WEBVTT

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Hello and welcome to the Smart Beauty podcast.

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I'm your host, Viola Levy, beauty journalist

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and founder of copy led branding agency, Smart

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Beauty Creative. We're here to create your brand

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voice and craft the story behind it. Hi everyone,

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welcome to today's episode. I'm really excited

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to introduce today's guest. Her name is Karen

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Gilbert. probably one of the most respected voices

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in perfumery education. I really love what she's

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doing because she's helping to demystify the

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world of fragrance creation. I think the world

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of perfumery is becoming much more democratic

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and it's less about training for 20 years in

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France. Like people that want to start a perfume

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brand and don't know where to begin can access

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that world and understand how it all works. It's

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not shrouded in secrecy and people like Karen

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are helping to bring it out of the shadows which

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I am all for because I think that perfumery needs,

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well it definitely needs to be more diverse and

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it needs more fresh voices. I think there's a

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kind of Swiss French cultural monopoly on the

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world of fragrance quite frankly and I'm really

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excited that Karen, people like Karen are helping

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to bring it to the masses and get more people

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involved. She originally trained as a makeup

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artist and then stumbled into the fragrance world

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through working for IFF, and that's International

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Flavours and Fragrances, a huge fragrance company,

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one of the main ones. And she worked for five

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years as a fragrance evaluator. So what an evaluator

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does, they are the bridge between the client

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and the perfumer. So they take the client's brief

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and they help the perfumer interpret it, but

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they're the ones that are keeping a close eye

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and making sure that there is that commercial

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angle and that it ticks all the boxes, basically.

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So they're able to interpret the client's vision

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a lot more effectively, but they also understand

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the language of perfume. So they can help the

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perfumer realise that vision much more effectively

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than if the perfumer were just dealing with the

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client. And they have to be up on industry trends

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and what's happening in the market. And it's

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a really interesting role that very rarely gets

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spoken about, like I say, in this kind of shrouded

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secret world of perfumery. but it's a fascinating

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one. Karen has also authored several books including

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Perfume, the Art and Craft of Fragrance and she

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hosts a podcast herself, the Perfume Making Podcast,

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which I was recently a guest on. There's a lot

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of cross -pollination in the podcasting world,

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which is brilliant. and I'll include a link to

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that episode in the show notes too. She teaches

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perfumery worldwide through her artisan perfumery

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mastermind program and from her scent studio

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where she is based down in the New Forest, really

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beautiful part of the country. I would definitely

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recommend visiting if you haven't already. There

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are actually... horses that just roam around

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free which for me as a lifelong Londoner was

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just mind -blowing. In our conversation we unpacked

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her career journey, debunked a lot of misconceptions

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about how fragrances are created, we spoke about

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the psychology of scent so if you're fragrance

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enthusiast or if you're just curious about the

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world of scent I'm sure you will get a lot out

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of this chat and hope you enjoy it as much as

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I did. Thank you so much for joining me on the

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podcast today. It's really lovely to have you

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on as a guest. Now you started your career as

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an evaluator at IFF and since then you've become

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like a renowned educator and author. What was

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it that drew you initially to the world of Scent?

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Like how did that journey begin? Completely by

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accident and it's I suppose a really unusual

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way of getting into the industry because most

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people that I come into contact with now are

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so passionate about fragrance and they desperately

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want to get into the industry because they're

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so passionate about scent. I literally fell into

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it by accident. I was at the London College of

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Fashion. I was training as a makeup artist. I

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decided that even though I loved the course that

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I was doing, I preferred the cosmetic science

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side of it, like the lab work, if you like, the

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making stuff in the lab, rather than being a

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makeup artist. And I knew that I wasn't really

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cut out for that sort of cutthroat fashion makeup

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artistry world. And so when it came to do a work

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placement, which we all had to do, I asked my

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science teacher on the program if she could find

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me a work placement that wasn't going to work

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for a magazine or assisting a makeup artist on

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a job. And she found me this work placement and

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it was two weeks. And I think I had two different

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options. One was going to the body shop to work

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in formulation in the lab. And one was at this

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place called IFF that I'd never heard of. And

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I really wanted to do the body shop one because

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that was what I thought was most exciting at

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the time. And I'm like fragrance lab. I don't

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even know what that is. But when I went for the

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interview and for whatever reason, the body shot

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one didn't work out. So I ended up taking the,

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it was a two week placement and it was in the

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sales office. in the Hammersmith sales office

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for IFF and this just like this whole world that

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I didn't even know about opened up and I'd always

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been interested in blending essential oils and

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I'd done that when I was a teenager. I think

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I got my first set of essential oils when an

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aromatherapy book when I was about 15 or 16.

