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This is MJ. I'm an author, I'm an artist, I'm an analyzer. You can find all my work at MJMunoz.com.

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Welcome to Red Panda Report. This time I am talking about episode 12 of the Red Panda Adventures,

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The Deadliest Game. Here's the copy and then I'll get right into my thoughts on the episode.

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What, oh so first of all this was originally aired or released on June 10th, 2006. Again,

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this is episode 12 overall and here it is. Here's the copy. What does one do when one has seen it

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all, done it all, been to every corner of the former empire and hunted every quarry known to

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man? Where does the mighty hunter turn for a challenge? Colonel Barker Wuston Smith,

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late of his majesty's service, turns to the wilds of the urban jungle and his quarry is the new

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breed of mystery man. But when he sets his sights upon the Red Panda, will he learn the folly of

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hunting the Deadliest Game? And that's it pretty much. That's the premise of the episode. It's

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pretty simple. You get some curious things in this episode. One, I liked it overall. Two, I have some

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interesting issues with it. And three, there's some kind of landmark nods or mentions or allusions

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to stuff in this episode that come up a lot later on in the series which is part of what I enjoy so

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much about Red Panda Adventures and Greg Taylor's writing style even if I have a quibble or two with

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some of the stuff here. So anyway, we're going to talk about it all and unpack it. And again,

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if you've got comments about this, thoughts about it, I'd love to hear from you. So here we go.

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Mentions, first of all. Red Panda is on his way back from a super team team up against a

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heretofore unmentioned villain called Kid Chaos who had threatened, who had gone back in time.

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So time travel is a thing in the Red Panda world or universe and was threatening to rewrite history.

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So Red Panda along with Molecule Max and I don't know who else ended up going back in time. And

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Kit's insanely jealous when she hears that he has a bracelet I believe from Cleopatra who is,

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is it Cleopatra or Nefertari? I think Nefertari said he'd be one of the most beautiful women in

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the world through history but Cleopatra I think has that ascribed to her as well. So anyway,

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so Kit's all jealous. What were you doing with Cleopatra? Why'd she give you something? Did

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you say you wanted something for your sidekick? You know, all that kind of stuff. So very much

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a woman, right? It's just the truth, isn't it? Or at least her particular brand of woman. So

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well, anyway, that was funny. Good moment. Red Panda also mentions a Molecule Max who needs to

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use the telephone. So I don't know where all these superheroes were. I can't remember what

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Team Molecule Max is said to be on but he comes up later. I'm just giving you light spoilers.

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And we hear a little bit more of his team. I don't remember all the context of it and I don't want

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to spoil it for you so I'm not going to tell you at the moment because it also is irrelevant to this

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episode. I really liked something about the introduction of the hunter and I gotta be honest,

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his name is so hoity-toity it slips my mind so I'm just gonna call him the hunter.

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And Mkwekwe, Mr. Mkwekwe is a cool character. I like this idea and the image that I get in my mind

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of this little British hunter guy with a pin helmet or khakis or whatever and then he's huge.

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I'm gonna guess like you know, not Sub-Saharan, I mean Indian. He could have been anywhere. I don't

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know if he's a black guy or if he's an Indian guy but I feel like he's one of the two. So he's either

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from Africa or from India from the East Indian area and I don't know, it's interesting. It's

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interesting that in their final confrontation, this is full spoilers of course, right? I mean,

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you're ready for these spoilers, that Mkwekwe tells the hunter that he used to be a good man

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and he was an honorable man and that's part of why he's serving him out of a desire to honor

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what he did for his people and you know, in his village and for him and that he is no longer that

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man. And it's interesting because I don't know, what's the message there? What's the lesson?

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Something about how an obsession with one's duty and one's, I don't know, goal in life can lead

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one down a dark path and to become a dishonorable man and become basically a monster, I guess you

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could say, who needs to be dealt with or who can go too far and will, you know, destroy himself

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through his own actions, which is exactly what the hunter does in this circumstance because he

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puts himself in the sights of the red panda and when the red panda freaks him out with his mind,

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juju, the guy shoots himself. He literally destroys himself with his weapons and as a result

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of everything that he's done over the years. So then I wonder what you think about this. Did red

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panda end up going too far when he was talking to fingers McCoy, I think his name is, you know, he

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does a very rough, torturous investigation of the man where he breaks maybe all 10 of his fingers.

