WEBVTT

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This episode of Ultraman Omega is fantastic.

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It's definitely the best Ultraman Omega episode

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so far. I bet it will be the best or in the top

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three of the entire series of Omega. And it's

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definitely one of those transcendent episodes

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that goes beyond Ultraman and goes into just

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great television, great storytelling. It was

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much more mythic than science fiction. Yeah,

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it's much more mythic than science fiction, and

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it reminds me of some discourse I've seen online

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from a certain person I follow on Twitter or

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X, whatever. And anyway, I'll probably talk about

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his discourse. I should actually credit him and

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see who it is I'm talking about before I just

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go ahead and blab on about this. So hold on just

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a moment. Here he is. I found the man. It's Ultra

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Kiel. Ultra Keel, there we go. So it says, his

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bio says, I'm a Tokusatsu fan and I love Godzilla

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and the Heisei TGG era Ultraman. My hobbies include

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mobile building. model building, sorry, miniatures

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I communicate between Japanese and Western Tokusatsu

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fans. You can see there's me looking at it. Crazy

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face I'm making. Anyway, so yeah, he's a lot

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of fun. He says some interesting stuff about

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Ultraman, and I find it interesting, which is

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why I talk about it. I've asked him questions.

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I find it interesting, like, I'm not saying because

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he's Japanese I need to take his opinion as gospel.

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Of course not. It's just, it's interesting to

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see a Japanese fan, an older fan, who's into...

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well i'll let you i mean he said reason two in

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his bio so um does he said something about kaiju

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being gods and like godzilla being or you know

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kojira whatever being like a god and that's the

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kind of story a kaiju story is kaiju are not

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giant animals and i just i have a i like ultraman

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a lot um but i have an interesting relationship

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with kaiju the concept of kaiju which i got introduced

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to in a bigger way by concrete revolution of

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the anime which you might think sounds ridiculous,

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but I don't think it sounds ridiculous. It's

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fairly reasonable, and we'll talk about why as

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we go on. It's something I'll touch on at some

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point, but I want to talk about the episode overall.

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There is this, like I said, so the kaiju ends

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up being Ohibinushi, the serpent deity beast,

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and he is, he's named after, actually, so there's,

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I'd say, I think it's Ohibinushi Nomikoto or

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Nomiko. This girl here is, hold on, I'll show

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you. here we go why am i not okay so here we

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go this girl is miko and this kaiju she named

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mikoto but then his name is transformed to something

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else he starts off as a little guy that can fit

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in the palm of her hand and you see throughout

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the episode that uh he's pulling energy from

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her here um and it's interesting because she

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lost her mother and She's mourning and her aunt,

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she's living with her aunt now and her aunt is

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a farmer lady who's out in the sticks and she's

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trying to take care of her. But it's hard because

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she's a teenage girl. She lost her mother. She's

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very sad about that. And I just found it interesting

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that Soroto is introduced to the word Tomodachi,

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friend, and also they speak about family so there's

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family and friend and like friends can be family

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and family can be friends so to speak and like

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there's a lot going on with his learning and

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i've kind of forgotten about this aspect of omega

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that he's an alien so auto is an alien learning

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to be human or learning to fit in a human world

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and he also has these dealings with kaiju so

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this is like a very interesting episode because

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it's not some big spectacle the fight is cool

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um but it's not like you know this bad kaiju

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is doing these things it's this girl's sad and

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she finds joy and comfort in this little animal

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and i was thinking about it uh she lost her mother

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then she goes to live with her aunt and her aunt

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has this kaiju on her on earth for some reason

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and it's a tiny thing that she finds out in the

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woods out in the sticks um literally and uh by

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the way what's with this jacket isn't she wearing

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the jacket that the guy from build war I'm pretty

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sure that's the exact jacket, and I think they

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even put Kentaro Kisaragi in that at some point,

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which is weird, the way they seem to share props

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among Toei Kamen Rider stuff, but then also Tsuburaya

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gets in on the action. I'm pretty sure that's

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the exact jacket that Banjo was wearing. Anyway,

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just a little tangent. But anyway, so she's hurt,

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and she's lonely, and she's sad, and she's depressed,

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basically. But then she finds this little guy,

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and she starts taking care of him, and as she's

