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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work

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at MJMunoz.com. This is Going Ultra and I am talking about Ultraman Blazar, episode 1. Originally

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aired July 8, 2023, directed by Kiyotaka Takuchi of Ultraman Z and other things, and written

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by Keigo Koyanaki. I will come back to them at the end of the episode because I want to

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discuss them a little bit at the end of the episode. This first episode is titled First

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Wave and it features the first transformation or first appearance of Ultraman Blazar in

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this world as far as I'm concerned. As many of the Ultra series are, this appears to be

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totally unconnected to any Ultraman series, although it has, you know, it exists vaguely

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in a world of Ultraman 1966, let's say, where Ultraman had appeared at one point. However,

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the mention of a previous Ultraman does not talk about him being on Earth, it speaks of

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him rather being in space and that astronauts have seen this giant that they've codenamed

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Ultraman over the years and it's just kind of a rumor thing. Kind of like the idea of

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astronauts today in the United States talking about how, oh yeah, we've seen aliens or UFOs

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before and, you know, just vague little tidbits of information. I think some people have more

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profound or more curious things to say about UFOs, but I don't really follow that because

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that's not my jam. So I'm going to talk about this episode of Ultraman instead of UFOs,

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right? Anyway, so I'm going to be honest, I was a little underwhelmed. I love Ultraman

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Z. I had understood, I think incorrectly, that Ultraman, well, maybe half correctly,

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that Ultraman Z was Taguchi's baby, but really Koto Higihara who died before the series tragically

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at 37 years of age, before Ultraman Z could be finished, but yet he had written the first

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few episodes, the last couple episodes, and I think one or two in the middle. His, he

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kind of set the vision and I think Taguchi and the others all made it happen on Ultraman

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Z. So I was expecting, so I was coming from the wrong frame of mind because I didn't understand

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that. So now I don't know what to expect from Blazar except for like kind of cool visuals

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and maybe a cool style or approach to it still from Taguchi. However, we may not get that

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or I may not like that because I feel like we're getting a little bit more of a hard

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science fiction edge to this entry of Ultraman and it was weird to not have the, to not have

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things spelled out. It was weird to not have things be blanketed. It was weird to have

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there be so much darkness. There was plenty of light shots, but there were a lot of shots

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in the dark and the fight wasn't quite as dynamic or acrobatic or exciting or energetic

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as I thought it would be. And I'm somebody who has bemoaned the use of forms in Ultraman

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because they don't really make sense to me. And I thought, you know, we should really

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have an Ultraman who just has, you know, a single weapon that they use in different ways

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and that'll be really interesting and exciting and, you know, more realistic. And you know

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what? It'll be versatile and it'll sell toys too because you just have the one weapon transform

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and turn into all these different things. But I got to say, it was a little, I don't

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know, a little sedate, I would say. It was a very sedate opening to an Ultraman show.

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As far as we know, Hiruma, you know, Genta Hiruma did not die. He was not spoken to by

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an Ultraman. He was sort of forcibly changed into Ultraman until, I'll make jokes about

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later in shorts or something. So, you know, that was kind of weird and I was surprised

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by that. And we had no interaction of him and the Ultra at all. Interesting, it appeared

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in learning about writing and trying to become a novelist, I guess you could say, a, you

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know, pulp Toku novelist, mostly, and superheroes. Anyway, generic superheroes and then, you

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know, Toku heroes. Anyway, I have heard the advice of you want to write, you don't want

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to say what people are thinking and I guess that would mean no internal monologue or yeah,

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no internal monologues. And you also just want to describe things as if you were, you

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want to write as if you were a camera recording people doing things. So what they say, what

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they do, the actions they take, the way things physically actually appear to the eye, you

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say those things or you write down those things. You do not write down internal thoughts or

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feelings or say somebody feels this way. So, and also in, if you look at early, if you

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look at early footage behind the scenes stuff of like George Lucas when he was working on

