1 00:00:00,000 --> 00:00:16,000 Ladies and gentlemen, may I have your attention please. 2 00:00:16,000 --> 00:00:40,000 The show starts in 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, go. 3 00:00:46,000 --> 00:01:00,000 This is a Chalk production. 4 00:01:00,000 --> 00:01:09,000 And I am drinking and chilling and talking all sorts of music and tea on the Twisted Critics podcast, your favorite podcast on Spotify. 5 00:01:09,000 --> 00:01:15,000 And now don't let the smooth taste fool you. We getting twisted while we do a little bit of critiquing. 6 00:01:15,000 --> 00:01:18,000 Happy Sunday, yo, Rob, kick us off, man. 7 00:01:18,000 --> 00:01:24,000 Salud, salud, good afternoon, everyone. Doc, AM, we live again. 8 00:01:24,000 --> 00:01:27,000 This is Rob from the Mob, live and direct from Miami Beach, Florida. 9 00:01:27,000 --> 00:01:29,000 I celebrated my wedding anniversary. 10 00:01:29,000 --> 00:01:35,000 Thanksgiving was a couple of weeks ago and I worked my ass off. I worked mad hours. 11 00:01:35,000 --> 00:01:40,000 I partied like a rock star. I went out and did my Miami Beach thing, bro. 12 00:01:40,000 --> 00:01:42,000 We representing. I'm still doing it. 13 00:01:42,000 --> 00:01:47,000 I'm still the man out here in these streets, you know what I mean? But I'm having a good time, man, every second of the day. 14 00:01:47,000 --> 00:01:49,000 Well, what's up? Forget about me. What's up with y'all boys? 15 00:01:49,000 --> 00:01:56,000 So I'm good. You know, life is life. My mom had a stroke the week before Thanksgiving. She's good. No damage to her heart, lungs or brain. 16 00:01:56,000 --> 00:02:03,000 She was out in two days. She has hyperthyroidism. I think I'm saying that correct. So she has thyroid medication that regulates everything. 17 00:02:03,000 --> 00:02:12,000 With that, you know, my background in psychology lets me know that anything dealing with glands, whether it's adrenal or anything that moves, right? 18 00:02:12,000 --> 00:02:18,000 Number wise with how a person's hormones and things like move and active or active, the medicine can cause side effects. 19 00:02:18,000 --> 00:02:24,000 So they changed the medicine depending on how she's doing, right? It didn't go well with the medicine. 20 00:02:24,000 --> 00:02:29,000 The medicine is what caused her to get the blood clots in her leg, which is causing, which in turn is what caused the stroke. 21 00:02:29,000 --> 00:02:34,000 But we go, we maintain it. You feel me? We had a very intimate Thanksgiving. Me, my sister, my mom. That was it. 22 00:02:34,000 --> 00:02:40,000 I'm doing the same thing you're doing in terms of work at Amazon right now. We're in peak season. I got five days, 11 hours. 23 00:02:40,000 --> 00:02:46,000 My son is good. I taught him how to read a lot better. I realized recently he was reading right to left. 24 00:02:46,000 --> 00:02:52,000 So when he would read to, he would read it as it would be tick. And I'm sitting here like, why is that happening? 25 00:02:52,000 --> 00:02:59,000 Drilled him, right? Drilled him real, real, real, real hard for two days. And I said, hey, next thing you know, he reading five letters, six letter words. 26 00:02:59,000 --> 00:03:06,000 And I'm like, how you flip like that in a day? Outside of that, I am, I'm dating exclusively. 27 00:03:06,000 --> 00:03:14,000 Excited about that. I'll, I'll, I'll, I'll show you, I'll show y'all who it is at some point. 28 00:03:14,000 --> 00:03:19,000 And I got back to playing ball last week, last Monday. I'm playing tomorrow. 29 00:03:19,000 --> 00:03:25,000 Doc, what's up with you? I'm right there with you. The life is life in real talk. It's just good to hear both of you guys again. 30 00:03:25,000 --> 00:03:30,000 I kind of really needed this. Still getting back into the swing of things after Thanksgiving, holiday. 31 00:03:30,000 --> 00:03:35,000 We actually hosted dinner this year. We had some family come through just for snacks and then they had to go see other family. 32 00:03:35,000 --> 00:03:42,000 But open door policy in and out. It was, it was pretty good to see everybody. Long work week. It's a salary salary life. 33 00:03:42,000 --> 00:03:49,000 So I don't get that overtime y'all get, but had some media based drama starting last Monday that's caused by the Canadian. 34 00:03:49,000 --> 00:03:55,000 We could talk about that later. My assistant director, Nick, at the courthouse is officially gone as of the sixth. 35 00:03:55,000 --> 00:04:00,000 It was really hard to see him go, but we're going to stay afloat. I think we're going to try to do our best to stay afloat. 36 00:04:00,000 --> 00:04:08,000 Gene and I followed you guys, you Rob. We had our 12th wedding anniversary last Sunday. Had to make all these damn show slides. 37 00:04:08,000 --> 00:04:13,000 It took me like three nights. I'm a little tired. I'm a lot of tired this week. 38 00:04:13,000 --> 00:04:17,000 So I definitely need this though. Definitely ready to drink with y'all and I'm ready for the hot seat. 39 00:04:17,000 --> 00:04:23,000 Our special guest today is a funny motherfucker. Rob, why don't you dive right into the intros so we can get this party started? 40 00:04:23,000 --> 00:04:30,000 Absolutely, Doc. What's up, world? This is Rob from the mob from Miami Beach, Florida. I'm 45 years old. 41 00:04:30,000 --> 00:04:38,000 I'm a Scorpio born November 20, 1979. Just celebrated. Had the party of a lifetime here with Doc J and A.M. 42 00:04:38,000 --> 00:04:43,000 On Hear My Voice Entertainment. We're trying to take over the world one podcast at a time, baby. 43 00:04:43,000 --> 00:04:53,000 We doing big things out here. Trying to sip a little bit, trying to smoke a little bit and have a good time and bring a little bit of realness to this weird ass world. 44 00:04:53,000 --> 00:05:00,000 We in here. That's hilarious. I'm trying to bring some realness to this weirdness. Rapper A and rapper A and dot com. 45 00:05:00,000 --> 00:05:04,000 Y'all already know who it is. Y'all know what it is. Co-host extraordinaire, rapper extraordinaire. 46 00:05:04,000 --> 00:05:08,000 This is not me doing an elevator pitch. I'm just saying hi to y'all. We about to have a good show. 47 00:05:08,000 --> 00:05:13,000 I'm already a little sear-ed, if y'all know what that means. From the gas, I just put my car. 48 00:05:13,000 --> 00:05:17,000 Doc, what's up? 49 00:05:17,000 --> 00:05:24,000 Premium leaded, premium leaded. But no, no, no. I'm gonna keep it real short. My name is Doc J. Real name is Jesse Joselito. 50 00:05:24,000 --> 00:05:31,000 I'm 40 something something, born in New York, lived most of my life in sunny South Florida, but for the last 14 years have lived here in central Florida. 51 00:05:31,000 --> 00:05:37,000 I have two degrees from FAU and Boca Raton, one in copyright trademark law, one in civil engineering. 52 00:05:37,000 --> 00:05:43,000 I've interned at Sony Music, Atlantic Records and last but not least, Epic Records. 53 00:05:43,000 --> 00:05:49,000 Since 2018, I've been working for MediaBase and my office is at the Kissimmee Courthouse. 54 00:05:49,000 --> 00:05:56,000 I'm an artist myself. I do registry and publishing for these sexy motherfuckers and a handful of other people. 55 00:05:56,000 --> 00:06:04,000 We are podcasters for the second year, second season, and I'd like to get back into teaching and I kind of want to create a board game too. 56 00:06:04,000 --> 00:06:12,000 That's my side hustle. I really love mythology and UFC MMA fighting. So that's me. Let's get right into this though. 57 00:06:12,000 --> 00:06:20,000 Segment number one, what are we? As the Twisted Critics podcast, we're the bias, the unbiased brothers across the US who dig music and music business. 58 00:06:20,000 --> 00:06:25,000 Twisted Critics originally began as Doc and his cousin, Tony Gange in 2018. 59 00:06:25,000 --> 00:06:35,000 Now relaunched with myself, rapper A.M., Rob, Doc and I are all active artists, collaborators, radio reviewers and friends for Hear My Voice Entertainment and Publishers. 60 00:06:35,000 --> 00:06:48,000 2625 will be a little different. Outside of the guests we have planned, our Twisted Critics podcast now have a newly signed merch deal and we are curating Spotify playlist to better help promote our guests and the charts next year. 61 00:06:48,000 --> 00:06:57,000 From both good and bad experiences in the rap game, industry jobs and the questions, you know, misinformation we've heard at music conferences. 62 00:06:57,000 --> 00:07:04,000 I think we remember what it's like starting out, you know, the mistakes and being told false information everywhere. 63 00:07:04,000 --> 00:07:08,000 So we try to provide direct answers, correct business steps and give resources. 64 00:07:08,000 --> 00:07:25,000 You know, it's our mutual love though for our weekly calls, our Ear for Urban Music, our mathematical eyes on radio charts, our reviews for the labels, you know, our heated song debates, our guests and our solidarity in sharing a ton of drinks to build this therapeutic, productive and wild platform. 65 00:07:25,000 --> 00:07:35,000 So please tune in like I am holding up my glass right now with an open mind and a full glass to enjoy an informative, entertaining, twisted vibe that you might actually learn something from. 66 00:07:35,000 --> 00:07:46,000 Please be interactive and please send in questions via our social medias and email. That's twistedcriticsatmail.com, not at gmail.com so twistedcriticsatmail.com. 67 00:07:46,000 --> 00:07:57,000 And we'll give you advice and a shout out on air. We're believers in the motto that a drunk man or woman tells no lies and how we can be helpful and entertaining. We like to call it education through inebriation. 68 00:07:57,000 --> 00:08:00,000 One of our favorite things to say real shit. 69 00:08:00,000 --> 00:08:09,000 Segment number two is going to be the WFW. Before we get started, Doc and Rob, I got to ask y'all a big question. What you drinking on? 70 00:08:09,000 --> 00:08:19,000 All right. So this is the first episode out of 12 episodes. I am not mixing dark with light. Joe Simmons would be very disappointed in me because I like mixing my dark with the light. 71 00:08:19,000 --> 00:08:31,000 But today I'm just drinking vodka. So for my drink, I got some some Coke with some Smirnoff vanilla. So that's what I'll be sipping on this entire show. So vanilla, vanilla, vodka and Coke. 72 00:08:31,000 --> 00:08:38,000 And then the case I got to take a shot. I'm just taking some straight Tito's shots. Vodka and vodka. We'll see how that goes. Rob, what you drinking on? 73 00:08:38,000 --> 00:08:47,000 You know, I like to keep it a little fancy, schmancy, man. You know, so I'm drinking on a little Riesling from Alsace, you know, that's in France. 74 00:08:47,000 --> 00:08:55,000 This is that and it would be pronounced and and Ducac Riesling out of Alsace. A little different from German Riesling. 75 00:08:55,000 --> 00:09:03,000 German Riesling tend to be a little sweeter. French Riesling is a little different, you know, a little drier, a little cleaner. I think it's great. 76 00:09:03,000 --> 00:09:09,000 It's not too late in the afternoon. So this is perfect timing to drink this and it drinks delicious these nice dry. 77 00:09:09,000 --> 00:09:17,000 And then for our shots, I had to go with, you know, the Kardashians and the Jenners, you know, got my eight one eight and Yeho Reserve tequila. 78 00:09:17,000 --> 00:09:23,000 This is good stuff. I love the bottle. That is a dope bottle. Oh, man. I've never seen. 79 00:09:23,000 --> 00:09:29,000 Shout out to, you know, Kendall Jenner. You know, I love her sisters, but her tequilas are great. 80 00:09:29,000 --> 00:09:35,000 A.M. what you doing, bro? Drinking on. I like the job. Both acid at the same time. 81 00:09:35,000 --> 00:09:39,000 I'm drinking a botanist. I'm going to continue to drink this. It's like driving. 82 00:09:39,000 --> 00:09:44,000 I'm going to keep drinking until it's gone. And then I'm probably get me another bottle of Sapphire. 83 00:09:44,000 --> 00:09:50,000 I'm a gin drinker, guys. Gin and juice shots out the Snoop Dogg. That's what's up, man. That's what's up. 84 00:09:50,000 --> 00:09:55,000 With that said, I want you guys to do me a favor. Yeah, I got your shot glass, whatever you're drinking out of. 85 00:09:55,000 --> 00:10:01,000 And we're going to raise a glass and let's truly bless this 11th voyage of our phenomenal podcast, 86 00:10:01,000 --> 00:10:09,000 The Twisted Critics. Salud, my brothers. Salud. Salud. Oh, that's good. 87 00:10:09,000 --> 00:10:16,000 All right. As always, us, Twisted Critics, try to make our guests, ourselves and you listeners break the ice, 88 00:10:16,000 --> 00:10:23,000 get comfortable and have fun by using our little torturous banana peel buzzword each show that we call the WFW. 89 00:10:23,000 --> 00:10:28,000 Our wrong fucking word of the week. And today is no exception. 90 00:10:28,000 --> 00:10:32,000 Anytime someone slips up and says it, we all take shots. No questions asked. 91 00:10:32,000 --> 00:10:38,000 Am, I believe it's your turn. We've all read our guest Darius' bio. So what kind of evil term are you thinking of? 92 00:10:38,000 --> 00:10:47,000 Mu ha ha ha ha ha. Oh, yeah. My choice for the word for this week's WFW is going to be interviewed at any iteration. 93 00:10:47,000 --> 00:10:54,000 Interviewed, interviewing, interview, interviews. We drink it today. 94 00:10:54,000 --> 00:10:58,000 Look, y'all gonna have me messed up. I'm already I'm already too high right now. 95 00:10:58,000 --> 00:11:02,000 All right. So if you guys don't mind me doing this, we're going to mix things up just a little bit today. 96 00:11:02,000 --> 00:11:08,000 Usually we bring our guest in later. But being that our guest today is a hip hop historian, he can talk about reviews. 97 00:11:08,000 --> 00:11:11,000 He could talk about history, talk about deaths, talk about birthdays. 98 00:11:11,000 --> 00:11:19,000 And he's just an overall crazy and funny motherfucker. We'll definitely want him involved in this week's time capsule combos, the reviews and the whole nine. 99 00:11:19,000 --> 00:11:24,000 So if you guys don't mind, let me actually get him on the line with us. Give me one second. Let's go. 100 00:11:24,000 --> 00:11:28,000 Here he comes. Here he comes. Mr. D-Rug, you with us? 101 00:11:28,000 --> 00:11:36,000 What up, what up, what up, what up, what up, my brother? What's going on, fellas? D-Rug. 102 00:11:36,000 --> 00:11:42,000 Let's get your collection in the back. That is my CD collection over nine thousand nine hundred CDs when I used to DJ. 103 00:11:42,000 --> 00:11:48,000 Nine thousand nine hundred. Get the fuck out of here. I'm jealous. I should have kept all my fucking CDs, man. 104 00:11:48,000 --> 00:11:52,000 Let's kick the side off real quick. Let's let's let's get him acquainted with our show real quick. 105 00:11:52,000 --> 00:11:56,000 Hold on, hold on. Please do what you do and introduce this brother correctly. 106 00:11:56,000 --> 00:12:00,000 Oh, I've been done this in a hot minute. This is our first special guest in season two. 107 00:12:00,000 --> 00:12:09,000 So let me clear my throat. Our guest is Darius Boston, a.k.a. the Mohawk Don, a.k.a. Willie D Simpson, a.k.a. 108 00:12:09,000 --> 00:12:14,000 the magnificent asshole, a.k.a. my brother D-Rug. 109 00:12:14,000 --> 00:12:21,000 He is a funny and loud Leo August born baby that's from Jersey, but Orlando bred, repping the four oh seven to the fullest. 110 00:12:21,000 --> 00:12:26,000 He attended Maynard Evans High School and is affiliated with all types of companies, 111 00:12:26,000 --> 00:12:32,000 Madface TV, the arrogant assholes podcast, et cetera. He has big aspirations to perform at the Kia Center. 112 00:12:32,000 --> 00:12:40,000 I cannot say that shit. That is not the Kia Center to me. I still call that motherfucker Orlando Arena. That's all it is. 113 00:12:40,000 --> 00:12:43,000 You'd be stuttering every time you say that. I can't say that. 114 00:12:43,000 --> 00:12:47,000 He is center. He's got all types of models. I've learned through the years of knowing him, 115 00:12:47,000 --> 00:12:53,000 listening to him and supporting him. But my favorites are what the mama fuck and paint your eyes red. 116 00:12:53,000 --> 00:12:58,000 He is a father. He is a rapper. He is a comedian. He's a podcast host. He's a hip hop historian. 117 00:12:58,000 --> 00:13:07,000 And he's just an Orlando ambassador that he's the coolest guy to run into at the concession stand at a Janet Jackson concert like I did. 118 00:13:07,000 --> 00:13:15,000 So, all right. So if I didn't do a good job, I'm sorry, D-Rug. I want you to do a wonderful job. 119 00:13:15,000 --> 00:13:18,000 Tell the people or listeners a little bit about who you are that I might have left out. 120 00:13:18,000 --> 00:13:26,000 Oh, shit. Basically, I got everything down pat. But my name D-Rug. I've been in Orlando for about 35, 36 years. 121 00:13:26,000 --> 00:13:32,000 Originally from Jersey. I moved here when I was nine. I've always been into hip hop since I was four years old. 122 00:13:32,000 --> 00:13:39,000 I've always been into comedy since I was four years old. I always wanted to do this all my life. So here I am. 123 00:13:39,000 --> 00:13:47,000 Now, before we kick things off and jump into your 21 questions, we all got vices and we are called the twisted critics for a reason. 124 00:13:47,000 --> 00:13:53,000 Whatever party favors you partaking, we definitely have a saying here. And I agree with these two. 125 00:13:53,000 --> 00:13:57,000 We should put it on the shirt. And let me ask what you drinking on D-Rug? 126 00:13:57,000 --> 00:14:04,000 I'm drinking on some Stella, man. I had to leave the liquor alone, man. I've been getting I've been getting a little too crazy on that liquor, man. 127 00:14:04,000 --> 00:14:11,000 So my what I'm doing is I stopped drinking hard liquor. So right now I'm just drinking some Stella's. I'm on my beer shit. 128 00:14:11,000 --> 00:14:19,000 That doesn't mean he doesn't like fall victim to the WFW. If we say the WFW, he's taking a shot of some premium gas right now. 129 00:14:19,000 --> 00:14:27,000 Gas and beer. So cheers, baby. Cheers. We do. We do. Chugs with beer. So I'm gonna take a chug. 130 00:14:27,000 --> 00:14:34,000 I really like that. Also, Stella is one of my favorite beers. So yeah, that's my favorite beer, man. I have a feeling this is going to get fun. 131 00:14:34,000 --> 00:14:42,000 Look, we already we already identifying with a lot of things. D-Rug, you are officially locked into the hot seat. So let's get started. 132 00:14:42,000 --> 00:14:49,000 OK, click, click. Like myself, you were born in New Jersey and moved to Florida. 133 00:14:49,000 --> 00:14:55,000 Actually, no, I wasn't born there. I was born in Germany. Oh, you're born in Germany. I did not see that in your bio, bro. 134 00:14:55,000 --> 00:15:02,000 Yeah, I was born in Germany and my son was born in Germany, too. I did not know that. That is that that's some hidden information I couldn't find. 135 00:15:02,000 --> 00:15:08,000 Yes. All right. D-Rug, you were born in Germany and you moved to Florida. 136 00:15:08,000 --> 00:15:14,000 Which area would you say, you know, has or had more influence on your creativity today? 137 00:15:14,000 --> 00:15:20,000 Definitely, Orlando. I live like I don't remember shit about Germany. My parents was in the army. 138 00:15:20,000 --> 00:15:26,000 So we moved from there to like El Paso, Texas. And we lived there when I was like two, three years old. 139 00:15:26,000 --> 00:15:32,000 And we moved to Jersey when I was like three. So from like three to nine years old, I was in Jersey. 140 00:15:32,000 --> 00:15:39,000 But I moved to Florida and I was like nine years old going on ten. I gained a lot in Jersey, you know what I'm saying? 141 00:15:39,000 --> 00:15:44,000 But majority of me and how I am is definitely Orlando. 142 00:15:44,000 --> 00:15:50,000 I understand that me being born somewhere else for like three years because of my folks been in the military. 143 00:15:50,000 --> 00:15:57,000 My dad was from Cali, mom is from Baltimore, and I was born in Bangor, Maine. Like I always hear people say, 144 00:15:57,000 --> 00:16:01,000 oh, your social security number is in a Baltimore one. Yeah, no, it's not. 145 00:16:01,000 --> 00:16:08,000 But that the exact reason that you moved from Germany to Jersey was the fact that your folks were in the military. 146 00:16:08,000 --> 00:16:14,000 So I understand that. Yes. So you mentioned in your bio growing up and kind of being a spoiled jit. 147 00:16:14,000 --> 00:16:20,000 Explain your childhood a bit for us. And would you say that you are more like your mom or more like your dad? 148 00:16:20,000 --> 00:16:28,000 I would say we probably was middle class. My mom took care of me and my sister. I had everything when I was a kid. 149 00:16:28,000 --> 00:16:33,000 I grew up with two turntables in the mic. My dad was a DJ, but my mom was the music collector. 150 00:16:33,000 --> 00:16:39,000 So I got a lot of that from my mom. And I grew up right when hip hop was bubbling. 151 00:16:39,000 --> 00:16:46,000 So I was like four years old when I first heard Fat Boys, Jailhouse Rap. That was the first rap shit. 152 00:16:46,000 --> 00:16:53,000 I was like, oh, what is this? You know what I'm saying? And one thing my mom always did, if we had like a hobby or something we like, 153 00:16:53,000 --> 00:17:02,000 she always got it for us. So I was into music heavy. So from like four on, I always she'd go buy vinyl. 154 00:17:02,000 --> 00:17:07,000 I don't know if you remember the vinyls back in the days. My mom used to go buy vinyl every Saturday for my dad. 155 00:17:07,000 --> 00:17:11,000 You know what I'm saying? And whatever she go buy, she'd let me grab something. 156 00:17:11,000 --> 00:17:16,000 And my first hit was Michael Jackson and Fat Boys. You know what I'm saying? 157 00:17:16,000 --> 00:17:25,000 I feel like I'm talking to myself right now. Wow. This is crazy. We're exactly the same, man. I swear to God. Please continue. 158 00:17:25,000 --> 00:17:34,000 My love for hip hop grew from there. Watching Fat Boys. And then like when I first seen LL Cool J, that's when I knew it was like, okay, this is it. 159 00:17:34,000 --> 00:17:42,000 This is it. I want to dress like this. I want to talk like this. I want to whatever this hip hop thing is, I want to do this. 160 00:17:42,000 --> 00:17:48,000 And from that point, it's just been the number one thing that I learned and studied. Like, you know what I'm saying? 161 00:17:48,000 --> 00:17:57,000 I did hip hop more than anything. I play with toys and things like that. But as the years progressed on and on and on, I got more and more and more into hip hop. 162 00:17:57,000 --> 00:18:08,000 So by the time I was like by the time I was 12, I was full hip hop. It was on TV, raps and was rap city. It was whatever hip hop documentary was out, whatever new album was out, whatever new sources out. 163 00:18:08,000 --> 00:18:17,000 Like everything was just hip hop, hip hop, hip hop. Rob, I'm trying to picture him throwing out all his other sneakers and just keeping the Adidas. That's all I'm picturing right now. 164 00:18:17,000 --> 00:18:25,000 All right, Mr. Boston, Mr. Darius, aka D-Rug. Give us the story of where that stage name came from and what the hell does it mean, actually? 165 00:18:25,000 --> 00:18:31,000 It means drug. At first, it used to be D-Rug. So we shortened that bitch to D-Rug. 166 00:18:31,000 --> 00:18:35,000 I used to, when I used to freestyle, we sat on freestyle battles back in school and shit. 167 00:18:35,000 --> 00:18:41,000 Motherfuckers used to be like, damn, bro, you got me hooked. Like, you got me hooked when you said this, this and this. 168 00:18:41,000 --> 00:18:47,000 Because I was always good at just freestyling the whole song. So we was out having like freestyle battles or whatever. 169 00:18:47,000 --> 00:18:55,000 I was good at making a hook and making a topic for the song. And my hooks was always potent. 170 00:18:55,000 --> 00:19:01,000 So motherfuckers always say, them shit's like drugs, man. So I shortened the drugs for D-Rug. So it means drug. 171 00:19:01,000 --> 00:19:04,000 Did you come up with that yourself or did someone give it to you? 172 00:19:04,000 --> 00:19:10,000 I'm like both. I want to say both because like I said, it was D-Rug at first. You know what I'm saying? 173 00:19:10,000 --> 00:19:18,000 Everybody's saying I was hooking them with that. I kind of got the idea from that and I used it myself. 174 00:19:18,000 --> 00:19:21,000 I turned it into it. So yeah, I'll say both. 175 00:19:21,000 --> 00:19:27,000 Nice, man. That's what's up. It sounds like you hold it down for Orlando. I got two questions. 176 00:19:27,000 --> 00:19:28,000 Yes, sir. 177 00:19:28,000 --> 00:19:30,000 You like the magic? Your magic? 178 00:19:30,000 --> 00:19:34,000 I've been a fan since goddamn Reggie Thiers was there. 179 00:19:34,000 --> 00:19:42,000 And how have you personally seen the Orlando slash Central Florida music scene change since living there? 180 00:19:42,000 --> 00:19:48,000 Oh, yeah, definitely, man. Definitely changed. I jumped in the game around 99, like professionally wise. 181 00:19:48,000 --> 00:19:54,000 You know what I'm saying? So from 99 to 2024 is a total big difference. 182 00:19:54,000 --> 00:20:00,000 There's a whole way they record the music. There's a whole different way they listen to the music. 183 00:20:00,000 --> 00:20:04,000 There's a whole other way they do the video. All this shit changed. You know what I'm saying? 184 00:20:04,000 --> 00:20:07,000 So I've definitely seen a change in it. 185 00:20:07,000 --> 00:20:15,000 Talk a little bit about what the hell's going on downtown Orlando and I'm seeing all these RIP clubs seeing things going on on my social media. 186 00:20:15,000 --> 00:20:18,000 Oh, shit, man. They're closing down all the motherfucking clubs, man. 187 00:20:18,000 --> 00:20:19,000 Yep. 188 00:20:19,000 --> 00:20:21,000 Get them niggas ass out of there. 189 00:20:21,000 --> 00:20:23,000 I've seen a lot. You've been here a lot longer than I have. 190 00:20:23,000 --> 00:20:30,000 But in the last 14 years, the Central Florida scene has changed so damn much and it hurts. It chops us at the knees for damn sure. 191 00:20:30,000 --> 00:20:34,000 Yeah, it definitely do, man. But one thing about me, I've just learned how to adapt. 192 00:20:34,000 --> 00:20:37,000 I still used to put my face in the place, you know what I'm saying? 193 00:20:37,000 --> 00:20:44,000 Because at the end of the day, I still like to record and put out music just because I just got the fan base where I could do it. 194 00:20:44,000 --> 00:20:52,000 I don't have an extremely large fan base, but I have a large enough fan base that keeps me going to keep a little extra money in my pocket. 195 00:20:52,000 --> 00:20:54,000 So, you know, I got to keep my face in the place. 196 00:20:54,000 --> 00:20:58,000 And plus, you know, all the jits now, they call me Unc now, you know what I'm saying? 197 00:20:58,000 --> 00:21:01,000 I'm like, I'm Unc of the scene now, you know what I'm saying? 198 00:21:01,000 --> 00:21:07,000 I go live on TikTok Freestyle just like you said, Unc killin' me. 199 00:21:07,000 --> 00:21:09,000 Yeah, yeah, yeah. 200 00:21:09,000 --> 00:21:16,000 Do you have any significant philosophies or mottos that gets you through life's challenges? 201 00:21:16,000 --> 00:21:27,000 Be careful who you watch who you burn, man. You know, try not to burn people because you never know when you're going to see their ass when you're coming down, especially in this music business, man. 202 00:21:27,000 --> 00:21:30,000 It could be a motherfucker you step on or talk shit about. 203 00:21:30,000 --> 00:21:35,000 And the way these shit going these days, man, the weirdest motherfuckers blow up. 204 00:21:35,000 --> 00:21:37,000 You know what I'm saying? 205 00:21:37,000 --> 00:21:41,000 Like it's to the point now that I don't even tell people they trash no more when they give me their shit. 206 00:21:41,000 --> 00:21:43,000 You know what I'm saying? They give me their shit. 207 00:21:43,000 --> 00:21:53,000 I'm like, what you think? You know, I try not to tell them they trash or anything like that because like I said, especially these days, you never know who's the next star. 208 00:21:53,000 --> 00:22:01,000 You know what I'm saying? So one of my things I keep in life is, man, just be careful who the bridges you want to burn with because you never know when you got to cross the motherfuckers again. 209 00:22:01,000 --> 00:22:11,000 Outside of anything music or entertainment related, if I was to ask the four year old or six year old Jit version of Darius, what other profession would he want to be? What would that be? 210 00:22:11,000 --> 00:22:13,000 Wrestling. I wish I was a wrestler. 211 00:22:13,000 --> 00:22:15,000 What? 212 00:22:15,000 --> 00:22:18,000 I was a big ass wrestling fan, man. Big, big wrestling fan. 213 00:22:18,000 --> 00:22:21,000 See, I got the whole Ric Flair woo tang going on. 214 00:22:21,000 --> 00:22:29,000 Yeah, I was I was from like 80, 84 to the year 2001. Maybe I was a big wrestling fan. 215 00:22:29,000 --> 00:22:38,000 All right, D-Rug, what got you into doing comedy professionally and what comedian growing up influenced you the most? 216 00:22:38,000 --> 00:22:52,000 Definitely Eddie Murphy. The first time I seen Delirious, I was five. My dad had the vinyl for it. I actually heard the Delirious before I seen it, but I just remember Delirious and Raw. 217 00:22:52,000 --> 00:23:01,000 My mom and them watching that shit, they told us to go in the room. So I'm just like, what the fuck? Why we got to go in the room? So, you know, I'm peeking over the wall and they all laughing and shit. 218 00:23:01,000 --> 00:23:12,000 And I just hear Eddie Murphy just saying all these cool ass cuss words. I knew right then and there I wanted to do that because I used to take his jokes and go recite them back at school. 219 00:23:12,000 --> 00:23:19,000 You know what I'm saying? I'm in the second, third grade, but I know Eddie Murphy, Delirious by heart. Like, so, you know, I knew all the cuss words and everything. 220 00:23:19,000 --> 00:23:22,000 I mean, I know most of that too. I know most of that shit too. 221 00:23:22,000 --> 00:23:28,000 I know what I'm saying. Imagine being in the second and third grade reciting this shit for everybody in the class. They like, what the fuck? 222 00:23:28,000 --> 00:23:35,000 Like, I always love that reaction. You know what I'm saying? Ice cream man, ice cream man. Yeah. All that shit. 223 00:23:35,000 --> 00:23:42,000 I used to know all that shit by heart and I'd go back to school and recite it for everybody. And I used to just love the attention I got. 224 00:23:42,000 --> 00:23:50,000 Like, I'm a Leo man, so, you know, I'm a big attention seeker. At first, I didn't think it was something I wanted to do for real, for real. 225 00:23:50,000 --> 00:23:58,000 I just always been a naturally funny kid. Like, I was like the class clown in school. Like, I was the biggest class clown in school. 226 00:23:58,000 --> 00:24:05,000 Like, I just love getting attention. Like, I was one of them kids that if we in class, it can't be quiet for longer than five minutes. 227 00:24:05,000 --> 00:24:13,000 I got to say something. I got to do something. I'm going to fart in that bitch. I'm going to throw a pencil. You know what I'm saying? I was one of them kids. So, you know what I mean? 228 00:24:13,000 --> 00:24:18,000 I swear, like, I feel like I'm talking to myself, man. It's crazy. I swear. We got everything in common, man. 229 00:24:18,000 --> 00:24:30,000 Even when I was, you know, I grew up in Jersey, too. In Pasek. My father lives in Point Pleasant. I moved to Miami. Moved to Miami back and forth when I was three until I was nine, too. Same shit. 230 00:24:30,000 --> 00:24:33,000 I was nine years old when I moved down here, like, for good. Never moved back to Jersey. 