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nurturing him and investing... in him, he's growing,

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and she sees that, and he's kind of like this

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pet slash friend that she has this relationship

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with, and the story, she, there's like a shrine

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or a marker of some sort, I don't understand

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the full significance of it, because I'm not

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Japanese, didn't grow up in the Japanese country,

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haven't studied or researched it, and she says

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that there's a legend that there was a snake

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god who fell in love with a woman, and I don't

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remember what she said beyond that, or what happened,

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and I didn't go back to the episode, because

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time, I'm pressed for time, so anyway, it's very

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interesting she has affection for this snake

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and she's giving him life he's siphoning energy

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from her she's becoming anemic actually so it

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seems like uh the the energy the life energy

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that he's getting from her is actually like you

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know literal life energy so he eats metal but

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then he also seems to get nourishment from the

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iron in her blood and um you know her aunt is

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concerned for her reasonably and uh It's just

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interesting that she lost her mother, then she

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becomes like this surrogate mother to this snake

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thing. I don't know if they didn't just cast

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an older woman and have it be a reflection of

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the woman in love with the snake god story for...

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Like, I'm not sure why they didn't just do that,

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because that seems like the most logical thing

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to do. But, I mean, this is sweet and innocent,

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but also dangerous, because she wants to be with

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Miko. She named after herself, which is kind

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of funny. And... she wants to be with him and

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like leaves home even though she knows it's having

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this negative effect on her. She has these silver

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streaks in her hair, which you can kind of see

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here. Let me see if I can find a better picture

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of it. Oh, and then here you can see it much

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better. And I noticed that about her like right

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off when we first saw her. And I thought, oh,

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because it was conspicuously placed on purpose.

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It's a visual medium. And they're trying to tell

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the story in the best way possible. So, you know,

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there's something going on. But I thought she

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was withdrawn. So I thought, oh, she's just like

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a, you know. rebellious teenager kind of deal

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doesn't like being out in the country whatever

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she longs for something and that's going to be

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related to the kaiju of the episode so um that's

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not exactly how it went um this silver streak

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in her hair is a sign that i think some of her

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life some of her vitality her youth is being

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sapped by this creature and the creature even

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does it to her aunt which i didn't grab a picture

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of but um yeah it's just it's really interesting

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that And look at this look on her face. She looks

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like she's so happy to be doing this, to be giving

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this life energy to this kaiju. And this is a

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world that's new to kaiju, or that kaiju are

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new to. How do you phrase that? I don't know.

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But she's saying, oh, you think this is one of

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those kaiju things? And she obviously wants to

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protect him and care for him and nurture him

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and love him in a pet way or in a friend way,

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not in a lover's kind of way. That doesn't seem

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to be... to be the implication. But I know there's

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like something deep going on here. Like, is he

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a replacement for her mother? Is he like her

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son? Is he like a lover who would comfort somebody

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after a tragic passing like that? I don't really

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know. And I'm not really sure what they were

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going for. Who's the they I'm speaking of? The

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they are the author or the writer and the director

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of this. So the writer is Masaya Honda. And the

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director is... Tominobu Koshi. So I grabbed their

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information to talk about them because I thought

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it would be relevant. So let me see, which one

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do I have first? This goes, okay, so let's talk

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about the director first. Yeah, let's talk about

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the director first. Well, no, I want to talk

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about the writer first because I thought the

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writing in this was really interesting. Let's

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see, that's trivia. Okay, so here we go. Masaya

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Honda is a Japanese screenwriter known for his

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work on anime series. He has served as a writer

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for Ultraman during the New Generation era. He

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worked on Ark. He wrote Message, You Are Givas,

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and The Man in the White Mask. I love Givas from

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Ark. He's fantastic. Message is related. It's

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the first part of the Givas story, and it was

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really good, really affecting, and gave me a

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lot of affection for this strange... Creature

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from another world. Interesting. Kind of a theme

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there. And then The Man in the White Mask is

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about somebody who wanted to end suffering, I

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think. And this episode touches on suffering

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and grief. Yeah, this episode, Miko and Mikoto.

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So let me see what else we have about here. Okay,

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so that's all that there is said about the writer.

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So Message, You or Give Us, The Man in the White

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Mask, those are important. Those are from Ark.