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the original Star Wars, he wanted it to feel like a documentary. He wanted to drop you

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in a world. He wanted to not explain things and he wanted to let the scenes play out and

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kind of let the camera tell the story and almost have the camera feel a little voyeuristic

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where it's sitting there in this world and these things are happening. And maybe that's

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why there's no real like crazy shots. It's just kind of more simple, basic sedate level

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stuff. And I kind of felt the same way with this. We got a lot of shots from the ground

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while Blazar and Buzang were fighting and there was like a bridge in the way of the

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fight scene and there was kind of an, it was kind of awkward, but it was kind of cool,

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but it was memorable or remarkable for what it does is when Aruma first transforms into

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Blazar, he doesn't get the classic Ultraman tension or transformation scene where his

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fist goes up in the air and you see the Ultra growing towards the screen with a, you know,

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sort of a flashy background and there's the Beta, there's not the Beta capsule, there's

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the Blazar brace and the Blazar stone and he activates those against his will. They

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just appear, it just appears on his wrist and his hand and then they're forced to be

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put together by the red lightning of Blazar. And then he doesn't get the standard transformation.

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He's gigantic and it's kind of, it's again, an odd angle. You just see his hands reach

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up and grab his building, this ring pushover and he pushes them back in place. And then

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he kind of, he looks at his hands at one point and kind of looks back and forth. So you can

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tell there's something going on with this giant, something unexpected. And maybe that

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is the representation of the merger of the Ultra and the man. And then, uh, yeah, it's,

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I don't know. It's interesting. It's, it's kind of a sedate fight. It gets exciting towards

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the end. Like the last, well, once that color timer hits red or starts flashing red, then

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the fight gets really, you know, more energetic. He's desperate. And I don't know if that's

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because he's, you know, her rumor is being told that things are more desperate and he

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needs to be more careful or finish this fight quickly by the Ultra or if it's like an instinctual

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thing or what. Um, but yeah, I just don't know. Uh, he, he gets, uh, I gave this episode

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subtitle and it's on the thumbnail, uh, space Savage, uh, because this guy feels like a

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feral animal a little bit. He feels like a space Savage. He's got all these weird grunts

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that they're not even, they're not like the classic Ultraman grunts, which I think sound

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bizarre as somebody who's not like a long time Ultraman fan. I just think they sound

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really weird and I kind of don't like them. If I'm telling the absolute truth. I never

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mentioned that during a Z, but it's true. I've made my, my confession here. And, uh,

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I mean, it does go to making them sound more alien and it is a interesting distinctive thing,

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but I just, I don't like it personally. It's just, it doesn't, uh, it does not suit me.

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So anyway, that's, that's interesting that he has that, uh, that reaction. And I guess

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let me double down and get to the focus on the savagery. He does this weird thing where

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he's hit like right before he rips off of his arms, he jumps like three or four times

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in the air. Uh, almost like, like a, I don't know, like a real weird nervous, excited energy.

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Um, I don't know, like I wrestled in high school and you just like, I don't know, I

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would get this feeling of like anxiety or something and just like, I wanted to run or

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not run away, but just like, I wanted to like move my body. Like there was something inside

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of me that just wanted to move and do something. And I would pace, I would, uh, you know, do

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the Shinji, you know, clench your hand thing. Um, Shinji Ikari from Evangelion, of course.

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Come on. What is Shinji, what I want to be like in high school. Anyway, so he did that

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and then he rips off of his arms and then, uh, like that's kind of where things get really

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exciting. And like, he even, he does this weird, like, uh, I don't know if you'd call

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it like an ax kick with his heel, where he like almost flips over and like comes down

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with his heel on Buzanga and he doesn't actually, I don't think he actually knocks it. He might

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knock him down. I'm not sure, but anyway, then he wraps up the fight, getting things

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real exciting. He calls a black hole forth from the palm of his right hand, you know,

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kind of a real cool pose. And that's where the spiral, the official dub version of it

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to spiral braid comes from. And he uses that to, I don't think he shoots. He does the thing

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where he's like shooting energy at a Buzanga before then, but then, which looks really

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cool. I love the effect of it. It's super neat. Um, to reference Evangelion again, cause

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apparently I'm just going to keep doing that. Uh, when I talk about Ultraman, it almost

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looks like he's like thrusting his hand at the AT field and it's reacting by like shooting

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out this, you know, distortion of energy at his foe. Um, anyway, but yeah, the spiral

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braid coming out of his hand with that black or from that black hole thing is pretty cool.