231 00:24:33,000 --> 00:24:36,000 Yeah. I'm from New Brunswick and Plainfield. 232 00:24:36,000 --> 00:24:42,000 I love wrestling, too, dawg. Like, I grew up. So, you tell me this. I'm like, I want to have a match with D-Rug right quick. 233 00:24:42,000 --> 00:24:48,000 Nah, I can't wrestle now, man. We can play PlayStation or something. 234 00:24:48,000 --> 00:24:52,000 Oh, man. I got PlayStation, too. I'm telling you, we talking to each other. You are a twin, bro. 235 00:24:52,000 --> 00:24:53,000 Yeah. 236 00:24:53,000 --> 00:24:55,000 I'm over here vibing, man. 237 00:24:55,000 --> 00:24:59,000 I did not know that about you. We all in this room love wrestling. 238 00:24:59,000 --> 00:25:08,000 Yeah. Like, I was a big, big wrestling fan. Like, big wrestling fan. I had toys. Like, I was a Hulk Hogan fan. Like, that's what made me watch wrestling was Hulk Hogan. 239 00:25:08,000 --> 00:25:10,000 Did you eat your vitamins, man? 240 00:25:10,000 --> 00:25:19,000 Man, I had the vitamins, bro. I just put a reel up about, remember them old school Halloween costumes with the plastic and the damn plastic mask with the eyeballs cut out? 241 00:25:19,000 --> 00:25:20,000 Yeah. 242 00:25:20,000 --> 00:25:23,000 I had a Hulk Hogan one, you know what I'm saying? 243 00:25:23,000 --> 00:25:32,000 And I like, like, my mom bought me, like, Hulk Hogan and everything, but she was always like, why you don't like some of the black guys? So, that's where my love for junkyard dawg come in. 244 00:25:32,000 --> 00:25:38,000 I had the junkyard dog toy. You know, man, you said you had the toy. Remember, Hogan had, like, the set to fight, you know what I'm saying? 245 00:25:38,000 --> 00:25:41,000 Hell yeah, that motherfucker didn't move, them damn rubbers. 246 00:25:41,000 --> 00:25:45,000 We used to throw them bitches off the building, just watching them bounce. 247 00:25:45,000 --> 00:26:00,000 So, in your music, you have this whole 70s, 80s, playa pimps style going on. So, when we speak about women, I want to know two things. What's an absolute relationship deal breaker for you? And what's the nuttiest thing that you've done for love? 248 00:26:00,000 --> 00:26:05,000 The deal breaker is you call the police on me. 249 00:26:05,000 --> 00:26:09,000 Call the police on me, bitch, we through. 250 00:26:09,000 --> 00:26:12,000 And what you say, the craziest thing I've did for love? 251 00:26:12,000 --> 00:26:14,000 Yeah, that you've done for love. 252 00:26:14,000 --> 00:26:16,000 Oh, shit. 253 00:26:16,000 --> 00:26:20,000 All the females he's ever been with are listening to this now. 254 00:26:20,000 --> 00:26:22,000 You're gonna talk about me? 255 00:26:22,000 --> 00:26:26,000 Oh, shit, I was with a bitch for nine months, was faking like she was pregnant. 256 00:26:26,000 --> 00:26:29,000 Holy shit, boss. That'd be a deal breaker for me. 257 00:26:29,000 --> 00:26:30,000 Damn. 258 00:26:30,000 --> 00:26:32,000 I think that's probably the craziest shit. 259 00:26:32,000 --> 00:26:33,000 Oh my goodness, man. 260 00:26:33,000 --> 00:26:36,000 I was like, I didn't know. So, you know what I mean? 261 00:26:36,000 --> 00:26:40,000 Yeah, when I sit and think about it now, yeah, it was fucking crazy. 262 00:26:40,000 --> 00:26:48,000 We have something else in common that you and I have in common. And actually, Rob too, we're being 40 plus. None of us are some spring chickens in here, right? 263 00:26:48,000 --> 00:26:56,000 In trying to break out in the modern rap market that you are trying to do right now, do you see one clear advantage and one clear disadvantage that we have at this age of ours? 264 00:26:56,000 --> 00:27:06,000 The clear advantage we have is we know our shit. The disadvantage we have is that the generation now don't respect OGs. 265 00:27:06,000 --> 00:27:12,000 They think that we over a certain age that we shouldn't do it no more. And I just think, you know, that's bullshit. 266 00:27:12,000 --> 00:27:15,000 You know what I'm saying? And this is what it is. 267 00:27:15,000 --> 00:27:22,000 I thousand percent agree with you. We're the only, only genre that's out there that has a time limit. 268 00:27:22,000 --> 00:27:27,000 Like you got rockers that can tour in their 70s right now and still selling out arenas. 269 00:27:27,000 --> 00:27:32,000 Fucking Ozzy Osbourne can't even move no more. And he sets out every fucking time he goes out. 270 00:27:32,000 --> 00:27:37,000 We definitely, we've been talking about that. Like I'm working at MediaBase. 271 00:27:37,000 --> 00:27:40,000 We're kind of structured to what the formats that people send to radio. 272 00:27:40,000 --> 00:27:47,000 And it's weird because what's blowing up for R&B is creating the adult R&B contemporary format for radio stations. 273 00:27:47,000 --> 00:27:53,000 And I mean, you got people like Charlie Wilson that have five, six, seven number one hits per year. 274 00:27:53,000 --> 00:27:58,000 Some people, the young people would be like, he still makes music? And like, yeah, the last three years. 275 00:27:58,000 --> 00:28:04,000 I've just seen Charlie Wilson this year at Funkfest. I didn't get a chance to interview him, but. 276 00:28:04,000 --> 00:28:08,000 Oopsie, oopsie, oopsie, oopsie. Oh, fuck. 277 00:28:08,000 --> 00:28:09,000 Oh, what? 278 00:28:09,000 --> 00:28:10,000 Got it already. 279 00:28:10,000 --> 00:28:11,000 Oh, he said it. 280 00:28:11,000 --> 00:28:13,000 Got it already. All fucking ready. 281 00:28:13,000 --> 00:28:15,000 Finally. God damn. 282 00:28:15,000 --> 00:28:18,000 All right. So, so, so, so. 283 00:28:18,000 --> 00:28:20,000 Did I hit the Peewee Wormwood word? 284 00:28:20,000 --> 00:28:26,000 D-Rug, D-Rug, you got the WFW. The word is any iteration of interview. 285 00:28:26,000 --> 00:28:29,000 Interviewing, interviewed, interviews, interview. 286 00:28:29,000 --> 00:28:32,000 So anytime we say that, we all got to take a shot of something. 287 00:28:32,000 --> 00:28:33,000 So. 288 00:28:33,000 --> 00:28:36,000 Y'all motherfuckers gonna be drunk because you know that's what I do too. I interview people. 289 00:28:36,000 --> 00:28:42,000 All right. So, yeah. All right. So I just know to keep. I ain't gonna get y'all too fucked up tonight. 290 00:28:42,000 --> 00:28:45,000 So here we go. I'm gonna throw it back. 291 00:28:45,000 --> 00:28:47,000 It's got to be a chug though. 292 00:28:47,000 --> 00:28:48,000 Salud. Salud, my brother. 293 00:28:48,000 --> 00:28:50,000 Salud, boys. 294 00:28:50,000 --> 00:28:54,000 I'm gonna buy you some damn mugs and shot glasses. That's what I'm gonna do. 295 00:28:54,000 --> 00:28:56,000 You almost made me spit that shit out, bro. 296 00:28:56,000 --> 00:28:58,000 I want to spit mine out. 297 00:28:58,000 --> 00:28:59,000 Oh, fuck. 298 00:28:59,000 --> 00:29:02,000 So Am spits. 299 00:29:02,000 --> 00:29:05,000 Hey, hey, Doc. Doc. Doc. Where the dog at? 300 00:29:05,000 --> 00:29:07,000 I like this interview already. This shit gonna be cool. 301 00:29:07,000 --> 00:29:10,000 We're gonna get stupid. 302 00:29:10,000 --> 00:29:13,000 Ready? All right. 303 00:29:13,000 --> 00:29:23,000 Of all of your releases, which is statistically your most successful song versus what's your most meaningful or important song to you? 304 00:29:23,000 --> 00:29:31,000 My most successful song that I still get booked for and it's like a song that I never care for is called Beat That Pussy Down. 305 00:29:31,000 --> 00:29:33,000 Oh, hell yeah. Man, I've been listening to it. 306 00:29:33,000 --> 00:29:35,000 Yo, that song is off the charts. 307 00:29:35,000 --> 00:29:37,000 Shout out to Tom and Dan. 308 00:29:37,000 --> 00:29:42,000 If y'all know who Tom and Dan is, one of the biggest podcast guys in Orlando, they're worldwide. 309 00:29:42,000 --> 00:29:48,000 But the first time I ever been on a podcast was with them and I never understood like what the fuck is this? 310 00:29:48,000 --> 00:29:52,000 We talking about 12, 13 years ago, joining a community. 311 00:29:52,000 --> 00:29:57,000 You know, I adapted to their fans and their fans welcomed me in with open arms. 312 00:29:57,000 --> 00:30:03,000 And one song that they used to like off my Mohawk Dawn album was this song called Beat The Pussy Down. 313 00:30:03,000 --> 00:30:07,000 And it was like one of my outrageous songs that we just having fun on. 314 00:30:07,000 --> 00:30:12,000 And I got to perform that shit in front of a big ass concert they had. 315 00:30:12,000 --> 00:30:18,000 They had like a 10 year anniversary and it was over with five, six thousand people at a street. 316 00:30:18,000 --> 00:30:21,000 They had shut down the street and I performed that fucking song. 317 00:30:21,000 --> 00:30:24,000 And the motherfuckers song that shit, Word for fucking Word. 318 00:30:24,000 --> 00:30:25,000 I love that. 319 00:30:25,000 --> 00:30:28,000 They sung the shit better than I did. 320 00:30:28,000 --> 00:30:31,000 But that's my most probably successful song. 321 00:30:31,000 --> 00:30:35,000 One of my most meaningful songs is a song I got called Me and My Swisher. 322 00:30:35,000 --> 00:30:40,000 And it's about just at the time it was just about it was just me and my swisher. 323 00:30:40,000 --> 00:30:43,000 It was me and my swisher and my problems I was going with. 324 00:30:43,000 --> 00:30:46,000 And I just wrote all that shit down on the run. 325 00:30:46,000 --> 00:30:49,000 It's on YouTube if you want to check the video for that shit. 326 00:30:49,000 --> 00:30:54,000 But that's one of my favorite meaningful songs that I was I was actually serious on. 327 00:30:54,000 --> 00:30:56,000 That's on Magnificent Asshole One, right? 328 00:30:56,000 --> 00:30:57,000 Yes. Yes. 329 00:30:57,000 --> 00:30:59,000 It's on Magnificent Asshole One. 330 00:30:59,000 --> 00:31:02,000 I've been bumping it, bro. I've been bumping it. 331 00:31:02,000 --> 00:31:03,000 I'm here in Southeast Asia. 332 00:31:03,000 --> 00:31:04,000 It's a D-Rug, dog. 333 00:31:04,000 --> 00:31:06,000 Nobody, they don't. 334 00:31:06,000 --> 00:31:08,000 I spread love out here, baby. 335 00:31:08,000 --> 00:31:10,000 I appreciate that, man. 336 00:31:10,000 --> 00:31:13,000 We might have to like link that A&R. 337 00:31:13,000 --> 00:31:15,000 I'm listening to all of them, homie. 338 00:31:15,000 --> 00:31:17,000 I appreciate that, bro. I appreciate that. 339 00:31:17,000 --> 00:31:21,000 And I got the second best collection of CDs. 340 00:31:21,000 --> 00:31:26,000 Thank you. Thank you. 341 00:31:26,000 --> 00:31:32,000 Have any of your music goals changed dramatically from where you started until now? 342 00:31:32,000 --> 00:31:34,000 It definitely changed dramatically. 343 00:31:34,000 --> 00:31:38,000 When I first started, I wanted to be the baddest rapper ever. 344 00:31:38,000 --> 00:31:42,000 You know what I'm saying? I was that kid that just, oh, you spit. You spit. 345 00:31:42,000 --> 00:31:43,000 Check this out. 346 00:31:43,000 --> 00:31:45,000 Blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah. 347 00:31:45,000 --> 00:31:46,000 And you know what I'm saying? 348 00:31:46,000 --> 00:31:50,000 And I was on every scene, every open mic, every this, every that. 349 00:31:50,000 --> 00:31:53,000 Now it's like, I'm cool. 350 00:31:53,000 --> 00:31:55,000 I just do it for the fuck of it now. 351 00:31:55,000 --> 00:31:56,000 You know what I'm saying? 352 00:31:56,000 --> 00:31:58,000 It definitely, definitely changed dramatically. 353 00:31:58,000 --> 00:32:00,000 I don't even have a goal for the music no more. 354 00:32:00,000 --> 00:32:04,000 Right now, the music is just, I just do it because I got a studio in my house. 355 00:32:04,000 --> 00:32:05,000 You know what I'm saying? 356 00:32:05,000 --> 00:32:06,000 You got love for it. 357 00:32:06,000 --> 00:32:09,000 Yes, all day. All day. It's totally the love, man. 358 00:32:09,000 --> 00:32:11,000 I tell the Jets all the time, man. 359 00:32:11,000 --> 00:32:13,000 If you don't love this shit, get out of it. 360 00:32:13,000 --> 00:32:15,000 That's it. Fuck it. 361 00:32:15,000 --> 00:32:18,000 Some people don't love it and just do it for money. 362 00:32:18,000 --> 00:32:19,000 I respect it. 363 00:32:19,000 --> 00:32:21,000 Yeah, me too. But there ain't no money in this shit no more. 364 00:32:21,000 --> 00:32:23,000 I do this shit because I love it, man. 365 00:32:23,000 --> 00:32:25,000 Yeah, I love to do this shit. I love to create songs. 366 00:32:25,000 --> 00:32:27,000 Freestyle to be in the crowd of people. You want to freestyle? Let's go. 367 00:32:27,000 --> 00:32:29,000 We're going to talk about what's going on right here. 368 00:32:29,000 --> 00:32:31,000 I love that shit, dawg. 369 00:32:31,000 --> 00:32:33,000 I still do that shit. 370 00:32:33,000 --> 00:32:38,000 Especially going back to your, me and my Swisher, like, I think AM and I kind of really relate to that 371 00:32:38,000 --> 00:32:40,000 because to us, music is therapeutic. 372 00:32:40,000 --> 00:32:44,000 It's not for buzz. It's not for females. It's not for sales. 373 00:32:44,000 --> 00:32:48,000 So when you said that, I was like, okay, I could see where he came from, his thinking with that. 374 00:32:48,000 --> 00:32:53,000 It's definitely, this was a little bit more of your therapeutic music in your whole discography. 375 00:32:53,000 --> 00:32:59,000 Anyway, what's crazy about this song is at the time, I was staying with my partners. 376 00:32:59,000 --> 00:33:04,000 As a matter of fact, my boy Lee Nicky who made the beat and his brother Mills, 377 00:33:04,000 --> 00:33:07,000 we've been friends since we was 10 years old. 378 00:33:07,000 --> 00:33:10,000 They've been on this hip hop journey with me too. 379 00:33:10,000 --> 00:33:14,000 But that particular day, they locked me in the studio. 380 00:33:14,000 --> 00:33:18,000 You know what I'm saying? They went out that night. 381 00:33:18,000 --> 00:33:20,000 They talked shit to me and everything. 382 00:33:20,000 --> 00:33:22,000 Motherfucker, you stay your ass here tonight. 383 00:33:22,000 --> 00:33:24,000 Finish some songs because they felt I was bullshitting. 384 00:33:24,000 --> 00:33:30,000 This is when we was making, because actually that song was on the Mohawk Don 2 first. 385 00:33:30,000 --> 00:33:32,000 Oh, wow. 386 00:33:32,000 --> 00:33:37,000 They was on my ass. They were saying I was slacking or whatever punishment they had for me. 387 00:33:37,000 --> 00:33:41,000 That was the punishment was to lock me in the fucking studio while they went out. 388 00:33:41,000 --> 00:33:44,000 Yeah, bitch, we're going to have fun. You can actually do work. 389 00:33:44,000 --> 00:33:47,000 Yeah. I was just like, fuck it. 390 00:33:47,000 --> 00:33:50,000 That's what happened. That came out. 391 00:33:50,000 --> 00:33:56,000 When they came back, the excitement, when your dogs come in, hit some shit, 392 00:33:56,000 --> 00:33:58,000 and they'd be like, hell yeah. 393 00:33:58,000 --> 00:34:03,000 The excitement I got watching them, yeah, I showed y'all motherfuckers. 394 00:34:03,000 --> 00:34:05,000 You know what I'm saying? 395 00:34:05,000 --> 00:34:09,000 Switching gears from podcasts, mad face TV, arrogant assholes, 396 00:34:09,000 --> 00:34:11,000 and all the other platforms you've been on. 397 00:34:11,000 --> 00:34:13,000 I've watched you. You've interviewed. 398 00:34:13,000 --> 00:34:15,000 Oopsie, oopsie, oopsie. 399 00:34:15,000 --> 00:34:16,000 Oh, fuck. 400 00:34:16,000 --> 00:34:17,000 Oh, fuck. 401 00:34:17,000 --> 00:34:18,000 Good job, Doc. 402 00:34:18,000 --> 00:34:19,000 Oh, let's go. 403 00:34:19,000 --> 00:34:21,000 I just threw myself. 404 00:34:21,000 --> 00:34:24,000 Y'all going to say that I word a lot, man. 405 00:34:24,000 --> 00:34:26,000 That's a big part of me, though. 406 00:34:26,000 --> 00:34:29,000 That's a big part of me is the I word. 407 00:34:29,000 --> 00:34:32,000 It's written in this motherfucker. 408 00:34:32,000 --> 00:34:35,000 Hold on, we shotting again, we chugging again. 409 00:34:35,000 --> 00:34:39,000 AMA lion, though, I wrote this shit and I'm fucking myself up. 410 00:34:39,000 --> 00:34:42,000 Doc, and it's crazy because I'm looking at the fucking screen. 411 00:34:42,000 --> 00:34:44,000 I'm like, what the fuck? Oh, no, it is right there. 412 00:34:44,000 --> 00:34:46,000 And it's right there. 413 00:34:46,000 --> 00:34:47,000 Good luck. 414 00:34:47,000 --> 00:34:48,000 Salud. 415 00:34:48,000 --> 00:34:49,000 Salud. 416 00:34:49,000 --> 00:34:52,000 All right, I've watched you ask questions to people. 417 00:34:52,000 --> 00:34:55,000 Some of the big dogs that you and I respect that I grew up on. 418 00:34:55,000 --> 00:34:58,000 So I want you to spill a little bit tea for us. 419 00:34:58,000 --> 00:35:02,000 Was there anyone in particular that was cooler or more humble than you expected? 420 00:35:02,000 --> 00:35:06,000 And then vice versa, was there anyone who rubbed you the wrong way or was unexpectedly weird? 421 00:35:06,000 --> 00:35:08,000 Definitely Plies, man. 422 00:35:08,000 --> 00:35:11,000 Plies definitely one that I didn't expect. 423 00:35:11,000 --> 00:35:17,000 This is around the time when the Ozone magazine was doing the Ozone Awards. 424 00:35:17,000 --> 00:35:20,000 And we was the media for the Ozone magazine. 425 00:35:20,000 --> 00:35:24,000 And in the media room, like back in the days when they do the media rooms, 426 00:35:24,000 --> 00:35:29,000 when you go inside the media room, it's different little booths you can go to and get I word. 427 00:35:29,000 --> 00:35:30,000 You know what I'm saying? 428 00:35:30,000 --> 00:35:32,000 Our tent was at the end. 429 00:35:32,000 --> 00:35:34,000 It was all the way at the end of the door. 430 00:35:34,000 --> 00:35:37,000 We were the last ones to get I. 431 00:35:37,000 --> 00:35:39,000 Like, you know what I'm saying? 432 00:35:39,000 --> 00:35:44,000 And you know, you had BET, you had Channel 9 News, you had Vibe magazine. 433 00:35:44,000 --> 00:35:50,000 So they just walking around these tents and stuff to get I. 434 00:35:50,000 --> 00:35:52,000 And I'm the last one. 435 00:35:52,000 --> 00:35:56,000 And at the time, Plies, this is before Plies blew up. 436 00:35:56,000 --> 00:36:00,000 He was hot at this time, but nobody knew what he looked like. 437 00:36:00,000 --> 00:36:02,000 We would just listen to the mix tape and shit. 438 00:36:02,000 --> 00:36:06,000 And at the time, the mix tape was like super gangster. 439 00:36:06,000 --> 00:36:10,000 So we think he this big ass motherfucking super killer. 440 00:36:10,000 --> 00:36:11,000 You know what I'm saying? 441 00:36:11,000 --> 00:36:15,000 But he walks in and everybody like, oh, Plies is here. Plies is here. 442 00:36:15,000 --> 00:36:19,000 And we had A&R to come go get everybody to bring them to the show. 443 00:36:19,000 --> 00:36:22,000 And I'm looking like, that's Plies? 444 00:36:22,000 --> 00:36:24,000 That motherfucker's like five feet. 445 00:36:24,000 --> 00:36:26,000 Like, he looks cool. 446 00:36:26,000 --> 00:36:28,000 One thing I noticed, they wouldn't let him. 447 00:36:28,000 --> 00:36:29,000 He was drinking. 448 00:36:29,000 --> 00:36:32,000 They had like him and his boys had some Hennessy or whatever. 449 00:36:32,000 --> 00:36:36,000 And he was drinking and they wouldn't let him drink while he was interviewing. 450 00:36:36,000 --> 00:36:38,000 Oopsie, oopsie, oopsie. 451 00:36:38,000 --> 00:36:39,000 Oh, fuck. 452 00:36:39,000 --> 00:36:40,000 Oh, shit. 453 00:36:40,000 --> 00:36:41,000 Fuck. 454 00:36:41,000 --> 00:36:42,000 What's wrong? 455 00:36:42,000 --> 00:36:44,000 I love you. 456 00:36:44,000 --> 00:36:48,000 If I don't make it to the end of this podcast, I love y'all. 457 00:36:48,000 --> 00:36:49,000 Besitos. 458 00:36:49,000 --> 00:36:50,000 God damn it. 459 00:36:50,000 --> 00:36:53,000 That's what I said. 460 00:36:53,000 --> 00:36:54,000 That's going to be a hard word. 461 00:36:54,000 --> 00:36:56,000 Hey, I love you, bro. 462 00:36:56,000 --> 00:36:57,000 All right. 463 00:36:57,000 --> 00:36:59,000 I told you. 464 00:36:59,000 --> 00:37:02,000 Last time I woke up on the roof. 465 00:37:02,000 --> 00:37:03,000 They was eyeing him. 466 00:37:03,000 --> 00:37:04,000 You know what I'm saying? 467 00:37:04,000 --> 00:37:07,000 The whole time they was eyeing him. 468 00:37:07,000 --> 00:37:09,000 Not that eyeing, but you know, microphone. 469 00:37:09,000 --> 00:37:10,000 Asking him questions. 470 00:37:10,000 --> 00:37:11,000 Oh, no, I know. 471 00:37:11,000 --> 00:37:12,000 I'm fucking with you. 472 00:37:12,000 --> 00:37:16,000 So they wouldn't let him drink while he was on these shows. 473 00:37:16,000 --> 00:37:20,000 But when he came to my show, my show was uncensored. 474 00:37:20,000 --> 00:37:23,000 You can say what the fuck you want to say, do what the fuck you want to do. 475 00:37:23,000 --> 00:37:29,000 And the first thing I told him before I eyed him, I was like, man, bring your drink over, 476 00:37:29,000 --> 00:37:30,000 cuz you can drink. 477 00:37:30,000 --> 00:37:31,000 Like, you know what I'm saying? 478 00:37:31,000 --> 00:37:32,000 He was like, what? 479 00:37:32,000 --> 00:37:34,000 And from that point, we built the relationship. 480 00:37:34,000 --> 00:37:35,000 He was cool as fuck. 481 00:37:35,000 --> 00:37:38,000 Like, he gave me all kind of game. 482 00:37:38,000 --> 00:37:39,000 And he was like so intelligent. 483 00:37:39,000 --> 00:37:45,000 Because you know, when you eye a lot of these rappers, they give you that, man, you know 484 00:37:45,000 --> 00:37:46,000 what I'm talking about? 485 00:37:46,000 --> 00:37:48,000 You know what I'm saying? 486 00:37:48,000 --> 00:37:51,000 He was real, like, intelligent, like, you know what I'm saying? 487 00:37:51,000 --> 00:37:52,000 And I'm like, what the fuck? 488 00:37:52,000 --> 00:37:55,000 This ain't the Ply's I listen to in the car. 489 00:37:55,000 --> 00:37:56,000 Like, you know what I'm saying? 490 00:37:56,000 --> 00:37:57,000 So he ended up being real cool. 491 00:37:57,000 --> 00:38:01,000 So Darius, before you go into the negative, I share a story with these guys all the time. 492 00:38:01,000 --> 00:38:05,000 So the Tampa Music Conference, it's an annual conference in Tampa. 493 00:38:05,000 --> 00:38:06,000 We go into it. 494 00:38:06,000 --> 00:38:10,000 I went to it in 2002 when I was a Jit and just started rapping. 495 00:38:10,000 --> 00:38:12,000 And then later years, I actually paneled it. 496 00:38:12,000 --> 00:38:15,000 So I brought my cousin Tony Ganja from New York. 497 00:38:15,000 --> 00:38:19,000 This was right before Ply's dropped What You Hating On. 498 00:38:19,000 --> 00:38:21,000 So this is like pre-fame, pre-mixed tape even. 499 00:38:21,000 --> 00:38:23,000 Oh, no, he was hot around that time. 500 00:38:23,000 --> 00:38:24,000 No, this is pre that. 501 00:38:24,000 --> 00:38:27,000 Oh, yeah, before that was before the first album though. 502 00:38:27,000 --> 00:38:28,000 Yes, yes, yes. 503 00:38:28,000 --> 00:38:30,000 Yeah, What You Hating On wasn't even on the first album. 504 00:38:30,000 --> 00:38:32,000 Put it like this, that's around the same time I met him. 505 00:38:32,000 --> 00:38:37,000 Funny thing was, as a DJ, I support anything that's in Florida. 506 00:38:37,000 --> 00:38:38,000 I love T-Pain. 507 00:38:38,000 --> 00:38:40,000 I loved anything that came out of the Florida area. 508 00:38:40,000 --> 00:38:43,000 I had never heard Ply's in my life, ever. 509 00:38:43,000 --> 00:38:44,000 What? 510 00:38:44,000 --> 00:38:46,000 Never heard him in West Palm, never heard him in Boca Raton, 511 00:38:46,000 --> 00:38:47,000 never heard him in Miami. 512 00:38:47,000 --> 00:38:48,000 What? 513 00:38:48,000 --> 00:38:49,000 Never. 514 00:38:49,000 --> 00:38:50,000 All I did was to risk Carlton. 515 00:38:50,000 --> 00:38:51,000 What? 516 00:38:51,000 --> 00:38:53,000 No, no, Rob, all that stuff's after What You Hating On. 517 00:38:53,000 --> 00:38:54,000 So that's funny. 518 00:38:54,000 --> 00:38:58,000 We, let me tell you, Ply's fucked Orlando up, bro. 519 00:38:58,000 --> 00:39:01,000 So this was pre-36 Ounces too, by the way. 520 00:39:01,000 --> 00:39:05,000 So what's crazy was, as a DJ, I saw these flyers going around. 521 00:39:05,000 --> 00:39:07,000 Now, the Tampa Music Conference, you got to actually dress up. 522 00:39:07,000 --> 00:39:11,000 You got to be at least, you know, don't be tied, but you can at least go to dress shirt. 523 00:39:11,000 --> 00:39:15,000 Ply's, what was crazy with him was, I thought his name was Piles. 524 00:39:15,000 --> 00:39:20,000 Like no one, no one in that Tampa knew who the fuck he was. 525 00:39:20,000 --> 00:39:21,000 It was crazy. 526 00:39:21,000 --> 00:39:22,000 He lived out there. 527 00:39:22,000 --> 00:39:23,000 I think he lived out in Tampa. 528 00:39:23,000 --> 00:39:24,000 He's from Fort Myers. 529 00:39:24,000 --> 00:39:25,000 He's from Fort Myers. 530 00:39:25,000 --> 00:39:27,000 No, he's from Fort Myers, but he lived in Tampa. 531 00:39:27,000 --> 00:39:28,000 It was crazy. 532 00:39:28,000 --> 00:39:29,000 So check this shit out, right? 533 00:39:29,000 --> 00:39:35,000 So we were talking about radio and people not having the registrations to get there and stuff. 534 00:39:35,000 --> 00:39:39,000 So after the first, after that dinner time, there's like an after party event, 535 00:39:39,000 --> 00:39:42,000 an after after party event, after after after party event. 536 00:39:42,000 --> 00:39:45,000 We did the after party event and Tony and I, first of all, Tony didn't want to spend money. 537 00:39:45,000 --> 00:39:50,000 So we were like, he's like, we got leftovers from, I think everyone went to macaroni grill. 538 00:39:50,000 --> 00:39:52,000 So like we all got to sit and eat dinner. 539 00:39:52,000 --> 00:39:59,000 So he's like, yo, I don't know what you're thinking of, but can we just go back, change out of these dress clothes and like eat our leftovers? 540 00:39:59,000 --> 00:40:00,000 I'm like, fuck yeah. 541 00:40:00,000 --> 00:40:03,000 I don't want to spend like, I don't want to pay for parking and bullshit like that. 542 00:40:03,000 --> 00:40:07,000 So we go back, we change out of our dress clothes, wear basketball shorts. 543 00:40:07,000 --> 00:40:10,000 The microwave, they had like a whole lobby kitchen area. 544 00:40:10,000 --> 00:40:15,000 We go down there and Plies and his boys are down there in basketball shorts and wife beaters too. 545 00:40:15,000 --> 00:40:17,000 So they did the exact same shit we did. 546 00:40:17,000 --> 00:40:19,000 They didn't care for the after after party. 547 00:40:19,000 --> 00:40:24,000 Talking to him, just like you said, he told us his real name, Al Jannad Washington. 548 00:40:24,000 --> 00:40:26,000 He didn't like, he corrected me. 549 00:40:26,000 --> 00:40:28,000 It's not Piles, it's Plies. 550 00:40:28,000 --> 00:40:30,000 I'm like, what the fuck does that like? 551 00:40:30,000 --> 00:40:32,000 What's his real name, dog? 552 00:40:32,000 --> 00:40:33,000 Al Jannad Washington. 553 00:40:33,000 --> 00:40:35,000 I'll never forget that. 554 00:40:35,000 --> 00:40:36,000 They call him Nod. 555 00:40:36,000 --> 00:40:38,000 I won't forget it now. 556 00:40:38,000 --> 00:40:44,000 So introducing to my thugged out cousin, it's like this guy, like you said, he's actually very intelligent. 557 00:40:44,000 --> 00:40:47,000 He has two different college degrees from USF in Tampa. 558 00:40:47,000 --> 00:40:50,000 So it's like he's actually intelligent. 559 00:40:50,000 --> 00:40:52,000 And my cousin was very, very like floored, impressed. 560 00:40:52,000 --> 00:40:54,000 Like this guy, he'll probably get signed. 561 00:40:54,000 --> 00:40:56,000 Like this guy will probably blow up. 562 00:40:56,000 --> 00:40:57,000 And he did, he did. 563 00:40:57,000 --> 00:41:03,000 But what's crazy is day two of that conference, when they walked in, we're there like, yo, what's up? 564 00:41:03,000 --> 00:41:04,000 What's up? 565 00:41:04,000 --> 00:41:09,000 And he comes in and like he, the slang came out, the ghetto talk came out. 566 00:41:09,000 --> 00:41:12,000 And it's like, wait, where did the intelligent motherfucker come? 567 00:41:12,000 --> 00:41:13,000 Like go. 568 00:41:13,000 --> 00:41:23,000 And it's like, and the interview, the guys asking them questions, they're asking them like, you know, they even said Piles, Plies, please, Plies. 569 00:41:23,000 --> 00:41:24,000 He's like Plies. 570 00:41:24,000 --> 00:41:26,000 And they're like, what does that even mean? 571 00:41:26,000 --> 00:41:27,000 Plies. 572 00:41:27,000 --> 00:41:28,000 What does that mean? 573 00:41:28,000 --> 00:41:30,000 You know, the tool that tightens things. 574 00:41:30,000 --> 00:41:32,000 No, not Plies. 575 00:41:32,000 --> 00:41:34,000 And they're like, oh, like Pliers. 576 00:41:34,000 --> 00:41:36,000 You know, I learned something new at that moment. 577 00:41:36,000 --> 00:41:42,000 But just, just like you said, though, he floored me too, because he was so intelligent the night before. 578 00:41:42,000 --> 00:41:47,000 And I feel like 90 percent of that Plies persona is fake. 579 00:41:47,000 --> 00:41:49,000 Like he's an actual intelligent person. 580 00:41:49,000 --> 00:41:51,000 So that was that was one that we shared with you. 581 00:41:51,000 --> 00:41:52,000 It was crazy. 582 00:41:52,000 --> 00:41:53,000 Yeah, man. 583 00:41:53,000 --> 00:41:56,000 Like I said, man, he and I was just like, what the fuck? 584 00:41:56,000 --> 00:42:00,000 Like, whoa, this is what not I did not expect this, bro. 585 00:42:00,000 --> 00:42:02,000 Like different person night and day. 586 00:42:02,000 --> 00:42:04,000 He was so cool, bro. 587 00:42:04,000 --> 00:42:06,000 But he showed me a lot of love, bro. 588 00:42:06,000 --> 00:42:07,000 He showed me a lot of love. 589 00:42:07,000 --> 00:42:11,000 And then when it's because, you know, he taped his first video in Orlando. 590 00:42:11,000 --> 00:42:12,000 I started with T-Pain. 591 00:42:12,000 --> 00:42:13,000 Yeah. 592 00:42:13,000 --> 00:42:14,000 He shot that in Orlando. 593 00:42:14,000 --> 00:42:17,000 He's had more videos before that, but first mainstream video. 594 00:42:17,000 --> 00:42:20,000 Yeah. The first real like the big song, like the big song. 595 00:42:20,000 --> 00:42:21,000 He shot that in Orlando. 596 00:42:21,000 --> 00:42:22,000 You know what I'm saying? 597 00:42:22,000 --> 00:42:24,000 He would cross town and I pulled it up on him. 598 00:42:24,000 --> 00:42:25,000 You know what I'm saying? 599 00:42:25,000 --> 00:42:26,000 He see me at the time. 600 00:42:26,000 --> 00:42:27,000 That's when I have a mohawk. 601 00:42:27,000 --> 00:42:28,000 Mohawk. 602 00:42:28,000 --> 00:42:29,000 What's up, bro? 603 00:42:29,000 --> 00:42:30,000 All right. 604 00:42:30,000 --> 00:42:32,000 So D-Rug, tell us the other side of the coin. 605 00:42:32,000 --> 00:42:34,000 I want to hear who rubbed you the wrong way. 606 00:42:34,000 --> 00:42:37,000 It was kind of like a dick to ask questions to. 607 00:42:37,000 --> 00:42:38,000 Twistler. 608 00:42:38,000 --> 00:42:39,000 What? 609 00:42:39,000 --> 00:42:40,000 Whoa. 610 00:42:40,000 --> 00:42:41,000 Twistler. 611 00:42:41,000 --> 00:42:44,000 I don't know what Twistler was going through that night. 612 00:42:44,000 --> 00:42:47,000 I'm going to put y'all in the scene right here. 613 00:42:47,000 --> 00:42:48,000 We in Miami. 614 00:42:48,000 --> 00:42:50,000 We had Club Sobe. 615 00:42:50,000 --> 00:42:52,000 I remember them drinks, Sobe drinks. 616 00:42:52,000 --> 00:42:53,000 Remember the Sobe? 617 00:42:53,000 --> 00:42:54,000 All day. 618 00:42:54,000 --> 00:42:55,000 All right. 