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Those were great episodes. I love them. Absolutely.

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And this episode, I also have a lot of affection

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for. Let's move on and talk about the director.

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So the director is Tomonobu Koshi. He's a Japanese

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director. Koshi's first role in the Ultraman

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series was an assistant director in Ultraman

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Max in 2005. He continued to work as an assistant

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director in subsequent entries. and began directing

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episodes from Ultraman Taiga in 2019, becoming

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a well -known Ultra Series director in the 2020s

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while continuing to be an assistant director.

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How interesting. He worked on Ultraman Max, Ultraman

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Mebius, Ultraman Saga, Ultra Zero Fight. Let's

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see what else. Oh, okay. Specifically, also,

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he worked on Ultraman Ark. What's important here,

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which, okay, the full one's answer was... Interesting.

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Internet Pentagon was just okay. The Light of

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Fear, I liked. Demon Slicing Meteor Sword, I

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really liked. The Man in the White Mask, very

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impressive episode, which the writer also worked

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on, so they worked on those together. And then

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he's done 4, 5, and 6. I haven't seen 6 yet,

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but Episode 4 had great action in it with, you

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know, Punk Omega, which was super fun to see.

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And then look at other works. Comrade Akiva,

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Assistant Director. Okay, this guy's great. He's

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wonderful. I love him. He was one of my favorite

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Comraders. Don't tell Toei. Anyway, so that's

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really interesting. That's who these guys are.

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That's some of the stuff that they've worked

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on. And I don't necessarily know why the episode

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hit me as hard as it did. Like it's about loss.

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It's about grieving. It's about trying to find

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your way. But also Sarato has this aspect of

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the episode where he kills this kaiju because

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he has to, but he doesn't want to because he's

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killing this girl's friend and he's killing...

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somebody who could be her family, you could say.

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And like, if she is grieving her mother and this

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is like a replacement for her mother, he's in

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effect killing her. But also what's interesting

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and what's so deep and painful, like, look at

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this, look at the performance. I'm sorry, I don't

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know the actor's name, but like, this is great,

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great sadness. And I love the contrast that Kosei

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has no idea what's going on. He thinks, oh yeah,

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we just killed a kaiju. It was bad. We need to

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kill kaiju because they're bad. And you know,

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it was going to destroy the town. Like, you know,

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he's like, he's super happy right now. And Sorato's

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over here. kind of suffering and bearing the

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weight of having to have killed this thing. But

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also, it wanted to die. Like, I'm pretty sure

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that this kaiju committed suicide by Ultraman

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because it... I don't know. Like, look at this.

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Hold on, let me see. So this is it after she's

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collapsed, after Mikoto has collapsed, or whatever.

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He's trying to, like, take care of her, and he's

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there kind of surrounding her, protecting her.

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maybe even though he's draining life from her

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which i don't understand what that means like

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their love is unsustainable because he's a monster

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he's a god he's from this other world they're

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not meant to be together whether that's his lovers

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or as you know just friends or whatever and it's

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killing her to love him and to be with him. It's

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strange. Like, that's what's happening. I don't

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know why. I don't know the mechanics of that.

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I don't know how that works in with human society

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or real life, but that's what's going on here.

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And then, you know, he fights Ultraman because

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Ultraman shows up and that's what you got to

00:11:42.539 --> 00:11:44.679
do. And Reckoness comes and attacks him. And

00:11:44.679 --> 00:11:47.820
while he's fighting Reckoness, Omega's just standing

00:11:47.820 --> 00:11:50.159
off. So Rato doesn't really know what to do.

00:11:51.759 --> 00:11:54.379
but he sees the destruction he sees the the conflict

00:11:54.379 --> 00:11:56.320
the fight going on which is a great shot too

00:11:56.320 --> 00:11:59.100
and like the music yeah the music drops out and

00:11:59.100 --> 00:12:03.419
you just get to hear um or it's it's it drops

00:12:03.419 --> 00:12:05.340
out it's muted the sound definitely like limits

00:12:05.340 --> 00:12:08.559
itself or is subdued and you can see this concentration