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Uh, and I like the effect of it. Um, it was a little weird. The shot, he was like super

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far from Buzanga whereas for, were, as I thought he had been a lot closer to him before then,

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it acted more like a, a ranged weapon than a melee weapon, which is what I was expecting.

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So that's a little weird. Um, but yeah. And then, uh, yeah, I mean, that's kind of it.

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Um, that's the most remarkable stuff. I guess too, we had the instance where the, that woman

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in the white hood with the shorts for some reason at night, uh, was, uh, she hit it with

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a, she had Buzanga with a bazooka, like a special, I think she's going to be a scarred

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member. Um, and I think she's there. Oh, anyway, she's one of the scarred members. Um, I think

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she's like the spy infiltrator one who's going to like work with people, I guess on the ground

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and gather intel. I think that's her deal. Um, anyway, it's weird that, well, I'll talk

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about scarred in the next episode. I don't want to talk about that right now. Um, so

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yeah, I mean, I was a little underwhelmed, uh, but the thing that impressed me most is

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like, this doesn't feel like Ultraman Z. It doesn't feel like, uh, it feels less like

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the original Ultraman even, uh, which I think is interesting. It has more of this hard science

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fiction edge, which is fine. And I think I like it, but I just, I know I, I feel like

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I'm reacting in a weird way to it. Um, you know, I overall did enjoy the fight. Uh, it

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was a very, it was very human focused and I know I almost, I hope that the tone kind

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of stays the same. And I'm not saying I want it to be dark and serious, but we're like,

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blazar is treated as this alien thing. The transformation of him or her Huma in, so I'm

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reading Kenshin right now of her room into blazar is this alien thing. We don't know

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why he was chosen. We don't know how he was chosen, uh, by blazar. I'm assuming he was

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chosen by blazar. It doesn't seem like we've got the traditional setup. I don't even know

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if we're going to get the, uh, you know, any indication that this is the original setup

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of an ultra pairing with a human because they're both in desperate need of somehow, uh, they,

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they must pair with each other or else they will die or whatever, um, in order to save

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the world. It almost seems like it's, it's optional, but it also seems like it's not

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optional for her room to transform based on how he was forced to transform this episode.

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So, uh, yeah, space Savage. I mean that, that Ultraman blazar, he feels like some sort of,

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like not vicious creature, but like this, I don't know, like this unhinged Savage kind

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of guy. And I thought that was interesting. And like the way it was done, it's very like,

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like things are very unpolished. Uh, I'm not saying the show isn't slick, but I'm just

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saying like the presentation of the Ultraman stuff, it doesn't have, uh, the Polish and

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the shine and the, Hey, let's, you know, chat my name. Ultraman Z. It's like, it doesn't

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have that pop and that, uh, like, you know, bubbly friendly edge to it. It's there's the

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brace. There's the stone sticks in there. Transform, you know, no, it's a non, um, there's

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no magic. There's no wonder. There's no, like, uh, there's no catchiness to the transformation.

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It's just a, you know, big, ugly, silent, dumb translate, uh, you know, um, transformation.

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And then it turns into, you know, fighting. And I know it's just, it's weird how alien

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it feels. And I think that's odd. I think it's odd. I think it's an interesting choice.