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But I had never really connected the two things

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like aromatherapy with perfumery. I just didn't

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it didn't even occur to me that the two things

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were connected back when I was a teenager. And

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so it was really through getting that work placement.

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and really learning about all of the stuff that

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goes on behind the scenes in the fragrance world

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that made me realize how amazing scent is and

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how powerful it is. I've always been interested

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in wellbeing from a very, very young age. And

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one of the things that I had access to through

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my kind of journey, I ended up work, um, working,

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did the two week work placement and then ended

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up, they offered me a job a few years later,

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actually. And a lot of the research that they

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were doing at the time was all about how scent

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can help you with your mood, how people respond

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to scent. So there was a lot of research at the

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time in something that they called aromacology,

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which was different from aromatherapy, where

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I was used to thinking about how the chemical

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components of an essential oil work on your skin

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or your physiology or your you know, your psychology

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to help you feel different. But what they were

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doing was hooking up people to, you know, ECG,

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I think that's what they call it, you know, when

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they kind of put the monitors on your brain activity

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and getting people to smell sense. So not just

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naturals, but just regular formulated sense as

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well. And monitoring, you know, what fragrances

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helped people to feel calmer, more energized.

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And it was then that I realized that actually

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it was more than just perfume. And I think what

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we did, you know, I worked on a lot of own labels.

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So it eventually turned into, it was applications

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lab at the beginning, and then it eventually

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turned into an evaluation job. And we were working,

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where I was based, we were working a lot on own

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label, supermarket own label. So UK brands, so

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Sainsbury's, Tesco, M &S, fragrances for room

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fragrance, room sprays for body products for

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antiperspirants, for things like impulse body

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spray links, that kind of thing, and also for

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laundry detergent as well. And so what I learned

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through that time in my life in that in that

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career was that scent is not just about perfume

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that you spray on skin that people think of as

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perfume, but it goes into everything and every

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little piece along the way contributes to not

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only the claims of a product. So if you are creating

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a body product that has claims that it's nourishing

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or, you know, skin softening, the fragrance is

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pivotal in supporting those claims, not from

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a chemistry perspective from a psychology perspective.

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And that wasn't something that as a consumer,

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I really understood. And The fact that they were

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running focus groups on how a scent performed

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in a different product, same product, but people

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were perceiving the functionality of that product

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very differently, depending on the scent that

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was in it. And that was something that really,

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really drew me in and fascinated me. So I think

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that is really where I fell down the scent rabbit

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hole. When those two things connected, where

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I realized that it wasn't just about something

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that smelled nice. It was about something that

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we could utilize for our own wellbeing as well.

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I think our sense of smell, I mean, it is the

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most primitive of all of our senses. And I think

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people do tend to underestimate how powerful

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it is and the effect it has on us. Yeah, absolutely.

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And that's something that I remember writing

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about for an essay in a training that I did back

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in the early days. And that was, I think, I can't

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even remember what the topic of the essay was

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that I had to write. So I did, um, some training

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with, with IFF and I did the, I think it's called

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ICATS now, the Plymouth University, uh, fragrance

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and business training. And it was all about the,

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you know, the origins of scent and our sense

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of smell and how that all works. And that's something

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that I weave into a lot of my training now, my,

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the teaching that I do, because I think it's

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something that I suppose it's a little bit like

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preaching to the choir. If you've come in to

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learn about how to create fragrance or more about

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fragrance, you understand the power of your sense

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of smell. But I don't think people really on

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a day -to -day level, unless they lose it for

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some reason, appreciate the power of what we

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have in our nose. And people think about it as

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the nose training your nose, but it really is

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the brain connection. makes it so powerful. It's

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about the way that we as human beings process

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smell. It's connected to our hypothalamus, our

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limbic system, which regulates so many other

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things in our physiology, you know, our body

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temperature, our... behaviors, our hormonal regulation

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as well. And obviously the one that everybody

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talks about, it's where we process our memories

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and that's why it's so intrinsically linked.

