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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work

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at MJMunoz.com. Welcome to Red Panda Report Number 15, The Kid Who Knew Too Much.

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I'm discussing Red Panda Adventures Number 15, When Darkness Falls. Here is the copy

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for it. In the margins of every adventure story, there are stories untold and heroes

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unsung. This episode, we step into the spaces between the comic book panels for a very special

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story. If you've ever wondered about the Red Panda's oft-mentioned never-seen agents, or

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if you've ever simply stared out over the rooftops of your city and dreamed of being

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a hero, you won't want to miss a moment of When Darkness Falls, originally aired November

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6, 2006, written and directed by Greg Taylor. So, this was a really fun, really fantastic

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episode, and I will get into the first bit of it by going over the topics real quick,

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and we'll see how long it takes, because I might talk for a while on this. So, this

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is the case of The Kid and Instant Sympathy. Oftentimes, well, there are times when children

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written into stories like this are irritating. I can think of a big, fat, modern example

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that is not irritating and is instead endearing, and that would be Grogu from The Mandalorian.

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It was a big surprise to people based on the marketing of that show when Grogu was revealed

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to be a part of it, and we learned more and more about this baby Yoda character as time

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went on, and he got to be adorable and useful and an interesting living MacGuffin for the

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story, and that really added something to it. It set apart The Mandalorian from what

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it could have been without the inclusion of that type of character, so it's pretty darn

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interesting. I would say that Harry Kelly kind of makes for the same type of character.

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Obviously, Harry Kelly preceded Grogu by 2006 to 2014, something like that, and that's impressive.

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It's not an idea entirely original to Greg Taylor. In fact, I'm going to mention Lone

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Wolf and Cub, which I believe actually Mando kind of pulls from with him having to take

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care of a baby, even though he's 50, but whatever. But Harry Kelly kind of offers the same opportunity,

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the same instant sympathy, like I mentioned earlier in the topic title, that there's a

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kid whose life is in danger who witnessed a murder or the aftermath of a murder who

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is earnest and honest and wants to help, and he's fulfilling the promise that he made to

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a dying man, and he's at the edge of this bigger thing that he can tell is exciting

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and interesting and the most profound thing that he's ever been tangentially sort of related

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to in his entire life, which up until now has maybe been insignificant normal kid stuff,

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and he sees this opportunity for something more and he wants it, and he is brave enough

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or foolish enough, if you listen to Spiro, to want the opportunity and to take action

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to seize that opportunity for himself. And again, his life is put in danger multiple

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times over the course of the episode, maybe three total. And there's just something magical

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about that blend where I like the kid. This is a great kid character in this adventure

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story. And you know, I'm an adult. I did like Dick Tracy as a kid, Warren Beatty's Dick

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Tracy, which featured the kid who I think they just call the kid through upholding.

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I don't even know if he has a name, little redhead guy, right? Or maybe his hair is brown,

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whatever. He's like an orphan or something. And somehow he ends up wrapped up in this

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mystery with Dick Tracy and his dame, and they go on some adventure and like the kid

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has a part of it. In fact, I watched Dick Tracy so much that I actually had a dream

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that there were shark gangsters that I was involved tangentially like the kid and Dick

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Tracy fighting somehow. And I think I defeated them somehow by getting them flushed into

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a toilet or something ridiculous like that. But like this, you know, and Dick Tracy obviously

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is pulling from the pulp. So like this pulp icon of the kid helping out, which actually

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something that happens in Captain America comics originally. In fact, Bucky Barnes,

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well, yeah, Bucky, I think as Bucky as the kid, not the superhero actually works with

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a group of kids. And it's like, there's like a token girl, there's a token black kid who's

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a coward for some reason, there's a fat kid. It's like this whole little legion of superhero.