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I like, you know, it's bold to bold choice for sure. Um, we'll see. I'm curious to see

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what other people's reactions are to this as well. And, uh, I think that's it. I'm going

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to run through. Uh, I grabbed a bunch of images, uh, from this. Oh, I was also going to talk

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about these guys. Okay. So this is going to, this is going to be an extra special episode

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of blazar. My blazar coverage where it's going to run extra long. I'm going to look at to

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Gucci's, um, information real quick. So, okay. It says he's known as the main director of

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Ultraman X, Ultraman Orb and Ultraman Z. I believe, well, I believe juggler comes from

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one of those two shows X or orb. I think it's orb. I don't know for sure. So that's kind

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of fun that he did that with this character. Um, and let me see Ultraman series direct.

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Okay. So he's got, he worked on as well. Ginga. I'm just going to name off a bunch. Um, jeed,

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red and blue or R and B, taiga. Uh, let's see trigger. Huh. Ultraman, a new power of

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Singapore. I don't know if that is decker and now blazar. Uh, worked on music videos

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apparently before. Uh, let's see others. He's worked on Hibiki, Kabuto, Denon as a visual

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effects artist. Oh, that's cool. Kiva, um, long haired mince monster Guevara. I don't

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know what that is. Uh, the next generation Pat Labore. I'm assuming that the live action

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Pat Labore movie, love and peace from 2015 female weapon, seven Oh one machine sent I

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care a major from 2019, man. That's crazy. And then, uh, Denon's and on he did the monster

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design. I did not know that it's cool. And he's a special effects director on common

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writer, black sun, which I still have yet to finish. So super interesting, super interesting.

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All right. So that's enough about our main director for the show. Uh, and our writer

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of this episode, Kago Koyanagi. Let's see what has this gentleman worked on before.

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He has age 39. I still have time to become a successful director. It's been an active

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writer since 2006, which is cool. Uh, let's see, let's see. It says he's Japanese screen

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writers, participated in the screenwriting of the Ultraman series generically in 2006.

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Koyanagi joined an animation production company and worked on production management and setting

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creation and setting creation. In 2011, he left the company and became a freelance screenwriter.

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Since then he has worked on the scripts for many animation works in 2016. Koyanagi took

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on the first story composition and script for an original robot anime that was broadcasted.

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After that, what was it? Tell me after that, he served as the story composer along as the

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script writer for popular anime works with themes such as vampire legends, werewolf legends

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and heroes and fantasy worlds. In recent years, he has been in charge of military research

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in various works, contributing to enhancing the entertainment value of works through military

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depictions. Boy, howdy did this Ultraman blazar have heavy military stuff in it. Koyanagi

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participated in the Ultraman series for the first time as a military advisor in Ultraman

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Z. I remember this now and worked as a script writer for Ultraman Trigger new generation

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Taiga. And in 2023, Koyanagi serves as series composition for Ultraman blazar. Let's see

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Ultraman series, Kotofukuha wrote the following episodes of the following series. I don't

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know why that says that here. Somebody must have messed up on the wiki. Hmm. Anyway, yeah,

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so I don't know why this is not citing the animation that this guy's worked on unless

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it was like highly inappropriate. But I'm not gonna skew into that at the moment. So yeah,

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this guy definitely makes sense as a military advisor. I don't remember seeing Koyanagi

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as a writer credit on Ultraman Z. But this last time I watched it, I didn't really pay

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that close attention. But yeah, I can see I mean, this was a very, like I said, it was

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very human focused. It was very focused on the military. I guess I should speak to the

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character of Genta Haruma. It's interesting that he like he's got the quirk with the meditation.

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I kind of didn't like that he was like seeing visions in his meditation. It felt a little

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bit like Combinator Drive and like where everything else is so hard science fiction here to have

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that aspect of it. I know it was kind of weird for me. Although I guess it's kind of like

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the um, what is it the black speech, the black thought, whatever, full metal panic, they've

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got like, black alchemies, or whatever they called it. Anyway, they've got this weird

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thing where this girl from this, it's I guess it's a light novel series turned into an anime

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full metal panic. This girl has the ability to like, do weird stuff with technology. And

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there are other rare people like her. And there's people in fighting robots, who are

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paramilitary and terrorists and things like that, who deal with all that stuff. Interesting

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show. Well, little fanservice for my taste, but interesting show nonetheless. Light novels

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probably better anyway. So like, it's weird that you've got this real science fiction

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world. And then you've got and I don't think Ultraman blazar being in the show like ruins

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the science fiction aspect of it. I think it's just another part of it's another dimension.

