WEBVTT

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Super Sentai ran for 50 years. That is not a

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failure. That is an achievement. But if it ran

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for 50 years, what could it have done to survive

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50 more? And now that Project Red is stepping

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into that space, here's the question. Is it already

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walking toward the same fate? Or can it do what

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Sentai never did, and actually evolve? In my

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last Heart and Soul, I said Super Sentai deserved

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to die. By the end, I walked that back. Sentai

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didn't deserve to die. It deserved to be saved.

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It just reached a point where saving it didn't

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feel possible anymore. The inertia was too strong.

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So when I look at Project Red, I'm not celebrating

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the end of Sentai. I'm hoping Joy finally decided

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to take a chance so we can get transforming hero

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stories that are good, not just familiar. So

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what actually went wrong with Super Sentai? Why

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did Sentai stall out while Rider and Ultra kept

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climbing? Sentai got bigger and shallower at

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the same time. We had huge casts, extra rangers

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on extra rangers on extra rangers. It seemed

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like every year there were more and more Power

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Rangers, or rather, more Super Sentai characters

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in the show. But the character writing didn't

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grow with the cast. Red pretty much always got

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the spotlight, and everybody else got crumbs.

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If you do that long enough, the audience stops

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caring. Sometimes it becomes background noise.

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I also think Sentai locked itself inside its

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own formula. New team, new robots, new Sixth

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Ranger, or whatever, Extra Ranger, new toy wave

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every year. Which is great for Bandai on paper,

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but in practice, it bloated costs, fixed the

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story shape, and made surprises almost impossible.

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You might argue with me, MJ, how can you say

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that? Kamen Rider does the same thing every year,

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as does Ultraman. And while that's true, Ultraman

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and Kamen Rider are both focused on a single

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hero who has... three to four forms, you know,

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three to nine forms or whatever, and there may

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be some different types of accessory, weapons

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or toys that go along with that, but that's for

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one character. If you expand that out, you multiply

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that by five or more for Super Sentai, you think

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about all the auxiliary Zords they have, you

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can see that the cost for everything is at least...

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multiplied by four or five for Super Sentai over

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the cost and the investment needed for Kamen

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Rider and Ultraman. And I think it's just impossible

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for them to keep up with that, to get a return

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on that investment when the show isn't doing

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as well, isn't selling as well as the other two

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shows are. I went over the numbers last time.

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I'm not going to go over them again. but it's

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pretty dramatic if you look at them. It's no

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wonder Super Sentai got shut down and they're

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trying to do something else now. I also think

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Sentai kept reinventing the surface, but never

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reinvented the core of how it told its stories.

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The suits changed, the mecha changed, the motifs

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changed, but the underlying rhythm stayed almost

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identical year after year. There's the, I don't

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know, kind of attacks on Super Sentai that they

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have. these tropey, you know, episodes. We have

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the fake marriage episode. We have the why aren't

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you married yet episode with a grandmother or

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somebody coming in trying to get one of the members,

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you know, married. We have the body switch episode

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or body swap episode. We have all these different

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things that are staples in Super Sentai. And

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I don't think that's the problem necessarily.

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I think it's that everything around those filler

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type episodes is lacking. because it gets to

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be predictable. And I know I just described tropes

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of three different tropes that can happen year

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after year and that are predictable, but it's

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also as predictable as a mecha fight in a Super

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Sentai or them transforming to fight. And I think

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it's the execution of it that matters. But there

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was just something fundamentally about the overall

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arc of the story in a Super Sentai series that

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felt kind of samey and I think wasn't delivering

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enough variety and excitement. I think Ultraman

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has been doing, at least modern Ultraman, new

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generation stuff that I've seen, and Comrader

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for the last good long while. Audiences feel

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that repetition. They feel that staleness, and

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it just turns them off. Like Shurikura said in

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the interview, Super Sentai was just something

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that people took for granted and that they knew

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was always going to be on, and they didn't think

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they had to watch it because, well, what's going

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to happen? It's Sentai. If Suntai was crushed

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by inertia, what could have broken it? I think

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Suntai could have broken its own formula on purpose,

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or rather than saying broken its own formula,

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they could have designed their formula in such

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a way that it served them, not hampered them.