00:12:08.559 --> 00:12:12.299
on omega in this interesting scene where it's

00:12:12.299 --> 00:12:15.860
like uh i'm gonna call him mikoto uh like looks

00:12:15.860 --> 00:12:19.990
at him and then he like, charges him, and I'm

00:12:19.990 --> 00:12:22.629
pretty sure that this kaiju is crying, and there's

00:12:22.629 --> 00:12:24.309
something about the performance of it, the hand

00:12:24.309 --> 00:12:28.190
performance of this puppet, essentially, there's

00:12:28.190 --> 00:12:30.269
something about it that was, like, really nice

00:12:30.269 --> 00:12:31.889
and warm, like, in some places it looked a little

00:12:31.889 --> 00:12:33.549
cheesy, like, when it was trying to slither,

00:12:33.629 --> 00:12:34.889
it, you know, it looked fake, it looked cheap,

00:12:34.970 --> 00:12:36.830
whatever, not cheap necessarily, but just, it

00:12:36.830 --> 00:12:38.529
didn't come off as well as it could have, but

00:12:38.529 --> 00:12:40.879
these composite shots where it's gigantic, work

00:12:40.879 --> 00:12:44.379
great um especially like here i thought this

00:12:44.379 --> 00:12:46.279
was wonderful it's great compositing work they

00:12:46.279 --> 00:12:47.799
look like they're in the scene together and it

00:12:47.799 --> 00:12:50.440
just really works also like this little cue going

00:12:50.440 --> 00:12:52.820
back to the effects of they gave some fake shedded

00:12:52.820 --> 00:12:54.960
skin to show that it's growing it's a wonderful

00:12:54.960 --> 00:12:56.659
effect like that's so brilliant it's so cheap

00:12:56.659 --> 00:12:59.600
um not cheap like is in poor quality but like

00:12:59.600 --> 00:13:01.320
it's such an effective way to use your money

00:13:01.320 --> 00:13:03.460
to build this thing which they probably cast

00:13:03.460 --> 00:13:05.500
off of molds for this thing or for the the bigger

00:13:05.500 --> 00:13:08.850
suit and I don't know maybe they expanded it

00:13:08.850 --> 00:13:10.169
and then cast it doesn't matter but they did

00:13:10.169 --> 00:13:11.889
it in such a cool effective way there's like

00:13:11.889 --> 00:13:13.870
this this really works to sell this effect that

00:13:13.870 --> 00:13:16.269
this thing has grown this snake dragon thing

00:13:16.269 --> 00:13:19.190
with his hair tufts in his ear and his little

00:13:19.190 --> 00:13:22.789
horns has grown and now he's this kaiju he's

00:13:22.789 --> 00:13:25.809
this monstrous size and he can't be left alone

00:13:25.809 --> 00:13:27.409
he can't be left to persist he can't be left

00:13:27.409 --> 00:13:29.929
to live because if he does his life will destroy

00:13:29.929 --> 00:13:32.649
the lives of others including the life of the

00:13:32.649 --> 00:13:35.049
one he loves so therefore he attacks Ultraman

00:13:35.049 --> 00:13:38.000
and despite the fact that he's fighting Reckoness,

00:13:38.019 --> 00:13:39.700
I guess he knew Reckoness was a scrub. So he

00:13:39.700 --> 00:13:45.360
charges at Omega and Omega just slowly pulls

00:13:45.360 --> 00:13:47.600
his slugger off and he runs past him and slashes

00:13:47.600 --> 00:13:49.600
him and he kills him and he turns into a bunch

00:13:49.600 --> 00:13:53.200
of cherry blossom leaves. And I think the cherry

00:13:53.200 --> 00:13:54.759
blossom is supposed to be associated with death.

00:13:54.820 --> 00:13:55.940
Please correct me if I'm wrong. It's something

00:13:55.940 --> 00:13:58.899
I remember hearing. at some point i believe the

00:13:58.899 --> 00:14:01.960
uh the japanese word for it is sakura and i believe

00:14:01.960 --> 00:14:04.659
skull is like very close like skull man i looked

00:14:04.659 --> 00:14:05.980
it up because i'm into ishinomori school man

00:14:05.980 --> 00:14:08.919
and i'm pretty it's like sakura you know man

00:14:08.919 --> 00:14:11.940
or whatever so like it's very close um if it's

00:14:11.940 --> 00:14:14.360
not the exact same word and it's interesting

00:14:14.360 --> 00:14:19.320
that like he represents death sort of um when

00:14:19.320 --> 00:14:23.179
i say he i mean uh mr uh ohibanushi represents

00:14:23.179 --> 00:14:25.940
death in this way and like i don't know it's

00:14:25.940 --> 00:14:28.220
just it's interesting because like Concrete Revolution

