1
00:00:00,000 --> 00:00:04,520
This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work

2
00:00:04,520 --> 00:00:11,300
at MJMunoz.com. Welcome to Red Panda Report Special Episode 1 where I will be

3
00:00:11,300 --> 00:00:17,800
discussing Episode 1, the very first episode, all the way back from 1937 of

4
00:00:17,800 --> 00:00:28,120
The Shadow. So this episode is called, let me see, The Death House Rescue. It

5
00:00:28,120 --> 00:00:36,080
originally aired September 29th 1937. I cannot find a link to it on, I cannot

6
00:00:36,080 --> 00:00:40,440
find a link to who wrote it or directed it. So I like to give credits where I can.

7
00:00:40,440 --> 00:00:44,240
The only people I can give credits to are the actors and I don't have them listed

8
00:00:44,240 --> 00:00:47,600
right now. But there's a link to all the Shadow episodes in the show notes and

9
00:00:47,600 --> 00:00:52,320
you can find out who worked on what and when it aired, which is exactly what I

10
00:00:52,320 --> 00:00:55,320
did and I'm providing that link for you. Also if you have not had an opportunity

11
00:00:55,320 --> 00:01:00,400
to listen to The Death House Rescue and you'd like to, you can find it in the

12
00:01:00,400 --> 00:01:06,800
same podcast feed since it's not duty free. That's cigarettes at the airport.

13
00:01:06,800 --> 00:01:11,080
Since it's restriction free, copyright free, I went ahead and downloaded the

14
00:01:11,080 --> 00:01:17,520
episode from archive.org and I've put it into, I've uploaded it to my website and

15
00:01:17,520 --> 00:01:23,520
it's in the podcast feed for Red Panda Report and yeah you can find it there or

16
00:01:23,520 --> 00:01:27,640
if you go into the show notes you can find the link that's on my, or you can

17
00:01:27,640 --> 00:01:31,960
find the file to play it and listen to it is in the show notes of this very

18
00:01:31,960 --> 00:01:37,480
podcast episode. So you can hear it for yourself either before you listen to me

19
00:01:37,480 --> 00:01:41,680
talk about the episode or you can check it out after the fact if you like what I

20
00:01:41,680 --> 00:01:45,040
had to say about it and are curious to hear the full thing in context for

21
00:01:45,040 --> 00:01:51,360
yourself. So anyway why am I talking about The Shadow? Because Red Panda is

22
00:01:51,360 --> 00:01:58,600
very much inspired by The Shadow radio show and that's really it. I thought it

23
00:01:58,600 --> 00:02:03,680
would be fun to check out a few episodes of The Shadow radio show and I thought

24
00:02:03,680 --> 00:02:06,520
hey I'm doing this Red Panda thing anyway so I want to, why not just put

25
00:02:06,520 --> 00:02:10,600
them both together and do it like that. So anyway this is the first time you're

26
00:02:10,600 --> 00:02:14,520
gonna get this big preamble. I will do more episodes of The Red Panda Report

27
00:02:14,520 --> 00:02:20,960
specials where I am covering The Shadow and then and in not too long I'll just

28
00:02:20,960 --> 00:02:26,000
be covering The Red Panda Adventures by Greg Taylor distributed by

29
00:02:26,000 --> 00:02:33,800
decoderingtheatre.com. Oh is it your source for adventure? Anyway moving on

30
00:02:33,800 --> 00:02:37,320
I'm just gonna go ahead and get right into it. First of all I'm gonna start off

31
00:02:37,320 --> 00:02:41,640
with things that I thought were less than wonderful, things that were off in

32
00:02:41,640 --> 00:02:45,240
the episode and I really just have one thing which is that there were times

33
00:02:45,240 --> 00:02:49,080
when some of the dialogue felt needlessly drawn out almost like they

34
00:02:49,080 --> 00:02:52,920
were being told to slow down to hit commercial break at the right time or

35
00:02:52,920 --> 00:02:56,400
something like that because I believe the way that these were filmed or

36
00:02:56,400 --> 00:03:00,760
recorded rather was on live radio broadcasts you know they did it live

37
00:03:00,760 --> 00:03:05,520
they performed live and they just had to not mess up if they did you know that