619 00:42:55,000 --> 00:42:58,000 So we knew his pops and his son. 620 00:42:58,000 --> 00:42:59,000 His son's name was Stax. 621 00:42:59,000 --> 00:43:08,000 And Stax had through this big ass party had Paul Wall, Little John, Abomb, JG, Twistler. 622 00:43:08,000 --> 00:43:11,000 Matter of fact, Nas even slid through that bitch. 623 00:43:11,000 --> 00:43:14,000 I ain't get to talk to Nas, but Nas slid through that bitch. 624 00:43:14,000 --> 00:43:17,000 I had everybody that I mentioned. 625 00:43:17,000 --> 00:43:21,000 Paul Wall, Mike Jones, Slim Thug, Little John. 626 00:43:21,000 --> 00:43:24,000 I did everybody but Twistler. 627 00:43:24,000 --> 00:43:28,000 Twistler was one of my favorite rappers, bro. 628 00:43:28,000 --> 00:43:29,000 I love Twistler. 629 00:43:29,000 --> 00:43:31,000 Even to this day, I love Twistler. 630 00:43:31,000 --> 00:43:32,000 You know what I'm saying? 631 00:43:32,000 --> 00:43:38,000 And once he performed, he got off the stage and it was time for him because I had my shit. 632 00:43:38,000 --> 00:43:41,000 I had my shit set up on side of the stage. 633 00:43:41,000 --> 00:43:48,000 So the way I got everybody was I get them off stage and I eye them after that. 634 00:43:48,000 --> 00:43:49,000 You know what I'm saying? 635 00:43:49,000 --> 00:43:52,000 So Twistler, I'm excited about. 636 00:43:52,000 --> 00:43:57,000 Fuck Paul Wall, not saying fuck Paul Wall, but Paul Wall, whatever. 637 00:43:57,000 --> 00:43:58,000 Cool. 638 00:43:58,000 --> 00:44:00,000 But Twistler is somebody I was a fan of. 639 00:44:00,000 --> 00:44:03,000 So I was like, oh shit. 640 00:44:03,000 --> 00:44:04,000 You know what I'm saying? 641 00:44:04,000 --> 00:44:05,000 You were looking forward to it for sure. 642 00:44:05,000 --> 00:44:06,000 What? 643 00:44:06,000 --> 00:44:08,000 Twistler comes off the stage. 644 00:44:08,000 --> 00:44:10,000 I'm like, yo, Twistler, what's up, man? 645 00:44:10,000 --> 00:44:11,000 Let me get that eye. 646 00:44:11,000 --> 00:44:12,000 You know what I'm saying? 647 00:44:12,000 --> 00:44:14,000 He walked past me. 648 00:44:14,000 --> 00:44:17,000 He walks because the VIP was right next to us too. 649 00:44:17,000 --> 00:44:20,000 It was kind of behind us. 650 00:44:20,000 --> 00:44:24,000 He sits down and at the time, you know, iPods was big. 651 00:44:24,000 --> 00:44:26,000 This is iPod era. 652 00:44:26,000 --> 00:44:30,000 This motherfucker is in the club by himself in VIP. 653 00:44:30,000 --> 00:44:31,000 He done kicked the bitches out. 654 00:44:31,000 --> 00:44:33,000 He done kicked everybody out. 655 00:44:33,000 --> 00:44:38,000 And he's in the club listening to his iPod. 656 00:44:38,000 --> 00:44:40,000 And I'm talking about I'm trying to get his attention. 657 00:44:40,000 --> 00:44:42,000 I'm trying to talk to him. 658 00:44:42,000 --> 00:44:45,000 His bodyguard is like, yo, he don't want to be bothered right now. 659 00:44:45,000 --> 00:44:46,000 He just want to listen to his music. 660 00:44:46,000 --> 00:44:50,000 And I'm like, listen to his music? 661 00:44:50,000 --> 00:44:51,000 He's in the motherfucking club. 662 00:44:51,000 --> 00:44:53,000 This motherfucker got on some headphones. 663 00:44:53,000 --> 00:44:54,000 What the fuck is you talking about? 664 00:44:54,000 --> 00:44:55,000 Like, you know what I'm saying? 665 00:44:55,000 --> 00:44:59,000 But you know, now that I'm older, I realized I don't know what he was going through at 666 00:44:59,000 --> 00:45:02,000 the time, but Twistler, he ignored me, bro. 667 00:45:02,000 --> 00:45:03,000 Damn, that's crazy. 668 00:45:03,000 --> 00:45:05,000 I'm with you, D-Rug. 669 00:45:05,000 --> 00:45:06,000 Fuck that. 670 00:45:06,000 --> 00:45:07,000 Like, I'm with like. 671 00:45:07,000 --> 00:45:10,000 What the fuck you doing in the club with your headphones on? 672 00:45:10,000 --> 00:45:12,000 Hey, tell me, fuck me. 673 00:45:12,000 --> 00:45:13,000 Just say fuck you or whatever. 674 00:45:13,000 --> 00:45:14,000 You know what I'm saying? 675 00:45:14,000 --> 00:45:16,000 I don't want to be bothered. 676 00:45:16,000 --> 00:45:17,000 Say it. 677 00:45:17,000 --> 00:45:18,000 You know what I'm saying? 678 00:45:18,000 --> 00:45:19,000 Don't ignore me. 679 00:45:19,000 --> 00:45:20,000 That motherfucker ignored me, bro. 680 00:45:20,000 --> 00:45:21,000 Yeah, I met a lot of. 681 00:45:21,000 --> 00:45:23,000 Well, I met a couple of assholes. 682 00:45:23,000 --> 00:45:25,000 Trick Daddy was an asshole too. 683 00:45:25,000 --> 00:45:26,000 Really? 684 00:45:26,000 --> 00:45:28,000 Trick Daddy was an asshole, but he's like. 685 00:45:28,000 --> 00:45:30,000 You expect that from him. 686 00:45:30,000 --> 00:45:34,000 I was doing a mixtape called Doc J Presents Dirty Dancing. 687 00:45:34,000 --> 00:45:36,000 It was a strip club mixtape. 688 00:45:36,000 --> 00:45:39,000 And he was absolutely like. 689 00:45:39,000 --> 00:45:42,000 Because he kind of was getting out of fame at that moment. 690 00:45:42,000 --> 00:45:46,000 And because I'm from South Florida, I want to represent Miami Cats. 691 00:45:46,000 --> 00:45:49,000 And he submitted me like a new single and I just threw on the strip club mixtape. 692 00:45:49,000 --> 00:45:50,000 No questions asked. 693 00:45:50,000 --> 00:45:53,000 And he was super nice to me for that one. 694 00:45:53,000 --> 00:45:55,000 But yeah, I mean, I think you hit the nail on the head. 695 00:45:55,000 --> 00:45:56,000 People can have things going on. 696 00:45:56,000 --> 00:45:58,000 So, I mean, that's why I always ask that question. 697 00:45:58,000 --> 00:45:59,000 So. 698 00:45:59,000 --> 00:46:00,000 Yeah, yeah, man. 699 00:46:00,000 --> 00:46:03,000 You mentioned your early influences of Michael Jackson. 700 00:46:03,000 --> 00:46:06,000 Snoop Dogg and the Immortal 2, Pac Shakur. 701 00:46:06,000 --> 00:46:10,000 Are there any new artists today that influence your music now? 702 00:46:10,000 --> 00:46:12,000 I don't want to hear his answer for the future. 703 00:46:12,000 --> 00:46:13,000 Fuck you. 704 00:46:13,000 --> 00:46:15,000 I love you, bro. 705 00:46:15,000 --> 00:46:18,000 I'm one of the biggest future fans. 706 00:46:18,000 --> 00:46:19,000 I love you. 707 00:46:19,000 --> 00:46:21,000 Yes, bro. 708 00:46:21,000 --> 00:46:22,000 I love you. 709 00:46:22,000 --> 00:46:26,000 I had a paid internship at Epic Records in the legal department. 710 00:46:26,000 --> 00:46:30,000 I don't work there anymore because I reviewed a future album wrong. 711 00:46:30,000 --> 00:46:32,000 Which one was it? 712 00:46:32,000 --> 00:46:33,000 I mean, I worked there from. 713 00:46:33,000 --> 00:46:36,000 So I got the job at MediaBase in 2018. 714 00:46:36,000 --> 00:46:38,000 So it was from 2016 to 2018. 715 00:46:38,000 --> 00:46:41,000 Whatever album came out in that window. 716 00:46:41,000 --> 00:46:44,000 And at a six stars, I gave it half a star. 717 00:46:44,000 --> 00:46:46,000 And they're like, yeah, I would have fired your ass too. 718 00:46:46,000 --> 00:46:48,000 Fuck you. 719 00:46:48,000 --> 00:46:52,000 No, but they told me that, you know, if you work here, those are one of our clients. 720 00:46:52,000 --> 00:46:53,000 So you have to do that. 721 00:46:53,000 --> 00:46:55,000 How can you give future a half a star? 722 00:46:55,000 --> 00:46:57,000 They were like, you have to give this five and a half to six stars. 723 00:46:57,000 --> 00:46:59,000 I'm like, that would be saying the album's classic. 724 00:46:59,000 --> 00:47:02,000 No, I'm going to review this the right way, respectful way. 725 00:47:02,000 --> 00:47:04,000 And they're like, then you can't review why you work here. 726 00:47:04,000 --> 00:47:05,000 And I'm like. 727 00:47:05,000 --> 00:47:08,000 Future is one of my favorite artists, bro. 728 00:47:08,000 --> 00:47:09,000 You know, I love you. 729 00:47:09,000 --> 00:47:10,000 I love you. 730 00:47:10,000 --> 00:47:11,000 But fuck you. 731 00:47:11,000 --> 00:47:15,000 I love the way future records, bro. 732 00:47:15,000 --> 00:47:17,000 He don't give a fuck, bro. 733 00:47:17,000 --> 00:47:20,000 He don't. He just wants him, bro. 734 00:47:20,000 --> 00:47:21,000 Well, you know what's crazy? 735 00:47:21,000 --> 00:47:24,000 I have a heartbreaking story about future. 736 00:47:24,000 --> 00:47:25,000 What's that? 737 00:47:25,000 --> 00:47:27,000 No, I'm not going to say it. 738 00:47:27,000 --> 00:47:28,000 I can't. You don't say it. 739 00:47:28,000 --> 00:47:30,000 No, you just said it. 740 00:47:30,000 --> 00:47:32,000 We got sound effects I can do. 741 00:47:32,000 --> 00:47:34,000 I'll tell you some real shit. 742 00:47:34,000 --> 00:47:35,000 I can't. 743 00:47:35,000 --> 00:47:37,000 D-Rod gets the exclusive shit from us. 744 00:47:37,000 --> 00:47:38,000 Okay. So why is this? 745 00:47:38,000 --> 00:47:40,000 So I'm in a restaurant, right? 746 00:47:40,000 --> 00:47:42,000 And there's a party in the restaurant. 747 00:47:42,000 --> 00:47:46,000 And in this party is a it's an employee party sort of thing. 748 00:47:46,000 --> 00:47:47,000 Futures, people's. 749 00:47:47,000 --> 00:47:52,000 So everybody got champagne glasses, but they empty. 750 00:47:52,000 --> 00:47:55,000 Future says, no, don't give him champagne. 751 00:47:55,000 --> 00:47:56,000 Give him ginger ale. 752 00:47:56,000 --> 00:47:58,000 God damn. 753 00:47:58,000 --> 00:47:59,000 Sensational. 754 00:47:59,000 --> 00:48:01,000 He gave everybody ginger ale. 755 00:48:01,000 --> 00:48:04,000 And made them believe it was champagne. 756 00:48:04,000 --> 00:48:05,000 Oh my God. 757 00:48:05,000 --> 00:48:07,000 This is thinking was. 758 00:48:07,000 --> 00:48:08,000 They think it was champagne. 759 00:48:08,000 --> 00:48:10,000 D-Rod, this is what he does to y'all. 760 00:48:10,000 --> 00:48:13,000 He hypnotizes you with the fucking auto tune. 761 00:48:13,000 --> 00:48:16,000 This is a real street report. 762 00:48:16,000 --> 00:48:17,000 I was there. 763 00:48:17,000 --> 00:48:19,000 I put my blood on that. 764 00:48:19,000 --> 00:48:20,000 That's ridiculous. 765 00:48:20,000 --> 00:48:23,000 I can see Rob working there and be like as Smollier, 766 00:48:23,000 --> 00:48:25,000 like I would recommend this type of champagne. 767 00:48:25,000 --> 00:48:26,000 He's like, no, I want ginger ale. 768 00:48:26,000 --> 00:48:28,000 He says, no. 769 00:48:28,000 --> 00:48:30,000 Ginger ale, please. 770 00:48:30,000 --> 00:48:31,000 I'm sorry. 771 00:48:31,000 --> 00:48:35,000 So, so future, if you hear me, I don't fucking hate your music, but. 772 00:48:35,000 --> 00:48:39,000 So D-Rod, D-Rod, this is that 9% of music that you and I will never see. 773 00:48:39,000 --> 00:48:41,000 I die on 91%. 774 00:48:41,000 --> 00:48:44,000 You and I are like perfectly on par with it, but not this 9%. 775 00:48:44,000 --> 00:48:46,000 So I love, I love future, man. 776 00:48:46,000 --> 00:48:48,000 I'm a big future fan, bro. 777 00:48:48,000 --> 00:48:49,000 Future. 778 00:48:49,000 --> 00:48:51,000 But the ginger ale, the ginger ale story is true. 779 00:48:51,000 --> 00:48:52,000 That's crazy. 780 00:48:52,000 --> 00:48:54,000 That's crazy to me. 781 00:48:54,000 --> 00:48:56,000 Hey, Amazon, you my brother. 782 00:48:56,000 --> 00:48:57,000 I got it. 783 00:48:57,000 --> 00:48:58,000 I'm fucked up. 784 00:48:58,000 --> 00:49:00,000 I ain't even, we ain't even nowhere near. 785 00:49:00,000 --> 00:49:03,000 We're not even past the interview yet. 786 00:49:03,000 --> 00:49:04,000 Oh, fuck. 787 00:49:04,000 --> 00:49:06,000 Oopsie, oopsie, oopsie. 788 00:49:06,000 --> 00:49:07,000 Oh, fuck. 789 00:49:07,000 --> 00:49:08,000 Damn it. 790 00:49:08,000 --> 00:49:09,000 See, he did that shit on purpose. 791 00:49:09,000 --> 00:49:11,000 This is the best show ever. 792 00:49:11,000 --> 00:49:12,000 Dude. 793 00:49:12,000 --> 00:49:13,000 D-Rod. 794 00:49:13,000 --> 00:49:14,000 How many times do I have to say that? 795 00:49:14,000 --> 00:49:15,000 That shit on purpose right there. 796 00:49:15,000 --> 00:49:16,000 Rob, Rob. 797 00:49:16,000 --> 00:49:17,000 Everybody got to take the swigs. 798 00:49:17,000 --> 00:49:18,000 Please. 799 00:49:18,000 --> 00:49:19,000 Damn. 800 00:49:19,000 --> 00:49:21,000 I'm not that, I'm not that fucked up yet. 801 00:49:21,000 --> 00:49:22,000 I'm fucked with Rob, man. 802 00:49:22,000 --> 00:49:23,000 I'm fucked with Rob. 803 00:49:23,000 --> 00:49:24,000 Hey, bro. 804 00:49:24,000 --> 00:49:25,000 Hey, I love you, bro. 805 00:49:25,000 --> 00:49:26,000 I've been telling your shit for three weeks. 806 00:49:26,000 --> 00:49:27,000 I'm fucked with Rob, man. 807 00:49:27,000 --> 00:49:28,000 Come see me in South Beach, dog. 808 00:49:28,000 --> 00:49:29,000 I'll holler at you when I go to Orlando. 809 00:49:29,000 --> 00:49:30,000 I'm in South Beach all day. 810 00:49:30,000 --> 00:49:31,000 Definitely, definitely. 811 00:49:31,000 --> 00:49:32,000 We definitely going to do that, bro. 812 00:49:32,000 --> 00:49:33,000 I'll fucks with your vibe, bro. 813 00:49:33,000 --> 00:49:34,000 Hey, nobody can fuck with me out here, baby. 814 00:49:34,000 --> 00:49:35,000 Look, come on, see me. 815 00:49:35,000 --> 00:49:36,000 Please come see me. 816 00:49:36,000 --> 00:49:37,000 He gets the people going. 817 00:49:37,000 --> 00:49:38,000 He does. 818 00:49:38,000 --> 00:49:39,000 Look, we love Rob. 819 00:49:39,000 --> 00:49:40,000 But you know something? 820 00:49:40,000 --> 00:49:41,000 This is why I had to stop. 821 00:49:41,000 --> 00:49:42,000 I love y'all more. 822 00:49:42,000 --> 00:49:43,000 I had to stop drinking hard liquor last week, bro. 823 00:49:43,000 --> 00:49:44,000 It's okay to chug. 824 00:49:44,000 --> 00:49:45,000 We like to chug. 825 00:49:45,000 --> 00:49:46,000 I like to chug. 826 00:49:46,000 --> 00:49:47,000 I got crazy, bro. 827 00:49:47,000 --> 00:49:48,000 I fell on my fucking face and like cut my nose up. 828 00:49:48,000 --> 00:49:49,000 Y'all can't see no more. 829 00:49:49,000 --> 00:50:01,560 D-Rud, when you posted that post that you were done for good, my heart fell from my chest 830 00:50:01,560 --> 00:50:02,560 to my dick. 831 00:50:02,560 --> 00:50:03,560 A week before the show. 832 00:50:03,560 --> 00:50:04,560 Yeah. 833 00:50:04,560 --> 00:50:05,560 Hey, no, Doc called me. 834 00:50:05,560 --> 00:50:06,560 Doc was like, hey, man. 835 00:50:06,560 --> 00:50:07,560 He called me. 836 00:50:07,560 --> 00:50:08,560 You're not drinking no more? 837 00:50:08,560 --> 00:50:09,560 And I'm like, yeah, I'm drinking beer. 838 00:50:09,560 --> 00:50:10,560 Why? 839 00:50:10,560 --> 00:50:11,560 Wait one more week. 840 00:50:11,560 --> 00:50:12,560 I'm like, you know we got the show coming up. 841 00:50:12,560 --> 00:50:13,560 He said it in the comments and everything. 842 00:50:13,560 --> 00:50:14,560 Hey, man, you know we got the show coming up. 843 00:50:14,560 --> 00:50:15,560 I'm like, what? 844 00:50:15,560 --> 00:50:16,560 I'm like, what? 845 00:50:16,560 --> 00:50:17,560 I'm like, what? 846 00:50:17,560 --> 00:50:18,560 I'm like, what? 847 00:50:18,560 --> 00:50:19,560 I was worried. 848 00:50:19,560 --> 00:50:20,560 I was twisted. 849 00:50:20,560 --> 00:50:21,560 I was like messed up. 850 00:50:21,560 --> 00:50:22,560 I was like, what are you doing to me, D-Rud? 851 00:50:22,560 --> 00:50:23,560 He called me the same way. 852 00:50:23,560 --> 00:50:24,560 Yo, Doc called me. 853 00:50:24,560 --> 00:50:25,560 He's like, yo, I don't think D-Rud's drinking, bro. 854 00:50:25,560 --> 00:50:26,560 No, I had to stop drinking that liquor, bro. 855 00:50:26,560 --> 00:50:27,560 I was getting too fucking crazy on that tequila, man. 856 00:50:27,560 --> 00:50:28,560 I hear you. 857 00:50:28,560 --> 00:50:29,560 I hear you. 858 00:50:29,560 --> 00:50:46,160 As writers ourselves, I love Doc and Rob the deaf, but we have different sacred ways of 859 00:50:46,160 --> 00:50:47,160 writing our rhymes. 860 00:50:47,160 --> 00:50:50,320 Please describe your unique writing process. 861 00:50:50,320 --> 00:50:54,480 Well, as far as lately, I haven't wrote a rhyme. 862 00:50:54,480 --> 00:50:56,360 My last album, I punched in. 863 00:50:56,360 --> 00:50:57,640 I did the new school shit. 864 00:50:57,640 --> 00:50:59,720 I did the new school. 865 00:50:59,720 --> 00:51:02,760 I freestyled for two or three bars and punch in. 866 00:51:02,760 --> 00:51:06,480 That's what made me want to rap again, because I ain't going to lie to you, I hate right 867 00:51:06,480 --> 00:51:07,480 now. 868 00:51:07,480 --> 00:51:09,120 It's too time consuming. 869 00:51:09,120 --> 00:51:15,880 But back when I did used to write, I basically just jotted down whatever was on my mind. 870 00:51:15,880 --> 00:51:21,480 I'm one of those guys that whatever come to my mind, jotted down. 871 00:51:21,480 --> 00:51:23,280 It could be four bars at the moment. 872 00:51:23,280 --> 00:51:25,200 It could be 10 bars. 873 00:51:25,200 --> 00:51:26,520 It could be whatever. 874 00:51:26,520 --> 00:51:32,880 But I was always the one that always jot down whatever comes to my brain first, because 875 00:51:32,880 --> 00:51:37,360 my mind runs 100 miles per hour, so I be trying to get that shit out. 876 00:51:37,360 --> 00:51:42,720 That's why it's so easy and cool for me now to do the punch in freestyle thing. 877 00:51:42,720 --> 00:51:47,960 I won't call it freestyle, but what I had did, I did a lot of research before I made 878 00:51:47,960 --> 00:51:48,960 that album. 879 00:51:48,960 --> 00:51:53,200 I was in the studio with a lot of the young guys and I watched how they was recording 880 00:51:53,200 --> 00:51:55,880 and none of them motherfuckers don't write rhymes. 881 00:51:55,880 --> 00:51:59,400 None of these young boys write rhymes, bruh. 882 00:51:59,400 --> 00:52:01,280 And they punch in and they do shit. 883 00:52:01,280 --> 00:52:05,600 Shout out to Tony Boy, shout out to Luce Cannon, shout out to Leap Baby. 884 00:52:05,600 --> 00:52:10,880 I sat and I watched them in the studio and when I seen them do that, I was like, oh, 885 00:52:10,880 --> 00:52:13,200 I could do that shit 100 miles per hour. 886 00:52:13,200 --> 00:52:14,200 You know what I'm saying? 887 00:52:14,200 --> 00:52:15,200 That's easy. 888 00:52:15,200 --> 00:52:16,200 You know what I'm saying? 889 00:52:16,200 --> 00:52:20,800 It's easy to come up with something real fast and, all right, stop me right there and listen 890 00:52:20,800 --> 00:52:21,800 to it and go over it again. 891 00:52:21,800 --> 00:52:22,800 You know what I'm saying? 892 00:52:22,800 --> 00:52:25,320 So once I figured out that shit, it was a wrap. 893 00:52:25,320 --> 00:52:26,320 All right, all right. 894 00:52:26,320 --> 00:52:29,120 I'm going to put you on the spot and change gears for a second, right? 895 00:52:29,120 --> 00:52:30,560 I know your brain's like mine. 896 00:52:30,560 --> 00:52:32,960 You are a Rolodex of artists. 897 00:52:32,960 --> 00:52:38,200 So who is personally on your two Mount Rushmore's of singers and rappers? 898 00:52:38,200 --> 00:52:41,880 So that would be your top four of each, all time and in order. 899 00:52:41,880 --> 00:52:44,200 So you want to hit singers first? 900 00:52:44,200 --> 00:52:47,720 Singers first, your top four in order singers and then we'll go to rappers next. 901 00:52:47,720 --> 00:52:50,280 Hey, I don't give a mammy fuck what nobody say. 902 00:52:50,280 --> 00:52:51,280 R. Kelly. 903 00:52:51,280 --> 00:52:52,280 Thank you. 904 00:52:52,280 --> 00:52:53,280 R. Kelly, number one. 905 00:52:53,280 --> 00:52:55,280 I don't give a fuck what nobody say. 906 00:52:55,280 --> 00:52:57,280 This is my twit, bro. 907 00:52:57,280 --> 00:52:59,960 Then I got to go with my boy Bobby Brown. 908 00:52:59,960 --> 00:53:00,960 Okay. 909 00:53:00,960 --> 00:53:01,960 Okay. 910 00:53:01,960 --> 00:53:02,960 You know what I'm saying? 911 00:53:02,960 --> 00:53:03,960 I'm a big Bobby Brown man. 912 00:53:03,960 --> 00:53:07,000 And then I definitely got to go with my boy, Michael Jackson. 913 00:53:07,000 --> 00:53:08,000 One time. 914 00:53:08,000 --> 00:53:09,000 Three. 915 00:53:09,000 --> 00:53:10,000 That's three. 916 00:53:10,000 --> 00:53:11,000 One more on your Mount Rushmore. 917 00:53:11,000 --> 00:53:12,000 One more. 918 00:53:12,000 --> 00:53:13,600 And I definitely got to go with my boy, Charlie Wilson, man. 919 00:53:13,600 --> 00:53:14,600 My name is Charlie. 920 00:53:14,600 --> 00:53:15,600 Last name Wilson. 921 00:53:15,600 --> 00:53:16,600 All right. 922 00:53:16,600 --> 00:53:17,600 All right. 923 00:53:17,600 --> 00:53:21,200 Unc, what about your two, your, your top four rappers, your Mount Rushmore of rappers? 924 00:53:21,200 --> 00:53:26,000 My top four MCs, all time and order. 925 00:53:26,000 --> 00:53:32,600 I always get flack about this because I'm not your typical word play MC. 926 00:53:32,600 --> 00:53:39,240 So, so, you know, who my favorite rappers are Snoop Dogg, number one, a goddamn too 927 00:53:39,240 --> 00:53:45,760 short number two, number three, Pimp C, number four, Tupac. 928 00:53:45,760 --> 00:53:46,760 Thank you. 929 00:53:46,760 --> 00:53:49,800 See, if you said future, I was going to, I was going to say the I word for you. 930 00:53:49,800 --> 00:53:53,040 No, future, future is my new school guy. 931 00:53:53,040 --> 00:53:54,040 All time though. 932 00:53:54,040 --> 00:53:55,040 Thank you. 933 00:53:55,040 --> 00:53:56,040 I like, I like your list. 934 00:53:56,040 --> 00:53:57,360 Your list does remind me of your music too. 935 00:53:57,360 --> 00:53:58,360 So. 936 00:53:58,360 --> 00:53:59,360 Yeah, definitely. 937 00:53:59,360 --> 00:54:00,360 That's all. 938 00:54:00,360 --> 00:54:01,360 That's all my music come from, man. 939 00:54:01,360 --> 00:54:02,680 I can't even put my eyes on you guys easily. 940 00:54:02,680 --> 00:54:05,280 All right, Rob, it's all on you, bro. 941 00:54:05,280 --> 00:54:06,280 All right. 942 00:54:06,280 --> 00:54:12,240 D-Rub, at this point in your career, what would be your top dream collab-o now that 943 00:54:12,240 --> 00:54:13,520 makes the most sense? 944 00:54:13,520 --> 00:54:16,520 Oh, me definitely working with Snoop Dogg. 945 00:54:16,520 --> 00:54:19,160 I want to do a Snoop Dogg song about Reefer. 946 00:54:19,160 --> 00:54:24,160 Like I can paint my, like I got to get Snoop on paint my eyes red three or something. 947 00:54:24,160 --> 00:54:26,960 Like I got to, you know what I'm saying? 948 00:54:26,960 --> 00:54:28,560 I got to put that lingo in Snoop Life. 949 00:54:28,560 --> 00:54:31,120 He got to know how to paint his eyes red. 950 00:54:31,120 --> 00:54:35,400 My yeah, that's definitely one of my ultimate goals is to do something with Snoop Dogg, 951 00:54:35,400 --> 00:54:41,000 whether it's a movie, a song or something. 952 00:54:41,000 --> 00:54:43,240 But yeah, I want to do something with Snoop. 953 00:54:43,240 --> 00:54:45,520 That's what's up. 954 00:54:45,520 --> 00:54:46,760 So I'm all about our legacy. 955 00:54:46,760 --> 00:54:52,520 So when you die, what is something you personally want to be remembered for? 956 00:54:52,520 --> 00:54:53,520 Definitely. 957 00:54:53,520 --> 00:54:54,960 I want to be remembered me being me. 958 00:54:54,960 --> 00:55:00,200 I want to be remembered as when you hear that certain song, be like, man, I remember, I 959 00:55:00,200 --> 00:55:01,920 remember D-Rug, he's played that shit. 960 00:55:01,920 --> 00:55:02,920 That's D-Rug shit. 961 00:55:02,920 --> 00:55:03,920 Like, you know what I'm saying? 962 00:55:03,920 --> 00:55:08,200 I want to be remembered as being the life of the party. 963 00:55:08,200 --> 00:55:09,200 You know what I'm saying? 964 00:55:09,200 --> 00:55:13,080 I want to be just be remembered for me being me, man. 965 00:55:13,080 --> 00:55:17,080 I definitely want to be one of those people that no matter what, it's going to be a lot 966 00:55:17,080 --> 00:55:20,080 of shit that reminds me of reminds them of me. 967 00:55:20,080 --> 00:55:21,760 You know what I'm saying? 968 00:55:21,760 --> 00:55:22,760 All right. 969 00:55:22,760 --> 00:55:28,400 So if you could choose one person living or dead to have dinner with, a shot with, shotgun 970 00:55:28,400 --> 00:55:32,840 with whatever you want to call it, who would it be and why? 971 00:55:32,840 --> 00:55:33,840 Definitely Tupac. 972 00:55:33,840 --> 00:55:34,840 Yeah. 973 00:55:34,840 --> 00:55:35,840 Thank you. 974 00:55:35,840 --> 00:55:36,840 Yes. 975 00:55:36,840 --> 00:55:41,200 I want to sit down with Tupac and just, you know, just him talk. 976 00:55:41,200 --> 00:55:43,160 I just thought he was just an amazing man. 977 00:55:43,160 --> 00:55:44,160 You know what I'm saying? 978 00:55:44,160 --> 00:55:47,520 I always just would love to sit down and have a combo with him. 979 00:55:47,520 --> 00:55:48,520 You know what I'm saying? 980 00:55:48,520 --> 00:55:51,000 I feel like Tupac one of them niggas that talk to you about anything. 981 00:55:51,000 --> 00:55:52,600 You know what I'm saying? 982 00:55:52,600 --> 00:55:55,400 And that's somebody I would love to sit down with. 983 00:55:55,400 --> 00:55:56,400 Hell yeah. 984 00:55:56,400 --> 00:55:57,400 Hell yeah. 985 00:55:57,400 --> 00:56:02,480 So Cindy Rugg, one that we like to always end with, which is more important to you, 986 00:56:02,480 --> 00:56:06,720 loyalty or respect and why? 987 00:56:06,720 --> 00:56:08,320 Definitely loyalty. 988 00:56:08,320 --> 00:56:13,200 Loyalty means that no matter what they're on your side, y'all can fall out, y'all can 989 00:56:13,200 --> 00:56:15,120 fight, whatever they loyal to you. 990 00:56:15,120 --> 00:56:16,880 You know what I'm saying? 991 00:56:16,880 --> 00:56:17,880 Respect shit. 992 00:56:17,880 --> 00:56:19,400 You respect dogs and cats. 993 00:56:19,400 --> 00:56:20,400 That's right. 994 00:56:20,400 --> 00:56:21,680 That shit don't mean shit. 995 00:56:21,680 --> 00:56:23,480 Like, you know what I'm saying? 996 00:56:23,480 --> 00:56:25,360 You demand respect everywhere you go. 997 00:56:25,360 --> 00:56:26,360 You know what I'm saying? 998 00:56:26,360 --> 00:56:28,200 You demand loyalty everywhere you go. 999 00:56:28,200 --> 00:56:29,840 So I definitely would say loyalty. 1000 00:56:29,840 --> 00:56:31,720 I feel that dog. 1001 00:56:31,720 --> 00:56:34,560 For real 100%, I feel that shit. 1002 00:56:34,560 --> 00:56:35,640 Thank you. 1003 00:56:35,640 --> 00:56:36,640 Real quick. 1004 00:56:36,640 --> 00:56:38,680 So now look, we're going to move forward. 1005 00:56:38,680 --> 00:56:42,600 Segment four, let's turn back the clock for the time capsule. 1006 00:56:42,600 --> 00:56:45,240 December 8th to the December 15th. 1007 00:56:45,240 --> 00:56:49,580 Taking a quick look into those days through all of our TV and music history. 1008 00:56:49,580 --> 00:56:53,960 First and foremost, I got to give props and pay respect to those who have passed away. 1009 00:56:53,960 --> 00:56:55,320 There's quite a bit this show. 1010 00:56:55,320 --> 00:56:57,200 It's just not good. 1011 00:56:57,200 --> 00:56:58,360 Ten too many. 1012 00:56:58,360 --> 00:57:00,720 So AM, why don't you kick things off? 1013 00:57:00,720 --> 00:57:04,320 Because it always makes me sad, but we're going to start with December the 8th. 1014 00:57:04,320 --> 00:57:06,800 John Lennon, 1980. 1015 00:57:06,800 --> 00:57:08,960 We have Juice World, 2019. 1016 00:57:08,960 --> 00:57:12,440 I just made a reel about Juice World too. 1017 00:57:12,440 --> 00:57:14,280 Recipes of Juice World. 1018 00:57:14,280 --> 00:57:17,760 We have Ralph Tavares, 2021. 1019 00:57:17,760 --> 00:57:19,800 December the 9th, we're going to have Slim 400. 1020 00:57:19,800 --> 00:57:22,320 That's going to be 2021. 1021 00:57:22,320 --> 00:57:26,280 December the 10th is going to be Otis Redding, 1967. 1022 00:57:26,280 --> 00:57:31,160 Damn, that Otis Redding story is so fucked up, bro. 1023 00:57:31,160 --> 00:57:36,560 Now picking up from where AM left off, December 11th, we got Sam Cooke, 1964. 1024 00:57:36,560 --> 00:57:39,280 December 12th, Ike Turner, 2007. 1025 00:57:39,280 --> 00:57:43,400 Mr. Slap Around the World. 1026 00:57:43,400 --> 00:57:48,120 December 13th, Alan Thicke, Father Robin Thicke, 2016. 1027 00:57:48,120 --> 00:57:53,000 December 13th, we have Twitch, AKA Stephen Boss, passed away in 2022, tragically from 1028 00:57:53,000 --> 00:57:55,440 suicide unfortunately. 1029 00:57:55,440 --> 00:57:58,800 And December 15th, we've got Wanda Young from the Marvelettes. 1030 00:57:58,800 --> 00:58:01,600 She passed away in 2021. 1031 00:58:01,600 --> 00:58:02,600 Rest in peace. 1032 00:58:02,600 --> 00:58:03,600 Rest in peace, man. 1033 00:58:03,600 --> 00:58:06,560 So before we go to the next slide, of those names that we said, and I know we kind of 1034 00:58:06,560 --> 00:58:13,160 fired them off, Darius, but of those 10 cats, what would you say is one or two that actually 1035 00:58:13,160 --> 00:58:16,860 touched you that you actually really cared about their discography and what they did 1036 00:58:16,860 --> 00:58:19,280 to music and meant to music? 1037 00:58:19,280 --> 00:58:20,560 Juice WRLD was dope as shit. 1038 00:58:20,560 --> 00:58:27,120 Now no disrespect to none of the other legends that we had that you mentioned, but I listened. 1039 00:58:27,120 --> 00:58:28,880 I actually listened to Juice WRLD. 1040 00:58:28,880 --> 00:58:32,880 When I went to Chicago, that was one of the first things I wanted to do was visit his 1041 00:58:32,880 --> 00:58:33,920 memorial. 1042 00:58:33,920 --> 00:58:36,040 I just think Juice WRLD was just dope, man. 1043 00:58:36,040 --> 00:58:41,320 He was like, if you ever get a chance, just watch that kid freestyle. 1044 00:58:41,320 --> 00:58:45,440 I'm talking about 20 minutes off the head, 20 minutes, like no fuck ups. 1045 00:58:45,440 --> 00:58:47,800 And he used to be fucked up. 1046 00:58:47,800 --> 00:58:48,800 Extremely fucked up. 1047 00:58:48,800 --> 00:58:52,960 Yeah, he used to be fucked up, but that boy could go, bruh. 1048 00:58:52,960 --> 00:59:00,760 But fortunately, he was part of that generation where they indulge in them drugs, but he was 1049 00:59:00,760 --> 00:59:01,760 very talented. 1050 00:59:01,760 --> 00:59:05,680 There was some couple of other ones that you had mentioned too on there, man. 1051 00:59:05,680 --> 00:59:10,040 You got to get up to Ike Turner, man. 1052 00:59:10,040 --> 00:59:12,600 We wouldn't have Tina without how hard Ike pushed her. 1053 00:59:12,600 --> 00:59:14,440 Yeah, Ike was a bad man. 1054 00:59:14,440 --> 00:59:15,440 You know what I'm saying? 1055 00:59:15,440 --> 00:59:18,280 Hey, bitches, if you die, I'm going to kill you. 1056 00:59:18,280 --> 00:59:21,080 I think Otis and Sam were the two that touched me a little bit. 1057 00:59:21,080 --> 00:59:22,080 John Lennon. 1058 00:59:22,080 --> 00:59:23,080 Yeah, Otis and Sam, man. 1059 00:59:23,080 --> 00:59:24,080 Yeah, man. 1060 00:59:24,080 --> 00:59:25,080 Damn, he died in 07. 1061 00:59:25,080 --> 00:59:26,080 Ike Turner? 1062 00:59:26,080 --> 00:59:27,080 Yes, sir. 1063 00:59:27,080 --> 00:59:28,080 Wow. 1064 00:59:28,080 --> 00:59:29,200 And then Wanda Young. 1065 00:59:29,200 --> 00:59:31,000 So I always do this to Rob every episode. 1066 00:59:31,000 --> 00:59:32,600 I'll throw one curve ball in there. 1067 00:59:32,600 --> 00:59:34,120 It's like, do you remember who this is? 1068 00:59:34,120 --> 00:59:35,120 So from the mark of lights. 1069 00:59:35,120 --> 00:59:36,120 No, I don't. 1070 00:59:36,120 --> 00:59:37,120 I don't at all. 1071 00:59:37,120 --> 00:59:38,120 You always do that because you know I won't remember. 1072 00:59:38,120 --> 00:59:39,120 I ain't going to even lie to you. 1073 00:59:39,120 --> 00:59:40,120 I thought you was going to say Wanda Sykes. 