1 00:00:00,000 --> 00:00:06,000 Engine Inspection presents a writer tears. This is MJ. I'm an author, I'm an artist, I'm an analyzer. 2 00:00:06,000 --> 00:00:11,000 You can find all my work at MJMunoz.com. Join me as I talk about Combinator Gov episode 1. 3 00:00:11,000 --> 00:00:16,000 So this episode is entitled A Snack Combinator or something to that effect. 4 00:00:16,000 --> 00:00:22,000 It was kind of interesting. I wasn't really excited about Gov. It's been a while since I've... 5 00:00:22,000 --> 00:00:27,000 I totally skipped over the chemi writer was at Gotshard. Totally skipped over that because I was doing other things 6 00:00:27,000 --> 00:00:32,000 and I thought it wasn't going to be a good idea for me but I decided I'll come back with this. 7 00:00:32,000 --> 00:00:39,000 I'm covering the newest Ultraman as it's coming out and I'm trying to get more into the Soka Satsuki game. 8 00:00:39,000 --> 00:00:44,000 So I figure, here we go. Let's check this thing out and see how I like it. 9 00:00:44,000 --> 00:00:49,000 I'll be honest, I thought it was stupid from the outset of it with the gummies and everything. 10 00:00:49,000 --> 00:00:55,000 The gimmicks are, you know, kind of ridiculous and they get worse every year it seems to me. 11 00:00:55,000 --> 00:00:59,000 But I gave the episode a fair chance and I honestly liked it. 12 00:00:59,000 --> 00:01:06,000 So this originally is September 1st, 2024. It's September 3rd as I'm recording this and it will be released the same day. 13 00:01:06,000 --> 00:01:12,000 The writer of it is Junko Komura and the director is Teruaki Sugihara. 14 00:01:12,000 --> 00:01:19,000 Just for those people who don't know, Junko Komura, she was the main writer for Wizard actually. 15 00:01:19,000 --> 00:01:25,000 And I actually, I'm sorry, she wasn't the main writer for Wizard but she wrote a lot of Wizard. 16 00:01:25,000 --> 00:01:32,000 Sorry. She is credited as the head writer for Wizard. I guess that was the first time she was the head writer. 17 00:01:32,000 --> 00:01:37,000 I think she worked on the previous Super Sentai as well. 18 00:01:37,000 --> 00:01:43,000 But yeah, so she was the...oh, how funny. Huh. How interesting. 19 00:01:43,000 --> 00:01:46,000 Apparently she's appeared in Wizard Drive and Gab. 20 00:01:46,000 --> 00:01:53,000 But she was the head writer, credited as the head writer in obviously Gab...Gav? Gab? Gab? I don't know. Whatever. 21 00:01:53,000 --> 00:01:57,000 Wizard and she was in... 22 00:01:59,000 --> 00:02:06,000 I'm sorry. She was a head writer for Combinator Gab, writer for Combinator Wizard and Combinator Drive. 23 00:02:06,000 --> 00:02:09,000 So that doesn't mean she was the head writer for those. Okay, got it. That's what I thought. 24 00:02:09,000 --> 00:02:13,000 But I was second guessing myself. It's been a while since I've watched Wizard. 25 00:02:13,000 --> 00:02:16,000 She even wrote the second episode of Wizard. 26 00:02:16,000 --> 00:02:21,000 Wutsu Ishikida, who was the...I believe he was the main writer for Combinator Wizard. 27 00:02:24,000 --> 00:02:28,000 Okay, yes. And he wrote the first half of Combinator Hibiki. Okay. 28 00:02:28,000 --> 00:02:30,000 That's why I remember that name. 29 00:02:30,000 --> 00:02:38,000 And Tera Kusugi Hara, he's worked on Bunch of Zero-One, Saber, Revice, Bunch of Geats. 30 00:02:38,000 --> 00:02:43,000 Not everything, though. Like a handful about it. You know, anywhere from... 31 00:02:43,000 --> 00:02:47,000 Well, increasingly more and more, so that's good. 32 00:02:47,000 --> 00:02:54,000 Anyway, so I thought the...like I said from the outset, I thought that the premise was stupid. 33 00:02:54,000 --> 00:02:59,000 And it looked really ridiculous. And I don't understand why it has to be gummies. 34 00:02:59,000 --> 00:03:03,000 And it's...you know, this is a Japanese children's television show. 35 00:03:03,000 --> 00:03:10,000 While I typically like that, it was very, very childish, very kiddy in the presentation of some of the things. 36 00:03:10,000 --> 00:03:13,000 But at the same time, it is, you know, Combinator. 