WEBVTT

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Welcome to Light Bites, an occasional podcast

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from Leeds Institute for Teaching Excellence

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at the University of Leeds. Episodes will be

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hosted by members of the Light team. And we'll

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be showcasing the scholarship of teaching and

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learning from across the university. Hello, you're

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listening to Light Bites. I'm Robert Averys from

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the Leeds Institute for Teaching Excellence.

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I'm joined today by Light Fellow Angela Newton.

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Morning, Angela. Hello. I'm very well, thank

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you. Thank you for inviting me. I'm very excited.

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You're more than welcome. So perhaps to kick

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things off, you could tell listeners a little

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bit about what you do at the University of Leeds.

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Yeah, yeah, that's right. So I'm a learning advisor

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with the learning development team. That's part

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of the library service here at Leeds. And we're

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responsible for the skills at library service,

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which faces students. So my particular job, I

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work directly with law and sociology and social

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policy. I work particularly with the academic

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staff to sort of design really good learning

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and teaching activities, particularly around

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academic literacies. So things like writing,

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deep reading. We're thinking a lot about AI,

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of course, at the moment. And I work directly

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with students as well, which is always just one

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of the most rewarding things I can do. Brilliant.

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Thanks for that introduction. A good question

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to start with would be what first got you into

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pedagogical research? What motivated you to apply

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for your fellowship? I think there was just a

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sort of increasing sense for me that there were

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some quite exciting ideas that could be tapped

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into, but I needed to know a lot more about them.

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So, for example. One of the things that really

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very directly led me to this is I was working

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with one of my fantastic colleagues, Bethany

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Robertson, in sociology and social policy. And

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we were designing some learning for some first

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year students. And when we ran it with students,

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there was such an interesting reaction from them.

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There was such enthusiasm and they joined in

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so wholeheartedly and authentically that I thought

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we have to tap into this. We have to understand

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more about this. And the thing that we were doing

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was we'd be using some magazine covers from Cosmopolitan

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magazine. So we had one from the 90s. We had

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one sort of contemporary cover. And we were asking

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students to try and engage in critical thinking

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by comparing the two, first analysing each one

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and then making some comparisons. And the...

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the reaction from the students was really interesting

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and they were very excited to do this. So I wanted

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to dig into that and find out a lot more about

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what that was. And then simultaneously I was

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having discussions with the then Director for

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Student Education, Tom Campbell. I have to name

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check Tom a lot because he's absolutely fundamental

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to this. He's been incredibly supportive. And

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we both had a very strong interest in reading

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in libraries. Obviously, I trained as an academic

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librarian. So this is just in me. It has to have

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outlets. And we started talking about this idea

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of using objects. And I think at some point I

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Googled the term object based learning and went,

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oh, this is a thing. It's a thing that we need

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to understand. Fantastic. And I realise I forgot

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to mention the name of your fellowship, which

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is Developing Object -Based Learning at Leeds.

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Could you give listeners a summary of what object

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-based learning is all about? Yeah. So with object

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-based learning, and this is it's not a new thing.

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It's not something that I've created. I've literally

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just walked into a discussion that was already

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happening, essentially, but with enormous enthusiasm.

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What object -based learning does is it allows

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you to start conversations with students or indeed

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research, whereby you use objects as the stimulus

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rather than text. Or you might use the two together.

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So, for example, you could run with, I don't

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know, performance students, some sort of kind

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of activity where you present them with objects.

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And I was talking to the brilliant Jonathan Pitches

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the other day in PCI. He was talking about dancing

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with objects as a response to them and with them

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and to make them part of a performance. Other

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things that you can do which are slightly more

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traditional might revolve around, say, archaeologists

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and archaeology students interacting with things

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like pottery shards. And you need to do that

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many, many, many times in order to be able to

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understand their context and where they came

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from and many other things besides. The way in

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which we're interested in using object -based

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learning, and of course it happens in lots of

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different contexts here at Leeds as well, is

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in terms of allowing students to approach and

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unfold an object within their discipline. So

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within their disciplinary frameworks and bringing

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all of their knowledge, we allow them to have

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quite free discussions and to come up with their

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own hypotheses and really explore together in

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a very sort of collective way what these things

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might mean. Fantastic. And I certainly experienced

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that when participating in your recent spotlight

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workshop on object based learning and we were

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deconstructing and unpacking these really common

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everyday. but we were looking at them through

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a different lens. And it's really exciting for

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me and I'm sure for listeners to consider how

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they might use objects in their own teaching

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practice or research practice and so on in different

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disciplines and different contexts. We'll get

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on to findings in a little bit. I think one thing

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I'd be keen to ask you is we know some of the

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reasons why you do object -based learning and

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the kind of things it cultivates with students

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in learning experiences. Why is it a particularly

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relevant pedagogical approach at this moment

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in time? Why do you feel it's particularly important?

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Yeah, that's a really interesting question. I

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think there's a lot of different answers to that.

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The main ones for me are to do with, okay, we've

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come out of, it feels crazy to say five years

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post kind of the beginning of COVID, you know,

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and it's hard to underestimate the impact that

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that had. you know, in society generally, but

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also on education and so many impacts. And so

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we've come back, I think, to campus with a renewed

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sense of, yes, what technology can do for us

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and how powerful it is and how brilliant that

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we can do stuff like this. We didn't even need

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to be in the same room or the same continent

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to have this discussion. But that also, I think,

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definitely led to... for a lot of people, a feeling

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of isolation. And I think higher education has

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suffered from difficulty that a lot of students

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have in returning to campus and live in -person

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teaching. So with the kind of object -based learning

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that I'm interested in, because it is so fundamental

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to be in a room together, and in your case, you

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were having to rely on one another's skills because

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you were... unpacking a tent and putting a tent

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up, albeit inside. Because we need one another

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for those experiences, it combats that sense

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of isolation that was definitely accelerated

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in COVID. And I think because a lot of learning

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is now mediated through screens, there is an

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over -dependence perhaps on them. And that's

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been absolutely blown... Out of all proportion

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by the sort of blowout year of Gen AI last year.