38
00:03:05,520 --> 00:03:08,720
stayed in the record but I think because of that they would have had time

39
00:03:08,720 --> 00:03:14,160
themselves to have each segment last until a commercial break or sponsor at

40
00:03:14,160 --> 00:03:19,240
or what is it ad ad spot and then it would go on from there so I bet there

41
00:03:19,240 --> 00:03:22,680
were times when they either had to speed up what they were saying or slow it down

42
00:03:22,680 --> 00:03:28,760
so they could make time and I felt like I could hear some of that in the episode

43
00:03:28,760 --> 00:03:34,680
so that's not too great but overall it didn't affect too much of it because like

44
00:03:34,680 --> 00:03:39,400
I said there was just a few spots where that turned out that way. For the stuff

45
00:03:39,400 --> 00:03:42,880
that I really enjoyed in this episode I've got a couple things the Shadow has

46
00:03:42,880 --> 00:03:47,120
a fascinating duality to him as a character his help to the Gordon family

47
00:03:47,120 --> 00:03:51,680
is utterly humanitarian while his treatment of lefty and red is almost as

48
00:03:51,680 --> 00:03:56,720
cold and callous as how they treated Paul Gordon who they framed for murder he

49
00:03:56,720 --> 00:04:01,600
was their patsy Lamont and Margot ensure that the Gordon family gets the

50
00:04:01,600 --> 00:04:05,280
financial help they need and Paul gets his freedom his life back on the other

51
00:04:05,280 --> 00:04:08,520
hand it seems like the Shadow relishes driving these criminals into a frenzy

52
00:04:08,520 --> 00:04:12,800
that leads them to put themselves in the crosshairs literally of the police he

53
00:04:12,800 --> 00:04:17,280
gleefully turns their trap back on them his actions are overall heroic but

54
00:04:17,280 --> 00:04:22,720
there's a dark edge to it all that is part of what makes him so compelling

55
00:04:22,720 --> 00:04:26,800
next thing grace and Paul Gordon's dramatic struggle is a perfect start to

56
00:04:26,800 --> 00:04:30,720
the shadows adventures the scene with them at home before Paul gets in trouble

57
00:04:30,720 --> 00:04:35,680
feels so personal and intimate they're utterly sympathetic with their sick

58
00:04:35,680 --> 00:04:40,280
baby who could die without money for medical treatments Paul is earnest and

59
00:04:40,280 --> 00:04:44,400
desperate and not sure why grace married him when grace rebuffs Paul's self

60
00:04:44,400 --> 00:04:48,080
effacement and insists that things will be okay that she believes in her husband

61
00:04:48,080 --> 00:04:54,040
the family's doom is made certain and the stakes are set high it isn't the end

62
00:04:54,040 --> 00:05:00,840
of the world that will happen but it's the end of one family's world if the

63
00:05:00,840 --> 00:05:05,240
shadow can't overturn the death warrant placed on a simple down on his luck man

64
00:05:05,240 --> 00:05:09,000
the petty criminals aren't especially bright or competent but evil need not

65
00:05:09,000 --> 00:05:14,640
be to make the good suffer which that's exactly what's gonna happen that's what

66
00:05:14,640 --> 00:05:19,520
is going on and it's both like the dramatic stakes for this couple and just

67
00:05:19,520 --> 00:05:26,200
like the fly on the wall you know silent viewer I was they say voyeuristic but

68
00:05:26,200 --> 00:05:28,680
that's not the right phrase I'm looking for but just like you feel like you're

69
00:05:28,680 --> 00:05:33,480
there between a couple having this real conversation or at least I did listening

70
00:05:33,480 --> 00:05:40,240
to them and it's just it's very raw and very personal and close and like I don't

71
00:05:40,240 --> 00:05:44,000
know I could identify you know I'm married I have kids and to think what it

72
00:05:44,000 --> 00:05:48,840
would be like if I couldn't handle medical bills which you know if God

73
00:05:48,840 --> 00:05:52,880
forbid there were some sort of emergency I don't know what I would do despite the

74
00:05:52,880 --> 00:05:56,120
fact that I have insurance because most people who have extreme medical

75
00:05:56,120 --> 00:06:00,920
emergencies end up having ridiculously high bills that they can't take care of

