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Ladies and gentlemen, may I have your attention please.

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The show starts in 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, go.

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This is a Chao production.

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What is happening ladies and gentlemen, Twisted Critics.

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This is a Sunday afternoon, September 17th.

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What is going on? I'm joined online with the other two crazy co-hosts, Candy and A.M.

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What you guys up to?

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Hey, I'm watching the game, but I'm in here with y'all.

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This is going to be, this is going to go bad.

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Nah, same. I'm just drinking and watching the game.

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Gotcha, gotcha. I'm happy to have you boys with me and I'm happy to be drinking with you guys.

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So let's dive right into it. We have a really special guest.

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We've got one of our family members as a special guest.

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A.M. pulling out the guitar to serenade him, I think.

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It's either that or he's playing the music for Baltimore.

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The death march.

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All right. So let me kick things off.

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What is the Twisted Critics as the Twisted Critics podcast?

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We are the bias, the unbiased brothers across the whole U.S. who dig music and music business.

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Twisted Critics originally began with me and my cousin, Tony Ganja in 2018.

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And it's now relaunched with two crazy new co-hosts, A.M. and Candelario.

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Myself and A.M. are active artists ourselves.

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Us three are collaborators, radio reviewers, friends and current business execs from Hear My Voice Entertainment and Publishing.

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Starting this year, the Twisted Critics podcast is curating our very own Spotify set of VIP playlists

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to better help promote our special guest and other songs that we just very much love and play every single week.

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Damn right. From both good, bad experience in the rap game, our jobs around the industry and questions,

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misinformation that we've heard at music conferences, we remember what it's like to start out,

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mistakes and being told false information everywhere you ask.

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So we try to provide direct answers, correct business practices, clear legal steps and helpful resources.

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It's our mutual love, though, from all of our weekly calls, our Ear for Urban Music, our mathematical eyes on the radio charts,

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our reviews for the labels, our heated song debates, the guests and our solidarity in sharing a few drinks

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to build this therapeutic, productive and often wild platform for y'all to check out.

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If nothing else, tune in with an open mind, a notepad and a full glass to enjoy an informative, entertaining, twisted vibe.

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And you might learn something. I know I do every time.

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Please be interactive and send questions via our social media and will not only give you a shout out on air,

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but also give you directions and advice to us three, our believers in the motto, a drunk man or woman tells no lies

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and how we can equally be helpful and entertaining. We like to call it education through inebriation.

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I love that every single week when both y'all boys say that.

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So let the people out there, let's give them their salutations, let them know who each of us are.

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So A.M., why don't you kick us off just like Hear My Voice does. What's your little elevator pitch? Let them know who you are.

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Rapper A.M., Arian Miller is the name that I was born with. I'm a rapper, battle rapper, photographer, videographer.

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I fight, I love all of those things. And my father as well. Father literally comes before everything and anything.

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I've been a rapper for a long time. I'm an A&R for Hear My Voice.

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Also, this is the third podcast that I work on. My second one is on hiatus.

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But I still every once in a while vent on my solo podcast. So I have a nice amount of experience with this.

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One of the big things that I'm doing this year and going forward is I'm helping build this.

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Co-host Doc brought me on, trying to do my best to make sure we move this in the right direction.

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We already have. And I'm going to use this platform to put eyes on everything that we all collectively are doing, no matter if it's music or anything else.

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That was an amazing elevator pitch. I just want to sign you right now. It gives me a little good butterflies inside.

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Thank you. Yeah. Let's see if I can let's see if I can match up with that candy.

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So my name is Doc J. Used to go by Mike Medic. Real name is Joselito. I'm a big mutt. I'm part Italian, part Slovakian, part Puerto Rican.

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I was born in upstate New York, Westchester County, Sleepy Hollow.

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Moved down at a very, very, very early age. Lived in South Florida for like 27 years. And now my wife and I are in central Florida.

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I have a degree in copyright trademark law and also a degree in civil engineering, designing roadways.

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I've interned at three different record labels, Sony Music, Atlantic Records, and the latest one was Epic Records.

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I now have this wonderful collective and family of friends and crazy people called Hear My Voice Entertainment and Publishing.

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And this is the relaunch of the podcast that I said I would never, ever, ever do.

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But I got the two co-captains comrades that are dragging me along and I'm having so much fun with it.

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I like to sit on music conferences. I like to answer questions.

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I generally point towards like the lawsuit and copyright law side of it.

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But I just want people to know how to do things right and get on the radio and actually make a bag and make a living out of music business.

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That's all I'm about.

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So last but not least, I know we got the you always gotta say the best for last.

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So my name is Candelario Villarreal, aka Candy, aka Too Sweet in the Streets, Extra Spicy in the Sheets.

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I'm from Brownsville, Texas, the southernmost tip of Texas.

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I started out doing local parties, moved myself into the promoter space.

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And now I'm expanding my business as I joined Hear My Voice Entertainment, where I focused on artist development and being a marketing director.

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I plan on expanding my musical market in the area and becoming a prominent figure within my community.

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And let's get it on, baby. Let's go.

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That was equally good, too, man. I'm proud of you guys.

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We are the Twisted Critics.

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So and come along with that is that we like to share a drink or multiple together.

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So this is what you drinking on Candy. What are you drinking on, my brother?

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So just to be sipping on, I got to make a little gold by one of the smoothest beers.

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It is organic as well. You know, try and watch the figure.

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And then we take shots. I got a similar but different model of book on us.

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So, Doc, what you drinking on?

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All right. So in ode and respect to our special guest, I am drinking a wine, a red wine, Italian red wine.

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My favorite wine is a Melbeck. But my second favorite wine is a San Giovese.

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This is from a Tuscany brand type of wine that's from Tuscany, Italy.

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It goes with like almost everything I could cook with.

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And it's also a really good cooking wine, too. Pretty dry, but has a little like light sweetness that I enjoy about it.

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And then in the case that you guys make me slip up on a WFW wrong fucking word of the week, I got some Bacardi Raspberry.

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That's what I'll be taking shots with. So hopefully we don't slip up too much.

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But A.M., what you drinking on, fool?

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I'm pairing up a bit of Tenth Ward. I'm ginning here.

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It has some rye in there. So it's a gin of a inspired gin.

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Fifty percent natural cane spirits, fifty percent whiskey distilled from rye mash.

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And then in my left hand, I have queen bees meats.

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Both of these drinks are literally made by ladies. And I love that.

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But just because it's made by ladies doesn't mean that it's not strong.

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That's what's up. So if we're going to kick this off right, we have to kick it off the correct way.

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Everyone raise a glass, whatever you're taking for your shot.

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Today, I'm rocking with the Puerto Rican shot glass, if you guys want to see that real quick.

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And raise a glass. This is in honor to you boys and for a great show.

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And hopefully Rob rides with us and gets intoxicated as fuck with us.

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I believe he will.

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All right. Salud, boys.

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Salud.

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As always, we as Twisted Critics want to do our best to make sure we the guests and listeners break the ice,

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get comfortable, get loose and join in the fun by using our little torturous banana peel buzzword each episode that we call the WFW or the wrong fucking word of the week.

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You ain't lying, man. Every time someone slips and says it, everyone takes a shot.

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No questions asked. OK, it's your turn, Doc, to pick it.

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We've all read Rob's bio. He reviews with us on the panel each week.

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But what kind of evil term are you thinking of messing with our afternoons with?

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I think we've all had a long week. I know I have and it's about to be another long week.

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I got to actually take care of someone's chickens for the next eight days, which I am not ready for.

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And I have to actually go there before I go to work. So I'll be dressed up dealing with chickens.

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So let's go. I'm ready. Us knowing our Miami brother pretty well.

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Today, our WFW. I've got a very, very mean one.

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I'm going with the term review and any other tense or derivative of it.

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So review, reviewed, reviewing, reviewed. I don't care.

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Anything related to review we drinking on. I think I'm going to get him and I think I'm getting us to.

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You are. All right. So we're going to move on to segment three. It's going to be time capsule.

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So we're going to turn back the clock a little bit.

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Episode number three consists of the date 917 to 923.

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And we're going to take a quick look at the dates throughout all of urban music history.

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First and foremost, let's give some props and pay some respect to those who are not here right now to receive them.

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I'm going to kick it off this week. We've got six deaths starting September 19th.

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We have DJ Rock Rada. He passed away in 2009.

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Big New York Hot 97 DJ that would break a lot of independent underground rappers.

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September 20th, we have Sarah Dash. She is a member of Patti LaBelle and the Bluebirds.

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She passed away in 2021. September 20th, we got seven Hardway passed away in 2022.

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And it's number 21st. We got Shadi Lowe passed away 2016.

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Then we're going to go to September 21st. We have Looney the Goat 2022.

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We have September 22nd. It's going to be Vesta Williams. She passed in 2011.

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What's interesting with this week, boys, is Rob, I showed a screenshot of this and he goes, I never heard of any of these people.

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And I just started bugging out. I'm like, you better do some research, man.

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So it's like I can like name something about all of them.

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But like Rock Rada is predominantly someone that will break music on the radio.

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Sarah Dash, like I said, with Patti LaBelle. Seven Hardaway.

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He was an artist that was big on mixtapes. And I believe he came out of the Virginia scene.

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Yes.

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Looney the Goat. Looney the Goat is actually a one.

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You know how there's all those Texas rappers that Kandi has up there that blew up in the late 90s?

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Yes.

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Looney the Goat is one person from the Baltimore scene that would sell 50, 60, 70,000 mixtapes out of his trunk but never got signed.

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And then Vesta Williams, she's one that she was like an R&B artist from like the mid 80s to the early 90s.

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Started doing a little acting and kind of got off singing from that.

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But much respect to all of them, RIP and you know, I don't, you know, I want all people to stay here and get their flowers while they're alive.

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Now on a much happier note, let's go over and celebrate birthdays for the Virgo crew as the Virgos are sliding out the window, hopefully.

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Kandi, why don't you let them know and go first?

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I got you, man. So this week we got a lot. So let me start off with the big V-Day shout out.

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The blast, September 17, turning 31.

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Actually, the fan of his music, I kind of like his, I don't know, I guess like his style.

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We got DJ Babu of Dialated People, September 17, turning 49.

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Also on September 17, we got Doug E. Fresh, turning 57.

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We got Lord Jamal of Brand New Beating, September 17, turning 55.

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And I'm going to bring it up the rear with Kappa Donna of the notorious Super Duper group Wu Tang.

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September 18 is going to be 54.

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We have Ricky Bell of Belle Biff De Vaux. It's going to be September 18.

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He's going to be 56 years old. My man's Exhibit X to the B.

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It's going to be 49 and that's going to be September 18.

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And then Brent Faias, Mr. Toxic himself, September 19.

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And he's going to be 28 years old.

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All right, I'm going to follow up with A.M. I got Red Cafe, Big New York, New Jersey mixtape scene.

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September 19, he's turning 47.

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We got Below Zero of the group Do or Die, Po Pimpin.

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September 20, turns 51. The Dream, Ella, Ella, Ella, Ella.

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September 20, turning 46. We have Jason Durulo.

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September 21, turning 34.

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Then we got Reason, September 21, turning 34.

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We got True Goy of the group of De La Soul.

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September 21, turning 55.

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R.I.P. also on that one.

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We got Wale, September 21, turning 39.

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And Money Bag Yo, September 22, turning 32.

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Aw snap. We got Mystical.

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September 22, he's going to be 53 years old.

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We got my man's Crooked Eye Ant or King Crooked.

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September 23, it's going to be 45 years old.

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Jermaine Dupree, September 23 as well. It's going to be 51.

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Lazy Bone from the Notorious Bone Thugs.

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September 20, he's going to be 48 and Trick Daddy.

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September 20, he's going to be a big wop at 50 years old.

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Let's go.

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Because I'm a thug.

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I think that was really fitting for us having Rob on here.

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He's from Miami as well. So that's what's up.

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Speaking of Rob, let's move on to segment four, the hot seat.

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This is where we have a special guest.

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And ironically this week we have one of our family members, Rob from the Mob, representing Miami.

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I feel it's time that we open the phone lines.

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Patchy from the Caller, are you up in this place, Mr. Rob from the Mob?

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Man, I'm here with you. Good.

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Oh man, that's what's up. It's good to have family in here.

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I don't think you and Candy have heard each other on the phone yet, have you?

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It's a first.

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It's a first. That's what's up. So I'm very proud of that, man.

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So awesome, man. The bumping and dumping panel feels complete.

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Greetings, bro. If I'm not mistaken, this is the first time I'm hearing your voice.

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What you're drinking on, man?

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Man, I'm drinking on some Don Julio Rosado 1942.

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Let's go.

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I could share a little bit with y'all, but it's definitely a toast for the Hear My Voice crew.

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Mr. Rob, I am representing for you. I usually drink liquor, but today I'm drinking wine.

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Well, for my shot I got some Bacardi Raspberry, so I guess I am drinking some liquor.

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But real quick before we go into your intro, I want you to see like, I'm a big Melbeck fan,

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but when I cook a lot, I like Tuscany wines.

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So I got some Sangiovese, which I really, really love. This is like my second best go-to wine.

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And it's good sipper because it really mixes with every food, and I could cook with it too.

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So in your Smollier type of setup, you know, teach me something about Sangiovese.

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Just take about a minute. I want to know what I'm drinking on.

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Well, the good thing about Italian wine is it's food-friendly wine.

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Like you said, if you're going to an Italian restaurant, you know, you're eating Carbonara,

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you're doing anything with any type of Italian ingredients, you definitely want Sangiovese.

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That's definitely their master grape over there.

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So you definitely want to sip on that when you're in an Italian restaurant doing your thing.

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So good choice, Doc.

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See, I am. This is why I love him.

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He definitely lets me know I'm drinking the right thing every once in a while.

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And then if I'm drinking the wrong thing, he'd be like, mm-mm, mm-mm.

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Trash. It's trash.

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All right. So yes, sir.

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Now gentlemen, get your drinks ready before we kick it off.

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Doc, why don't you do what you do every show and get the man his proper introduction?

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All right. All right.

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This is a brother of a brother of mine.

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And now he's here, my voice for a little over a year.

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He is Mr. Robert Lawrence, aka Rob from the Mob, representing M.I.A.O.

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Originally from New Jersey.

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He is a rapper, songwriter.

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He is a big video gamer.

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And he's one of my only friends.

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I know that's a wine sommelier that's moved up tiers.

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He also has his own company. It's called Elite Enterprise.

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Am I right with that?

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Elite level promotion.

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Elite level promotion.

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He has he has merchandise, he has clothing.

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And like I said, the video gaming, he loves sports video games, especially boxing.

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And him and I could talk hours on boxing if we wanted to.

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So, Rob, with that being said, I hope I kicked you off right.

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I hope you did you right.

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But just like everything we hear my voice in the entertainment, Rob, I want you to elevate a pitch yourself real quick to our listeners and fan base.

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Definitely, man. What's up, y'all? Rob from the Mob.

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I'm in Miami Beach, Florida, originally born in Passaic, New Jersey.

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And Doc hit all the points, man.

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I'm an aspiring artist, producer, songwriter, just trying to make a, you know, make a change in the game, you know, taking small steps.