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But I love talking about that stuff. I think

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it's such a powerful way to learn about. your

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sense of smell and scent. And I think it's fundamental

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for anyone learning how to create fragrance.

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Understanding how people process smell is just

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fundamental. You can't learn to make a perfume

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if you don't understand how the sense of smell

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works. Definitely. And do you think now that

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more and more people are kind of waking up to

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how our sense of smell works and the power of

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scent that we're choosing perfumes or buying

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perfumes, wearing perfumes in a different way

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that we're not necessarily wearing them to smell

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good for others. Although, you know, we still

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can do that and there's nothing wrong with that.

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But we're also just wearing them just to smell,

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just to feel good in ourselves rather than this

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outward objective appearance, if that makes sense.

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Yeah, it's something that I did a little bit

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of research on way back when. And it's something

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that I've always believed. I think Now what's

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happening, I've been talking about scent and

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wellbeing for, I don't know, well over 15 years

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now, you know, many, many years. And for me,

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it was always about how does this smell? How

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does this perfume? How does this combination

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of scented materials make me feel? And the marketing

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that we were seeing at the time, going back to

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sort of 80s, 90s, I suppose even early 2000s,

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it was all about aspirational lifestyle. It was

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still very much entrenched in that seventies,

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eighties vibe of, you know, wear this perfume

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and you know, you'll get the guy, the girl, the,

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it was very, yeah, it was very aspirational.

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It was very lifestyle. It was very sexualized.

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And when I actually thought about that myself

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as a consumer. It's like, it didn't really make

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sense to me personally. And I ran a little poll

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of my audience, you know, why do you wear perfume?

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And pretty much everyone said, because it makes

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me feel good. It's that spritz of a scent before

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a night out. It's that if I'm feeling a little

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bit crappy or not confident, I just, you know,

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my favorite, this a particular smell, a particular

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scent that I can spritz on. And it just makes

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me feel much better. And that is something that

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brands weren't exploring until lots of us out

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there in the blogosphere and the kind of in the

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artisan world, where actually a lot of people

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came in from natural perfumery by way of aromatherapy

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and wellbeing. And I think a lot of the brands

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now are talking about it and it's become, you

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know, functional fragrances, wellness in perfume

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has been a trend over the last few years since

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COVID actually, I think. But before that, we

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were talking about it. Like there were lots and

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lots and lots of us and aromatherapists have

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been talking about it, but the industry didn't

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connect the two and it feels like it's only just

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caught up. Or there's like BS where in regards

00:14:49.759 --> 00:14:53.019
to pheromone sense, which Oh, don't even get

00:14:53.019 --> 00:14:56.159
me started. It's so funny. That whole pheromone

00:14:56.159 --> 00:14:58.200
thing. I have journal, I had a few journalists

00:14:58.200 --> 00:15:02.590
approach me and in hindsight, Sarah did really

00:15:02.590 --> 00:15:04.809
well on it. She took on the challenge and went

00:15:04.809 --> 00:15:09.250
head to head with them. And for me, I should

00:15:09.250 --> 00:15:11.950
have done that, but I was just like, I'm not

00:15:11.950 --> 00:15:14.009
even talking about this because it's just nonsense.