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It's an unexplored or on unexplored or on it's just kind of an unexpected thing for

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there to be. But why couldn't there be these aliens who can merge with humans through some

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means, technological, or because they're just that's the way their species works. Why can't

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there be that in a science fiction story? That doesn't make sense to me. What then doesn't

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or that that makes sense to me that that could work well then doesn't make sense to me is

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that, you know, people would have these weird visions or whatever. So like the idea of meditating

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is cool. And then I guess they kind of broke what I said earlier about the show was more

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showing things in like this documentary like style, because we do get into her room his

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head I guess, to see the vision of what he's going to do. And I guess that's interesting.

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I do like though, that he wants every he wants to make sure everybody comes home, you know,

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being this captain or this leader of this division squadron, whatever, like he wants

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to make sure he takes care of all his men, and that he will bring them home, like I said,

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and I like to when he's rescuing that guy, right before he, right before he gets transformed

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into blazar, that he's tells the guy something like, I told you everybody goes home, the

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guy said, Yeah, I know you would have told me to leave you here, though. And he kind

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of laughs and it's like, No, I wouldn't have, you know, wink, wink, nudge, nudge. And that

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was kind of cool. So I like the character of the guy. We didn't get to see much of it

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because it was just very much him in a stressful situation where he's commanding and such.

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So I don't feel like we got too much of an insight into his character. But we did get

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I did like and appreciate it. So that's good. I think I'm gonna like this guy for the series

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and little flashes we've seen of him and other things in other preview materials I have liked.

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So that's that's good for me. And let me see, is there anything else I wanted to talk about

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specifically before I close out the episode? I do not think so. Yes, so I am going to go

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ahead and close out the episode. Overall, I don't know, I'd give it like a seven, six

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point five, seven out of 10. I think it was entertaining. I liked it. But it just it felt

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so weird and so alien and so foreign. Despite the fact that I was listening to it in English.

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It's the dub. It was weird. I like I like hearing Johnny and wash. This voice that he's

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doing is interesting, though. It doesn't it doesn't feel like Narukami, which is what

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I was expecting. For some reason, I don't quite know why. And it's like harder than

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Vash to stampede. And yeah, I don't got any I don't know anything else. I like the fact

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that they're bringing back that the title card. I wonder if it's always going to be

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at the end of the episode. I'd be OK with that. That's all right with me. Because if

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like for the immersion, they're keeping things more, I don't know, sedate and pushing stuff

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off like that till the end. Maybe that's what they're going to do. Maybe not. I don't know.

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But yeah, overall, I did like it. I'm interested to see what's next. And this didn't start

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the way I expected it to. And that's OK. Sometimes our expectations can be defied. And it's a

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good thing. So I guess we'll stick with it and see. I'd like to know what you thought

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about this premiere, this debut of Ultraman Blazar and just what you feel about the show

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so far. We're feeling with the cast and anyway, just all your thoughts in general. Let me

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know what occurred to you, what objections you had or what you loved, because I think

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I shared a decent amount of stuff that was negative as well as positive. So if you've

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got well, you know, you got anything to say, say it and we'll talk about it. It's fine.

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All right. With that, I hope that you're well. This is MJ signing out.

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I hope you enjoyed that. Go to MJMunoz.com to leave any questions, comments or other

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feedback you might have. There you can find all of my analysis, art and fiction. I cover

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books, tokusatsu, comic books, anime and more. Look around. You're sure to find something

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else that you'll enjoy as well. This has been a story over everything production.