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Just bringing the music to the forefront.

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Yeah, I do have my own company. We do our own merch.

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We do our own designs, logos, things like that.

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Doing well for myself with it. Thank God.

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Definitely music is 100 percent of my being.

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I live, breathe and sweat music. I love it.

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And I'm just trying to take a different approach to the game, trying to do more of an underground level.

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I've always been an underground artist, fan of the underground rap scene.

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So I kind of follow in those footsteps versus the more more popular ways of doing it.

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I like the other the backdoor method a little bit better than what we see is more commonplace these days, for sure.

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But thank you. And it's an honor to be here with you fellas. Thank you for taking the time to have me on the show.

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Yo, Rob, get your drink ready, man.

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I got it here in my hand, baby. We ain't going nowhere.

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So I got the first question. Is Rob from the Mob the only street rap name you ever had?

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And here a freestyle memory where it really bailed you out.

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Yep, that's what I got. Rob from the Mob. I always thought it had a nice ring to it.

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And yeah, it bailed me out of quite a few freestyles. I love to freestyle.

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I'll write down lyrics for song for song purposes.

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But in the end of the day, I love to get up on stage in front of people and just spit.

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Rob from the Mob. One time I was just stuck, man.

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Couldn't think of anything to say. And I was on stage.

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And then I just pulled out the whole slob on my knob. I'm Rob from the Mob.

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I had to take it from three six.

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And man, I had the whole crowd saying it for like five minutes.

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Slob on my knob. I'm Rob from the Mob. Slob.

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And it really helped. I didn't have to say another word after that.

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And I had the whole crowd pumped, man.

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It was pretty cool. And I actually won the contest that day.

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That's what's up, Rob. The reason why we kind of slid that question in there is like, I know at least A.M. and I,

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we've gone through a few names and then I always I started writing when I was 14, started rapping when I was 16.

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So I went from MC 9-11 until 9-11 happened.

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And I pulled that name with a pass.

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And then I was since 9-11, I've been Doc J because everyone said I would doctor and fix people up and do the medical fixing and make sure I repair hip hop.

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And for a little while, I went by Mike Medic. I think that was like during the Slim Shady days.

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So I was like my alter ego. But I've always been Doc J as well.

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So I think that's where that question came from. But, you know, it's kind of cool that that's been your name and your identity the entire time.

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In me reading your bio, your bio actually names drama classes an early key to your art. Was there a role or performance that you could remember that made you realize that you had talent?

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A specific role, maybe not as much as how much the school utilized me to do projects, I would say.

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Maybe whenever there was orientations for like younger students coming to the high school or they would always use me to do some, you know,

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performance, some sort of pantomime or some sign of, you know, two man act or three man act.

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And it would always be like various things, but they would always choose me.

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You know, I was one of the favorites of the class and they would use me a lot to do all these little performances and stuff like that.

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So that gave me the confidence saying, hey, you know, I must be doing something right.

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They always got me, put me in front of the crowd and stuff.

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And I always loved it. I always got a kick out of it. So I was always eager to participate.

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That was a nice answer. From your mom's political asylum and going from Cuba to Jersey to Miami, your family journey is very interesting.

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How is your culture and background important to you?

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Oh, it's everything to me, man. I really love Latin culture.

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You know, I've been blessed to be raised in a Cuban household in the United States.

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You know what I mean? Because Cuba's got some really crazy stuff going on.

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So I'm lucky and blessed to be here. And I actually, you know, got to grow up in that kind of environment, you know, speaking Spanish, you know, eating all Latin foods and learning the music, the culture and everything.

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And it's beautiful, man. You know, I've got the best of both worlds, you know, because I'm also here in the United States of America.

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So it's definitely something. And I represent, you know, my Cuban side and my American side to the fullest.

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That's a badass answer, honestly. Thank you. But I got you one right here.

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Prison sounds like a big turning point. Were there any lessons or experience you took from it, you know, just for your life?

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And what did you take from it to add to your music? It let me know that God is no joke. God is real, man.

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People will look at prison as something bad and something negative, man. I took it and turned it into the positive, the biggest blessing I've ever had, you know, definitely opened my eyes and made me realize that this stuff, you can't take it for granted.

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You know, this is all a blessing. This is all a gift. Enjoy living to the fullest. I changed my whole life.

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Did a 180 from before I went to prison until after I got out. And I wouldn't change a day of it for anything. And it definitely showed me that this life is worth living and to not take any of this for granted and just be thankful for everything I got.

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So I think, you know, living every day with that kind of mindset is a blessing compared to not having that kind of mindset. So I get to enjoy every day. Like, it's just the best gift ever given to me.

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I love that. Yo, Candy, that is a clip and a half right there.

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Especially with a lot of minorities. You know, I got a family that either they were born here, raised in Mexico. When they came over here, got into trouble or they're trying to come over here from Mexico illegally.

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So I know a lot of my family members coming out of prison. They don't they're not bad people. They don't even make mistakes. They just had to do what they had to do to to get by. So for sure, that's going to resonate with a lot of a lot of people for sure.

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I feel you on that. Thank you, Rob. Since I've known you, you and I talk a lot about wine and your Smollier aspirations. I know it's hard work. I've seen movies on it.

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So explain a little bit on what goes on between the different tiers. And also, is there something from the process that translates over to help you in the music business, too?

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It's not only is it a personal hobby of mine, you know, I truly enjoy it. The knowledge of, you know, having knowledge of wine and things like that and spirits and stuff like that, especially where I live, where the, you know, the industry out here is mostly

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restaurants, you know, clubs, you know, knowing what you're getting into being around these people that are in the business, making money, you know, doing it. And, you know, they come to me for advice.

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Everybody comes to me, you know, to talk about it and learn a little bit more about the stuff musically. It's also it's more stuff to rap about. Honestly, man, you know, I like I said, I'm a freestyle artist. I might throw some crazy wine wineries in my mix.

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You know what I mean? I might talk about Cabernet Sauvignon, Pinot Noir. Oh, I know who you are. I just throw things in there, you know, just to keep the flow going. But yeah, man, I don't think too many people, too many people take it as serious as I do, and we're just fine.

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You know what I mean? So I like having that upper hand, that knowledge, so when people start talking about it, and then you can also tell who's full of it and who's not, you know what I mean? You hear somebody acting like, oh, yeah, they start talking about this.

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And in my mind, like, man, this man doesn't know what he's talking about. And I think that translates to their personality. After that conversation, you know what I'm saying? Like, this guy's full of it. I got to keep my eye on this dude, you know?

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Yes, man, you're very similar with that freestyle aspect. So I damn sure understand exactly what you're talking about. I got one for you though. If you could share a drink, we're gonna we're gonna say beer, but I know that you drink wine.

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So we're gonna open it to drink as well with any person living or dead. Who would it be and why?

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I'm gonna have to go with Cardi B, man.

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Didn't expect that.

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If I'm gonna get lit with somebody, I'm gonna get lit with Cardi B. You can take that to the bank. Yeah, me and Cardi B gonna have a party, man.

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Cardi gonna have a party with Rod.

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Yeah, Cardi gonna party and we're gonna make like three tracks after two. We're gonna be good. Me and Cardi B, I love you, Cardi B. I'm going Cardi all day.

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I got you right here. Other than boxing video games that you stream, what's your go-to genre or what's your top three favorite video games of all time?

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Yeah, the boxing game is definitely my bread and butter, but I'm an RPG guy, man. I like role-playing games, man. The ones that you just big adventures, you know, finding stuff, buying and selling stuff.

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You got a certain game or a certain franchise that you enjoy?

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Probably like the Fallout series. Okay. Skyrim, you know, those guys from Bethesda over there. New Vegas, you know, Final Fantasy. Yes.

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I was looking for it the whole fucking time, but you named my second favorite. Keep going, my bad. Please say Final Fantasy. Go ahead, keep going, my bad.

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I've been a Final Fantasy man since the first one, man. I still got the original tape. First Final Fantasy. I'm a big Final Fantasy fan, I'm gonna say. Bethesda, Fallout, Skyrim, all that stuff.

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What's your top three though? Top three? In order.

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Your video games too. Name all top three video. And we don't care what genre you name them.

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Yeah, it's going to be Fight Night Champion, Final Fantasy 7, Skyrim. Let's go.

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AM, I knew Rob had a good mind on him as soon as we got him into Twisted Critics.

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All right. So since you are in the group with that question, you are pretty similar AM and I. You, AM and I are similar in that we also enjoy and are influenced by a lot of artists.

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I know I've had personal conversations with you where you name this guy, this guy, this guy, this guy, this girl, and I don't care if it's Memphis, West Coast or Miami.

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So my question for you is, who's your all time top five MCs in order? Your Mount Rushmore.

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Oh, no. First and foremost, we go in the late Tupac Shakur, number one, all time. I love you, man. That guy, that guy is in my soul, man.

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Like forget about it. Tupac, number one. Number two, I'm going Scarface, baby. I'm going Brad Tony Scarface, number two, for sure.

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Number three, the late Pim C. I got to go Pim C, baby. Pim C from UGK. He's my number three.

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Number four, man, I'm going to have to go with Wheezy, baby. I'm going with Lil Wayne. I think that guy is next level, elite level.

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Number five, a lot of people don't agree with me, but I got to show New York some love.

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And I think Rayquan the Chef is the greatest rapper to ever come out of New York.

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And he's speaking my Wu-Tang talk right now.

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Oh, this list is good. I'm thumbing up and pointing out of the whole time. That's Scarface. That's got I knew you would be happy for the Scarface.

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Hey, thank you, baby. That means a lot. Yeah. That's my top five. Rayquan number five. Yes, sir.

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So if you weren't raw, just be an unbiased reviewer for a second.

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What three artists best describe your musical vibe the best?

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I'm going to have to say Devin the Dude. Just because he's independent, he's doing his own thing.

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He started in the biz, but he's independent. He does his own shows. He's doing his own thing. He writes his own.

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He does everything himself. And he just rap about women. He rap about weed.

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And he sticks to the topic and he just kills it, man. And that guy is definitely number one, my vibe.

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Number two, Tupac. I'm going to go Devin first and Tupac second on my vibe because it's just his realness.

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You know, like what he was trying to do and not too many people understand what he was trying to do is just keep that realness part in the rap game.

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Definitely filtering out. He was trying his best to keep it, you know, keep it street, keep it hood, 100% real.

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And that's definitely what I'm trying to do with my music, man. I don't, you know, rap about any of that funny stuff, man.

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I keep it 100% real into the streets, man. What's going on out here?

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Number three, I'm going to have to say Drake because I want to be the best. And that man always puts his best foot forward.

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He always puts 100% effort and puts everything into his music.

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You saved, Rob, you saved yourself with the answer because I was like, I've heard your music and you sound nothing like that.

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Oh, yeah. Our music style is nothing the same, but just his, the way he goes about it and his work ethic.

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You know, I'm getting there. You know, I want to be 150% in working hard, pushing forward and just making, you know, making great music, man.

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And I think he's a great artist, you know, no matter what anybody says.

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So right now, two dates stat wise, what's your most successful song? And then apart from that, what's your personal favorite song that you've made?

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That wise, I made a song called Mo Money. Mo Money is featuring a good friend of mine named A1A.

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Shout out to Moose, Alan Artola. What's up, baby? He's on the track with me now.

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You know, numbers aren't huge, but it was one of the first songs that I ever copyrighted that I've ever, you know, released, you know, through a distributor.

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When I'm out in the street, people say, man, that Mo Money song, man, you know, that's a great song.

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And I hear that a couple of times a week, you know.

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So to me, that means more than the amount of spins or the amount of plays or views or whatever.

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But when people come up to me and that song is years old. So when people come up to me today in 2023 and say, yo, that Mo Money song is tight.

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It means everything to me. So I'm going to say Mo Money. My favorite song that I've ever made is a song called Let You Tell It.

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That one I haven't released yet. That's about to be released, the next project being released. I do got the copyright for it.

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I'm waiting for the album artwork to come back and stuff. But Let You Tell It, I say some,

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I say some things that I really, really meant from the bottom of my heart on that. And it came out good with the beat.

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I made the beat myself and it came out really, really nice. And I performed that.

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I performed that song in front of the late Prince Mark E.D. and he loved it too, man.

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He gave me so much love after I performed it, got the club at the time jumping.

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And that's definitely my favorite one. Whenever that comes on or whenever I get a chance to spit that, man, something comes over me and I let it go.

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And that's when it's time. First, tell us something that everyone should expect in your music.

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And second, tell us something that people wouldn't know about. One thing about my music, I'm never going to come fake, man.

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I'm always going to be 100 percent real. It's going to be real. Ain't going to be no. It's going to be true to the game.

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Real code. You know, I'm not messing, messing around with that. I got to keep it right.

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Something that people don't know. I feel like I'm just the realest one in the world, man.

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Like I'm trying to, you know, I'll never stab anybody in the back. I'll never rob you.

379
00:32:54,000 --> 00:33:00,000
I'll never do anything that's going to make you say, man, you know what? That dude, that dude is just a clown.

380
00:33:00,000 --> 00:33:05,000
You know, like I'm going to come forward. You're going to say that's somebody that I can be proud of.

381
00:33:05,000 --> 00:33:10,000
And I know I can always count on Rob from the mob. That's what's up, man.

382
00:33:10,000 --> 00:33:15,000
We got a lot in common, but something else we have in common other than that, coming with that real stuff.

383
00:33:15,000 --> 00:33:22,000
Like none of my music, I'm going to ever come from the angle where it's the popular appeal of cars, women, clothes, drugs.

384
00:33:22,000 --> 00:33:28,000
I agree with you on that a thousand percent. So another thing that you and I have in common is we're both 40 plus.

385
00:33:28,000 --> 00:33:37,000
We're 40 something something. We ain't no spring chickens. So trying to break into this modern rap market, you know, with our help, with Candice promotion,

386
00:33:37,000 --> 00:33:44,000
with me trying to help you strategize your moves with some collabos, hopefully from AM and I.

387
00:33:44,000 --> 00:33:50,000
Do you see one clear advantage and one clear disadvantage at this age of ours in trying to push your music?

388
00:33:50,000 --> 00:33:56,000
I'll say the disadvantage first is that the more popular, you know, more popular music comes from the younger artists.

389
00:33:56,000 --> 00:34:05,000
I think we can agree on that. The more popular being, you know, the more streamed, you know, the more has a more broader range of listeners.

390
00:34:05,000 --> 00:34:13,000
I think it's more on the forefront. You know, record labels are looking for the youth, you know, I think.

391
00:34:13,000 --> 00:34:18,000
And I think it's great. You know, I love I love all the new music that's come out. Most of it anyway.

392
00:34:18,000 --> 00:34:25,000
You know, like there's a there's a spot for that. That being said, I think that there's a spot for, you know, artists that are a little bit older.

393
00:34:25,000 --> 00:34:30,000
You know, I think we have our own lane that we have that we got to take advantage of.

394
00:34:30,000 --> 00:34:41,000
And, you know, the fact that there's not as many older artists trying to break in, I think, is an advantage, you know, because now they're like, oh, man, look at this guy.

