WEBVTT

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So Yuya Takahashi really wants to go down in

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history as the greatest writer in the Kamen Rider

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series, I guess, huh? I just finished watching

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episode 25 of Zets, and I can't believe how good

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it is. The episode's called Get Started, which

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is, you know, not a big surprise. But what is

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a big surprise is how a lot of people are seeing

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New Game Plus, how it's doing this New Game Plus

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sort of thing. But I want to focus on something

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else. There's two other things, and unfortunately,

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I have not had enough time to digest this episode

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for me to have a really cogent thing. Like, I

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don't have that one thing I want to focus on.

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Except for this. At the end of the episode, when

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he, and of course this is spoilers for the show,

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at the end of the episode, Baku says, I only

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have one mission now, and that is, don't make

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my dream come true. That got me. I don't know

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why. If we go to the context, What has Baku's

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dream been for years? Baku's dream, or dreams,

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have been about being this invincible agent,

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code number seven. And then it turns out, from

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episode one, episode two, whatever, that he is

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code number seven. And he's got Zero who he's

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working with. And Zero, I can't tell if, like,

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to me, Zero looks like he's supposed to be a

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white guy, at least the agent Zero from the movie.

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But code agent Zero looks like he's not. He looks

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Japanese, or maybe he's hafu. Anyway. My point

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is, Baku has wanted to be this guy. He's wanted

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to be this invincible secret agent, and he thought

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he was. And he had this whole crisis of confidence

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when he realized that he wasn't this invincible

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agent. And then he became the invincible agent,

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and he still got killed anyway. That dream where

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Code kills him, and where the nightmares awaken

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into the world and other things, is the... that

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he's trying to not make come true. He had this

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premonition dream and he doesn't want the premonition

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to come true because, of course, why would he?

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It's a horrible dream. You know, people die.

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Even he wants to save the lady, it looks like,

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which is going to be interesting. Her redemption

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arc is not going to be easy for me to swallow.

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Honestly, it seems like three is a bad guy. Seems

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like zero is a bad guy from that conversation

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they had. Five and six, I don't know. Kureha's

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kind of... We'll see what happens. I really like

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her. I'm glad she's back. I liked 5, even though

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he made me a little bit uncomfortable with him

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saying he's a killer. Even though we've discussed

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my thoughts on killing versus murder before,

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but if you want, you can ask me in the comments.

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We can discuss about it. But I've made that clear

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in previous episodes. So, it is a bad dream,

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but... It could have been a good dream. Like,

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had he not died, he found Nem and he got her

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to wake up. He got Odaka to wake up, who's been

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wandering in dreams as well. Those things are

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still true. I guess because it's a premonition,

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it's factual, but I don't know how he had, like,

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accurately operating corollaries or copies of

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versions of these other people in his dream.

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I don't really get that. I don't know that we

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want to dig into that. It doesn't really matter,

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probably. In the end, what's important is that

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he has this bad dream that he doesn't want to

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make come true that stems from this lifelong

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dream that he's had of wanting to make his dream

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of being this invincible secret agent come true.

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However, it's very possible that Code themselves

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are the ones who implanted, who incepted that

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dream into him and made him want to be this guy.

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Like, I think it's sad on one level that he was

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manipulated as a kid to have this dream implanted

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in him. However, I don't think it's like... Like,

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that didn't make me sad originally. Looking back

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in the context, it's kind of sad. Yeah, like,

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kind of his life was stolen from him. However,

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that makes Code a much stronger analog to Shocker

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because they went to Gishongo, they took him,

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they cut up his body, they put machines inside

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of him, they... couldn't change his brain until,

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well, they were going to, but they failed to.

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And that's why he was the Comrader. That's why

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he was the hero who defied them and who was a

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traitor to Shocker as he should have been. Just

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like if Code is evil, then Baku should be a traitor

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to them, even though he has his power given to

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him from them. And... I don't know. It's interesting

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that we... There's so much we don't know, despite

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the fact that we have... A lot of the information.

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And... Moving on from the fact that it hurt me

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so much to hear Baku say, don't make my dream

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come true. I think... Yeah, I'm not really sure.

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I'm not going to psychoanalyze myself live right

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here and figure out why that hurt me so much.

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But it did. And I'm going to accept that. And

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I'm going to springboard off of that to say,

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I think... Because of all the little facts that

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I presented to you right now, that once again,

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Yuya Takahashi is an amazing writer, amazing

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storyteller, and I'm impressed by the fact that

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he's been able to give us all these pieces. He's

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been able to put all these pieces on the board,

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and they're true from a certain point of view,

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and now we're going to see him replay them and

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remix them into this story in this really skillful

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way that does a couple things. One, it tells

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an effective story. I, for the whole... run of

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Zets 1 through 24 was impressed by it. I always

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liked it. There were some things that I thought

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were kind of lame or that I had a quibble with

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or whatever, but always I was very much this

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is a good show or it was a great show. Never

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this is a bad show or this is a bad episode.