00:14:28.220 --> 00:14:31.259
told me that kaiju are like pure rage and kaiju

00:14:31.259 --> 00:14:32.559
are just like these things that want to destroy

00:14:32.559 --> 00:14:34.879
humans but they also represent like the monstrosity

00:14:34.879 --> 00:14:37.860
of human beings and I don't know Concrete Revolution

00:14:37.860 --> 00:14:39.740
is a complicated show like I like it a lot but

00:14:39.740 --> 00:14:42.340
there's also things that I don't like um and

00:14:42.340 --> 00:14:45.460
it's not aesthetics um it's like I don't know

00:14:45.460 --> 00:14:46.620
like I'm not sure I like what it's saying I'm

00:14:46.620 --> 00:14:48.240
not sure I know what it's saying but what I think

00:14:48.240 --> 00:14:50.120
it's saying I don't think I like except for I

00:14:50.120 --> 00:14:52.860
do so like I said I have a complicated relationship

00:14:52.860 --> 00:14:55.740
with that show and I don't know what Omega is

00:14:55.740 --> 00:14:57.399
saying about Kaiju right now. And I don't know

00:14:57.399 --> 00:15:01.620
what it's saying about grief or loss. Like, just

00:15:01.620 --> 00:15:04.279
to slow down, Mikoto is grieving over her mother.

00:15:04.379 --> 00:15:06.340
Then she finds this friend who she can take care

00:15:06.340 --> 00:15:09.240
of. And it gives her life to invest herself in

00:15:09.240 --> 00:15:11.379
caring for this other being and in taking care

00:15:11.379 --> 00:15:13.460
of him and in loving him and nurturing him. However,

00:15:13.679 --> 00:15:17.960
he keeps growing and he gets too big and he's

00:15:17.960 --> 00:15:22.559
becoming a drain on her. So, but she wants to

00:15:22.559 --> 00:15:27.360
stay with him. and she follows him and what she

00:15:27.360 --> 00:15:29.799
does it continues to drain her life and it continues

00:15:29.799 --> 00:15:34.059
to put her in danger and his solution is to go

00:15:34.059 --> 00:15:36.860
away where she cannot follow him she goes away

00:15:36.860 --> 00:15:39.639
or he goes away and gets himself killed by omega

00:15:39.639 --> 00:15:42.419
so that she can be free of him and then after

00:15:44.779 --> 00:15:47.759
supposedly or assumedly, she mourns over his

00:15:47.759 --> 00:15:50.320
loss. She is able to connect with her aunt who

00:15:50.320 --> 00:15:52.419
she wasn't able to connect with before and see

00:15:52.419 --> 00:15:55.440
her aunt as a loving family member, somebody

00:15:55.440 --> 00:16:02.879
more than a friend. And it's like, is it about

00:16:02.879 --> 00:16:05.340
letting go of grief and loss and letting yourself

00:16:05.340 --> 00:16:08.639
move on to the next part of your life, not being

00:16:08.639 --> 00:16:12.200
held back by grief? I don't really know. And

00:16:12.809 --> 00:16:15.129
if kaiju are not just big animals which she treats

00:16:15.129 --> 00:16:18.909
him like a big animal um eventually uh if they're

00:16:18.909 --> 00:16:21.529
gods then like was this god's purpose to die

00:16:21.529 --> 00:16:25.389
so that he could teach her how to live um i don't

00:16:25.389 --> 00:16:26.509
know if that was the intent i don't know if that

00:16:26.509 --> 00:16:30.049
was the meaning um but something about this episode

00:16:30.049 --> 00:16:31.889
something about this story is stirring to me

00:16:31.889 --> 00:16:34.529
and it's beautiful and i really like it and appreciate

00:16:34.529 --> 00:16:37.250
it even if i don't really know what it is I find

00:16:37.250 --> 00:16:39.110
that interesting and very paradoxical that I

00:16:39.110 --> 00:16:40.809
don't really understand what it is, but I still

00:16:40.809 --> 00:16:42.970
like it. I guess I don't understand my wife,

00:16:43.009 --> 00:16:45.169
but I like her. So maybe there's a precedent

00:16:45.169 --> 00:16:47.450
for that in life. I just find it really fascinating.