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So a lot of students have said to me very openly,

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you know, if people say they're not using Gen

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AI for their work, that they're basically lying

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to you. Equally, I've met a lot of students who

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say that's absolutely not the case. I'm not going

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anywhere near it. So I think in terms of materiality.

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Working with objects allows this multi -sensory

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and in -person sort of joint action, which you

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cannot replicate through things like Gen AI.

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You don't need your phone if you're looking at

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a fabric banner and discussing how it's made.

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Because we've provided you with things like magnifying

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glasses to get really close up to the detail.

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So unless you wanted to, I don't know, photograph

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it and then really zoom in in some sort of incredibly

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detailed way, you don't really need your phone.

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And that's been one of the interesting things

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that I've definitely discovered in the process

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of the project is that screen use during object

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-based learning is almost non -existent because

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there is this need to get really personal with

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the thing that's in front of you. I promise listeners,

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we'll come on to the research design in a second,

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but just to comment further on my participation

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in the workshop. One thing I found really enriching

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was that, as you describe object -based learning

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as a social experience, as a social practice,

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when we were all looking at the same object,

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we were doing it for our different lenses, both

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in terms of lived experience, but also disciplinary.

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So I was analysing... material through maybe

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quite a sociological lens whereas I had other

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colleagues who were looking at it from very different

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perspectives and together we had this really

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enriched understanding of how we look at it and

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what it means to different people what it could

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be illustrative of what it could suggest represent

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and I found that really really good and reflective

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so moving on Could you give listeners an overview

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of your research design and how did you go about

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your light fellowship? So the two sort of main

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aims that I had were to, one, understand the

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pedagogical underpinnings of this whole area,

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because I was a novice and I instinctively felt

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that it was going to be very rich and it was

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going to enlighten me. I didn't quite appreciate

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how changing and how enlightening I would find

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it. So I did a lot of reading. I read some really

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interesting stuff from lots of different disciplinary

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perspectives, actually, just as you've just mentioned,

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Robert. So I read a lot of stuff in terms of

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sort of museum studies and archaeology. I also

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read quite a lot of sociologists. I read quite

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a lot in the fine art disciplines and I read

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lots of multidisciplinary work as well. So there's

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a wonderful project at Harvard called Project

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Zero, which has been going on for a long time,

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which is about visual thinking. So many, many

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things came together to inform what I understood

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about why we might do it and what the benefits

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might be. I was also really fortunate to be able

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to speak to a lot of people who were genuinely

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just so knowledgeable, generous with their time,

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just incredible experts. So people like Judy

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Wilcox at Central Saint Martins, who's just incredibly

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knowledgeable and generous. The wonderful Thomas

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Cador at UCL. I spoke to several different people

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in Australia. And yeah, and discussing with my

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colleagues here back at Leeds. So all of that,

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that was one big part of the project to really

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get to grips with what underpins this practice.

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And then secondly, the other big thing was to

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run some experimental workshops based on all

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of that knowledge. And I should say also, I was

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very lucky. Thomas Cader at UCL invited me twice

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to go down. to visit their laboratory facility

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to see some object -based learning that they

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do with their students, which is just incredibly

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inspirational. And all of that informed the experimental

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workshops that I ran with students. So I had

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several different student groups. Some of them

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were exclusively sociology and social policy

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students. And the reason behind that was that,

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as I say, my brilliant colleague Tom Campbell

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was very interested in creating a module. about

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objects within the discipline of sociology and

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we wanted to use the findings from those workshops

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to really inform that module design and to really

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root it in very very recent research at our institution

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and so I carried out several experimental workshops

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with different groups of students and then you

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know delved through all of their different responses

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because they were brilliant, the students. They

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all participated in a questionnaire activity

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following the workshops. And they gave me such

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thoughtful responses, such detailed, considered

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responses to the questions, which was wonderful

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because they could have just sucked it off and

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sort of, you know, said quite sort of... not

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facetious but um you know quite limited things

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but they were incredibly thoughtful and because

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of that it made the outcome so much richer so

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i was i was really really grateful to their sincere

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participation so with these questionnaires post

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participation in the workshop yes is that maybe

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indicative of how the workshop cultivates that

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reflective mindset yeah i mean We it might be

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partly to do with the space that we were in as

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well. So we we took the students into the Bedford

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room in special collections here at the University

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of Leeds. And that's a purpose built room for

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different types of activities. But because it's

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within special collections, we and I have to

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say a huge thank you to those staff as well,

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because they were absolutely wonderful and very,

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very encouraging and really enthusiastic about

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what I was doing as well, which was fabulous.

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So essentially, I selected a range of objects

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from their collections, which is not an easy

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thing to do, I have to tell you, because the

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amount of just fascinating things that they have,

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it's kind of embarrassing. And eventually, with

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their help, I settled on using a selection of

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objects which represented kind of protest. And

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we have a wonderful... feminist archive and so

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I picked several items from that feminist archive

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including this incredible enormous Barbie fabric

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banner for the Leeds lesbian line which I knew

00:15:48.919 --> 00:15:51.440
nothing about. I still know very little about

00:15:51.440 --> 00:15:53.700
it though I've read a brilliant book which is

00:15:53.700 --> 00:15:56.299
about lesbian lines nationally within the UK.

00:15:56.539 --> 00:16:00.379
Really really interesting stuff. So these objects

00:16:00.379 --> 00:16:02.960
of protest I thought would give sufficient scope

00:16:02.960 --> 00:16:05.769
for discussion. I picked things that weren't

00:16:05.769 --> 00:16:07.809
going to be potentially sort of triggering for

00:16:07.809 --> 00:16:10.409
people. So things like sexual violence were not

00:16:10.409 --> 00:16:15.289
topics that were coming up. But I obviously was

00:16:15.289 --> 00:16:17.830
careful to caveat the objects with the fact that

00:16:17.830 --> 00:16:22.370
these were a result of their time, their context,

00:16:22.629 --> 00:16:26.970
the opinions of their creators. And I also made

00:16:26.970 --> 00:16:29.470
sure that we had a variety of different types

00:16:29.470 --> 00:16:34.590
of materiality. I had a UCU armband from more

00:16:34.590 --> 00:16:37.629
recent demonstrations at Leeds. And it was particularly

00:16:37.629 --> 00:16:40.490
interesting because it was weatherproofed. So

00:16:40.490 --> 00:16:42.269
I was hoping that students might pick up on the

00:16:42.269 --> 00:16:45.730
fact that it had been adapted for conditions.

