1 00:00:00,000 --> 00:00:06,000 This is MJ, I'm an author, I'm an artist, I'm an analyzer. You can find all my work at MJMunoz.com. 2 00:00:06,000 --> 00:00:16,000 Welcome to Digimon Chronicles. This is Digimon Seekers Chapter 1, Part 16. 3 00:00:16,000 --> 00:00:22,000 I'm continuing the ongoing saga of the Odyssey of this audiobook. 4 00:00:22,000 --> 00:00:30,000 And last we left, AG getting attacked by a Numemon that is the partner of this interesting cop lady. 5 00:00:30,000 --> 00:00:32,000 So I'm going to go ahead and get right into it. 6 00:00:32,000 --> 00:00:38,000 And after I'm done reading, I will make some comments on what I thought of the content of this chapter. 7 00:00:38,000 --> 00:00:45,000 I'm reading from Keikun's translation once again, which is linked in the show notes, which you can find at my website. 8 00:00:45,000 --> 00:00:49,000 It's linked in the audio and video platforms wherever you're finding this. 9 00:00:49,000 --> 00:00:54,000 And if you subscribe to this, the audio feed, you will get access to it before it goes on the video platforms, 10 00:00:54,000 --> 00:01:01,000 even before it's on my website because it goes up to the audio podcast feed first and then distributes everywhere else. 11 00:01:01,000 --> 00:01:08,000 So if you're really itching for it, you can get it there as soon as it's out and everywhere else is going to get it second. 12 00:01:08,000 --> 00:01:15,000 So continuing on with the audiobook, Digimon Seekers, Part 16 of Chapter 1. 13 00:01:15,000 --> 00:01:20,000 Numemon, adult level, mollusk type, virus species. 14 00:01:20,000 --> 00:01:25,000 The hollow lies deputy squad leader rode on top of Numemon's back. 15 00:01:25,000 --> 00:01:28,000 The Numemon was about the size of a small truck. 16 00:01:28,000 --> 00:01:33,000 They appeared to act as a police vehicle because a police siren rested on top of their head. 17 00:01:33,000 --> 00:01:37,000 You're under arrest the both of yous. 18 00:01:37,000 --> 00:01:40,000 You got me really angry now. Who the hell do you think I am? 19 00:01:40,000 --> 00:01:50,000 I'm Deputy Squad Leader of the Metropolitan Police's Community Safety Department's Cybercrime Division's Digimon Crime Response Team Investigation Section 11. 20 00:01:50,000 --> 00:01:54,000 Satsuki, Tamahime, you bastards. 21 00:01:54,000 --> 00:01:57,000 That's one hell of a long title, Eiji called out. 22 00:01:57,000 --> 00:02:07,000 Codecrackers normally referred to them as the Digi Police, but this was Eiji's first time hearing it referred specifically as Investigation Section 11. 23 00:02:07,000 --> 00:02:11,000 Oh shit, my affiliation. I wasn't supposed to say that. 24 00:02:11,000 --> 00:02:14,000 Satsuki covered her mouth with both hands. 25 00:02:14,000 --> 00:02:17,000 Hey, Five Head and Ding Dong, you didn't hear that. 26 00:02:17,000 --> 00:02:20,000 I don't give a crap, Eiji called out. 27 00:02:20,000 --> 00:02:22,000 And why do you keep calling me Five Head? 28 00:02:22,000 --> 00:02:28,000 Lugamon grimaced, nudging at the interface on his forehead with one front paw. 29 00:02:28,000 --> 00:02:30,000 Well, I'm not wrong, am I? 30 00:02:30,000 --> 00:02:32,000 Meiji Mutt, the Deputy Squad Leader. 31 00:02:32,000 --> 00:02:36,000 Satsuki, you've refused to let up. 32 00:02:36,000 --> 00:02:40,000 I want to be cop like you has no business insulting me, Lugamon grumbled. 33 00:02:40,000 --> 00:02:48,000 Maybe I'll make you cry. I like this interface on my forehead, and I'm not about to let you off easily for making fun of it. 34 00:02:48,000 --> 00:02:54,000 Enough talking, Five Head. On my command, Command Ramon, fire the M16. 