WEBVTT 00:00:00.360 --> 00:00:03.220 Tension Inspection presents Going Ultra. This 00:00:03.220 --> 00:00:05.759 is MJ. I'm an author, I'm an artist, I'm an analyzer. 00:00:05.839 --> 00:00:08.820 Find all my work at mjmunoz .com. Prepare yourself 00:00:08.820 --> 00:00:11.220 for hard -hitting Ultraman discussion and analysis. 00:00:14.519 --> 00:00:19.519 Ultraman Arc Episode 20 is called What is Passed 00:00:19.519 --> 00:00:22.300 Down. It originally aired November 30th, 2024. 00:00:22.539 --> 00:00:26.559 The director is Yusuke Akitake and the writer 00:00:26.559 --> 00:00:32.140 is Ukyo Miura. I don't remember if she was the 00:00:32.140 --> 00:00:35.740 first lady to do an episode of Ultraman Arc or 00:00:35.740 --> 00:00:38.659 not, but the last writing credit I have from 00:00:38.659 --> 00:00:41.799 the Ultraman wiki is episode 9 of Ultraman Taiga, 00:00:42.000 --> 00:00:46.159 the present for each. And she also worked on 00:00:46.159 --> 00:00:50.100 Ultraman Geed in 2017, 1, 2, 3, 4, 5, 6 episodes, 00:00:50.460 --> 00:00:54.840 some early and some late. And Ultraman Orb, she 00:00:54.840 --> 00:00:57.060 did two episodes, and Ultraman X, a single episode. 00:00:57.770 --> 00:01:02.350 That's pretty cool. I don't know much about her 00:01:02.350 --> 00:01:05.549 except for she worked on those shows, and I'm 00:01:05.549 --> 00:01:08.650 going to go ahead and talk about the episode. 00:01:08.730 --> 00:01:12.349 So it was an interesting episode. Chief Bon, 00:01:12.590 --> 00:01:15.569 Hiroshi Bon, his daughter is doing this career 00:01:15.569 --> 00:01:17.590 day thing, and she chose not to go with Skip 00:01:17.590 --> 00:01:21.709 as her – nobody applied for Skip as their career 00:01:21.709 --> 00:01:25.730 day thing. Nobody wanted to ride along with the 00:01:25.730 --> 00:01:29.829 skip crew in any area in order to learn about 00:01:29.829 --> 00:01:35.129 that career. And instead, Chief Bond's daughter 00:01:35.129 --> 00:01:37.549 decided to, or Chief Hiroshi's daughter, decided 00:01:37.549 --> 00:01:41.150 to work with a local news reporter instead. And 00:01:41.150 --> 00:01:44.200 he... Kind of feel sad about that. And he talks 00:01:44.200 --> 00:01:46.319 about the fact that parents don't really get 00:01:46.319 --> 00:01:48.159 to hold on to their kids and they have to let 00:01:48.159 --> 00:01:49.900 their kids go their own way. And he has like 00:01:49.900 --> 00:01:52.019 a bento box or a lunchbox or whatever from her 00:01:52.019 --> 00:01:53.519 that was hers when he was a kid. And he said 00:01:53.519 --> 00:01:55.000 stuff like this is the only thing that we parents 00:01:55.000 --> 00:01:56.560 get to hold on to. And I thought it was really 00:01:56.560 --> 00:01:58.079 interesting. And it's interesting especially 00:01:58.079 --> 00:01:59.540 because he was having that conversation with 00:01:59.540 --> 00:02:02.760 Yuma who has no parents. His parents are dead. 00:02:05.280 --> 00:02:07.019 He doesn't get that side of it. And I think his 00:02:07.019 --> 00:02:08.439 grandma's still around, but I don't know what 00:02:08.439 --> 00:02:10.500 their deal is currently. She hasn't been in the 00:02:10.500 --> 00:02:16.840 show for a little bit. And I liked the melancholy 00:02:16.840 --> 00:02:19.659 of this. I like that it's setting up this different 00:02:19.659 --> 00:02:22.199 threat, which is that there appears to be a Gomez, 00:02:22.500 --> 00:02:25.460 but it's actually not a Gomez. It's this other 00:02:25.460 --> 00:02:29.219 alien. I took a screenshot of the name of it, 00:02:29.259 --> 00:02:31.479 but I don't have it at my command right now. 00:02:34.439 --> 00:02:38.419 And it's some sort of glass kaiju that eats silicate. 