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I'm not exactly sure, but he's desperate. I mean, there's a couple of like, you know, lore type

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things to mention, like whenever Kit and red panda go into or out of the base or the headquarters,

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the, the lair, they are supposed to check in to a log book that says when they were last there and

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I think report afterwards from what they did, which is a cool idea, interesting idea. And it gives him

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all the in a passive way, as long as the system is used, it's good, which is true of almost every

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system. But in a passive way, it gives red panda all the information he needs to know that something

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is up and that kit is not safe for now. And then it enables him to figure out what exactly the

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problem is. And it leads him to fingers and that leads him to finding her. But like I said, he,

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you know, he's beating this guy up and then he breaks all 10 of his fingers, which is pretty

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terrible. And I'm laughing at it because, you know, it didn't really happen, but like, you know,

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he operates outside of the law. He's a vigilante. I have no problem with that in principle. Like

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when I was watching back when I was watching arrow, you know, he's murdering people or killing

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people depends on how you look at it. And I think it requires some nuance. I think at some point he

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murdered a few people, but I think most of the people he was dealing with, he actually killed

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in a righteous, okay way that I don't think is morally repugnant. But yeah, at some point he

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went down a dark path for sure. But you know, and red painted typically doesn't kill, but he's

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doesn't kill, but that doesn't mean he won't break all your fingers in a really, you know, rough,

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violent interrogation. And yeah, like my morals tell me that, you know, torturing is wrong.

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And definitely I don't want like, you know, the government to have the power to legally torture

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people, which they do anyway, right. Because supposedly it's not effective, but also it's,

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you know, it's a moral, right? It's a moral to torture somebody like that. You know, he's,

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he's doing it to save Kit's life. You know, so that's a justification for it. Is it weird that,

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you know, this is moral quandary, this big thing, I know it was like the big, you know, season finale,

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because they did 12 episodes a year at the time or per season, however you want to suss that out.

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And, you know, he needed to save Kit, but like ultimately she didn't need saving anyway,

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because she saved herself because Taylor wants her to save herself and not be the damsel in distress,

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because I don't know, Margo Lane had that happen too much or something like that.

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So I don't know if the justification is he's doing it to save Kit and he didn't know any better,

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but he was torturing a man needlessly. And at the same time, it is weird. It's weird.

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Had she truly been in danger, it would make it a little more understandable that he tortured

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fingers and, you know, well, then your, your morality isn't clear. Well, I mean,

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it's practical to some extent, I would say, you know, you shouldn't hurt people, but when you do,

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but that doesn't mean you can't. And when you do, I think you need to have very good reasons to do it.

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You know, how could he have known that Kit was safe and therefore he didn't need to go as far as

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breaking fingers, fingers, in order to, you know, get the information he needed to save Kit.

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I don't know. I don't really know how you deal with that, but I think what's more interesting

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is that as far as I know, it never gets brought back up. And when it gets brought up a second time

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in this episode, because Kit found out what happened, she thinks it's romantic and is,

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excuse me, I'm trying to keep this as family, family, family as possible, but she's basically,

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she sounds like she's turned on by it, which is weird. And like it makes me think she's a psycho.

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And I got to be honest, that's my one quibble with Red Panda is that as cool as the stories all are,

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I don't know if it's like Taylor's, you know, pro-woman agenda, which I'm not anti-woman,

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anti-woman by the way. And when you see my superhero stories with women in them,

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I think you'll be impressed. I like purposely made my original, I'm going to get off an

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intense sound like I'm not a misogynist, but you who think I am already, it's not going to change

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your mind, but those who think I'm a comic skater or whatever, this might change your mind a little

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bit. I made sure when I made a superhero thing, what, hold on son, I made a whole superhero

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universe and I purposely made it. So there's only one white woman. Like that's it. There's one white

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woman out of like 15 or 16 characters I made and everybody else is, oh, half of the cast are men.

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I've got old people. I've got young people. I have an animal. Yeah. You need to leave that here,

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sweetheart. I'm sorry. It's not for you. And besides that I have, everybody's from all around

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the world. And I thought it doesn't make sense that everybody would have superpowers in New York

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or Toronto and that they would all be concentrated in that way. But just cause it's, you know, the

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law of, was it the law of large numbers, the law of averages that doesn't make sense. So that would

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be the case. I understand why Marvel and Stanley did it and all that stuff. And I know he wasn't

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the only creator, but just, you know, he's the front man who claimed all the credit for it. So

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that's why he gets all the credit for it and gets all the accolades. Cause he said, Hey, I'm the guy

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who did this through believer and everybody else, hold on to that, please. Everybody else, uh,

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you know, stayed quiet about it for the most part and didn't claim credit. So anyway, um, by no

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means is Stanley a perfect man. And I know I'm getting off on another tangent, but here we are.

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And, uh, I just, the discourse about him is insane. I think, so I'm bringing a rational

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alternative. He gets all the credit, even if he didn't deserve it. Cause he was the one who said,

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Hey, I did this and nobody argued with him seemingly. So that's interesting. Anyway,

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moving on to this. Yeah. I made sure that I am like my first, you know, I'm Mexican, I'm Mexican,

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you know, half Mexican, half Puerto Rican, all American. And so I, uh, I made sure,

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not I made sure, but like, I can't even think of who my first character was that I made for my big

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superhero universe. And I'm slowly working on developing and turning into an awesome thing,

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you know, partly inspired by the awesome work of Taylor on red Panda. Um, hold on. Anyway,

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I'm not an identitarian at all. So that's not, you know, that's not how I operate. That's not

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how I see the world. Uh, I see the world in terms of good and evil, um, you know, free and unfree

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and, uh, you know, righteous and unrighteous and, um, noble and innopal. So, uh, anyway,

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when I started developing my role, I try to remember who's the first characters I made up.

