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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work at MJMunoz.com.

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Join me for a discussion of Ultraman Zet episode 16, featuring research, rampaging, and revenge.

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This episode is off-kilter, sweet, and a touch tragic. What did you think of it?

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My name for this episode, or for this review, is Ultramercy, and I will get to why that is the case in...

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Well, by the end of the episode, so stick around for that right now.

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So I want to talk about Kid Yuka first. It's interesting to me that Yuka encountered this Kaiju that I don't remember the name of, but it had a cool name.

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Sorry. Metsubos is what it gets turned into. Horobos, I believe, is the name. Yeah, yeah, Horobos.

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So she encountered Horobos as a... I think she was at a four-year-old kid, and seeing that Kaiju up close, seeing it so much larger than life,

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had a lasting impact on her, and caused her to be interested in, I would assume, studying, researching, dissecting Kaiju today.

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And maybe even Kaijin, or the unlucky alien who happens to cross her path, right? Thinking about you, Mr. Spikey.

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And I find that to be really interesting. I like that. I like her connection specifically to Horobos and her... not her hometown, but her grandma's hometown.

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We can assume that Granny is long dead by now. Rest in peace, Obachan. There's no one like you.

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And the... I don't know. It's interesting how we have that set up. So there's that personal tie to her, and then you see throughout the episode

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that she's desperate to help Horobos calm down. But at first she just seems excited to find out where it is, and find any clue that she can.

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Urine samples or whatnot, to find out more about this Kaiju that should be reawakening after 333 years. But we don't really see her full,

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I guess, relationship with it, or understanding of... not understanding, but like, reaction to the Kaiju until really the end of the episode.

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As it gets... the climax gets more and more desperate and exciting, and it ends up being kind of sad because she has to see this Kaiju basically put down

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after she fails to soothe it because of the intervention of Kaburagi. It's interesting though that she saw this thing, she's got to be only 20-something.

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So let's say 18-20 years ago. Let's keep... be broad. Let's say she's 30 maybe. So 18-26 years ago she saw this thing, and it's only supposed to wake up every 333 years.

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Then I would ask, what was it doing awake at that time and place, you know, when she was a little kid? Shouldn't it have been completely dormant or sleeping?

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I would think so. It appeared that it was there and then it dug itself under the ground to hide, or whatever, and you know, that I get.

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But I don't know, did she... you know, how did this little kid, this little pipsqueak, interrupt its hibernation or whatever? That doesn't really make sense.

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So I wonder what that's supposed to be. I mean, had she come across it sleeping, that would make more sense.

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And it didn't move. Maybe its eyes were always glowing or something. That would be different, and I would kind of take that a little differently,

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and it wouldn't cause me... it wouldn't give me such pause from such an otherwise cool... I mean, it was an awesome shot. Don't get me wrong.

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Mouth agape, eyes glowing red, and then it dives down into the earth. Super cool.

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Maybe just don't have it dive down and ever leave, and you know, yeah, that's the kaiju that you encountered. I don't know.

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But then, why wouldn't other people know about it, and why would it be a mystery? I guess it had to have moved.

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But then why have it have this 33 year... or 333 year wake up period or interval for its hibernation or whatnot? That doesn't really make sense.

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Make it shorter? I don't know. Anyway, it was interesting to me that when they found the site where she had encountered Horobos,

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she... well, you could see there was like a tree line that matched, but there was all this city development around it.

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And it made me think, is it possible that they started developing this area, you know, 20-something years ago,

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and that's what woke up Horobos and... or, you know, interrupted his slumber and sent him somewhere else.

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And now, the... excuse me, the 333 year period is over, and it's time for him to wake up fully,

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but the land had been... you know, he had been disturbed, and maybe was going to be more aggressive anyway,

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because of how the land had been overdeveloped. And that kind of ties into Kaburagi.

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He's not letting the kaiju exist in their natural form. He's using these monster metals. He's synthesizing them.