00:02:38.580 --> 00:02:44.560 So it's going to... It's going to go ahead and 00:02:44.560 --> 00:02:46.900 it was going to... Anyway, it went to a certain 00:02:46.900 --> 00:02:49.659 place there because there's like a glass factory 00:02:49.659 --> 00:02:51.860 and it wanted to eat from there. So they were 00:02:51.860 --> 00:02:53.860 expecting it to behave one way based on Yuma's 00:02:53.860 --> 00:02:57.419 knowledge of the physiology and the biology and 00:02:57.419 --> 00:03:00.939 the natural traits of kaiju, which is something... 00:03:01.479 --> 00:03:03.360 emphasized in arc that i don't know has been 00:03:03.360 --> 00:03:04.680 emphasized in other ultra series just because 00:03:04.680 --> 00:03:06.460 i haven't watched enough of them but it for sure 00:03:06.460 --> 00:03:10.960 to me was not emphasized in blazar or in uh z 00:03:10.960 --> 00:03:16.919 reset whatever um so that's interesting um and 00:03:16.919 --> 00:03:24.439 the other thing i have to say is i like the like 00:03:24.439 --> 00:03:27.900 the kind of harder sci -fi aspect of arc where 00:03:27.900 --> 00:03:30.939 they're talking about like knowing uh like Yuma 00:03:30.939 --> 00:03:34.819 went to school to become an expert in kaiju physiology 00:03:34.819 --> 00:03:37.919 and behavior, I would say. It's probably the 00:03:37.919 --> 00:03:39.479 best way to put it succinctly because I don't 00:03:39.479 --> 00:03:40.900 have the stuff right in front of me, but basically 00:03:40.900 --> 00:03:43.879 he went to learn about this. He's treating kaiju 00:03:43.879 --> 00:03:46.240 as animals and having natural cycles, and we 00:03:46.240 --> 00:03:49.080 hear if Gomas is hungry, it should be going towards, 00:03:49.139 --> 00:03:51.560 since it's predatory or carnivorous, it should 00:03:51.560 --> 00:03:52.639 be going towards the foot of the mountain where 00:03:52.639 --> 00:03:54.479 there would be animals for it to eat, and if 00:03:54.479 --> 00:03:58.060 it's already full, which we might... suspect 00:03:58.060 --> 00:04:00.319 because it's not going towards uh where there 00:04:00.319 --> 00:04:01.939 would be animals for to hunt and kill and eat 00:04:01.939 --> 00:04:04.180 um then it should be hibernating because apparently 00:04:04.180 --> 00:04:05.919 that's what they do they eat and they sleep and 00:04:05.919 --> 00:04:07.620 this gomez is doing neither it's climbing this 00:04:07.620 --> 00:04:09.419 mountain but then we hear that it's actually 00:04:09.419 --> 00:04:15.900 this oh supico soup specchio specchio specchio 00:04:15.900 --> 00:04:17.300 i don't know whatever that's the name of the 00:04:17.300 --> 00:04:19.800 the strange creature that it is and it mimics 00:04:19.800 --> 00:04:23.279 um it mimics gomez for what reason i do not know 00:04:23.279 --> 00:04:28.220 but it is a space kaiju Excuse me. And since 00:04:28.220 --> 00:04:30.240 Ishido works for the, you know, space division 00:04:30.240 --> 00:04:33.000 of the GDF, he's more familiar with that. And 00:04:33.000 --> 00:04:35.019 he guesses that maybe it's a space kaiju when 00:04:35.019 --> 00:04:38.019 its behavior is anomalous for what a Gomez should 00:04:38.019 --> 00:04:40.500 be doing. And like all that stuff is really interesting. 