1074 00:59:40,120 --> 00:59:41,120 I was going to say, man, she ain't dead. 1075 00:59:41,120 --> 00:59:45,320 But she did know Wanda Young was a Marvelette. 1076 00:59:45,320 --> 00:59:47,720 So wait a minute, Mr. Postman. 1077 00:59:47,720 --> 00:59:48,720 Yes. 1078 00:59:48,720 --> 00:59:49,720 All right. 1079 00:59:49,720 --> 00:59:56,920 So moving on to something happier, Rob, I kick us off on a much happier note. 1080 00:59:56,920 --> 00:59:59,520 So let us celebrate all the special birthdays coming up. 1081 00:59:59,520 --> 01:00:00,960 We got a lot this week. 1082 01:00:00,960 --> 01:00:03,480 26 exact. 1083 01:00:03,480 --> 01:00:06,720 So Doc, why don't you jump into the big birthday shout outs? 1084 01:00:06,720 --> 01:00:07,720 All right. 1085 01:00:07,720 --> 01:00:08,720 Oh, my goodness. 1086 01:00:08,720 --> 01:00:09,720 There's so many. 1087 01:00:09,720 --> 01:00:10,720 All right. 1088 01:00:10,720 --> 01:00:11,720 So your birthday was December 8th. 1089 01:00:11,720 --> 01:00:14,440 He did pass away, but he would have been 99. 1090 01:00:14,440 --> 01:00:19,080 He looked like he was 99 when he was alive. 1091 01:00:19,080 --> 01:00:23,240 Going down south to the ghetto boys, we got Bushwick Bill, whose birthday was also December 1092 01:00:23,240 --> 01:00:24,240 8th. 1093 01:00:24,240 --> 01:00:25,240 He passed away as well, but would have been 58. 1094 01:00:25,240 --> 01:00:26,240 Shout out to Bushwick. 1095 01:00:26,240 --> 01:00:27,240 Hell yeah. 1096 01:00:27,240 --> 01:00:30,800 I ran into him a couple of times when he was out here in Orlando. 1097 01:00:30,800 --> 01:00:31,800 That motherfucker crazy, bro. 1098 01:00:31,800 --> 01:00:32,800 Rest in peace, man. 1099 01:00:32,800 --> 01:00:35,640 We got R&B vocalist, Crissette Michelle. 1100 01:00:35,640 --> 01:00:36,880 The birthday is December 8th. 1101 01:00:36,880 --> 01:00:38,340 She turned 42. 1102 01:00:38,340 --> 01:00:42,760 The same exact day and same exact year, we got Nicki Minaj, December 8th. 1103 01:00:42,760 --> 01:00:44,080 She also turned 42. 1104 01:00:44,080 --> 01:00:46,040 So they're both the same age as me. 1105 01:00:46,040 --> 01:00:47,720 And then we got Cannabis, December 9th. 1106 01:00:47,720 --> 01:00:49,320 He turned 50 years old. 1107 01:00:49,320 --> 01:00:52,840 Cannabis is the human version of German engineering. 1108 01:00:52,840 --> 01:00:55,480 Shout out to Cannabis. 1109 01:00:55,480 --> 01:00:57,240 So we're going to have Camouflage, December 9th. 1110 01:00:57,240 --> 01:00:59,240 Would have been 50 years old. 1111 01:00:59,240 --> 01:01:00,240 Rest in peace. 1112 01:01:00,240 --> 01:01:01,240 You said Camouflage? 1113 01:01:01,240 --> 01:01:02,240 Do you remember who that was? 1114 01:01:02,240 --> 01:01:03,240 Camouflage would have been 50? 1115 01:01:03,240 --> 01:01:05,640 He would have been 50 if he stayed alive. 1116 01:01:05,640 --> 01:01:07,080 You know his daughter raps now. 1117 01:01:07,080 --> 01:01:08,080 I did not know that. 1118 01:01:08,080 --> 01:01:09,080 His daughter's that girl from LSU. 1119 01:01:09,080 --> 01:01:10,080 Which girl? 1120 01:01:10,080 --> 01:01:11,080 She got the song with Lil Wayne. 1121 01:01:11,080 --> 01:01:12,080 What's Camouflage's daughter's name? 1122 01:01:12,080 --> 01:01:13,080 LaFloj. 1123 01:01:13,080 --> 01:01:14,080 What's her name? 1124 01:01:14,080 --> 01:01:15,080 Oh shit. 1125 01:01:15,080 --> 01:01:16,080 Yeah, Roger LaFloj. 1126 01:01:16,080 --> 01:01:17,080 That's Camouflage's daughter. 1127 01:01:17,080 --> 01:01:18,080 Ah, that's what's up. 1128 01:01:18,080 --> 01:01:25,080 She dope as shit too because she harder than the motherfucker. 1129 01:01:25,080 --> 01:01:26,080 I love Camouflage. 1130 01:01:26,080 --> 01:01:29,080 Matter of fact, I would just listen to Fuck Friends not too long ago. 1131 01:01:29,080 --> 01:01:30,080 Yeah. 1132 01:01:30,080 --> 01:01:31,080 I got it. 1133 01:01:31,080 --> 01:01:34,080 Are we going to have PNB Rock, what have been, 33? 1134 01:01:34,080 --> 01:01:36,080 Damn, he would have been 33, man. 1135 01:01:36,080 --> 01:01:37,080 Rest in peace, PNB Rock. 1136 01:01:37,080 --> 01:01:40,080 He was like in a restaurant or something, right? 1137 01:01:40,080 --> 01:01:41,080 Yeah. 1138 01:01:41,080 --> 01:01:43,080 He got raffle, raffle, chicken and raffles. 1139 01:01:43,080 --> 01:01:44,080 Yeah. 1140 01:01:44,080 --> 01:01:46,080 They said that one of the employees set him up. 1141 01:01:46,080 --> 01:01:49,080 Yeah, nigga, set him up for his chain, bro. 1142 01:01:49,080 --> 01:01:51,080 So, Kanava, that is Kanava from? 1143 01:01:51,080 --> 01:01:52,080 D12. 1144 01:01:52,080 --> 01:01:53,080 Good. 1145 01:01:53,080 --> 01:01:54,080 D12, yeah. 1146 01:01:54,080 --> 01:01:56,080 It's going to be 48, December the 10th. 1147 01:01:56,080 --> 01:01:59,080 Last but not least, it's going to be Glasses Malone. 1148 01:01:59,080 --> 01:02:01,080 He's going to be 45 on December the 10th. 1149 01:02:01,080 --> 01:02:02,080 Shout out to Glasses Malone. 1150 01:02:02,080 --> 01:02:03,080 I fuck with him too. 1151 01:02:03,080 --> 01:02:04,080 Me too. 1152 01:02:04,080 --> 01:02:05,080 Whose Glasses Malone? 1153 01:02:05,080 --> 01:02:07,080 Glasses Malone. 1154 01:02:07,080 --> 01:02:10,080 Oh my God, Rob, we got to open up your listening pleasures here, man. 1155 01:02:10,080 --> 01:02:13,080 West Coast, West Coast, West Coast, West Coast, West Coast, West Coast, West Coast. 1156 01:02:13,080 --> 01:02:16,080 Did records with the game, did records going back with Cricket Eye. 1157 01:02:16,080 --> 01:02:17,080 He's done quite a bit. 1158 01:02:17,080 --> 01:02:18,080 Okay. 1159 01:02:18,080 --> 01:02:19,080 One time for Glasses Malone. 1160 01:02:19,080 --> 01:02:20,080 Hey, I'm here to learn. 1161 01:02:20,080 --> 01:02:21,080 I'm here to learn, y'all. 1162 01:02:21,080 --> 01:02:22,080 I'm here to learn. 1163 01:02:22,080 --> 01:02:25,080 You never heard the song he had about who killed Tupac? 1164 01:02:25,080 --> 01:02:26,080 Yeah. 1165 01:02:26,080 --> 01:02:27,080 Look at Rob's eyes. 1166 01:02:27,080 --> 01:02:29,080 Rob, you got to listen to that shit. 1167 01:02:29,080 --> 01:02:31,080 He got this shit about Tupac, bro. 1168 01:02:31,080 --> 01:02:32,080 Yes. 1169 01:02:32,080 --> 01:02:37,080 He gave his theory about who killed Tupac, that shit was dope as hell. 1170 01:02:37,080 --> 01:02:42,080 One time, December 10th, she's going to be 38 years old, Natty Natasha. 1171 01:02:42,080 --> 01:02:48,080 We also got, that's my girl, on December 10th, turning 34, Tiana Taylor. 1172 01:02:48,080 --> 01:02:49,080 Yes. 1173 01:02:49,080 --> 01:02:50,080 One time. 1174 01:02:50,080 --> 01:02:51,080 Yeah. 1175 01:02:51,080 --> 01:02:52,080 That bass. 1176 01:02:52,080 --> 01:02:56,080 Turning 93 on December 11th, Rita Moreno. 1177 01:02:56,080 --> 01:02:57,080 Wow. 1178 01:02:57,080 --> 01:03:02,080 And guess what, our boy Jermaine Jackson on December 11th will turn 70. 1179 01:03:02,080 --> 01:03:07,080 That nigga take that leather purse off his head, boy. 1180 01:03:07,080 --> 01:03:10,080 That nigga got the greasiest fade in history. 1181 01:03:10,080 --> 01:03:12,080 Yo, for real, and it's always been like that too. 1182 01:03:12,080 --> 01:03:14,080 It has been like last two decades. 1183 01:03:14,080 --> 01:03:15,080 For real. 1184 01:03:15,080 --> 01:03:17,080 It's like clay, don't it? 1185 01:03:17,080 --> 01:03:23,080 DJ Yella, NWA one time, December 11th, he'll be 57. 1186 01:03:23,080 --> 01:03:24,080 Shout out to DJ Yella. 1187 01:03:24,080 --> 01:03:28,080 Bro, I was just listening to World Class Recon Clue last night. 1188 01:03:28,080 --> 01:03:37,080 What's crazy is every time planning your show, you know, D-Rug, every time I see you're live in the morning, I'm in the courthouse, unfortunately. 1189 01:03:37,080 --> 01:03:43,080 But I watch that shit so intensely because I'm like, all right, let's see if he hits the points that I'm thinking of. 1190 01:03:43,080 --> 01:03:49,080 The reason why I like these records, these historic records that have anniversaries, and you every single time hit the point. 1191 01:03:49,080 --> 01:03:53,080 So it's like, I know you got your historian dude up in there. 1192 01:03:53,080 --> 01:03:55,080 We just need to get the future out of there. 1193 01:03:55,080 --> 01:03:57,080 The future ain't going nowhere, man. 1194 01:03:57,080 --> 01:04:01,080 So, but picking up from where Rob left off, I'm going to go to December 11th also. 1195 01:04:01,080 --> 01:04:04,080 Most Def, Mighty Most Def turning 51. 1196 01:04:04,080 --> 01:04:06,080 Shout out to Most Def. 1197 01:04:06,080 --> 01:04:12,080 R&B Great Diva Dionne Warwick, December 12th, 84. 1198 01:04:12,080 --> 01:04:14,080 She still looks good too. 1199 01:04:14,080 --> 01:04:17,080 That's crazy. Her and Teyana Taylor has the same birthday? 1200 01:04:17,080 --> 01:04:19,080 Two days apart, two days apart. 1201 01:04:19,080 --> 01:04:22,080 Oh, because you know that's when she wanted to play her in the movie. 1202 01:04:22,080 --> 01:04:24,080 Yes. 1203 01:04:24,080 --> 01:04:26,080 So that's dope. I think she should get that role. 1204 01:04:26,080 --> 01:04:28,080 Just from their birthdays alone. 1205 01:04:28,080 --> 01:04:30,080 Yeah, the birthdays alone and she looked like her. 1206 01:04:30,080 --> 01:04:32,080 Like she could play her. 1207 01:04:32,080 --> 01:04:35,080 December 12th, we also have B Love turning 24. 1208 01:04:35,080 --> 01:04:38,080 I think he's the youngest person we have on these slides. 1209 01:04:38,080 --> 01:04:44,080 December 13th, we got comedian and R&B artist Jamie Foxx turning 57. 1210 01:04:44,080 --> 01:04:47,080 I'm ready for that. I know he dropping his new special tomorrow. 1211 01:04:47,080 --> 01:04:49,080 Turning 57. 1212 01:04:49,080 --> 01:04:55,080 We also got Toronto Underground Great classified, December 13th turning 47. 1213 01:04:55,080 --> 01:05:00,080 After that, we're going to have King T, December 14th, he's going to be 56. 1214 01:05:00,080 --> 01:05:02,080 King T? 1215 01:05:02,080 --> 01:05:03,080 From the West Coast? 1216 01:05:03,080 --> 01:05:04,080 Yes, sir. 1217 01:05:04,080 --> 01:05:06,080 Hell, fuck yeah. I used to listen to that name. 1218 01:05:06,080 --> 01:05:07,080 Shout out to King T. 1219 01:05:07,080 --> 01:05:09,080 56, 56. 1220 01:05:09,080 --> 01:05:13,080 So we're going to have Tone Def, December 14th, he's going to be 48. 1221 01:05:13,080 --> 01:05:21,080 Steph Landon, December 14th, she's going to be 33. Offset, December 14th, he's also going to be 33. 1222 01:05:21,080 --> 01:05:25,080 Tori Kelly, December 14th, she's going to be 32. 1223 01:05:25,080 --> 01:05:29,080 And then Imani, 53. So my brain started singing a goddamn song. 1224 01:05:29,080 --> 01:05:31,080 That is Imani from Joe Button. 1225 01:05:31,080 --> 01:05:33,080 No, that's actually Imani from Farside. 1226 01:05:33,080 --> 01:05:35,080 Oh shit, that's the other nigga name. 1227 01:05:35,080 --> 01:05:36,080 Really? 1228 01:05:36,080 --> 01:05:37,080 Yep, Imani from the Farside. 1229 01:05:37,080 --> 01:05:38,080 Fuck me up with that one. 1230 01:05:38,080 --> 01:05:39,080 I'm back y'all. 1231 01:05:39,080 --> 01:05:40,080 Can't keep running away. 1232 01:05:40,080 --> 01:05:41,080 Yes, thank you. 1233 01:05:41,080 --> 01:05:43,080 That was that second album, that second album, crazy. 1234 01:05:43,080 --> 01:05:46,080 I got to open up for Farside too when they came down to Miami. 1235 01:05:46,080 --> 01:05:47,080 Bro, trust me. 1236 01:05:47,080 --> 01:05:49,080 You know what, hey, can I say this? 1237 01:05:49,080 --> 01:05:50,080 Yeah. 1238 01:05:50,080 --> 01:05:54,080 I think they have the most, one of the most... 1239 01:05:54,080 --> 01:05:55,080 Creative. 1240 01:05:55,080 --> 01:05:57,080 Biggest songs in hip hop history. 1241 01:05:57,080 --> 01:05:59,080 Are you talking about Run In or Pass Me By? 1242 01:05:59,080 --> 01:06:00,080 Pass Me By is probably... 1243 01:06:00,080 --> 01:06:02,080 I love Pass Me By too. 1244 01:06:02,080 --> 01:06:10,080 Pass Me By is like, I think we, I think we at that time in our life that we have to add that to one of the greatest songs. 1245 01:06:10,080 --> 01:06:12,080 That's one of the greatest hip hop songs ever, bro. 1246 01:06:12,080 --> 01:06:15,080 That song is so great, bro. 1247 01:06:15,080 --> 01:06:16,080 Legendary. 1248 01:06:16,080 --> 01:06:20,080 And it's been in movies, it's been in everything, you know what I'm saying? 1249 01:06:20,080 --> 01:06:25,080 So I think it's that time that we have to, and not even can't keep running away too, it's sick too. 1250 01:06:25,080 --> 01:06:30,080 All right, so moving out of the time caps, we're going to move to segment five, 100% Facts. 1251 01:06:30,080 --> 01:06:31,080 This is actually what I do for work. 1252 01:06:31,080 --> 01:06:33,080 So up next is 100% Facts. 1253 01:06:33,080 --> 01:06:38,080 Here we go into the guts of radio success, facts of how artists are performing at radio, 1254 01:06:38,080 --> 01:06:40,080 and what I do for work weekly at Media Base. 1255 01:06:40,080 --> 01:06:43,080 Rob, why don't you go into who's the number one spot this week? 1256 01:06:43,080 --> 01:06:48,080 Here's who performed best and snatched that tippy top radio chart spot. 1257 01:06:48,080 --> 01:06:58,080 Residuals from Chris Brown with over 6,396 spins per day last week, also number one in club. 1258 01:06:58,080 --> 01:07:06,080 Officially shipped to radio on September 10th, 2024 by CB Entertainment slash RCA Records. 1259 01:07:06,080 --> 01:07:13,080 It had some crossover out the gate on week one and debuted at 36 on Urban and number 49 on Rhythmic Club. 1260 01:07:13,080 --> 01:07:21,080 It went TikTok viral, it earned some sync licenses, and is nominated for a Best R&B Performance Grammy next February. 1261 01:07:21,080 --> 01:07:25,080 It's also charting top 20 in four other countries. 1262 01:07:25,080 --> 01:07:35,080 And for Chris's, it's his 51st top 10 Urban hit and his 14th club number one hit of his career as well. 1263 01:07:35,080 --> 01:07:38,080 So tell me who... 1264 01:07:38,080 --> 01:07:40,080 Residuals. 1265 01:07:40,080 --> 01:07:42,080 I love that song, dog. 1266 01:07:42,080 --> 01:07:44,080 I knew that song was hot before I even did the video. 1267 01:07:44,080 --> 01:07:48,080 I pretty sure that shit wrong. I thought it was gonna go 10 to 20, I think, doc. 1268 01:07:48,080 --> 01:07:53,080 Put it like this. I'm gonna tell you how hard that song is. Me and my partner, we be ride. We two real niggas, bro. 1269 01:07:53,080 --> 01:07:57,080 But we will ride to that motherfucking song there. Bang! 1270 01:07:57,080 --> 01:08:00,080 Shout him out. What's your partner's name, bro? 1271 01:08:00,080 --> 01:08:04,080 My dog. But shout out my dog, Rob. You know, since Celebrity Bell's laws go. 1272 01:08:04,080 --> 01:08:06,080 Yo, Rob! 1273 01:08:06,080 --> 01:08:14,080 Yeah, I got a dog named Rob. Celebrity Bondsman, bro. We go ride out to Miami. That's who I go to Miami with to go see the hurricanes. 1274 01:08:14,080 --> 01:08:16,080 You need to hit me up next time you come down here, bro. 1275 01:08:16,080 --> 01:08:20,080 His son played for the hurricanes, so we slide out there a lot, bro. 1276 01:08:20,080 --> 01:08:23,080 Come down here and see me, D-Rug. I'm a fan, homie. 1277 01:08:23,080 --> 01:08:25,080 I got you, bro. I got you. I'm coming to see you. 1278 01:08:25,080 --> 01:08:33,080 But that song is crap, bro. The way he's singing on that shit, just everything. Chris did that. 1279 01:08:33,080 --> 01:08:36,080 A.M., tell us a little bit about the description of the record. 1280 01:08:36,080 --> 01:08:43,080 Co-produced by Eric Hudson and Black Tuxedo. It's a somber, well-written electric guitar-filled emotional ex-lover ballad. 1281 01:08:43,080 --> 01:08:50,080 D-Rug, you got to ask, what was your opinion on this record? You kind of were giving it to us, but what was your opinion on the record when you first heard it? 1282 01:08:50,080 --> 01:09:00,080 It's crap. I knew. Y'all telling me that song is number one on the radio, and I'm not even dissing. I know that shit is crap, bro. 1283 01:09:00,080 --> 01:09:07,080 I loved it the first time I heard it. Shout out to Chris Brown for that one. One thing about Chris, he going to make him a hit. 1284 01:09:07,080 --> 01:09:12,080 I'm going to tell you Chris Brown's problem. His albums are too goddamn long. 1285 01:09:12,080 --> 01:09:13,080 Yes. 1286 01:09:13,080 --> 01:09:18,080 That nigga albums last three, four days. You don't even listen to all them shits. 1287 01:09:18,080 --> 01:09:25,080 That last album he came out with, when I first heard that song, I knew that was it. That was it right there, bro. 1288 01:09:25,080 --> 01:09:31,080 To piggyback off of D-Rug, one thing I'm a big fan of is really good writing. If you write it well. 1289 01:09:31,080 --> 01:09:45,080 So much Chris Brown's stuff is very upfront and forward and simple and basic, but when he started using metaphors, how residuals of royalties, comparing it to an ex-girl and who she's giving her royalties to, and residuals, I definitely fell in love with it. 1290 01:09:45,080 --> 01:09:51,080 I knew it was going to be a hit. It's definitely something that we had to review, right, AM? 1291 01:09:51,080 --> 01:09:59,080 Yeah, yeah. It is something. Also, we reviewed here at Twisted Critics back in mid-September for RCA Records. 1292 01:09:59,080 --> 01:10:07,080 No doubt, no doubt. So six of us reviewers showed up that week. Myself, AM, Rob, Ms. Singh, Nigel, and Christina from Tampa. 1293 01:10:07,080 --> 01:10:20,080 Darius, you know I predicted it correctly. No surprise, no surprise there, right? But I wasn't the only one this time. One more reviewer guessed it right. Rob, do you want to guess who guessed it right? 1294 01:10:20,080 --> 01:10:27,080 I want to guess AM, man. He's the one, bro. AM looked like he knew what he was talking about when he heard it. 1295 01:10:27,080 --> 01:10:33,080 AM knows everything. He knows it all, bro. Like there's nothing he doesn't fucking know. It's amazing. 1296 01:10:33,080 --> 01:10:38,080 There's some weeks that he goes super low and then some weeks he just nails it. So this time. 1297 01:10:38,080 --> 01:10:49,080 I knew it. Once I read it, I did my post and I read it. I was like, this is totally going number one. I mean, doc, I love you, but listening to you is cheating. So I listen to AM. 1298 01:10:49,080 --> 01:10:59,080 If you listen to me, you make some money. Nobody can fucking detect where your song is going to chart on the radio better than this man right here. 1299 01:10:59,080 --> 01:11:07,080 All right. So of the six of us, Nigel from Chicago guessed 10 through 20 at Urban and 25 to 35 at Club. He was closer with Urban. 1300 01:11:07,080 --> 01:11:19,080 Miss Singh from Bronx, New York. Miss Singh guessed 10 through 20 at Club and 20 to 30 at Urban. Rob from the Mob from Miami guessed 10 through 20 at Urban and 20 to 30 at Club. 1301 01:11:19,080 --> 01:11:28,080 The third best was Tina from Tampa guessed 5 through 15 at Urban and 20 to 30 at Club. Second best was AM. He guessed top 10 at Urban. 1302 01:11:28,080 --> 01:11:35,080 I knew it. I knew it. I knew it. But he also guessed 30 to 40 at Club. It don't matter. It was top 10 at Urban. 1303 01:11:35,080 --> 01:11:42,080 I was just going to ask something about that. Rob, we definitely say, how do you determine shit that's going to get played in the club though? 1304 01:11:42,080 --> 01:11:51,080 So radio stations... I go out every day. I would not expect to hear that song in the club. 1305 01:11:51,080 --> 01:11:57,080 So what's crazy is radio stations have different formats that are designated to what? So you have Urban, which is hip hop and rap. 1306 01:11:57,080 --> 01:12:06,080 You have adult R&B contemporary, which is R&B, traditional R&B, classic R&B. And then you have rhythmic club, which is what's generally played in clubs and club stations. 1307 01:12:06,080 --> 01:12:14,080 So that's kind of the definition of how it's designated that way. The person who was with AM the best on this one was Doc J. 1308 01:12:14,080 --> 01:12:20,080 Myself, I guessed top 10 at Urban and I guessed 5 through 15 at Club. So I actually got Rob. I got Club wrong too. 1309 01:12:20,080 --> 01:12:27,080 Yeah, you got Club wrong, but you knew it was a top 10 and I should have known that. You should have copied me. I'm still a student. 1310 01:12:27,080 --> 01:12:35,080 You would have gave the same answer I would have gave. Because like I said, I wouldn't expect to hear that song in the club, but it can be a club banger. 1311 01:12:35,080 --> 01:12:43,080 It is. They play it. That song is fire. That's one of the songs that I get behind no matter what train is behind. 1312 01:12:43,080 --> 01:12:50,080 Yeah, I went a little soft on it. I should have known, but I knew it was a great song. So I didn't know. 1313 01:12:50,080 --> 01:12:59,080 I just didn't know. And I knew Doc knew. But sometimes I'm like maybe Doc's wrong. And I'm always wrong when I say that Doc's wrong. 1314 01:12:59,080 --> 01:13:08,080 You know, check this out. New breaking singles. Okay. Here we highlight which new songs broke nationally entering on the Urban Radio charts. 1315 01:13:08,080 --> 01:13:18,080 We had four new debuts this past week. Doc kick us off. All right. We got one that we didn't review actually. So Kendrick Lamar featuring Lefty Gunplay TV off. 1316 01:13:18,080 --> 01:13:24,080 Yeah, turn the TV off. Turn the TV off. That's number one TV off. Turn the TV off. I don't know if it's number one. We'll see what happens. 1317 01:13:24,080 --> 01:13:37,080 It's number two behind squabble. Well, no, you're talking about Billboard not radio though. So it was shipped November 30th, 2024 debut and at 37 and Urban with over 771 spins per day last week. 1318 01:13:37,080 --> 01:13:45,080 Distributed by PG Lang slash Interscope Records group produced by Soundwave Jack Antonoff. That's a that's Taylor Swift producer, which is crazy. 1319 01:13:45,080 --> 01:13:55,080 Mustard. Yep. Yeah. Jack Antonoff won so many Grammys last year. I think he's going to win the Grammy, right? Yeah. He's a producer or engineer. Producer. Producer. Really? Yep. 1320 01:13:55,080 --> 01:14:09,080 Antonoff, baby. So Kendrick got the Swifties on his album. Yes, sir. Soundwave Jack Antonoff, Mustard, Kamasi Washington and Sean Momberger. I like that name. Momberger. It's like six, seven producers on that shit. Yes, sir. 1321 01:14:09,080 --> 01:14:26,080 Great name for a restaurant, right? Second single off his newly released GNX features the relatively unknown Cali rapper Lefty Gunplay and from streaming alone, it went number one on Billboard also. Shipped to club formats too and his debut unit clubs at 34 with over 750 spins per day. 1322 01:14:26,080 --> 01:14:38,080 I give it another week. It's going to be in the top 10. So hold on. So, D-Rug, we'll go through this one. That one we didn't get to review, but the two on this list that we did get to review, you'll get to kind of agree or disagree with us. We'll see what happens. 1323 01:14:38,080 --> 01:14:58,080 So second is going to be Bigger in Texas from Megan Thee Stallion. Shipped on 10-29-24. Debuted at number 41 on Urban with over 706 spins per day last. Distributed by Hot Girl Productions Warner Music Group, produced by Bankroll Got It, Sean Source and Truckee Street. 1324 01:14:58,080 --> 01:15:14,080 Second single off of her Megan Act. Is that a two or three dot three? Has a two. Megan Act Two album that has some bursty, bassy, mid-tempo, play-alistic Southern hip hop with a Texas UGK type of vibe. She does that a lot. I like that. 1325 01:15:14,080 --> 01:15:36,080 Famous rapper, Spim C. By the way, you can tell, you can tell. Debuting on club format at number 48 with over 269 spins per day. Right up after that, right? Right after that. It's going to be Ella Mai, Little Thing. Shipped 11-15-24. Debuting at number 42 on Urban with over 611 spins per day last week. 1326 01:15:36,080 --> 01:15:56,080 Distributed by 10summers slash Interscope. Co-produced by Mustard and Guiltrip. First single off her new three EP. That's a minimalistic, heartfelt battle with harps. Warm keys. Love those. And it's dedicated to her baby daddy. NBA player Jason Tatum. Shouts out to the Southwicks. Shipped to club formats as well, but not yet, Shardik. 1327 01:15:56,080 --> 01:15:58,080 You said who got a rap song? 1328 01:15:58,080 --> 01:16:05,080 So no, Ella Mai's single is actually dedicated after her baby daddy, Jason Tatum. So the whole song is basically about him. 1329 01:16:05,080 --> 01:16:11,080 I got to listen to that. I haven't heard that one. I don't have an opinion on that. But that just made me want to listen to it. 1330 01:16:11,080 --> 01:16:16,080 So hold on. You will hear all of our opinions and us kind of argue on this one for sure. 1331 01:16:16,080 --> 01:16:21,080 You put that on the playlist? Yeah, that's on the playlist for sure. The bump it in number 22. 1332 01:16:21,080 --> 01:16:27,080 I got to check that one. I got to check that one. Miami Heat, baby. All right. So following after that. Let's go. 1333 01:16:27,080 --> 01:16:32,080 I believe in Magic. Orlando Magic is actually my second favorite team. 1334 01:16:32,080 --> 01:16:37,080 You know what? Miami is my second team. I used to I like going up there and I love when Orlando come down. 1335 01:16:37,080 --> 01:16:44,080 I go back and forth. I swear I fuck with Orlando. I love you. I love you both. 1336 01:16:44,080 --> 01:16:52,080 But I hate both those motherfucking teams. Man, whatever. My teams every single year are Spurs and Celtics, whether they're good or bad. 1337 01:16:52,080 --> 01:17:00,080 I used to have a. You know what? I'm in this interview. You like. Yeah, I'm telling you. Tell them something. Tell them something. 1338 01:17:00,080 --> 01:17:07,080 Oh, I hate the Celtics, but I hate I hate the Celtics more than any team in any sport. 1339 01:17:07,080 --> 01:17:11,080 Me, I'm the type of motherfucker, bro. I like throwbacks like, you know, I'm Sam. 1340 01:17:11,080 --> 01:17:19,080 I love throwbacks so bad, bro, that I want to damn I want to Reggie Lewis jersey or Larry Bird. 1341 01:17:19,080 --> 01:17:23,080 I got a Larry Bird jersey and I want to always want to Reggie Lewis one. 1342 01:17:23,080 --> 01:17:28,080 You know what I'm saying? But Richard Lewis. Yeah, I know Reggie Lewis. Reggie Lewis from the South. 1343 01:17:28,080 --> 01:17:31,080 You're talking about. Yes. Oh, hell yeah. Because he passed away from the heart. 1344 01:17:31,080 --> 01:17:35,080 Yeah, the heart attack. Yeah. Yeah. He snorted the cane and died. I always wanted a jersey. 1345 01:17:35,080 --> 01:17:41,080 I cannot put on the motherfucking Celtics, bro. 1346 01:17:41,080 --> 01:17:47,080 No, I'm never Boston, bro. It is. It is. You ain't got a I will never wear a Celtics jersey. 1347 01:17:47,080 --> 01:17:51,080 You can't. My last name is Boston. I would not put that fuck shit on, bro. 1348 01:17:51,080 --> 01:17:55,080 Rob, slide into the very last one for us. Let's go. 1349 01:17:55,080 --> 01:18:04,080 We're talking about It's My Ego by Ice Cube shipped on November 7th, 2024 and debuted on number 44 on Urban Charts 1350 01:18:04,080 --> 01:18:12,080 with over three hundred and forty seven spins per day last week, distributed by Lynch Mob slash Universal Music, 1351 01:18:12,080 --> 01:18:17,080 produced by E.A. Ski, first single of his new album, Man Down. 1352 01:18:17,080 --> 01:18:23,080 It's a vibrant, unapologetic West Coast bop with chill keys and G-Funk guitar. 1353 01:18:23,080 --> 01:18:26,080 Also charting and performing better on club formats. 1354 01:18:26,080 --> 01:18:33,080 Presently number twenty nine with over one thousand one hundred and seventy one spins per day last week. 1355 01:18:33,080 --> 01:18:38,080 All right. Now, D-Rug, of those four, we were tasked for Hear My Voice and Twisted Critics. 1356 01:18:38,080 --> 01:18:42,080 We were tasked in the previous weeks of doing formal reviews for two of them to their labels. 1357 01:18:42,080 --> 01:18:46,080 Little Things from LMA and It's My Ego from Ice Cube. 1358 01:18:46,080 --> 01:18:50,080 So let's see how each of us reviewed them before they got a chance to actually get on radio, 1359 01:18:50,080 --> 01:18:56,080 because we definitely disagree on a few of them. Now, in regards to Little Things LMA, we had six reviewers. 1360 01:18:56,080 --> 01:19:01,080 Basically everybody but Rob. And of those six reviewers, we had six week bumps. 1361 01:19:01,080 --> 01:19:07,080 So basically everyone liked it. They didn't dislike it, but they didn't love it either across the board. 1362 01:19:07,080 --> 01:19:11,080 But before we dig into it, D-Rug, you haven't heard this record yet, right? 1363 01:19:11,080 --> 01:19:15,080 You know something, I ain't going to lie to you, I'm going to hate on that record, bro, because she was talking about Jason Taylor. 1364 01:19:15,080 --> 01:19:20,080 Just because y'all said that, I'm going to hate on that record. That's my girlfriend in my head a little bit. 1365 01:19:20,080 --> 01:19:24,080 She don't know it yet. That's my girlfriend. But that's my girlfriend. I love LMA, bro. 1366 01:19:24,080 --> 01:19:28,080 Oh my God. And she got a song about Jason Taylor. I'm hating, dog. 1367 01:19:28,080 --> 01:19:30,080 All right. So if, if. I'm hating, man. 1368 01:19:30,080 --> 01:19:36,080 So Rob, Rob, if you didn't do a review, could you at least do me a favor and read Nigel's In Missing? 1369 01:19:36,080 --> 01:19:45,080 Okay. On November 26th, Nigel said, I enjoyed listening to it, but I feel it's not as strong a single as her usual. 1370 01:19:45,080 --> 01:19:51,080 Mustard did his thing on the production. I'd like the guitar and the beat. That was the ear candy for me. 1371 01:19:51,080 --> 01:19:56,080 Hook is cool. Good verses, good mix. She delivered vocally too. 1372 01:19:56,080 --> 01:20:02,080 This EP was just something to keep the fans satisfied until the album comes next year. 1373 01:20:02,080 --> 01:20:09,080 And I felt the same for this song. He guessed 30 to 40 on Urban and 35 to 45 on Rhythmic Club. 1374 01:20:09,080 --> 01:20:18,080 And he gave it a weak bump. On November 26th, Missing said, Little Things is a reminder of why she's a staple in modern R&B. 1375 01:20:18,080 --> 01:20:26,080 Her silky voice glides effortlessly over a minimalist beat of light synth pads and crisp percussion. 1376 01:20:26,080 --> 01:20:32,080 The song's theme of cherishing the small moments in love is both relatable and heartwarming. 1377 01:20:32,080 --> 01:20:41,080 While not her most groundbreaking track, its simplicity works in her favor, delivering an authentic and comforting vibe. 1378 01:20:41,080 --> 01:20:48,080 She guessed 25 to 35 on Urban and 30 to 40 on Club and gave it a weak bump. 1379 01:20:48,080 --> 01:20:56,080 I got y'all. I got y'all. Look, on November 26th, Candy said, Very, very lush and warm vocals. Nice beat. 1380 01:20:56,080 --> 01:21:04,080 Cineminal ballad with romantic vibes. I enjoyed the song personally, but wasn't sure if it did enough good for a strong bump. 1381 01:21:04,080 --> 01:21:09,080 The rhythm was basic and at some points the vocals almost got lost under the beat. I still liked it though. 1382 01:21:09,080 --> 01:21:14,080 Gave it a 40 to 50 on Urban and a 40 to 50 on Club, but then I weak bumped it. 1383 01:21:14,080 --> 01:21:20,080 But me, myself, on November 26th, I said, Strong vocals from the start. I wonder who mixed this. 1384 01:21:20,080 --> 01:21:29,080 The vocals shine, but the beat is lower than the vocals. It's not a horrible song. I do want the beat to be louder and the vocals to be lower. 1385 01:21:29,080 --> 01:21:34,080 The vocals are dope, they're strong, and they are also well written, but they are loud. I said loud so many fucking times. 