395
00:34:41,000 --> 00:34:54,000
He's 40 plus. Listen to him. He's killing it right now. You know, and I think I think you get a bigger spotlight as an older artist versus, you know, myriad of younger artists.

396
00:34:54,000 --> 00:35:02,000
You know, there's so many of them and many of their styles are the same. And, you know, they got, you know, similar things going on in their music.

397
00:35:02,000 --> 00:35:18,000
I think you can always tell an older artist has got his own thing going on, man. And I think the individuality and the experience and the maturity that comes through the music, I think, is is it quite of an advantage?

398
00:35:18,000 --> 00:35:25,000
So in your bio, you mentioned concerns with the industry direction. What's your biggest issue? And how do you plan on addressing that as an artist?

399
00:35:25,000 --> 00:35:37,000
I have an issue of I don't want to say being selfish. When I say that, I mean, I want to make music with everybody. I want to make a song with you. I want to make a song with my guy over here.

400
00:35:37,000 --> 00:35:50,000
I want to make a collab with this female who I think has an amazing voice. And I think my I don't sit down and say, you know what, I'm just going to do Rob from the mob. You know, I think that's my problem.

401
00:35:50,000 --> 00:36:03,000
You know, I always want to work with I think the fun comes from working with artists, doing things, having that vibe, having those moments in the studio, you know, laughing at the funny, you know, oh my God, what did you just say?

402
00:36:03,000 --> 00:36:15,000
You know, like it's the whole experience for me that, you know, and you I feel like when we record, you capture that those those feelings, you capture those sentiments when I'm by myself.

403
00:36:15,000 --> 00:36:32,000
And, you know, I'm not I'm not going to lie. I'm not having as much fun. You know what I mean? And I need to I think I need to start having more fun making solo, you know, my music, just me going forward, really, you know, putting more effort into

404
00:36:32,000 --> 00:36:47,000
just me. And I have a problem doing that because I'm so into everybody else. I'm so into trying to help and I'm so in a, you know, bringing people in and bringing people together that I forget that about, you know, got to do Rob sometimes.

405
00:36:47,000 --> 00:36:51,000
And I think it's an advantage and a disadvantage at the same time.

406
00:36:51,000 --> 00:37:06,000
I personally understand that answer. And that's something that I've been I'm not doing it down. That knows that knows that it's outside of us here. That is that it's been an issue of mine for a long time because you can be the boat.

407
00:37:06,000 --> 00:37:17,000
Right. And you can definitely have those putting wind to yourselves, but you could also have folks that are going to be anchors in a negative fashion. So that's something that I identify with.

408
00:37:17,000 --> 00:37:28,000
Never ever feel like you're being selfless and being selfish. Right. It's kind of the opposite. The more you're able to do for yourself, the more that you're able to do for others, especially if others aren't doing for you.

409
00:37:28,000 --> 00:37:33,000
But that's in on a shirt.

410
00:37:33,000 --> 00:37:35,000
I have to have to.

411
00:37:35,000 --> 00:37:37,000
Well said.

412
00:37:37,000 --> 00:37:50,000
I look, I'm happy to hear you talk as much as you talk the entire time. I'm over this motherfucker going this ship because I've identified a lot with what you said. And that means people have to have more conversation after this.

413
00:37:50,000 --> 00:38:07,000
Let's let's talk more. I'm down. I'm down to work as much as possible. But professionally in 2023, what are the two three biggest hurdles that you're working on and in your opinion that are holding you back from blowing up? I don't like the term blowing up.

414
00:38:07,000 --> 00:38:18,000
I'll just say being more successful because again what you said about about being independent and things of that nature. We're going to just speak in just just growing biggest hurdles.

415
00:38:18,000 --> 00:38:21,000
Marketing number one.

416
00:38:21,000 --> 00:38:28,000
You know, making making the music and all that. That's, that's the part that I'm good at. I know how to do all of that.

417
00:38:28,000 --> 00:38:30,000
And I'm getting better.

418
00:38:30,000 --> 00:38:50,000
The marketing, I think, is is the part that is the biggest hurdle like hey how do we get this out there. How are we making money off of this. Putting my face more on camera or putting more on screen, you know, more exposure, you know, pushing the music.

419
00:38:50,000 --> 00:39:06,000
Who are we pushing it to, you know, why are we pushing it to them. You know, do they like it. Do they not like it. You know, I think, you know, doing the analytics and, you know, figuring out what's best for the actual music itself because once the you know once the music is out there.

420
00:39:06,000 --> 00:39:26,000
Now it's just, it's not yours anymore. It's everybody's now, you know, when you're in the studio and I'm putting when I'm in the studio and I'm putting it in his mind, you know, I'm doing it. But now I'm saying to myself, okay, what do we do now, you know, we're going to do a show about this only only 20 people listen to this, are we going to do a show for 20.

421
00:39:26,000 --> 00:39:54,000
That's the part that I think is the biggest hurdle for me is and I'm and I'm working on it, learning. I think it's a whole learning process and it wouldn't be fun if we weren't trying to learn at the same time, but yeah, that's definitely the biggest hurdle is just, you know, getting up getting the marketing and see how to really monetize everything with while keeping my, you know, keeping everything that dear to me and true to me real.

422
00:39:54,000 --> 00:40:23,000
I'm going to piggyback off you. I'm going off script on this one by, by am stood up. I'm going to give you a pro of yours that I don't think you even mentioned that I always respect about you and I'm gonna give you a con that I'm always going to be focused on helping you with one thing and candy you can see me when I, as I'm saying this one thing that's a pro to the core with the cat with Rob from the mob is he's definitely not only a general but he's definitely a soldier that knows, and he sees the vision when I'm trying to explain it.

423
00:40:23,000 --> 00:40:41,000
And that's a hard thing to get across to some artists that are, you know, not being humble within themselves. They're all about themselves, where it's like, Hey, this is the vision. I'm trying to line this up for you. I'm trying to line this up for you. We've got the beat bank. Now we got this rolling out. We got a someone that's expert on marketing now.

424
00:40:41,000 --> 00:40:56,000
So we're starting to get all the puzzle pieces and chess pieces and Rob has been one person that has always told me when I call them up. I already see the vision. I know what you're doing. Like I see the pieces on the board before you're moving them. So that's one thing I've already respected about you.

425
00:40:56,000 --> 00:41:13,000
And then the con where I'm always going to be focused to help you with is your procrastination. That's one thing that I'm focused like a motherfucker on to spur you on and get these things completed because you'll start a lot of things. Again, them done is the getting you past the finish line is going to be one of my jobs.

426
00:41:13,000 --> 00:41:18,000
You know, I understand it. Yep, you went you to am but no, that's one.

427
00:41:18,000 --> 00:41:34,000
Me three man. All right, next question, Rob. For your very first new mixtape under him my voice entertainment. Do you have a vision yet speaking of visions, a vision yet of what themes emotions or styles that you want to mess with.

428
00:41:34,000 --> 00:41:51,000
I think it's going to be more than one I think every song, I feel like I make has its own personality has its own life, like in the mix day I might do, I might do a little R&B jam with somebody, or I might do a little bit of singing.

429
00:41:51,000 --> 00:42:04,000
I might do a little hardcore and just rap with no hook I might just do nothing but hook. I feel like once I'm in the moment. It's going to be different every time like there's no cookie cutter way to do it for me.

430
00:42:04,000 --> 00:42:11,000
I can't I can't say you didn't learn me when you said Drake, I can't say you didn't warn me when you said that.

431
00:42:11,000 --> 00:42:21,000
You never know, man, you might give me a you might, I might get an instrumental and be like, man, I'm just gonna have to sing on this. I don't know, you never know. I go by the field I go by the moment.

432
00:42:21,000 --> 00:42:37,000
Somebody might want me to do sing on a hook for him. I'll do that too I might have to sing in Spanish, I might do some reggaeton stuff. I don't have and that's what I like about not being assigned artists, I don't have to follow nobody's rules, I mean they're going to do it the way I want to do it or I'm not going to do it at all.

433
00:42:37,000 --> 00:42:44,000
Would you like to start an assistant artist? I mean, who we sound like?

434
00:42:44,000 --> 00:42:46,000
Fuck rules.

435
00:42:46,000 --> 00:42:49,000
Fuck rules.

436
00:42:49,000 --> 00:42:59,000
Yeah, Rob, that sounds like I am to the core you guys you guys. We need to turn the bump it and dump it panel to a damn phone call. This would be amazing.

437
00:42:59,000 --> 00:43:03,000
Hey man rapper AM I'm a fan baby. That's all I gotta say.

438
00:43:03,000 --> 00:43:07,000
I'm a fan, though. I'm a fan.

439
00:43:07,000 --> 00:43:09,000
I'm about to start a pot real quick.

440
00:43:09,000 --> 00:43:13,000
So, we're going to collab with the whole fam and a bunch of records,

441
00:43:13,000 --> 00:43:19,000
but if you can only feature one artist, who are you most excited to feature and why?

442
00:43:19,000 --> 00:43:21,000
Man, I'm going rapper AM, baby.

443
00:43:21,000 --> 00:43:22,000
Ayyy, okay.

444
00:43:22,000 --> 00:43:23,000
I'm going rapper AM.

445
00:43:23,000 --> 00:43:30,000
Honestly, your voice, man. I think our voices, you know, kind of like how 8 Ball and MJG, man,

446
00:43:30,000 --> 00:43:37,000
when 8 Ball comes in and boom, MJG comes in and how they style and how their voices just complement each other.

447
00:43:37,000 --> 00:43:43,000
I feel like me and AM could make a killer song, man, that I think everybody will enjoy,

448
00:43:43,000 --> 00:43:49,000
not just from the content, but musically, you know, I think his voice and my voice together on the track would be dope.

449
00:43:49,000 --> 00:43:54,000
I mean, I want to make a song with everybody, but definitely rapper AM for sure.

450
00:43:54,000 --> 00:43:55,000
It's going to be rowdy.

451
00:43:55,000 --> 00:44:00,000
I got big homies in Baltimore. They'll love me on the track with somebody from out there.

452
00:44:00,000 --> 00:44:01,000
You know what I mean?

453
00:44:01,000 --> 00:44:03,000
It's going to be rowdy and wild for sure.

454
00:44:03,000 --> 00:44:08,000
See, when you ready to do that Meth Verchef record with me, that's when you'll say me.

455
00:44:08,000 --> 00:44:10,000
We could be Meth Verchef on that.

456
00:44:10,000 --> 00:44:17,000
Man, taking on Doc J, that's, you know, those are big shoes right there.

457
00:44:17,000 --> 00:44:19,000
We're going to be doing a whole lot.

458
00:44:19,000 --> 00:44:21,000
Doc already know we're moving already.

459
00:44:21,000 --> 00:44:22,000
We're already moving.

460
00:44:22,000 --> 00:44:30,000
My last question is going to be a little deep, but what's the one thing you want everyone to say about you at your funeral?

461
00:44:30,000 --> 00:44:35,000
I want them to say Rob from the Mob is one of the realest dudes I've ever met in my life.

462
00:44:35,000 --> 00:44:37,000
Point blank period.

463
00:44:37,000 --> 00:44:39,000
Put that on the tombstone.

464
00:44:39,000 --> 00:44:41,000
All right. I got the very last question.

465
00:44:41,000 --> 00:44:43,000
We're going to close off the segment of Hot Seat.

466
00:44:43,000 --> 00:44:44,000
Last one, Rob.

467
00:44:44,000 --> 00:44:49,000
In your opinion, what is more meaningful to you, loyalty or respect and why?

468
00:44:49,000 --> 00:44:51,000
Loyalty, 100%.

469
00:44:51,000 --> 00:44:57,000
People could respect you, but there's nothing like people that are loyal to you, man.

470
00:44:57,000 --> 00:44:59,000
Like, I think it's just night and day.

471
00:44:59,000 --> 00:45:03,000
Like, you could be, you know, somebody open the door for you.

472
00:45:03,000 --> 00:45:04,000
That's respect, you know.

473
00:45:04,000 --> 00:45:16,000
But when you go to jail and that person bonds you out, you know, put his house up, you know, his, he put his house up to get you on a bond, you know, because he's loyal to you.

474
00:45:16,000 --> 00:45:25,000
You know, come pick you up whenever you need a ride or they lend you a bet, you know, lend you a thousand, two thousand when you need some money and got you, bro.

475
00:45:25,000 --> 00:45:26,000
You know, loyalty, man.

476
00:45:26,000 --> 00:45:27,000
There's nothing like it.

477
00:45:27,000 --> 00:45:29,000
And I think that's my strong point, man.

478
00:45:29,000 --> 00:45:30,000
I'm a loyal last dude, man.

479
00:45:30,000 --> 00:45:32,000
Like you, my friend, you, my family.

480
00:45:32,000 --> 00:45:36,000
And as long as you don't break that, I'm going to be loyal to you for the rest of your life.

481
00:45:36,000 --> 00:45:38,000
I respect that the hell out of that.

482
00:45:38,000 --> 00:45:42,000
So moving on to segment five, 100% facts.

483
00:45:42,000 --> 00:45:46,000
With this segment each week, we'll start to get into the guts of radio success.

484
00:45:46,000 --> 00:45:52,000
Facts about how artists are performing at radio and what Doc J does for work at media based charts, man.

485
00:45:52,000 --> 00:45:54,000
Number one spot.

486
00:45:54,000 --> 00:46:01,000
OK, let's look and see who performed the best at radio last week and snatch that tippity top chart spot.

487
00:46:01,000 --> 00:46:12,000
Tippity top at Urban National Radio Formats is fuck you mean by gonna with over six thousand six hundred sixty two spins per day last week.

488
00:46:12,000 --> 00:46:15,000
No plaque yet, but it's successfully on its way to a gold certification.

489
00:46:15,000 --> 00:46:19,000
It's currently also peaking at number three on rhythmic club charts as well.

490
00:46:19,000 --> 00:46:21,000
And this is one I was actually wrong about.

491
00:46:21,000 --> 00:46:24,000
And you guys know how rare that I'm wrong on something.

492
00:46:24,000 --> 00:46:27,000
So this is why it's stuck in my head.

493
00:46:27,000 --> 00:46:32,000
So it was shipped on 7623 by YSL Records 300 Entertainment,

494
00:46:32,000 --> 00:46:41,000
debuted at forty six on Urban and forty five on Club and has climbed the last two months co-produced by Dunk Rock and Float.

495
00:46:41,000 --> 00:46:49,000
Chattery cocky club rap single with hollering hi-hats and a bangerish Blair chord effect on the hook.

496
00:46:49,000 --> 00:46:54,000
We're going to genuinely admit he's stressed with fame and just wants to make money.

497
00:46:54,000 --> 00:46:57,000
I wish I had both those problems, man.

498
00:46:57,000 --> 00:47:03,000
As we always do here, my voice entertainment had previously reviewed this record for his label back.

499
00:47:03,000 --> 00:47:05,000
Hold on, hold on, hold on, hold on.

500
00:47:05,000 --> 00:47:08,000
Candy, what do you say? Oh, no, he read it.

501
00:47:08,000 --> 00:47:10,000
It wasn't right. I read it.

502
00:47:10,000 --> 00:47:13,000
I read it. I wasn't going to not read it.

503
00:47:13,000 --> 00:47:16,000
I wasn't going to. You've been goofed.

