WEBVTT

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As Super Sentai ends and Project Red takes its

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place, I started thinking about why these transforming

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heroes shows work at all. Kamen Rider is the

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most successful of the big three in terms of

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toy sales, so it is the best place to start.

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Kamen Rider resets every year. New suits, new

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tones, new worlds. And yet, somehow, it is still

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instantly recognizable. That got me thinking.

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Why do you watch Kamen Rider? strip away the

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stories and emotions, and there are a few external

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elements that never change. The first thing is

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that transformation is always a spectacle. We

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get from Yusuke Godai, you know, behold my transformation.

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We get the jingles of the more modern Kamen Riders.

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That's, you know, Kuga was 20 years ago. We have

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from the original Kamen Rider the way that the

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transformation went from being on a motorcycle

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we have these sharp fast cuts going back and

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forth between Takeshi Hongo showing his normal

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face then showing the mask on him off him on

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him off him until finally the mask settles there

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and his scarf blows out dramatically and we eventually

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got some flashing lights added to that and then

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after he was away for a little bit when Ishimonji

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Hayato showed up as Rider 2 we had the full development

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of the Henshin sequence for Kamen Rider and it

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became something over time that was it was always

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there but it was sharpened when he came along

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because it was no longer that he just rode his

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bike fast to get the wind turbine to spin up

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to transform it was something else turned into

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a ritual as opposed to a process it's still kind

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of a process especially when you add on the jingles

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of the more modern Kamen Rider shows but still

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there's that spectacle that leads to the transformation

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that happens when the hero is ready, when he

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needs to transform, when the enemies are too

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many for him or whatever the situation is, when

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it's too dire, then he stops fighting from his

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civilian form and then goes and transforms and

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then things get kicked up another notch. Speaking

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of the enemies, another big staple of Kamen Rider,

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something that pulls people in, is the enemy

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origin power. It isn't... always obvious at a

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glance how the common writer and the enemy are

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linked to each other but if you just watch an

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episode basically any episode even if he's fighting

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mooks or a lower level monster of the week as

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opposed to a general you can see there's shared

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dna between him and the other group or and the

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enemy that he's fighting and i think there's

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something fascinating about that dichotomy i

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don't know necessarily that we're processing

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that on a conscious level when we see it but

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i think there's something about the fact that

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if you go back to the original ground raider

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he's wearing boots and gloves and a belt and

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a mask with armor pieces on him and all the shocker

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mooks that he's fighting have masks and war paint

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um and boots and gloves as well as these belts

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and they're coming at him and then you look at

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first one was spider -man he's got his big shocker

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belt and his crazy spider helmet and uh He had

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hairy fingers and stuff, so that's a little bit

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off, but then his boots are the same. And you

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can see that they're these more powerful shocker

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cyborgs. And you know from the first episode

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of the original Commodore that he is a shocker

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cyborg who's turned against them and who's betrayed

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them and gone good. But I'm thinking about other

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shows. You can tell, like Oz, for example, the

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enemies there have a very bold design. It's very

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monstrous and O's is much more refined. And yet

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you can see that it's obvious that he, you know,

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the metals come out of the enemies when he defeats

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them. And before that, the yummies have metals

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that come out of them as well. And he's using

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the metals directly. So you can see, okay, metal

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to metal connection. Also, while he's not monstrous,

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he's odd looking and he has very evidently on

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his body, these different animal motifs. So when

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he's fighting the, I think it was the praying

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mantis in the first episode. You can see he's

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using Tatoba. He's got the grasshopper, the tiger,

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and the... What was the other one? Oh, and the

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hawk. He's got those animal motifs on him, and

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you can see clearly. Okay, so he's got these

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animal power coins, and the enemy is using them

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as well. And you can see the connection. And

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I believe all of the enemies always have... some

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sort of flashy belt buckle type of deal uh in

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zets currently it's a like a sleepy eye kind

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of deal uh that's just a simple belt buckle which

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looks really good uh they did something very

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similar for combinator ghost and i'm not gonna

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remember all the rest of them off top my head

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but just looking at it you can see okay there

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is something There's something unifying between

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his design and their designs, and why is he fighting

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them? I think that kind of fuels a mystery, even

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if it's not on a deep psychological level or

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anything like that. It's on the surface, but

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it kind of makes it more interesting. It makes

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you ask a question. In writing books, there's

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something you want to do, which is that you want

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to write an invisible question. You want to state

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things. set up the scenario of the world in the

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first you know on the first page in the first

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chapter in the first paragraph if you can that

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makes people ask questions or realize that there's

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a question there that needs to be asked that

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isn't being spelled out so which is in this case

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would be why does this hero look like these villains

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why does this you know monster uh why is this

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monster being opposed by somebody who looks kind

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of like him but who i can tell is protecting

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people and helping them instead of hurting them

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another thing is the iconic writer mask with

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the uh big bug eyes, and whether it's Tato Bob,

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which is a hawk that somehow has bug eyes, or

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it's Ryuki, who has these big eyes behind a grill.