1386 01:21:34,080 --> 01:21:40,080 I thought the issue with the vocals were the speakers. Nope. I went outside and listened to it in my car. 1387 01:21:40,080 --> 01:21:45,080 I listened to it in my headphones. I'm actually listening to it while I rewrite this, and I wonder how it got this far. 1388 01:21:45,080 --> 01:21:52,080 The vocals are amazing. They're just loud. I think I said 40 to 50 Club, and then I said it's not going to chart on Urban. 1389 01:21:52,080 --> 01:21:58,080 And I also gave it a weak bump. Hey, you broke that bitch down. That Urban's going to hurt you though, because it's a beauty at 42. 1390 01:21:58,080 --> 01:22:03,080 You didn't think that was going to chart at all? You looked at that as an engineer, didn't you? He did. 1391 01:22:03,080 --> 01:22:12,080 Yeah, because you broke that bitch down. You know what's crazy? I'm doing that now. It could be some shit I see on my phone. 1392 01:22:12,080 --> 01:22:19,080 For instance, Snoop and Dre is dropping Missionary. Friday, Missionary come out. 1393 01:22:19,080 --> 01:22:27,080 The songs I've been hearing, I was just like, damn, these shit ain't catching my attention like that. They're not bad. 1394 01:22:27,080 --> 01:22:33,080 I like the song. The first one they put out, then the second one, and I like the new one with Sting. 1395 01:22:33,080 --> 01:22:39,080 But when I listened to it, I had to make myself like it. I don't know if that makes sense. 1396 01:22:39,080 --> 01:22:40,080 It makes perfect sense. 1397 01:22:40,080 --> 01:22:45,080 I put the headphones on, and I'm like, oh yeah, this shit banging. You know what I'm saying? 1398 01:22:45,080 --> 01:22:53,080 So I feel where you're coming from with that, bro. I feel your breakdown, dog. You broke that bitch down, bro. 1399 01:22:53,080 --> 01:22:57,080 I feel that not charting on Urban is going to hurt you a little bit. 1400 01:22:57,080 --> 01:22:59,080 It is. It's important to you right now. 1401 01:22:59,080 --> 01:23:01,080 But that was a nice song. 1402 01:23:01,080 --> 01:23:02,080 It was. I like the song. 1403 01:23:02,080 --> 01:23:10,080 So to kind of dispute AM, Christina and I came from different sides on this. So Christina in Tampa, November 26, she said, 1404 01:23:10,080 --> 01:23:24,080 Ella Mae is just a whole vibe on her own, and I love her music. This has a nice, smooth R&B beat that her voice really compliments. Distinct vocals, great mix, and you can tell that this song is an Ella Mae song. I really like the smooth vibe that the song gives off and the sentiment. 1405 01:23:24,080 --> 01:23:33,080 And I'm sure the song would just make it far up the charts. She guessed top 10 at Urban and 15 to 25 at Club. She gave it a weak bump. I think that's a bit high. 1406 01:23:33,080 --> 01:23:37,080 That's crazy. If she put it up that high, why she gave it a weak bump? 1407 01:23:37,080 --> 01:23:41,080 That's what I'm saying. I would think you would strong bump it if you felt it was a top 10. 1408 01:23:41,080 --> 01:23:45,080 It's okay, but I'm not going to be listening to that shit every day. Thank you. 1409 01:23:45,080 --> 01:23:51,080 Top 10 is a banger. Why would you give that a weak bump? 1410 01:23:51,080 --> 01:24:01,080 Interesting. And then I closed it out on November 26. I said she enters her 30s in motherhood this August with a new 3 EP, and here's the outro ballad turned into a new single. 1411 01:24:01,080 --> 01:24:11,080 Buzzing online already how it's dedicated to an NBA player and her baby daddy Jason Tatum. Simple harp strings, crickety high hats, warm keys, pads, bass clashes, and the whole nine. 1412 01:24:11,080 --> 01:24:21,080 Minimalistic opening with a silky tone and all types of vocal runs. Nice pen describing her catering to a good man. And her gratefulness after all these failed relationships. 1413 01:24:21,080 --> 01:24:28,080 She had really good imagery of them sharing breakfast too. Heartfelt, relatable, well written, well mixed, not over sung. 1414 01:24:28,080 --> 01:24:35,080 To me it was a slow burner as it took me a couple listens to actually like it more. So as I listened to it more, I liked it more. 1415 01:24:35,080 --> 01:24:45,080 So while I think it's getting Curiosity at Club first with the type of mustard beat that it has behind it, I feel it will debut first on Urban and Higher also. 1416 01:24:45,080 --> 01:24:55,080 So I predicted 10 through 20 at Urban and 35 to 40 at Club. I'm sorry, 30 to 40 at Club. And I also said please ship this to Adult R&B also. So weak bump. 1417 01:24:55,080 --> 01:25:06,080 I think I like your answer. I probably would have put it up more with the Club. But other than that, I'm thinking on what you're saying. Like I would have said the same shit. 1418 01:25:06,080 --> 01:25:14,080 Even though I haven't heard it yet. Slow burners mean a lot to me as a DJ. Yeah, slow burners are the ones. You know what I'm saying? 1419 01:25:14,080 --> 01:25:27,080 You got to think right now it's so weird how music is displayed and put on wax and how people listen to it. It could be some shit that was dropped August and it's going to catch on in February. 1420 01:25:27,080 --> 01:25:39,080 And that's where we at right now with music. And the way y'all describing this song, I haven't even heard it yet. And it's Mustards on the Beat with Ellen Mae talking about Jason Tate. That song's gonna fly. 1421 01:25:39,080 --> 01:25:45,080 Just off of that. And remember you like the co-producer guilt trip or glitter trip like AM said. 1422 01:25:45,080 --> 01:25:54,080 Yeah, glitter trip. But nah, I'm gonna definitely check that one out, man. Because I'm a big fan of Ellen Mae. I love Ellen Mae, man. 1423 01:25:54,080 --> 01:26:01,080 Reviews aside, we were pretty unified on that one. That was six reviewers, six weak bumps. So we were pretty unified on this one. This one, not so much. 1424 01:26:01,080 --> 01:26:13,080 So for the next one and the last one with It's My Ego Ice Cube, we had Rob that week but no AM for this one. We had four total reviewers resulting in two weak bumps, one weak dump, and one strong dump. 1425 01:26:13,080 --> 01:26:18,080 So we were kind of all over the place of this record. First of all, you've heard this record, D-Rug? 1426 01:26:18,080 --> 01:26:22,080 Yes. By the way, shout out to Ice Cube. Got a hard ass album right now. 1427 01:26:22,080 --> 01:26:23,080 Shout out to Ice Cube. 1428 01:26:23,080 --> 01:26:27,080 Cube album hard as fuck, bruh. You gave us the Cube album, bruh. 1429 01:26:27,080 --> 01:26:30,080 D-Rug, talk to my heart here. What did you think about It's My Ego? 1430 01:26:30,080 --> 01:26:39,080 It's my ego. I loved it. I loved it. I loved the video for it. I love... Ice Cube is one of them guys that's in my top 10. You know what I'm saying? 1431 01:26:39,080 --> 01:26:48,080 So I love when Ice Cube get in his rapper mode. And Ice Cube is in Ice Cube mode if y'all haven't heard that album yet. You know what I'm saying? 1432 01:26:48,080 --> 01:26:59,080 That's one of the albums I have in rotation right now. And put it like this, you just got to be an Ice Cube fan to love it. And Ice Cube always made hits. He's like Will Smith, bro. You know what I'm saying? 1433 01:26:59,080 --> 01:27:05,080 So D-Rug, they are movie stars that can still rap. They're still at the top of their game when they need to be. 1434 01:27:05,080 --> 01:27:09,080 D-Rug, your Miami twin right here definitely disagreed with us. 1435 01:27:09,080 --> 01:27:15,080 I did. I did. You're my twin, but me and you, we on the same page on this one, dawg. 1436 01:27:15,080 --> 01:27:17,080 No, no. It's cool. It's cool. It's cool. 1437 01:27:17,080 --> 01:27:19,080 Because you know something? 1438 01:27:19,080 --> 01:27:24,080 I feel like Ice Cube is in the quiet taste when it comes to rapping right now. 1439 01:27:24,080 --> 01:27:26,080 Did you listen to the War and Peace album? 1440 01:27:26,080 --> 01:27:31,080 Yes, I loved that one. My favorite song on that album is Get a Vet. 1441 01:27:31,080 --> 01:27:35,080 Right, Get a Vet. Or you could bet I'm a vet. 1442 01:27:35,080 --> 01:27:37,080 That's the greatest Ice Cube song ever made. 1443 01:27:37,080 --> 01:27:39,080 I love the production of Get a Vet by the way. 1444 01:27:39,080 --> 01:27:40,080 But the peace side. 1445 01:27:40,080 --> 01:27:41,080 Was trash. 1446 01:27:41,080 --> 01:27:49,080 Yeah. So okay. So you know, I love me some Ice Cube, but that motherfucking album, that war side was like that. 1447 01:27:49,080 --> 01:27:51,080 Yeah, war was good. Peace was bullshit. 1448 01:27:51,080 --> 01:27:58,080 I did not like this. It's my ego shit. I strong dumped the hell out of it. 1449 01:27:58,080 --> 01:28:08,080 I said, I'm going to say it. I was the only strong dump. On November 19th, I said Ice Cube's too rich to be making music like this. 1450 01:28:08,080 --> 01:28:18,080 Listen, I do like the OG West Coast vibe, the beat rings. 1451 01:28:18,080 --> 01:28:24,080 And of course, Ice Cube's legendary voice. But the song just ain't doing it. 1452 01:28:24,080 --> 01:28:27,080 Somebody else needed to see that hook. 1453 01:28:27,080 --> 01:28:30,080 The flow of the lyrics should have used some work. 1454 01:28:30,080 --> 01:28:36,080 It would have been better if this would have come out in 1995. 1455 01:28:36,080 --> 01:28:39,080 Bitch, he's had hits in 2004 and 2006. 1456 01:28:39,080 --> 01:28:41,080 No, Ice Cube's name. 1457 01:28:41,080 --> 01:28:47,080 This is the problem we have with the old guys. Like we can't do shit because people say stuff like that. 1458 01:28:47,080 --> 01:28:51,080 No, but he owns the big three, dog. 1459 01:28:51,080 --> 01:28:55,080 Listen, Ice Cube's one of my favorite artists, but I'm passing on this. 1460 01:28:55,080 --> 01:29:02,080 I said it was going to be 15 to 25 on Rhythmic Club, which is a blessing, and 25 to 35 on Urban. 1461 01:29:02,080 --> 01:29:09,080 I gave it a strong dump, dog, that just wasn't cube. And yo, Westside Connection is in my rotation. 1462 01:29:09,080 --> 01:29:16,080 I ain't mad at you, dog. That's a very good statement. I can't argue with that. 1463 01:29:16,080 --> 01:29:20,080 You know, like we doing it for real. We here. He's so rich. 1464 01:29:20,080 --> 01:29:21,080 Rob. 1465 01:29:21,080 --> 01:29:27,080 You know what made me like that song, bro? Is I seen the video first. 1466 01:29:27,080 --> 01:29:33,080 D-Rug, the benefit you have with videos is when we get sent it for radio, there is no video yet for it. 1467 01:29:33,080 --> 01:29:36,080 But you know me, I'm an internet man, so you know I be on the internet. 1468 01:29:36,080 --> 01:29:40,080 So the day he dropped that shit, I watched it and I was like, oh yeah, that shit ride. 1469 01:29:40,080 --> 01:29:41,080 Yeah. 1470 01:29:41,080 --> 01:29:46,080 I like the video, you know what I'm saying? Because you know, sometimes you got to see the visual of a song to like it. 1471 01:29:46,080 --> 01:29:50,080 Yeah. So I mildly disagree, as you can hear with Rob, just a little bit. 1472 01:29:50,080 --> 01:29:56,080 On November 19th, I said his six year returns a Westside vibe, unapologetically being himself, 1473 01:29:56,080 --> 01:29:59,080 smacking people and standing firm on his beliefs. 1474 01:29:59,080 --> 01:30:05,080 EA Ski provides chilled keyboards, snappy drums, snares, and that faint guitar adds a G-Funk spice. 1475 01:30:05,080 --> 01:30:09,080 Easy laid back hook sets the theme, it's easy to say, for radio. 1476 01:30:09,080 --> 01:30:12,080 Lyrics are a bit mad, but good vocal mix. 1477 01:30:12,080 --> 01:30:15,080 Couple cool bars like, I was Kendrick before Kendrick, I like that line. 1478 01:30:15,080 --> 01:30:21,080 He's not the sharp, hungry early 90s cube I grew up on, I agree with Rob on that one. 1479 01:30:21,080 --> 01:30:23,080 Yet he's still a rebellious voice and presence. 1480 01:30:23,080 --> 01:30:30,080 Wish he tried a slightly better flow and swear I, God, I remember CeeLo Green on a similar beat to this. 1481 01:30:30,080 --> 01:30:31,080 I just can't find it. 1482 01:30:31,080 --> 01:30:38,080 Heard the rest of the album, including a larger remix of this song with Killer Mike and Busta Rhymes that I performed more than the single. 1483 01:30:38,080 --> 01:30:41,080 But it's decent quality and has club appeal. 1484 01:30:41,080 --> 01:30:47,080 In my opinion, it stands out in 2024 against the microwaved repetitive club trap that gets old super quick. 1485 01:30:47,080 --> 01:30:55,080 So I think with a name like Ice Cube, his presence and that type of hook, it's likely going to be 15 to 25 at club and 35 to 45 at urban. 1486 01:30:55,080 --> 01:30:57,080 I give it a weak bump. 1487 01:30:57,080 --> 01:30:58,080 I ain't mad at that. 1488 01:30:58,080 --> 01:31:01,080 Strong bump, strong dump crazy rap. 1489 01:31:01,080 --> 01:31:06,080 I'll never listen to that shit again. 1490 01:31:06,080 --> 01:31:08,080 Damn. 1491 01:31:08,080 --> 01:31:10,080 Hey, look, even though I said I'll never listen to that shit again. 1492 01:31:10,080 --> 01:31:15,080 I've been listening to D-Rub for three weeks, cuz. 1493 01:31:15,080 --> 01:31:18,080 Hey, bro, I said I ain't never listen to that shit again. 1494 01:31:18,080 --> 01:31:20,080 I'll never listen to that shit again. 1495 01:31:20,080 --> 01:31:21,080 God damn it. 1496 01:31:21,080 --> 01:31:23,080 You ice cold, bro. 1497 01:31:23,080 --> 01:31:24,080 Not at all. 1498 01:31:24,080 --> 01:31:25,080 Where the ice cold at? 1499 01:31:25,080 --> 01:31:34,080 I feel like I said the same shit about, hey, one thing about me, the more y'all talking to me, the more I'm going to get y'all the rawest fucking opinion on the song. 1500 01:31:34,080 --> 01:31:35,080 That's what we want, though. 1501 01:31:35,080 --> 01:31:37,080 If I like the song, I like the song. 1502 01:31:37,080 --> 01:31:38,080 If I don't, I don't. 1503 01:31:38,080 --> 01:31:40,080 But it's a good song. 1504 01:31:40,080 --> 01:31:41,080 It's a great song. 1505 01:31:41,080 --> 01:31:42,080 It's not bad. 1506 01:31:42,080 --> 01:31:45,080 You just give a strong dump to a great song. 1507 01:31:45,080 --> 01:31:46,080 What the fuck? 1508 01:31:46,080 --> 01:31:47,080 I ain't listening to that shit. 1509 01:31:47,080 --> 01:31:51,080 Listen, you might not like mangoes. 1510 01:31:51,080 --> 01:31:52,080 That don't mean it's a good mango. 1511 01:31:52,080 --> 01:31:53,080 It's not a good mango. 1512 01:31:53,080 --> 01:31:55,080 I just I just like your first line. 1513 01:31:55,080 --> 01:31:58,080 You were like he's too rich to make a song like this. 1514 01:31:58,080 --> 01:31:59,080 Bro, give it up, man. 1515 01:31:59,080 --> 01:32:00,080 We tired. 1516 01:32:00,080 --> 01:32:01,080 Are you done? 1517 01:32:01,080 --> 01:32:02,080 No, man, we need you. 1518 01:32:02,080 --> 01:32:05,080 He's not my son. 1519 01:32:05,080 --> 01:32:10,080 We need his son for movies, but we need Ice Cube in hip hop, bro. 1520 01:32:10,080 --> 01:32:11,080 We need him, bro. 1521 01:32:11,080 --> 01:32:12,080 He's still a rebellious voice. 1522 01:32:12,080 --> 01:32:16,080 He's one of my favorite artists, but that song just wasn't doing it. 1523 01:32:16,080 --> 01:32:17,080 I love the album. 1524 01:32:17,080 --> 01:32:19,080 I like the album a lot, too. 1525 01:32:19,080 --> 01:32:22,080 I love the album and we need that, bro. 1526 01:32:22,080 --> 01:32:26,080 Like sometimes I need to tap in because shout out to all my old school emcees that then 1527 01:32:26,080 --> 01:32:27,080 came out this year. 1528 01:32:27,080 --> 01:32:30,080 You know, Rakim dropped the album this year. 1529 01:32:30,080 --> 01:32:32,080 MC Light dropped the album this year. 1530 01:32:32,080 --> 01:32:34,080 LL Cool J dropped the album this year. 1531 01:32:34,080 --> 01:32:35,080 Ice Cube dropped. 1532 01:32:35,080 --> 01:32:41,080 So, you know, I love to see those those those people I grew up on do quality music. 1533 01:32:41,080 --> 01:32:42,080 You know what I'm saying? 1534 01:32:42,080 --> 01:32:47,080 It might not sound like the it might not sound like what Ice Cube 93. 1535 01:32:47,080 --> 01:32:49,080 It ain't gonna sound like that. 1536 01:32:49,080 --> 01:32:51,080 That's like 30 years ago. 1537 01:32:51,080 --> 01:32:52,080 Ain't no way he going back to that. 1538 01:32:52,080 --> 01:32:53,080 Like you know what I'm saying? 1539 01:32:53,080 --> 01:32:57,080 But like like like Doc said, you know, he's still rebellious. 1540 01:32:57,080 --> 01:32:59,080 He's still he's still Ice Cube. 1541 01:32:59,080 --> 01:33:00,080 You know what I'm saying? 1542 01:33:00,080 --> 01:33:02,080 And he's slapping motherfuckers in the record. 1543 01:33:02,080 --> 01:33:05,080 He slapped people like Will did Chris. 1544 01:33:05,080 --> 01:33:07,080 I ain't listening to that shit. 1545 01:33:07,080 --> 01:33:09,080 All right. All right. 1546 01:33:09,080 --> 01:33:13,080 All I know seems like both Missing and Nigel were split as well. 1547 01:33:13,080 --> 01:33:18,080 On November the 19th, Nigel said when this song dropped, I really wanted to love it. 1548 01:33:18,080 --> 01:33:19,080 It's not horrible or bad. 1549 01:33:19,080 --> 01:33:21,080 It might just be the beat to me. 1550 01:33:21,080 --> 01:33:22,080 The first verse is OK. 1551 01:33:22,080 --> 01:33:24,080 Second verse has some steam to it. 1552 01:33:24,080 --> 01:33:27,080 And the third verse, Cube was angry, which is cool. 1553 01:33:27,080 --> 01:33:29,080 I just bought him with that. 1554 01:33:29,080 --> 01:33:34,080 I was expecting similar finesse to his recent group album, West Matt Westmore, 1555 01:33:34,080 --> 01:33:37,080 better using the vet status that he has. 1556 01:33:37,080 --> 01:33:39,080 Beats too happy in my opinion. 1557 01:33:39,080 --> 01:33:42,080 Though with both coming back, I honestly would have loved. 1558 01:33:42,080 --> 01:33:43,080 OK, I got it. 1559 01:33:43,080 --> 01:33:45,080 I honestly would have loved the Redman feature here. 1560 01:33:45,080 --> 01:33:48,080 He says since Redman is rapping again, I got it. 1561 01:33:48,080 --> 01:33:52,080 Wanted something a little darker and melodic for Cube himself, but the hook fits radio well. 1562 01:33:52,080 --> 01:33:57,080 My guess is 25 to 35 Club, 30 to 40 for Urban, and I gave it a weeb. 1563 01:33:57,080 --> 01:34:00,080 Vice versa. On 19th of November, this is Missing. 1564 01:34:00,080 --> 01:34:02,080 She said Cube returns with his. 1565 01:34:02,080 --> 01:34:06,080 While his presence is undeniable, the song feels a little dated. 1566 01:34:06,080 --> 01:34:11,080 The beat's heavy with West Coast funk influences, a booming bass line, and 90 synths. 1567 01:34:11,080 --> 01:34:16,080 Cube's flow is intense, but the hook falls flat and lacks the punch needed to elevate the song. 1568 01:34:16,080 --> 01:34:19,080 I feel like this is like a throwback to something fresh. 1569 01:34:19,080 --> 01:34:23,080 Respect the Cube, yet I think it misses the mark for today's radio market. 1570 01:34:23,080 --> 01:34:27,080 Maybe a 40 to 50 for Urban and a 40 to 50 for Rhythmic Club. 1571 01:34:27,080 --> 01:34:29,080 She also gave it a weak dump. 1572 01:34:29,080 --> 01:34:31,080 It's at 29 at Club right now. 1573 01:34:31,080 --> 01:34:33,080 Let me just let everyone know that. 1574 01:34:33,080 --> 01:34:35,080 Oh yeah, it's a phenomenal song. 1575 01:34:35,080 --> 01:34:37,080 29 at Club right now. It's doing better at Club. 1576 01:34:37,080 --> 01:34:41,080 And you heard me in the review. I think it's going to do better at Club than Urban. 1577 01:34:41,080 --> 01:34:43,080 It's at 29 right now at Club. 1578 01:34:43,080 --> 01:34:44,080 29? Wow. 1579 01:34:44,080 --> 01:34:49,080 1,171 spins per day last week on FM Radio. Yes. 1580 01:34:49,080 --> 01:34:50,080 It's a great song. 1581 01:34:50,080 --> 01:34:52,080 Hey, one time for Ice Cube, dog. 1582 01:34:52,080 --> 01:34:55,080 This guy ain't like that shit. I don't mean no respect. 1583 01:34:55,080 --> 01:34:59,080 Yeah, there's nothing wrong with not liking the song. 1584 01:34:59,080 --> 01:35:04,080 Yeah, I just, I just, you know, I'm not going to put that in my car, but it's cool. 1585 01:35:04,080 --> 01:35:08,080 We stuck in this generation where a motherfucker can't say they don't like something. 1586 01:35:08,080 --> 01:35:10,080 Like, you know what I mean? It's totally understandable. 1587 01:35:10,080 --> 01:35:12,080 Like, you know what I mean? 1588 01:35:12,080 --> 01:35:16,080 All right. So, okay. It's time for just the stats. 1589 01:35:16,080 --> 01:35:20,080 Here we separate radio from streaming and the men from the boys. 1590 01:35:20,080 --> 01:35:25,080 Everyone knows the old saying, men lie, women lie, numbers don't. 1591 01:35:25,080 --> 01:35:29,080 So let's go through the more meaningful stats and movement on US radio. 1592 01:35:29,080 --> 01:35:31,080 Doc, hit us with the big winners. 1593 01:35:31,080 --> 01:35:36,080 All right. The three biggest risers on Urban Radio this week was number one, 1594 01:35:36,080 --> 01:35:44,080 a Gats, which is all girls are the same to, I guess, subtitled insecure by juice world featuring Nicky and Minaj. 1595 01:35:44,080 --> 01:35:47,080 It's up 10 spots from number 44 to number 34. 1596 01:35:47,080 --> 01:35:53,080 It had one hundred and three point four percent more spins and it's now at one thousand and twenty five spins per day. 1597 01:35:53,080 --> 01:35:55,080 The second biggest riser was sticky. 1598 01:35:55,080 --> 01:35:59,080 Tyler, the creator featuring Glorilla, Sexy Red and Little Wayne. 1599 01:35:59,080 --> 01:36:01,080 It's up seven spots from number twenty three. 1600 01:36:01,080 --> 01:36:03,080 That's that shit. 1601 01:36:03,080 --> 01:36:05,080 That's that shit. Yes, sir. 1602 01:36:05,080 --> 01:36:09,080 I think it's up seven spots from twenty three to sixteen. 1603 01:36:09,080 --> 01:36:16,080 Forty seven point three percent more with now at two thousand four hundred and eighty five spins per day. 1604 01:36:16,080 --> 01:36:18,080 And the third biggest riser was fat by the baby. 1605 01:36:18,080 --> 01:36:24,080 That's someone that one's a little surprised to me because that's got that whole Jersey be more type of that shit right there. 1606 01:36:24,080 --> 01:36:25,080 Yeah, I like that. 1607 01:36:25,080 --> 01:36:28,080 But you know, baby, been doing no type of songs for the last couple of years. 1608 01:36:28,080 --> 01:36:29,080 Yeah, man, for real. 1609 01:36:29,080 --> 01:36:33,080 Yeah, this is him trying to capture the lightening the bottle from the last one, I think. 1610 01:36:33,080 --> 01:36:38,080 But it's up seven spots as it is performing well from twenty twenty nine to twenty two now. 1611 01:36:38,080 --> 01:36:43,080 Twenty eight percent more and it's now up to one thousand five hundred and sixty eight spins per day. 1612 01:36:43,080 --> 01:36:46,080 Before we move on, I'd like to know from you, Mr. 1613 01:36:46,080 --> 01:36:53,080 D-Rug, of those three biggest risers, who would be your like dark horse to kind of to pop off that you like the most? 1614 01:36:53,080 --> 01:36:57,080 Um, I definitely got to say that Tyler, bro. 1615 01:36:57,080 --> 01:37:00,080 Yes, I figured that was my guess for you. 1616 01:37:00,080 --> 01:37:03,080 That Tyler that Tyler because one thing shout out to Tyler Creator. 1617 01:37:03,080 --> 01:37:05,080 Um, he had a dope ass. 1618 01:37:05,080 --> 01:37:07,080 I fucks with Tyler Creator, man. 1619 01:37:07,080 --> 01:37:10,080 I like I like his creativeness. 1620 01:37:10,080 --> 01:37:12,080 I like how dope he is. 1621 01:37:12,080 --> 01:37:14,080 I like because, you know, Tyler could spit. 1622 01:37:14,080 --> 01:37:15,080 He can he can do all that shit. 1623 01:37:15,080 --> 01:37:16,080 He's different. 1624 01:37:16,080 --> 01:37:18,080 I love everything about Tyler. 1625 01:37:18,080 --> 01:37:25,080 And when that album dropped and when that song came on, that's the song I press repeat on. 1626 01:37:25,080 --> 01:37:29,080 Like, you know, I backed that song up because it was just so different. 1627 01:37:29,080 --> 01:37:30,080 You know what I'm saying? Come on. It's him. 1628 01:37:30,080 --> 01:37:35,080 Sexy Red fucking gorilla like they blew in. 1629 01:37:35,080 --> 01:37:40,080 You wouldn't expect them motherfuckers to do that type of song or whatever. 1630 01:37:40,080 --> 01:37:47,080 You know, and it had the whole it had the whole like high school beating on the beat to I thought it was different. 1631 01:37:47,080 --> 01:37:52,080 It's that's definitely going to be a slow burner, man, because one thing about Tyler, bro. 1632 01:37:52,080 --> 01:37:53,080 Tyler's the man, bro. 1633 01:37:53,080 --> 01:37:58,080 And he actually pulls in those Grammys, too, unlike the man, bro. 1634 01:37:58,080 --> 01:38:01,080 The other rapper last couple of albums been crazy. 1635 01:38:01,080 --> 01:38:05,080 You know, he's a big for real fan like he he studied. 1636 01:38:05,080 --> 01:38:06,080 He studies for real. 1637 01:38:06,080 --> 01:38:14,080 So, you know, I mean, anybody anybody that studies for real and get into that to that lane that for reals in is always going to do good. 1638 01:38:14,080 --> 01:38:16,080 So shout out to Tyler creative for that one. 1639 01:38:16,080 --> 01:38:18,080 But that's going to be my dark horse. 1640 01:38:18,080 --> 01:38:20,080 I'm a big I'm a big Tyler fan. 1641 01:38:20,080 --> 01:38:22,080 I'm a big for our fan. 1642 01:38:22,080 --> 01:38:23,080 That's you. 1643 01:38:23,080 --> 01:38:25,080 Did you see that for real movie? 1644 01:38:25,080 --> 01:38:26,080 Yeah, no, I see. 1645 01:38:26,080 --> 01:38:27,080 I see a couple of interviews. 1646 01:38:27,080 --> 01:38:28,080 I got to watch the movie. 1647 01:38:28,080 --> 01:38:29,080 I love that movie. 1648 01:38:29,080 --> 01:38:30,080 The Lego movie. 1649 01:38:30,080 --> 01:38:31,080 That's crazy. 1650 01:38:31,080 --> 01:38:32,080 Exactly what you talk about. 1651 01:38:32,080 --> 01:38:38,080 So with that being said, we all want to say on the same page age, the biggest three drops this week. 1652 01:38:38,080 --> 01:38:41,080 Start at number one is going to be baddest in the room by Friday. 1653 01:38:41,080 --> 01:38:44,080 Down seven spots from 16 to number 23. 1654 01:38:44,080 --> 01:38:49,080 Thirty eight point four percent less spins with now fourteen hundred and fifty seven spins per day. 1655 01:38:49,080 --> 01:38:51,080 Number two is going to be on that money. 1656 01:38:51,080 --> 01:39:02,080 Rob forty nine featuring Cardi B down six bucks from number twenty four to number thirty thirty three point three percent less now with one thousand and ninety spins per day. 1657 01:39:02,080 --> 01:39:15,080 JT coming JT coming by JT's down six bucks to number thirty one three three point six percent less now with one thousand and sixty eight spins per day. 1658 01:39:15,080 --> 01:39:22,080 All right. So respect to the Indies or the independents this week. Number one, the largest. 1659 01:39:22,080 --> 01:39:35,080 That was the track that was the track club currently up to number eleven with three thousand one hundred and sixty six spins per day distributed by United Masters distribution. 1660 01:39:35,080 --> 01:39:38,080 Number two cowgirl by Marquis Houston. 1661 01:39:38,080 --> 01:39:39,080 I told you I like the song. 1662 01:39:39,080 --> 01:39:42,080 Yeah, we all love this record actually currently up. 1663 01:39:42,080 --> 01:39:43,080 I got to check that. 1664 01:39:43,080 --> 01:39:49,080 I hear my track the video the video they got like some whole Western vibe about the cowgirl. 1665 01:39:49,080 --> 01:39:51,080 I'm like just yeah it was great. 1666 01:39:51,080 --> 01:39:54,080 Have someone in riding them backwards like it was great. 1667 01:39:54,080 --> 01:40:06,080 Backward cowgirl all day cowgirl Marquis currently up to number fourteen with two thousand six hundred and fifty three spins per day distributed by Phoenix Music Publish. 1668 01:40:06,080 --> 01:40:11,080 And number three she keeps calling by October London one time October London. 1669 01:40:11,080 --> 01:40:13,080 What? 1670 01:40:13,080 --> 01:40:20,080 Currently number twenty with two thousand one hundred and ninety two spins per day distributed by Death Row. 1671 01:40:20,080 --> 01:40:21,080 Yes. 1672 01:40:21,080 --> 01:40:23,080 I just interviewed him. 1673 01:40:23,080 --> 01:40:25,080 Oopsie. Oopsie. Oopsie. 1674 01:40:25,080 --> 01:40:27,080 Oh, fuck. Oh, shit. 1675 01:40:27,080 --> 01:40:29,080 I didn't know that. 1676 01:40:29,080 --> 01:40:31,080 Hold on. Hold on. 1677 01:40:31,080 --> 01:40:32,080 I got to take a shot. 1678 01:40:32,080 --> 01:40:33,080 I said I were. 1679 01:40:33,080 --> 01:40:35,080 Yeah, you did. 1680 01:40:35,080 --> 01:40:37,080 It's going to be an early night for me, fellas. 1681 01:40:37,080 --> 01:40:42,080 Salud my brothers. 1682 01:40:42,080 --> 01:40:45,080 Salud, bro. 1683 01:40:45,080 --> 01:40:46,080 Well, shout out to October London, man. 1684 01:40:46,080 --> 01:40:51,080 I got a chance to eye him at the Funk Fest we had this year, man. 1685 01:40:51,080 --> 01:40:53,080 Real down to earth dude. 1686 01:40:53,080 --> 01:40:54,080 I'm a big fan of him. 1687 01:40:54,080 --> 01:40:56,080 He sounded like Marvin Gaye. 1688 01:40:56,080 --> 01:40:57,080 I love it. 1689 01:40:57,080 --> 01:41:00,080 Like what I like about this new project to the first album. 1690 01:41:00,080 --> 01:41:02,080 He sounded just like Marvin. 1691 01:41:02,080 --> 01:41:03,080 Yeah. 1692 01:41:03,080 --> 01:41:07,080 Now this one now this one is kind of expanding out and there's like a little bit of Sam Cooke. 1693 01:41:07,080 --> 01:41:09,080 There's a lot of Stevie Wonder. 1694 01:41:09,080 --> 01:41:11,080 Like he's doing a lot of different sounds. 1695 01:41:11,080 --> 01:41:19,080 You know, that's why Snoop signed him is because he said that he gave him that old school feeling of what his mom and him used to listen to. 1696 01:41:19,080 --> 01:41:21,080 And he couldn't believe that coming from a young dude. 1697 01:41:21,080 --> 01:41:23,080 Like, I mean, that's what's up. 1698 01:41:23,080 --> 01:41:27,080 I probably probably because, you know, I got a I got a new show debut on TV. 1699 01:41:27,080 --> 01:41:29,080 So, Sean, the Man Face TV. 1700 01:41:29,080 --> 01:41:30,080 We back. 1701 01:41:30,080 --> 01:41:34,080 You got a fan right here, D-Rub, right here all day. 1702 01:41:34,080 --> 01:41:36,080 I'm talking with Rob from the mob. 1703 01:41:36,080 --> 01:41:39,080 I'm trying to join the mob, man. 1704 01:41:39,080 --> 01:41:40,080 Yo D-Rub. 1705 01:41:40,080 --> 01:41:41,080 I'll be just fighting this baby. 1706 01:41:41,080 --> 01:41:43,080 Come see me please, dog. 1707 01:41:43,080 --> 01:41:48,080 D-Rub, we have a segment right before you guests come on and literally it's called What You Drinking On. 1708 01:41:48,080 --> 01:41:51,080 And this dude always comes with the fancy special shit. 1709 01:41:51,080 --> 01:41:54,080 So he's got like bottles that are shaped in the letter, the number eight. 1710 01:41:54,080 --> 01:41:56,080 Like, what is that? 1711 01:41:56,080 --> 01:41:57,080 What is that, by the way, Rob? 1712 01:41:57,080 --> 01:41:58,080 Educating. 1713 01:41:58,080 --> 01:42:00,080 This is Kendall Jenner's tequila, man. 1714 01:42:00,080 --> 01:42:03,080 This is Kendall Jenner. 1715 01:42:03,080 --> 01:42:06,080 Kendall Jenner really identifies herself here as nah. 1716 01:42:06,080 --> 01:42:07,080 No, man. 1717 01:42:07,080 --> 01:42:08,080 This is her tequila, man. 1718 01:42:08,080 --> 01:42:09,080 I'm going to represent. 1719 01:42:09,080 --> 01:42:11,080 She show your boy some love. 1720 01:42:11,080 --> 01:42:12,080 And I'm a big fan. 1721 01:42:12,080 --> 01:42:14,080 So I'm going to support her brand all day. 1722 01:42:14,080 --> 01:42:15,080 One time. 1723 01:42:15,080 --> 01:42:16,080 One hundred. 