37 00:03:13,000 --> 00:03:18,000 And it does have that different...I'm not going to say edge, because it's not edgy. 38 00:03:18,000 --> 00:03:20,000 It has a different side to it. 39 00:03:20,000 --> 00:03:24,000 Where you have this, you know, ridiculous premise, ridiculous setup. 40 00:03:24,000 --> 00:03:30,000 It's very much unlike Ultraman, where, you know, Soma has, you know, his auburn hair. 41 00:03:30,000 --> 00:03:33,000 And, you know, his bright outfit. 42 00:03:33,000 --> 00:03:39,000 And he acts a little bit like a...well, okay. Ultras act like goofballs, too, in their civilian forms. 43 00:03:39,000 --> 00:03:41,000 But, you know, he's a weird guy. 44 00:03:41,000 --> 00:03:44,000 But it's explained because he's from another world. 45 00:03:44,000 --> 00:03:49,000 Whether he's actually an alien, or if he's from another dimension, or what, it's unexplained. 46 00:03:49,000 --> 00:03:55,000 But I gotta say, despite all of that, and despite the ridiculousness of the premise, 47 00:03:55,000 --> 00:03:56,000 I decided to give it a shot. 48 00:03:56,000 --> 00:04:04,000 And I was pleased with some things, because I, you know, I gave it, like I said, I gave it a fair shot. 49 00:04:04,000 --> 00:04:10,000 And seeing Soma's heroism in a couple of different forms was really enjoyable for me. 50 00:04:10,000 --> 00:04:14,000 And I really liked something deep within his character. 51 00:04:14,000 --> 00:04:17,000 I liked something cool about his character. 52 00:04:17,000 --> 00:04:19,000 He's starting with his kid, Hajime. 53 00:04:19,000 --> 00:04:21,000 And they start talking. 54 00:04:21,000 --> 00:04:26,000 And one of the things that Hajime says is about, he says it about his mother, basically. 55 00:04:26,000 --> 00:04:31,000 And that kind of triggers something within Soma. 56 00:04:31,000 --> 00:04:39,000 And he has memories of his own mother, and his mother warning him when he was a child to stay away from the family's confections, to not eat them. 57 00:04:39,000 --> 00:04:44,000 And then his mother being taken away from him as, you know, he's an adult, he's 18, 19, whatever. 58 00:04:44,000 --> 00:04:49,000 The actor turned 19 while filming the first episode, I think, is what I read. 59 00:04:49,000 --> 00:04:52,000 So he's a fairly young guy. 60 00:04:52,000 --> 00:04:55,000 But, you know, an adult still. 61 00:04:55,000 --> 00:05:05,000 Hopefully, no, I mean, he acts like a man, he acts like an adult in this book, and I'll get to that, which is what really interested me, and really made me think, oh, okay, maybe there's someone here. 62 00:05:05,000 --> 00:05:12,000 Before he even transforms, before he's a Kamen Rider, before he's a hero, we see he has, you know, amazing physical strength. 63 00:05:12,000 --> 00:05:21,000 And he puts himself on the line to save Hajime from getting hit by a truck, which was very interestingly reminiscent of, but in a comedic way, Kamen Rider I, what he does. 64 00:05:21,000 --> 00:05:33,000 I think the first time he exhibits his powers in the Hideyakana, the Toshikuyinoue, Kamen Rider I, there's the first, there's the next. 65 00:05:33,000 --> 00:05:36,000 Anyway, he wrote that one. 66 00:05:36,000 --> 00:05:38,000 And I don't remember who directed it. 67 00:05:38,000 --> 00:05:47,000 Anyway, but it was a while ago, and it was the first, you know, adult reboot type thing of Kamen Rider, where he was Hopper, not, you know, Kamen Rider. 68 00:05:47,000 --> 00:05:51,000 And then eventually, I guess he becomes Kamen Rider, but for sure he's Hopper in that. 69 00:05:51,000 --> 00:05:58,000 Anyway, and you get, you get Rider I and Rider II within the first movie as well. 70 00:05:58,000 --> 00:06:00,000 Yes, you do. Yes, you do. Anyway. 71 00:06:00,000 --> 00:06:02,000 That's neither here nor there. 72 00:06:02,000 --> 00:06:11,000 But he checked this truck to save somebody. I believe it's a kid as well, but it's not played for laughs at all, whereas this is played for laughs. 73 00:06:11,000 --> 00:06:13,000 And it's funny, like I actually laughed at that, it was funny. 74 00:06:13,000 --> 00:06:16,000 But also it was cool because he threw himself right in there in danger. 