00:04:40.779 --> 00:04:42.579 Like the personal story with the chief and his 00:04:42.579 --> 00:04:45.199 daughter is interesting. She gets to see him 00:04:45.199 --> 00:04:47.920 like being heroic. And she had said on the news, 00:04:47.980 --> 00:04:51.920 I think, that she would love to interview Ultraman 00:04:51.920 --> 00:04:54.720 if she could. And then... There's this cool thing 00:04:54.720 --> 00:04:59.459 at the end where Hiroshi's there and Ultraman's 00:04:59.459 --> 00:05:02.120 behind him and Ultraman's here and the Chief's 00:05:02.120 --> 00:05:04.720 here. And then his daughter comes up from behind 00:05:04.720 --> 00:05:06.839 and she interviews him and she talks about Skip 00:05:06.839 --> 00:05:10.379 and how cool Skip is and how all of us can be 00:05:10.379 --> 00:05:12.360 doing something heroic and we all need to find 00:05:12.360 --> 00:05:14.319 what we can do to make the world a better place. 00:05:14.420 --> 00:05:16.319 And it's kind of like a, I would say, I would 00:05:16.319 --> 00:05:19.519 assume, like a very Japanese, like, not pluralistic, 00:05:19.620 --> 00:05:22.040 but like... We all have to perform our roles 00:05:22.040 --> 00:05:23.379 in society. We need to figure out what those 00:05:23.379 --> 00:05:26.300 roles are and then fill them or fulfill them, 00:05:26.420 --> 00:05:31.300 I should say. And I think that's neat. I think 00:05:31.300 --> 00:05:33.519 it's cool. I like the message overall. And she's 00:05:33.519 --> 00:05:34.980 saying, like, I have to find out what is best 00:05:34.980 --> 00:05:36.660 for me to do. And, like, maybe being a reporter 00:05:36.660 --> 00:05:38.579 isn't the best thing for me to do. But she was 00:05:38.579 --> 00:05:41.120 able to report very well in that moment. I think 00:05:41.120 --> 00:05:44.399 it's because she was more familiar with, like, 00:05:44.439 --> 00:05:46.540 her father and the kaiju thing. She grew up kind 00:05:46.540 --> 00:05:49.889 of with skip being a thing. And I think as a 00:05:49.889 --> 00:05:51.189 little girl, she talked about joining him at 00:05:51.189 --> 00:05:53.329 Skip, but that didn't happen or hasn't happened 00:05:53.329 --> 00:05:55.829 yet. She was interested in this other stuff instead. 00:05:56.490 --> 00:05:59.230 And in the news reporting or whatever. It's funny, 00:05:59.310 --> 00:06:01.629 Yuppie has a moment where he talks about how 00:06:01.629 --> 00:06:03.769 kids want to either be famous or be influencers 00:06:03.769 --> 00:06:05.850 or have like, they don't want to be influencers 00:06:05.850 --> 00:06:08.250 and survive off their fame or they want to have 00:06:08.250 --> 00:06:10.610 jobs that are like super high paying. And Skip 00:06:10.610 --> 00:06:12.370 is neither of those. So that was like a real 00:06:12.370 --> 00:06:13.629 funny moment. And they're like, hey, you're being 00:06:13.629 --> 00:06:17.430 kind of rude. I'm just being honest. Then they 00:06:17.430 --> 00:06:19.430 all like part ways awkwardly. So that was a real 00:06:19.430 --> 00:06:22.610 fun moment with UP, like possibly using his personality 00:06:22.610 --> 00:06:24.250 that's been put into him and possibly using the 00:06:24.250 --> 00:06:25.709 fact that he's a robot. And he's like, look, 00:06:25.810 --> 00:06:27.649 this is the data folks. This is the data. And 00:06:27.649 --> 00:06:29.730 this is how it is. This is how kids are reacting 00:06:29.730 --> 00:06:32.129 to things these