00:15:14.289 --> 00:15:17.389
And I just sort of brushed it away. Whereas Sarah

00:15:17.389 --> 00:15:19.509
was just like, no, I'm going to go in there and

00:15:19.509 --> 00:15:22.690
talk about it. And I was like, I can't even be

00:15:22.690 --> 00:15:25.409
bothered because it's just such nonsense. But

00:15:25.409 --> 00:15:32.340
yeah, I think there is that... the industry trying

00:15:32.340 --> 00:15:36.519
to capitalize still on that oh we wear perfume

00:15:36.519 --> 00:15:39.340
to make us sexy and attract the opposite sex

00:15:39.340 --> 00:15:44.059
it's like such an old trope that's nonsense and

00:15:44.059 --> 00:15:46.740
the only way that they can try and like pull

00:15:46.740 --> 00:15:49.779
that in now is through oh this scent is pheromones

00:15:49.779 --> 00:15:53.679
i mean do we really believe that i think people

00:15:53.679 --> 00:15:56.779
maybe want to believe it Is it a guy thing, do

00:15:56.779 --> 00:15:59.240
you think? Do you think a lot of the people who

00:15:59.240 --> 00:16:01.820
fall for that pheromone scent are men wanting

00:16:01.820 --> 00:16:03.820
to attract women? Do women really believe in

00:16:03.820 --> 00:16:05.919
that? You said that. I was literally talking

00:16:05.919 --> 00:16:08.559
to somebody about this this morning that I watched

00:16:08.559 --> 00:16:11.539
a TikTok video and it's a guy, a content creator.

00:16:12.019 --> 00:16:13.960
He's... got an affiliate link at the bottom of

00:16:13.960 --> 00:16:17.059
the screen, selling a perfume. And he was telling

00:16:17.059 --> 00:16:19.159
this story about how he met a girl on a dating

00:16:19.159 --> 00:16:21.320
app, met up with her. She didn't look anything

00:16:21.320 --> 00:16:24.200
like her picture. He didn't fancy her, but she

00:16:24.200 --> 00:16:26.460
was wearing this scent that he couldn't get out

00:16:26.460 --> 00:16:29.259
of his mind. And suddenly he was just wildly

00:16:29.259 --> 00:16:31.460
attracted to her. And if you want to shop this

00:16:31.460 --> 00:16:33.440
scent, blah, blah, blah, blah, blah. So I think

00:16:33.440 --> 00:16:39.600
I've seen the same one. It's such nonsense. But

00:16:39.600 --> 00:16:43.019
it's the same trope, isn't it? As the, oh, you

00:16:43.019 --> 00:16:47.320
know, if you wear this fragrance, you too are

00:16:47.320 --> 00:16:50.279
gonna be wearing a designer gown running through

00:16:50.279 --> 00:16:55.720
hallways to meet the man of your dreams. I mean...

00:16:55.720 --> 00:16:58.240
Yeah, I mean, there is that kind of escapist

00:16:58.240 --> 00:17:01.519
element that you can become this sort of hyper

00:17:01.519 --> 00:17:03.679
real version of yourself, this fantasy version

00:17:03.679 --> 00:17:05.700
of yourself. Yeah. through scent, which I kind

00:17:05.700 --> 00:17:08.119
of like that is lovely, but to try and ground

00:17:08.119 --> 00:17:11.460
it in this scent will make this person will dupe

00:17:11.460 --> 00:17:13.680
this person into falling for you. Like it's like

00:17:13.680 --> 00:17:16.420
love potion number nine. I think it is that as

00:17:16.420 --> 00:17:18.839
well. Isn't it? It's that Disney is Disney -fying

00:17:18.839 --> 00:17:21.099
it. I think it's like, Oh, you know, this magic

00:17:21.099 --> 00:17:25.779
spell will kind of like call in your, you know,

00:17:25.880 --> 00:17:29.670
your Love. Just exactly. I remember I used to

00:17:29.670 --> 00:17:32.190
go to these like under 16s disco nights when

00:17:32.190 --> 00:17:35.609
I was like about 13 and they actually had, you

00:17:35.609 --> 00:17:37.490
know, those like vending machines with little,

00:17:37.490 --> 00:17:40.009
um, like bouncy balls and things like that, but

00:17:40.009 --> 00:17:42.569
a vending machine of pheromone wipes. I remember

00:17:42.569 --> 00:17:44.970
it clearly that you put a pound in this packet

00:17:44.970 --> 00:17:47.369
of pheromone, pheromone. Don't know what was

00:17:47.369 --> 00:17:50.930
on. Oh my God. I can't even imagine what they

00:17:50.930 --> 00:17:54.049
put in it. But did you fall for it at 16? No,

00:17:54.130 --> 00:17:56.009
luckily, I wasn't rich enough to even have the

00:17:56.009 --> 00:17:58.849
money to to even I remember being intrigued being

00:17:58.849 --> 00:18:00.910
like, Oh, what's you know, what's that all about?