504
00:47:16,000 --> 00:47:22,000
You've been duped. By the way, by the way, Rob, Rob, for candy and a.m.

505
00:47:22,000 --> 00:47:25,000
I made sure I sprinkled the word all over the slides.

506
00:47:25,000 --> 00:47:28,000
So they're they're going to say it a few times if they're not paying attention.

507
00:47:28,000 --> 00:47:31,000
So with that, this is our first race is our first fuck up.

508
00:47:31,000 --> 00:47:33,000
Unless I mean, we're trying to be twisted critics.

509
00:47:33,000 --> 00:47:35,000
So if anything, we're doing a good job.

510
00:47:35,000 --> 00:47:40,000
So raise your sack lash. Show us what you're drinking on candy.

511
00:47:40,000 --> 00:47:43,000
Candy, lead us in our special salute before we take our salute.

512
00:47:43,000 --> 00:47:47,000
Oh, I got you. So barrio.

513
00:47:47,000 --> 00:47:52,000
Barrio. Central and Palentino. Salute.

514
00:47:52,000 --> 00:47:54,000
Salute. Yeah. Yeah.

515
00:47:54,000 --> 00:47:57,000
I am and candy. I'm going to get both of you alive if you're not paying attention.

516
00:47:57,000 --> 00:48:00,000
Oh, no. All right.

517
00:48:00,000 --> 00:48:04,000
So I said the R word this record for his label back in early July.

518
00:48:04,000 --> 00:48:06,000
Let me just start over.

519
00:48:06,000 --> 00:48:10,000
As we always do here, my voice entertainment previously are worded this record for his

520
00:48:10,000 --> 00:48:14,000
his label back in early July on our Bumpeter Dump the panel.

521
00:48:14,000 --> 00:48:19,000
Only two of us were present that week. It was Robin that ironically, they were both wrong.

522
00:48:19,000 --> 00:48:22,000
But let's see who predicted it closer.

523
00:48:22,000 --> 00:48:29,000
Rob from the mob guessed a 20 out of 30 urban and a 40 out of 50 on club and doc.

524
00:48:29,000 --> 00:48:37,000
The master himself guessed the five out of 15 club in a 10 out of 20, 10 to 20 for urban.

525
00:48:37,000 --> 00:48:41,000
And I'm wrong with both of those. It's number one on urban is number three at club.

526
00:48:41,000 --> 00:48:44,000
I'm wrong twice. Whatever. Whatever.

527
00:48:44,000 --> 00:48:47,000
I guess you can't be right every single time, right?

528
00:48:47,000 --> 00:48:49,000
No, I am.

529
00:48:49,000 --> 00:48:51,000
I percent now.

530
00:48:51,000 --> 00:48:53,000
That's right.

531
00:48:53,000 --> 00:48:57,000
So moving on from that, we got new breaking singles here.

532
00:48:57,000 --> 00:49:02,000
We quickly highlight which new songs are breaking the entry on urban radio charts.

533
00:49:02,000 --> 00:49:04,000
And we have four debuts this past week.

534
00:49:04,000 --> 00:49:07,000
All right. I'm going to start with half of them. I'm going to do the first two.

535
00:49:07,000 --> 00:49:12,000
We have bongos by Cardi B featuring Megan the Stallion shipped to radio on nine six.

536
00:49:12,000 --> 00:49:20,000
Twenty three is debuting at number 33 on urban charts with one thousand one hundred and thirty nine spins per day last week.

537
00:49:20,000 --> 00:49:27,000
Distributed by Atlantic Records produced by We Good, Brian Isaac for the 30s and DJ Swanko.

538
00:49:27,000 --> 00:49:31,000
Also debuting at number forty six on club as well.

539
00:49:31,000 --> 00:49:35,000
The second highest new breaking record we have is We Can't Forget Him.

540
00:49:35,000 --> 00:49:43,000
Bobby Storm. That's that record that samples the the the regulate shipped eight twenty two twenty three.

541
00:49:43,000 --> 00:49:48,000
Debuting at number forty three on urban eight hundred and fifteen spins per day last week.

542
00:49:48,000 --> 00:49:50,000
It distributed by Tribby Records.

543
00:49:50,000 --> 00:49:57,000
She's completely indie, largely tick tock viral with over one hundred and five million views in two weeks.

544
00:49:57,000 --> 00:50:04,000
Ironically, her indie label is trying the mystique marketing method of initially not making the single available on any streaming services

545
00:50:04,000 --> 00:50:08,000
or platforms or even YouTube off the off the jump, which I don't know.

546
00:50:08,000 --> 00:50:11,000
That might be a good idea. That might be a bad idea.

547
00:50:11,000 --> 00:50:15,000
It's probably going to be a combination, but I'm bringing it up the rear.

548
00:50:15,000 --> 00:50:23,000
New breaking singles continue equal dirt by Rilo Rodriguez shipped to radio eight eleven twenty three.

549
00:50:23,000 --> 00:50:30,000
Debuted at number forty four for urban with over six hundred and fifty two spins per day last week.

550
00:50:30,000 --> 00:50:35,000
Distributed by GW Entertainment Capital Records, produced by Rilo himself.

551
00:50:35,000 --> 00:50:42,000
Good job, Rodriguez, Paula, Barbara, G06 Beats, produced by Don Stephs.

552
00:50:42,000 --> 00:50:44,000
All right. You know what? It's a lot of producers.

553
00:50:44,000 --> 00:50:46,000
That's a lot of producers.

554
00:50:46,000 --> 00:50:48,000
I was I was a bit doing this and I was like, what?

555
00:50:48,000 --> 00:50:56,000
You got a room full of people tapping Stephs and KVXI.

556
00:50:56,000 --> 00:51:02,000
And I guarantee that's like seven or whatever. Seven nine Barbie World by Nicki Minaj.

557
00:51:02,000 --> 00:51:13,000
I spice in aqua is the next one is going to be shipped six thirty twenty three debuting act number forty five for urban with over five hundred and ninety seven spins per day last week.

558
00:51:13,000 --> 00:51:20,000
Distributed by Atlantic and Republic slash Capital Records, produced by Riot USA.

559
00:51:20,000 --> 00:51:23,000
That's it. One producer. Well, right.

560
00:51:23,000 --> 00:51:27,000
You USA is a group, but I know it's a group.

561
00:51:27,000 --> 00:51:30,000
I know it's a group. It's not like nine of them, though.

562
00:51:30,000 --> 00:51:37,000
And also debuted at twenty five on Rhythmic Club and thirty eight on top.

563
00:51:37,000 --> 00:51:39,000
That's what's up. So we have all rated.

564
00:51:39,000 --> 00:51:45,000
We have rated all four on the past panels, including you, Rob, starting with Cardi B's bongo.

565
00:51:45,000 --> 00:51:48,000
Let's see if we agree or disagree. Mr.

566
00:51:48,000 --> 00:51:52,000
From the mob. Why don't you lead us and why don't you say what you thought about it?

567
00:51:52,000 --> 00:51:59,000
All right. On bongos, I put I love Cardi B when she gets down and dirty.

568
00:51:59,000 --> 00:52:04,000
She pulls no punches when she refers to female anatomy, a topic I prefer.

569
00:52:04,000 --> 00:52:07,000
Megan D. Stallion is a perfect co-host for this show.

570
00:52:07,000 --> 00:52:17,000
This will heavily influence provocative dancing no matter what the scenario thunderous base, wet sticks, snares and fun breakdowns bring a lot of energy to the table.

571
00:52:17,000 --> 00:52:25,000
Impossible for her not to twerk something to fun, raunchy and almost uncomfortable just the way we like it.

572
00:52:25,000 --> 00:52:32,000
I put I predicted ten to twenty on urban and twenty to thirty on Rhythmic Club.

573
00:52:32,000 --> 00:52:36,000
And what did you rate it with to you gave it a oh, I gave it a I gave it a week.

574
00:52:36,000 --> 00:52:40,000
Well, gotcha. OK, I will follow along with them.

575
00:52:40,000 --> 00:52:53,000
Doc J. A nine fourteen said in fact to her label first collab since WAP is an uptempo percussive Latin spice thumper with raunchy energy produced by committee of We Good,

576
00:52:53,000 --> 00:52:56,000
Brian Isaac for the 30s and DJ Swanko.

577
00:52:56,000 --> 00:52:58,000
It's a loop of the term bongos or bong.

578
00:52:58,000 --> 00:53:01,000
They actually say with high hats and a tricky baseline.

579
00:53:01,000 --> 00:53:04,000
Cardi's Mick is mixed too loud in my opinion.

580
00:53:04,000 --> 00:53:10,000
The steady robotic bonds, bonds, bonds, bonds, bonds gets annoying real fast to me.

581
00:53:10,000 --> 00:53:16,000
Lyrically explicit. They try one up in each other speaking on pussy purses, sex and bad bitch attitude.

582
00:53:16,000 --> 00:53:19,000
Cardi I actually like she started out with funny one liners.

583
00:53:19,000 --> 00:53:25,000
I actually appreciated that part overall, though, mediocre and Megan's forgettable on this record.

584
00:53:25,000 --> 00:53:31,000
I didn't like her feature on it, but fun ad libs, ratchet stripper summer appeal and both are stars.

585
00:53:31,000 --> 00:53:35,000
So it'll chart high likely top 10 on both Urban and Club.

586
00:53:35,000 --> 00:53:37,000
I probably should have did something similar to that.

587
00:53:37,000 --> 00:53:41,000
And I gave it and I gave it a week a week dump, by the way.

588
00:53:41,000 --> 00:53:42,000
You dumped it. Yes.

589
00:53:42,000 --> 00:53:43,000
You dumped it.

590
00:53:43,000 --> 00:53:50,000
What I said was I said the crazy thing is I like to be like Cardi had a lot of energy, but it became monotonous very quick.

591
00:53:50,000 --> 00:53:59,000
There wasn't anything that either of them did to change the pace in either of their verses or change up how they were saying anything.

592
00:53:59,000 --> 00:54:07,000
Even when Megan had the pops, the pop drums, like I don't know if you guys heard that there's a kind of thing which was dope for the beat.

593
00:54:07,000 --> 00:54:11,000
Right. But in terms of her, she literally was still doing that.

594
00:54:11,000 --> 00:54:19,000
The stuff that she usually does over that Megan flowed well and had a really cool personal quote.

595
00:54:19,000 --> 00:54:22,000
I personally think that Megan should have gone first.

596
00:54:22,000 --> 00:54:26,000
It's one of those the only songs that I have it like Cardi on in a while.

597
00:54:26,000 --> 00:54:30,000
And now I see why I see all of the women on my timeline talking about the back shot.

598
00:54:30,000 --> 00:54:32,000
Back shot sounds like bongos.

599
00:54:32,000 --> 00:54:35,000
I never knew what the fuck they were talking about until now.

600
00:54:35,000 --> 00:54:40,000
And now I know I don't think I like Cardi enough on this one.

601
00:54:40,000 --> 00:54:43,000
I did like Megan, which surprises me because I don't like Megan much.

602
00:54:43,000 --> 00:54:48,000
Twenty thirty urban and then I did thirty forty club and I gave it a week bump with a beat.

603
00:54:48,000 --> 00:54:50,000
You're probably going to be wrong with those ratings.

604
00:54:50,000 --> 00:54:51,000
Yeah, no, no.

605
00:54:51,000 --> 00:54:56,000
Seeing yours and seeing Rob's, I think I agree with you guys just because of the fact that who they are.

606
00:54:56,000 --> 00:55:01,000
I used to that's crazy because I used to say that even if I don't like it, the fact that you both are superstars.

607
00:55:01,000 --> 00:55:04,000
Right. Yeah. It's going to go higher.

608
00:55:04,000 --> 00:55:08,000
So I kind of agreed with A.M. just had the opposite reaction.

609
00:55:08,000 --> 00:55:11,000
So I said the beat goes hard. Really makes me move my shoulders.

610
00:55:11,000 --> 00:55:14,000
Cardi B showing why she's the best female in the game.

611
00:55:14,000 --> 00:55:18,000
The theme of the song was weak. I kind of just it didn't resonate with me.

612
00:55:18,000 --> 00:55:22,000
But some verses I can see being used as captions.

613
00:55:22,000 --> 00:55:28,000
Both Sonic clean, but the beat can be a bit overshadowing on some parts compared to their verses.

614
00:55:28,000 --> 00:55:30,000
I didn't really like Megan, honestly.

615
00:55:30,000 --> 00:55:33,000
I think she was a weak feature.

616
00:55:33,000 --> 00:55:37,000
But I think Cardi right now, Cardi is the best female artist.

617
00:55:37,000 --> 00:55:39,000
She. Yeah, she does, bro.

618
00:55:39,000 --> 00:55:46,000
I mean, you could argue Nicki Minaj, but I think it's just her legacy that's keeping her up there.

619
00:55:46,000 --> 00:55:48,000
There is Cardi Cardi over Nicky right now.

620
00:55:48,000 --> 00:55:53,000
Cardi Cardi shows up with a lot of personality, and that's that's the one thing that I always like.

621
00:55:53,000 --> 00:55:55,000
It's charisma and she's fun. Right.

622
00:55:55,000 --> 00:55:59,000
The only thing that attacks it, too, like she she goes out like the last time.

623
00:55:59,000 --> 00:56:01,000
Yeah, I like that.

624
00:56:01,000 --> 00:56:04,000
Bro goes hard, bro. Yeah.

625
00:56:04,000 --> 00:56:07,000
The only knock that I've ever had on Cardi had nothing to do with Cardi.

626
00:56:07,000 --> 00:56:09,000
It was her boring mix that they would do on her vocals.

627
00:56:09,000 --> 00:56:13,000
And they've been adding a lot of backing and effects on it.

628
00:56:13,000 --> 00:56:19,000
I don't know if you've seen it, I haven't said it had anything bad to say about her before this song and maybe two years.

629
00:56:19,000 --> 00:56:23,000
Yeah, I just felt like and I think you pick up on this on other records, too.

630
00:56:23,000 --> 00:56:26,000
I felt like her vocals were mixed way louder than Megan's.

631
00:56:26,000 --> 00:56:29,000
It didn't make any sense to me as just to my ears.

632
00:56:29,000 --> 00:56:32,000
You know, I agree. And I'm surprised I didn't say that.

633
00:56:32,000 --> 00:56:38,000
Gotcha. So second debut in single of the week on the chopping block for us is Bobby Storms.

634
00:56:38,000 --> 00:56:41,000
We can't forget him. Two bumps, one dump.

635
00:56:41,000 --> 00:56:46,000
And I'll start Doc J on nine six said newcomer Bobby has tiptoed both social media

636
00:56:46,000 --> 00:56:50,000
live star and gospel R&B artist for a bit now.

637
00:56:50,000 --> 00:56:53,000
But this is more much, much, much more urban.

638
00:56:53,000 --> 00:57:00,000
Her first national single heavily samples Michael McDonald's Keep Forgetting the same exact way Warren G did on Regulate.

639
00:57:00,000 --> 00:57:06,000
What I do dig about is she lyrically pays homage to both records and actually gives like props to both of them.