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They're not really superheroes, but like kids who get into these adventures, mysteries and

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stuff. And then fighting one of the Captain America villains, like a one-off villain from

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Captain America escapes somehow. And he ends up becoming like kind of a recurring villain

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for the this group of kids, as far as I can remember from from, you know, reading the

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Cap comics a couple years ago and looking into, you know, looking into how it branched

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out because I wasn't going to read the kid comics. But, you know, maybe that was a full

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choice of mine. You know, maybe I would have been very entertained by them. But anyway,

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I was too focused on Cap himself that I didn't want to read these spin offs. But I knew about

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them and I just kind of looked into them for a little bit. And that was the thing. So that's

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kind of a iconic pulp thing with some characters. I don't think the shadow has any juvenile

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agents and the shadow is very much a major influence on the red panda. But it's there.

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It exists. And I don't know, maybe it's maybe the bronze man has kid agents because the

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agents play, I think, a larger role for what's that guy's name? The bronze man, whoever,

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whatever his real name is, Doc Savage. Maybe the agents play. They seem to, from what I've

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researched on Doc Savage, play more of a role. And maybe there's even juvenile agents. I'm

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not exactly sure about that at the moment. But anyway, regardless, you get it. I'm impressed

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by this kid character who kind of steals the show and is a lot of fun based on I don't

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know why this matters to me, but I'm pretty sure Shannon Arnold playing the voice and

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she's played like Tufts before and young women and now and she's played Harry Kelly or this

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young voice similar to this as like a newsie, I believe in previous episodes. But yeah,

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Harry Kelly becomes I'm just going to tell you, Harry Kelly becomes a recurring character.

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And he has a very interesting story that I enjoy. I think his episodes are some of my

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favorites. So anyway, that's enough talking about that aspect of it. When I was talking

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about the agents of the red panda generally, I you know, it's interesting, the the copy

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tells you that this is going to be about the little guys. And I thought it was interesting.

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Red Panda and Flying Squirrel don't show up till like minute nine or minute 10. And it's

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just a little it's the fight, right? It's the fight. They knock the guys out. And then

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there's a little, you know, organ stinger playing on the organ, the piano type thing.

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Anyway, there's a little stinger and then it gets into the then they get wrapped up

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into the rest of the episode. Similarly, are interestingly in the shadow novels, the shadow

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is almost like a feature player or not a feature player. He's almost like it's almost sometimes

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that the shadow novels and I've only read or listened to a couple of them have his agents

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doing most of the action. And then in the middle of the book, he comes into the story

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in a major way. So it's interesting to me that the same thing is kind of done here.

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But Spiro, Andy Parker, Gregor Sampson, and then, you know, little Harry Kelly becoming

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an agent too. I love seeing the stories of these guys who have no superpowers. They might

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have guns. You know, Gregor Sampson. Well, I don't know what all his skills were. But,

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you know, he may or may not have he was proposing as a criminal in the underworld. So he probably

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had a gun. But like Spiro, just an old boxer. And anyway, just this idea of like these ordinary

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men who have these extraordinary lives and do these extraordinary things under this great

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man whose word is law in the red panda is super interesting. And having the flying squirrel

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added her unique twist to that whole framework is really interesting, too, because like Andy

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Parker seems like he's in love with her. And, you know, Spiro doesn't think she's hideous

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and whatever. So it's just really interesting. This like heroic everyman thing. And this

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is pre war. So it's post World War One. It's pre World War Two. So we're still in the thirties

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in Toronto. So it's interesting to see, you know, I think Andy Parker is way too young

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to have been in the war. But maybe Spiro is a veteran. And I don't know about anybody

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else. But it's just kind of interesting to think of these normal men, even though Andy

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Parker is a cop, like acting active in this extraordinary world and doing these extraordinary

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things and being selfless. And like they've all got something to lose. Andy Parker could,

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you know, lose his job. He could lose his life because he's more active. Spiro is only,

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you know, a middleman, so to speak. But he still gets into danger. As we see in this

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episode, he's got a wife to worry about. And so if he has, you know, adult children, if