1724 01:42:16,080 --> 01:42:17,080 One hundred. 1725 01:42:17,080 --> 01:42:18,080 I don't care how big you are or how small you are. 1726 01:42:18,080 --> 01:42:23,080 When you're on your journey to do big things, man, I got nothing to do but support you. 1727 01:42:23,080 --> 01:42:24,080 Hell yeah. 1728 01:42:24,080 --> 01:42:25,080 One hundred. 1729 01:42:25,080 --> 01:42:26,080 One hundred. 1730 01:42:26,080 --> 01:42:27,080 One hundred. 1731 01:42:27,080 --> 01:42:28,080 That's just how the way I am. 1732 01:42:28,080 --> 01:42:32,080 And anybody that knows me knows that this is the truth. 1733 01:42:32,080 --> 01:42:33,080 All right. 1734 01:42:33,080 --> 01:42:38,080 So to close out segment five, the 100 percent facts, we're moving on to radio RIPs this 1735 01:42:38,080 --> 01:42:41,080 week and in December 1st, 2024. 1736 01:42:41,080 --> 01:42:42,080 So, yeah, I'm fair. 1737 01:42:42,080 --> 01:42:43,080 I'm unbiased. 1738 01:42:43,080 --> 01:42:46,080 I like to review all music, but I'm also a little crazy, too. 1739 01:42:46,080 --> 01:42:49,080 I generally hate when a song gets repetitively played out. 1740 01:42:49,080 --> 01:42:52,080 I just that's grinds my gears a little bit. 1741 01:42:52,080 --> 01:42:54,080 So I think this is one of my favorite parts. 1742 01:42:54,080 --> 01:42:56,080 I hate when she gets, whoa, was everybody else star? 1743 01:42:56,080 --> 01:42:58,080 At least to what I don't like it no more. 1744 01:42:58,080 --> 01:42:59,080 Me too. 1745 01:42:59,080 --> 01:43:00,080 Doc always is excited. 1746 01:43:00,080 --> 01:43:05,080 If I could put a clapping in it and it's tracking on it, Doc would be the all hands, all the 1747 01:43:05,080 --> 01:43:06,080 hands. 1748 01:43:06,080 --> 01:43:07,080 He'd clone himself. 1749 01:43:07,080 --> 01:43:12,080 Here's a final farewell to the singles who officially died and fell off national rotation 1750 01:43:12,080 --> 01:43:14,080 on commercial FM radio. 1751 01:43:14,080 --> 01:43:19,080 This week, we had six condolences to mourn and bury Rob as Doc often says, Why don't 1752 01:43:19,080 --> 01:43:23,080 you grab your shovel and let us know who? 1753 01:43:23,080 --> 01:43:25,080 That makes Rob laugh every single time. 1754 01:43:25,080 --> 01:43:28,080 Yeah, I have to grab my shovel really. 1755 01:43:28,080 --> 01:43:30,080 At number one, I like this track. 1756 01:43:30,080 --> 01:43:33,080 I'm sorry for me by low shimmy. 1757 01:43:33,080 --> 01:43:37,080 It was shipped mid September with a two and a half month run. 1758 01:43:37,080 --> 01:43:41,080 It peaked at number 28 in urban and number 30 on club. 1759 01:43:41,080 --> 01:43:43,080 It doesn't get no plaque. 1760 01:43:43,080 --> 01:43:45,080 It was a good track for me. 1761 01:43:45,080 --> 01:43:46,080 For me. 1762 01:43:46,080 --> 01:43:47,080 Yeah, for me. 1763 01:43:47,080 --> 01:43:50,080 Who was the song for me by low shimmy? 1764 01:43:50,080 --> 01:43:52,080 Who the fuck is little shimmy? 1765 01:43:52,080 --> 01:43:53,080 Yeah, that's exactly what I said. 1766 01:43:53,080 --> 01:43:55,080 But I like the track. 1767 01:43:55,080 --> 01:43:58,080 Little shitty, low shimmy. 1768 01:43:58,080 --> 01:44:00,080 Yo, the track is hot. 1769 01:44:00,080 --> 01:44:01,080 Okay. 1770 01:44:01,080 --> 01:44:02,080 Okay. 1771 01:44:02,080 --> 01:44:03,080 Yeah, I know he is the track. 1772 01:44:03,080 --> 01:44:05,080 So I thought so. 1773 01:44:05,080 --> 01:44:07,080 The track is not hot. 1774 01:44:07,080 --> 01:44:08,080 The track. 1775 01:44:08,080 --> 01:44:09,080 Yeah. 1776 01:44:09,080 --> 01:44:10,080 Put like this. 1777 01:44:10,080 --> 01:44:11,080 That's that. 1778 01:44:11,080 --> 01:44:12,080 That's that shit. 1779 01:44:12,080 --> 01:44:13,080 Mark. 1780 01:44:13,080 --> 01:44:17,080 He is like, and then number two, big, big things by young John featuring K Daniel. 1781 01:44:17,080 --> 01:44:18,080 It shipped late August. 1782 01:44:18,080 --> 01:44:23,080 It had a three and a half month run and it peaked at number 33 on urban. 1783 01:44:23,080 --> 01:44:26,080 It didn't get no plaque piggybacking Rob right now. 1784 01:44:26,080 --> 01:44:31,080 Just do it by Jalen Brown from the Celtics featuring ASAP Ferg ship. 1785 01:44:31,080 --> 01:44:33,080 Early October had a two month run on radio. 1786 01:44:33,080 --> 01:44:37,080 It peaked at number 36, but did not earn a plaque trash. 1787 01:44:37,080 --> 01:44:40,080 I, I, I, it was an okay track. 1788 01:44:40,080 --> 01:44:43,080 He actually has lyricism, but zero charisma. 1789 01:44:43,080 --> 01:44:44,080 That was the problem. 1790 01:44:44,080 --> 01:44:45,080 This is the NBA. 1791 01:44:45,080 --> 01:44:48,080 He's in the NBA. 1792 01:44:48,080 --> 01:44:49,080 We ain't playing that shit in the ride. 1793 01:44:49,080 --> 01:44:50,080 Hell no. 1794 01:44:50,080 --> 01:44:51,080 I don't want to do that again. 1795 01:44:51,080 --> 01:44:53,080 Shaq Shaq was the only NBA player I listened to. 1796 01:44:53,080 --> 01:44:54,080 That's it. 1797 01:44:54,080 --> 01:44:58,080 Now you, your boy who plays for the play for Damien Damien. 1798 01:44:58,080 --> 01:44:59,080 Yeah. 1799 01:44:59,080 --> 01:45:00,080 Yeah. 1800 01:45:00,080 --> 01:45:01,080 Damien Lillard. 1801 01:45:01,080 --> 01:45:02,080 Yes. 1802 01:45:02,080 --> 01:45:03,080 Damien Lillard. 1803 01:45:03,080 --> 01:45:04,080 Dope. 1804 01:45:04,080 --> 01:45:05,080 All right. 1805 01:45:05,080 --> 01:45:06,080 Number four. 1806 01:45:06,080 --> 01:45:07,080 We had 10 AM in Miami trillion who was Buster. 1807 01:45:07,080 --> 01:45:11,080 I'm a son by the way, shipped early August, had a four month run at radio, a climb to 1808 01:45:11,080 --> 01:45:15,080 number 23 at urban, but it did not sell and earn a plaque. 1809 01:45:15,080 --> 01:45:16,080 His budget ran out. 1810 01:45:16,080 --> 01:45:17,080 He ain't hanging. 1811 01:45:17,080 --> 01:45:18,080 He wasn't paying. 1812 01:45:18,080 --> 01:45:19,080 Dude, I didn't even know. 1813 01:45:19,080 --> 01:45:20,080 God damn bus. 1814 01:45:20,080 --> 01:45:24,080 I'm so there is, if I'm going to tell you the truth, that shit, we all kind of dumped it. 1815 01:45:24,080 --> 01:45:26,080 And I think it was like trash. 1816 01:45:26,080 --> 01:45:28,080 It was four strong dumps, one weak dump. 1817 01:45:28,080 --> 01:45:31,080 And literally we all kind of said the same thing. 1818 01:45:31,080 --> 01:45:34,080 This came out of Buster rhymes jeans. 1819 01:45:34,080 --> 01:45:35,080 Like what the fuck? 1820 01:45:35,080 --> 01:45:39,080 He's like, I haven't even heard bus around talk about that. 1821 01:45:39,080 --> 01:45:41,080 Now, let's write trash too. 1822 01:45:41,080 --> 01:45:42,080 Now, now I love bus. 1823 01:45:42,080 --> 01:45:43,080 No, I love Buster. 1824 01:45:43,080 --> 01:45:44,080 Don't say that. 1825 01:45:44,080 --> 01:45:45,080 Don't do that. 1826 01:45:45,080 --> 01:45:46,080 Buster. 1827 01:45:46,080 --> 01:45:47,080 Don't care what you think about me. 1828 01:45:47,080 --> 01:45:48,080 I'm not a shit. 1829 01:45:48,080 --> 01:45:49,080 Take that shit back. 1830 01:45:49,080 --> 01:45:50,080 All right. 1831 01:45:50,080 --> 01:45:51,080 So I got a bus. 1832 01:45:51,080 --> 01:45:57,080 I fucked a bus to two at the trillion. 1833 01:45:57,080 --> 01:45:59,080 That's that's a dope ass name. 1834 01:45:59,080 --> 01:46:04,080 No, that's name. 1835 01:46:04,080 --> 01:46:05,080 No skills. 1836 01:46:05,080 --> 01:46:09,080 I think it looked in the mirror. 1837 01:46:09,080 --> 01:46:10,080 That's what it is. 1838 01:46:10,080 --> 01:46:11,080 That's it. 1839 01:46:11,080 --> 01:46:12,080 Yeah. 1840 01:46:12,080 --> 01:46:13,080 What's that? 1841 01:46:13,080 --> 01:46:14,080 The billion trillion. 1842 01:46:14,080 --> 01:46:15,080 That's the same. 1843 01:46:15,080 --> 01:46:19,080 You guys see on that bitch with a money sign through that. 1844 01:46:19,080 --> 01:46:20,080 Oh, okay. 1845 01:46:20,080 --> 01:46:21,080 All right. 1846 01:46:21,080 --> 01:46:22,080 My bad. 1847 01:46:22,080 --> 01:46:23,080 My bad. 1848 01:46:23,080 --> 01:46:24,080 It's going to be weight on it. 1849 01:46:24,080 --> 01:46:25,080 Jeremiah featuring B. 1850 01:46:25,080 --> 01:46:32,080 Tiller and Chris Breezy ship late June, 5.5 month run pizza number eight and made it to 1851 01:46:32,080 --> 01:46:35,080 23 on a club club and it got a gold plaque. 1852 01:46:35,080 --> 01:46:36,080 I like that song. 1853 01:46:36,080 --> 01:46:37,080 I can hear it in my head. 1854 01:46:37,080 --> 01:46:38,080 Yeah, that's all crap, bro. 1855 01:46:38,080 --> 01:46:39,080 Shout out Bryson Tiller. 1856 01:46:39,080 --> 01:46:40,080 Yes, sir. 1857 01:46:40,080 --> 01:46:41,080 It's all three of them. 1858 01:46:41,080 --> 01:46:42,080 They just brought Chris. 1859 01:46:42,080 --> 01:46:43,080 They're killing it. 1860 01:46:43,080 --> 01:46:44,080 Hey, Jeremiah. 1861 01:46:44,080 --> 01:46:45,080 All them boys is killers on the mic. 1862 01:46:45,080 --> 01:46:48,080 So we're going to do blow for blow after that's going to be T. 1863 01:46:48,080 --> 01:46:49,080 Breezy. 1864 01:46:49,080 --> 01:46:50,080 T. 1865 01:46:50,080 --> 01:46:51,080 Breezy like a bear featuring J. 1866 01:46:51,080 --> 01:47:01,080 Cole shipped on early October, two month run peak at number 38 on urban and did not receive 1867 01:47:01,080 --> 01:47:02,080 a plaque. 1868 01:47:02,080 --> 01:47:08,080 I knew that someone going to do that shit because you know, I dirt did that shit first. 1869 01:47:08,080 --> 01:47:09,080 He did the J. 1870 01:47:09,080 --> 01:47:10,080 Cole feature first. 1871 01:47:10,080 --> 01:47:13,080 So it was weird with what you said. 1872 01:47:13,080 --> 01:47:14,080 I agree with you. 1873 01:47:14,080 --> 01:47:15,680 And I think I even said that in my review of it. 1874 01:47:15,680 --> 01:47:17,080 I think T. 1875 01:47:17,080 --> 01:47:21,520 Grizzly believed that this was going to do the same thing for 21 Savage and little Dirk 1876 01:47:21,520 --> 01:47:22,520 that it would do for him. 1877 01:47:22,520 --> 01:47:23,520 And it did not. 1878 01:47:23,520 --> 01:47:24,520 Yeah, it don't know. 1879 01:47:24,520 --> 01:47:28,760 That's what happens when you try to capture capture light in the bottle more than once. 1880 01:47:28,760 --> 01:47:31,800 And the thing is, shout out to T. Grizzly because he dope as fuck, bro. 1881 01:47:31,800 --> 01:47:32,800 I love T. Grizzly. 1882 01:47:32,800 --> 01:47:33,800 He really is. 1883 01:47:33,800 --> 01:47:36,800 I love the way he pronounces words. 1884 01:47:36,800 --> 01:47:37,800 No, he's dope. 1885 01:47:37,800 --> 01:47:38,800 Do you know he put out a whole- 1886 01:47:38,800 --> 01:47:39,800 I think of them drags, he got like a bunch of them. 1887 01:47:39,800 --> 01:47:40,800 What does that shit called? 1888 01:47:40,800 --> 01:47:43,800 You know, he just put out a whole story album. 1889 01:47:43,800 --> 01:47:48,760 Like his last album before this new one came out, the whole album is story rhymes. 1890 01:47:48,760 --> 01:47:50,000 Like everything is stories. 1891 01:47:50,000 --> 01:47:52,000 Like he got this series called Robbery. 1892 01:47:52,000 --> 01:47:55,000 Yes, that's what I'm talking about. 1893 01:47:55,000 --> 01:47:56,000 Robbery number eight. 1894 01:47:56,000 --> 01:47:57,000 Yeah, bro. 1895 01:47:57,000 --> 01:47:58,000 Like yo, T. Grizzly is dope as shit, bro. 1896 01:47:58,000 --> 01:47:59,000 Like he's dope as fuck. 1897 01:47:59,000 --> 01:48:00,000 You heard Robbery number eight? 1898 01:48:00,000 --> 01:48:01,000 Oh, bro. 1899 01:48:01,000 --> 01:48:02,000 I'm so caught up in that shit, bro. 1900 01:48:02,000 --> 01:48:03,000 Like it's crazy, bro. 1901 01:48:03,000 --> 01:48:06,000 Like T. Grizzly lyrically is dope. 1902 01:48:06,000 --> 01:48:07,000 He's from Detroit. 1903 01:48:07,000 --> 01:48:08,000 He got that Detroit shit too. 1904 01:48:08,000 --> 01:48:09,000 Cause right now the game sounds like Detroit right now. 1905 01:48:09,000 --> 01:48:10,000 You know what I'm saying? 1906 01:48:10,000 --> 01:48:11,000 A lot of these cats sound like Detroit. 1907 01:48:11,000 --> 01:48:12,000 This shit meant to be though. 1908 01:48:12,000 --> 01:48:13,000 I'm with you 150. 1909 01:48:13,000 --> 01:48:14,000 But I fuck with T. Grizzly. 1910 01:48:14,000 --> 01:48:15,000 But yeah, even when I heard that song- 1911 01:48:15,000 --> 01:48:16,000 He got a bunch of them. 1912 01:48:16,000 --> 01:48:17,000 Robbery one, two, three, four. 1913 01:48:17,000 --> 01:48:18,000 All of them. 1914 01:48:18,000 --> 01:48:19,000 Like all of them were dope. 1915 01:48:19,000 --> 01:48:20,000 But even when I heard the song with you, I was like, I'm gonna go with T. Grizzly. 1916 01:48:20,000 --> 01:48:28,000 I said, this is for T. Grizzly. 1917 01:48:28,000 --> 01:48:32,320 He's like 20 minutes long. 1918 01:48:32,320 --> 01:48:38,120 He trying to do what that damn Dirt was doing and 21 Savage did. 1919 01:48:38,120 --> 01:48:39,120 Yeah. 1920 01:48:39,120 --> 01:48:40,120 You can't reduplicate that, bro. 1921 01:48:40,120 --> 01:48:43,600 Cause you don't, I don't think his style mixed with J Cole. 1922 01:48:43,600 --> 01:48:48,640 And even though 21 Savage didn't mix, but the song mixed, like you know what I'm saying? 1923 01:48:48,640 --> 01:48:51,320 Rest in peace to that song. 1924 01:48:51,320 --> 01:48:55,680 I like how D-Rug understands how much I love that segment. 1925 01:48:55,680 --> 01:48:58,160 I like the Barry, like the Barry play out record. 1926 01:48:58,160 --> 01:49:00,800 This is the best episode ever. 1927 01:49:00,800 --> 01:49:02,280 You know you say that every episode. 1928 01:49:02,280 --> 01:49:03,280 Because it is. 1929 01:49:03,280 --> 01:49:04,280 It's true. 1930 01:49:04,280 --> 01:49:05,280 He said that on every episode. 1931 01:49:05,280 --> 01:49:07,640 Damn, he made me feel good for a second. 1932 01:49:07,640 --> 01:49:09,600 But it's true because it is right now. 1933 01:49:09,600 --> 01:49:10,600 Best episode? 1934 01:49:10,600 --> 01:49:11,600 Yes. 1935 01:49:11,600 --> 01:49:12,600 Till the next one. 1936 01:49:12,600 --> 01:49:13,600 Best episode ever. 1937 01:49:13,600 --> 01:49:16,600 I know the next episode, you're gonna say that shit too. 1938 01:49:16,600 --> 01:49:17,600 It's a new lick. 1939 01:49:17,600 --> 01:49:18,600 I probably will. 1940 01:49:18,600 --> 01:49:21,880 But right now, this is the best episode ever. 1941 01:49:21,880 --> 01:49:22,880 All right. 1942 01:49:22,880 --> 01:49:25,640 So moving on to segment six, Edutainment. 1943 01:49:25,640 --> 01:49:29,720 This was a well-respected part of season one that we haven't actually done one yet in season 1944 01:49:29,720 --> 01:49:30,720 two. 1945 01:49:30,720 --> 01:49:34,120 We're really going to try our best to experiment with this and do a little extra extra for 1946 01:49:34,120 --> 01:49:39,360 y'all, y'all listeners and resubtitle this part, Edutainment, us, you and y'all. 1947 01:49:39,360 --> 01:49:44,600 And basically this is still a quick fire music business questions segment where myself, AM 1948 01:49:44,600 --> 01:49:49,280 Rob and our special guest take questions open table style that our listeners email in and 1949 01:49:49,280 --> 01:49:54,640 try to help advise y'all and direct y'all through with the legal proper meanings, instructions 1950 01:49:54,640 --> 01:49:55,640 and steps. 1951 01:49:55,640 --> 01:50:01,840 This us, you and all in part, we're adding to this is to remember that we're human too. 1952 01:50:01,840 --> 01:50:06,320 And we have our own frustrations, anger and even questions with the music industry. 1953 01:50:06,320 --> 01:50:12,160 So it opens up things for us and the guests to ask questions, maybe constructively air 1954 01:50:12,160 --> 01:50:17,120 out some of our issues, the us represents us three co-hosts and you who's going to be 1955 01:50:17,120 --> 01:50:20,640 representing the guests that we are interviewing and hanging out with each episode. 1956 01:50:20,640 --> 01:50:24,680 And then the y'all will represent everyone else that's going to listen and tune into 1957 01:50:24,680 --> 01:50:27,320 the drinks that we do with us. 1958 01:50:27,320 --> 01:50:29,200 That's all across the globe. 1959 01:50:29,200 --> 01:50:30,200 Yes. 1960 01:50:30,200 --> 01:50:34,120 And now since it's the triumphant return, it's only right. 1961 01:50:34,120 --> 01:50:38,600 We start with one of our own and it's gotta be my boy, Doc J. 1962 01:50:38,600 --> 01:50:40,600 Oh, here we go. 1963 01:50:40,600 --> 01:50:42,320 Here we go. 1964 01:50:42,320 --> 01:50:43,320 Doc. 1965 01:50:43,320 --> 01:50:44,320 Yes. 1966 01:50:44,320 --> 01:50:51,520 The doctor has been privately stressed and dealing with work dilemmas is November 26, 1967 01:50:51,520 --> 01:50:54,920 basically against one of the biggest artists on the planet. 1968 01:50:54,920 --> 01:51:03,200 So our very first us part of edutainment and I'll introduce it is Doc's newest problem 1969 01:51:03,200 --> 01:51:04,200 with Drake. 1970 01:51:04,200 --> 01:51:05,200 All right. 1971 01:51:05,200 --> 01:51:08,760 First of all, and I'm going to take this from my boy, Nigel from Chicago. 1972 01:51:08,760 --> 01:51:11,000 I no longer say the term Drake. 1973 01:51:11,000 --> 01:51:12,000 I just say the Canadian. 1974 01:51:12,000 --> 01:51:14,280 You don't say Drake no more? 1975 01:51:14,280 --> 01:51:15,280 No, fuck that. 1976 01:51:15,280 --> 01:51:16,280 I just say Canadian. 1977 01:51:16,280 --> 01:51:17,280 Go ahead. 1978 01:51:17,280 --> 01:51:18,280 Hey, go ahead. 1979 01:51:18,280 --> 01:51:21,360 Give your ass because I'm a clip this. 1980 01:51:21,360 --> 01:51:22,360 This is going to go viral. 1981 01:51:22,360 --> 01:51:28,560 But you give us your take on that being a person that has to deal with what's going 1982 01:51:28,560 --> 01:51:29,560 on right now. 1983 01:51:29,560 --> 01:51:30,560 All right. 1984 01:51:30,560 --> 01:51:33,240 So I'm just going to say the Canadian because it keeps his name out my mouth. 1985 01:51:33,240 --> 01:51:34,240 We don't have any open. 1986 01:51:34,240 --> 01:51:35,240 He's called the Canadian. 1987 01:51:35,240 --> 01:51:36,240 The Canadian. 1988 01:51:36,240 --> 01:51:38,360 The fucking Canadians got some problems. 1989 01:51:38,360 --> 01:51:39,360 Right. 1990 01:51:39,360 --> 01:51:43,840 So November 26, the day after Thanksgiving weekend, he put out two petitions. 1991 01:51:43,840 --> 01:51:45,880 So I want to clear up the Internet. 1992 01:51:45,880 --> 01:51:47,320 Everyone's saying that he's suing Kendrick. 1993 01:51:47,320 --> 01:51:48,760 He's suing Universal Music Group. 1994 01:51:48,760 --> 01:51:49,760 He's suing Spotify. 1995 01:51:49,760 --> 01:51:50,880 He hasn't sued anyone yet. 1996 01:51:50,880 --> 01:51:53,000 This is a petition for suit. 1997 01:51:53,000 --> 01:51:55,760 All that means is this is what I inquire to do. 1998 01:51:55,760 --> 01:52:01,140 I acknowledge that I have a problem with these agencies or companies and I would like to 1999 01:52:01,140 --> 01:52:03,000 inquire some documents back. 2000 01:52:03,000 --> 01:52:07,120 And based on what you give me and the dates and the names on these documents, I may sue 2001 01:52:07,120 --> 01:52:08,280 your asses for it. 2002 01:52:08,280 --> 01:52:10,240 That's what Drake did with those petitions for suits. 2003 01:52:10,240 --> 01:52:12,360 Oh, I love the way you put that. 2004 01:52:12,360 --> 01:52:13,360 I try to bring it. 2005 01:52:13,360 --> 01:52:15,040 Hey, that's so bitch made. 2006 01:52:15,040 --> 01:52:16,040 He did that. 2007 01:52:16,040 --> 01:52:20,920 I try to break it down where both my my industry cats and the people of the courthouse understand 2008 01:52:20,920 --> 01:52:21,920 it. 2009 01:52:21,920 --> 01:52:24,520 But then like where I'm from and the people in New York and people in the hood understand 2010 01:52:24,520 --> 01:52:25,520 what I'm saying to. 2011 01:52:25,520 --> 01:52:27,160 So the Canadian. 2012 01:52:27,160 --> 01:52:28,160 Right. 2013 01:52:28,160 --> 01:52:33,760 So the first petition he tried to disguise as I'm doing this for the independent artists. 2014 01:52:33,760 --> 01:52:36,500 I'm doing it for everyone that's getting screwed by Spotify. 2015 01:52:36,500 --> 01:52:39,320 By the way, all streaming platforms actually do this. 2016 01:52:39,320 --> 01:52:42,920 Spotify is the only one that tries to stay transparent about it. 2017 01:52:42,920 --> 01:52:46,440 So them trying to stay transparent about it, saying they're screwing you. 2018 01:52:46,440 --> 01:52:47,680 Title does the same shit. 2019 01:52:47,680 --> 01:52:48,680 Apple does the same shit. 2020 01:52:48,680 --> 01:52:50,840 And Amazon does the same shit. 2021 01:52:50,840 --> 01:52:55,700 But regardless, the first petition he tried to disguise as I'm doing this for the indie 2022 01:52:55,700 --> 01:53:02,680 artists that when a big record gets fraudulently pushed to number one, they get to steal all 2023 01:53:02,680 --> 01:53:08,160 that that buzz and the biggest payout from streaming platforms goes to whoever is the 2024 01:53:08,160 --> 01:53:09,500 biggest market share. 2025 01:53:09,500 --> 01:53:12,560 For the last 14 years, Drake has been the biggest market share. 2026 01:53:12,560 --> 01:53:17,640 So by the way, Drake has been benefiting from whatever bullshit scheming has been going on 2027 01:53:17,640 --> 01:53:19,480 for the last 14 years. 2028 01:53:19,480 --> 01:53:23,760 But now that he's not number one and he lost the beef and not like us has taken over the 2029 01:53:23,760 --> 01:53:24,760 entire planet. 2030 01:53:24,760 --> 01:53:29,240 I mean, it's number one in like 13 different countries. 2031 01:53:29,240 --> 01:53:34,800 He's mad and he's saying that Spotify and different streaming platforms and then he 2032 01:53:34,800 --> 01:53:39,360 named media base and I Heart Radio said we're even fraudulently messing up the numbers at 2033 01:53:39,360 --> 01:53:40,360 radio. 2034 01:53:40,360 --> 01:53:46,000 We're making this record that's just an average rap song into a global cultural icon. 2035 01:53:46,000 --> 01:53:50,720 And we did it by funk in the numbers, messing up the numbers, boosting the numbers, playing 2036 01:53:50,720 --> 01:53:53,500 it more than it should and lying about numbers. 2037 01:53:53,500 --> 01:53:58,720 So since Monday, I've had to turn in documentation, me and my staff, three people with me, had 2038 01:53:58,720 --> 01:54:02,840 to turn to staff to prove the amount of spins we've been counting for Kendrick Lamar's Not 2039 01:54:02,840 --> 01:54:04,000 Like Us at radio. 2040 01:54:04,000 --> 01:54:08,520 I've had to go back with my charts and luckily these guys know I keep every chart I make 2041 01:54:08,520 --> 01:54:10,440 on Excel. 2042 01:54:10,440 --> 01:54:12,760 They wanted me to go back all the way to January. 2043 01:54:12,760 --> 01:54:14,280 And I'm like, not like us even. 2044 01:54:14,280 --> 01:54:16,280 It came out in July, August. 2045 01:54:16,280 --> 01:54:18,840 Like why do I got to go back to fucking January? 2046 01:54:18,840 --> 01:54:21,680 So let me ask you a real question. 2047 01:54:21,680 --> 01:54:24,040 Was that an organic song or not? 2048 01:54:24,040 --> 01:54:25,760 I think it was definitely. 2049 01:54:25,760 --> 01:54:27,640 Here's the funny part, right? 2050 01:54:27,640 --> 01:54:32,320 Here I'm my degrees in copyright trademark law of all those diss tracks. 2051 01:54:32,320 --> 01:54:36,280 Drake's pushups was copyrighted. 2052 01:54:36,280 --> 01:54:41,880 The one before that like that, which is Future, Kendrick Lamar and Metro, that was copyrighted. 2053 01:54:41,880 --> 01:54:46,760 Every single diss track to the end of it, except for Not Like Us was not copyrighted. 2054 01:54:46,760 --> 01:54:50,640 So none, none of the motherfuckers got paid for those records. 2055 01:54:50,640 --> 01:54:51,640 But they was beefing. 2056 01:54:51,640 --> 01:54:52,640 This is a shit. 2057 01:54:52,640 --> 01:54:53,640 They was beefing. 2058 01:54:53,640 --> 01:54:59,960 They was because this is why I say this is the greatest beef of all time, because we 2059 01:54:59,960 --> 01:55:02,320 actually watch this beef in real time. 2060 01:55:02,320 --> 01:55:03,320 You know what I'm saying? 2061 01:55:03,320 --> 01:55:08,680 So they was dropping shit like you can ask my lady, my lady, I tell you, I was so in 2062 01:55:08,680 --> 01:55:10,400 tune to that beef. 2063 01:55:10,400 --> 01:55:11,400 I'm pretty crazy. 2064 01:55:11,400 --> 01:55:12,400 It took me. 2065 01:55:12,400 --> 01:55:13,400 And I think you're right. 2066 01:55:13,400 --> 01:55:16,200 I'm pretty sure every like two or three days after they recorded, they released it. 2067 01:55:16,200 --> 01:55:17,560 They didn't give a fuck about copyright. 2068 01:55:17,560 --> 01:55:18,560 It was beef. 2069 01:55:18,560 --> 01:55:19,560 Like they would drop this shit. 2070 01:55:19,560 --> 01:55:20,560 They would copy shit. 2071 01:55:20,560 --> 01:55:24,720 But Kendrick actually had Not Like Us copyrighted before all those records, which is kind of 2072 01:55:24,720 --> 01:55:26,920 cool to me, crazy to me. 2073 01:55:26,920 --> 01:55:27,920 Right. 2074 01:55:27,920 --> 01:55:29,720 So that one actually is monetized. 2075 01:55:29,720 --> 01:55:34,520 And that one became, like you said, I think that became an organic West Coast cultural 2076 01:55:34,520 --> 01:55:36,360 icon type of record. 2077 01:55:36,360 --> 01:55:38,520 There was motherfuckers tick tock into it. 2078 01:55:38,520 --> 01:55:40,360 Girls tick tock to it. 2079 01:55:40,360 --> 01:55:41,720 Thugs crip walk into it. 2080 01:55:41,720 --> 01:55:44,120 Like that became a cultural icon. 2081 01:55:44,120 --> 01:55:47,440 I'm going to tell you when I heard that song, bro. 2082 01:55:47,440 --> 01:55:50,400 We went to the beach that day. 2083 01:55:50,400 --> 01:55:54,840 Me, me, my girl, my kids, we all went to the beach that day. 2084 01:55:54,840 --> 01:55:55,840 Right. 2085 01:55:55,840 --> 01:56:01,080 And this is at the this is the pinnacle when they're beefing. 2086 01:56:01,080 --> 01:56:02,240 They drop and shit. 2087 01:56:02,240 --> 01:56:06,640 Drake just dropped the what it was family manners with Drake drop. 2088 01:56:06,640 --> 01:56:08,960 Which I liked, which I like because it got dark. 2089 01:56:08,960 --> 01:56:10,360 Oh, that shit was crazy. 2090 01:56:10,360 --> 01:56:14,120 Like at that point, because if you could go back to my post, as I was saying, OK, Drake 2091 01:56:14,120 --> 01:56:15,120 winning. 2092 01:56:15,120 --> 01:56:16,120 Drake got this. 2093 01:56:16,120 --> 01:56:17,120 Drake got it. 2094 01:56:17,120 --> 01:56:18,120 You know what I'm saying? 2095 01:56:18,120 --> 01:56:21,200 And then all of a sudden, fucking not like us came out. 2096 01:56:21,200 --> 01:56:22,200 My boy calls me. 2097 01:56:22,200 --> 01:56:24,920 He was like, yo, because he had dropped. 2098 01:56:24,920 --> 01:56:27,720 He just dropped something about Drake. 2099 01:56:27,720 --> 01:56:31,160 He was dropping something about talking to his son or some shit. 2100 01:56:31,160 --> 01:56:33,040 So my boy called me. 2101 01:56:33,040 --> 01:56:34,800 He was like, yo, you heard that new Kendrick? 2102 01:56:34,800 --> 01:56:36,520 And I'm like, oh, yeah, that's cool. 2103 01:56:36,520 --> 01:56:40,720 Like, you know, he's like, no, you heard that new Kendrick is a new one that came out. 2104 01:56:40,720 --> 01:56:42,720 I'm like, what do you mean a new one came out? 2105 01:56:42,720 --> 01:56:46,920 He's like, I'm a sentence to you and call me back. 2106 01:56:46,920 --> 01:56:49,960 This nigga sucked me to fucking they not like us. 2107 01:56:49,960 --> 01:56:50,960 I pulled over. 2108 01:56:50,960 --> 01:56:51,960 I pulled over. 2109 01:56:51,960 --> 01:56:55,560 Me and my family, we ordered pizza. 2110 01:56:55,560 --> 01:56:57,920 We in Daytona at a pizza shop. 2111 01:56:57,920 --> 01:56:59,160 I'm in the fucking parking lot. 2112 01:56:59,160 --> 01:57:03,560 I didn't want to get out the car, but I'm listening to this fucking song and I say, 2113 01:57:03,560 --> 01:57:04,560 it's over. 2114 01:57:04,560 --> 01:57:05,560 It's over. 2115 01:57:05,560 --> 01:57:06,560 It's over, dog. 2116 01:57:06,560 --> 01:57:07,560 This is it. 2117 01:57:07,560 --> 01:57:08,560 Like this is it. 2118 01:57:08,560 --> 01:57:09,560 This is that one. 2119 01:57:09,560 --> 01:57:10,720 He did a Drake on Drake. 2120 01:57:10,720 --> 01:57:13,720 I said that day, I said he did a Drake on Drake. 2121 01:57:13,720 --> 01:57:14,720 It's over, bro. 2122 01:57:14,720 --> 01:57:15,720 The fight is over. 2123 01:57:15,720 --> 01:57:16,720 He knocked him out. 2124 01:57:16,720 --> 01:57:17,720 I mean, then you could do. 2125 01:57:17,720 --> 01:57:22,400 So with you saying that Drake is trying to suggest in this petition that that record 2126 01:57:22,400 --> 01:57:29,600 was just a mid record, an average record and all us agencies tweak the numbers, use bots, 2127 01:57:29,600 --> 01:57:33,320 scammed it so that the different platforms streamed it more than it should have. 2128 01:57:33,320 --> 01:57:34,320 I agree with Drake. 2129 01:57:34,320 --> 01:57:37,320 Anywho, I'm going to ignore Rob. 2130 01:57:37,320 --> 01:57:39,320 He's high right now. 2131 01:57:39,320 --> 01:57:40,520 He's high right now. 2132 01:57:40,520 --> 01:57:45,240 But Rob, they named your boy, they named Media Base and iHeartMedia in on the scheme. 2133 01:57:45,240 --> 01:57:47,680 You think I'm in on the scheme on the Canadian? 2134 01:57:47,680 --> 01:57:51,520 Listen, man, we all love Drake before Kendrick. 2135 01:57:51,520 --> 01:57:53,200 We did not love Drake before. 2136 01:57:53,200 --> 01:57:54,200 I did not. 2137 01:57:54,200 --> 01:57:55,200 I love Drake. 2138 01:57:55,200 --> 01:57:56,200 I love Drake. 2139 01:57:56,200 --> 01:57:57,200 I had Drake winning, bro. 2140 01:57:57,200 --> 01:57:58,200 Like I had Drake winning. 2141 01:57:58,200 --> 01:57:59,200 But he's just like, all my fuck up, bro. 2142 01:57:59,200 --> 01:58:05,200 Like I love like I love Tupac. 2143 01:58:05,200 --> 01:58:09,600 So all my biggie lovers kiss my ass because I like Tupac. 2144 01:58:09,600 --> 01:58:13,040 So let me let me let me go back to that point you just made because you and I are kind of 2145 01:58:13,040 --> 01:58:14,040 the same on that one. 2146 01:58:14,040 --> 01:58:17,000 So there's this petition where faking the numbers, we had to turn the shit in. 2147 01:58:17,000 --> 01:58:23,000 So my last week from I had Friday off, so Monday to Thursday, we had to turn in Excel 2148 01:58:23,000 --> 01:58:27,520 spreadsheets for the radio charts for Not Like Us going all the way back. 2149 01:58:27,520 --> 01:58:30,560 It didn't get onto the radio to August, but they wanted me to go all the way back to January 2150 01:58:30,560 --> 01:58:33,480 to make sure I wasn't funking the numbers at radio. 2151 01:58:33,480 --> 01:58:36,820 I think his case he's trying to make is more streaming than us. 2152 01:58:36,820 --> 01:58:39,000 But the fact that he named us was just a bitch move. 2153 01:58:39,000 --> 01:58:44,880 Now, if that was the only move he made, he's disguising it as looking out for the indie 2154 01:58:44,880 --> 01:58:47,020 artist, trying to clear up the market share. 2155 01:58:47,020 --> 01:58:48,520 Drake is not the market share anymore. 2156 01:58:48,520 --> 01:58:50,440 He's not the number one artist. 2157 01:58:50,440 --> 01:58:52,000 It kind of moved over to someone else. 2158 01:58:52,000 --> 01:58:56,160 Now I think he's saying if someone if I can't be number one, fuck everyone, I'm gonna take 2159 01:58:56,160 --> 01:59:02,620 everyone down because I'm pretty sure Drake knows for 14 years the type of schemes they 2160 01:59:02,620 --> 01:59:03,640 use to push him. 2161 01:59:03,640 --> 01:59:08,760 So I'm pretty sure he's going to just sing like a fucking canary and tell on what Universal 2162 01:59:08,760 --> 01:59:10,320 did for Kendrick. 