00:16:46.889 --> 00:16:49.230
But that was really fascinating because their

00:16:49.230 --> 00:16:53.049
interactions with that were confusion. They knew

00:16:53.049 --> 00:16:54.990
about the strikes because their education had

00:16:54.990 --> 00:16:57.549
been affected by them, but they didn't know what

00:16:57.549 --> 00:17:00.539
this thing was. they were really puzzled you

00:17:00.539 --> 00:17:03.080
know is it is it table decoration is it like

00:17:03.080 --> 00:17:05.640
why has it got stickers on it they really really

00:17:05.640 --> 00:17:08.279
puzzled about it so that all of that discussion

00:17:08.279 --> 00:17:10.140
was really interesting and I said look you put

00:17:10.140 --> 00:17:14.740
it on your arm they went oh I see it was winter

00:17:14.740 --> 00:17:17.279
oh I see right that's why it's all plastic yes

00:17:17.279 --> 00:17:21.319
that's right so yes I I had to think really carefully

00:17:21.319 --> 00:17:25.230
about what I got out And the staff in special

00:17:25.230 --> 00:17:28.809
collections were absolutely incredible at suggesting

00:17:28.809 --> 00:17:33.769
things and giving their own expertise. And I

00:17:33.769 --> 00:17:38.109
genuinely think that, of course, my work in object

00:17:38.109 --> 00:17:39.730
-based learning isn't just to do with historic

00:17:39.730 --> 00:17:42.910
and rare artefacts. As you know, we can look

00:17:42.910 --> 00:17:48.069
at a tea bag. But the staff in our archives and

00:17:48.069 --> 00:17:50.569
special collections departments have... just

00:17:50.569 --> 00:17:52.529
the most incredible knowledge that we just do

00:17:52.529 --> 00:17:56.289
not tap into enough. And what were your main

00:17:56.289 --> 00:17:59.289
findings from your fellowship? If it's possible

00:17:59.289 --> 00:18:03.170
to distill this really rich and, I guess, exploratory

00:18:03.170 --> 00:18:06.690
and interpretive research methods you've used.

00:18:06.750 --> 00:18:09.190
I don't mean that to restrict your reflections,

00:18:09.250 --> 00:18:12.529
but is there an overarching kind of sort of conclusion?

00:18:13.049 --> 00:18:16.410
I mean, very much. So object -based learning

00:18:16.410 --> 00:18:22.460
works like a dream. Almost despite who is in

00:18:22.460 --> 00:18:25.460
the room, as long as people are willing to chat

00:18:25.460 --> 00:18:28.819
and participate and put ideas forward, they're

00:18:28.819 --> 00:18:30.740
going to learn something and they're going to

00:18:30.740 --> 00:18:33.900
practice some quite essential skills. So the

00:18:33.900 --> 00:18:37.140
sorts of things that I observed and that came

00:18:37.140 --> 00:18:41.079
very much out of the questionnaire results from

00:18:41.079 --> 00:18:44.220
students were things like, this is really fun.

00:18:44.660 --> 00:18:47.539
This has broken down some serious social barriers.

00:18:48.299 --> 00:18:51.259
I've met people in one hour that I did not know

00:18:51.259 --> 00:18:53.119
before and within five minutes we were having

00:18:53.119 --> 00:18:55.819
a really good giggle about something that we

00:18:55.819 --> 00:18:59.220
both found quite humorous or interesting. That

00:18:59.220 --> 00:19:03.380
concept of kind of joint action really motivated

00:19:03.380 --> 00:19:06.859
people to push their conversations forward. They

00:19:06.859 --> 00:19:09.220
were leaning into one another's skills, leaning

00:19:09.220 --> 00:19:11.740
into one another's knowledge. They were sharing

00:19:11.740 --> 00:19:15.819
very rich cultural capital. So one of the objects

00:19:15.819 --> 00:19:19.200
that we had was this absolutely incredible CND

00:19:19.200 --> 00:19:22.519
T -shirt, I think from the 80s. And it has a

00:19:22.519 --> 00:19:26.599
black cat kind of scratching through a kind of

00:19:26.599 --> 00:19:29.960
nuclear disarmament logo. And two students were

00:19:29.960 --> 00:19:33.400
having a really animated discussion about their

00:19:33.400 --> 00:19:36.400
different perspectives of what a black cat symbolised.

00:19:37.000 --> 00:19:38.880
Now, I don't think that that discussion would

00:19:38.880 --> 00:19:41.900
have happened in many other contexts. But because

00:19:41.900 --> 00:19:43.740
of that, they then went on to talk about other

00:19:43.740 --> 00:19:48.240
things. And I think that that broke down such

00:19:48.240 --> 00:19:51.079
a lot of barriers. So they had two very different

00:19:51.079 --> 00:19:53.539
cultural contexts in terms of their upbringing,

00:19:53.740 --> 00:19:56.180
their backgrounds, where they came from. But

00:19:56.180 --> 00:19:58.059
they came together and had a really interesting

00:19:58.059 --> 00:20:01.299
discussion about this, this thing that was puzzling.