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he has grandchildren, I mean, who knows what his story really is. But it's interesting

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that these like I said, these ordinary men are doing these extraordinary things and risking

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themselves to do it all. I was really impressed by how gutsy Harry Kelly is. And like I said,

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he kind of steals the show. He kind of cares the episode in some ways, you could say, you

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know, his friend is too sensible, the cop says, to run down the aisle and check out

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the dying man and said he wants to run away. And Harry doesn't want to do that. And then

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he's willing to go back there and, you know, lead Andy Parker to the secret message that

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Samson had for him. And that's, you know, that's great. And then after that, when he's

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with the red pen and flying squirrel at the end, he's talking about how he wants to be

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an agent. He wants to be, you know, useful and active and he doesn't care about the danger.

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And you know, that's foolhardy, but it's also brave. And that's, that's really cool. So

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I like that. I like that a lot. He's very endearing. Okay. So there were a lot of first

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appearances in this episode. They are as follows. Not a lot. They're just big first appearances

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and I didn't know they all came together. So we've got Harry Kelly, we've got Gregor

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Samson slash agent 33. We've got cancer constable Andy Parker is agent 51. And we've got Spiro,

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who's the contact man that runs everything. And beyond him, there's a some sort of dispatch

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that we don't know of. I don't think I feel like the dispatcher has been mentioned one

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time in the episode with the journalist, their friend journalist. Is that what that happened

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yet? I don't know. But we'll talk about her later. Her who's her is that the journalists

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or is that the other contact person? I don't know. You'll have to find out. Keep listening

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to the red panda man. It's good stuff. So that's pretty cool. I like their first appearances.

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There was I guess maybe the smoke bombs were a first appearance gadget. I don't know about

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that. I don't know that counts or not. But yeah, I don't know. It was cool. This this

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feels well, let me let me finish up. So gadgets. Okay, so there were sort of gadgets or gadgets

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or technologies. There's coded messages. Gregor Samson leaves a coded message for the red

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panda. It gets to him eventually. And then he causes things to escalate. And then signs

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and counter signs, you know, Andy Parker knocks on the door. And then Spiro knocks with this

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ridiculous tapping pattern, which they were like, how ridiculous it is, and how much mental

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energy it would take to have that memorized. Reminds me of how in the shadow, the men who

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were working for the shadows, his agents would have to listen to messages. And they would

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pay attention to words that were emphasized, just so that were hidden in larger messages

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that anyway, ridiculous, right? I don't know what it looks like in the script, because I've

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only heard the audio versions of that. But that's how the reader emphasized them. And

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it was weird. But it was weird, but like super logical. But also, in order to do that sort

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of thing, you have to like really think about the message. And it can't just be something

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you do on the fly. So it's just like it adds this fun, like spycraft. And like, I don't

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know how else to say it, but spycraft is like cool spycraft, like secret agent thing or

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vibe, you know, aspect to the stories. And those are just it's fun. It's exciting. It's

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like pulpy, schlocky fun. And I really enjoy that. So you know, we don't get it's not that

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severe in red panda here. Maybe because Taylor didn't want to steal that specifically from

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the shadow and wanted to go his own way and have just, you know, generically, they're

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coded messages and we don't get an insight into how they're structured, which I was kind

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of expecting we would but we didn't. That's okay. But that was pretty interesting. So

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anyway, that's it on first appearances and gadgets. So now I just kind of want to give,

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I don't know more of my general thoughts, but more specified in a certain area. And

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this is what I'm talking about. For some reason, this episode feels more fun, more adventurous

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and more like a superhero story to me than the others have. And I know that's not strictly

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accurate. We've had supervillains we've had, you know, the Sphinx is just okay. He's a

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sea list supervillain. The Pharaoh of Valadies. Sorry. Like he's okay. Dr. Zombie or Professor

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Zombie is a very interesting, you know, big larger than life character with a crazy performance.

