design a restaurant a bit better. Yeah. And how

00:41:14.219 --> 00:41:15.900
to make your restaurant more successful, or if

00:41:15.900 --> 00:41:17.500
you're a designer, how to make your projects

00:41:17.500 --> 00:41:20.239
more successful. If there's anything you want

00:41:20.239 --> 00:41:22.960
to hear us talk about... Please let us know.

00:41:23.000 --> 00:41:24.900
We'd love to hear from you and we'd love to hear

00:41:24.900 --> 00:41:27.960
what ideas you have for the future of the Interior

00:41:27.960 --> 00:41:30.460
Design Podcast. Yeah, lovely. We've got loads

00:41:30.460 --> 00:41:32.579
of exciting things coming up. We've done loads

00:41:32.579 --> 00:41:36.119
of recording. We have got a new editor, Emily.

00:41:36.860 --> 00:41:42.179
She's in the background. And Emily's going to

00:41:42.179 --> 00:41:45.480
help me edit a little bit more often so we can

00:41:45.480 --> 00:41:48.780
try and do a bit more podcasting for you. And

00:41:48.780 --> 00:41:51.599
yeah, if you like... this podcast, please subscribe

00:41:51.599 --> 00:41:54.500
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00:41:54.500 --> 00:41:58.840
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00:41:58.840 --> 00:42:03.840
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00:42:03.840 --> 00:42:07.780
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00:42:07.780 --> 00:42:10.980
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00:42:11.260 --> 00:42:13.519
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00:42:13.519 --> 00:42:16.059
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00:42:16.059 --> 00:42:21.280
out our lovely skirts. Thank you very much for

00:42:21.280 --> 00:42:22.739
listening. Thank you. And we'll see you next

00:42:22.739 --> 00:42:26.480
time. Bye. Follow us on socials, interiordesign

00:42:26.480 --> 00:42:28.039
.podcast. Thanks for listening.