00:16:47.509 --> 00:16:51.169
I'm wondering what you think about it. I'm a

00:16:51.169 --> 00:16:54.269
writer. I want to know how to capture this. Do

00:16:54.269 --> 00:16:56.710
the writers know? Do the directors know exactly

00:16:56.710 --> 00:16:59.509
what they're doing? They have a plan for this

00:16:59.509 --> 00:17:02.590
and they're executing it well or they're like...

00:17:04.009 --> 00:17:05.930
just throwing things out there and it works with

00:17:05.930 --> 00:17:07.430
who it works with and it works with who it doesn't

00:17:07.430 --> 00:17:08.430
work with who doesn't work. Like, I don't know

00:17:08.430 --> 00:17:10.069
the reception of this episode. Do people like

00:17:10.069 --> 00:17:11.849
it generally? Because I think it's a great episode

00:17:11.849 --> 00:17:14.089
of just, I think it's a great story, period.

00:17:14.750 --> 00:17:16.549
And that's pretty much all I have to say. I wonder

00:17:16.549 --> 00:17:17.809
what you think about it. I'd love to hear your

00:17:17.809 --> 00:17:20.289
feedback, your thoughts on the show, the episode

00:17:20.289 --> 00:17:22.089
itself, and also on my analysis of it. Did I

00:17:22.089 --> 00:17:23.849
hit on something good? Am I like on the edge

00:17:23.849 --> 00:17:25.329
of it? Like, had I known something, I would have

00:17:25.329 --> 00:17:27.230
been able to say it better. I'd love to know.

00:17:27.269 --> 00:17:28.609
I'd love to have that knowledge gap filled. I'd

00:17:28.609 --> 00:17:29.910
love to have a conversation about it. So please

00:17:29.910 --> 00:17:33.069
leave a comment here. Let's discuss it. And I'm

00:17:33.069 --> 00:17:35.190
going to be back on... This is my triumphal return

00:17:35.190 --> 00:17:37.609
to covering Ultraman. Again, I had to take a

00:17:37.609 --> 00:17:39.230
little break. I had a bunch of personal stuff

00:17:39.230 --> 00:17:41.369
happen. But I'm good now. Things are great. Things

00:17:41.369 --> 00:17:43.609
are moving forward. And I'm hoping to catch up

00:17:43.609 --> 00:17:48.990
with Omega while I'm also covering... And other

00:17:48.990 --> 00:17:51.289
things. While also doing more writing. I'm working

00:17:51.289 --> 00:17:52.910
on another book. And I have a book out right

00:17:52.910 --> 00:17:54.589
now called Mockwing Mayhem. There's a trailer

00:17:54.589 --> 00:17:55.849
for it here. It's about magical bugs battling

00:17:55.849 --> 00:17:57.430
monsters. And you might like it if you like to

00:17:57.430 --> 00:18:00.410
watch this magical dude. Or, you know, whatever.

00:18:00.549 --> 00:18:03.269
Science fiction giant dude battle monsters as

00:18:03.269 --> 00:18:05.289
well. So anyway, that's it for now, folks. Until

00:18:05.289 --> 00:18:10.069
next time, take care. Magical bugs battle monsters

00:18:10.069 --> 00:18:12.630
in this exciting fantasy adventure. Grimlings

00:18:12.630 --> 00:18:16.069
prey upon children. Grow bugs protect them. When

00:18:16.069 --> 00:18:18.210
a grimling finds a hidden grow bug fort, the

00:18:18.210 --> 00:18:20.930
whole flock makes a surprise attack. How will

00:18:20.930 --> 00:18:24.069
the grow bugs survive? Find out in Mockwing Mayhem.

00:18:25.519 --> 00:18:27.799
Learn more at growbugs .com where you can find

00:18:27.799 --> 00:18:29.940
out more about our mailing list, receive behind

00:18:29.940 --> 00:18:32.119
the scenes information and get all the latest

00:18:32.119 --> 00:18:33.559
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