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This is MJ. I'm an author, I'm an artist, I'm an analyzer. Find all my work at MJMunoz.com.

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This is the review of Ultraman Zet Episode 4, which I'm calling Ultra Charged, and

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I have a lot of topics this episode, and I'm gonna try to speak about them all very quickly

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so that the runtime of this episode is closer to 10 minutes than it is closer to

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15 or 20 minutes, because I'd like to keep the episodes a little bit shorter. Before I go on,

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I'd like to do a little ad for myself, which is to say that I have all sorts of podcasts going on now on MJMoneyos.com, and

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you can

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subscribe to the podcast feed for audio only, or you can watch the videos, and the show notes are always gonna be on

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MJMoneyos.com, and then in the show notes will be linked everything you need for the RSS feed for...

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Right now I have it for just a couple places, but I'm gonna add more as time goes on.

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I have to manually add a few of them, but there's a couple that are automatically there. If you're a Google or Android user,

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that's great, because you could just get the RSS feed and put it in any podcatcher that you have on your phone,

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or you could do it through Spotify or Amazon. That's who I have

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the podcast published through right now, and

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yeah, that's what I have, and also I'm including in the show notes my

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Ultraman inspired children's picture book story or manuscript that I've written, and it's a rough draft

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for a couple reasons. One, it needed to be worked on at the time,

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but two, I've changed it since then and upgraded it to be part of a whole universe of Tokusatsu inspired children's picture books, as

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well as a like short novel,

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or short, like a long short story

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that contains all these different characters and stuff in it, and I think you'll like it, so please check that out, and

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yeah, without further ado, I will go into talking about

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Ultraman Z Episode 4, which features collectible kaiju parts, spinning straw,

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into gold, and monster metals, so here we go.

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I find it interesting that coming from a hard sci-fi or science fiction

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perspective, you had budget cuts from the last episode and talking about

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securing budget to make things better, and then here in this episode you have Yuka lamenting

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Tobacco that the higher-ups, whoever the brass are, over

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storage, refused to follow her designs specifically, and therefore they used a bunch of different manufacturers

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to make Windham, and it makes Windham run less efficiently and take five?

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No, I think it's four days total to charge its batteries for five minutes of active duty, which is crazy.

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However, it is reasonable that this sort of thing would happen because I come from the United States of America, and here, good old Uncle Sam

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loves his war machines and

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Congress people who, I think, yeah, Congress is the whole thing, it's both House and Senate, anyway, yeah,

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Congress people will make sure and fight for them to have bits of a weapon, its platform, or

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you know, a plane or a tank or whatever built in their city or their state, so their constituents will be happy that they got them,

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you know, a job building weapons in their area, and

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basically because it's so

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messy and you have people who work for weapons factories going into the government, you have people who work for the government going to

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weapons factories, which you could call that a conflict of interest, I think, very fairly.

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They spread it all around and they have, I would think, different companies in different states that all contribute

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parts to our war machines here

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that are used by the US military, and I wonder if there's maybe a little something, I think that's a realistic depiction basically in

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in a set of what goes on with the military industrial complex or weapons that are created, and I just found that to be kind of curious.

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All right, moving on. Not-so-nocturnal Telsadon or Teleston, I found it interesting that Teleston was

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active during the day. I thought it was gonna have a larger plot relevance,

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but really it just seems like its fire sack or its, you know, its engine, its Kaiju engine is the thing that is keeping it active

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during the day, even though it's a nocturnal creature and

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they had to overcome it, and that's about it.

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So I thought I was gonna turn into something really cool, and it was just kind of a small thing. It wasn't bad.

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It just, it didn't go the way I wanted it to. Moving on.

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Blinking Kaiju. I love the fact that it is Teleston, right? It's not Tesladon. That's a different one.

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Tel-Tesladon is, oh never mind, that's Musk. Anyway,

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Teleston blinks, and I love it when the Kaiju blink. Not all of them blink in the show so far, but the ones that do, it's great.

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In the original Ultraman from 62, in the first episode you had Bemular, or Bemler.

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He did not blink, but a couple episodes later, Nieronga blinked, and Nieronga's horn is a thing that's active in this episode and plays a big part in it.