75 00:06:16,000 --> 00:06:23,000 But then later on, he's protecting Hajime as best as he can, and he's getting trounced by this bad guy. 76 00:06:23,000 --> 00:06:32,000 Like dog or wolf granite, granute, something like that, granute. 77 00:06:32,000 --> 00:06:40,000 Let me see. Well, that stuff doesn't matter, but the bad guy, the monster of the week, he's getting trounced by him, and he's just taking, he's taking hit after hit after hit after hit. 78 00:06:40,000 --> 00:06:52,000 And I started liking him when he talked about, like, like loving his mom and where he showed tenderness about his mom, and he showed like real emotional, like a real emotional reaction to something. 79 00:06:52,000 --> 00:07:00,000 And he was sympathetic towards Hajime because Hajime was trying to get to his mom, and that kind of sort of cat on the other. 80 00:07:00,000 --> 00:07:09,000 That like had, like that resonated with him, struck a chord with him, and it made him like want to help the kid a little bit even more. 81 00:07:09,000 --> 00:07:14,000 And then Hajime's being, which by the way, that kid did great. 82 00:07:14,000 --> 00:07:22,000 I hope he's going to be like a series regular because like I said, I think he did a fantastic job having the writer have a kid ally could be a lot of fun. 83 00:07:22,000 --> 00:07:33,000 He's like kind of got attitude, and he keeps, he calls Shoma stranger danger at some point, and he calls the chocolate, not chocolate, the beastie, wolfhound, whatever, bad guy who follows him. 84 00:07:33,000 --> 00:07:38,000 He calls him, he says, oh, stranger danger about this guy too, which is kind of funny. 85 00:07:38,000 --> 00:07:48,000 But when the kids running from him, Shoma was just bringing him his little packet of snacks or whatever or something, all the seashells that he was taking his mom. 86 00:07:48,000 --> 00:07:54,000 That's what it was. Kid was taking seashells to his mom, and Hajime had said something like, it's the least I can do. 87 00:07:54,000 --> 00:08:01,000 She's my mom, you know, and like I'm a kid. I can't get anything with her really, but like this is something I can give to her. 88 00:08:01,000 --> 00:08:04,000 And like it's ingratitude for everything that she's done for him. 89 00:08:04,000 --> 00:08:12,000 And I thought that was like a really sweet emotional core. And that touched Shoma, that touched me as well. 90 00:08:12,000 --> 00:08:18,000 And then when Shoma comes running in to give him the shells, he also says he's endangered from this monster. 91 00:08:18,000 --> 00:08:24,000 And he tries to, he does, he does a school thing where he runs on the side of these shipping containers and he saves them. 92 00:08:24,000 --> 00:08:29,000 And then he ends up telling him, you know, you go over there and stay away. 93 00:08:29,000 --> 00:08:36,000 And then he gets beat and, you know, beat down a bunch and keeps getting back up and he keeps getting hit and getting hurt by this monster. 94 00:08:36,000 --> 00:08:42,000 And then finally the gummy things in his pocket or that came out of his stomach because he is this alien with his weird stomach. 95 00:08:42,000 --> 00:08:51,000 It's like a drive or build driver, which I guess the laziness of that design for that thing is like stupendous. 96 00:08:51,000 --> 00:08:56,000 I cannot believe they just are recycling and kit bashing that friggin belt and they're not doing something better with it. 97 00:08:56,000 --> 00:09:04,000 There were all those imagination belts that they made that they had like in the subway or in some place in Tokyo where they were displaying all these crazy, 98 00:09:04,000 --> 00:09:09,000 like they had like a steampunk belt, which I think they cannibalized parts of that for like Comrade Blackstone's belt. 99 00:09:09,000 --> 00:09:14,000 And they had a couple other belts that were like very inventive and imaginative that just like they made for whatever reason. 