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He's basically like mucking around and using advanced science and technology to do all sorts of things.

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Like the Ultras made the Ultra Metals by voluntarily, you know, giving of their essence somehow to make the metals.

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How were the monster metals formed? I'm not sure. It feels like maybe Celebro stole that technology, the concept...

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I mean, he has a Zetriser, right? He stole that technology and the concept, and then maybe he's gone around

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and personally attacked or invaded the bodies of monsters to get bits and pieces of them to synthesize the metals.

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It's not clear. We've seen him take a chunk of a kaiju though and turn it into metals, so that's very possible.

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That's very possibly what he's doing. Then again, the scale of a kaiju, is that like a skin scraping?

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You know, just a sample of a few cells and it's not that big of a deal? Or what? It's hard to say,

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because you have to factor in that they're being combined with the Belly-El factors of the...

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or rather, the Devil Splinters, and that's, you know, causing a lot of this too.

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So, anyway, my point is though that Khabaragi is so furious about his Belly-El metal being missing,

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and I don't think he can synthesize another one because Riku's not on the planet, right?

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That he goes over to Horobos when Horobos is calmed and when things are okay,

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and he throws more metals into it to turn it into what do they call it? Metsubos, I think?

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And it's this, you know, very destructive, very angry monster that absolutely goes on a rampage.

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And it's... I don't know, it feels like there's a tie, like a thematic tie,

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to man-meddling with, you know, the land and, you know, spoiling it with its development into, you know, whatever it was.

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You know, man-made structures instead of natural structures, and Khabaragi messing with the, you know,

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the natural Kaiju that was calmed by seashell music, you know?

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And it seemed like that Kaiju, Horobos, and humans had some sort of equilibrium with each other,

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and now that equilibrium is being disturbed, and it's partly through the ambition of Ascension.

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It's not man, it's Celibro, it's Ascension, right?

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Ascension is messing with nature in a way that's destructive and self-serving,

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and he doesn't care about the cost to anybody else.

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And, you know, then we get to see the rampage that Metsubos goes on,

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and, yeah, maybe it's part of his... I mean, he was calming down by the music,

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and, you know, it seemed like there was some sort of natural pattern, a natural flow that had been established

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between the Kaiju and humanity, and when that's interrupted, because, well, like I said,

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the intervention of having these other, you know, Kaiju parts put into him, he goes crazy and goes on this rampage,

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and it's twisting his Kaiju nature, because I think he would otherwise be sort of peaceful.

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It's unclear, it's odd, it's strange. I mean, should Kaiju feed off the earth somehow?

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Oh, that'd be interesting. Kaiju fed off of nature in a weird way.

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Sorry, I'm thinking as a writer now, how would I make Kaiju work?

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Because I kind of wanted to do Kaiju a little bit.

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Smaller Kaiju, 50 foot tall, 100 foot tall at the most, I think.

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Hmm, I gotta think about that later.

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Anyway, but there's like this twisting and warping of nature that messes things up,

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and I think there's a lot of legitimacy. I believe in keeping things as natural as possible.

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But then again, I'm just a hick from the South.

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Oh wait, no, I'm a member of the family.

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We have super noni, too, so I mean, lots of different peoples have their natural cures

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and remedies and things like that that they'd rather use than stuff from Big Daddy Pharma,

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but we're not going to talk about that right now, are we?

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I do want to talk about Delta Rice Claw, because I think Delta Rice Claw,

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I neglected to talk about it before because it kind of didn't feel like it mattered.

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I think last episode was the one where it debuted with Grieza and Riku and Riku!

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Sorry. I bet you can guess how old I am if you didn't know already.

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And the Delta Rice Claw is an interesting form. It's kind of cool.

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I like the fact that the medals are gold.

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I like that this is its final form, Zet's final form, and it's special.

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And I think I noticed that when Jede went away, he didn't have his crazy awesome Giver armor anymore.

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That's what I call it. It's not really Giver armor.