00:20:01.769 --> 00:20:04.309
There was also a really distinctive emotional

00:20:04.309 --> 00:20:08.829
impact that a lot of the objects had. And this

00:20:08.829 --> 00:20:10.849
is something that I think is really super interesting

00:20:10.849 --> 00:20:15.049
and it's worthy of further investigation because

00:20:15.049 --> 00:20:19.009
there is clearly a link between the emotional

00:20:19.009 --> 00:20:23.589
impact that objects have and your engagement

00:20:23.589 --> 00:20:26.390
with them. So I think it's something to do with

00:20:26.390 --> 00:20:29.900
attention and also to do with unpicking. what

00:20:29.900 --> 00:20:32.619
other people think about them, but I don't fully

00:20:32.619 --> 00:20:37.319
understand it and I really want to. I think connected

00:20:37.319 --> 00:20:41.920
to all of this is the sort of democratising effect

00:20:41.920 --> 00:20:46.539
of using an object. We could both sit and look

00:20:46.539 --> 00:20:49.480
at the coffee cup that I've got in front of me

00:20:49.480 --> 00:20:51.859
and we could make observations about it and have

00:20:51.859 --> 00:20:54.200
a discussion about it and neither of us would

00:20:54.200 --> 00:20:59.640
be wrong. It's not about who is cleverer than

00:20:59.640 --> 00:21:03.539
who. It's not about I'm going to get a first

00:21:03.539 --> 00:21:05.779
and you're not going to get a first. Not that

00:21:05.779 --> 00:21:07.940
I think our students think in those particular

00:21:07.940 --> 00:21:11.339
ways. But there is something that very much breaks

00:21:11.339 --> 00:21:14.859
down barriers also between facilitators, academic

00:21:14.859 --> 00:21:19.059
staff and students as well. That putting an object

00:21:19.059 --> 00:21:24.099
in front of us all makes us curious. And that...

00:21:24.519 --> 00:21:27.400
seems to me to be a really valuable aspect of

00:21:27.400 --> 00:21:29.680
this because we can change the teaching dynamic.

00:21:29.819 --> 00:21:34.519
We can move away from the didactic norm and we

00:21:34.519 --> 00:21:39.119
can introduce this much more sort of fluid dynamic

00:21:39.119 --> 00:21:44.400
which really is accented by our abilities to

00:21:44.400 --> 00:21:47.319
listen actively. And active listening is something

00:21:47.319 --> 00:21:49.279
that I became very, very interested in during

00:21:49.279 --> 00:21:52.470
the pandemic and I feel that it's... deepened

00:21:52.470 --> 00:21:54.569
my understanding of object -based learning having

00:21:54.569 --> 00:21:58.369
an interest in active listening so there's there's

00:21:58.369 --> 00:22:02.349
a lot to celebrate definitely i really enjoyed

00:22:02.349 --> 00:22:04.849
listening to your reflections there angela feels

00:22:04.849 --> 00:22:07.049
as if this is circling back around to some of

00:22:07.049 --> 00:22:09.589
the challenges post -covid for example that you

00:22:09.589 --> 00:22:12.269
cited at the beginning yeah you know emotionality

00:22:12.269 --> 00:22:15.910
and that having that emotional resonance partnership

00:22:15.910 --> 00:22:19.130
you described just then They sort of come together

00:22:19.130 --> 00:22:22.049
to create learning experiences that transcend

00:22:22.049 --> 00:22:24.329
learning about a discipline or a body of knowledge

00:22:24.329 --> 00:22:27.890
into relations. Yes. You say the democratising

00:22:27.890 --> 00:22:30.109
effect of using objects. I also think it's wonderfully

00:22:30.109 --> 00:22:33.730
accessible. As you say, if you're teaching a

00:22:33.730 --> 00:22:35.890
subject and you're an expert in the area and

00:22:35.890 --> 00:22:38.069
you've got a whole bunch of students that might

00:22:38.069 --> 00:22:42.910
be new to thinking about a theory or just working

00:22:42.910 --> 00:22:46.369
in that context with an academic. feels like

00:22:46.369 --> 00:22:49.009
using an everyday object is a way in which you

00:22:49.009 --> 00:22:51.650
can reflect together in a way that's less perhaps

00:22:51.650 --> 00:22:54.190
hierarchical as more accessible entry points

00:22:54.190 --> 00:22:56.750
yes it absolutely does and i think it's also

00:22:56.750 --> 00:22:59.089
worth saying that this is this is something that

00:22:59.089 --> 00:23:01.789
you can use at any level of study i think within

00:23:01.789 --> 00:23:05.549
with with great impact the the caveat that i

00:23:05.549 --> 00:23:10.420
would always give is that if you overload students

00:23:10.420 --> 00:23:15.180
with this kind of experience, it may start to

00:23:15.180 --> 00:23:19.680
lose its impact and power. I'm not 100 % firm

00:23:19.680 --> 00:23:22.779
on that opinion, but you do have to think carefully

00:23:22.779 --> 00:23:26.039
about how you situate it. So the module that

00:23:26.039 --> 00:23:28.420
I work with Tom Campbell on, the Sociology of

00:23:28.420 --> 00:23:31.420
Objects, is actually a third year module. And

00:23:31.420 --> 00:23:34.380
initially I was a little disappointed that it

00:23:34.380 --> 00:23:36.380
wasn't a second year module because I said, oh,

00:23:36.440 --> 00:23:38.559
but you know, we could... We could get students

00:23:38.559 --> 00:23:41.119
thinking about this for their dissertations and

00:23:41.119 --> 00:23:43.299
it might lead into these really exciting projects.

00:23:43.640 --> 00:23:46.480
But actually having run the module for the first

00:23:46.480 --> 00:23:51.779
time in 24 -25, what I then realised is actually

00:23:51.779 --> 00:23:56.299
third year is possibly a perfect time to run

00:23:56.299 --> 00:23:58.599
this specific module because those students are

00:23:58.599 --> 00:24:02.599
bringing all of their previous accumulated knowledge

00:24:02.599 --> 00:24:06.500
and understanding into a really reflective space.

00:24:07.319 --> 00:24:10.980
where they can utilise their disciplinary understandings

00:24:10.980 --> 00:24:13.220
in a way that I don't think they could have done

00:24:13.220 --> 00:24:16.500
a year previously. So in actual fact, you know,

00:24:16.519 --> 00:24:18.880
you could use this with first year or foundation

00:24:18.880 --> 00:24:22.539
level students. I spent some time with Lifelong

00:24:22.539 --> 00:24:24.660
Learning recently who had a group of students

00:24:24.660 --> 00:24:27.700
and we, you know, poor things, I inflicted some

00:24:27.700 --> 00:24:30.660
taxidermy on them. But gosh, that was a conversation

00:24:30.660 --> 00:24:34.119
starter. So you can do this at any level of study,

00:24:34.200 --> 00:24:35.920
but you have to think really carefully about

00:24:35.920 --> 00:24:39.640
how you scaffold it, how you want it to, you

00:24:39.640 --> 00:24:42.619
know, what outcomes do you want? There's a craft

00:24:42.619 --> 00:24:44.740
that needs to be developed and honed. Absolutely.