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The episodes were always good or great and sometimes

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amazing, like, you know, beyond great if that's

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possible. But it's like they've been good, better,

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best as opposed to, you know, good, bad, worse,

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best, whatever. So... The quality has been high

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the whole time. Again, it's high quality. You

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talk about how she's writing. It's a 0 -1 reference

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joke thing, okay? Anyway, so it's been really

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good throughout, and he's an extremely skillful

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storyteller because he's presented all these

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things to us in a way that we get an entertaining

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story on one level, but there's a deeper story

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hidden underneath that, and he's able to tell

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a... different story, an alternate route to the

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story using the same pieces, the same characters,

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the same items, the same toys, literally. And

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somehow he's going to do that. And I have full

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confidence that he's going to be able to do that

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because that's the kind of thing that he did

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with X -Aid, for example. I don't know that I'd

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say that's the kind of thing he did with Zero

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-One. But anyway. I'm impressed with how, with

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the depth of skill, and the ability this man

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has to take these assets that he has, these toys

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that were designed, these suits that were designed,

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and that are designed for just selling the toys,

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and from that craft this beautiful, heart -touching,

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emotionally stirring story, and I absolutely

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love it. I'm trying so hard to stay focused in

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these analysis videos, but I really want to veer

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off and talk about something else. But I'm just

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going to have to save it for another time. Except

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to say this. It's ironic that we had... Now I'm

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talking about episode 25. Just how good it is.

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Also, another thing. He very skillfully pulls

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together all the pieces. It looks like the nightmare

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thing didn't happen. Fujimi's going to go his

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own way. He gets fired. Or demoted, or whatever

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it was. Nausicaa, who doesn't have any connection

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to Fujimi because... They have no connection.

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They just met. She's like, yeah, see you later,

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buddy. We don't know each other, so I'm out of

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here. But then Baku's able to pull them together

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by knowing something about him, Odaka, knowing

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something about her, Kureha. And he pulls his

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sister right into it. She's now part of the group.

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So all of the work that was done in episode 24,

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this is why people are saying new game plus speedrun,

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whatever. All the things that were set up before

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are now pulled back together. We've got the team

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back together, basically. But with this new context

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and... It's just amazing that we're going to

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watch him get started. Like, we literally got

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started in this episode. It's just, it's really

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fantastic. And I just, again, I'm glazing, I

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think is the term the kids use these days. Yutaka

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Hashi, because he's great. And I've liked him

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from X -Aid, which I almost quit. Me and a group

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of people were watching and reviewing Kamen Rider

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at the time. And we were like, X -Aid, this looks

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dumb. We're not going to watch this. Let's check

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it out and see what it's like. And we were like,

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yeah, this is weird. It's uncomfortable. And

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then a couple episodes in, we were like, this

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is really good. And then it turned out to be

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one of the greatest shows. And I haven't watched

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enough of Keats yet. I only watched the first

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13 episodes or so. But I've got to go back and

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watch it. How can it not be good? And whatever

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else he's done, I'll check out his other Comrader

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stuff if I haven't seen it. I've seen Zero One

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as well. But it's just... He's a fantastic writer,

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and he writes things the way I want them to be

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written, and he writes things within the spirit

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of Kamen Rider. I think if Ishinomori were alive

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today, if Ishinomori was seeing his work, he'd

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be proud of what he's doing with Kamen Rider.

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Yeah, I think that's true. Anyway, let me know

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what you thought about this episode. Let me know

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what you thought about my attempted focus analysis

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that kind of went all over the place, and help

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me figure out what's... No, it will not help

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me figure out. Check the pinned comment for more.

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I know I'm going to have extra stuff. There will

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be stuff in the pinned comment linking to bonus

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content because I'm going to have a lot of other

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ideas where I'm going to break down individual

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things from this episode that are worthy, that

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weren't being talked about. And I will talk about

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them, give them the focus they need. But just

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Takashi's great. If you disagree, let me know

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how you disagree. Give me examples of how Takashi

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isn't a great writer, isn't the greatest modern

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writer for this series. And, you know, we can

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talk about Ultraman. The weaknesses of Ultraman

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compared to this, which I don't want to say,

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and even maybe we'll talk about Sentai. We'll

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give Project Red more time. Let's talk about

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Sentai and Ultraman compared to Kamen Rider.

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Just like, look, this is why Kamen Rider is successful.

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It's good. It's good storytelling. It hooks you.

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You are riveted by it. You want it. And the attachment

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to the characters and the story makes you want

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to buy the toys. It does. I hate the capsules.

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They're dumb, stupid Power Balls. But I'm...

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honestly feeling like yeah maybe i should buy

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one because it's so freaking cool or let me get

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a figure arts of zero not zero well maybe zero

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that's cool too but like let me get a a zed's

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figure arts because it's so cool but whatever

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incredible incredible again thank you for watching

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i love that too that minami i've got that play

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in the background minami's like how did you get

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in here Well, you didn't answer the door, so

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I climbed through the window, Nazca says. And

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she's like, oh, of course you did. Why wouldn't

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you? Anyway, very funny. It's a great show. These

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are great characters. And, you know, cool toys.

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I want to see, if we're going to do this again,

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stop using Catastrophe and start using Wing.

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Because I need more Birdman in my life. Anyway,

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this is MJ with Writer Tears and Henshin Inspection

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signing out. Let me know what you thought about

00:11:36.940 --> 00:11:39.259
this episode and about the series so far. Check

00:11:39.259 --> 00:11:40.779
the pinned comment for the bonus content because

00:11:40.779 --> 00:11:42.539
there will be bonus content there. It's going

00:11:42.539 --> 00:11:44.159
to be great and you're going to love it.