100 00:09:14,000 --> 00:09:24,000 And instead of putting the effort into either steal something from those or pull something else in, they just use like the build belt. 101 00:09:24,000 --> 00:09:34,000 And the fact, the idea that this guy has a mechanical stomach thing that's on the outside of him and it has a crank that it needs is kind of crazy to me. 102 00:09:34,000 --> 00:09:45,000 Like I kind of got some Kiva vibes in here a little bit, but like Kiva, this robotic bat thing that Kiva has as his belt slash butler kind of guy. 103 00:09:45,000 --> 00:09:50,000 Like it blows the whistles on its own. He has to put the whistles in its mouth and it blows them. 104 00:09:50,000 --> 00:09:55,000 It latches on it, bites them for him to transform, flies around and he catches it and it bites him and stuff. 105 00:09:55,000 --> 00:10:01,000 Like there's interaction with the belt, but the idea that your stomach part would... 106 00:10:01,000 --> 00:10:11,000 I mean, I know you need to put food in your mouth in order for you to eat it, but the fact that he's going to put the gummies in there and crank them like this, it seems a little ridiculous. 107 00:10:11,000 --> 00:10:17,000 Yeah, I don't know what else they could have done. They could have had... 108 00:10:17,000 --> 00:10:23,000 I mean, I don't want to think about the mechanics of the belt right now on the fly, but it's like very silly and kind of dumb. 109 00:10:23,000 --> 00:10:28,000 But I mean, here's the thing, I'm saying it's like a dumb, weird premise. It's super goofy. 110 00:10:28,000 --> 00:10:36,000 But then like you have these hard things. You have this guy who loves his mom and who wants to protect this kid who loves his mom and is trying to get back to her. 111 00:10:36,000 --> 00:10:40,000 And then the mom comes and she calls him a monster. She calls both him and the monster, the Weka monster. 112 00:10:40,000 --> 00:10:43,000 And the monster is like, ah, you see, you're a monster. 113 00:10:43,000 --> 00:10:49,000 And I'm just like, you should kill all humans because they think you're a monster. And he's like, no, she's right. I'm a monster. You're a monster. 114 00:10:49,000 --> 00:10:53,000 But the difference between you and me is I'm going to be the one who's alive after this. He doesn't say it like that. 115 00:10:53,000 --> 00:11:00,000 He's like, you're a monster who's bad. And he like starts the conversation and then they have a long, cool, super cool fight. 116 00:11:00,000 --> 00:11:07,000 They're like in between, they're jammed in between these shipping containers and they're like slicing them open. 117 00:11:07,000 --> 00:11:14,000 And you can see that it's big slicing it open, but they have an effect that works that it looks like they slice the thing open. 118 00:11:14,000 --> 00:11:17,000 And you're seeing them through the frame by that. 119 00:11:17,000 --> 00:11:27,000 And then Shoma's like holding himself upside down in between shipping containers and they're fighting. 120 00:11:27,000 --> 00:11:31,000 He did this awesome where he slid off the end of the shipping container and the guy was coming after him. 121 00:11:31,000 --> 00:11:38,000 He sliced him from underneath and that led to them being stuck in between the two fighting and he slashed them and it looks super cool. 122 00:11:38,000 --> 00:11:44,000 And then they go to this weird shopping mall, courtyard field area type thing. 123 00:11:44,000 --> 00:11:52,000 And he tells them something like it comes down to choice and you choose to do X with your power and I'm choosing to do Y. 124 00:11:52,000 --> 00:11:59,000 And that's why I'm made to beat you. And then he does this ridiculous gummy writer thing where his foot gets this giant gummy boot thing on it. 125 00:11:59,000 --> 00:12:05,000 And he had already done super cool writer kicks I think that I'd never seen before where the guy's flying through the air. 126 00:12:05,000 --> 00:12:11,000 I think the monster's flying through the air and he runs up to the edge of a building and he stops at the end of the building, 127 00:12:11,000 --> 00:12:15,000 stops on a diamond and kicks the guy as he's flying through the air and he flies off. It's amazing. 128 00:12:15,000 --> 00:12:19,000 So they have really cool ideas and really cool things that they're doing. 