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And this is an idea that I just had off the top

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of my head. Some years, let's say you have an

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extra ranger one year, and the next year you

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have no extra ranger. Then the year after that,

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you have... a tragic extra ranger and then after

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that you do some sort of team shake up if a defection

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of one of the core members um to become the new

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evil ranger um or something like that isn't doable

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if a defection isn't possible because of the

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standards you want for the kids or for uh the

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excitement for the kids then you can do something

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else you can have uh i don't know just some sort

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of interesting change up for the team that i

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think would make it more interesting and if you

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had a long pattern like that, like a four year

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pattern, people wouldn't really know it's a pattern

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until like the fifth year, they would get suspicious.

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Okay, so we had this happen the first year. And

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then this, the second, this, the third, this

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is the fourth. Okay, now I'm seeing the fifth

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year, it's kind of repeating what that last year

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was, then the next year, year six in the cycle,

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they would see, okay, now we're getting a repetition

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of it. So it's like an ABCD, ABCD pattern. And

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they would pick up on that, but really not until

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that last D had been locked in, would they be

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able to identify and say, ah, yes, I know what's

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going to happen in the next season. It's going

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to be an A season, season nine. And this is probably

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what's going to happen. There's not going to

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be a extra ranger or whatever, you know, the

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pattern is utilizing. But that would take somebody

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who's a dedicated fan. And then they can say,

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you know what, maybe I'll categorize these in

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a different way. I'll say it's not the Yo -Kai

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Power Rangers or the Yo -Kai Super Sentai versus

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the, you know, battle robot. super sentai i'm

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thinking about i'm thinking about oh this one

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had a redeemable extra ranger and this one had

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irredeemable extra rangers or and well even that

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maybe and you categorize them like that and there's

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some ways to look at them and compare them and

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think about them as opposed to just there's an

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extra ranger that shows up he is grumpy and there's

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issues with him joining the team and then eventually

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he joins the team everything's great his powers

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you know mimic theirs in this way but it's different

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with this little twist added to it and whatever

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and it's just uh It's something we can do without.

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And I think had they chosen to willingly embrace

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that, they could have used the same toolbox and

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put everything in new combinations, and it would

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have had a fresh energy without really abandoning

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tradition, which I think Super Sentai, like there's

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an idea of tradition that's important to them

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in the making of it. And, you know, Kamen Rider

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reboots yearly, and so does Ultraman. and its

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seasons are half as long as the Ultraman and

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Kamen Rider series. I'm sorry. Yeah, Kamen Rider

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and Super Sentai series. So I don't think the

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annual reboot is really the problem. So I'm trying

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to figure out what's wrong. I think the problem

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is that it's not the reset, but the arcs don't

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often go deep enough within that year. They don't

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give themselves the time to go deep enough with

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these characters in the... I would say ample

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time that we have with them. So they absolutely

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had characters with real dramatic potential.

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Like look at Jewel Bird from Jewelger. He has

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got a Jewel Condor, whatever you want to call

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him. He has a great setup, great energy. He's

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a mentor figure with guilt. He is mystery and

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he's got a compelling bond with Yamato and it's

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really interesting. He's really intriguing. He's

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not like the other Jumin in the cast, but it

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just kind of falls flat and they never really

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developed things with him. He felt like a character

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whose story could have hit hard, but the structure

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didn't give him the space he needed to reach

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the arc his introduction promised. That pattern

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shows up across multiple seasons. The potential

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was there, the follow -through wasn't always.

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And for him, I heard at the time that there were

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scheduling conflicts or whatever with him, but

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I don't know, that's kind of not my problem.

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You could always do it, not with this face actor,

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and set things up while the guy in the suit,

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and then get the face actor to come in and film

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a couple key scenes, I would think. Moving on

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from there, I think another problem is that Ultraman,

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Kamen Rider, and Super Sentai are all stories

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of transforming heroes. One grows big, one is

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a loner, sort of, and has the power of evil fueling

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him. And then one is this team -based show. And

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those are the basics. They transform and they

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fight monsters. And then they have each little

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spin to them. They're on each individual spin

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to them. Combinator has its own lane of personal

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drama, thematic storytelling, and telling stories

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about identity. Ultraman has this very science

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fiction focus. You get a lot of conceptual weirdness.

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There's often interaction between our world and

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another world with this cosmic angle to it. And

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it's like a premium product. It's like this interesting,

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tight, 25 -ish episode season. that tells like

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a really solid story with a good cast and crew.