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We, you know, this episode brings us the the outcome or the the aftermath of the, you know,

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body swap and the return of the golden claw, which is interesting because she's not in

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it. She's only mentioned in it. And it's like the repercussions of her doing what she's doing.

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And you know, the possibility that there are, you know, other corpses of people out there

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who have been body swapped or however you want to, you know, body hijacked. Like that's

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kind of the threat and then the threat to this kid. And you know, some of Red Panda's

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agents but like, it was just tufts and thugs who were after them and who were fought. And

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like I said, Red Panda and Flying Squirrel were in, I don't know, maybe they were like,

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they were active in about a third of the episode, but it just, it was so good without them.

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And that seems, it was so good without them, but the parts where they were there felt more

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super heroic than anything else. And maybe because you're seeing it from, maybe you're

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seeing through Harry Kelly's eyes and seeing and getting the fact that, you know, these

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agents are outmatched in a lot of ways. Like they're outmatched or they're in much more

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danger you could say than Red Panda and Flying Squirrel are going up against regular tufts

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and thugs. You know, even though Red Panda and Flying Squirrel go up against much tougher

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opponents, but you know, it scales to them because that's what they can handle. So they

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can, they can fight bigger. They can fight bigger guys because they're worthy of that.

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Whereas the agents aren't and it's just, I don't know, it's just really interesting.

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And it just felt really dynamic and really fresh and really exciting. And like, I wasn't

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scared that they would, I didn't think Harry Kelly was actually going to get killed. Like

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not because this is my third time listening to this and not because it felt like that

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would happen, but it just, it still felt amazing. Like the, I don't know, it was more of a spectacle.

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It was more wonderful. Like I was for more, I was more, I was for more, I was more full

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of wonder listening to this episode because I don't know, it's just the way I'm not exactly

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sure. There's some, there's some magic in there. I think that Harry Kelly is very much

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part of it and the scenario, the way it was written around him. And like, even though

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like Flying Squirrel makes a little comment, that's a little racy, you know, it's, it's

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fairly well camouflaged and like Harry Kelly picks up on it, but it's like innocent. He's

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like, you know, eight, 10 year old kid, whatever. And he's like, you know, he gets that Andy

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Parker's kind of sweet on her and he's washing because of her and everything. And like, you

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know, she makes her up, you know, she makes a comment to him. Anyway, there's just, there's

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comments going around, but like it feels innocent and fresh and sweet as opposed to, you know,

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Kit can definitely bring a more adult edge to things if she wants to. And whether that's

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through violence or anything else, but that didn't happen. And yet the danger was real.

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And I don't know, it's interesting because it was so earnest and so real and yet so kid

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friendly at the same time. Like I would have no problem with my kids, you know, listening

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to this or seeing it depicted. And I think it's really quality and really entertaining.

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Actually, I should do an experiment and have them listen to two random episodes, this and

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one other or one other than this and see what they like better. Cause I have tried to get

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them to listen to the Red Panda before my eldest is cool with it. The other is not so

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much and you know, yeah, nobody's perfect. So it doesn't make me love them any less.

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Not at all. Anyway, that's all I have to say. These episodes are running a lot longer than

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I want them to, but I'm producing them much more efficiently. Like it's a very trim turnaround.

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So maybe I'm okay with that. I really wanted to keep in the 10 minute length, but I don't

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know. We'll see what happens. We will see what happens. Maybe I just need to be a little

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more choosy with how I discuss the various elements in these episodes. We'll see. So

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with that, I thank you for listening. I hope that you're well. And this is MJ signing out.

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I hope you enjoyed that. Subscribe to keep up with me, like, and share to help me reach

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more people like you and go to MJMunoz.com to find your next favorite thing. And don't

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forget to let your voice be heard. Stories are always better when you're part of the

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conversation until next time. Be well. This is MJ signing out. This has been a story over

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everything production.