129 00:12:19,000 --> 00:12:22,000 And really cool awesome stuff that they're doing. 130 00:12:22,000 --> 00:12:27,000 And then they're packaging it with all this weird gummy stuff that I don't really get and don't really like. 131 00:12:27,000 --> 00:12:31,000 And then when he beats the guy there's an explosion of gummies around him. 132 00:12:31,000 --> 00:12:40,000 And I know these CGI elements, the guy turns into a hound and he has to chase them and he's on this ATV gummy wheel thing with bullets coming out of it and whatever. 133 00:12:40,000 --> 00:12:45,000 It's super hyper ridiculous. And I just don't get why. This level of twerkness is really silly. 134 00:12:45,000 --> 00:12:55,000 I don't really get it, especially because the old stuff sold with just a cool design and there's monsters every fight and there's the bike and there's the mask and the belt. 135 00:12:55,000 --> 00:13:01,000 And I don't understand why you can't make a belt cool without having a ridiculous gimmick to it every single time. 136 00:13:01,000 --> 00:13:08,000 I would think you'd be able to make the belt pretty cool by having stuff that you've put in there. 137 00:13:08,000 --> 00:13:14,000 But I was thinking about it like, who does it? Well like Yu-Gi-Oh for example, it's a card game only right? 138 00:13:14,000 --> 00:13:20,000 But you've been able to have, and it's a very successful card game but apparently it's like a one piece card game or whatever. 139 00:13:20,000 --> 00:13:25,000 I'm just thinking like there's other ways to sell these shows. 140 00:13:25,000 --> 00:13:31,000 Like you could have a combinator show and you could have an interesting design for each guy, a very unique design for each guy. 141 00:13:31,000 --> 00:13:34,000 You could have the belts and you could have other accessory weapon type things. 142 00:13:34,000 --> 00:13:38,000 But I would think you'd be able to just sell the roleplay toys but you would not sell the roleplay toys. 143 00:13:38,000 --> 00:13:45,000 You can give them all card belts and then you can have the cards be like the cards in the trading card game for example. 144 00:13:45,000 --> 00:13:49,000 And I think that's a lot cheaper to produce in a lot of ways than all these toys. 145 00:13:49,000 --> 00:13:54,000 Maybe the ROI is smaller, I'm not sure but it seems like, it seems kind of crazy and ridiculous. 146 00:13:54,000 --> 00:13:59,000 I'm like, I was thinking like I'd be so embarrassed if someone would watch me watch this because like it's ridiculous. 147 00:13:59,000 --> 00:14:01,000 And I'm slightly embarrassed of it myself. 148 00:14:01,000 --> 00:14:08,000 But I can see past some of the ridiculous stuff to see like okay there's something like, there's a story here, there's something cool here going on. 149 00:14:08,000 --> 00:14:11,000 There's something interesting going on with these characters and with this world. 150 00:14:11,000 --> 00:14:15,000 And I don't quite know what the conflict is, I don't really care at this point. 151 00:14:15,000 --> 00:14:19,000 I don't know how long I'm going to stick with Gav or Gav or whatever. 152 00:14:19,000 --> 00:14:21,000 But you know there's something good. 153 00:14:21,000 --> 00:14:24,000 I like this episode, it was actually pretty cool. 154 00:14:24,000 --> 00:14:27,000 And I think there's something there. 155 00:14:27,000 --> 00:14:29,000 So anyway, a couple things I wanted to say. 156 00:14:29,000 --> 00:14:34,000 So Hidizaku Chinin is the actor who played Shoma. 157 00:14:34,000 --> 00:14:38,000 And I like him, I think he did a really good job. 158 00:14:38,000 --> 00:14:41,000 I think there's definitely something there. 159 00:14:41,000 --> 00:14:46,000 And I appreciate him and his performance, which I think I've talked about adequately. 160 00:14:46,000 --> 00:14:50,000 I just wanted to put his name out there and say what I had to say. 161 00:14:53,000 --> 00:14:57,000 Apparently Teruaki Sugihara told him to watch... 162 00:14:57,000 --> 00:15:02,000 This is information from the wiki. 163 00:15:02,000 --> 00:15:07,000 Sugihara told him to watch Zero-One. 164 00:15:07,000 --> 00:15:13,000 To prepare for the role, knowing that Arato Hidin Choma is a very bright personality. 