640
00:57:06,000 --> 00:57:11,000
And girl can really sang love her belt in her layering, her control.

641
00:57:11,000 --> 00:57:17,000
It's viral right now with one hundred and five million plus tick tock views, understandably for the cool sample.

642
00:57:17,000 --> 00:57:24,000
Well written, well mixed. Her indie labels being slow to ship it to stations and upload, which possibly adds more mystique.

643
00:57:24,000 --> 00:57:27,000
But I'm not sure that will end or it or hurt it.

644
00:57:27,000 --> 00:57:30,000
But while it's viral, I think it's going to do well.

645
00:57:30,000 --> 00:57:34,000
I think it's going to climb to the twenty five to thirty five urban range and forty to fifty club range.

646
00:57:34,000 --> 00:57:38,000
And in my opinion, they should ship it to adult R&B as well.

647
00:57:38,000 --> 00:57:40,000
I give it a weak bump.

648
00:57:40,000 --> 00:57:47,000
I get happy saying that someone else says that certain songs should be shipped to other other charts because I feel that way about a lot of music.

649
00:57:47,000 --> 00:57:49,000
I've stopped saying that. I've stopped saying a lot of things.

650
00:57:49,000 --> 00:57:52,000
But that's one of the things that a lot of time I hear.

651
00:57:52,000 --> 00:57:57,000
And I know me and you go back and forth about about Afro beats with that and how they don't have a home.

652
00:57:57,000 --> 00:58:02,000
But I hear a lot of songs that get shipped to club or whatever R&B is.

653
00:58:02,000 --> 00:58:05,000
I don't even know what the fuck they call R&B, whatever they call R&B.

654
00:58:05,000 --> 00:58:10,000
Adult R&B, adult contemporary R&B is, I guess, the thirty and over crew.

655
00:58:10,000 --> 00:58:13,000
What's the under that? What do they call that? Is that rhythmic?

656
00:58:13,000 --> 00:58:16,000
No, that becomes urban. So like rap and hip hop station.

657
00:58:16,000 --> 00:58:20,000
So it really doesn't have a home just like you and I have had the conversation by Afro beats.

658
00:58:20,000 --> 00:58:22,000
It kind of sucks a little bit. It's the same deal.

659
00:58:22,000 --> 00:58:27,000
Right. And I feel like I've heard me and you had this conversation about Alicia Keys and things of that nature.

660
00:58:27,000 --> 00:58:32,000
She always needs to do both, do both. But just don't leave the adult contemporary out.

661
00:58:32,000 --> 00:58:38,000
If you're making music that's fucking sexy, like like the real sexy, not not my pussy.

662
00:58:38,000 --> 00:58:40,000
I'm talking like like that shit sounds Rob.

663
00:58:40,000 --> 00:58:48,000
Rob, what I am speaking on is Alicia Keys had a three year run of about eight singles that all got shipped just to urban rap and hip hop.

664
00:58:48,000 --> 00:58:52,000
Not not anything else. And one of those nine singles charted.

665
00:58:52,000 --> 00:58:55,000
But I personally. What happened?

666
00:58:55,000 --> 00:58:59,000
It did. Yeah, only only one of those nine actually charted.

667
00:58:59,000 --> 00:59:02,000
And like it was like eight flops, if you want to call it that.

668
00:59:02,000 --> 00:59:08,000
Now, the entire time our panels and not just us, but nationwide, have been saying you're shipping to the wrong station.

669
00:59:08,000 --> 00:59:12,000
Your fan base has grown with you. You're 42 years old.

670
00:59:12,000 --> 00:59:15,000
I'm 41. Like we've grown with her. We're in our 30s and 40s.

671
00:59:15,000 --> 00:59:21,000
So therefore the people are going to that are going to listen to her and support her have moved on to the adult R&B station.

672
00:59:21,000 --> 00:59:26,000
So the minute they did that, she had five singles in a row that charted number one on adult R&B.

673
00:59:26,000 --> 00:59:31,000
And it's like it's that stubbornness that some artists think they're in a different genre when they're not.

674
00:59:31,000 --> 00:59:37,000
So I agree with A.M. on that. Like I like to tell the labels, hey, you're shipping the shit to the wrong station.

675
00:59:37,000 --> 00:59:39,000
I feel the same way about Beyonce sometimes.

676
00:59:39,000 --> 00:59:46,000
I understand why she's she can go to urban because of her beats, but I would never leave myself off of adult.

677
00:59:46,000 --> 00:59:53,000
But what I said in my my review and I literally looked at my bottle as I said that.

678
00:59:53,000 --> 00:59:57,000
Come on, guys. My bad. I apologize. Rob, Rob, pull up, man, brother.

679
00:59:57,000 --> 01:00:00,000
Pull up, man. I'm already look. I'm already inebriated.

680
01:00:00,000 --> 01:00:03,000
That's why I probably didn't care. My shit tastes like water now.

681
01:00:03,000 --> 01:00:06,000
I don't know. I'm about to go get in the trouble on my sons here. Thanks, guys.

682
01:00:06,000 --> 01:00:09,000
Listen, my shit does not taste like water. My shit tastes like rum.

683
01:00:09,000 --> 01:00:16,000
That tastes like raspberry, by the way. Salute to all your boys.

684
01:00:16,000 --> 01:00:18,000
So what I said, it was a very clean sample flip.

685
01:00:18,000 --> 01:00:22,000
It was written very well, survived from the beginning of the beat.

686
01:00:22,000 --> 01:00:27,000
And I'm usually I haven't been happy with samples over the last three years that folks been touching.

687
01:00:27,000 --> 01:00:31,000
But this one did the sample justice. Strong vocals. The hook sounds great.

688
01:00:31,000 --> 01:00:36,000
All in all, the mix was a one. And I like this a lot. I added it to one of my one of my things.

689
01:00:36,000 --> 01:00:40,000
I didn't say it was not going to chart. Damn, I did that backwards.

690
01:00:40,000 --> 01:00:43,000
Thirty forty urban. And then I said it was not going to chart on club week.

691
01:00:43,000 --> 01:00:49,000
But would it be gotcha Rob, you're the third person on the panel that actually rated this one.

692
01:00:49,000 --> 01:00:53,000
So what did you have to say about it? We can't forget him. Bobby Storm.

693
01:00:53,000 --> 01:01:01,000
Now, I am not a huge fan of samples. I cannot stand them. I respect them.

694
01:01:01,000 --> 01:01:05,000
I know there's some great songs out there that use them that we've loved for years.

695
01:01:05,000 --> 01:01:08,000
But I think in twenty twenty three, enough is enough.

696
01:01:08,000 --> 01:01:11,000
I put we got another sample of Michael McDonald's.

697
01:01:11,000 --> 01:01:17,000
I keep forgetting with some pretty Bobby Storm vocals on top because she can sing the girl.

698
01:01:17,000 --> 01:01:20,000
Chill R&B type vibes with decent lyrics.

699
01:01:20,000 --> 01:01:27,000
Zero for originality, though, a cleaner mix than the original version gives it a more modern feel.

700
01:01:27,000 --> 01:01:30,000
I think Warren G milk this cow dry.

701
01:01:30,000 --> 01:01:35,000
So it's hard to think of anything else besides regulate in the original cut.

702
01:01:35,000 --> 01:01:39,000
That's what I put. It has a good sound to it, but that's about it.

703
01:01:39,000 --> 01:01:45,000
I said it was going to do 30 to 40 on urban 20 to 30 on rhythmic club.

704
01:01:45,000 --> 01:01:48,000
And I gave it a week. Don't I'm sorry, man.

705
01:01:48,000 --> 01:01:54,000
I just the samples, man, especially those big ones, man, that we've heard time and time again.

706
01:01:54,000 --> 01:01:58,000
I just can't picture these artists sitting in the studio saying, you know what?

707
01:01:58,000 --> 01:02:01,000
Let's make a song that I keep forgetting.

708
01:02:01,000 --> 01:02:03,000
But I just can't. I just don't get it.

709
01:02:03,000 --> 01:02:09,000
So Rob, where I agree with A.M. on this one, at least a little bit complete piggybacking each other.

710
01:02:09,000 --> 01:02:14,000
Like, I like the writing and the fact that she actually gave props to the Warren G record.

711
01:02:14,000 --> 01:02:18,000
And she even gave props to some of the melodic lines of the Michael Madonna record.

712
01:02:18,000 --> 01:02:24,000
So when you do it right, like give props to the old school people, I have a little bit more respect for it.

713
01:02:24,000 --> 01:02:26,000
But I'm usually in line with you, too.

714
01:02:26,000 --> 01:02:29,000
A lot of these drill records that sample something and don't change it at all.

715
01:02:29,000 --> 01:02:35,000
I'm like zero for originality. You know, yeah, she doesn't get a pass for a show.

716
01:02:35,000 --> 01:02:37,000
Given a shout out, I don't care.

717
01:02:37,000 --> 01:02:40,000
Not I'll drink to that.

718
01:02:40,000 --> 01:02:44,000
Shout out to Warren G. Let's just ruin this song real quick.

719
01:02:44,000 --> 01:02:46,000
I'll drink to that, bro.

720
01:02:46,000 --> 01:02:51,000
All right. So next up, it's going to be a single by Rilo Rodriguez equaled her three of us on the panel.

721
01:02:51,000 --> 01:02:56,000
Three fucking dumps. And I said, it's hard to hear.

722
01:02:56,000 --> 01:02:58,000
I hear a lot of little baby influence.

723
01:02:58,000 --> 01:03:02,000
And when I say that, I mean that he auto tuned the fuck out of his main vocals.

724
01:03:02,000 --> 01:03:07,000
But I literally hear I only know the song from the last part on TikTok.

725
01:03:07,000 --> 01:03:10,000
Who dis foe? Who dis foe?

726
01:03:10,000 --> 01:03:12,000
I was like, ah, the condom thing.

727
01:03:12,000 --> 01:03:15,000
I actually hate that shit.

728
01:03:15,000 --> 01:03:22,000
And it makes me get upset because the song at that point is a phenomenal fucking song.

729
01:03:22,000 --> 01:03:27,000
So I have headphones when I was listening to this and it was still hard to hear any words that he was saying.

730
01:03:27,000 --> 01:03:36,000
I understand that we have accents and things of that nature, but the auto tune on top of accents and the ill pronounced words have me only catching three words per fucking sentence.

731
01:03:36,000 --> 01:03:40,000
It makes me feel old. I actually felt the vibe. I knew what they were going for.

732
01:03:40,000 --> 01:03:42,000
I love the beat, but it's a no for me.

733
01:03:42,000 --> 01:03:48,000
4050 Urban is not sharp, no club. And I gave it a strong fucking duck.

734
01:03:48,000 --> 01:03:50,000
I did not disagree with my brother.

735
01:03:50,000 --> 01:03:56,000
A.M. Doc J said on nine six we sent to the label Rilo's new one is troubled relationship.

736
01:03:56,000 --> 01:03:58,000
Emo melodic future.

737
01:03:58,000 --> 01:04:00,000
As mumble trap.

738
01:04:00,000 --> 01:04:04,000
It was trying to sound too much future and got got penalized for it.

739
01:04:04,000 --> 01:04:15,000
Produced by a big committee of Rilo himself, Paula, Barbara, G.O. six beads produced by Dodge, Steph, Spazzing and KV eight or I don't even know KV nine.

740
01:04:15,000 --> 01:04:16,000
I don't even know.

741
01:04:16,000 --> 01:04:21,000
It's a soulful vocal chop, hi hat, springy bass, midi claps and some nice keyboard work.

742
01:04:21,000 --> 01:04:22,000
I'll give him credit on that.

743
01:04:22,000 --> 01:04:30,000
He tries sounding genuine on it, discussing their issues, them both cheating, even take some blame and happy.

744
01:04:30,000 --> 01:04:31,000
She got an abortion.

745
01:04:31,000 --> 01:04:37,000
What? No way too much reverb auto tune for my taste.

746
01:04:37,000 --> 01:04:39,000
It became inaudible.

747
01:04:39,000 --> 01:04:40,000
Certain parts.

748
01:04:40,000 --> 01:04:48,000
I'm not sure if he's sad or mad or just high music game bad yet the vocal sound quality sucks.

749
01:04:48,000 --> 01:04:52,000
He had decent radio run lately, so it'll chart more than likely.

750
01:04:52,000 --> 01:04:56,000
And I'd but I'd like to hear someone that's actually lyrical on this beat.

751
01:04:56,000 --> 01:05:00,000
Someone like myself for a.m. to rap over this beat.

752
01:05:00,000 --> 01:05:02,000
Yeah, I'd like to hear what you say on this beat.

753
01:05:02,000 --> 01:05:05,000
And but I predicted 30 to 40 on both urban and club.

754
01:05:05,000 --> 01:05:08,000
I think it's going to chart on both, but not very long at all.

755
01:05:08,000 --> 01:05:09,000
I give it a week.

756
01:05:09,000 --> 01:05:11,000
Man, this is equal.

757
01:05:11,000 --> 01:05:17,000
It was one of the worst songs I've heard in a long time.

758
01:05:17,000 --> 01:05:20,000
You know, props to do for doing it.

759
01:05:20,000 --> 01:05:28,000
Even if it's a song I don't like, I always give credit to the artist for getting to the studio and putting the work in and actually making the damn song.

760
01:05:28,000 --> 01:05:37,000
But this one here, I put first of all, I strong dump the hell out of this equal dirt by Rilo Rodriguez.

761
01:05:37,000 --> 01:05:40,000
Rilo Rodriguez sounds like a poor man's little baby.

762
01:05:40,000 --> 01:05:43,000
The mumble rap auto tune is terrible.

763
01:05:43,000 --> 01:05:46,000
The pathetic attempt to mimic future is just as bad.

764
01:05:46,000 --> 01:05:49,000
The 808s are the only thing popping here.

765
01:05:49,000 --> 01:05:53,000
No vibe, no message, no theme, no originality.

766
01:05:53,000 --> 01:05:55,000
I said, I'm not into this at all.

767
01:05:55,000 --> 01:06:01,000
I think it's going to go 30 to 40 on urban because it had a strong, you know, debut position.

768
01:06:01,000 --> 01:06:02,000
But that's it.

769
01:06:02,000 --> 01:06:04,000
And I strong dumped it.

770
01:06:04,000 --> 01:06:08,000
Man, I think that that song is everything that's wrong with music today.

771
01:06:08,000 --> 01:06:11,000
But hey, props for doing it.

772
01:06:11,000 --> 01:06:15,000
Props for getting in the studio and putting in the work just because I don't like it.

773
01:06:15,000 --> 01:06:18,000
Just because I don't like it don't mean it's a bad song.

774
01:06:18,000 --> 01:06:20,000
You know, some people probably love that, but not me.

775
01:06:20,000 --> 01:06:22,000
I thought it was terrible.

776
01:06:22,000 --> 01:06:25,000
I'm glad I'm never going to listen to that song ever again.

777
01:06:25,000 --> 01:06:33,000
Last but not least is Nicki Minaj's Barbie World had four reviewers, three bumps and one dump.

778
01:06:33,000 --> 01:06:35,000
Oopsie. Oh, fuck.

779
01:06:35,000 --> 01:06:38,000
That's another shot. Oh, no.