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So I'm gonna come back to that in a minute or so.

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Let's see, next topic. Oh, Yuka's Kaiju collectibles. Ah!

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It is weird and gross and strange and interesting that Yuka collects Kaiju parts, and she was all excited about it.

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Yuka collects Kaiju parts, and she was all excited to get Teleston skin samples from, what was it, from Windom's fingers?

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That was gross. And again, fun.

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And it really fits this vibe that she has of being like a mad scientist but not an evil one.

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And yeah, it's very interesting. It's very interesting how they define or portray her character,

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and what she does with that and what that means for her character, and it's just kind of cool.

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Kind of cool, kind of weird, but you know, it's memorable for sure.

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This lady loves Kaiju to the point that she's collecting their corpse parts. That's nasty. Nasty business.

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Anyway, I love when she goes to Bako and he gives her, like, he shows her that he's reusing a grate from a duct cover or vent cover or something from,

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from your boy Sevenger, and how he's repurposing this thing into something, you know, bigger, which that ties into my theme of spinning straw into gold,

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which is a reference to Rumpelstiltskin. But what I'm saying is he's taking something that could have been trash

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and he's giving it a purpose and using it for something it wasn't originally designed for, and that is something that is,

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I don't know if it's a theme in the episode, but it's definitely a subject, an idea covered in this episode

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and kind of broadly by the fact that we've got your boy, so I love Bako giving that wisdom over,

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and it's just, it's so cool, and it was such a cool scene, and it was such a, it's like, there were no Kaiju in it, you know?

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But it was still a really cool scene and, like, it shows the strength of the storytelling here,

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that they can just tell stories about these people and their struggles, and it's awesome.

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But anyway, speaking of, you know, spinning straw to gold, Kaburagi takes corpse parts kind of like Yuka,

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which I never realized before that there's such a, you know, a parallel between the two of them,

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and he uses them and I guess turns them into Ultra Metals and, like, whatever that green goo is that he uses in his machinery,

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and yeah, that's kind of interesting, but he has his own Zetriser, which I don't think I had noticed that before.

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I know he had, like, a weird gadget or two, but I don't remember seeing him with a Zetriser specifically,

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or maybe just the angle on it looked weird, so I didn't quite recognize it,

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and he's got his own little door into Z-Space or Ultra Space or whatever it's called that he gets to go through,

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and he does his experiments in his, you know, forging of the Kaiju parts into, you know, the metals,

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which, you know, like I said, very interesting, and I think it's kind of odd,

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like, is it because he has a Zetriser that he's able to enter that space,

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and is it Ultra Space or is it, you know, Dark Space or Monster Space or something,

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because I'm pretty sure they have something like that, you know, an antithesis, an antithetical, you know, force in space,

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as, you know, because there's the Ultra One, there's the non-Ultra One, or whatever, which is, I think, just darkness.

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Sorry, I'm not super familiar with Ultraman, so I'm inelegantly sharing that idea.

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So, Naronga's Horn is the thing that's used to accelerate the power or the charging of Windom, which is cool.

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It also cooks the rice pudding or whatever it is that Haruki has in Yooka's fridge, and that's just funny.

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Like, it's funny there. It's cool that it's a callback to a couple episodes, or, you know, the previous episode, I guess,

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where she put the horn in there, and it's just very interesting storytelling because it's layered,

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and I wonder if what they did for different characters is say,

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all right, we're going to have all these things at play with all these different characters,

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and just kind of said, like, we're going to have these five things happen with this character,

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and we're going to sprinkle them throughout and then have them develop over the course of episodes

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so that there's something, like, variety in each episode, but it also is like this layered sort of storytelling

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where there's this thread you can follow for each character that has these things going on,

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because I think that's really cool. So it's cool, like, mechanically in the show,

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but it's also cool for the actual storytelling of the show, and I really appreciate that.

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Kaburagi coming into the fight and adding the frills from the... what is it? Whatever.

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I don't know what it's called, but the Godzilla knockoff Kaiju that they have was really cool.

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And I'm just, you know, I'm very curious about what the plot is and what the plan is going through again.