00:24:44.740 --> 00:24:47.579
The intention has to be there, but also the skill

00:24:47.579 --> 00:24:50.000
to kind of develop it and reflect on your practice.

00:24:50.299 --> 00:24:54.220
It's very much that you need to think about running

00:24:54.220 --> 00:24:58.329
this as guided discourse. rather than I am the

00:24:58.329 --> 00:25:00.589
expert and I am going to give you a lecture about

00:25:00.589 --> 00:25:01.970
this object. I'm not saying there's anything

00:25:01.970 --> 00:25:03.910
wrong with that, but that's not for me. That's

00:25:03.910 --> 00:25:06.230
not object based learning. For me, that's a lecture

00:25:06.230 --> 00:25:09.990
with materiality. Before we go on to sort of

00:25:09.990 --> 00:25:12.190
going forwards and the kind of changes you'd

00:25:12.190 --> 00:25:16.349
like to see made or occur. And I'm thinking back

00:25:16.349 --> 00:25:19.250
to Paul Ashwin's fantastic 2024 Student Education

00:25:19.250 --> 00:25:22.930
Conference keynote. How important is it for you

00:25:22.930 --> 00:25:27.140
to explain to students? Yes, it's a democratised

00:25:27.140 --> 00:25:29.380
form of learning, but the outset to explain why

00:25:29.380 --> 00:25:33.279
you've adopted this approach. I do think that

00:25:33.279 --> 00:25:36.539
there is a real value in that. I was very explicit

00:25:36.539 --> 00:25:39.359
about the fact that this was a different thing.

00:25:39.619 --> 00:25:42.059
And actually, in some of the feedback, the students

00:25:42.059 --> 00:25:44.940
were saying, I'm so excited that the university

00:25:44.940 --> 00:25:48.079
thinks about teaching in this way. And they were

00:25:48.079 --> 00:25:52.279
really sincere in saying, I love the fact that

00:25:52.279 --> 00:25:54.359
you're experimenting with teaching techniques.

00:25:55.099 --> 00:25:57.460
That wasn't a response I was expecting at all.

00:25:58.099 --> 00:26:03.500
So it always pays to really pay attention to

00:26:03.500 --> 00:26:06.539
what our students say in that respect. I think

00:26:06.539 --> 00:26:09.259
in the sociology of objects module I mentioned

00:26:09.259 --> 00:26:13.039
previously, we've also been quite clear with

00:26:13.039 --> 00:26:14.660
students that they're going to do things that

00:26:14.660 --> 00:26:18.359
are not the norm within their discipline. So

00:26:18.359 --> 00:26:20.839
when we take them, for example, on a field trip

00:26:20.839 --> 00:26:24.480
to the Discovery Centre. which is the warehouse

00:26:24.480 --> 00:26:29.200
for Leeds museums. And they walk in the door

00:26:29.200 --> 00:26:33.059
and it's literally a warehouse full of the insane

00:26:33.059 --> 00:26:35.940
history of Leeds. There is, you know, there's

00:26:35.940 --> 00:26:40.980
a hippo taxidermy. There's a bear standing in

00:26:40.980 --> 00:26:43.759
a Victorian shower cubicle. There's a butcher's

00:26:43.759 --> 00:26:49.220
block from Hull from the 1700s. And they're faced

00:26:49.220 --> 00:26:53.259
with... a really unusual learning situation.

00:26:54.180 --> 00:26:57.680
And to be able to say, this is going to be really

00:26:57.680 --> 00:27:01.339
different. You've got to engage your senses,

00:27:01.420 --> 00:27:03.660
which you can't help but do when you're in an

00:27:03.660 --> 00:27:07.160
environment like that. And we want you to basically

00:27:07.160 --> 00:27:11.640
just be curious. And actually, last year when

00:27:11.640 --> 00:27:13.700
we did take the students to the Discovery Centre,

00:27:13.859 --> 00:27:17.259
they basically ran that session with their questions.

00:27:17.680 --> 00:27:20.490
So we had a wonderful guide. who took us around

00:27:20.490 --> 00:27:23.349
the storehouse, and the students were just saying,

00:27:23.470 --> 00:27:28.269
what do you do when this piece of taxidermy,

00:27:28.269 --> 00:27:30.890
this antelope, falls to bits? Do you just put

00:27:30.890 --> 00:27:34.009
it in the bin? What's the rationale for that?

00:27:34.269 --> 00:27:37.809
How do you collect new items? What's your criteria

00:27:37.809 --> 00:27:40.210
for that? Why have you got this big bunch of

00:27:40.210 --> 00:27:43.349
chairs over here? They just led the whole thing

00:27:43.349 --> 00:27:47.890
with their questions, and they were as... you

00:27:47.890 --> 00:27:49.950
know, you would expect from, you know, we both

00:27:49.950 --> 00:27:52.029
think sociology is a very important discipline.

00:27:53.049 --> 00:27:55.150
As you would expect, they were talking a lot

00:27:55.150 --> 00:27:58.170
about ethics and they were really thinking carefully

00:27:58.170 --> 00:28:02.890
about how this stuff is relevant to their discipline.

00:28:03.930 --> 00:28:06.789
Fantastic. And going forwards then, what sorts

00:28:06.789 --> 00:28:08.809
of changes would you like to see? And feel free

00:28:08.809 --> 00:28:11.809
to answer this at any level of scale. Yeah, absolutely.