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I made up a, hold on. I adapted a bunch of characters. I actually did this, this weird

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project thing where I had all these, uh, like different versions of Captain America throughout

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the ages that I might show you where, where I am, who I am. And I had a, uh, a Mongolian Captain

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America, a, uh, you know, like from the past, um, a black Captain America type guy in the, you know,

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in the present. So it was a little bit more like, um, like the, uh, MCU version of, uh,

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uh, of the Falcon, just cause I don't know the Falcon so well. And I wanted these guys to all

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be bird. When I say different versions of Captain America, I thought, what if I did, uh, you know,

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four different versions of Captain America and they were like golden age, you know, silver age,

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bronze age, and like nineties. And, um, they were all based on birds and they all had similar,

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like flight slash gravity powers slash, um, you know, they all have the same power source,

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which was this jewel instead of all having super serum, super soldier serum. They all had like

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this jewel thing that collected light and absorbed it and turned it into power for them. And it

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enabled them to do different stuff and you can bend light and gravity and flying and energy blasts

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and all sorts of stuff like that. But, but so that was the common factor and that's how they were

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each these different areas. So I did one that was very much like the MCU is modern, uh, looking guy,

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um, like from the movies, uh, the Captain America suit that where they give them, where it's like

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super modern, super cool. Uh, and I have him be like a military vet and he does stuff in that

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capacity. And then I had my nineties lady, white lady, uh, be based off of a pigeon and she's like,

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uh, street art. Uh, she does like graffiti and has like paint balls that she shoots and stuff,

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kind of like she'd be self-pigance. So it kind of like pigeon poop. That was the idea. And, um,

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she, uh, it was like a skater cause it's the nineties and she's wearing like a poncho kind

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of looks like a, like a pigeon. Basically, uh, the other guy was a black guy was a hawk. And then I

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had, Oh, my silver age guy was he white? I don't remember, but originally it was going to be like

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a world war two type guy. Um, and then I made him into this. Oh no, I think I do the world war two

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type guy. And then I have like, you know, and he's a white soldier or whatever. And then there's the

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Mongolian guy. So like right there I've got, Oh, no, no, no. I changed that, that one I changed to a,

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um, Mexican, like a lady in Mexico, Indian lady in Mexico who has these flying power or these, uh,

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she's kind of like a, like Aztec bird type thing. And, uh, anyway, in no way do I think diversity is

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our strength. Cause that's like just a stupid statement. What does that mean? In what context

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is it our strength? Um, uh, but anyway, I just, something's just driving me up the wall and like,

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I don't know. Sometimes the way kit or flying squirrels written is like insane. Like it's,

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it's from the perspective of somebody who like, I don't know, obviously has a very different world

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view for me. And like, despite the fact, anyway, I think I've gone off too long talking about some

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of my own personal things and you know, weird Marvel tangent in this diversity, uh, tangent.

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And, uh, anyway, I'm going to let it go and just say, you know, I still like it. And obviously I

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haven't quit red Panda. Uh, and if you had issues with, you know, the torture type thing in this,

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uh, it doesn't persist. So that's good. And I know the story continues to be interesting. I think

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that hit and red Panda are an interesting, you know, pair and interesting, uh, you know, dynamic

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duo. Well, why was I so negative about things this episode? Uh, cause I'm being truthful and be honest

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and I want to say despite my qualms with some of the things here, Hey, let's go through the back.

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Despite my qualms, uh, it's a really quality show and I've stuck with it. And I decided to do this

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again and I knew this was coming up and yet I, uh, you know, wanted to persist with it because I

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don't need to agree with everything that I watch, listen to read, enjoy. I need to agree a hundred

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percent with all of my media. And that's not something that matters to me. I care if it's

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if it's entertaining and I think it is. I think this was a solid episode of red Panda. And I think

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it not that it only gets better from here, but the first season is not the best season, believe it or

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not. It does get better from here. Anyway, that was a red Panda report done without notes. I jotted

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a couple of things down when I was listening to it earlier, but I had to do it without notes. And

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while I was on the move, so hopefully you can, uh, appreciate my passion and the, uh, the diversity

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of my opinions and my thoughts. Um, but anyway, uh, if you do let me know, if you hated it, let me

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know. Uh, I want to make these episodes as entertaining as possible for you, the audience,

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cause while I'm doing it for myself, for my enjoyment, I also want other people to enjoy it

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as well. So anyway, with that is MJ, I hope that you're well. And, uh, this is me signing out.

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I hope you enjoyed that. Go to MJMunoz.com to leave any questions, comments, or other feedback

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you might have. There you can find all of my analysis, art and fiction. I cover books,

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tokusatsu, comic books, anime, and more. Look around. You're sure to find something

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else that you'll enjoy as well. This has been a story over everything production.