76
00:06:00,920 --> 00:06:06,840
and even in 1937 this was something that the writers the team working on this

77
00:06:06,840 --> 00:06:10,760
decided would be a good hook to pull people into the shadows world and

78
00:06:10,760 --> 00:06:15,360
thought it would work out well and I mean it garnered sympathy for me even

79
00:06:15,360 --> 00:06:19,800
not a hundred years later but like 90 years later or 80 something years later

80
00:06:19,800 --> 00:06:26,840
so that's that's darn impressive I would say okay moving on there were a couple

81
00:06:26,840 --> 00:06:31,880
odd things there are five or six times when people ended dramatic statement with

82
00:06:31,880 --> 00:06:40,520
a phrase like it was only a shadow and the music it's you know it's a little

83
00:06:40,520 --> 00:06:47,400
hokey a little funny but it's also cool and fun at the same time you know that's

84
00:06:47,400 --> 00:06:51,760
the name of the show that's the name of the eponymous character yes it is it's

85
00:06:51,760 --> 00:06:55,480
just got like a funny ring to it but I mean ultimately it works and it does

86
00:06:55,480 --> 00:07:00,840
feel ominous but I don't know it makes a shadow feel ominous and powerful and

87
00:07:00,840 --> 00:07:04,800
ever-present because there are shadows all around you even in the day there

88
00:07:04,800 --> 00:07:09,440
are shadows that loom you know all around I'm out in the bright sunny day

89
00:07:09,440 --> 00:07:13,120
and there are shadows from trees and plants and cars and you know fences and

90
00:07:13,120 --> 00:07:18,320
things like that and I don't know ascribing this power or something to

91
00:07:18,320 --> 00:07:25,440
something so you pick it ubiquitous is kind of interesting kind of lightening

92
00:07:25,440 --> 00:07:30,400
up the imagination and causes it to be stirred I guess you could say and so one

93
00:07:30,400 --> 00:07:36,360
other odd thing grace Gordon lets Margo Lane in because she says she's a friend

94
00:07:36,360 --> 00:07:39,320
she thinks she's a reporter or something at first but when she realizes she's

95
00:07:39,320 --> 00:07:43,920
not and she Margo says she's a friend she's let her in and I find that kind of

96
00:07:43,920 --> 00:07:48,280
strange because she's got you know a ill baby at home who needs to be protected

97
00:07:48,280 --> 00:07:52,520
and her husband's not there and she just let some woman in and you know might be

98
00:07:52,520 --> 00:07:56,640
because it's 2023 and I'm a little cynical because I've seen so much happen

99
00:07:56,640 --> 00:08:00,200
in the world it just seems shocking that you would just so easily let a stranger

100
00:08:00,200 --> 00:08:04,280
in your home especially when you're living in the city and especially you

101
00:08:04,280 --> 00:08:08,760
know under the particular circumstances of her situation it just seemed kind of

102
00:08:08,760 --> 00:08:16,000
odd I there's some cool lore stuff that is discussed brought up in you know

103
00:08:16,000 --> 00:08:22,200
conversation between Lamont Cranston who is the shadow and Margo Lane and I'll

104
00:08:22,200 --> 00:08:26,000
tell you some of the stuff I found so the shadows been at work in the city

105
00:08:26,000 --> 00:08:29,640
for about five years it is unclear how long he and Margo Lane have been working

106
00:08:29,640 --> 00:08:34,520
together it is also unclear if they are a couple or not so if you want to know

107
00:08:34,520 --> 00:08:37,680
about that I have no nothing to tell you about it

108
00:08:37,680 --> 00:08:41,520
Lamont traveled around Europe in the ancient world to become the master of the

109
00:08:41,520 --> 00:08:45,560
mind he is now he refers to psychology natural magics that have been forgotten

110
00:08:45,560 --> 00:08:50,520
by modern man and unnatural magics as the tools of his trade he guards these

111
00:08:50,520 --> 00:08:54,440
secrets from falling into the wrong hands in part by being the shadow only

112
00:08:54,440 --> 00:09:01,160
in secret that's called security through obscurity that's both a tech joke and a