00:28:12.230 --> 00:28:15.410
I mean, so things that I'm specifically working

00:28:15.410 --> 00:28:19.839
on right now. And I'm working on creating a national

00:28:19.839 --> 00:28:22.180
network for object based learning, which which

00:28:22.180 --> 00:28:24.680
does not currently exist. I'll have a symposium

00:28:24.680 --> 00:28:27.099
coming up in June for that. And we're going to

00:28:27.099 --> 00:28:31.039
try and build a proper sort of connected network

00:28:31.039 --> 00:28:33.400
for that. That's definitely something that has

00:28:33.400 --> 00:28:35.240
to happen. I want to do the same at Leeds. So

00:28:35.240 --> 00:28:37.480
we have a local network and we can meet regularly,

00:28:37.619 --> 00:28:40.140
share really good practice and be a community.

00:28:40.980 --> 00:28:44.200
I think more generally experiential learning.

00:28:44.910 --> 00:28:48.029
is something that I want to see more of in our

00:28:48.029 --> 00:28:51.349
curriculum, in our university curriculars, you

00:28:51.349 --> 00:28:53.430
know, not just at Leeds, but in other places

00:28:53.430 --> 00:28:55.829
as well. There's some wonderful, wonderful things

00:28:55.829 --> 00:28:58.930
going on here at Leeds. You know, there are lots

00:28:58.930 --> 00:29:02.529
of things that you would expect to be experiential

00:29:02.529 --> 00:29:05.970
in certain curricula, like our fashion students,

00:29:06.309 --> 00:29:09.809
deconstructing garments and things like that.

00:29:09.849 --> 00:29:12.730
It's all experiential learning. But then also

00:29:12.730 --> 00:29:15.329
I know of someone who's working with brilliant

00:29:15.329 --> 00:29:17.970
social work students who's trying to create a

00:29:17.970 --> 00:29:20.990
kind of interactive hoarding experience for them

00:29:20.990 --> 00:29:23.170
so that you really get a sense of what it might

00:29:23.170 --> 00:29:25.269
be like to go into somebody's house where there

00:29:25.269 --> 00:29:28.049
is a hoarding issue. Those kind of things I think

00:29:28.049 --> 00:29:30.569
are incredibly creative and engaging responses

00:29:30.569 --> 00:29:35.269
to really intellectual but also very practical

00:29:35.269 --> 00:29:38.690
issues. So I would love to see experiential learning

00:29:38.690 --> 00:29:43.089
just... you know, making a huge impact. I also

00:29:43.089 --> 00:29:46.710
think that the element of active listening is

00:29:46.710 --> 00:29:51.109
just so important. It reaffirms for me more than

00:29:51.109 --> 00:29:54.690
ever that active listening is such an important

00:29:54.690 --> 00:29:57.990
part of creating communities, creating healthy

00:29:57.990 --> 00:30:01.950
democracies, you know, at a really high level

00:30:01.950 --> 00:30:05.519
combating fascism. you know, some very worrying

00:30:05.519 --> 00:30:07.759
things happening across the world right now.

00:30:07.900 --> 00:30:11.559
And if we don't listen, this is the result. But

00:30:11.559 --> 00:30:13.599
also, I think all of the things that I've talked

00:30:13.599 --> 00:30:16.619
about have critical thinking at their heart as

00:30:16.619 --> 00:30:20.900
well. And I know a lot of people, maybe on the

00:30:20.900 --> 00:30:23.119
far right, would say that they do think critically.

00:30:23.480 --> 00:30:25.839
But I think that if they engaged in a session

00:30:25.839 --> 00:30:30.119
like some of those that I've been involved with,

00:30:30.299 --> 00:30:32.430
they would have a very different... understanding

00:30:32.430 --> 00:30:35.970
of what criticality actually means and that you

00:30:35.970 --> 00:30:39.269
cannot just pick the evidence that fits your

00:30:39.269 --> 00:30:41.829
worldview. You need to be able to actually engage

00:30:41.829 --> 00:30:45.109
with, in this case, an object and understand

00:30:45.109 --> 00:30:48.589
what it really tells you about the way the world

00:30:48.589 --> 00:30:51.710
works or has worked. Something we're talking

00:30:51.710 --> 00:30:54.069
about at the minute at Light, because we have

00:30:54.069 --> 00:30:55.390
a few colleagues who are really interested in

00:30:55.390 --> 00:30:57.809
this and Light fellows, such as I imagine yourself,

00:30:58.210 --> 00:31:01.750
is reflexivity. Because there's always that interaction

00:31:01.750 --> 00:31:03.730
between, in this case, the object you're looking

00:31:03.730 --> 00:31:06.349
at and yourself. And when you were talking there,

00:31:06.470 --> 00:31:08.730
it struck me that object -based learning can

00:31:08.730 --> 00:31:11.910
be quite a vulnerable experience in a good kind

00:31:11.910 --> 00:31:14.690
of way because you are allowing yourself to be

00:31:14.690 --> 00:31:16.970
challenged. You're allowing yourself to see something

00:31:16.970 --> 00:31:20.470
you've seen previously in a different way. Yes.

00:31:20.470 --> 00:31:23.009
And that might disappoint or upset you or it

00:31:23.009 --> 00:31:25.430
might make you challenge what you previously

00:31:25.430 --> 00:31:29.829
believed. Or... Indeed, mostly, as I've discovered,

00:31:29.910 --> 00:31:33.990
be utterly revelatory and it can connect people

00:31:33.990 --> 00:31:39.589
in a really exciting way. So I'll just give you

00:31:39.589 --> 00:31:43.589
a quick example in the sociology of objects.

00:31:43.869 --> 00:31:46.369
And this is something that lots of modules do,

00:31:46.450 --> 00:31:48.670
actually, in many different disciplines and in

00:31:48.670 --> 00:31:51.890
many universities. So you invite students to

00:31:51.890 --> 00:31:54.329
bring an object that they think is significant.

00:31:55.240 --> 00:31:57.039
And some people will rock up with nothing and

00:31:57.039 --> 00:31:59.039
just pull something out of their bag. Absolutely

00:31:59.039 --> 00:32:01.299
fine. And that can be fascinating in itself.