780
01:06:38,000 --> 01:06:42,000
I missed it. Oh, fuck.

781
01:06:42,000 --> 01:06:45,000
All right, guys. Salud. Rob, you're taking a shot with us, by the way.

782
01:06:45,000 --> 01:06:48,000
Oh, shit.

783
01:06:48,000 --> 01:06:52,000
Oh, Rob, I'm raising my glass to you, brother.

784
01:06:52,000 --> 01:06:57,000
You pulled the record.

785
01:06:57,000 --> 01:06:59,000
Yo, candy. He just pulled it.

786
01:06:59,000 --> 01:07:03,000
Candy. He just pulled a practice practice.

787
01:07:03,000 --> 01:07:07,000
We going we going redemption. Now I got to redeem myself.

788
01:07:07,000 --> 01:07:12,000
We're going redemption. I need I need to hear Rob from the mob intoxicated by the end of this episode.

789
01:07:12,000 --> 01:07:16,000
So so on seven for I said I low key like it.

790
01:07:16,000 --> 01:07:21,000
It makes my head bob for sure. A little too short for my liking, but I do enjoy the song.

791
01:07:21,000 --> 01:07:23,000
I'm digging the new drill style coming out.

792
01:07:23,000 --> 01:07:29,000
I did have a little trouble understanding some of the lyrics through the original song playing over it.

793
01:07:29,000 --> 01:07:32,000
But majority was clear and clean.

794
01:07:32,000 --> 01:07:38,000
So I gave it a 10 to 2 on rhythmic club and I thought I was going to go 30 to 40 on pop.

795
01:07:38,000 --> 01:07:39,000
I gave it a week bump.

796
01:07:39,000 --> 01:07:43,000
Did 10 to 20 on Rhythmic Club? Yeah.

797
01:07:43,000 --> 01:07:47,000
OK, I heard 10 to 2 when he said that I was like, wait, what?

798
01:07:47,000 --> 01:07:50,000
I said what I said. I said what I said.

799
01:07:50,000 --> 01:07:53,000
I am your turn, brother. I'm looking for it. I'm looking for it.

800
01:07:53,000 --> 01:07:57,000
No, it's a me and then you, Rob. So you got a little bit time.

801
01:07:57,000 --> 01:08:02,000
I just like the beating personally. I don't like the drill beats and the vocals on nostalgic songs like this.

802
01:08:02,000 --> 01:08:07,000
It borderlines or borders corny. The hook hits and makes you want to dance.

803
01:08:07,000 --> 01:08:13,000
The song is going to do numbers. You can't help but want to dance to the hook itself.

804
01:08:13,000 --> 01:08:16,000
It's a short replayable song with good quality.

805
01:08:16,000 --> 01:08:22,000
I know it sounds weird that I put all those things together like that, but I don't like it and I don't hate it.

806
01:08:22,000 --> 01:08:26,000
I think it's going to do well because of the ladies, which is what the fuck I should have said earlier.

807
01:08:26,000 --> 01:08:31,000
But I'll give it a week bump because of the intelligence of what they did.

808
01:08:31,000 --> 01:08:37,000
It's smart 10 to 20 for club 30 to 40 to pop. And that's it. It's not going to chart on urban.

809
01:08:37,000 --> 01:08:42,000
I heard that the only reason they did that was because Aqua didn't want their song to be featured on the film.

810
01:08:42,000 --> 01:08:46,000
See, but that makes sense to me. Like, why not?

811
01:08:46,000 --> 01:08:51,000
And in my I almost said it in my rating, I actually explained the bigger problem.

812
01:08:51,000 --> 01:08:59,000
It's not Aqua. Aqua got paid for this candy. So they actually don't they don't care because it's actually debuting at Rhythmics on Club.

813
01:08:59,000 --> 01:09:05,000
I'm sorry. It's actually debuting on Urban. So A.M. got that one wrong for sure.

814
01:09:05,000 --> 01:09:11,000
But all right. So what I said to her label was Barbie's film is due mid July.

815
01:09:11,000 --> 01:09:19,000
And here's a clubby sample drill for a single pair in this year's new it girl I Spice with Barbie persona Nicki Minaj.

816
01:09:19,000 --> 01:09:32,000
The riot USA beat rides heavy on a aquas to 1997 hit Barbie World Loop over a spread of speedy syncopated drill drums and 808s already controversial because the rapper

817
01:09:32,000 --> 01:09:41,000
problem and sweetie are on social media is claiming that Nikki stole the entire idea from Sweetie's IG live of them making the beat.

818
01:09:41,000 --> 01:09:44,000
But they didn't copyright it. Oh, no. Yeah.

819
01:09:44,000 --> 01:09:54,000
So what happened was I think I don't and I don't blame all of it on Nikki. I think riot USA heard them do that made the beat so it's Nikki and copyrighted before Sweetie did anything with it.

820
01:09:54,000 --> 01:10:01,000
So I may not put all the blame on Nikki but damn sure she knew about it. I think we got to put the blame on Sweetie though.

821
01:10:01,000 --> 01:10:11,000
That's the number one thing you always say copyright. Yep. Yep. Well, the thing is I don't think Sweetie and problems finished making the record they played around with a Barbie beat and like oh we should ship this to the Barbie film but they didn't.

822
01:10:11,000 --> 01:10:23,000
You know that was their own bad. Plenty of raunchy Barbie metaphors on partying and being bad bitches. Good energy yet repetitive and bubblegum corny. I agree with AM on this one. This was really corny to me.

823
01:10:23,000 --> 01:10:30,000
Real basic and super short at just under a minute and 50 seconds. These singles are getting shorter guys.

824
01:10:30,000 --> 01:10:44,000
How well Princess Diana did it'll chart and be slower but be slower than expected. I think my guess is 10 to 20 at pop 20 to 30 at club and 35 to 45 urban week dump. I'm the only one that dumped it.

825
01:10:44,000 --> 01:10:48,000
It was nice. I kind of I didn't love it.

826
01:10:48,000 --> 01:10:53,000
Rob have you found it or no. Yeah, I got it. All right. You're next up brother.

827
01:10:53,000 --> 01:11:04,000
All right. Barbie world. You know I love the female artists man. I'm a huge fan. I love them. I'm starting to get sick of all the dudes.

828
01:11:04,000 --> 01:11:12,000
I'm becoming a bigger and bigger fan of all those especially I spice. So I bumped it. I put a weak bump on this.

829
01:11:12,000 --> 01:11:24,000
Even though it's a Barbie world song and I wrote I like how they have aqua as a feature artist even though this was her original concept because that was her original track. I put I love I spice for me.

830
01:11:24,000 --> 01:11:34,000
For now I think I spice is the hottest female artists right now. I think so and personal person. So I put she has replaced Cardi B for me at least I put that there.

831
01:11:34,000 --> 01:11:44,000
Nicki Minaj is still one of the greatest. This track is a version of Barbie girl where herbs and I spice I try to be funny there sorry.

832
01:11:44,000 --> 01:12:01,000
A track off the Barbie movie soundtrack which was a pretty cool concept. I've got it one time doing top 10 on rhythmic club 15 to 25 on pop and 40 to 50 on urban I I might have out reached myself and like I said I'm a fan.

833
01:12:01,000 --> 01:12:12,000
I love Nikki. I love I spice and I think you know I put a week bump because I thought it was enjoyable. I thought it was fun. I have a question for a.m. and Rob both actually.

834
01:12:12,000 --> 01:12:30,000
Do you think and this is just my personal opinion when we do these ratings. I'm being very careful my words here because I am a little intoxicated. But do you guys think with the movie coming out in July and this being shipped to radio July 4th and it taking this long to even debut at number 45.

835
01:12:30,000 --> 01:12:46,000
Do you think I mean I even said that in my review it'll do it'll chart but be slower than expected. Do you think that's going to hurt its chance of climbing up. No I think after the movie comes out and things of that nature it's going to metadata metadata.

836
01:12:46,000 --> 01:13:06,000
My words and no matter what the fuck we do on Google Yahoo or whatever we're using for the search engine it's going to pop Barbie up at the top and it might not be the number one search but it'll be it'll be top 10. So I think with that even if we have mistake clicks and people not liking it people talking bad or down on it.

837
01:13:06,000 --> 01:13:11,000
I think they're going to get enough traction for the song to do something.

838
01:13:11,000 --> 01:13:14,000
Okay.

839
01:13:14,000 --> 01:13:29,000
All right. So all right. So candy move on to the next spot then it's time for just the stats. This is where we separate radio from streaming and the men from the boys and a.m. from Doc. Everyone knows.

840
01:13:29,000 --> 01:13:48,000
Doc lies a.m. lies Rob might lie. I'm not too sure. So let's go through the more meaningful stats and an actual movement on the U.S. urban charts. So we got three of the biggest risers this week where number one there I go by Gucci Mane featuring J Cole up five spots from 34 to 29.

841
01:13:48,000 --> 01:14:04,000
It is up thirty seven point six more spins now averaging about one thousand three hundred sixty four spins a day. Number two we got meltdown featuring Travis Scott. Oh my bad. Meltdown by Travis Scott featuring Drake up four spots from 20 to 16.

842
01:14:04,000 --> 01:14:13,000
It is up eighteen point seven more spins now with an average of two thousand five hundred and eighty five spins a day. Man Drake carrying that for sure.

843
01:14:13,000 --> 01:14:27,000
Number three we got endless fashion by little Uzi Vert featuring Nicki Minaj up three spots from twenty three to twenty with twenty two point three percent more spins now with two thousand two hundred sixty more spins a day.

844
01:14:27,000 --> 01:14:46,000
All right. So if candy's got the biggest risers I guess I'm the dooms man this time I'm going to tell the biggest three drops this week. We got number one fight the feeling by Rod Wave it's down nine spots going from 16 to 25 28 percent less spins and it's now down to one thousand six hundred and eighty five spins per day.

845
01:14:46,000 --> 01:15:02,000
Number two is thing for you. Rilo Rodriguez featuring no cap it's down six spots from 31 to 37 seven point seven percent less now one thousand sixty seven spins per day and curious by NLE Choppa featuring that's not correct.

846
01:15:02,000 --> 01:15:09,000
Curious is actually Eric Bellinger and fabulous and someone else by the way.

847
01:15:09,000 --> 01:15:23,000
Oh no I'm happy you're here curious by Eric Bellinger down four spots from 22 to number 26 twenty two point six percent less now one thousand six hundred seventy six seventy three spins per day.

848
01:15:23,000 --> 01:15:34,000
Hey I'm the drunk I am the drunk fuck of the fucking show. I thought it was six p.m. just now guys.

849
01:15:34,000 --> 01:15:45,000
Respect to the Indies this week let me see if my eyes were properly point to me in the rapper featuring Cardi B's up point point me to point me part two.

850
01:15:45,000 --> 01:15:55,000
Look see you see I'm just letting you know let me do it again. Respect to the Indies this week. Point me that's a point to me.

851
01:15:55,000 --> 01:16:13,000
One more time. Respect to the Indies this week. Number one is going to be point me to Bindi the rapper featuring Cardi B up to number 13 with 2774 spins per day which is a four point seven percent increase.

852
01:16:13,000 --> 01:16:31,000
Calibans by Byron Maseya. Fuck his name. Fuck his name. I hate it. Up to 17 with 2273 spins per day one point four percent increase.

853
01:16:31,000 --> 01:16:43,000
From sexy red. Wish I could see my face up to number 21 with two thousand one hundred and ninety nine spins per day. It's a twenty point two percent increase.

854
01:16:43,000 --> 01:16:57,000
Not luck from Malcolm May feature a little baby up to 24 with 1764 spins per day which is a five point nine percent.

855
01:16:57,000 --> 01:17:09,000
I'm dying laughing because I could see your face you're on video. I know I'm going to my. I want to speak on what Doc he brought up Rod Wave they're cooking him on social media. Yeah.

856
01:17:09,000 --> 01:17:22,000
He broke his heart so many times because he's fat. I'll say this though. Yo yo candy what's really funny with that and I think Jessica Bonilla one of our next guest and then the next few episodes will speak on it too.

857
01:17:22,000 --> 01:17:34,000
In the state of Florida like he's that that Fort Myers Tampa area. He just did his birthday party there and he sold out a dam like that shit was like eighty five thousand people and it was packed.

858
01:17:34,000 --> 01:17:41,000
So it's like right now he's hot with a lot of a lot of athletes actually a lot of athletes listening man believe it or not.

859
01:17:41,000 --> 01:18:02,000
A.M. and I butt heads on artists like that Rod Wave and more a because it's like just like what's the state is like fucking give you on with your own ass.

860
01:18:02,000 --> 01:18:15,000
Like I like giving on to the music is derived from from Correios from Mexican shit. You know what I mean. I'm not trying to be offensive. I'm not trying to be offensive. I'll be singing. That's why Rob said that shit earlier right.

861
01:18:15,000 --> 01:18:25,000
My mother fucking mother says I sound like Kendrick Lamar J Cole and then she's like when I heard giving sing it sounded like you I said bitch fuck you.

862
01:18:25,000 --> 01:18:39,000
You remind me of a giddy on but you but you gave me Rod Wave. That's that's what she said. And look that's very fucking true very fucking true.

863
01:18:39,000 --> 01:18:47,000
Give me I keep things moving. We're at the radio RIPs or the way a candy says it the radio rips the radio rips maybe rip it up.

864
01:18:47,000 --> 01:19:02,000
This is the deaths or singles that are actually fell off radio charts the top 50 at least ending on 9 10 23. Here we are given a final farewell to the singles that officially died and fell off the national rotation of commercial radio.

865
01:19:02,000 --> 01:19:08,000
This week we had five condolences to Morn and Barry this week candy. Why don't you kick us off first.

866
01:19:08,000 --> 01:19:17,000
But we got a search and rescue by Drake. It was shipped mid April had a five month run peaked at number five but it had no plaques.

867
01:19:17,000 --> 01:19:25,000
We have chromosomes by heat lock ship late May for one run and it peaked at number 19 with no plaque.

868
01:19:25,000 --> 01:19:33,000
I don't know if you guys saw me clapping I was really happy to see a Drake single die. I know I know I gotta look at my screen clapping for a and putting in that word.

869
01:19:33,000 --> 01:19:39,000
I was clapping for both. But all right. Number three that's falling off the charts is bluffing Gucci Mane featuring little baby.

870
01:19:39,000 --> 01:19:46,000
It was shipped early July two and a half month run it peaked at number 27 and it did not earn a plaque.

871
01:19:46,000 --> 01:19:57,000
So on the more successful part of it we got double back by Coco Jones. It was shipped mid June had a three month run but it peaked at number one and earned a gold plaque.

872
01:19:57,000 --> 01:20:06,000
Interesting fact with that do any of you three watch the reboot of Fresh Prince Bel Air. Yes and I know she's star I know she stars as Hillary.

873
01:20:06,000 --> 01:20:12,000
She's Hillary. Yeah. So she had a conversation with someone at my job about it early on. Coco was fucking beautiful.

874
01:20:12,000 --> 01:20:20,000
She's beautiful and she can sing too. That's the cool thing. Like she's got that almost Mary type of pain.