35 00:02:54,000 --> 00:02:59,000 What kanji do you use for your name, Satsuki? Eiji tried to calm things down a bit. 36 00:02:59,000 --> 00:03:08,000 Huh? It's the Tama from Shoji, Hime from Princess, and you write it Satsuki with the kanji for Thread, Little, and Moon. 37 00:03:08,000 --> 00:03:12,000 And why am I telling you this? It's personal information. 38 00:03:12,000 --> 00:03:14,000 She really was on edge. 39 00:03:14,000 --> 00:03:19,000 Teasing her brought out funny reactions, and Eiji feared that he'd get addicted to doing it. 40 00:03:19,000 --> 00:03:22,000 My name is Eiji, Eiji Nagasumi. 41 00:03:22,000 --> 00:03:23,000 I didn't ask. 42 00:03:23,000 --> 00:03:30,000 Satsuki made a gesture with her hand, as if to ward off a persistent playboy trying to hit on her. 43 00:03:30,000 --> 00:03:36,000 Wait, scratch that. I'm Codecracker Feng. Forget what I just said, Satsuki-chan. 44 00:03:36,000 --> 00:03:40,000 No, you just saved me the trouble of IDing you, Eiji Nagasumi. 45 00:03:40,000 --> 00:03:45,000 I've established you as an Elite Level A or higher codecracker capable of mindlinking. 46 00:03:45,000 --> 00:03:49,000 Satsuki pointed to Eiji threateningly. 47 00:03:49,000 --> 00:03:53,000 Alright, I got Satsuki-chan's seal of approval. 48 00:03:53,000 --> 00:03:57,000 Lugamon, did you hear that? I'm an Elite Codecracker. 49 00:03:57,000 --> 00:04:02,000 Level A codecrackers are automatically placed on the Metropolitan Police Department's backlist. 50 00:04:02,000 --> 00:04:07,000 Your days of living a normal life are over for you, sociopath. 51 00:04:07,000 --> 00:04:10,000 You're about to end up on the other side of the fence. 52 00:04:10,000 --> 00:04:12,000 No, maaaaan! 53 00:04:12,000 --> 00:04:16,000 The slug cried out. 54 00:04:16,000 --> 00:04:22,000 Don't be scared just because the enemy is Adult Level, Lugamon said, writing himself for battle. 55 00:04:22,000 --> 00:04:27,000 I get like a physical reaction against slimy things, Eiji said queasily. 56 00:04:27,000 --> 00:04:31,000 Like grated yams or okra or natto. 57 00:04:31,000 --> 00:04:33,000 Blip blip blip blip blip blip. 58 00:04:33,000 --> 00:04:39,000 New Maman shot something out of their body, like a rapid fire cannon. 59 00:04:39,000 --> 00:04:45,000 Spineless guys like you who can't eat natto might as well eat Digimon food, Satsuki instigated. 60 00:04:45,000 --> 00:04:51,000 That's not food, that's poop, Eiji and Lugamon dodged New Maman's attack in the nick of time. 61 00:04:51,000 --> 00:04:55,000 What a disgusting attack, Lugamon said, repulsed. 62 00:04:55,000 --> 00:05:00,000 This is why Digimon who look like they're from the landfills of Fifth Avenue have zero taste. 63 00:05:00,000 --> 00:05:04,000 They're a perfect match with that loudmouth woman though. 64 00:05:04,000 --> 00:05:07,000 Um, Lugamon, she can hear you, you know? 65 00:05:07,000 --> 00:05:10,000 You seem to have a talent for pissing off women. 66 00:05:10,000 --> 00:05:14,000 Eiji was sweating bullets, but the damage had already been done. 67 00:05:14,000 --> 00:05:21,000 Manji Five Head Mutt, you can insult me all you want, but I won't let you talk about my New Maman like that. 68 00:05:21,000 --> 00:05:24,000 That was what incited her anger further. 69 00:05:24,000 --> 00:05:27,000 New Maman fired something huge at the duo. 70 00:05:27,000 --> 00:05:35,000 Lugamon took a small jump to get out of its way, but the bullet bounced off the wall and hit Eiji. 71 00:05:35,000 --> 00:05:38,000 Oh sorry, forgot you were there. 72 00:05:38,000 --> 00:05:43,000 Help me, Lugamon, Eiji cried pathetically. He was completely covered in poop. 73 00:05:43,000 --> 00:05:46,000 It was only a ricochet, besides, it's good luck. 74 00:05:46,000 --> 00:05:53,000 Ha ha, very funny. Getting covered in manure isn't something you even see in comedy manga these days. 75 00:05:53,000 --> 00:05:56,000 I should never have mind-linked. Eiji started crying. 