2163 01:59:10,320 --> 01:59:14,720 That's mo she if Drake if Drake released an album right now, it'll be a number one album 2164 01:59:14,720 --> 01:59:15,720 in the world. 2165 01:59:15,720 --> 01:59:16,720 Oh, we're not holding on. 2166 01:59:16,720 --> 01:59:17,720 Hold on. 2167 01:59:17,720 --> 01:59:18,720 Hold on. 2168 01:59:18,720 --> 01:59:19,720 We're not denying it. 2169 01:59:19,720 --> 01:59:23,000 But the last of the next five Drake singles after Not Like Us, they all flopped. 2170 01:59:23,000 --> 01:59:25,640 The highest one that climbed was 37. 2171 01:59:25,640 --> 01:59:28,040 So that timing, bad timing timing. 2172 01:59:28,040 --> 01:59:29,040 Exactly. 2173 01:59:29,040 --> 01:59:33,920 OK, so point you should fuck up right now because you don't got knocked the fuck out. 2174 01:59:33,920 --> 01:59:34,920 Yeah. 2175 01:59:34,920 --> 01:59:35,920 So OK, so there's that one. 2176 01:59:35,920 --> 01:59:36,920 Right. 2177 01:59:36,920 --> 01:59:40,800 If I had only petition to sue, I would have been I'm still not OK with it, but I would 2178 01:59:40,800 --> 01:59:42,160 have been OK with it. 2179 01:59:42,160 --> 01:59:44,600 Disguising it as I'm looking out for the little guys. 2180 01:59:44,600 --> 01:59:45,600 I look at it like this. 2181 01:59:45,600 --> 01:59:48,880 If there was no if there was no Drake, there'd be no Kendrick right now. 2182 01:59:48,880 --> 01:59:49,880 Hold on. 2183 01:59:49,880 --> 01:59:50,880 I don't know about that one. 2184 01:59:50,880 --> 01:59:51,880 But anyway, I don't know about that one. 2185 01:59:51,880 --> 01:59:53,680 I disagree with that one, buddy. 2186 01:59:53,680 --> 01:59:55,680 Like that song is about Drake. 2187 01:59:55,680 --> 01:59:58,800 If it wasn't about Drake, what is he going to sing about? 2188 01:59:58,800 --> 02:00:00,880 Kendrick has plaques, multi platinum plaques. 2189 02:00:00,880 --> 02:00:04,120 Kendrick was always the guy behind him. 2190 02:00:04,120 --> 02:00:05,120 Swimming pools. 2191 02:00:05,120 --> 02:00:06,120 Poetic Justice has Drake. 2192 02:00:06,120 --> 02:00:08,200 I'm a big I like Kendrick Lamar. 2193 02:00:08,200 --> 02:00:11,320 Don't think it don't kill my vibe is double platinum. 2194 02:00:11,320 --> 02:00:15,400 I'm saying right now the biggest song in the world is not like us. 2195 02:00:15,400 --> 02:00:16,400 Right. 2196 02:00:16,400 --> 02:00:17,400 Sure. 2197 02:00:17,400 --> 02:00:21,560 OK, so if it wasn't for Drake, that song would not be number one. 2198 02:00:21,560 --> 02:00:22,560 Just one song. 2199 02:00:22,560 --> 02:00:23,560 Only that song. 2200 02:00:23,560 --> 02:00:25,080 Not not the entire discography. 2201 02:00:25,080 --> 02:00:26,080 OK, great. 2202 02:00:26,080 --> 02:00:27,080 That's right. 2203 02:00:27,080 --> 02:00:28,960 The discography is cemented. 2204 02:00:28,960 --> 02:00:33,000 So so I can clear up this and we can move on to the next question because I work wrong. 2205 02:00:33,000 --> 02:00:34,600 I'm a I'm a Kendrick Lamar. 2206 02:00:34,600 --> 02:00:35,760 I like Kendrick Lamar. 2207 02:00:35,760 --> 02:00:36,760 I like baby came. 2208 02:00:36,760 --> 02:00:38,040 I like everything they got. 2209 02:00:38,040 --> 02:00:39,040 I actually don't. 2210 02:00:39,040 --> 02:00:40,200 I actually don't like baby came. 2211 02:00:40,200 --> 02:00:41,200 I think I do. 2212 02:00:41,200 --> 02:00:42,200 Yeah, baby came his ass. 2213 02:00:42,200 --> 02:00:43,200 All right. 2214 02:00:43,200 --> 02:00:44,200 So the story. 2215 02:00:44,200 --> 02:00:45,200 So Rob, I want you to look. 2216 02:00:45,200 --> 02:00:48,920 I want you to look at me as I look at D-Rug too. 2217 02:00:48,920 --> 02:00:55,680 So part two of the story was six hours after putting that petition in for the first suit 2218 02:00:55,680 --> 02:01:00,600 of tweaking the numbers, there's a whole industry wide scheme where we're faking the numbers 2219 02:01:00,600 --> 02:01:02,280 and making Kendrick look bigger than Drake. 2220 02:01:02,280 --> 02:01:04,680 He's mad that he looks bigger than Drake. 2221 02:01:04,680 --> 02:01:10,440 Six hours later, he put a defamation of character lawsuit again petition against Universal Music 2222 02:01:10,440 --> 02:01:16,240 and Kendrick Lamar for basically saying that the song was fraudulent. 2223 02:01:16,240 --> 02:01:17,920 He was saying lies. 2224 02:01:17,920 --> 02:01:22,520 It was so mean that now and the reason why he's putting the petition in, it's causing 2225 02:01:22,520 --> 02:01:24,520 financial fucking hardship. 2226 02:01:24,520 --> 02:01:25,520 You lost. 2227 02:01:25,520 --> 02:01:28,360 That's what happens when you lose a battle. 2228 02:01:28,360 --> 02:01:29,480 I'm looking at you both. 2229 02:01:29,480 --> 02:01:31,480 We're all the same age pretty much. 2230 02:01:31,480 --> 02:01:35,800 Tupac and Biggie were beefing when they were beefing and when Big Tupac said, I fucked 2231 02:01:35,800 --> 02:01:37,360 your bitch, you fat motherfucker. 2232 02:01:37,360 --> 02:01:43,680 If Biggie put in a lawsuit again, he ain't say a motherfucking thing. 2233 02:01:43,680 --> 02:01:46,200 No, he just put another diss track out. 2234 02:01:46,200 --> 02:01:48,480 Like, yeah, we like who? 2235 02:01:48,480 --> 02:01:49,480 Beware. 2236 02:01:49,480 --> 02:01:51,360 Biggie went back and forth with you with Tupac. 2237 02:01:51,360 --> 02:01:52,360 He did not. 2238 02:01:52,360 --> 02:01:53,360 He did not. 2239 02:01:53,360 --> 02:01:54,360 He's done shots. 2240 02:01:54,360 --> 02:01:57,360 He's done shots and where you you. 2241 02:01:57,360 --> 02:02:02,440 I fucked your bitch, you fat motherfucker, you can't come back from that. 2242 02:02:02,440 --> 02:02:03,440 Shit the pop. 2243 02:02:03,440 --> 02:02:04,440 Can't come back. 2244 02:02:04,440 --> 02:02:07,200 But that's the same shit with 50 and Ja Rule. 2245 02:02:07,200 --> 02:02:08,200 Thank you. 2246 02:02:08,200 --> 02:02:09,200 Thank you. 2247 02:02:09,200 --> 02:02:10,200 50, you know Ja Rule. 2248 02:02:10,200 --> 02:02:11,200 And you didn't see Ja Rule. 2249 02:02:11,200 --> 02:02:12,200 You fucking. 2250 02:02:12,200 --> 02:02:13,200 No, don't fuck Ja Rule. 2251 02:02:13,200 --> 02:02:14,200 Ja Rule is first. 2252 02:02:14,200 --> 02:02:15,200 Ja Rule is first. 2253 02:02:15,200 --> 02:02:16,200 Alright, let me tell you all a story. 2254 02:02:16,200 --> 02:02:17,200 Let me tell you a little story. 2255 02:02:17,200 --> 02:02:19,720 Can I tell you a story why I say that? 2256 02:02:19,720 --> 02:02:20,720 Sure. 2257 02:02:20,720 --> 02:02:22,200 It's not because of his music. 2258 02:02:22,200 --> 02:02:25,680 Listen, I don't hate anybody for what they do. 2259 02:02:25,680 --> 02:02:28,720 I hate what they do because what they do to me. 2260 02:02:28,720 --> 02:02:29,720 Okay. 2261 02:02:29,720 --> 02:02:33,280 Ja Rule tried to get me kicked out of a club because I smoked a blunt. 2262 02:02:33,280 --> 02:02:35,200 Oh, well, that's a personal thing. 2263 02:02:35,200 --> 02:02:36,200 Fuck that shit. 2264 02:02:36,200 --> 02:02:37,200 Yeah. 2265 02:02:37,200 --> 02:02:38,200 Fuck Ja Rule. 2266 02:02:38,200 --> 02:02:39,200 Okay, okay. 2267 02:02:39,200 --> 02:02:42,800 But you see what I'm saying though, like from the time that all of us are from, all four 2268 02:02:42,800 --> 02:02:47,280 of us are from, if Tupac said I fucked your bitch, you fat motherfucker, and Biggie put 2269 02:02:47,280 --> 02:02:49,680 a lawsuit against him for defamation of character. 2270 02:02:49,680 --> 02:02:50,980 Biggie's a bitch. 2271 02:02:50,980 --> 02:02:52,540 We would have crucified Biggie. 2272 02:02:52,540 --> 02:02:55,160 So the fact that Drake's doing that, why are we crucified? 2273 02:02:55,160 --> 02:02:56,160 Not even that. 2274 02:02:56,160 --> 02:02:58,640 Drake said some fuck shit about him. 2275 02:02:58,640 --> 02:03:00,000 His wife is cheating on him. 2276 02:03:00,000 --> 02:03:02,960 He's a wife- He said his wife is cheating on him, his homeboy, that's his homeboy's 2277 02:03:02,960 --> 02:03:03,960 child. 2278 02:03:03,960 --> 02:03:06,000 He beats his woman up. 2279 02:03:06,000 --> 02:03:08,200 He said some foul shit about Kidrick. 2280 02:03:08,200 --> 02:03:09,760 That could have fucked his brand up. 2281 02:03:09,760 --> 02:03:13,560 I've never bought a Drake CD in my life. 2282 02:03:13,560 --> 02:03:15,360 But you just said you're the biggest Drake fan ever. 2283 02:03:15,360 --> 02:03:18,680 No, I didn't say that. 2284 02:03:18,680 --> 02:03:21,320 You'd be lying to yourself to say that Not Like Us didn't hurt him. 2285 02:03:21,320 --> 02:03:22,320 It did. 2286 02:03:22,320 --> 02:03:23,320 It really did. 2287 02:03:23,320 --> 02:03:25,720 I did it the day it would, but it fucking did. 2288 02:03:25,720 --> 02:03:27,080 So I vented enough. 2289 02:03:27,080 --> 02:03:28,080 I did my homework. 2290 02:03:28,080 --> 02:03:29,080 I turned it in. 2291 02:03:29,080 --> 02:03:30,440 My week of stress is over. 2292 02:03:30,440 --> 02:03:33,160 But the world's going to say I'm a hater no matter what I say. 2293 02:03:33,160 --> 02:03:35,520 So enough of my issues, right? 2294 02:03:35,520 --> 02:03:40,240 For the you part of edutainment of this portion of our show, D-Rogg, I'm going to turn the 2295 02:03:40,240 --> 02:03:41,240 mic to you, right? 2296 02:03:41,240 --> 02:03:44,720 The three of us want to really get to know you better and learn your stresses. 2297 02:03:44,720 --> 02:03:49,740 You and I were talking on the phone yesterday, actually, and I think you told me one Bernie 2298 02:03:49,740 --> 02:03:53,440 music question that you had that you were dying to get answered, and you even told me 2299 02:03:53,440 --> 02:03:54,880 that you were kind of doing it wrong. 2300 02:03:54,880 --> 02:03:56,360 So can you ask that question to us? 2301 02:03:56,360 --> 02:03:57,360 And we'll talk about it. 2302 02:03:57,360 --> 02:03:58,360 Round robin. 2303 02:03:58,360 --> 02:04:03,520 I definitely want to speak to you about poor man's copywriting. 2304 02:04:03,520 --> 02:04:09,000 This is something, this is a practice that I always did starting off, you know, back 2305 02:04:09,000 --> 02:04:12,760 in the days, you know what I'm saying, because, you know, we like the knowledge. 2306 02:04:12,760 --> 02:04:18,680 But I always was told by big, big industry people, everybody, they always told us, hey, 2307 02:04:18,680 --> 02:04:20,520 send the copy to yourself and never open it. 2308 02:04:20,520 --> 02:04:21,520 You'd be all right. 2309 02:04:21,520 --> 02:04:22,520 I'm a little serious with that. 2310 02:04:22,520 --> 02:04:25,960 I'm going to look at these two gentlemen, since they've known me so long, they heard 2311 02:04:25,960 --> 02:04:29,400 my broken record of bullshit, right? 2312 02:04:29,400 --> 02:04:36,800 Is a.m. and Rob is a poor man's copyright legal in the year 2024 2025 fucking not, bro. 2313 02:04:36,800 --> 02:04:40,240 Copyright, copyright, copyright, copyright. 2314 02:04:40,240 --> 02:04:45,200 Thank you, Doc, for coming into my life to explain how important the copyright is. 2315 02:04:45,200 --> 02:04:46,200 What about you, Am? 2316 02:04:46,200 --> 02:04:47,200 Oh, you already know. 2317 02:04:47,200 --> 02:04:48,200 You already know. 2318 02:04:48,200 --> 02:04:51,400 I'm watching my music shut down already for not copyright and shit. 2319 02:04:51,400 --> 02:04:53,400 So copyright, copyright, copyright. 2320 02:04:53,400 --> 02:04:54,400 I'm in the same boat. 2321 02:04:54,400 --> 02:04:55,400 I'm in the same boat. 2322 02:04:55,400 --> 02:04:56,400 I'm here to learn, man. 2323 02:04:56,400 --> 02:04:57,400 You know what I'm saying? 2324 02:04:57,400 --> 02:04:59,060 So I'm 44, but I'm here to learn. 2325 02:04:59,060 --> 02:05:00,060 Let me school you something. 2326 02:05:00,060 --> 02:05:02,960 They've made it super easy on the Library of Congress website. 2327 02:05:02,960 --> 02:05:03,960 L.O.C. dot gov. 2328 02:05:03,960 --> 02:05:06,640 You should probably go bookmark that when you're off the show. 2329 02:05:06,640 --> 02:05:08,920 Www dot L.O.C. dot gov. 2330 02:05:08,920 --> 02:05:11,760 Library of Congress dot government. 2331 02:05:11,760 --> 02:05:14,520 When you're there in the middle bar, it's going to have all their different departments, 2332 02:05:14,520 --> 02:05:16,140 archive, library, blah, blah, blah. 2333 02:05:16,140 --> 02:05:18,100 Go to the U.S. Copyright Office. 2334 02:05:18,100 --> 02:05:25,360 They break every single copyright in their archive from 1978 to present and 1977 back 2335 02:05:25,360 --> 02:05:26,760 to the beginning of time. 2336 02:05:26,760 --> 02:05:31,240 The Library of Congress started sometime in the late 1800s, by the way. 2337 02:05:31,240 --> 02:05:34,320 So they've got all this shit up to 77 and then 78 and on. 2338 02:05:34,320 --> 02:05:38,820 The reason why that dates very, very important for poor man's copyrights, there was a section 2339 02:05:38,820 --> 02:05:42,360 called 413 that came in 1977. 2340 02:05:42,360 --> 02:05:47,360 In that section, they basically proven that let's say you and I are funk artists. 2341 02:05:47,360 --> 02:05:49,760 You know, we're Earth, Wind and Fire in the 70s. 2342 02:05:49,760 --> 02:05:55,440 We're the fucking anything, the Manhatens, anything that makes funk music, right? 2343 02:05:55,440 --> 02:05:59,400 A.M. comes through our booth section and hears our record. 2344 02:05:59,400 --> 02:06:03,640 He records that shit on a tape recorder, eight track recorder, wherever you want to do. 2345 02:06:03,640 --> 02:06:08,720 If he mails that shit to himself before we do, he owns our record and he actually sues 2346 02:06:08,720 --> 02:06:10,520 us. 2347 02:06:10,520 --> 02:06:15,280 And that shit was happening so many dozens and dozens and dozens of times, no judge can 2348 02:06:15,280 --> 02:06:17,080 uphold a poor man's copyright anymore. 2349 02:06:17,080 --> 02:06:23,360 So the last time that one in court and was allowed was up to December 1977. 2350 02:06:23,360 --> 02:06:28,440 That's why they break the U.S. Copyright Office in 78 and on, because that's all non-poor 2351 02:06:28,440 --> 02:06:29,920 man copyrights. 2352 02:06:29,920 --> 02:06:34,120 Everything older than 77 can allow poor man's copyrights. 2353 02:06:34,120 --> 02:06:38,520 So that means if you haven't filed a record or register with Library of Congress, there's 2354 02:06:38,520 --> 02:06:44,720 actually no document or government proof that says Boston, comma, Darius or D-Rug owns this 2355 02:06:44,720 --> 02:06:45,720 song. 2356 02:06:45,720 --> 02:06:50,120 So let's say me and Rob heard this record in Spotify, this beat that pussy up. 2357 02:06:50,120 --> 02:06:55,440 We could take that record, scrape it, pull it off Spotify, file that copyright, and now 2358 02:06:55,440 --> 02:06:58,960 we sue you for stealing our record. 2359 02:06:58,960 --> 02:06:59,960 So that's the easiest way. 2360 02:06:59,960 --> 02:07:00,960 It's crazy, right? 2361 02:07:00,960 --> 02:07:01,960 It's crazy. 2362 02:07:01,960 --> 02:07:04,040 It's the easiest way I can explain it. 2363 02:07:04,040 --> 02:07:06,560 The one thing that helps you a little bit is it's been out. 2364 02:07:06,560 --> 02:07:09,560 You actually have a date that you put on streaming platforms. 2365 02:07:09,560 --> 02:07:13,440 They try to prove that they put it out before you. 2366 02:07:13,440 --> 02:07:15,920 And the streaming platform's probably going to defend you a little bit. 2367 02:07:15,920 --> 02:07:19,280 Like, well, he put it up in... I mean, when did you beat that pussy up? 2368 02:07:19,280 --> 02:07:20,840 That shit old as fuck. 2369 02:07:20,840 --> 02:07:23,360 He did it, but it was like, oh, wait. 2370 02:07:23,360 --> 02:07:27,520 So they're going to try to say, oh, we got computer files that say we made it in 07 and 2371 02:07:27,520 --> 02:07:28,720 D-Rug stole it from us. 2372 02:07:28,720 --> 02:07:29,720 That's what they're going to try to do. 2373 02:07:29,720 --> 02:07:32,560 I got the Pro Tools session. 2374 02:07:32,560 --> 02:07:34,720 We copy... We pole man that bitch. 2375 02:07:34,720 --> 02:07:36,700 I pole man everything. 2376 02:07:36,700 --> 02:07:40,360 So if that person didn't get a copyright and you don't have a copyright, that's when a 2377 02:07:40,360 --> 02:07:43,560 judge will pull into your Pro Tools sessions. 2378 02:07:43,560 --> 02:07:46,160 If someone has a copyright, 100% it wins. 2379 02:07:46,160 --> 02:07:48,520 No questions asked. 2380 02:07:48,520 --> 02:07:49,920 So that's... It's crazy. 2381 02:07:49,920 --> 02:07:54,180 So copyright, there's five rights it gives you, but the fifth one's the one that matters 2382 02:07:54,180 --> 02:07:55,280 most to me. 2383 02:07:55,280 --> 02:07:56,440 It's the right to litigate. 2384 02:07:56,440 --> 02:08:02,000 So if you don't have a registered copyright, me and Rob in AM can sample your record and 2385 02:08:02,000 --> 02:08:04,400 you'll be like, well, shit, you're making money off me. 2386 02:08:04,400 --> 02:08:06,140 Without a copyright, you can't sue us either. 2387 02:08:06,140 --> 02:08:09,080 So that's the two things that really hurt you without copyright. 2388 02:08:09,080 --> 02:08:12,000 D-Rug, you fucking with the goat right here, dog. 2389 02:08:12,000 --> 02:08:13,000 I see. 2390 02:08:13,000 --> 02:08:14,000 I'm not the goat. 2391 02:08:14,000 --> 02:08:15,000 I duck, man. 2392 02:08:15,000 --> 02:08:16,000 Duck, duck, duck, duck. 2393 02:08:16,000 --> 02:08:18,040 Dropping at science right now. 2394 02:08:18,040 --> 02:08:21,080 I know in 30 minutes you trust me with your life. 2395 02:08:21,080 --> 02:08:23,640 This man is the truth. 2396 02:08:23,640 --> 02:08:28,320 Number three and last but certainly not least is the y'all part. 2397 02:08:28,320 --> 02:08:33,480 You listeners, before our show kicked off, I posted emails and randomly pulled one of 2398 02:08:33,480 --> 02:08:36,360 your lucky questions out of a hat. 2399 02:08:36,360 --> 02:08:41,360 So for today, the individual we'd all like to mutually thank and give a live shout out 2400 02:08:41,360 --> 02:08:45,240 to is Burger, AKA Mr. Quinones. 2401 02:08:45,240 --> 02:08:49,000 Quinones, Saulo, what's up? 2402 02:08:49,000 --> 02:08:50,600 Rob knows who that is. 2403 02:08:50,600 --> 02:08:51,960 What's up, Burger? 2404 02:08:51,960 --> 02:08:56,720 So what Burger asked us was, why do you think most artists don't ever copyright their music, 2405 02:08:56,720 --> 02:08:57,720 doc? 2406 02:08:57,720 --> 02:08:58,720 I'm going to ask you. 2407 02:08:58,720 --> 02:08:59,720 All right. 2408 02:08:59,720 --> 02:09:00,720 So him and I have worked very closely. 2409 02:09:00,720 --> 02:09:06,000 He actually has three copyrights for t-shirt logos now and companies he's trying to create. 2410 02:09:06,000 --> 02:09:09,320 And when he started getting them back in the mail, he realized that so many artists that 2411 02:09:09,320 --> 02:09:12,440 he looked up don't have fucking copyrights. 2412 02:09:12,440 --> 02:09:16,120 So he's like, he actually made a post on Facebook said, I got more copyrights than some of you 2413 02:09:16,120 --> 02:09:17,900 bitch ass rappers. 2414 02:09:17,900 --> 02:09:20,280 It was funny, but at the same time, it was true. 2415 02:09:20,280 --> 02:09:22,000 So I kind of was proud of him. 2416 02:09:22,000 --> 02:09:25,000 But yeah, Brooklyn, New York and you know, stand up for that. 2417 02:09:25,000 --> 02:09:26,000 And that's where I'm from. 2418 02:09:26,000 --> 02:09:28,140 But easy way to answer that. 2419 02:09:28,140 --> 02:09:31,180 Why do I think most artists don't ever copyright their music? 2420 02:09:31,180 --> 02:09:34,560 So I think it comes down and I think D Rug said it earlier too. 2421 02:09:34,560 --> 02:09:35,880 It's a lack of education thing. 2422 02:09:35,880 --> 02:09:40,400 I don't think people understand what a copyright protects you for and gives you eligibility 2423 02:09:40,400 --> 02:09:41,400 for. 2424 02:09:41,400 --> 02:09:45,960 So like me at radio, like let's say a D Rug record from the new project is sent to one 2425 02:09:45,960 --> 02:09:48,240 of the radio stations in Orlando. 2426 02:09:48,240 --> 02:09:52,380 The PD, the program director to that radio station will reach out to media base and ask 2427 02:09:52,380 --> 02:09:57,640 for an inquiry to show us for us to show them proof that D Rug not only owns this record, 2428 02:09:57,640 --> 02:10:02,900 but it's registered correctly with one of the societies, BMI, ASCAP, CSEC, SoCon. 2429 02:10:02,900 --> 02:10:08,320 I'll pull up the records and look up his copyright if there is one and a look up if your songs 2430 02:10:08,320 --> 02:10:10,640 register a BMI, ASCAP, CSEC or SoCon. 2431 02:10:10,640 --> 02:10:15,420 If it's not, I will let the PD know that it's an invalid record. 2432 02:10:15,420 --> 02:10:16,760 They can play it in a mix show. 2433 02:10:16,760 --> 02:10:22,020 They can play it on local love, but you will never get paid for that record on FM radio. 2434 02:10:22,020 --> 02:10:23,760 And that's all stemming from the copyright. 2435 02:10:23,760 --> 02:10:27,800 Like that's one of the biggest proofs that show that D Rug owns that record. 2436 02:10:27,800 --> 02:10:33,840 So to answer Berger's question, I think it's a lack of education and also maybe it's a 2437 02:10:33,840 --> 02:10:34,840 lack of money. 2438 02:10:34,840 --> 02:10:37,640 I mean, every copyright cost $65. 2439 02:10:37,640 --> 02:10:41,360 You do a 10 song album that's $650 just on copyrights. 2440 02:10:41,360 --> 02:10:42,840 I get it. 2441 02:10:42,840 --> 02:10:48,200 But if you can sue someone for a million dollars later, $65 is well worth that little band-aid 2442 02:10:48,200 --> 02:10:49,200 to rip off. 2443 02:10:49,200 --> 02:10:51,400 So I just think it's a lack of education. 2444 02:10:51,400 --> 02:10:52,680 They just don't really know. 2445 02:10:52,680 --> 02:10:55,380 And I know his brother is a mixtape rapper in New York too. 2446 02:10:55,380 --> 02:10:57,680 And I know where he's coming from with this question. 2447 02:10:57,680 --> 02:10:59,140 I just think it's a lack of education. 2448 02:10:59,140 --> 02:11:01,900 They just don't realize what a copyright does. 2449 02:11:01,900 --> 02:11:05,520 And D Rug, the one thing cool with us, like me and AM and the deal we have with everyone 2450 02:11:05,520 --> 02:11:11,100 to hear my voice, legally by the government, whoever's a writer or producer on that record 2451 02:11:11,100 --> 02:11:12,640 is supposed to split that copyright fee. 2452 02:11:12,640 --> 02:11:17,800 So like take a group like Wu Tang, when you have nine writers, you break a $65 copyright 2453 02:11:17,800 --> 02:11:19,020 fee by nine times. 2454 02:11:19,020 --> 02:11:21,200 It's fucking $7 each. 2455 02:11:21,200 --> 02:11:25,460 So like let's say you, AM and me and Rob did a record, right? 2456 02:11:25,460 --> 02:11:30,200 And it's got the whole, it's got the New York sound from the Nas type of style for me. 2457 02:11:30,200 --> 02:11:34,520 This man ate rabbit AM is fucking Busta Rhymes meets Black Thought. 2458 02:11:34,520 --> 02:11:37,440 Like that's what he's going to come with it. 2459 02:11:37,440 --> 02:11:42,980 Rob is going to sound like a miming version of Bun B. And your motherfucking like pimp 2460 02:11:42,980 --> 02:11:48,160 C like over here, we would split that copyright four ways just to save everyone money. 2461 02:11:48,160 --> 02:11:51,940 And it's so cost effective that people don't understand that you can do that. 2462 02:11:51,940 --> 02:11:57,140 So that's one thing I've been teaching these guys to make things more budget friendly. 2463 02:11:57,140 --> 02:11:59,960 Make that part of your split sheet before you even record with a motherfucker. 2464 02:11:59,960 --> 02:12:04,200 Like give it to them like, hey, we feel that this record could be pushed to radio. 2465 02:12:04,200 --> 02:12:06,120 I'd like to make sure we can copyright it. 2466 02:12:06,120 --> 02:12:10,220 I'd like to make sure that you sign the split sheet that we're going to split that money. 2467 02:12:10,220 --> 02:12:12,780 But we had our education stance right now. 2468 02:12:12,780 --> 02:12:14,660 We had our little education moment. 2469 02:12:14,660 --> 02:12:17,000 I want to drink again with y'all brothers. 2470 02:12:17,000 --> 02:12:20,460 So we're on segment seven, seven degrees of separation. 2471 02:12:20,460 --> 02:12:22,680 It's almost over, boys. 2472 02:12:22,680 --> 02:12:24,120 Just in case we haven't drank enough. 2473 02:12:24,120 --> 02:12:27,420 I got a little bit more left. 2474 02:12:27,420 --> 02:12:29,800 Here's the spot where we change that and fuck shit up. 2475 02:12:29,800 --> 02:12:33,960 We use this little game to test our musical knowledge and history and memory. 2476 02:12:33,960 --> 02:12:36,460 And I want you guys to understand why we call it this. 2477 02:12:36,460 --> 02:12:37,460 All right. 2478 02:12:37,460 --> 02:12:44,420 A theory from 1929 from 1929 and resurrected by the movie industry in the early nineties, 2479 02:12:44,420 --> 02:12:48,820 there was a joke concept or a joking concept that every actor actress was somehow related 2480 02:12:48,820 --> 02:12:54,380 to or related to or linked through movie roles to Kevin Bacon by six degrees and or connections. 2481 02:12:54,380 --> 02:12:58,460 We're crazy enough to test that same theory with urban music and curate our own seven 2482 02:12:58,460 --> 02:13:00,020 degrees Spotify playlist. 2483 02:13:00,020 --> 02:13:02,100 It's a rapid fire game. 2484 02:13:02,100 --> 02:13:04,580 Seven connections by collaborators only. 2485 02:13:04,580 --> 02:13:05,580 Ten second guesses. 2486 02:13:05,580 --> 02:13:07,780 And obviously you can't use Google. 2487 02:13:07,780 --> 02:13:08,780 That's cheating. 2488 02:13:08,780 --> 02:13:09,780 All right. 2489 02:13:09,780 --> 02:13:13,020 Hold on, Rob, before you take over here, I kind of want to do something off script that 2490 02:13:13,020 --> 02:13:16,980 we haven't done previous episodes, but I want to do every episode from now on. 2491 02:13:16,980 --> 02:13:17,980 I love this. 2492 02:13:17,980 --> 02:13:21,700 OK, so so D-Rug, you got your phone next to you, right? 2493 02:13:21,700 --> 02:13:22,700 Yeah. 2494 02:13:22,700 --> 02:13:25,540 I'm going to make you put it away in a second, but are you using it to film you? 2495 02:13:25,540 --> 02:13:26,540 So that's OK. 2496 02:13:26,540 --> 02:13:34,500 OK, so I want you to go to Spotify and find the Twisted Critics podcast and follow it. 2497 02:13:34,500 --> 02:13:38,340 Me, A.M. and Rob, I think Rob already follows your motherfucking ass. 2498 02:13:38,340 --> 02:13:39,580 We're going to follow your Darius. 2499 02:13:39,580 --> 02:13:40,580 You know, D-Rug. 2500 02:13:40,580 --> 02:13:41,580 Yeah, I follow him, bro. 2501 02:13:41,580 --> 02:13:46,300 You all haven't listened to Magnificent Asshole one and two. 2502 02:13:46,300 --> 02:13:47,300 I have. 2503 02:13:47,300 --> 02:13:48,300 I have. 2504 02:13:48,300 --> 02:13:51,460 Hey, I've been listening to that shit all week, bro. 2505 02:13:51,460 --> 02:13:54,180 But I think it's only right that we get him more viewers and more spins. 2506 02:13:54,180 --> 02:13:59,660 And that's and that's the whole idea with one right here. 2507 02:13:59,660 --> 02:14:00,900 Rob's gonna be your A&R in a second. 2508 02:14:00,900 --> 02:14:02,460 I don't know what I'm doing with that. 2509 02:14:02,460 --> 02:14:03,460 All right. 2510 02:14:03,460 --> 02:14:05,020 So you're followed by me, by the way, now. 2511 02:14:05,020 --> 02:14:06,020 So Rob follows you. 2512 02:14:06,020 --> 02:14:07,020 I follow you. 2513 02:14:07,020 --> 02:14:08,100 I'm about to follow you now, too. 2514 02:14:08,100 --> 02:14:10,820 So I'm the hardest 44 year old rapper. 2515 02:14:10,820 --> 02:14:11,820 I am 42. 2516 02:14:11,820 --> 02:14:13,820 So I don't have to compete with you yet. 2517 02:14:13,820 --> 02:14:15,220 All right. 2518 02:14:15,220 --> 02:14:18,660 So now, Rob, tell him the rules now that we're following each other and getting each other 2519 02:14:18,660 --> 02:14:21,900 some more spin in this game. 2520 02:14:21,900 --> 02:14:25,980 Each mistake of us, any of us make, we all take a shot. 2521 02:14:25,980 --> 02:14:26,980 No questions asked. 2522 02:14:26,980 --> 02:14:32,700 And the worst part is y'all three are playing, but I still have to take shots. 2523 02:14:32,700 --> 02:14:35,380 So my life is in your hands. 2524 02:14:35,380 --> 02:14:37,380 He didn't know. 2525 02:14:37,380 --> 02:14:38,380 D-Rug, D-Rug. 2526 02:14:38,380 --> 02:14:40,380 He didn't know about that part, by the way. 2527 02:14:40,380 --> 02:14:41,380 Yeah, I didn't. 2528 02:14:41,380 --> 02:14:42,380 I didn't. 2529 02:14:42,380 --> 02:14:44,260 Last episode, it was me. 2530 02:14:44,260 --> 02:14:51,060 I went last and I left off on the song Money Trees by Kendrick Lamar and J-Rock. 2531 02:14:51,060 --> 02:14:52,060 J-Rock. 2532 02:14:52,060 --> 02:14:53,060 Yeah. 2533 02:14:53,060 --> 02:14:54,060 My shit. 2534 02:14:54,060 --> 02:14:55,060 Mine too. 2535 02:14:55,060 --> 02:14:56,060 NAMs too. 2536 02:14:56,060 --> 02:14:57,060 Darius, you're the first. 2537 02:14:57,060 --> 02:14:59,100 You're the first on the clock. 2538 02:14:59,100 --> 02:15:00,100 All right. 2539 02:15:00,100 --> 02:15:02,500 So D-Rug, you're on the clock, like Rob said. 2540 02:15:02,500 --> 02:15:08,340 What are you connecting to Money Trees, Kendrick Lamar featuring J-Rock? 2541 02:15:08,340 --> 02:15:10,020 Future Kendrick Lamar, like that. 2542 02:15:10,020 --> 02:15:12,060 Oh, that was an easy one. 2543 02:15:12,060 --> 02:15:16,100 All right, I'm volleying it back to you. 2544 02:15:16,100 --> 02:15:19,820 Gloria off the GNX album, Kendrick Lamar and SZA. 2545 02:15:19,820 --> 02:15:20,820 Oh, no. 2546 02:15:20,820 --> 02:15:21,820 SZA. 2547 02:15:21,820 --> 02:15:24,820 All right, let me write that shit down. 2548 02:15:24,820 --> 02:15:25,820 All right. 2549 02:15:25,820 --> 02:15:26,820 Sorry, by the way. 2550 02:15:26,820 --> 02:15:33,340 So Doc J has Gloria or I'm sorry, has SZA or Kendrick Lamar. 2551 02:15:33,340 --> 02:15:34,820 I'm going to go an AM route. 2552 02:15:34,820 --> 02:15:38,500 I'm going to go SZA featuring Don Toliver used. 2553 02:15:38,500 --> 02:15:39,500 Hey, SZA. 2554 02:15:39,500 --> 02:15:40,500 I love it. 2555 02:15:40,500 --> 02:15:41,500 I knew you were going to hit the SZA. 2556 02:15:41,500 --> 02:15:42,500 Go ahead. 2557 02:15:42,500 --> 02:15:43,500 I knew it. 2558 02:15:43,500 --> 02:15:44,500 Big Don. 2559 02:15:44,500 --> 02:15:45,500 And now it's on D-Rug's turn now. 2560 02:15:45,500 --> 02:15:48,700 So I'm doing SZA featuring Don Toliver. 2561 02:15:48,700 --> 02:15:50,700 Don Toliver and Kodak Black. 2562 02:15:50,700 --> 02:15:53,700 Damn, what's the name of that motherfucker? 2563 02:15:53,700 --> 02:15:56,700 I love that song too. 2564 02:15:56,700 --> 02:15:59,700 Oh shit, hey look, if you don't get it, I got you. 2565 02:15:59,700 --> 02:16:00,700 Help him, help him, help him. 2566 02:16:00,700 --> 02:16:01,700 Stone Brothers, Stone Brothers. 2567 02:16:01,700 --> 02:16:02,700 Don Toliver and Kodak Black song. 2568 02:16:02,700 --> 02:16:03,700 Yeah, there you go. 2569 02:16:03,700 --> 02:16:04,700 Brother Stone with Kodak Black. 2570 02:16:04,700 --> 02:16:05,700 Oh, damn. 2571 02:16:05,700 --> 02:16:06,700 I said it. 2572 02:16:06,700 --> 02:16:07,700 Yeah, you said it. 2573 02:16:07,700 --> 02:16:08,700 You said it. 2574 02:16:08,700 --> 02:16:09,700 I call it Stone Brothers. 