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And then actually, if you look at Ryuki more

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closely, the antennae, the big eyes, the bug

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eyes, and the crusher are divided between three

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heroes. So it's Ryuki, whatever the bat knight

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is called, and then I think it's Zelda, who has

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the, he's the green one with the turrets, he

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has the big antennae, the... bat knight has the

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crusher and ryuki himself the dragon knight has

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the uh the eyes hidden behind the visor and i

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think he's a tiny little antenna too but uh anyway

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that's just another example of that but there's

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always these you know big eyes whether they're

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compound eyes or not which i think they're pretty

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much always compound eyes they're large and distinct

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and that's part of the icon and i think it looks

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it always looks distinct Except for with Jay

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and Zetto, of course, because they almost look

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like twins. And Ryder wanted two. But there's

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a uniting element, which is these big eyes. So

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they're kind of emotional. They kind of look

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like skull eyes. Sometimes they have tears under

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them. Sometimes they don't, depending on the

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Ryder, the season, the design that they went

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for that year. But that's always something that's

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kind of there. And it makes it distinct. He's

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the Karate Bug Man. Which one? All of them. They're

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all the Karate Bug Man. even if they're not bugs,

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which is funny. Finally, the writer is always

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framed as being alone in some way. With Takeshi

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Hongo, it's because he was a cyborg. He was no

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longer human, and he was sad that his humanity

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was gone, and he didn't know how he could relate

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to people no longer being human, and it separated

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him from other people. In Kamen Rider Ghost,

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he's dead. In Kamen Rider Gob, he was a half

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-human, half -monster, just like in Kiva. And

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in Zetsu, We don't really know how he's separate,

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but he is alone. He's the lone agent, even though

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there's complications with Knox and even other

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agents beyond that. He's Agent 7, so that implies

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there's 1 through 6 at least, if not people above

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him as well. And there's Zero, obviously, who's

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not a writer, but he's a support member for him.

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And just because the Combinator has friends,

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thinking back to Minami Kotaro in Combinator

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Black, he had the sister and... half -sister,

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cousin, friend, whatever. These two girls that

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he hung out with a lot, and he was friendly with

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people, but he was always off alone. He was always

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looking for Nobuhiko. He was always facing Golgum

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by himself because he had to, because that's

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what a writer has to do. They have to be able

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to fight on their own. They have to face the

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enemy by themselves. They're the only ones who

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can do it. They are uniquely positioned to deal

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with the threat that is there. They're altered

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in a way that makes them feel alone and isolated.

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Even if they have friends, they have to kind

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of hide part of who they are from these friends,

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these allies. And it's interesting. That's not

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to say that there aren't teams and there's an

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ensembles and things like that, but still the

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writers being a writer is something that's singular

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and solitary, even if you're part of a team and

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it's less, much less like a super Sendai, even

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a little bit more like an Ultraman, which is

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interesting. But I think it's something that

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people can pretty much always see straight on

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picking up any episode of, combinator show and

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also the writers typically have conflict when

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there's more than one of them which i think sharpens

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that even more so it's like yeah well you guys

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are obviously writers but you're not working

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together necessarily so even when there's a team

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or when there's multiples of them and they're

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not on a team they're on opposite sides it helps

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to reinforce that lone aspect of combinator that

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you feel and that is a big staple of it and of

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course most combinators have close range physical

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combat which is exciting to watch. They're brawling,

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they're garrigating, even when they have powers,

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like the more modern ones, it still typically

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results in them going over and punching or kicking

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or hitting or throwing or whatever an enemy,

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which is just fun to watch. But it's more distinctive,

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you know, in Super Sentai, they have a lot of

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ranged slashes, even sword slashes that fly towards

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the enemy, and in Ultraman you have all the beam

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attacks as well. And they would take Kamen Rider

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as much more physically grounded in as actual

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physical combat, even if there are swords and

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guns and things like that. But still, for the

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most part, he's getting in there grappling and

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throwing punches and things like that, which

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is fun to see. And I think it's definitely a

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staple across Commodore. Then you have things,

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outliers like Amazon, where he's cutting enemies

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in half. And like the original Commodore, he

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has no weapons. He is the weapon, and it's fun

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to see him getting in and mixing with the Shocker

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combatmen, and he's stealing their weapons from

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them and using them against them even. But then

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he throws them away and he just fights with his

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fists and his feet, which is always fun to see.

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So those are definitely distinctive elements

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of Kamen Rider that I think draw people in year

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after year. Kamen Rider is sustained because

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people keep watching new members of the fandom

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come in and they can't enjoy it if they don't,

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they can't become fans of it and watchers of

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it, viewers of it, if they're not seeing it.

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And I think these things are the things that

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pull them in. Let's see. Am I missing anything?

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Can you think of anything that's like a core

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staple or core element of Kamen Rider that we

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always get? You know, a reason why you watch

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Kamen Rider. And also, you know, what keeps people

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coming back is a different question. And that's

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something I'll talk about later because I think

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that needs to be explored as well. If you want

00:11:21.679 --> 00:11:23.919
to go deeper, check the pinned comment for more

00:11:23.919 --> 00:11:27.159
of my analysis. This is MJ, Prevention, Inspection,

00:11:27.159 --> 00:11:28.720
and Rider Tears, signing out.