days. And I thought that was 00:06:32.129 --> 00:06:35.949 a lot of fun. So yeah, I really liked that. There 00:06:35.949 --> 00:06:38.589 was a very cool. thing with the arc eye sword 00:06:38.589 --> 00:06:40.790 which i called the sunglass slasher in my last 00:06:40.790 --> 00:06:42.110 review because i couldn't remember the name of 00:06:42.110 --> 00:06:44.649 it um which it does really look like i need to 00:06:44.649 --> 00:06:46.129 compare them but i'm not gonna do that right 00:06:46.129 --> 00:06:48.529 now um but i really liked how they carried that 00:06:48.529 --> 00:06:50.990 out that effect and i noticed in this episode 00:06:50.990 --> 00:06:53.290 there haven't been a lot of um or like i don't 00:06:53.290 --> 00:06:56.350 think last episode 19 or this episode 20 there 00:06:56.350 --> 00:06:59.269 was much in the way of those like arc trick shots 00:06:59.269 --> 00:07:01.009 that we got early on in the series where like 00:07:01.009 --> 00:07:03.730 the first five or six episodes like arc was doing 00:07:03.730 --> 00:07:05.569 something very imaginative very creative we were 00:07:05.569 --> 00:07:06.970 like seeing through his eyes we saw through a 00:07:06.970 --> 00:07:09.170 kaiju's eyes we got a lot of different perspectives 00:07:09.170 --> 00:07:10.670 and a lot of different interesting things happening 00:07:10.670 --> 00:07:12.990 here i really like the direction there was like 00:07:12.990 --> 00:07:15.470 some awkward framing of gomez in these different 00:07:15.470 --> 00:07:17.589 positions and like he was being like there was 00:07:17.589 --> 00:07:20.769 like some hand camera um or like handheld camera 00:07:20.769 --> 00:07:23.910 like people running towards the kaiju as people 00:07:23.910 --> 00:07:25.589 are running away from the kaiju so you have that 00:07:25.589 --> 00:07:29.480 contrast and then he he's like There's an overpass, 00:07:29.500 --> 00:07:32.019 and there's a lamppost or whatever, and you can 00:07:32.019 --> 00:07:35.100 see him behind that, and he's in front of electrical 00:07:35.100 --> 00:07:38.399 wires or whatever. So you get to see him with 00:07:38.399 --> 00:07:39.519 this stuff in the background of him, and then 00:07:39.519 --> 00:07:41.220 there's stuff covering him. So it feels like 00:07:41.220 --> 00:07:43.339 very real shots or documentary -style shots, 00:07:43.420 --> 00:07:46.100 and I really enjoy those. There was great miniature 00:07:46.100 --> 00:07:47.759 work done. They were going to shoot the citronella 00:07:47.759 --> 00:07:50.759 acid at Gomez to... to uh because it's super 00:07:50.759 --> 00:07:53.660 effective against gomez is um but they were unable 00:07:53.660 --> 00:07:56.560 to and or it didn't work it had no effect um 00:07:56.560 --> 00:07:58.639 or it was not very effective and that kind of 00:07:58.639 --> 00:07:59.939 tipped them off like hey something's going on 00:07:59.939 --> 00:08:02.480 with this kaiju it must not be normal gomez so 00:08:02.480 --> 00:08:03.639 there's kind of like a lot of little things going 00:08:03.639 --> 00:08:05.779 on here and like everything that was done in 00:08:05.779 --> 00:08:07.259 it was done really well and it was really interesting 00:08:07.259 --> 00:08:10.720 it was a lot of fun And I liked the core story. 