875
01:20:20,000 --> 01:20:33,000
And she's beautiful. Yeah. She's beautiful. She's fucking beautiful. And what's my brother. I got a go answer from Ali chopper in the L.E. fucking mouth.

876
01:20:33,000 --> 01:20:43,000
Ain't gonna answer from NL each other featuring little Wayne. It was shipped early April five point five month run peak that number one but he didn't get a plaque.

877
01:20:43,000 --> 01:20:50,000
That's crazy. That's ironic that the record where with the exception of bluffing double back was the only one that was three months or or less.

878
01:20:50,000 --> 01:20:58,000
And it's the only one that earned a plaque. All these ones had like five months five and a half months don't earn plaques. That's crazy to me. So are they really successful.

879
01:20:58,000 --> 01:21:06,000
Yeah. They're successful. They're successful because they're popular and you guys know my opinion about popularity versus profit. But that's another whole podcast.

880
01:21:06,000 --> 01:21:14,000
Profit over popularity. What are we talking about. Profit. Yeah we're gonna go with Rob. We all indie. We want profit. We don't care about popularity.

881
01:21:14,000 --> 01:21:25,000
No. This is our segment six edutainment. This is my favorite part of the show where we like to help you listeners and make you listeners that email us actually the stars of a segment.

882
01:21:25,000 --> 01:21:40,000
If you don't know already we have a Facebook fan page www.facebook.com backslash twisted critics close your parentheses if you fancy like that a mailing list that you can subscribe to and a twisted critics business email which is going to be twisted critics at mail.com

883
01:21:40,000 --> 01:21:56,000
Don't confuse it with Gmail Y mail a male female where anyone can send in business questions help. That can I even text people. But this is where we pull two questions make you the star and myself. God will pull you through and guide you through the answers.

884
01:21:56,000 --> 01:22:10,000
Can you. Why don't you do the honors me. Hermano I got stuck literally sitting here saying how the fuck do you say brother in Spain. Let me get my hat ready. I got the questions right here.

885
01:22:10,000 --> 01:22:31,000
And first up we got Sandra Blanding from New York. She says I have my own distribution and my artist I'm pushing named Yellow Zoo who I'm thankful to see royalties for. My question is has a rush has a registration process through media based change.

886
01:22:31,000 --> 01:22:51,000
And where do I access it. Just number two we got die witness a.k.a. Genesis from that is a unique name. Honestly I'm be real to you. I don't got my glasses. I'm a little tipsy. I'm probably mispronouncing it. Yeah I'm winging it right now bro. I'm pulling an AM saying

887
01:22:51,000 --> 01:23:09,000
I be a is that what Virginia. Yes Virginia. He's from Virginia. I just added him on social media two nights ago too which is pretty ironic that you pulled that question. So that's so yes. If you plan to release content under creative common license is it still necessary to copyright the content.

888
01:23:09,000 --> 01:23:26,000
All right. So first of all I'm going to answer these questions with an answer but I'm also pose questions to both Rob and a.m. because they're the two artists in this. So first of all starting with Sarah Blanding from New York. What's up New York where I was born at.

889
01:23:26,000 --> 01:23:39,000
She is she has earned distribution and artist she's pushing Yellow Zoo. She's seen royalties but she wants to know has the process for media based change the process for media based has not changed since 2003.

890
01:23:39,000 --> 01:23:52,000
So unless she hasn't submitted anything for media based encoding in 20 years it definitely hasn't changed. Rob do you know how to submit anything to media based right now because that is my job.

891
01:23:52,000 --> 01:24:02,000
Man I'm going to call Doc J and be like you know Doc J I need to submit something to media base and then we're going to take it from there.

892
01:24:02,000 --> 01:24:10,000
That is what's and that's that's the proper way to do like that's where I have respect for artists that go to conferences and be like I don't know how to do this but I know who to call for it.

893
01:24:10,000 --> 01:24:22,000
So all right. So Sarah to explain this to you very very simple if you do a Google search there's a website called WWW to dot media based dot com.

894
01:24:22,000 --> 01:24:29,000
If you do a Google search for in code to media base it's going to bring you I think it's like the third or fourth link down.

895
01:24:29,000 --> 01:24:34,000
I haven't done the search but it's like the third or fourth link fourth link down for new music notifications.

896
01:24:34,000 --> 01:24:43,000
So you don't register music to media base like you would like a performing rights or you you register your music to be my ASCAP CSEC SOCOM etc.

897
01:24:43,000 --> 01:24:50,000
You register a copyright application form for media base we call we do what's called code encoding.

898
01:24:50,000 --> 01:24:54,000
You find that encoding new music notification form.

899
01:24:54,000 --> 01:25:04,000
I have it open on my screen right now it asks you very simple questions name company phone email exact title from the copyright.

900
01:25:04,000 --> 01:25:08,000
So therefore you got to have a copyright first don't encode it before copyright.

901
01:25:08,000 --> 01:25:17,000
If there's any feature on it the official release date if it has already been illegally released like without a copyright and your ISRC code.

902
01:25:17,000 --> 01:25:24,000
So all that you fill it out and at the very bottom there's a song audio choose file from computer and you upload it from it.

903
01:25:24,000 --> 01:25:32,000
So it's super easy the minute you upload it from it you can only do one song per application form or per encoding.

904
01:25:32,000 --> 01:25:38,000
You upload it with that choose file part and then you hit submit and it takes us 48 to 72 hours.

905
01:25:38,000 --> 01:25:40,000
So two to three days to encode your record to media base.

906
01:25:40,000 --> 01:25:47,000
So we're one of the quicker steps your biggest concern will be you get in that copyright first and you get in your ISRC code.

907
01:25:47,000 --> 01:25:50,000
Once you have those two in hand this is your next step that you should be doing.

908
01:25:50,000 --> 01:25:54,000
So that was a really good question because a lot of people don't know that.

909
01:25:54,000 --> 01:26:02,000
But no the process hasn't changed since 2003 and Candy please refresh my memory because I talked way too much for that one.

910
01:26:02,000 --> 01:26:03,000
What's the second question.

911
01:26:03,000 --> 01:26:11,000
It was if you plan to release content under a Creative Commons license is it still necessary to copyright the content.

912
01:26:11,000 --> 01:26:14,000
All right. So Jai Jai witness from Virginia.

913
01:26:14,000 --> 01:26:19,000
I'm going to go to A.M. on this one. Do you know what Creative Commons license was even created for Mr.

914
01:26:19,000 --> 01:26:21,000
Rabbit A.M. Isn't it.

915
01:26:21,000 --> 01:26:25,000
Isn't it. Wait. So I used to see this all the time.

916
01:26:25,000 --> 01:26:28,000
Is it made for video. It's made for everything.

917
01:26:28,000 --> 01:26:30,000
So it could be for music.

918
01:26:30,000 --> 01:26:31,000
It could be for audio.

919
01:26:31,000 --> 01:26:34,000
It could be for literature. It could be for resources.

920
01:26:34,000 --> 01:26:38,000
So to answer Jai witnesses I want to answer this correctly for him.

921
01:26:38,000 --> 01:26:42,000
We got to give him a slight very brief history lesson.

922
01:26:42,000 --> 01:26:50,000
The website for Creative Commons was created the organization is a nonprofit organization by the way it was created in 2001 and it was for university.

923
01:26:50,000 --> 01:27:00,000
So like when A.M. and I that was the time A.M. and I were in college when we were going to college anything that you're pulling for reports dissertations essays.

924
01:27:00,000 --> 01:27:02,000
That is all considered Creative Commons.

925
01:27:02,000 --> 01:27:18,000
So like when you go to like websites like Wikipedia that even falls under Creative Commons for the longest time for like half a decade they thought that they hated Library of Congress and copyrights because they give out everything that goes to Creative Commons license for free.

926
01:27:18,000 --> 01:27:26,000
So with your question I'm going to answer your first half of the question if you plan to release content under Creative Commons license you don't want to do that.

927
01:27:26,000 --> 01:27:28,000
You want to make money off of your music.

928
01:27:28,000 --> 01:27:31,000
You want to make a living out of this. You want to pay your bills.

929
01:27:31,000 --> 01:27:41,000
If you did release it registered under Creative Commons license you are basically giving licenses for people to use it for free for non monetization.

930
01:27:41,000 --> 01:27:45,000
So college students stuff graphics for photography.

931
01:27:45,000 --> 01:27:49,000
That's all under under Creative Commons license as well.

932
01:27:49,000 --> 01:28:02,000
So therefore the people that use it they get a license that says hey we can put this out for a college paper for you know local underground TV show and we won't get sued if we don't make any money off of it.

933
01:28:02,000 --> 01:28:12,000
The minute they start making money off of it as long as the original creator has a copyright they can enact their copyright rights and say hey you got to pay me an actual license to use this.

934
01:28:12,000 --> 01:28:15,000
So it's kind of a two part question you asked there.

935
01:28:15,000 --> 01:28:33,000
Definitely necessarily necessary to get a copyright if you actually go and I have it open for you the Creative Commons website which is HTTPS colon backslash backslash Creative Commons dot org backslash FAQ backslash.

936
01:28:33,000 --> 01:28:37,000
They actually give you that whole history lesson in long form that I just read to you.

937
01:28:37,000 --> 01:28:53,000
It explains that they're not against copyrights it explains that you need a copyright explains what the term some rights reserved means and that's what Creative Commons was it's a nonprofit org that allows all this content whether it be music photography video lyrics

938
01:28:53,000 --> 01:29:01,000
whatever to go on the line for students primarily to use for the reports and not be charged for it.

939
01:29:01,000 --> 01:29:07,000
But if you are going to go that route, please copyright it before you submit it there and upload it.

940
01:29:07,000 --> 01:29:17,000
Wise words from the doc himself. That's right. I want everyone to make money off of this. This is our business. We have to make living we all got kids we got families we got wives we got bills.

941
01:29:17,000 --> 01:29:23,000
We all need to make a little bit of profit out of this. Salute to that. Salute to that.

942
01:29:23,000 --> 01:29:26,000
Oh boy we at our death part now.

943
01:29:26,000 --> 01:29:34,000
I'm already fucked up. We are now in segment number seven seven degrees of separation. All right.

944
01:29:34,000 --> 01:29:43,000
Just in case we haven't drank enough yet. This is what we're going to fuck this shit all the way up and change that. I got nothing else like I'm doing it all fucking shots.

945
01:29:43,000 --> 01:29:50,000
I'm sending messages to women right now talking about trying to eat that but whole when my son fall asleep. So so and I thought it was 6pm.

946
01:29:50,000 --> 01:29:56,000
All right. So since we are the Twisted Critics and rap AM is definitely a twisted critic right now.

947
01:29:56,000 --> 01:30:06,000
Since we at Twisted Critics have become Spotify curators we use this little game Rob to show and test our music knowledge and memory.

948
01:30:06,000 --> 01:30:13,000
A theory proposed in 1929 and resurrected by the music by the movie industry in the early 90s.

949
01:30:13,000 --> 01:30:26,000
There was a running joke in the industry and a concept that that every actor and actress was somehow related or linked through movie roles or relatives to Kevin Bacon by either six degrees or connections or less.

950
01:30:26,000 --> 01:30:32,000
We are crazy enough especially AM to test the same theory with damn urban music.

951
01:30:32,000 --> 01:30:39,000
So Rob this is where you are curator to you are actually creating this playlist as you speak right now.

952
01:30:39,000 --> 01:30:49,000
So this once this goes live on next Monday you can tell your homeboys your family your friends your girls whatever that you created this playlist with us in exchange.

953
01:30:49,000 --> 01:30:53,000
You got to play this game with us right now. Do me a favor and pull out a drink.

954
01:30:53,000 --> 01:30:59,000
Make sure it's in front of you because we're probably going to take a handful of shots if we ain't our P's and Q's right now.

955
01:30:59,000 --> 01:31:19,000
All right. This is rapid fire seven connections seven rounds 10 second guesses obviously no cheeky cheating and for each mistake that any of us make all of us take shots including the listeners we are connecting songs through collaborations not producers not writers not crews.

956
01:31:19,000 --> 01:31:23,000
Nothing like that. Do you understand this.

957
01:31:23,000 --> 01:31:33,000
So I got to take a shot even if you get it wrong. Yes.

958
01:31:33,000 --> 01:31:36,000
So first of all Rob you understand the rules.

959
01:31:36,000 --> 01:31:45,000
I think I do. Okay. So last episode we left off on thug love by bone thugs and harmony featuring to pop.

960
01:31:45,000 --> 01:31:53,000
Why don't you make the first connection so you can use either bone thugs and harmony or to pop and connect them to another song.

961
01:31:53,000 --> 01:31:56,000
I'm going to go smile.

962
01:31:56,000 --> 01:32:01,000
And that's to pop to pop your scarface. Yeah. Nice.

963
01:32:01,000 --> 01:32:15,000
All right doc you are one of my favorite songs of all time and my two favorite artists of all time. All right. All right. I love our days too. I think I love Scarface as much as Rob I'm going to go keep the Scarface line going on.

964
01:32:15,000 --> 01:32:26,000
I'm going to connect smile with to pocket Scarface with can't be life. Jay Z featuring Scarface and beanie seagull.

965
01:32:26,000 --> 01:32:28,000
Good job.

966
01:32:28,000 --> 01:32:34,000
So Sam what you got for us. That's it. Oh fuck. I fucked up. Okay. Wait.

967
01:32:34,000 --> 01:32:40,000
Who'd you do you did Jay Z and beanie seagull and Scarface. Yeah. And Scarface.

968
01:32:40,000 --> 01:32:47,000
I'm going to do Jay Z Kanye West niggas and parents.

969
01:32:47,000 --> 01:32:50,000
Okay.

970
01:32:50,000 --> 01:32:51,000
You are.

971
01:32:51,000 --> 01:32:53,000
You are.

972
01:32:53,000 --> 01:32:58,000
You are.

973
01:32:58,000 --> 01:33:05,000
You are.

974
01:33:05,000 --> 01:33:14,000
Four, three, two, Jay Z featuring you GK big pimper. That's right.

975
01:33:14,000 --> 01:33:28,000
And it would be on me Jay Z featuring my bad. I thought it was candy's turn. No you're all good. You are good. You are. It's just me. You're not right now. Okay. Okay. Let's go. Okay. So I'm going to connect.

976
01:33:28,000 --> 01:33:40,000
Oh, let's see Jay Z featuring you GK big pimp and I am going to connect Jay Z with Mary J. Blige can't knock the hustle. I love it.

977
01:33:40,000 --> 01:33:51,000
So wait, y'all go ahead. I might make us drink but I'm gonna have I'm gonna have the feature and all of that right and I had the song right I'm going Jay Z freeway and my brain is you know what we do is wrong.

978
01:33:51,000 --> 01:33:54,000
I don't know the fucking song title.

979
01:33:54,000 --> 01:33:58,000
Oh, it's what we do.

980
01:33:58,000 --> 01:34:16,000
I'm gonna make it through this whole bit without fucking up. Come on Rob bring it home. It's the first time we ever had Jay Z and freeway what we do. Yep. Wow.

981
01:34:16,000 --> 01:34:29,000
I'm gonna make it Jay Z freeway clutch can rob for the mob bring us home right now.