165 00:15:13,000 --> 00:15:23,000 Chinin also took heavy inspiration from Miyotaka Hashi's portrayal of the character in both the physical action scene and behind the booth ADR sessions. 166 00:15:23,000 --> 00:15:24,000 Very interesting. 167 00:15:24,000 --> 00:15:31,000 So he did at the very end of the episode when he was about to get on his motorcycle, he had a very Arato feel. 168 00:15:31,000 --> 00:15:33,000 And that makes a lot of sense. 169 00:15:33,000 --> 00:15:37,000 So if he copied him, I could see that. 170 00:15:37,000 --> 00:15:39,000 Teruaki drew inspiration from that performance. 171 00:15:39,000 --> 00:15:40,000 I can see that. 172 00:15:40,000 --> 00:15:41,000 So I think that's really interesting. 173 00:15:41,000 --> 00:15:45,000 And again, I think he did a great job even in his civilian fight when he was getting beat up and stuff. 174 00:15:45,000 --> 00:15:51,000 And then he also does this really cool kick where he jumps and does a two-foot kick against the monster. 175 00:15:51,000 --> 00:15:52,000 Super cool. 176 00:15:52,000 --> 00:15:54,000 So I really like Shoma. 177 00:15:54,000 --> 00:15:55,000 He's a pretty cool guy. 178 00:15:55,000 --> 00:15:59,000 And I think Hidizaku Chinin does a really good job portraying him. 179 00:15:59,000 --> 00:16:05,000 And then I wanted to note that the suit actor, which I mean the suit acting was fantastic as well. 180 00:16:05,000 --> 00:16:08,000 I mean, I talked about the box and the kicking at the edge of the roof and all this stuff. 181 00:16:08,000 --> 00:16:10,000 And I want to know, like, they were on a wire, is it a fake roof? 182 00:16:10,000 --> 00:16:13,000 Is there like a CGI blue ledge that they painted out or whatever? 183 00:16:13,000 --> 00:16:14,000 I don't know. 184 00:16:14,000 --> 00:16:15,000 But whatever they did, it was fantastic. 185 00:16:15,000 --> 00:16:16,000 It was magical. 186 00:16:16,000 --> 00:16:19,000 I was like, I stopped and looked at that again because that's amazing. 187 00:16:19,000 --> 00:16:28,000 But that's Yuya Nawata who acted as the suit actor in Zero One. 188 00:16:28,000 --> 00:16:31,000 He was Combinator Revi in whatever that next show was. 189 00:16:31,000 --> 00:16:36,000 He was Buffa who was sort of like secondary antagonist writer from Geats. 190 00:16:36,000 --> 00:16:37,000 And then now he's Gapp. 191 00:16:37,000 --> 00:16:49,000 So I think Revi was from the previous pink and purple weird dinosaur children's bar bizarre adventure Combinator type thing. 192 00:16:49,000 --> 00:16:56,000 So anyway, yeah, I was wanting to give note to those guys because there's something to appreciate there. 193 00:16:56,000 --> 00:16:59,000 There's something to say. 194 00:16:59,000 --> 00:17:02,000 So anyway, with that, that's going to end my conclusion. 195 00:17:02,000 --> 00:17:03,000 That's going to end my conclusion. 196 00:17:03,000 --> 00:17:09,000 That's going to end my conclusion of talking about Combinator Gapp Episode 1. 197 00:17:09,000 --> 00:17:10,000 Overall, I liked it. 198 00:17:10,000 --> 00:17:11,000 I liked it more than I thought I would. 199 00:17:11,000 --> 00:17:12,000 And I was surprised by it pleasantly. 200 00:17:12,000 --> 00:17:14,000 So that's cool. 201 00:17:14,000 --> 00:17:17,000 And I'll check out a few more and we'll see where we go from here. 202 00:17:17,000 --> 00:17:19,000 So until next time, folks, take care and be well. 203 00:17:19,000 --> 00:17:23,000 And I hope you enjoyed that. 204 00:17:23,000 --> 00:17:25,000 Subscribe to keep up with me. 205 00:17:25,000 --> 00:17:28,000 Like and share to help me reach more people like you. 206 00:17:28,000 --> 00:17:31,000 And go to MJMunoz.com to find your next favorite thing. 207 00:17:31,000 --> 00:17:33,000 And don't forget to let your voice be heard. 208 00:17:33,000 --> 00:17:37,000 Stories are always better when you're part of the conversation. 209 00:17:37,000 --> 00:17:39,000 Until next time, be well. 210 00:17:39,000 --> 00:17:41,000 This is MJ signing out. 211 00:17:41,000 --> 00:17:56,000 This has been a Story Over Everything production.