00:08:11.019 --> 00:08:13.100 Again, I don't know what they're doing here. 00:08:13.199 --> 00:08:14.839 And then the preview for the next episode, I've 00:08:14.839 --> 00:08:16.600 watched that episode already. Most of it, my 00:08:16.600 --> 00:08:18.579 boys were watching and I was kind of there seeing 00:08:18.579 --> 00:08:19.720 it with them while I was doing something else. 00:08:19.839 --> 00:08:21.579 And it's a pretty cool episode. I'm excited about 00:08:21.579 --> 00:08:24.660 it. And it's a great standalone episode, but 00:08:24.660 --> 00:08:26.620 I don't know what it's doing for the overall 00:08:26.620 --> 00:08:28.759 plot. And I don't know what this episode is doing 00:08:28.759 --> 00:08:30.439 for the overall plot either. And I feel like 00:08:30.439 --> 00:08:33.500 there are things to be taken care of with this 00:08:33.500 --> 00:08:36.360 whole Annihilation of Earth thing that... to 00:08:36.360 --> 00:08:37.919 me, is still a threat. I do not believe that 00:08:37.919 --> 00:08:40.799 hole or whatever has been collapsed entirely, 00:08:41.059 --> 00:08:43.539 and I believe it is going to be a problem. So, 00:08:43.559 --> 00:08:44.820 anyway, in the last couple minutes, I'm just 00:08:44.820 --> 00:08:46.799 going to read some interesting stuff from the 00:08:46.799 --> 00:08:48.519 wiki. There's a bunch of trivia stuff that I'll 00:08:48.519 --> 00:08:49.899 just read directly from. Again, this is from 00:08:49.899 --> 00:08:54.169 ultra .fandom .com. wiki for this episode. So 00:08:54.169 --> 00:08:56.850 this episode is the first since episode 15 of 00:08:56.850 --> 00:08:59.769 Ultraman X, A Soldier's Back, to revisit the 00:08:59.769 --> 00:09:02.149 theme of a leader and his daughter. Notably, 00:09:02.169 --> 00:09:03.809 both episodes feature Gomez as part of the storyline. 00:09:03.990 --> 00:09:06.309 Interesting. This is also Gomez's first appearance 00:09:06.309 --> 00:09:09.210 in an episode centered on a leader storyline 00:09:09.210 --> 00:09:12.389 since episode 17 of Decker, titled Investigation 00:09:12.389 --> 00:09:14.909 from the Past. This episode includes several 00:09:14.909 --> 00:09:16.629 Easter eggs and references to the Godzilla series. 00:09:16.789 --> 00:09:19.529 Since Gomez is based on Godzilla, there is a 00:09:19.529 --> 00:09:22.399 direct connection between the two. One, the footsteps 00:09:22.399 --> 00:09:25.399 of Gomez, I don't know SP, why that's there, 00:09:25.500 --> 00:09:28.019 and the power line scene recall a classic shot 00:09:28.019 --> 00:09:32.519 from the 1954 Godzilla. Okay. Supako exhibits 00:09:32.519 --> 00:09:34.799 traits of Space Godzilla by mimicking the appearance 00:09:34.799 --> 00:09:36.820 of Gomez and displaying characteristics such 00:09:36.820 --> 00:09:39.000 as flying using anti -gravity beams. Okay, I 00:09:39.000 --> 00:09:42.039 don't know about Space Godzilla. Sorry. Given 00:09:42.039 --> 00:09:45.539 Gomez's... imposter role, some plot elements 00:09:45.539 --> 00:09:48.120 seem inspired by Mechagodzilla and its fake Godzilla 00:09:48.120 --> 00:09:50.919 disguise. For instance, Gomez's skin reveals 00:09:50.919 --> 00:09:55.700 Supecio's interior, exposing its true nature 00:09:55.700 --> 00:09:59.080 as a mimic monster. Additionally, Gomez's use 00:09:59.080 --> 00:10:02.539 of a reflective shield and beam attacks in its 00:10:02.539 --> 00:10:04.960 battle with Ark mirrors Mechagodzilla's abilities 00:10:04.960 --> 00:10:08.159 in the 1974 Godzilla vs. Mechagodzilla. I had 00:10:08.159 --> 00:10:10.570 no idea. Shoesline. Is it a robot made to look 00:10:10.570 --> 00:10:12.610 like Gomez? That felt like a