76 00:05:56,000 --> 00:06:01,000 It was because he was mind-linked that he could smell and feel New Maman's poop as real poop. 77 00:06:01,000 --> 00:06:04,000 His will to fight plummeted. 78 00:06:04,000 --> 00:06:09,000 Kyahaha, pathetic. Serves you right for making fun of my beautiful New Maman. 79 00:06:09,000 --> 00:06:12,000 Satsuki laughed loudly atop her New Maman. 80 00:06:12,000 --> 00:06:17,000 Satsuki-chan, what do you even like about New Maman exactly? 81 00:06:17,000 --> 00:06:20,000 Eiji asked as he wiped the poop off himself. 82 00:06:20,000 --> 00:06:25,000 Their shine, their sliminess, and their hidden ferocity. It's so charming. 83 00:06:25,000 --> 00:06:36,000 I raise the Granululemux Fusconornis in the real world, but they prey on the other slugs and snails. 84 00:06:36,000 --> 00:06:38,000 They gulp them right down. It's so thrilling. 85 00:06:38,000 --> 00:06:41,000 I'll look that up later. 86 00:06:41,000 --> 00:06:42,000 Do you want to see? 87 00:06:42,000 --> 00:06:47,000 Satsuki opened up a virtual monitor above her head and went on a video site. 88 00:06:47,000 --> 00:06:50,000 Not here, please. Silence. 89 00:06:50,000 --> 00:06:59,000 Satsuki was apparently the type to keep going and ignore the atmosphere of the room when she began talking about something she liked. 90 00:06:59,000 --> 00:07:01,000 Hey Eiji. 91 00:07:01,000 --> 00:07:06,000 Wait, Fang was it? Lugaman carefully corrected himself. 92 00:07:06,000 --> 00:07:11,000 Forget it. After all that's just happened, I'm so done. Eiji said moodily. 93 00:07:11,000 --> 00:07:14,000 Ugh, good grief. Lugaman clicked his tongue. 94 00:07:14,000 --> 00:07:21,000 We're mind linked, so while it's a huge pain in my ass, you and I are one mind and body right now. 95 00:07:21,000 --> 00:07:27,000 Oh, that's right. No matter how much of a first-class codecracker I've become, I can't let myself get eaten. 96 00:07:27,000 --> 00:07:30,000 I mean arrested while you're here. 97 00:07:30,000 --> 00:07:32,000 Cut off your hololization and return to me. 98 00:07:32,000 --> 00:07:36,000 But I'm covered in poop after you've cleaned off. 99 00:07:36,000 --> 00:07:39,000 Eiji cut off the hololization as Lugaman had directed. 100 00:07:39,000 --> 00:07:45,000 His form disappeared. Only the poop remained, splattering to the floor from where he'd stood. 101 00:07:45,000 --> 00:07:48,000 Eiji was once again back in Lugaman's Digicore. 102 00:07:48,000 --> 00:07:51,000 His viewpoint merged with that of Lugaman. 103 00:07:51,000 --> 00:07:54,000 Eiji's consciousness connected to the heads-up virtual monitor. 104 00:07:54,000 --> 00:07:59,000 He activated his tools and set the AI mode to battle. 105 00:07:59,000 --> 00:08:02,000 Commandramon! Satsuki cried. Fire! 106 00:08:02,000 --> 00:08:04,000 DCD bomb! 107 00:08:04,000 --> 00:08:09,000 The Commandramon took the initiative, tossing bombs all over the place. 108 00:08:09,000 --> 00:08:20,000 Lugaman dug all four feet into the ground before leaping up and running vertically across the walls of the illegally constructed buildings surrounding the plaza, dodging the explosions. 109 00:08:20,000 --> 00:08:22,000 Howling fire! 110 00:08:22,000 --> 00:08:28,000 A wall of flames divided the Commandramon in two, disrupting them. 111 00:08:28,000 --> 00:08:33,000 Tch! An inextinguishable magic flame! Satsuki grimaced. 112 00:08:33,000 --> 00:08:37,000 It's only as strong as a bonfire, but still a pain in the ass. 113 00:08:37,000 --> 00:08:40,000 Satsuki's new memawd advanced forward, unafraid of the flames. 114 00:08:40,000 --> 00:08:43,000 A damn slug's undaunted by my flames! Lugaman growled. 