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I'm having a hard time remembering exactly how Kaburagi functions.

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You know, obviously he's an antagonistic force, but, you know, how and to what purpose and to what end,

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and how does all his little things that he's doing achieve that?

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It's interesting because, you know, I said play, he's kind of messing with things and seeing how they work,

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which is kind of what people or kids do when they play, right?

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So a couple things. Calling out the Ultra Fusion mechanic. Oh, is it Demarit? Ah, yes.

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I will get back to that in a few moments.

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So when Zet tells Haruki that they need more speed, he does it in the most unnatural toy advertisement way he possibly could.

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I think the dialogue is... the dialogue does not need to be slaved to the toy ad,

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because all he had to say that would sound much better is, Haruki, we need more speed.

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He could even say, let's switch to Alpha Edge and then show Haruki using the new metal to switch to,

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or, you know, that was last episode, using the metals and the riser to switch forms.

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That sells the toy right there. The visuals sell the toy and Haruki, you know, yelling whatever he yells for that.

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And Burning Scarlet's for Beta Smash. I don't remember the other guys and their call-outs.

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But, I mean, just doing the transformation sequence, I think, is enough visually to make it look cool and look appealing

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and to have somebody want that. I mean, not to mention things that they're going to do later in the show.

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They've got three or four Zet risers total that appear in the show, and I think that's enough. I think that's definitely enough.

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Just saying Ultra Fusion doesn't make sense because they're already fused. And honestly, it takes me out of it for a moment,

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because I think, well, what does he mean, Ultra Fusion? Are they doing something new?

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No, they're not doing something new. They're just doing what they've always done. So it just detracts from me.

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Yoko is flat on her back in Windom, and she is wanting to... she's desperate to help Zet and Haruki.

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She doesn't know it's Haruki yet. So she does this cool thing with the air jets that Windom has all over his body.

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And from laying flat on her back in the mech, basically the air pushes out of all the different ports,

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most at the shoulder, neck, and head, and then diminishing from there on down to the heels.

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And basically Windom rises by hinging on his heels or its heels until she's at a standing position,

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then she runs off and joins in the fight. That was cool. It was a really cool visual flourish,

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and it was a lot of fun. And yeah, that's what I'm talking about.

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And then the last thing is the monster medals, which in another episode or two,

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I have something I want to say about the Zetriser itself and the whole medals thing,

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but I'm going to hold it off for now and just say it's interesting to me. Like I was talking earlier,

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there's the Ultra medals, there's the Land of Light, and then opposing that is the Land of...

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I don't know if there's an actual Land of Darkness somewhere, if there's M78 is the Land of Light and M87,

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or 8-7M is the Land of Darkness or something like that. But that could be the case.

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And there is this dark force using the Zetriser in... what's this guy's name? Kaburagi.

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And obviously he's the one forging the monster medals. And I guess if there are Ultra medals,

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it stands to reason that there would be monster medals to counter them as a universal balance type idea.

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And it makes me wonder just from, again, this show isn't hard sci-fi, but it has hard sci-fi elements in it.

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What is the function of an Ultra medal that's not being utilized?

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And how do you get the essence of an Ultra into an Ultra medal?

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And then I guess the same question for a monster medal. What is that? What is the function of that?

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I don't know. It doesn't really matter because it's a cool thing for the toys and for the show.

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And it makes better Kaiju or different Kaiju. I guess it's really the same Kaiju.

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They're just recycling them for previous things, you know? Anyway.

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So, yeah, that's all my thoughts for this episode of Zet. I'm looking forward to the next couple.

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I'm a little frustrated that they're releasing them in such rapid succession,

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but they're making way for Ultraman Blazer, which I suggest that you watch

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and you look at my first thoughts on the preview of it,

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because I also talked about the context of the Zet dub as well,

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because the two things exist in the context of each other and it makes sense. Just go listen to it.

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I hope you enjoyed that. Go to MJMunoz.com to leave any questions, comments, or other feedback you might have.

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There you can find all of my analysis, art, and fiction.

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I cover books, tokusatsu, comic books, anime, and more.

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Look around. You're sure to find something else that you'll enjoy as well.

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This has been a Story Over Everything production.