reference. It is 00:10:12.610 --> 00:10:14.509 a clear nod to Mechagodzilla. Okay, I was wondering 00:10:14.509 --> 00:10:15.970 what that was a reference to, and I'm glad I 00:10:15.970 --> 00:10:17.289 read through this so I could see, because that 00:10:17.289 --> 00:10:19.289 100 % felt like a reference, and I was thinking, 00:10:19.389 --> 00:10:22.169 what's it a reference to? I wonder. The silhouette 00:10:22.169 --> 00:10:25.490 of Gomez standing on a mountaintop, walking through 00:10:25.490 --> 00:10:27.629 the city, and its resistance to GDF artillery 00:10:27.629 --> 00:10:29.610 are reminiscent of Godzilla's portrayal in the 00:10:29.610 --> 00:10:32.889 2016 film Shin Godzilla. After Gomez's defeat, 00:10:33.149 --> 00:10:37.320 it transforms into its true form. specchio resembling 00:10:37.320 --> 00:10:39.120 certain scenes from the conclusion of the 2021 00:10:39.120 --> 00:10:42.519 anime series godzilla singular point in response 00:10:42.519 --> 00:10:44.179 to a question from a viewer on twitter asking 00:10:44.179 --> 00:10:46.019 why does arc destroy the kaiju's barrier with 00:10:46.019 --> 00:10:48.899 just one attack using the arc eye sword special 00:10:48.899 --> 00:10:52.139 effects director naoki uchida explained by reflecting 00:10:52.139 --> 00:10:55.779 the beam i was uh It was able to amplify the 00:10:55.779 --> 00:10:57.759 energy, which is why the sword glows red when 00:10:57.759 --> 00:11:00.139 you look closely. Okay. I noticed the sword glowing 00:11:00.139 --> 00:11:02.100 red and I thought it was going to, I actually 00:11:02.100 --> 00:11:03.960 said like, oh, I think it's going to break while 00:11:03.960 --> 00:11:05.399 I was watching it. And I was surprised that it 00:11:05.399 --> 00:11:07.059 didn't. And he was able to get the attack. So 00:11:07.059 --> 00:11:09.960 I, I think I intuited that the glowing red meant 00:11:09.960 --> 00:11:11.919 that it was like. you know, whatever, absorbing 00:11:11.919 --> 00:11:13.820 power, just becoming too much. And then when 00:11:13.820 --> 00:11:15.480 he sliced through, I thought, oh, okay, so that's 00:11:15.480 --> 00:11:16.620 how he saw me. It's not going to break inside. 00:11:16.700 --> 00:11:18.500 He's going to be able to utilize that power for 00:11:18.500 --> 00:11:20.980 himself, which I thought was a pretty cool way 00:11:20.980 --> 00:11:24.059 to go about it. So yeah, this was a very cool 00:11:24.059 --> 00:11:26.080 episode and there's the trivia for it from the 00:11:26.080 --> 00:11:29.299 Ultraman Wiki, the fandom Ultraman Wiki or Ultraman 00:11:29.299 --> 00:11:30.700 fandom Wiki, whatever you want to call that. 00:11:30.820 --> 00:11:35.120 And yeah, it was a lot of fun and that's it for 00:11:35.120 --> 00:11:38.110 now. I would encourage you to check out the show 00:11:38.110 --> 00:11:40.370 notes so you can find out more information, see 00:11:40.370 --> 00:11:46.190 other stuff that's going on. And also, huh, it 00:11:46.190 --> 00:11:49.710 looks like the actress for Tsugumi Ban is a hafu. 00:11:49.830 --> 00:11:54.470 She's Christina Asaf Costello, or Costello. Costello 00:11:54.470 --> 00:11:56.950 is what it should be. Interesting. Who knew? 00:11:58.029 --> 00:12:00.929 Anyway, not that it matters. Oh, no, that's the 00:12:00.929 --> 00:12:06.029 English dub, the voice actress. Jerk. Okay. Yeah. 00:12:06.110 --> 00:12:10.509 Whoops. Sorry about that. Let me see. In the 00:12:10.509 --> 00:12:12.889 main cast for the Japanese side, it doesn't name 00:12:12.889 --> 00:12:16.990 her. Oh, wait, guess I choose. Okay. Rina Miura. 