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But there's aspects of that with the blue shield-type pattern armor on your boy Delta Rice Claw's legs, it looks like.

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That's where he has it. And it's interesting.

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And I think the head is kind of like what Zero's head shape looks like.

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I think I'm beginning to understand a little bit more how the Ultramedals change the shape and the look of him for the forms,

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based on which Ultraman is first.

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And I don't know if it's like the primary Ultraman, or the Oz medals almost,

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where the first Ultraman mentioned is where the head shape sort of comes from.

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It's like their head shape blended with Z's head shape, and then maybe color scheme is next, and then I don't know what the third thing would be.

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I haven't examined the pattern that closely, and I don't know Ultraman as well as I could.

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So I'm struggling a little bit to nail it down where everything is coming from, but that could be the case.

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But anyway, Delta Rice Claw is cool.

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The name's a little long, I think it should be Delta something else.

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I think that would be a little bit better, just to keep the pattern of them all being one word.

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And Delta Claw would be fine, or just Delta Rise, I think.

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Delta Rise, that sounds cool.

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Anyway, I think the claw is from the Belly-L metal, though, but just make him Delta Claw, that's fine.

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That'd be cool.

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And I think he should have a big claw on one of his hands.

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But then he's got the, spoilers, Belly Rock, I think that's what they're going to call it in here,

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because that's what it was in the Japanese with the subtitles.

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That's the Belly-L needle thing.

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And I don't know. I don't know.

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It's a cool form. It's decent looking.

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The Nightshot didn't sell it that well, which was interesting.

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You would think the opposite.

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Oh, which by the way, it's crazy to me that they're debuting this new form,

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and yet they're still showing off the other forms and making them cool.

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Although I guess maybe that makes sense that you kind of spread that out,

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because at some point he uses Gamma Future, and he's got like a plasma cape, which is awesome.

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And he uses it to sweep aside some stuff. It's like he uses it to block things, I think.

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And then it's flowing majestically behind him as he's running around fighting this Kaiju.

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And that was super cool. Oh, and then I almost forgot to mention.

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So, Delta Rouse Claw, I like it. I think it's a cool form.

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I love the idea of swallowing darkness and growing beyond.

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Being able to withstand that darkness is what unlocks this AX level of power,

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which is something I said last episode, but I said that about the weapon, not so much the form.

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So, I think that's interesting. I love the thematic nature of that. I think it's really cool.

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Really nifty. So, there was that. Oh, and then I forgot, your girl, Yoko, ended up showing up

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and sort of saving the day, because she gave Zet the chance to recover

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and end up getting the win on Horribos or Metubos, and that was pretty cool.

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Showing up in Queen Joe. Perfect. Perfect clutch. Clutch saving of the big guy.

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It was super fun, super cool. And I love that the Canons, the Panadium Cannon Missiles, whatever they call it,

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she's able to shoot the one, but have them land right on the target when she's connected to it, locked in with it.

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That's pretty good. That's a good aim, good aim to not hit herself. That was cool.

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And then that twist at the end with that Alien Barossa coming in got me kind of scared, because

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I'm worried about what Zet's going to do. He's at his limit. That color timer's been blinking,

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and I don't know if it's like every time he switches to a new form, it extends his time or what,

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but he is not doing well, and I can imagine that that will be a very difficult situation for him to get out of.

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Hopefully it's not super easy, barely an inconvenience, because that would kind of stink to ruin the tension

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for the next episode, but yeah, we'll see. We'll see. I don't want to spoil it or talk about that.

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So I think I covered everything. You know, Yuka, it's weird how she's like,

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oh, I want to dissect you and whatever, even though she has this admiration for the Kaiju,

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and wants to sort of protect them or live in balance with them, but at the same time she also wants to cut them up.