982
01:34:29,000 --> 01:34:35,000
And oh my god. Say the song.

983
01:34:35,000 --> 01:34:38,000
And then I'll help them.

984
01:34:38,000 --> 01:34:49,000
I'm gonna make it in the morning without giving you up on my door even worse if I was broke would you want me. I can't remember the name of the song. Same here. That's not. Yeah, we go take a shot.

985
01:34:49,000 --> 01:34:52,000
That's that's that's not Foxy. Is that Foxy.

986
01:34:52,000 --> 01:34:55,000
That's a meal. Yep. All right.

987
01:34:55,000 --> 01:35:06,000
All right. He's talking. I just took a shot for you guys. He's talking about that's a Jay Z records featuring I think Ja Rule and a meal if I'm not mistaken. Yeah, that's what job Jay Z and job rule man.

988
01:35:06,000 --> 01:35:21,000
That's what I'm talking about. Hey fucking ride by itself is fucking trash. What was that record the whole and we got to we got to put that in for Rob. We got through it with only taking one shot though I'm proud of us.

989
01:35:21,000 --> 01:35:25,000
And I'm dying over there.

990
01:35:25,000 --> 01:35:30,000
It's called Can I get a can I get a get a what can I get a yeah there we go.

991
01:35:30,000 --> 01:35:37,000
That's the top of my head. That's the first song I thought about. That's funny. So Jay Z featuring job role and a meal.

992
01:35:37,000 --> 01:35:48,000
Oh, that's funny that hey we made it through without dying on that one am and like baby bro I've been drinking this whole thing.

993
01:35:48,000 --> 01:36:07,000
All right, so we're on the outro right now man every single time that seven degrees of death kicks our ass and this time it did not good times though Rob you've been family already but now you have officially graduated and being a twisted credit and we can't help we can't wait to get you back on here and talk more in the detail and things of that nature for real.

994
01:36:07,000 --> 01:36:13,000
I think you have yourself pretty well to be honest we appreciate the stories your your POV your insight and review.

995
01:36:13,000 --> 01:36:29,000
Oopsie Oh fuck he said reviews outside there looking at the word thinking he won't say it too.

996
01:36:29,000 --> 01:36:30,500
I am inebriated.

997
01:36:30,500 --> 01:36:34,900
Yo, yo, yo, Rob Candy is inebriated too, I believe.

998
01:36:34,900 --> 01:36:37,400
We got a lot of stuff going on over here.

999
01:36:37,400 --> 01:36:41,000
Oh, I ran out of my fucking beers.

1000
01:36:41,000 --> 01:36:44,000
So I'm just kind of are you out of that book?

1001
01:36:44,000 --> 01:36:45,500
Kind of yet. Yeah.

1002
01:36:45,500 --> 01:36:46,800
So I just been drinking bocadas.

1003
01:36:46,800 --> 01:36:49,000
I haven't fucking I already finished my beers.

1004
01:36:49,000 --> 01:36:49,800
I'm proud of you.

1005
01:36:49,800 --> 01:36:51,700
Review.

1006
01:36:51,700 --> 01:36:52,500
Oopsie.

1007
01:36:52,500 --> 01:36:57,300
Oh, my God.

1008
01:36:57,300 --> 01:36:58,900
I'm not ready.

1009
01:36:58,900 --> 01:37:00,600
Salute to you boys.

1010
01:37:00,600 --> 01:37:02,400
This has been a really fun time.

1011
01:37:02,400 --> 01:37:05,000
This is one of this is one of the best days of my life.

1012
01:37:05,000 --> 01:37:06,900
Gentlemen, thank you for making me a part of this.

1013
01:37:06,900 --> 01:37:08,900
Thank you.

1014
01:37:08,900 --> 01:37:12,200
It won't be like last time where oh, man, this is weird.

1015
01:37:12,200 --> 01:37:12,900
Rob.

1016
01:37:12,900 --> 01:37:14,800
I am chasing alcohol with wine.

1017
01:37:14,800 --> 01:37:16,700
And by the way, it doesn't taste bad at all.

1018
01:37:16,700 --> 01:37:19,400
You're drinking Saggio Vasey, baby.

1019
01:37:19,400 --> 01:37:20,600
You can never go wrong.

1020
01:37:20,600 --> 01:37:25,200
Collectively speaking for us, am doc and myself.

1021
01:37:25,200 --> 01:37:27,800
We want to thank you for the bottom of our hearts for sticking

1022
01:37:27,800 --> 01:37:30,700
with us, thinking of us and drinking with us.

1023
01:37:30,700 --> 01:37:33,800
Part of the beauty of Twisted Critics is you will always have

1024
01:37:33,800 --> 01:37:35,200
an open door invite now.

1025
01:37:35,200 --> 01:37:38,000
Anytime you have a new project, new event, new achievement,

1026
01:37:38,000 --> 01:37:41,800
new music, give us a call and consider our show a second home

1027
01:37:41,800 --> 01:37:44,200
to talk about your business, man.

1028
01:37:44,200 --> 01:37:48,500
Mr. Lawrence, Mr. Rob from the mob, my brother, Rob,

1029
01:37:48,500 --> 01:37:50,200
we all mean that from the bottom of my heart.

1030
01:37:50,200 --> 01:37:51,400
Everything candy set up there.

1031
01:37:51,400 --> 01:37:56,800
I think he even said thinking of us, which is pretty cool.

1032
01:37:56,800 --> 01:37:58,600
We appreciate you being here.

1033
01:37:58,600 --> 01:38:00,600
Love talking radio with you.

1034
01:38:00,600 --> 01:38:02,000
Hope you had fun.

1035
01:38:02,000 --> 01:38:05,500
And before we bounce, we'd like if you'd like feel free to use

1036
01:38:05,500 --> 01:38:09,900
a spot to big yourself up your company, your socials, plug

1037
01:38:09,900 --> 01:38:13,300
everything and anything you got going on and please this is

1038
01:38:13,300 --> 01:38:15,300
your spot brother, man.

1039
01:38:15,300 --> 01:38:18,200
I just want to thank you guys first and foremost for having

1040
01:38:18,200 --> 01:38:19,200
me here.

1041
01:38:19,200 --> 01:38:21,900
This is one of the best experiences I've ever had in my life

1042
01:38:21,900 --> 01:38:25,000
and I'm not exaggerating.

1043
01:38:25,000 --> 01:38:28,600
You guys make me feel like a real artist man.

1044
01:38:28,600 --> 01:38:31,200
And I love the vision.

1045
01:38:31,200 --> 01:38:32,200
I love Doc.

1046
01:38:32,200 --> 01:38:34,500
I love you to death a.m.

1047
01:38:34,500 --> 01:38:36,000
I'm a fan candy.

1048
01:38:36,000 --> 01:38:37,200
You're the man, bro.

1049
01:38:37,200 --> 01:38:41,500
I love reading your words every week.

1050
01:38:41,500 --> 01:38:42,100
Good job.

1051
01:38:42,100 --> 01:38:43,500
Yo, good catch.

1052
01:38:43,500 --> 01:38:44,300
Good catch.

1053
01:38:44,300 --> 01:38:48,100
And man, I just for anybody everybody that's listening to

1054
01:38:48,100 --> 01:38:52,100
this podcast man, you're listening to for real people.

1055
01:38:52,100 --> 01:38:55,200
Forget about all of this fake stuff that's going in and out

1056
01:38:55,200 --> 01:38:56,300
of your ears every day.

1057
01:38:56,300 --> 01:38:58,200
This is real life.

1058
01:38:58,200 --> 01:39:00,400
This is where it's all about right here.

1059
01:39:00,400 --> 01:39:02,000
I know I'm a little drunk too.

1060
01:39:02,000 --> 01:39:03,400
Then we've drinking hard.

1061
01:39:03,400 --> 01:39:04,200
But guess what?

1062
01:39:04,200 --> 01:39:05,100
Who cares, baby?

1063
01:39:05,100 --> 01:39:05,800
We live in life.

1064
01:39:05,800 --> 01:39:07,000
We having fun.

1065
01:39:07,000 --> 01:39:10,100
Follow me, please at Rob underscore from the mob.

1066
01:39:10,100 --> 01:39:11,500
It's a brand new account.

1067
01:39:11,500 --> 01:39:12,700
My last one got hacked.

1068
01:39:12,700 --> 01:39:14,100
It is what it is.

1069
01:39:14,100 --> 01:39:16,500
You know, I'm saying Rob Lawrence on Facebook.

1070
01:39:16,500 --> 01:39:19,900
I don't mess with snapchat and all that other weird stuff real

1071
01:39:19,900 --> 01:39:20,500
simple.

1072
01:39:20,500 --> 01:39:21,600
Hit me up.

1073
01:39:21,600 --> 01:39:23,000
We gonna take over baby.

1074
01:39:23,000 --> 01:39:26,500
It's 2023 is Rob from the mob all day every day.

1075
01:39:26,500 --> 01:39:29,700
Yo, I don't know how you follow it up a candy plug yourself.

1076
01:39:29,700 --> 01:39:32,800
So we got I got a couple meetings set up with a couple local

1077
01:39:32,800 --> 01:39:35,600
guys who have began some traction.

1078
01:39:35,600 --> 01:39:36,900
So I'm going to go ahead and present myself.

1079
01:39:36,900 --> 01:39:40,500
Hopefully take them a little farther than next level.

1080
01:39:40,500 --> 01:39:42,200
And we got a I don't know man.

1081
01:39:42,200 --> 01:39:43,600
We just got life going on.

1082
01:39:43,600 --> 01:39:47,200
We just continue to work and you know, thank God every morning

1083
01:39:47,200 --> 01:39:51,500
for the ability to to wake up to walk to talk to breathe.

1084
01:39:51,500 --> 01:39:56,100
So does that make it getting more spiritual with myself and

1085
01:39:56,100 --> 01:39:59,900
and just learning from Doc and from you guys.

1086
01:39:59,900 --> 01:40:04,900
Hey, yeah, my homie, my code dog, my collaborator plug yourself.

1087
01:40:04,900 --> 01:40:08,900
My brother, your yo rapper a rapper and calm visit my website.

1088
01:40:08,900 --> 01:40:10,300
Even if I ain't got nothing new up there.

1089
01:40:10,300 --> 01:40:12,700
I'm about to just pay my shit the other day.

1090
01:40:12,700 --> 01:40:16,400
I'm about to start working on a bunch of shit both free and both

1091
01:40:16,400 --> 01:40:17,900
not free not free to me.

1092
01:40:17,900 --> 01:40:20,800
You I pay for that shit doc already know that we have a person

1093
01:40:20,800 --> 01:40:21,400
we're working on.

1094
01:40:21,400 --> 01:40:24,200
I said that I think the last show this show is faster than the

1095
01:40:24,200 --> 01:40:27,300
last one and I'm not talking about this not the speed of the

1096
01:40:27,300 --> 01:40:29,200
show, but the fact that we did this like two or three weeks

1097
01:40:29,200 --> 01:40:30,900
after we did the last one.

1098
01:40:30,900 --> 01:40:33,700
I have a son that I'm working on with one of my homeboys from

1099
01:40:33,700 --> 01:40:34,400
things from Buffalo.

1100
01:40:34,400 --> 01:40:37,600
He might not be from Buffalo, but it's him and Jaren Benton.

1101
01:40:37,600 --> 01:40:39,800
That's something that I've the verses finished.

1102
01:40:39,800 --> 01:40:41,900
I just have to record it being doctor already working on one

1103
01:40:41,900 --> 01:40:42,200
feature.

1104
01:40:42,200 --> 01:40:44,700
I have a second feature with that I'm working on.

1105
01:40:44,700 --> 01:40:48,100
Hopefully I get me a feature from Rob going to wind up doing

1106
01:40:48,100 --> 01:40:51,900
a feature or work on a beat from old boy that hasn't been posted

1107
01:40:51,900 --> 01:40:53,300
in the group is DJing right now.

1108
01:40:53,300 --> 01:40:57,000
Love him to death didn't mean to call him old boy with my brain

1109
01:40:57,000 --> 01:40:58,000
is definitely inebriated.

1110
01:40:58,000 --> 01:41:01,300
So I don't have names on on deck rapper and rapper and

1111
01:41:01,300 --> 01:41:03,700
calm dad father all that shit.

1112
01:41:03,700 --> 01:41:04,400
Follow me.

1113
01:41:04,400 --> 01:41:06,300
Follow me angry man.

1114
01:41:06,300 --> 01:41:10,300
410 every fucking where angry man 410.

1115
01:41:13,300 --> 01:41:17,100
Boy that I am Doc J the Mike medic.

1116
01:41:17,100 --> 01:41:18,800
I'm from here my voice entertainment.

1117
01:41:19,000 --> 01:41:20,800
You can catch me on social media.

1118
01:41:21,200 --> 01:41:26,400
We have a couple landing pages and group pages doc J media

1119
01:41:26,400 --> 01:41:28,000
and music and entertainment.

1120
01:41:28,200 --> 01:41:29,900
We have the twisted critics podcast.

1121
01:41:30,700 --> 01:41:33,600
Wow twisted critics reviewers.

1122
01:41:33,600 --> 01:41:34,800
We're going to take a shot for that one.

1123
01:41:34,800 --> 01:41:36,700
Anyways, oopsie.

1124
01:41:36,700 --> 01:41:37,700
Oh fuck.

1125
01:41:38,100 --> 01:41:39,100
Yeah, pariva.

1126
01:41:39,100 --> 01:41:41,900
Pa bajo palcentro y pa dentro.

1127
01:41:41,900 --> 01:41:42,900
Yeah, I am.

1128
01:41:46,100 --> 01:41:47,200
Closing out my week.

1129
01:41:47,200 --> 01:41:51,000
I am actually taking care of someone's backyard farm.

1130
01:41:51,000 --> 01:41:53,300
I'm taking care of their chickens for the next.

1131
01:41:53,700 --> 01:41:56,200
I don't know something the 16th of the 23rd.

1132
01:41:56,200 --> 01:41:58,500
So I don't six seven eight days something like that.

1133
01:41:58,900 --> 01:42:00,600
You don't work at the courthouse the rest of the week.

1134
01:42:00,600 --> 01:42:03,600
I have half of Monday off because we have a baby appointment

1135
01:42:03,900 --> 01:42:07,700
like a M said I am a father first and other than that,

1136
01:42:07,700 --> 01:42:11,300
I love you boys to death and I just hope we keep putting on

1137
01:42:11,300 --> 01:42:13,600
and putting out and keep impressing these motherfuckers.

1138
01:42:14,000 --> 01:42:18,600
So twisted critics and with that we are going to close out

1139
01:42:18,600 --> 01:42:19,700
the show.

1140
01:42:20,200 --> 01:42:21,500
Salute you brothers.

1141
01:42:21,500 --> 01:42:22,800
Have a good week.

1142
01:42:23,200 --> 01:42:23,800
Salute.

1143
01:42:24,200 --> 01:42:25,400
I love you boys man.

1144
01:42:25,400 --> 01:42:26,100
Thank you, man.

1145
01:42:26,100 --> 01:42:27,500
This is fucking amazing.

1146
01:42:27,500 --> 01:42:52,800
Amazing.