00:12:17.090 --> 00:12:20.450 Okay. All right. So she's not, uh, not who I 00:12:20.450 --> 00:12:23.769 thought she was. It was false information right 00:12:23.769 --> 00:12:26.460 there. Gosh. Anyway. So. Check out my show notes, 00:12:26.580 --> 00:12:28.139 which will lead you to the show notes for the 00:12:28.139 --> 00:12:29.559 show, so you can get your own information from 00:12:29.559 --> 00:12:32.120 the Ultraman Wiki instead of relying on my unreliable 00:12:32.120 --> 00:12:34.639 information from time to time. And I'm going 00:12:34.639 --> 00:12:35.940 to encourage you to go ahead and check out GrowBugs 00:12:35.940 --> 00:12:38.220 .com. I have a book finished. It's called Mockwing 00:12:38.220 --> 00:12:42.159 Mayhem. Generally speaking, there are magical 00:12:42.159 --> 00:12:43.919 bugs who battle monsters, and specifically for 00:12:43.919 --> 00:12:46.419 this book, Mockwing Mayhem, there are... because 00:12:46.419 --> 00:12:48.080 it's a whole world, whole series worth of books. 00:12:48.139 --> 00:12:49.120 It's going to be awesome. You're going to love 00:12:49.120 --> 00:12:52.360 it. There is a mockwing, which is this mist -like 00:12:52.360 --> 00:12:56.870 bird that hunts children in... feeds on them 00:12:56.870 --> 00:12:58.710 in a certain way and there's a magical bug who 00:12:58.710 --> 00:13:00.269 goes and fights this thing and protects it and 00:13:00.269 --> 00:13:02.590 it thinks he thinks he killed it but he didn't 00:13:02.590 --> 00:13:04.370 kill the monster and so the monster follows him 00:13:04.370 --> 00:13:06.509 home and then eventually it leads all its friends 00:13:06.509 --> 00:13:09.490 to attack his home and savagely destroy him and 00:13:09.490 --> 00:13:11.169 all his family members who are essentially all 00:13:11.169 --> 00:13:12.509 brothers and sisters who are all magical bugs 00:13:12.509 --> 00:13:15.590 that battle monsters and it's up to two at the 00:13:15.590 --> 00:13:19.590 end two of like teenage type of magical bugs 00:13:19.590 --> 00:13:22.460 who are untrained and untested unready -to -be 00:13:22.460 --> 00:13:25.440 fighters to see if they can survive, help save 00:13:25.440 --> 00:13:28.240 an older, more powerful grow bug who's outnumbered 00:13:28.240 --> 00:13:30.220 and outmatched, and then even if they survive 00:13:30.220 --> 00:13:31.840 that, how will they survive the rest of the flock 00:13:31.840 --> 00:13:33.539 attacking them and trying to kill them? It's 00:13:33.539 --> 00:13:35.340 going to be a great story. Again, magical bugs 00:13:35.340 --> 00:13:37.899 battling monsters. There's a lot of tokusatsu 00:13:37.899 --> 00:13:42.100 -y things in the book, and a lot of tokusatsu 00:13:42.100 --> 00:13:45.500 ideas went into it, and these monsters, or these 00:13:45.500 --> 00:13:47.000 creatures of mine, these magical creatures, literally 00:13:47.000 --> 00:13:49.320 protect children, which is something that... 00:13:50.019 --> 00:13:52.179 Ultraman and Kamen Rider and Super Sentai do 00:13:52.179 --> 00:13:54.600 a lot. So there's a lot of that tokusatsu heart 00:13:54.600 --> 00:13:56.899 in there. And I think you'll enjoy it if you 00:13:56.899 --> 00:13:59.379 enjoy this show and enjoyed hearing me talk about 00:13:59.379 --> 00:14:01.480 it. So until next time, folks, take care. Be 00:14:01.480 --> 00:14:01.659 well.