115 00:08:43,000 --> 00:08:48,000 The slug's slimy mucus seemed to ward off the flames to a certain extent. 116 00:08:48,000 --> 00:08:52,000 Lugaman's fire has no effect! Eiji cried in disappointment. 117 00:08:52,000 --> 00:08:54,000 It's poop, but it's an adult-level poop. 118 00:08:54,000 --> 00:08:59,000 Plus, there's the Commandramon here, too. If I don't give it all I've got, we're toast, Lugaman said. 119 00:08:59,000 --> 00:09:03,000 The tone of his voice seemed to insinuate that he was testing Eiji. 120 00:09:03,000 --> 00:09:04,000 Adult level. 121 00:09:04,000 --> 00:09:07,000 Give it your all. Are you talking about evolution? 122 00:09:07,000 --> 00:09:10,000 Yes, Eiji, evolution, Lugaman called out. 123 00:09:10,000 --> 00:09:13,000 Can we really do that? Here? Now? 124 00:09:13,000 --> 00:09:18,000 Did you think lifting the functions of the Digimon linker were just for show? 125 00:09:18,000 --> 00:09:21,000 I've gotten pretty used to mind-linking with you, too. 126 00:09:21,000 --> 00:09:24,000 But more than that, I'm losing control of myself. 127 00:09:24,000 --> 00:09:28,000 The blue wolf's fur stood up, and he bared his fangs. 128 00:09:28,000 --> 00:09:34,000 Lugaman, even Eiji's consciousness, could feel the chill of goosebumps. 129 00:09:34,000 --> 00:09:38,000 Ever since we arrived in Wall Slum, since we arrived at the Castle of Nine Wolves, 130 00:09:38,000 --> 00:09:41,000 something inside me, some kind of power has been trying to burst out, 131 00:09:41,000 --> 00:09:46,000 as if there was something that wasn't him inside of him. 132 00:09:46,000 --> 00:09:49,000 I want to evolve so much that I'm suffocating. 133 00:09:49,000 --> 00:09:52,000 This power is too great for a child level's body to handle. 134 00:09:52,000 --> 00:09:57,000 With Lugaman's cry, an alert flashed onto the virtual monitor. 135 00:09:57,000 --> 00:09:58,000 Evolution. 136 00:09:58,000 --> 00:10:03,000 Eiji's tools informed him that a mutation was occurring in Lugaman's body. 137 00:10:03,000 --> 00:10:05,000 Evolution, okay. 138 00:10:05,000 --> 00:10:08,000 I'll evolve with you, Lugaman, and become the ultimate codecracker. 139 00:10:08,000 --> 00:10:12,000 I can't afford to stumble and fail here. I'll be a winner in the digital world. 140 00:10:12,000 --> 00:10:14,000 Eiji's heart stirred with morale. 141 00:10:14,000 --> 00:10:17,000 There was no need for him to hold back. He could do it. 142 00:10:17,000 --> 00:10:20,000 In the network, there was nothing he couldn't do. 143 00:10:20,000 --> 00:10:23,000 It prompted a Digimon to grow explosively. 144 00:10:23,000 --> 00:10:27,000 Damn Fivehead, you're up to something, aren't you? 145 00:10:27,000 --> 00:10:29,000 We'll get him once and for all. 146 00:10:29,000 --> 00:10:33,000 Give them an extra large serving, Numaman, Satsuki ordered dangerously. 147 00:10:33,000 --> 00:10:39,000 Numaman hunkered down right there, straining. 148 00:10:39,000 --> 00:10:42,000 Lugaman evolve! Flash. 149 00:10:42,000 --> 00:10:50,000 With the glow of evolution, Lugaman's stats, displaying on Eiji's virtual monitor, shot through the roof all at once. 150 00:10:50,000 --> 00:10:52,000 Warning, warning! Target is evolving! 151 00:10:52,000 --> 00:10:55,000 The Commandramon up above warned aloud. 152 00:10:55,000 --> 00:10:57,000 Evolving? Gah! 153 00:10:57,000 --> 00:11:00,000 A swirling flame appeared above Satsuki's head. 154 00:11:00,000 --> 00:11:04,000 There was a shockwave, throwing the Commandramon in disorder. 155 00:11:04,000 --> 00:11:07,000 Satsuki was blown off Numaman's back. 156 00:11:07,000 --> 00:11:12,000 Lugaman, adult level, Dark Beast type, virus species. 