00:32:01.640 --> 00:32:04.839
A charging cable. You know, my laptop died this

00:32:04.839 --> 00:32:07.880
morning and I was desperate to find a plug. I

00:32:07.880 --> 00:32:10.640
needed a plug. I literally needed connectivity.

00:32:10.839 --> 00:32:13.880
I needed to connect my laptop with a network.

00:32:14.579 --> 00:32:18.839
And without that, I was lost. However, some students

00:32:18.839 --> 00:32:23.319
will also bring incredibly rare and precious

00:32:23.319 --> 00:32:26.829
objects. So the example I'm going to give you

00:32:26.829 --> 00:32:29.710
is of a student who came to one of the seminars.

00:32:29.769 --> 00:32:31.829
I wasn't there. I wish I'd been there, but I

00:32:31.829 --> 00:32:33.269
think I would have just been a blubbering mess.

00:32:33.890 --> 00:32:37.190
And she came along with a lock of her own hair,

00:32:37.369 --> 00:32:40.609
which she had cut off for her son before she

00:32:40.609 --> 00:32:44.890
started cancer treatment. So I imagine the impact

00:32:44.890 --> 00:32:50.250
of that within the room was pretty hefty because

00:32:50.250 --> 00:32:52.509
they were, yes, they were being very vulnerable.

00:32:53.039 --> 00:32:56.359
in a reasonably public sphere, but they also

00:32:56.359 --> 00:32:58.839
felt that they could trust the other people in

00:32:58.839 --> 00:33:03.180
the room and the facilitator to treat that object

00:33:03.180 --> 00:33:07.079
and treat her emotions with incredible respect.

00:33:07.539 --> 00:33:11.700
So that for me is an act of hope and that is

00:33:11.700 --> 00:33:16.859
an act of trust and it's ultimately very humane

00:33:16.859 --> 00:33:20.039
and the fact that that became something that

00:33:20.039 --> 00:33:24.799
we reflected on quite a lot. It became highly

00:33:24.799 --> 00:33:30.000
significant and symbolic of the fact that universities,

00:33:30.019 --> 00:33:33.220
I think, can allow you to make those connections

00:33:33.220 --> 00:33:36.420
in an intellectual space as well as an emotional

00:33:36.420 --> 00:33:40.599
space. Brilliant. Let's imagine I'm an academic

00:33:40.599 --> 00:33:42.759
working in a discipline that's not sociology.

00:33:43.319 --> 00:33:46.099
Can I reinterpret object -based learning into

00:33:46.099 --> 00:33:47.980
my own practice? I think I know the answer to

00:33:47.980 --> 00:33:50.700
this. And then secondly, what outputs do you

00:33:50.700 --> 00:33:52.700
have available? stemming from your fellowship

00:33:52.700 --> 00:33:55.839
that i can use to inform my work yeah yeah so

00:33:55.839 --> 00:33:58.119
absolutely yes object -based learning is something

00:33:58.119 --> 00:34:02.160
that can be used in many many disciplines it's

00:34:02.160 --> 00:34:06.440
obviously it has roots in some specific disciplines

00:34:06.440 --> 00:34:10.500
you know fine art and museology history archaeology

00:34:10.500 --> 00:34:14.400
those kinds of things however i met wonderful

00:34:14.400 --> 00:34:17.519
people in the course of my research who were

00:34:17.519 --> 00:34:20.420
doing things in very different disciplines so

00:34:20.420 --> 00:34:22.610
there's a Great. I can't remember his name, which

00:34:22.610 --> 00:34:24.889
is very embarrassing. It's a great guy who works

00:34:24.889 --> 00:34:28.849
at Sheffield Hallam University who 3D prints

00:34:28.849 --> 00:34:31.889
things like protein, like different proteins,

00:34:32.190 --> 00:34:35.690
and then distributes them in his lecture theatres.

00:34:35.769 --> 00:34:38.570
So these are things which actually, you know,

00:34:38.570 --> 00:34:41.070
they're too small for you to interact with. So

00:34:41.070 --> 00:34:43.909
his solution is object -based learning, which

00:34:43.909 --> 00:34:47.590
allows students to literally see how such things

00:34:47.590 --> 00:34:51.050
work. And to literally feel them as well. So,

00:34:51.110 --> 00:34:54.349
yeah, there are loads of really brilliant, unexpected

00:34:54.349 --> 00:34:56.889
examples where you might be able to use object

00:34:56.889 --> 00:34:59.309
based learning really successfully. And it doesn't

00:34:59.309 --> 00:35:01.409
have to be an in -person experience either. You

00:35:01.409 --> 00:35:04.909
can do it online. In terms of sort of outputs,

00:35:05.349 --> 00:35:08.190
obviously, my report is on the Light website.

00:35:09.280 --> 00:35:13.480
I also recently did an episode of the L &T chat

00:35:13.480 --> 00:35:17.380
show with Tom Campbell. That's series five of

00:35:17.380 --> 00:35:20.260
the L &T chat show. So that's hopefully quite

00:35:20.260 --> 00:35:23.420
a fun lesson. We do a lot of reflection. I've

00:35:23.420 --> 00:35:26.380
got a journal article which is about to be submitted,

00:35:26.500 --> 00:35:29.769
which is a full write up of the research. There

00:35:29.769 --> 00:35:32.010
are two articles now on the European Teaching

00:35:32.010 --> 00:35:35.269
with Objects website, one about playful learning

00:35:35.269 --> 00:35:39.530
with objects and another that, again, I wrote

00:35:39.530 --> 00:35:42.469
with Tom Campbell. We've got, I mean, God, the

00:35:42.469 --> 00:35:44.309
list is really embarrassing. Just looking at

00:35:44.309 --> 00:35:48.510
your light report slash snapshot now and there's

00:35:48.510 --> 00:35:50.250
loads of great stuff in there. Perhaps we can

00:35:50.250 --> 00:35:52.409
link those two articles into that. Yes, absolutely.

00:35:53.429 --> 00:35:56.369
There's just a lot. And the padlets as well.