00:18:01.170 --> 00:18:04.190
But yes, it is just crazy how that, you know,

00:18:04.250 --> 00:18:06.410
there is that, like you say, this really beautiful,

00:18:07.470 --> 00:18:09.650
rich array of knowledge and information that

00:18:09.650 --> 00:18:12.549
is isn't tapped into, but yet there is all this

00:18:12.549 --> 00:18:14.700
nonsense out there that people are kind of pushing

00:18:14.700 --> 00:18:16.180
forward instead when they could be telling a

00:18:16.180 --> 00:18:18.599
more authentic story in a way that's a lot more

00:18:18.599 --> 00:18:20.720
powerful and a lot more. Yeah, it's pitching

00:18:20.720 --> 00:18:23.059
to the lowest common denominator rather than

00:18:23.059 --> 00:18:26.500
putting the effort in and creating a story around

00:18:26.500 --> 00:18:29.099
the scent. And, you know, we've talked about

00:18:29.099 --> 00:18:31.339
this before, but it's something that I think

00:18:31.339 --> 00:18:34.920
both of us agree on, like the story in scent

00:18:34.920 --> 00:18:39.539
creation is so much more powerful. And it's something

00:18:39.539 --> 00:18:42.279
that a lot of mainstream brands still are not

00:18:42.279 --> 00:18:46.430
doing very well. No, I was speaking to Nick and

00:18:46.430 --> 00:18:48.450
Pia at Old Fiction about this, and I think Pia

00:18:48.450 --> 00:18:52.470
said that a lot of brands probably wouldn't want

00:18:52.470 --> 00:18:54.789
to change the story they've been telling for

00:18:54.789 --> 00:18:57.650
so long because it would probably affect them

00:18:57.650 --> 00:18:59.950
commercially because, you know, it seems to know

00:18:59.950 --> 00:19:02.849
if it's not broke, don't fix it. Yeah, I guess.

00:19:03.049 --> 00:19:05.369
Much more eloquently than I did, but that's kind

00:19:05.369 --> 00:19:10.069
of... Yeah, and I think that if we're talking,

00:19:10.069 --> 00:19:14.119
you know, big commercial brands, obviously that's

00:19:14.119 --> 00:19:16.019
entrenched in history. And I think it's different

00:19:16.019 --> 00:19:19.359
though. When you look at brands that have got

00:19:19.359 --> 00:19:23.640
heritage for many, many, you know, it, it just

00:19:23.640 --> 00:19:26.900
tells itself. And I think it doesn't always need

00:19:26.900 --> 00:19:31.799
new stories because there's so much there already

00:19:31.799 --> 00:19:35.039
in the history. But I think if you're a new brand,

00:19:35.400 --> 00:19:38.539
if you're a small indie, you definitely do have

00:19:38.539 --> 00:19:42.000
to lean into story because I see a lot of brands

00:19:42.000 --> 00:19:45.799
talking about, oh, well, you know, we use the

00:19:45.799 --> 00:19:49.160
best quality materials or, you know, talking

00:19:49.160 --> 00:19:52.779
about their fragrances in terms of scent notes.

00:19:52.859 --> 00:19:56.019
And that doesn't really tell you anything about

00:19:56.019 --> 00:19:59.319
how the perfume smells. No, exactly. Especially

00:19:59.319 --> 00:20:01.440
when we know about fragrance and are embedded

00:20:01.440 --> 00:20:03.839
in that world. But if you're a consumer off the

00:20:03.839 --> 00:20:05.279
street, you're not going to know what Tonka bean

00:20:05.279 --> 00:20:10.950
is. And even if you do, even if you look at a

00:20:10.950 --> 00:20:14.210
scent pyramid on a website and you see all of

00:20:14.210 --> 00:20:17.630
the notes there, it doesn't give you any indication