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And like, they really work hard to make those

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effects sell the show as well. But it's like,

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it's working on an effects level and it's working

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on this like sci -fi level, but it's junior sci

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-fi or whatever, which is fine. But like those

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things make it unique and those bring a distinct

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flavor to it. And it's interesting to see what

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they do in different years and how they explore

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it in the different iterations of it. And I don't

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know that Sentai ever really had a strong thing

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of its own other than, the colorful team show

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for kids. The other franchises, which are also

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for kids, feel like they evolved their creative

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identities. And Sentai didn't fail because its

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concept was outdated. It failed because it never

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sharpened what made it special in a modern media

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landscape, I think. So all of that being said,

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the issues that Sentai had, what do we do about

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Project Red? Or what's going to happen with it?

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Will it evolve or will it just echo the same

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problems? with a different logo, with a different

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veneer. Because if Red is simply Sentai in spirit,

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it will inherit the same baggage that made Sentai

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unsustainable. And that's why I don't think Sentai

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could have just said, okay, we're going to, or

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Toei couldn't have said, we're just going to

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change Sentai again or make it different again,

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which is what they were supposed to do after

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Gokaiger, starting with GoBusters. But just,

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they couldn't stick the landing on that. And

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I think there's too much baggage with Super Sentai.

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So they had to make this clean break. It would

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be a tragedy, I think, if Project Red just failed

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right away. Because it seems like they've got

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strong pieces there. They've got Gavon, who has

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a cool legacy. They're making him red in Gavon

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Infinity specifically. He's a red hero, which

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is great. Has this great pull from Power Rangers.

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I'm sorry, from Super Sentai. And I don't know.

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It's got energy. It's got potential. And I like

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what we're seeing so far from it. But it just,

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I don't know. I'm not necessarily nervous about

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it, but I just want to think about it. If Super

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Sentai failed and it couldn't have saved itself

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at the end because of this inertia, then like...

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How does Project Red avoid that same fate? I

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have a couple ideas. I think if they keep the

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cast focus, they make every suit and ally feel

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intentional, and they give us clear arcs, not

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just who wins fights, but who changes and what

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that costs them, that'll be really great. I think

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that'll do a lot to serve the show and to serve

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its longevity. If Red Neil's character... and

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has people hooked on that, the kids will want

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the toys desperately and they'll buy them. So

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will older collectors, which supposedly like

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collectors, like teens and adults aren't a common

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writer and Ultraman is enjoyed by like collectors.

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So if you can do enough with Project Red, you

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can pull in those customers as well while telling

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a great story. So they're restarting the Metal

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Heroes series with this, I would argue. We've

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got, you know, Gavon Infinity. He's a red hero

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now. So they're making that shift. And Gavon

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is cool with the metallic armor. And he's pretty

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slick with, like, there's just like a lot of

00:13:05.299 --> 00:13:07.500
cool things about Gavon visually. And then they're

00:13:07.500 --> 00:13:09.740
making that red. So they're pulling in, like

00:13:09.740 --> 00:13:11.899
I said, the Sentai energy with the Gavon energy.

00:13:13.220 --> 00:13:16.740
But that can't be all the show is. If red wants

00:13:16.740 --> 00:13:19.259
longevity, it needs real risks. The kind that

00:13:19.259 --> 00:13:21.139
make you sit up and say, okay, the show means

00:13:21.139 --> 00:13:23.210
something. What are they doing? I can't believe

00:13:23.210 --> 00:13:25.190
they're doing this. Either of those would be

00:13:25.190 --> 00:13:27.110
good things. Instead of just, well, whatever,

00:13:27.330 --> 00:13:30.409
it's Gavon Infinity. It's Red, Project Red, who

00:13:30.409 --> 00:13:34.169
cares? I don't need to watch this week. And any

00:13:34.169 --> 00:13:36.649
twists in it should be twists for that particular

00:13:36.649 --> 00:13:40.909
season or series, and they shouldn't become part

00:13:40.909 --> 00:13:44.429
of the overall formula of Project Red or Gavon

00:13:44.429 --> 00:13:47.950
Infinity. I also think that from day one, they

00:13:47.950 --> 00:13:52.179
should think global and think weird. I think

00:13:52.179 --> 00:13:54.220
Ultraman is a good example of that. They've got

00:13:54.220 --> 00:13:55.500
tighter seasons, they have a clear identity,

00:13:55.720 --> 00:13:57.059
they have this premium tone, and they have this

00:13:57.059 --> 00:14:00.539
willingness to experiment. Episodes like Fourth

00:14:00.539 --> 00:14:03.919
Dementor Capriccio from Ultraman Zed, and...

