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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work

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at MJMunoz.com. I happen to have a car full of kids right now. Hopefully they won't be

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too noisy, but we'll see what happens. I am here, or this is a Rider Tears. I'm here to

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talk about the Kamen Rider manga part 2 of 6, which means I'll come back at least four

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more times to talk about the rest of this manga. And I gotta say, this manga was delight,

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or this chapter, this second chapter, was an absolute delight to read. It was a lot

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of fun. There was so much good, like, emotional dynamics, and that's not only personal stuff

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between, like, Hongo and Tachibana and Ruriko, and then, like, also someone with her friend,

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but then also the evil of Shocker and their desire to control mankind's minds is revealed

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in a more profound way through Manbat and his virus. And then also the desperate fight

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that Hongo has with Manbat. Oh, and by the way, Man-Spider, who comes back and begs to

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be... Oh man. He begs to be given a second chance by Shocker's leader, and he gets four

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new arms, somehow, I guess? I mean, if they gave him four additional arms... Wait. Two...

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Yeah, two additional arms. Anyway, he has four arms total plus two legs for six, so

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he's not a full, you know, fully representative Spider-Guy, but whatever. But he gets two

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more, so he has total four arms, and he tries to kill Hongo, and when he fails, he, I don't

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know, takes a cyanide capsule, he poisons himself. I don't know what he does, but he

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does something, and then he falls dead, and then melts away as Shocker, Cyborg are meant

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to do, or want to do, and that's too bad for him. Anyway, before Man-Spider dies, we get

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to see him swinging on his web, which is really weird looking, and I was gonna say Eldritch.

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I feel like I'm gonna use that too much talking about this manga, but I'm just gonna say it.

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It's Eldritch. It's really weird, and yeah, it's funky looking, but pretty cool, too.

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So anyway, so that happens, and Manbat ends up coming along and taking Hongo out of the

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fight, and it's funny, one of the things that he does is he flies him up real high and he

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drops him, and Hongo gains all his power because his turbine turns the wind power into power

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for his body, and he's able to counter Manbat in a very significant way, so that was cool.

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But then, of course, the plot gets a little crazier, and Manbat basically has all these

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people he's controlling in Ruriko's friend's building? Yeah, because like I said, there

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was a moment, or an emotional thing with Ruriko's friend, can't remember her name, Glasses Girl.

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Just call her that, because she had glasses and they got broken, and well, anyway, there's

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a really interesting cinematic shot where her glasses fall to the ground and one of

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the lenses breaks and the other one captures her becoming infected by Manbat biting her,

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and it's pretty grisly, but very cool, you know, in that horror type of way, and then

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she goes and tries to attack, no, she does effectively, no, they save her. Well, let's

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pass them up some more. Anyway, so Tobi ends up saving Ruriko at that time in Hongo's mansion,

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or in the, yeah, I guess in Hongo's mansion. If you pause to think about it, it's really

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sad because Ruriko loses her father first, and then her friend dies, and it seemed like

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she was her best friend, and you know, this woman that she wanted to confide in after

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the death of her father, and she's having to stay in the house of the man she believes

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murdered her father too, so it's a very emotionally fraught situation, and anyway, I think that's

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cool, it's very good drama, very intense, and I love, you know, there's a little bit

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of emotional stuff, and oh, later on, so the Man-Bats virus can control people with ultrasonic

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waves, and he tries to control Hongo, it's a little unclear, it seems as if Hongo maybe

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injected himself with the serum to dull or mitigate the harm done by Man-Bats virus,

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so he's able, like he basically fakes that he's being controlled, and he's not, and it

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enables him to injure Man-Bats wing, which ultimately is the thing, it's like the keystone

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that brings him to victory over Man-Bat, because otherwise he wouldn't have been able to beat

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him, at least not as quickly and easily as he did here, so, and it was still a desperate

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fight, but I mean, it would have been way more difficult had he not, you know, stabbed

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through his wing, so that was pretty cool.

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There's an emotional beat though, where Hongo ends up in Ruriko's friend's apartment, I

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believe, trying to save her, it's really sweet in a, you know, odd kind of way, because Hongo

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is desperate to get away from the people who are being controlled by Man-Bat, because he

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will kill them if he has to, but he doesn't want to, because they are innocent bystanders,

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and later some guy shoots him, I don't know if it was a rifle or a shotgun, it was a little

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unclear, it was dark, it was night, I couldn't tell, anyway, he cracks the guy, gives him

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like a rider chop to the clavicle, and the guy collapses, and it looks like he's, by

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his face you can tell he's controlled by the virus, and it kind of looks like he starts

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to turn into foam, but it's not shown at that point, but he's very ginger, he's as ginger

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as he can be with all of the controlled people, because it seems like he calls it a side effect,

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that they'll melt, like the other shocker, you know, kaijin type people, if he's too

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rough with them while he's trying to evade them, and it's, I don't know if I said it

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specifically, but he says something along the lines of like, I don't want to hurt you,

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please stay away from me, and they're controlled, so they can't understand that, and they keep

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coming after him, and then interestingly enough, when he learns that the cure for the virus

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is in man bats, like thumb talons or whatever on his wings, first of all, he rips off his

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wings in one of the most awesome, crazy things I've ever seen in a manga, you know, it reminded

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me of Giver with like the hyperviolence, right?