2575 02:16:09,700 --> 02:16:10,700 Hey, I'm counting on you. 2576 02:16:10,700 --> 02:16:11,700 But he said it though, yeah. 2577 02:16:11,700 --> 02:16:14,700 But that's not hard in the motherfucker though. 2578 02:16:14,700 --> 02:16:17,420 AM, Don Toliver and Kodak Black, it's on you. 2579 02:16:17,420 --> 02:16:18,420 What are you connecting to them? 2580 02:16:18,420 --> 02:16:22,900 I'm going to connect, shit, I'm going to connect Kodak Black, right? 2581 02:16:22,900 --> 02:16:25,700 And then I'm going to fuck the fucking song title up because this is how y'all going to 2582 02:16:25,700 --> 02:16:27,700 wind up drinking, but y'all go ahead and artist. 2583 02:16:27,700 --> 02:16:28,700 It's Kendrick Lamar. 2584 02:16:28,700 --> 02:16:29,700 I got you, I got you, I got you. 2585 02:16:29,700 --> 02:16:33,500 It's Kendrick Lamar on two albums ago. 2586 02:16:33,500 --> 02:16:34,500 Oh fuck. 2587 02:16:34,500 --> 02:16:35,500 Dude. 2588 02:16:35,500 --> 02:16:36,500 What? 2589 02:16:36,500 --> 02:16:39,500 I mean, it was dope. 2590 02:16:39,500 --> 02:16:40,500 What was it? 2591 02:16:40,500 --> 02:16:41,500 Kodak Black's verse was dope. 2592 02:16:41,500 --> 02:16:42,500 Push these niggas like, mmm. 2593 02:16:42,500 --> 02:16:43,500 Push these niggas like, mmm. 2594 02:16:43,500 --> 02:16:44,500 I know that song. 2595 02:16:44,500 --> 02:16:45,500 Damn, you right. 2596 02:16:45,500 --> 02:16:46,500 I don't know the name of that motherfucker, but I know the song. 2597 02:16:46,500 --> 02:16:47,500 I don't know the name of the song though. 2598 02:16:47,500 --> 02:16:48,500 I don't know the name of the song either. 2599 02:16:48,500 --> 02:16:53,500 And I know it was such a obscure fucking song in terms of the album. 2600 02:16:53,500 --> 02:16:54,500 Push these niggas like, mmm. 2601 02:16:54,500 --> 02:16:55,500 Push these niggas off like, mmm. 2602 02:16:55,500 --> 02:16:56,500 I don't know what the name of that song. 2603 02:16:56,500 --> 02:16:57,500 All right. 2604 02:16:57,500 --> 02:16:58,500 Push these niggas off. 2605 02:16:58,500 --> 02:17:01,500 All right, we taking a shot, but what is it? 2606 02:17:01,500 --> 02:17:03,500 Kodak Black featuring Kendrick. 2607 02:17:03,500 --> 02:17:05,500 We're drinking for this one, by the way. 2608 02:17:05,500 --> 02:17:07,500 I'm calling it Push Them Off, but I know that's not. 2609 02:17:07,500 --> 02:17:09,500 I know what they call Push Them Off either. 2610 02:17:09,500 --> 02:17:11,500 I just know that's what Kodak be saying on that, man. 2611 02:17:11,500 --> 02:17:13,500 Are you talking about Silent Hill? 2612 02:17:13,500 --> 02:17:14,500 That's Silent Hill. 2613 02:17:14,500 --> 02:17:17,500 D, I would never knew that shit was called Silent Hill. 2614 02:17:17,500 --> 02:17:19,500 And that's a Kendrick song actually, by the way. 2615 02:17:19,500 --> 02:17:22,500 So Kendrick Lashley's on that step album. 2616 02:17:22,500 --> 02:17:23,500 Yeah, I did not. 2617 02:17:23,500 --> 02:17:25,500 Damn, we're taking a shot for that one. 2618 02:17:25,500 --> 02:17:29,500 That's like the hardest song on that album too. 2619 02:17:29,500 --> 02:17:31,500 I'm stressed out, stressed out, stressed out. 2620 02:17:31,500 --> 02:17:33,500 I need a heart and a heart. 2621 02:17:33,500 --> 02:17:35,500 Salud to y'all boys. 2622 02:17:35,500 --> 02:17:37,500 Salud. 2623 02:17:37,500 --> 02:17:41,500 All right, Silent Hill, Kendrick Lamar featuring Kodak Black. 2624 02:17:41,500 --> 02:17:42,500 All right, so I got to pick up from that. 2625 02:17:42,500 --> 02:17:43,500 I'm going to take Kodak Black. 2626 02:17:43,500 --> 02:17:48,500 I hate fucking Kodak Black, but I'm going to do Kodak Black and Dochi. 2627 02:17:48,500 --> 02:17:50,500 Wasn't that called What It Is? 2628 02:17:50,500 --> 02:17:51,500 I think it is What It Is. 2629 02:17:51,500 --> 02:17:53,500 Let me see, What It Is. 2630 02:17:53,500 --> 02:17:55,500 Dochi. 2631 02:17:55,500 --> 02:17:56,500 Interview. 2632 02:17:56,500 --> 02:17:58,500 Oopsie, oopsie, oopsie. 2633 02:17:58,500 --> 02:17:59,500 Oh, fuck. 2634 02:17:59,500 --> 02:18:00,500 Yeah, What It Is, Black Boy. 2635 02:18:00,500 --> 02:18:02,500 Oh, dude, what are you doing? 2636 02:18:02,500 --> 02:18:04,500 Did he take one? 2637 02:18:04,500 --> 02:18:05,500 Oh, shit, hold on. 2638 02:18:05,500 --> 02:18:07,500 We got a special guest in here. 2639 02:18:07,500 --> 02:18:08,500 Hold on, hold on, hold on. 2640 02:18:08,500 --> 02:18:11,500 We got a special guest in here. 2641 02:18:11,500 --> 02:18:14,500 Was it Dochi featuring Kodak Black? 2642 02:18:14,500 --> 02:18:15,500 Yeah, I think it is. 2643 02:18:15,500 --> 02:18:17,500 Dochi featuring Kodak Black. 2644 02:18:17,500 --> 02:18:26,500 All right, so D-Rug, this is our third host, Candelario Villareal. 2645 02:18:26,500 --> 02:18:30,500 He's from South Texas, but right now with season two in his work schedule. 2646 02:18:30,500 --> 02:18:31,500 He's here, Kandi. 2647 02:18:31,500 --> 02:18:32,500 What's up? 2648 02:18:32,500 --> 02:18:34,500 What's up, brother? 2649 02:18:34,500 --> 02:18:35,500 Kandi. 2650 02:18:35,500 --> 02:18:39,500 Kandi, we are in seven degrees of separation. 2651 02:18:39,500 --> 02:18:43,500 We were on six songs into it, and we've only taken one shot. 2652 02:18:43,500 --> 02:18:44,500 That's impressive. 2653 02:18:44,500 --> 02:18:45,500 That's impressive, right? 2654 02:18:45,500 --> 02:18:46,500 Very impressive. 2655 02:18:46,500 --> 02:18:51,500 Because D-Rug knows his fucking music, and A.M. knows his fucking music, and I know my fucking music. 2656 02:18:51,500 --> 02:18:54,500 It just, the names fuck all of us. 2657 02:18:54,500 --> 02:18:55,500 Names of hearts. 2658 02:18:55,500 --> 02:18:57,500 Give me a look, Kandi. 2659 02:18:57,500 --> 02:18:58,500 All right. 2660 02:18:58,500 --> 02:18:59,500 What's up, brother? 2661 02:18:59,500 --> 02:19:02,500 Kandi, the next segment will kind of slide you in. 2662 02:19:02,500 --> 02:19:05,500 We're just going to outro it out of it, but I definitely want to finish off the segment with D-Rug. 2663 02:19:05,500 --> 02:19:08,500 So D-Rug, you're taking us home, the last connection. 2664 02:19:08,500 --> 02:19:10,500 What it is Dochi featuring Kodak Black? 2665 02:19:10,500 --> 02:19:12,500 What you connecting that to? 2666 02:19:12,500 --> 02:19:14,500 I'm going to hit you with a good ass one. 2667 02:19:14,500 --> 02:19:18,500 Gucci Mane, Kodak Black, and Bruno Mars. 2668 02:19:18,500 --> 02:19:20,500 In the sky. 2669 02:19:20,500 --> 02:19:21,500 In the sky. 2670 02:19:21,500 --> 02:19:24,500 And that, dude, that went like six times platinum. 2671 02:19:24,500 --> 02:19:25,500 It was fucking crazy. 2672 02:19:25,500 --> 02:19:26,500 I know. 2673 02:19:26,500 --> 02:19:28,500 That's why I said I was going to hit you with a good one. 2674 02:19:28,500 --> 02:19:30,500 That's why I said I was going to hit you with a good one. 2675 02:19:30,500 --> 02:19:33,500 Dochi Mane featuring Kodak Black and Bruno Mars. 2676 02:19:33,500 --> 02:19:35,500 Kodak Black. 2677 02:19:35,500 --> 02:19:36,500 All right. 2678 02:19:36,500 --> 02:19:37,500 We survived. 2679 02:19:37,500 --> 02:19:39,500 We only took one shot out of that shit. 2680 02:19:39,500 --> 02:19:42,500 I can't even see your faces. 2681 02:19:42,500 --> 02:19:44,500 Y'all like I'm. 2682 02:19:44,500 --> 02:19:46,500 How are you going to work today, man? 2683 02:19:46,500 --> 02:19:48,500 He got to go to work today. 2684 02:19:48,500 --> 02:19:50,500 I'm going to make it happen. 2685 02:19:50,500 --> 02:19:52,500 I'm going to make it happen. 2686 02:19:52,500 --> 02:19:53,500 I'm going to work today. 2687 02:19:53,500 --> 02:19:54,500 I'm going to make it happen. 2688 02:19:54,500 --> 02:19:55,500 I'm going to work today. 2689 02:19:55,500 --> 02:19:57,500 You're going to work today? 2690 02:19:57,500 --> 02:19:58,500 I'm going to work today. 2691 02:19:58,500 --> 02:20:00,500 Man, don't go to work today. 2692 02:20:00,500 --> 02:20:01,500 No sir. 2693 02:20:01,500 --> 02:20:02,500 I'm going to get fired today. 2694 02:20:02,500 --> 02:20:03,500 Yo, Mrs. Jenner. 2695 02:20:03,500 --> 02:20:05,500 If you do go to work, you're going to fall out. 2696 02:20:05,500 --> 02:20:06,500 Go to cover Amalands on you. 2697 02:20:06,500 --> 02:20:11,500 By the way, Ms. Jenner, because of Rob Lawrence, we'd like to get a sponsorship or something 2698 02:20:11,500 --> 02:20:12,500 with your liquor. 2699 02:20:12,500 --> 02:20:13,500 That'd be great. 2700 02:20:13,500 --> 02:20:15,500 So with that done, man, AM, take us home, bro. 2701 02:20:15,500 --> 02:20:18,500 Every single time that game. 2702 02:20:18,500 --> 02:20:20,500 It didn't get us this time. 2703 02:20:20,500 --> 02:20:26,500 So, D-Rug, I truly hope you enjoyed your time as much as we had. 2704 02:20:26,500 --> 02:20:27,500 Doc was not lying. 2705 02:20:27,500 --> 02:20:28,500 You were funny, motherfucker. 2706 02:20:28,500 --> 02:20:29,500 We laughed the entire time. 2707 02:20:29,500 --> 02:20:30,500 This is one of my favorite shows we had. 2708 02:20:30,500 --> 02:20:33,500 I'm glad we got to peel back the onion layers and get to know you a lot more. 2709 02:20:33,500 --> 02:20:34,500 We related to you. 2710 02:20:34,500 --> 02:20:35,500 You could hear me and Rob the entire time. 2711 02:20:35,500 --> 02:20:36,500 That's me, Spider-Man. 2712 02:20:36,500 --> 02:20:37,500 I can't wait to hear your new music. 2713 02:20:37,500 --> 02:20:38,500 You already heard. 2714 02:20:38,500 --> 02:20:39,500 We've been listening. 2715 02:20:39,500 --> 02:20:44,500 I can't wait to see you in your future role, in your movie role that you got bubbling coming 2716 02:20:44,500 --> 02:20:45,500 up right now. 2717 02:20:45,500 --> 02:20:46,500 You officially have survived. 2718 02:20:46,500 --> 02:20:47,500 You have graduated. 2719 02:20:47,500 --> 02:20:50,500 And now you are a real twisted critic. 2720 02:20:50,500 --> 02:20:51,500 Seriously, D-Rug, you handy. 2721 02:20:51,500 --> 02:20:52,500 That ain't got a gang, son. 2722 02:20:52,500 --> 02:20:57,500 You ain't got a gang sign yet. 2723 02:20:57,500 --> 02:20:58,500 No, no gang sign yet. 2724 02:20:58,500 --> 02:20:59,500 Not yet. 2725 02:20:59,500 --> 02:21:02,500 I mean, our gang sign is a shot glass. 2726 02:21:02,500 --> 02:21:03,500 I got a shot glass. 2727 02:21:03,500 --> 02:21:04,500 That's what you got to do. 2728 02:21:04,500 --> 02:21:05,500 That's a gang sign. 2729 02:21:05,500 --> 02:21:06,500 Everybody got to throw up that shot glass. 2730 02:21:06,500 --> 02:21:07,500 Throw up the shot glass. 2731 02:21:07,500 --> 02:21:08,500 This is my gang sign. 2732 02:21:08,500 --> 02:21:09,500 I'm a gang member. 2733 02:21:09,500 --> 02:21:12,500 I'm going to be mean for a second, right? 2734 02:21:12,500 --> 02:21:13,500 So we appreciate your stories. 2735 02:21:13,500 --> 02:21:18,500 You handed yourself well, your personality, your knowledge, your point of view. 2736 02:21:18,500 --> 02:21:20,500 I hope my brothers here saw that. 2737 02:21:20,500 --> 02:21:25,500 I got so much love for you. 2738 02:21:25,500 --> 02:21:27,500 And we're really thankful for your time. 2739 02:21:27,500 --> 02:21:33,500 Collectively speaking for A.M., Rob, myself, Candy down there who's actually in with us. 2740 02:21:33,500 --> 02:21:35,500 We thank you from the bottom of our hearts. 2741 02:21:35,500 --> 02:21:38,500 We definitely thank you from the bottom of our hearts for sticking with us, thinking 2742 02:21:38,500 --> 02:21:40,500 with us, and drinking with us. 2743 02:21:40,500 --> 02:21:43,500 And because you are on all these different platforms where you interview motherfuckers, 2744 02:21:43,500 --> 02:21:46,500 we should probably take a shot just once more. 2745 02:21:46,500 --> 02:21:48,500 Oopsie, oopsie, oopsie. 2746 02:21:48,500 --> 02:21:49,500 Oh, fuck. 2747 02:21:49,500 --> 02:21:50,500 That's my last little bit. 2748 02:21:50,500 --> 02:21:52,500 It's my last little. 2749 02:21:52,500 --> 02:21:54,500 Chug it, baby. 2750 02:21:54,500 --> 02:21:58,500 You've been chugging that beer for a minute, D-Rub. 2751 02:21:58,500 --> 02:22:00,500 Salud, salud. 2752 02:22:00,500 --> 02:22:01,500 That was the last drop there. 2753 02:22:01,500 --> 02:22:02,500 Salud. 2754 02:22:02,500 --> 02:22:03,500 I was able to twist this off. 2755 02:22:03,500 --> 02:22:08,500 This is how y'all know I messed up. 2756 02:22:08,500 --> 02:22:12,500 No, on the real, though, the beauty with Twisted Critics is now you have an open door invite. 2757 02:22:12,500 --> 02:22:19,500 Anytime you have a new project, new event, new single, new news, new role, new life, win. 2758 02:22:19,500 --> 02:22:21,500 I don't care if you have a new baby coming. 2759 02:22:21,500 --> 02:22:25,500 Give us a call and consider us your second home to come back and talk about your victories 2760 02:22:25,500 --> 02:22:29,500 because we got lots of love for you, and I think it's just a natural place where we can 2761 02:22:29,500 --> 02:22:31,500 have fun and talk about all your wins. 2762 02:22:31,500 --> 02:22:36,500 Yes, I definitely will be doing that because shit finna get crazy. 2763 02:22:36,500 --> 02:22:38,500 Got a new movie coming out called Levels. 2764 02:22:38,500 --> 02:22:44,500 I'll be in Levels, and then I'm about to start filming this Christmas hood movie. 2765 02:22:44,500 --> 02:22:51,500 That'll be out next Christmas, and I'm definitely dropping probably at least two EPs next year, 2766 02:22:51,500 --> 02:22:52,500 guaranteed. 2767 02:22:52,500 --> 02:22:54,500 You're gonna get some EPs from me. 2768 02:22:54,500 --> 02:22:59,500 Before Rob goes to the final conclusion, I am starting on a brand new EP right now. 2769 02:22:59,500 --> 02:23:01,500 I just had producers sending me beats. 2770 02:23:01,500 --> 02:23:03,500 I know AM's gonna be on a couple records. 2771 02:23:03,500 --> 02:23:05,500 I know Rob's gonna be in a couple records. 2772 02:23:05,500 --> 02:23:07,500 I need the pimp player in the place. 2773 02:23:07,500 --> 02:23:11,500 I need Willie Simpson on that type of record right now. 2774 02:23:11,500 --> 02:23:13,500 That is, man, send me some. 2775 02:23:13,500 --> 02:23:14,500 Let's do something. 2776 02:23:14,500 --> 02:23:19,500 We definitely, we're gonna come, what I'm thinking of with you particularly, I'm thinking 2777 02:23:19,500 --> 02:23:22,500 Nas and Scarface, Favour for a Favour type of record. 2778 02:23:22,500 --> 02:23:23,500 Give me something, bro. 2779 02:23:23,500 --> 02:23:25,500 Trust me, I'm a rapper, rapper, dog. 2780 02:23:25,500 --> 02:23:30,500 I ain't into all them bars and shit, but you know I know how to make a song that I can 2781 02:23:30,500 --> 02:23:31,500 flow. 2782 02:23:31,500 --> 02:23:32,500 My shit gonna make sense. 2783 02:23:32,500 --> 02:23:34,500 We gonna do this shit, bro. 2784 02:23:34,500 --> 02:23:38,500 Like look, we all, what Doc just said, we all mean that. 2785 02:23:38,500 --> 02:23:42,500 We appreciate you being here, seeing your hard work. 2786 02:23:42,500 --> 02:23:47,500 We love talking to you through the charts, sharing drinks. 2787 02:23:47,500 --> 02:23:49,500 We hope you learned something too. 2788 02:23:49,500 --> 02:23:50,500 Like, I definitely did. 2789 02:23:50,500 --> 02:23:52,500 This is amazing, bro. 2790 02:23:52,500 --> 02:23:57,500 So before we bounce, we're gonna use this spot now to big up yourself, your socials, 2791 02:23:57,500 --> 02:24:02,500 your contacts, and plug everything, anything you got coming up. 2792 02:24:02,500 --> 02:24:05,500 All right, let me get you out of the loose spiel I do every night on the podcast. 2793 02:24:05,500 --> 02:24:07,500 You already know what it is, man. 2794 02:24:07,500 --> 02:24:12,500 It's your boy D-Rug, aka the bald head Don, aka Mr. Thorpe and your bitch, aka Mr. Paint 2795 02:24:12,500 --> 02:24:16,500 My Eyes Red, aka I don't wear no rubbers because it's too hot out here. 2796 02:24:16,500 --> 02:24:19,500 Y'all gotta fuck with me, man. 2797 02:24:19,500 --> 02:24:23,500 Y'all make sure the new album, feel like it's the new EP gonna be called Holdin' Monkey 2798 02:24:23,500 --> 02:24:24,500 Ski. 2799 02:24:24,500 --> 02:24:25,500 You know what I'm saying? 2800 02:24:25,500 --> 02:24:26,500 So Holdin' Monkey Ski coming. 2801 02:24:26,500 --> 02:24:33,500 Then, you know, we're gonna do the Darius album after that, but y'all be on the lookout, 2802 02:24:33,500 --> 02:24:34,500 man. 2803 02:24:34,500 --> 02:24:38,500 Orange County Urban Media podcast every Monday night. 2804 02:24:38,500 --> 02:24:42,500 Matter of fact, tomorrow night, man, I got a motherfucking legend on the show tomorrow 2805 02:24:42,500 --> 02:24:43,500 night. 2806 02:24:43,500 --> 02:24:44,500 Y'all used to watch BET back in the days. 2807 02:24:44,500 --> 02:24:45,500 Of course. 2808 02:24:45,500 --> 02:24:48,500 What's the name coming on there? 2809 02:24:48,500 --> 02:24:51,500 One of these bars? 2810 02:24:51,500 --> 02:24:52,500 Like Joe Thorpe? 2811 02:24:52,500 --> 02:24:53,500 Madden-Lewoods. 2812 02:24:53,500 --> 02:24:54,500 We got Madden-Lewoods on the show tomorrow. 2813 02:24:54,500 --> 02:24:55,500 Oh, Madden-Lewoods. 2814 02:24:55,500 --> 02:24:56,500 Remember Madden-Lewoods? 2815 02:24:56,500 --> 02:24:59,500 You know, Tribeca Quest talking about her in the song. 2816 02:24:59,500 --> 02:25:02,140 But we got her coming on the show tomorrow night, man. 2817 02:25:02,140 --> 02:25:03,140 So make sure y'all tune in. 2818 02:25:03,140 --> 02:25:05,060 Orange County Urban Media. 2819 02:25:05,060 --> 02:25:06,900 That's the new podcast I'm doing now, man. 2820 02:25:06,900 --> 02:25:09,500 Shout out to my team. 2821 02:25:09,500 --> 02:25:14,380 Ashley, Renee, Amber Lowsky, and we got a new come, Chase Banks, you know what I'm saying? 2822 02:25:14,380 --> 02:25:18,620 But it's definitely something like this, but we on the stage with it, you know what I'm 2823 02:25:18,620 --> 02:25:19,620 saying? 2824 02:25:19,620 --> 02:25:21,820 And we just talk about shit like how y'all do. 2825 02:25:21,820 --> 02:25:22,820 You know what I'm saying? 2826 02:25:22,820 --> 02:25:27,180 If y'all want to check out my old podcasts, make sure y'all go tune in to Magnificent 2827 02:25:27,180 --> 02:25:32,220 Asshole Podcast and Arrogant Asshole Podcast with my partner Just Black, you know what I'm 2828 02:25:32,220 --> 02:25:33,220 saying? 2829 02:25:33,220 --> 02:25:35,940 And go and download all my motherfucking albums, man. 2830 02:25:35,940 --> 02:25:37,940 Them shit's on all streaming sites, man. 2831 02:25:37,940 --> 02:25:38,940 We in it all five. 2832 02:25:38,940 --> 02:25:39,940 We in it all five. 2833 02:25:39,940 --> 02:25:40,940 We in it all done too. 2834 02:25:40,940 --> 02:25:41,940 Magnificent Asshole one every. 2835 02:25:41,940 --> 02:25:44,620 So man, thank y'all for having me though, man. 2836 02:25:44,620 --> 02:25:48,100 This is probably, hey, don't nobody interview me. 2837 02:25:48,100 --> 02:25:49,100 Oopsie, oopsie, oopsie. 2838 02:25:49,100 --> 02:25:50,100 Oh, fuck. 2839 02:25:50,100 --> 02:25:51,100 So y'all gotta be interviewed. 2840 02:25:51,100 --> 02:25:55,740 We the realest, cuz we came with you with the realest, baby. 2841 02:25:55,740 --> 02:25:58,140 I think D-Rug is just trying to make me drink more. 2842 02:25:58,140 --> 02:26:02,780 This is the best show in my voice entertainment history. 2843 02:26:02,780 --> 02:26:06,460 D-Rug, I'm so happy to be a part of this. 2844 02:26:06,460 --> 02:26:10,580 AM, before we get out of here, why don't you plug what you got coming up and next week 2845 02:26:10,580 --> 02:26:12,740 in your contacts too. 2846 02:26:12,740 --> 02:26:16,980 Rapper AM, rapper AM.com, Angry Man 410 everywhere else. 2847 02:26:16,980 --> 02:26:18,580 For real, rapper AM, rapper AM.com. 2848 02:26:18,580 --> 02:26:20,060 Go there, go there, go there. 2849 02:26:20,060 --> 02:26:23,300 My next week until Christmas, I'm working. 2850 02:26:23,300 --> 02:26:26,500 I got five days, 11 hours a week right now. 2851 02:26:26,500 --> 02:26:27,500 Working on stuff always. 2852 02:26:27,500 --> 02:26:29,020 Doc already know we got stuff coming. 2853 02:26:29,020 --> 02:26:30,660 I got stuff coming. 2854 02:26:30,660 --> 02:26:34,740 If anybody comes to South Florida, it's Art Basel weekend. 2855 02:26:34,740 --> 02:26:37,060 It's lit out here. 2856 02:26:37,060 --> 02:26:43,800 There's no comparison in any corner of the world that can compare to what's going on 2857 02:26:43,800 --> 02:26:45,820 in Dade County right now. 2858 02:26:45,820 --> 02:26:46,820 I'm coming. 2859 02:26:46,820 --> 02:26:48,820 I'm in Miami all the time. 2860 02:26:48,820 --> 02:26:49,820 I'm coming. 2861 02:26:49,820 --> 02:26:50,820 I got my pull up. 2862 02:26:50,820 --> 02:26:51,820 I'm on my ass, boy. 2863 02:26:51,820 --> 02:26:55,980 I'm in Miami and you need some, you need the plug. 2864 02:26:55,980 --> 02:26:58,460 You holler at your boy, Rob from the mob. 2865 02:26:58,460 --> 02:26:59,460 All right. 2866 02:26:59,460 --> 02:27:02,220 So Rob, Rob, before you get out of here, because I don't want you to be late for work, plug 2867 02:27:02,220 --> 02:27:04,980 your contacts and what your next week looks like. 2868 02:27:04,980 --> 02:27:10,060 Listen, text me 305-746-5380. 2869 02:27:10,060 --> 02:27:12,260 We out here. 2870 02:27:12,260 --> 02:27:16,260 Put his phone number on that bitch. 2871 02:27:16,260 --> 02:27:22,420 You just pulled the bike, Joe. 2872 02:27:22,420 --> 02:27:25,420 You just gave everyone your number. 2873 02:27:25,420 --> 02:27:27,620 Girl, I got nothing to hide. 2874 02:27:27,620 --> 02:27:30,220 Hey, I'm so transparent, dog. 2875 02:27:30,220 --> 02:27:31,700 You can't even fuck with me. 2876 02:27:31,700 --> 02:27:33,660 I ain't trying to hide nothing. 2877 02:27:33,660 --> 02:27:36,140 All right, Candy, you got it here, Mad Label. 2878 02:27:36,140 --> 02:27:39,660 Why don't you give us a little plug and what you'll be doing next week? 2879 02:27:39,660 --> 02:27:48,540 As Candy, my voice a little hoarse, I'm a little sick right now, but I should be finding 2880 02:27:48,540 --> 02:27:51,980 out the gender of my baby, hopefully next week. 2881 02:27:51,980 --> 02:27:56,820 By the way, Candy, I have not told them that, so this is news to them. 2882 02:27:56,820 --> 02:27:57,820 Big news. 2883 02:27:57,820 --> 02:27:59,580 Go on, drop in the news here first. 2884 02:27:59,580 --> 02:28:00,580 You already heard. 2885 02:28:00,580 --> 02:28:01,580 Damn. 2886 02:28:01,580 --> 02:28:02,580 Big news. 2887 02:28:02,580 --> 02:28:03,580 Big news. 2888 02:28:03,580 --> 02:28:05,580 Take that, take that. 2889 02:28:05,580 --> 02:28:06,580 How many months along is she? 2890 02:28:06,580 --> 02:28:10,020 She's going to be, I think, 11, 12 weeks. 2891 02:28:10,020 --> 02:28:14,860 Still early on, but too sweet in the streets, extra spicy in the sheets. 2892 02:28:14,860 --> 02:28:15,860 Extra spicy is. 2893 02:28:15,860 --> 02:28:16,860 You proved it. 2894 02:28:16,860 --> 02:28:17,860 You just proved it. 2895 02:28:17,860 --> 02:28:18,860 You just proved it. 2896 02:28:18,860 --> 02:28:21,860 She got a bell pepper in there right now. 2897 02:28:21,860 --> 02:28:24,620 More than a bell pepper. 2898 02:28:24,620 --> 02:28:27,820 It's extra spicy. 2899 02:28:27,820 --> 02:28:28,820 That's a habanero, bro. 2900 02:28:28,820 --> 02:28:33,300 Extra spicy in the sheets, baby. 2901 02:28:33,300 --> 02:28:34,580 That's some awesome news, bro. 2902 02:28:34,580 --> 02:28:37,020 I'm really proud of you and I'm happy for you guys. 2903 02:28:37,020 --> 02:28:38,020 Bro, bendiciones, bro. 2904 02:28:38,020 --> 02:28:39,020 Gracias a yo. 2905 02:28:39,020 --> 02:28:42,020 I'm going to turn it on a second. 2906 02:28:42,020 --> 02:28:43,020 All right. 2907 02:28:43,020 --> 02:28:44,020 You need an Uber. 2908 02:28:44,020 --> 02:28:45,020 You need an Uber. 2909 02:28:45,020 --> 02:28:47,780 You need to hit up Elon Musk and teleport to work. 2910 02:28:47,780 --> 02:28:48,780 You cannot be driving. 2911 02:28:48,780 --> 02:28:49,780 I got an hour. 2912 02:28:49,780 --> 02:28:50,780 I'm good. 2913 02:28:50,780 --> 02:28:55,220 Can you imagine me ordering food from this guy? 2914 02:28:55,220 --> 02:28:57,660 He's going to be like, I suggest to you a. 2915 02:28:57,660 --> 02:28:59,660 I'm not going to remember any of this. 2916 02:28:59,660 --> 02:29:00,660 It's fine. 2917 02:29:00,660 --> 02:29:01,660 One time. 2918 02:29:01,660 --> 02:29:03,260 This is why I stopped drinking last week, man. 2919 02:29:03,260 --> 02:29:04,740 I get like Rob. 2920 02:29:04,740 --> 02:29:07,500 I thought I was going to get like Rob this episode. 2921 02:29:07,500 --> 02:29:08,860 I'm kind of like I'm a GM. 2922 02:29:08,860 --> 02:29:09,860 I'm a GM. 2923 02:29:09,860 --> 02:29:12,860 I feel bad that I'm more drunk than you are, Doc. 2924 02:29:12,860 --> 02:29:13,860 It takes a lot. 2925 02:29:13,860 --> 02:29:14,860 Sorry. 2926 02:29:14,860 --> 02:29:16,860 A lot of people have tried to challenge it and they just keep losing. 2927 02:29:16,860 --> 02:29:19,380 So I'm not going to remember any of this. 2928 02:29:19,380 --> 02:29:20,380 I'm Rob. 2929 02:29:20,380 --> 02:29:22,380 Rob from the motherfucking mob. 2930 02:29:22,380 --> 02:29:23,860 Nick was happy. 2931 02:29:23,860 --> 02:29:27,580 There is another thing with Rob, too, is we did a Grammy episode and this dude kind of 2932 02:29:27,580 --> 02:29:32,180 came like classy dressed and he had like some expensive bottle of liquor. 2933 02:29:32,180 --> 02:29:35,500 And this last year was the very first year I was eligible to vote for the Grammy. 2934 02:29:35,500 --> 02:29:39,860 So like every step of the way, I kind of educated these guys on what I'm going through. 2935 02:29:39,860 --> 02:29:43,700 So I made a playlist for them so they knew like once I put my votes in, I'm like, all 2936 02:29:43,700 --> 02:29:45,660 right, what do you guys think I should have voted for? 2937 02:29:45,660 --> 02:29:50,180 And we did a whole episode on it near the like the last like let's say it's like one 2938 02:29:50,180 --> 02:29:52,780 fit, like the fourth fifth of the episode. 2939 02:29:52,780 --> 02:29:55,140 This bitch like disappeared and passed out. 2940 02:29:55,140 --> 02:29:58,020 You guys have me drinking, bro. 2941 02:29:58,020 --> 02:29:59,020 I would drink it. 2942 02:29:59,020 --> 02:30:00,020 I'm getting fucked up. 2943 02:30:00,020 --> 02:30:01,020 It was ridiculous. 2944 02:30:01,020 --> 02:30:05,420 So to close out my week, I'm going back to the courthouse tomorrow. 2945 02:30:05,420 --> 02:30:07,660 I work a full week next week, Monday through Friday. 2946 02:30:07,660 --> 02:30:12,060 It'll be the first week without my assistant director who looks out for me. 2947 02:30:12,060 --> 02:30:13,500 So that's going to be brand new. 2948 02:30:13,500 --> 02:30:17,780 Hopefully I don't got the Canadian on my ass, hopefully anymore. 2949 02:30:17,780 --> 02:30:19,100 That fucking stool pigeon. 2950 02:30:19,100 --> 02:30:22,540 But anyways, he's a rat. 2951 02:30:22,540 --> 02:30:24,860 But no, he's a goat, doc. 2952 02:30:24,860 --> 02:30:25,860 He's a goat. 2953 02:30:25,860 --> 02:30:27,940 Oh, you missed the whole the whole spiel with that. 2954 02:30:27,940 --> 02:30:29,140 He's a fucking rat. 2955 02:30:29,140 --> 02:30:31,460 He's a rat. 2956 02:30:31,460 --> 02:30:32,460 You're mad. 2957 02:30:32,460 --> 02:30:33,460 He's singing. 2958 02:30:33,460 --> 02:30:34,460 I love Drake. 2959 02:30:34,460 --> 02:30:36,020 But he got not bad. 2960 02:30:36,020 --> 02:30:37,020 It's real. 2961 02:30:37,020 --> 02:30:38,740 He's singing like a canary. 2962 02:30:38,740 --> 02:30:41,180 Like, you know me, I'm semi Drake hater. 2963 02:30:41,180 --> 02:30:45,300 But to what he pulled on us was the biggest bullshit ever. 2964 02:30:45,300 --> 02:30:49,800 So you know what my slides like my PowerPoint, my Excel spreadsheets for the radio charts 2965 02:30:49,800 --> 02:30:53,100 I put up every Monday candy. 2966 02:30:53,100 --> 02:30:58,540 So they wanted to know that they named in that petition for lawsuit media based slash 2967 02:30:58,540 --> 02:31:00,060 I heart radio. 2968 02:31:00,060 --> 02:31:01,060 So I heart media. 2969 02:31:01,060 --> 02:31:04,780 So they're basically saying that we're faking the numbers for Kendrick Lamar's song, Not 2970 02:31:04,780 --> 02:31:05,880 Like Us. 2971 02:31:05,880 --> 02:31:09,820 So they wanted me to go back with all of my Excel spreadsheets back to January, even though 2972 02:31:09,820 --> 02:31:12,900 Not Like Us didn't hit radio until August. 2973 02:31:12,900 --> 02:31:13,900 Fuck Drake. 2974 02:31:13,900 --> 02:31:14,900 No, that's good. 2975 02:31:14,900 --> 02:31:15,900 That's why I don't go outside. 2976 02:31:15,900 --> 02:31:16,900 It's real oppie outside. 2977 02:31:16,900 --> 02:31:17,900 You got doc. 2978 02:31:17,900 --> 02:31:18,900 Doc's the op. 2979 02:31:18,900 --> 02:31:19,900 Doc's the op right now. 2980 02:31:19,900 --> 02:31:24,900 No, actually, actually, Drake is the op. 2981 02:31:24,900 --> 02:31:27,980 But that's why I don't say his name. 2982 02:31:27,980 --> 02:31:28,980 It's the Canadian. 2983 02:31:28,980 --> 02:31:29,980 I stay away from Canadian. 2984 02:31:29,980 --> 02:31:30,980 Canadian. 2985 02:31:30,980 --> 02:31:31,980 Canadian. 2986 02:31:31,980 --> 02:31:39,500 With that said, if you guys want to check us out on social media's Facebook backslash 2987 02:31:39,500 --> 02:31:43,660 twisted critics, you guys can drop us questions there for next and any next episodes that 2988 02:31:43,660 --> 02:31:45,420 we're going to have. 2989 02:31:45,420 --> 02:31:52,140 And if you're an artist or comedian or producer or radio record exec, you can actually turn 2990 02:31:52,140 --> 02:31:56,020 in a bio to us and be on this guest of this podcast. 2991 02:31:56,020 --> 02:31:57,740 You can listen to D rug himself. 2992 02:31:57,740 --> 02:31:59,940 I think he had a pretty good fucking time. 2993 02:31:59,940 --> 02:32:01,980 Hell yeah, I did. 2994 02:32:01,980 --> 02:32:02,980 I did. 2995 02:32:02,980 --> 02:32:03,980 I did. 2996 02:32:03,980 --> 02:32:07,220 And we just want more people that are real and actually talk with their emotions. 2997 02:32:07,220 --> 02:32:09,900 And D rug hit every base on that one. 2998 02:32:09,900 --> 02:32:10,900 He had Grand Slam. 2999 02:32:10,900 --> 02:32:15,280 And like I said, I'm getting producers beats in now to work on my own EP. 3000 02:32:15,280 --> 02:32:17,020 So I'm going to have what I'm doing. 3001 02:32:17,020 --> 02:32:18,780 And D rug, you can hear it out. 3002 02:32:18,780 --> 02:32:20,260 I'm writing hooks first. 3003 02:32:20,260 --> 02:32:24,160 And once I lay down the hooks, if this hook sounds like Rob on the sentence Rob, if this 3004 02:32:24,160 --> 02:32:26,340 hook sounds like a M on a sent to a M. 3005 02:32:26,340 --> 02:32:28,500 If this hook sounds like D, I'm going to send it to D. 3006 02:32:28,500 --> 02:32:29,500 Rod. 3007 02:32:29,500 --> 02:32:30,500 Yes. 3008 02:32:30,500 --> 02:32:31,500 Send me some. 3009 02:32:31,500 --> 02:32:32,500 Let's work. 3010 02:32:32,500 --> 02:32:33,500 Yeah. 3011 02:32:33,500 --> 02:32:35,060 With that, with that, we're going to peace out and say goodbye. 3012 02:32:35,060 --> 02:32:37,100 Have a good evening to all our listeners. 3013 02:32:37,100 --> 02:32:38,700 Y'all have a great weekend. 3014 02:32:38,700 --> 02:32:39,860 Great week. 3015 02:32:39,860 --> 02:32:40,860 And we'll see you next episode. 3016 02:32:40,860 --> 02:32:41,860 D. 3017 02:32:41,860 --> 02:32:42,860 Rod. 3018 02:32:42,860 --> 02:32:43,860 Thank you, bro. 3019 02:32:43,860 --> 02:32:52,300 It's Warren G. and you tuned into the hottest podcast right now. 3020 02:32:52,300 --> 02:32:54,340 Doc and the Twisted Critics. 3021 02:32:54,340 --> 02:32:55,340 Make sure you subscribe. 3022 02:32:55,340 --> 02:32:56,260 You got to do it.