157 00:11:12,000 --> 00:11:15,000 And that is the end. 158 00:11:15,000 --> 00:11:19,000 So, I enjoyed that just fine. 159 00:11:19,000 --> 00:11:21,000 Maybe the read was about 10 minutes long. 160 00:11:21,000 --> 00:11:23,000 There was a point where I needed to edit. 161 00:11:23,000 --> 00:11:30,000 There was a couple of places I could have edited, but one I'm going to actually go back and edit, where she ticks and talks about him doing something or other. 162 00:11:30,000 --> 00:11:31,000 Satsuki, that is. 163 00:11:31,000 --> 00:11:45,000 But anyway, the thing about Numaman's sludge or slime or whatever on his body making it so that the flames were less effective, and Eiji said it wasn't very effective. 164 00:11:45,000 --> 00:11:48,000 He didn't say it quite like that, but it made me think about Pokemon. 165 00:11:48,000 --> 00:11:50,000 It's not very effective. 166 00:11:50,000 --> 00:11:55,000 And there are some things in this that make the Digimon feel a little bit like Pokemon. 167 00:11:55,000 --> 00:11:59,000 And I believe I did mention that in the third or fourth episode. 168 00:11:59,000 --> 00:12:05,000 And that's really weird, especially because I have Professor Oak vibes from Professor whatever his name is Ryu Senji. 169 00:12:05,000 --> 00:12:09,000 And I definitely did like this. 170 00:12:09,000 --> 00:12:11,000 And I feel like we're in an okay place. 171 00:12:11,000 --> 00:12:19,000 The only thing I don't like is the weird poop humor, which I believe is it's not uniquely Japanese, but it's especially Japanese. 172 00:12:19,000 --> 00:12:22,000 And I really don't get it. 173 00:12:22,000 --> 00:12:23,000 But whatever. 174 00:12:23,000 --> 00:12:36,000 It's especially odd because this is the 25th anniversary project, and it is supposed to be this cool, edgy sort of... 175 00:12:36,000 --> 00:12:37,000 What is it? 176 00:12:37,000 --> 00:12:38,000 Dystopian Future, Blade Runner. 177 00:12:38,000 --> 00:12:39,000 What do they call that thing? 178 00:12:39,000 --> 00:12:40,000 Like cyberpunk. 179 00:12:40,000 --> 00:12:44,000 And Eiji is this interesting protagonist. 180 00:12:44,000 --> 00:12:51,000 He's the oldest that we've had that I know of anyway, at least from Adventure to Frontier. 181 00:12:51,000 --> 00:12:58,000 And yet they're going through like one vibe, and then all of a sudden you've got poop all over the place and the poop monster. 182 00:12:58,000 --> 00:13:02,000 And I get that the poop's disgusting and New Monomon's like a weird choice. 183 00:13:02,000 --> 00:13:13,000 And it's kind of interesting that Satsuki has the weird habit or the weird practice of raising snails or slugs or whatever on her own. 184 00:13:13,000 --> 00:13:18,000 And that's something that she does in her personal life and it carries over to her in the digital world. 185 00:13:18,000 --> 00:13:21,000 And I feel what she does is that one of the members of the Digi Police. 186 00:13:21,000 --> 00:13:22,000 That's kind of interesting. 187 00:13:22,000 --> 00:13:24,000 It's also just like really weird. 188 00:13:24,000 --> 00:13:25,000 And it's just a strange choice. 189 00:13:25,000 --> 00:13:27,000 I don't understand why you would do that. 190 00:13:27,000 --> 00:13:29,000 That just doesn't feel cool. 191 00:13:29,000 --> 00:13:31,000 But it's a choice. 192 00:13:31,000 --> 00:13:32,000 It's what they went with. 193 00:13:32,000 --> 00:13:38,000 And I kind of like people doing things because they want to do them, not because they're writing to market, so to speak. 194 00:13:38,000 --> 00:13:40,000 But writing to market is profitable. 195 00:13:40,000 --> 00:13:41,000 So that's a good thing. 196 00:13:41,000 --> 00:13:48,000 And I don't know, I wonder exactly how other people are going to feel about this. 197 00:13:48,000 --> 00:13:54,000 But I feel comfortable sticking with Seekers, especially if it keeps about this pace. 198 00:13:54,000 --> 00:14:01,000 I think I'll be happy with what it turns out to be even after a slow, long, drawn out start. 