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I mean, because he, anyway, what's great about it is the way it's laid out on one page, he's

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grabbing it, Ryder's jumping up and grabbing his wings, and as you turn the page, you get

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the reveal of the wings being torn off, and there's, you know, a little spray of blood,

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and man bat is not happy, and then he lays on the floor, and this is like really what

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gets me about Hongo.

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Man bat's lying there on the floor, and he says something along the lines of, I know

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you're a victim of shocker too, and I pity you for that, but you were too dangerous to

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be left alive, and then because of course, each and every time we put them in a graveyard

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for this fight, he grabs a cross and impales him through the gut or the heart, I'm not

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sure, it's like a, it looks like a metal cross for some reason, even though it should be

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like stone, but anyway, he steps with this thing, and like that is the end of that chapter,

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or that, yeah, yeah, it's the end of chapter two, and it's amazing, and I think the, I

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want to pick, as I'm going through reading manga, I want to pick a favorite, like emotional

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panel that captures something, well, emotional about the story, emotional slash story panel,

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and I want to pick an art panel, and I got to say, if I had to pick one panel, it's the

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panel where he's ripping off the wings.

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If I could pick two panels or pages really, it would be the setup where he's, you can

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see the energy, the momentum, the posture as he's grabbing onto the wings, and then

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as you make that turn, it's just, it's incredible.

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The guy had, each and every one had an amazing cinematic eye, and it just looked fabulous,

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so as horrible as that might sound, but then the emotional panel is definitely him telling

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all those people as he's leaping away from them dramatically that he doesn't want to

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kill them or hurt them, so that was fabulous.

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Anyway, the manga continues to be great, and there were no crazy jumps in logic like in

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the last chapter, and to clarify, in chapter one, there was this weird thing that happened

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at the docks when Ryder, when Kamen Rider and Midori Kawa escaped Professor Midori Kawa,

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and it didn't make any sense because it just stopped going and stuff happened, and then

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they were somewhere else, and it was like a new scene entirely, there was no transition,

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no anything like that.

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Yeah, I know, it's a big truck.

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Cool, right?

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And that was weird, but this one, it was perfect.

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Ironically, it was a longer chapter, but it was way, and I know it took probably the same

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amount of, you know, eight pages a week or whatever to publish, and it was just, it ran

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for longer weeks until the chapter was over.

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Come on, this way.

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But it was fabulous.

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It was like a masterpiece, like oops, are you okay?

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Come on, get up.

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Let me help you.

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If he'd started with that man bat chapter as the first one, that would have been better,

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and it could have been really cool.

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You tough guy, come on.

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So I don't think I'll be doing another recording like that because it was a little bit of a

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disaster, and I hope it wasn't a too difficult experience for you.

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Let's see how well my noise cancellation aspect of my editing software works to mitigate some

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of the yelling and stuff from the kids.

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You're 10 minutes from home and they have to complain as you're taking dinner home.

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It's unbelievable.

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Anyway, or maybe it's very believable.

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So yeah, anyway, I liked that manga, that chapter of the manga.

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I thought it was fabulous.

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There was so much good in it.

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One thing that confused me at first, and then as I thought about it more and more, it made

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sense, and it wasn't actually that I kept meditating on it or anything like that.

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It just came to me.

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There were two figures who carried a coffin into the Hongo mansion, and I'm pretty sure

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it was Tachibana and Midori Kawa, and I don't remember who was in the coffin.

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Was it Manbat?

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That would sort of make sense, but also I don't remember seeing him actually come out

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of the coffin there, but I did read it a couple days ago, most of it.

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I finished the last 20 or so pages today, and the rest of it I read a couple days ago.

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So anyway, but it was fast paced.

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It was longer, but it felt like it took less to read than the other one.

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And there was a lot more action.

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Like I said, it was very cinematographic.

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It just flowed visually, and it was very well composed and very exciting, and there's a

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lot of great shots in there.

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So anyway, I told you what my favorite story panel or page is.

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Really it's going to be page.

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And I also showed you or told you what my favorite visual page was, and I'll have those

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in the... you can find the link to the full show notes in the show notes on your pod feeder,

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which will take you over to mjmunoz.com, and you can see the images there.

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I'll post them there.

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I don't know if I'll stamp them with like story and art, or art on one and then story

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on the other, or what I'll do, but I will post those up there for you to see them so

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you can see exactly what I'm talking about.

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And if you're reading this, if you have read it, if you remember anything from it in particular

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that you want to share, like what your favorite story panel or page was, or your favorite

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art page, I'd love to hear from you, you know, from this chapter specifically, what did you

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love in the Kamen Rider manga, chapter two, the flying man bat.

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I'd be very curious to hear that.

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So anyway, without much more delay, I'm going to go ahead and let you go.

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I thank you for your time and attention, and until next time, be well.

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This is MJ signing out.

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I hope you enjoyed that.

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Go to MJMunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around, you're sure to find something else that you'll enjoy as well.

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This has been a story over everything production.