113
00:09:01,160 --> 00:09:07,240
I don't know etymology person joke and I will elaborate because it's I've lost

114
00:09:07,240 --> 00:09:10,560
the plot already and moving on and not only can the shadow cloud men's minds to

115
00:09:10,560 --> 00:09:13,560
make himself invisible to them but he can seemingly alter his appearance at

116
00:09:13,560 --> 00:09:18,240
will he disguised himself as one of the guards to get close enough to Gordon to

117
00:09:18,240 --> 00:09:23,120
see through his minds to see through his mind to find the clue that could save

118
00:09:23,120 --> 00:09:30,800
Paul Gordon okay one last thing I think the shadow can see other people's

119
00:09:30,800 --> 00:09:36,000
memories seeing through their eyes via some form of mind-to-mind connection

120
00:09:36,000 --> 00:09:41,200
which I think he refers to as a type of telepathy he chided Gordon several times

121
00:09:41,200 --> 00:09:45,040
to stay focused on the day of the robbery and on those memories because as

122
00:09:45,040 --> 00:09:49,720
Gordon's mind drifted to other things it became difficult for the shadow to see

123
00:09:49,720 --> 00:09:57,160
those pertinent memories which those end up being the key to get well yeah that

124
00:09:57,160 --> 00:10:01,640
ends up being the key to help the shadow find the clue that will free Gordon and

125
00:10:01,640 --> 00:10:05,560
ultimately doom lefty and red lefty and or right I can't remember which one of

126
00:10:05,560 --> 00:10:08,720
them gets killed but it's one enough to have I think it's lefty red was in the

127
00:10:08,720 --> 00:10:15,440
back seat and I think red was or lefty was in the front anyway yeah that's

128
00:10:15,440 --> 00:10:21,120
about all I have to say so I told you my general thoughts on the shadow things

129
00:10:21,120 --> 00:10:24,760
that I thought weren't so great things that I thought were really good some

130
00:10:24,760 --> 00:10:28,520
interesting things that I found and some observations about the lore and the

131
00:10:28,520 --> 00:10:35,000
world of the shadow that I made or found in listening to this and I suggest that

132
00:10:35,000 --> 00:10:38,920
you check it out at least these episodes with me that I'm going to be talking

133
00:10:38,920 --> 00:10:42,920
about because that's just a little bit more for us to talk about but don't worry

134
00:10:42,920 --> 00:10:50,840
after these half dozen or so special episodes are done I will be going right into

135
00:10:50,840 --> 00:10:55,960
red panda adventures and those will be coming out at a consistent pace my

136
00:10:55,960 --> 00:11:01,960
reviews of them to give you time to listen to them yourself and check out

137
00:11:01,960 --> 00:11:05,920
the reviews and have a conversation with me about it because I like the show and

138
00:11:05,920 --> 00:11:10,240
if you like you like the shadow you're certainly gonna like red panda

139
00:11:10,240 --> 00:11:12,800
adventures and if you like some of the other things that I'm into and that's

140
00:11:12,800 --> 00:11:16,040
how you found me then I think you'll like red panda adventures and want to

141
00:11:16,040 --> 00:11:20,040
talk about them with somebody because lots of cool stuff happens and they're a

142
00:11:20,040 --> 00:11:25,920
lot of fun it's a very well written series written all by one person with

143
00:11:25,920 --> 00:11:30,360
one creative vision which is really cool and really exciting so anyway with that

144
00:11:30,360 --> 00:11:34,560
I am going to head and get out of here and encourage you to go to my website

145
00:11:34,560 --> 00:11:39,240
and check out my other review material as well as my writing and other things

146
00:11:39,240 --> 00:11:46,200
that I have there until next time goodbye and good night I hope you

147
00:11:46,200 --> 00:11:51,840
enjoyed that go to MJMunoz,com to leave any questions comments or other

148
00:11:51,840 --> 00:11:57,280
feedback you might have there you can find all of my analysis art and fiction I

149
00:11:57,280 --> 00:12:04,520
cover books tokusatsu comic books anime and more look around you're sure to find

150
00:12:04,520 --> 00:12:08,280
something else that you'll enjoy as well this has been a story over everything

151
00:12:08,280 --> 00:12:31,400
production