00:20:17.630 --> 00:20:20.230
about what that fragrance smells like because

00:20:20.230 --> 00:20:23.230
you could have three different fragrances with

00:20:23.230 --> 00:20:25.509
the same scent notes on the same pyramid and

00:20:25.509 --> 00:20:27.650
they would smell completely different. It's all

00:20:27.650 --> 00:20:29.920
about you know what else is in there that they

00:20:29.920 --> 00:20:33.000
don't talk about you know how it's arranged in

00:20:33.000 --> 00:20:35.819
terms of structure and the ratios of the materials

00:20:35.819 --> 00:20:39.240
you know is it a tonka forward fragrance and

00:20:39.240 --> 00:20:41.980
is it like really kind of sweet and powdery or

00:20:41.980 --> 00:20:44.779
is that just a hint in the back note you can't

00:20:44.779 --> 00:20:46.759
really tell from looking at scent notes like

00:20:46.759 --> 00:20:51.279
that so yeah i think story is much much more

00:20:51.279 --> 00:20:53.740
helpful definitely it's about evoking a mood

00:20:53.740 --> 00:20:57.519
or an image or something but gives you kind of

00:20:57.519 --> 00:21:00.200
it obviously you can never capture in words what

00:21:00.200 --> 00:21:02.160
something smells like but it gives you an idea

00:21:02.160 --> 00:21:03.960
of okay if you're this kind of person and you

00:21:03.960 --> 00:21:08.059
appreciate this kind of you know imagery or atmosphere

00:21:08.059 --> 00:21:10.359
then you might like this scent but still there

00:21:10.359 --> 00:21:12.460
is it is a challenge and i think that's kind

00:21:12.460 --> 00:21:14.799
of what people underestimate and i know that

00:21:14.799 --> 00:21:16.940
you've taught thousands of students over the

00:21:16.940 --> 00:21:18.900
years what are some what are some of the other

00:21:19.500 --> 00:21:22.140
misconceptions people have when it comes to fragrance

00:21:22.140 --> 00:21:25.759
creation? I think it's changing a lot. So if

00:21:25.759 --> 00:21:29.000
I kind of dial it back to when I first stepped

00:21:29.000 --> 00:21:31.819
back into the industry, so I was out of the industry

00:21:31.819 --> 00:21:34.059
for quite a long time, about six or so years,

00:21:34.839 --> 00:21:37.059
doing something completely different. And I decided

00:21:37.059 --> 00:21:40.900
back in 2010 to come back into teaching perfumery

00:21:40.900 --> 00:21:44.089
and you know, for a variety of reasons. Personally,

00:21:44.130 --> 00:21:46.650
it was more for my own sanity and mental health

00:21:46.650 --> 00:21:49.269
and anything. Actually, it never, I never intended

00:21:49.269 --> 00:21:51.329
it to turn into a business. Actually, it was

00:21:51.329 --> 00:21:55.690
just a sort of side gig hobby from my day to

00:21:55.690 --> 00:21:57.450
day business that I was running that was driving

00:21:57.450 --> 00:22:01.450
me nuts. But what I realized when I was started

00:22:01.450 --> 00:22:05.279
to do research is that people at that time. And

00:22:05.279 --> 00:22:07.519
I think it has changed a lot now. I think there's

00:22:07.519 --> 00:22:09.500
less gatekeeping now. I think it's a lot more

00:22:09.500 --> 00:22:15.039
open, but there was this huge misconception,

00:22:15.039 --> 00:22:18.759
I suppose that you, the only way that you could

00:22:18.759 --> 00:22:21.839
make perfume or be a perfumer was to go to one

00:22:21.839 --> 00:22:25.500
of the big industry schools that you had to have

00:22:25.500 --> 00:22:28.039
a chemistry degree. Otherwise you wouldn't, there's

00:22:28.039 --> 00:22:33.100
no way you could learn to make perfume. that

00:22:33.100 --> 00:22:38.759
you couldn't be self -taught or make perfumes

00:22:38.759 --> 00:22:42.799
safely that people would buy without having the

00:22:42.799 --> 00:22:45.420
tutelage of a master perfumer who had been in

00:22:45.420 --> 00:22:48.839
the industry for a long time. And one of the

00:22:48.839 --> 00:22:52.779
things that people didn't realize is that there

00:22:52.779 --> 00:22:56.299
was so much smoke and mirrors in the industry

00:22:56.299 --> 00:22:59.220
and a lot of the, you know, all of the fragrances

00:22:59.220 --> 00:23:03.680
that we see commercially are really only made

00:23:03.680 --> 00:23:07.259
by a very, very few companies. So everything

00:23:07.259 --> 00:23:11.000
from, you know, Dior, I mean, I don't know about

00:23:11.000 --> 00:23:13.420
Dior now. I'm probably don't quote me on this

00:23:13.420 --> 00:23:14.940
because I don't know what, cause I'm a lot of

00:23:14.940 --> 00:23:16.940
the big companies now have in -house perfumers,

00:23:17.440 --> 00:23:19.859
but you know, mainstream commercial fragrance

00:23:19.859 --> 00:23:23.900
brands generally, they pitch to all of the fragrance