00:35:56.949 --> 00:36:01.230
Yes, I created three padlets, which are designed

00:36:01.230 --> 00:36:03.750
to be very, very practical for somebody who wants

00:36:03.750 --> 00:36:07.530
to find out more, who wants to do this in practice

00:36:07.530 --> 00:36:10.570
with their students. Brilliant. I've got two

00:36:10.570 --> 00:36:14.090
more questions and then I'll let you go. Firstly,

00:36:14.309 --> 00:36:17.570
what advice would you have for anyone considering

00:36:17.570 --> 00:36:20.309
a pedagogical research project, perhaps in the

00:36:20.309 --> 00:36:22.849
form of a light fellowship? And is there anything

00:36:22.849 --> 00:36:25.639
that you might have done differently? Yeah, so

00:36:25.639 --> 00:36:29.019
I think you do have to begin with the reading.

00:36:29.219 --> 00:36:31.559
I think it's great to throw ideas around with

00:36:31.559 --> 00:36:34.940
other people, but you have to root it in what

00:36:34.940 --> 00:36:38.659
the literature is telling you or not telling

00:36:38.659 --> 00:36:43.059
you. And so I think certainly for me, I began

00:36:43.059 --> 00:36:45.800
with, yes, some really interesting ideas and

00:36:45.800 --> 00:36:48.840
conversations with other people, but it became

00:36:48.840 --> 00:36:52.480
more realistic when I started to do the reading.

00:36:52.960 --> 00:36:55.119
So the more reading I did, the more confident

00:36:55.119 --> 00:36:58.239
I became in the concepts that I was proposing

00:36:58.239 --> 00:37:02.539
to deal with. So that for me is the kind of route,

00:37:02.699 --> 00:37:06.980
really. I think some things obviously don't quite

00:37:06.980 --> 00:37:10.360
go as you expect. So my big problem was an IT

00:37:10.360 --> 00:37:14.820
problem. So my ethical approval really went sideways

00:37:14.820 --> 00:37:17.199
just as I was about to submit it because there

00:37:17.199 --> 00:37:19.880
was a technical issue. So some things go wrong.

00:37:20.280 --> 00:37:22.340
It's always good to build in some slack time

00:37:22.340 --> 00:37:24.739
for problems. And the other really great advice

00:37:24.739 --> 00:37:28.820
that I've got is if you are doing a light project,

00:37:29.119 --> 00:37:33.219
just bother the person who's going to help you

00:37:33.219 --> 00:37:37.460
in light as much as you can. So just looking

00:37:37.460 --> 00:37:41.420
at you over the table, Robert, I've thanked a

00:37:41.420 --> 00:37:43.480
lot of people, but I have to thank you massively.

00:37:43.539 --> 00:37:45.940
That's too kind. Because you are so, so supportive

00:37:45.940 --> 00:37:50.079
and continue to be so. And I'd give you a gigantic

00:37:50.079 --> 00:37:55.059
pay rise. I use that as evidence. Absolutely.

00:37:55.500 --> 00:37:59.840
And last but not least, what next for you? So

00:37:59.840 --> 00:38:02.960
lots, just lots, really. I'm trying to pack in

00:38:02.960 --> 00:38:05.820
an awful lot in the next few months on object

00:38:05.820 --> 00:38:08.880
-based learning. I'm also doing quite a lot of

00:38:08.880 --> 00:38:11.760
work on deep reading at the moment. So I'm thinking

00:38:11.760 --> 00:38:14.579
a lot about that in terms of Gen AI and deep

00:38:14.579 --> 00:38:18.829
reading. reading as a response to gen ai so i

00:38:18.829 --> 00:38:23.710
have um i have a bunch of really crazy unachievable

00:38:23.710 --> 00:38:27.250
plans including a couple of podcast series so

00:38:27.250 --> 00:38:30.670
uh let's see how far i get with that list that's

00:38:30.670 --> 00:38:35.550
a tantalizing kind of hook will be eagerly anticipating

00:38:35.550 --> 00:38:38.909
not one but two podcast series that's yeah I

00:38:38.909 --> 00:38:41.909
mean go big go big or go home right I don't really

00:38:41.909 --> 00:38:43.969
do things by halves it has to be said I really

00:38:43.969 --> 00:38:46.989
do if I'm interested in something I will really

00:38:46.989 --> 00:38:50.369
really try and push the boat out um because I

00:38:50.369 --> 00:38:52.030
can't do it any other way it's just the way I

00:38:52.030 --> 00:38:54.530
am yeah no one would want to quell your passion

00:38:54.530 --> 00:38:59.070
yeah well in that case then um thank you so much

00:38:59.070 --> 00:39:02.079
for your time today recording this podcast angela

00:39:02.079 --> 00:39:04.840
to return the favor thanks for all the time and

00:39:04.840 --> 00:39:07.059
energy you've spent working on your light fellowship

00:39:07.059 --> 00:39:10.039
and i know you do it for yourself but we also

00:39:10.039 --> 00:39:11.900
really appreciate what you've given to light

00:39:11.900 --> 00:39:14.619
and the light community as well for things like

00:39:14.619 --> 00:39:17.059
the spotlight workshop um that you did which

00:39:17.059 --> 00:39:20.840
was amazing and please you know keep in touch

00:39:20.840 --> 00:39:24.409
and we look forward to hearing about all the

00:39:24.409 --> 00:39:26.269
upcoming workshops and events that you're involved

00:39:26.269 --> 00:39:29.489
with, and this definite podcast, double podcast

00:39:29.489 --> 00:39:32.829
series that's going to be on the horizon. Thanks,

00:39:33.050 --> 00:39:36.949
everybody, for listening. We'll link in any resources

00:39:36.949 --> 00:39:39.750
mentioned in this episode in the show notes.

00:39:40.170 --> 00:39:43.090
But I'm sure Angela will be happy if you reached

00:39:43.090 --> 00:39:47.429
out to her with any questions or ideas and so

00:39:47.429 --> 00:39:50.489
on. Fantastic. Great. Okay. Thanks for listening

00:39:50.489 --> 00:39:52.849
and we'll see you in the next episode. Bye for

00:39:52.849 --> 00:39:53.010
now.