00:14:03.919 --> 00:14:08.200
I don't know. Oh, The Man in the White Mask from

00:14:08.200 --> 00:14:10.379
Ark, and gosh, there was another one from Ark.

00:14:10.440 --> 00:14:12.980
Oh, The Dream Bird, even. I don't remember any

00:14:12.980 --> 00:14:15.179
really weird Blazar episodes, but I like Blazar

00:14:15.179 --> 00:14:19.370
a lot. It's a short show. with a shorter runtime,

00:14:19.509 --> 00:14:22.190
you know, 25 as opposed to like 50 or so episodes.

00:14:22.450 --> 00:14:24.629
And they still take time to do these detours,

00:14:24.629 --> 00:14:26.549
to do these weird episodes. And I think that's

00:14:26.549 --> 00:14:28.610
part of what makes Ultraman stick so much. It

00:14:28.610 --> 00:14:31.470
makes it so cool. And I think Project Red has

00:14:31.470 --> 00:14:36.590
the same ability to do something like that. But

00:14:36.590 --> 00:14:38.429
not exactly that. Or, you know, who knows? Maybe

00:14:38.429 --> 00:14:40.330
they'll do weird stuff with Mako Space. But like,

00:14:40.389 --> 00:14:43.710
they should be able to get this subbed and...

00:14:43.980 --> 00:14:45.500
get an international release with it. They could

00:14:45.500 --> 00:14:47.379
dub it and get an international release with

00:14:47.379 --> 00:14:49.960
it. They can make it export ready. If they embrace

00:14:49.960 --> 00:14:52.899
this strange side of records of extraordinary

00:14:52.899 --> 00:14:55.419
dimensions, I think they could just make it like

00:14:55.419 --> 00:14:57.019
a really unique show, a really interesting show

00:14:57.019 --> 00:14:59.480
that people want to check out. And it can draw

00:14:59.480 --> 00:15:01.379
a lot of people in from all over the place. I

00:15:01.379 --> 00:15:03.659
think, you know, anime fans, fans of other Henshin

00:15:03.659 --> 00:15:09.100
Hero shows. And I really think having this fresh

00:15:09.100 --> 00:15:11.200
start and having weirdness that they can lean

00:15:11.200 --> 00:15:12.659
into is going to be their strength. It's going

00:15:12.659 --> 00:15:14.590
to give them a sharper identity, and people are

00:15:14.590 --> 00:15:16.509
going to say, oh, this show's weird. I like it.

00:15:18.669 --> 00:15:21.870
So, again, I'm trying to close out here. I don't

00:15:21.870 --> 00:15:23.629
think Super Sentai failed because it lacked potential.

00:15:23.710 --> 00:15:26.450
It failed because it stopped surprising the audience.

00:15:27.029 --> 00:15:28.970
Project Red has the chance to surprise people.

00:15:29.669 --> 00:15:33.350
If it stays lean, if it dares to evolve, and

00:15:33.350 --> 00:15:35.029
if it chooses to be different instead of replacing

00:15:35.029 --> 00:15:41.269
Sentai, taking its spot in truth and in spirit,

00:15:42.909 --> 00:15:47.769
we're not going to see the death of another series.

00:15:47.870 --> 00:15:50.529
We're not going to see the death of Sentai. We're

00:15:50.529 --> 00:15:53.450
going to see the birth of something new and a

00:15:53.450 --> 00:15:55.970
fresh new chapter that will hopefully delight

00:15:55.970 --> 00:15:59.850
fans for 50 years or more, just like Super Sentai

00:15:59.850 --> 00:16:04.809
did. For the most part. If you want more deep

00:16:04.809 --> 00:16:06.769
dives like this, the Heart and Soul playlist

00:16:06.769 --> 00:16:10.559
is pinned in the first comment. What do you think

00:16:10.559 --> 00:16:12.340
Sentai could have done to save itself? And what

00:16:12.340 --> 00:16:15.320
does Red absolutely need to get right? Let's

00:16:15.320 --> 00:16:16.779
keep the conversation going in the comments.