199 00:14:01,000 --> 00:14:03,000 So it's interesting. 200 00:14:03,000 --> 00:14:05,000 She's definitely got a quirky personality. 201 00:14:05,000 --> 00:14:07,000 And the way that she and Eiji interact with each other is weird. 202 00:14:07,000 --> 00:14:12,000 And it's odd that he tells her his name, like he's an idiot in that regard. 203 00:14:12,000 --> 00:14:14,000 That's kind of interesting. 204 00:14:14,000 --> 00:14:20,000 I like, though, that Lugaman has this weird feeling once they get to 9th Avenue that something's inside of him. 205 00:14:20,000 --> 00:14:24,000 Something's a reawakening or whatever, and it causes him to digivolve like that. 206 00:14:24,000 --> 00:14:28,000 What are the mechanics of digivolution in, or evolution, whatever, in Seekers? 207 00:14:28,000 --> 00:14:29,000 I don't know. 208 00:14:29,000 --> 00:14:34,000 I would think it'd be different from Adventure or any of the other shows. 209 00:14:34,000 --> 00:14:39,000 Maybe more related to how it is in the video games, which I don't really pay that much attention to. 210 00:14:39,000 --> 00:14:41,000 So I couldn't really say. 211 00:14:41,000 --> 00:14:50,000 So I'll be interested to see how it's explored and what it means and how it develops as they continue the narrative. 212 00:14:50,000 --> 00:14:54,000 Because I'm sure I already get the feeling that we'll get more of that. 213 00:14:54,000 --> 00:15:00,000 I wonder if her new Lugaman will digivolve and what it can digivolve into, and if that's going to be her permanent Digimon. 214 00:15:00,000 --> 00:15:02,000 Do those become Manzemon? 215 00:15:02,000 --> 00:15:04,000 I don't think they do, but maybe not. 216 00:15:04,000 --> 00:15:08,000 So maybe a rare Mon. That would make sense. 217 00:15:08,000 --> 00:15:10,000 Visually, it seems to make sense. 218 00:15:10,000 --> 00:15:12,000 But anyway, yeah, I mean, I liked it. 219 00:15:12,000 --> 00:15:14,000 I was entertained. I enjoyed it. 220 00:15:14,000 --> 00:15:21,000 It's a little quirky, a little weird, but I like the bold choices being made as opposed to just trying to be safe and cool. 221 00:15:21,000 --> 00:15:22,000 So I dig that. 222 00:15:22,000 --> 00:15:30,000 Anyway, check out the show notes for more information and also find everything else I do. 223 00:15:30,000 --> 00:15:35,000 I'm going to keep up with Digimon Seekers or Digimon Chronicles rather, which is the podcast feed. 224 00:15:35,000 --> 00:15:40,000 If you subscribe to the audio only, you get it before anybody else does. 225 00:15:40,000 --> 00:15:41,000 You get it before the video platforms. 226 00:15:41,000 --> 00:15:45,000 You get it before the website, mjmunoz.com does. 227 00:15:45,000 --> 00:15:49,000 And you can have it delivered to you right away. 228 00:15:49,000 --> 00:15:54,000 So anyway, if you're interested in that, I would appreciate you subscribing there. 229 00:15:54,000 --> 00:15:58,000 Subscribe everywhere, but subscribe to the audio specifically if that's where you're going to get it. 230 00:15:58,000 --> 00:16:06,000 And share it, like it, make comments, all that sort of stuff to help boost my presence with Digimon Chronicles and help me grow it. 231 00:16:06,000 --> 00:16:12,000 Because I'd like to continue it on beyond Seekers when Seekers is over for sure. 232 00:16:12,000 --> 00:16:15,000 And if there's like crazy popular demand, maybe before then. 233 00:16:15,000 --> 00:16:24,000 So anyway, subscribe, comment and do all that stuff to help me out and let me know if you have something specifically you'd like me to check out. 234 00:16:24,000 --> 00:16:28,000 Until next time, folks, this is MJ signing out.