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I don't know if it's just because it's almost like Pokemon. You know, in the world of Pokemon,

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they work together with humans, and people can kind of harvest stuff from them a little bit like,

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you know, you get an electric Pokemon at a power plant or whatever, and you use them for the,

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or like, I can't remember what she's called, the big one with the egg in her belly or whatever,

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that works with Nurse Joy? Is that what it is? I don't know. It's been a long time since I've really paid close attention to Pokemon.

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But like, you have this coexistence type thing. Like, Yuka used the Nyoranga Horn to help power King Joe,

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or Windom, I think, to make it charge faster and stuff like that.

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Like, that's cool, like, using Kaiju bits and stuff like that, that you can obtain or harvest in, like, a peaceful way

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for the betterment of mankind and for human flourishing, and it's like mutually beneficial.

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You're not killing the Kaiju just for its horn, just so you can make this thing. Like, that makes sense to me.

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That's like, you know, I would say the same thing about rhinos. If you really want rhino horns,

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why don't you raise rhinos, like we raise cows or chickens, and harvest the horns from them,

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and, you know, I don't know, give them a synth horn or something like that in order to make it better.

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Not that I'm into synthesizing stuff, but just, you know, I believe for a while people were doing that.

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They were growing and tending and herding rhinos for their horns specifically, and they weren't murdering them

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and leaving them dead, rotting corpses just with a horn cut off. They were, you know, you cut off the thing,

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because it's made of, you know, the same type of materials, hair and nails and whatnot.

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So, and just an example I'm throwing out there off the top of my head.

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So, anyway, I think there's a better way to do things, and Yuka has this weird tension where she seems like this mad scientist,

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but sometimes she seems like a good mad scientist, and sometimes she seems like a bad mad scientist,

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and in this one she seemed good. She seemed, like, really sympathetic, like she was really vibing with this Kaiju

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and wanted to save it and make sure it was, you know, protected and, like I said, in balance with nature

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and having this, like, harmony, but it didn't work out that way tragically.

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And so basically she asked Zet to do a mercy killing of the Kaiju, and he went ahead and did it,

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because that was the only way he could see to really free it from the corruption of the metal being combined with it.

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I wonder if that's on enough. I wonder if they should be able to go and extract that.

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But this is not Kamen Rider EX-Aid, so anyway, I'm going to go ahead and close off,

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because I think I went a little longer than I had intended, but I did cover all the topics I wanted to cover,

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and I talked about everything I wanted to talk about, so there's no more reason for me to be here.

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I'm going to ask that you go ahead and check out my Ultraman-inspired story for kids, which is linked in the show notes here,

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that you would get the, subscribe to the audio version of the podcast,

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which you can find linked at the website in the show notes.

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Subscribe, you'll get that first, then it goes up on the blog, and then it goes up on video platforms of my choice,

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and I'll be sharing it around everywhere I can.

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I'm also starting up Writer Tears again, again, again. It's like the, it's anyway, it's a relaunch.

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But I'm covering the Kamen Rider manga, the original in six parts.

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I'm going to be covering Shin Kamen Rider, Kamen Rider Agito, the dub is out.

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It's been for a little bit, and I have been watching that. That's kind of fun.

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And I think I'm going to cover that as well as trying to get into all the other stuff.

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I've got the black Blu-rays, Kamen Rider Black Blu-rays at home.

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I've got all of Kamen Rider, the original, 1971 and 1973 to watch as well.

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So there's lots of good Kamen Rider stuff to cover, and I'll also be doing a little off-topic Kamen Rider,

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a writer, I don't know, Kamen Rider Rant, Kamen Rider Crash, something like that.

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I think it will be a writer rant, actually, about, like I said, off-topic stuff.

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So you can look forward to that as well.

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So we'll be covering Ultraman and Kamen Rider here, well, on my website, mjmunoz.com,

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and in all my channels where I'm publishing the stuff.

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So look forward to it. And anyway, I hope that you are well and that you be well.

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Until next time, folks, this is MJ signing out.

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I hope you enjoyed that. Go to mjmunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around. You're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