00:23:23.900 --> 00:23:27.880
houses and you might have a collection of fragrances

00:23:27.880 --> 00:23:32.019
from a brand and one perfume is made by IFF,

00:23:32.259 --> 00:23:34.859
another one is made by Giver Dan, another one

00:23:34.859 --> 00:23:38.859
might be made by a smaller fragrance house. And

00:23:38.859 --> 00:23:42.839
it's not a, it's a very tiny industry in terms

00:23:42.839 --> 00:23:45.559
of commercial freight. It's like volume is huge.

00:23:46.000 --> 00:23:48.740
Um, but there, there weren't many people and

00:23:48.740 --> 00:23:51.579
there are not really still many kind of perfume,

00:23:51.579 --> 00:23:54.539
you know, commercial perfumers out there who,

00:23:54.579 --> 00:23:59.119
um, are working in the industry. And I think

00:23:59.119 --> 00:24:02.119
a lot of people didn't realize that actually,

00:24:02.180 --> 00:24:04.339
you know, UK is something that you can learn.

00:24:04.680 --> 00:24:06.420
You don't, there is a reason, there's a really

00:24:06.420 --> 00:24:10.960
specific reason. I think why the commercial fragrance

00:24:10.960 --> 00:24:13.880
industry trains perfumers the way that they do

00:24:13.880 --> 00:24:19.539
and why it takes as long as it does. And don't

00:24:19.539 --> 00:24:21.900
get me wrong, you know, they're masters at their

00:24:21.900 --> 00:24:27.589
craft and they are very, very, very highly trained.

00:24:28.089 --> 00:24:30.410
But the commercial fragrance industry, the majority

00:24:30.410 --> 00:24:34.769
of the business, I suppose, the volume in terms

00:24:34.769 --> 00:24:38.589
of sales comes from selling, you know, tons of

00:24:38.589 --> 00:24:43.390
fragrance to big brands, big organizations, things

00:24:43.390 --> 00:24:47.509
like Unilever, P &G. And a lot of that fragrance

00:24:47.509 --> 00:24:52.029
work is based around creating scents for laundry

00:24:52.029 --> 00:24:55.599
detergent. functional products like toilet cleaner,

00:24:57.119 --> 00:24:59.759
products that you actually need to be a technical,

00:24:59.779 --> 00:25:02.440
you need to be a very proficient technical perfumer

00:25:02.440 --> 00:25:06.480
to create fragrances like that. Creating a fragrance

00:25:06.480 --> 00:25:11.880
for an alcohol base is so much simpler in terms

00:25:11.880 --> 00:25:17.099
of how it's going to perform than creating a

00:25:17.099 --> 00:25:18.940
fragrance for a laundry detergent that's got

00:25:18.940 --> 00:25:21.599
to last through a wash or creating a fragrance

00:25:21.599 --> 00:25:23.940
for a toilet cleaner that has got this bleach

00:25:23.940 --> 00:25:27.740
back note or for an air freshener aerosol that

00:25:27.740 --> 00:25:31.619
needs to cover a maloda. For me, they're very,

00:25:31.619 --> 00:25:35.089
very different. And so what I teach, what I talk

00:25:35.089 --> 00:25:38.309
about a lot is artisan perfumery. So I'm not

00:25:38.309 --> 00:25:41.009
training people to go into the industry. And

00:25:41.009 --> 00:25:43.009
I think if you want to go into the industry and

00:25:43.009 --> 00:25:45.690
become a commercial perfumer, you really do have

00:25:45.690 --> 00:25:48.730
to go through those steps because it's a very

00:25:48.730 --> 00:25:51.430
different world. And those perfumers, they are

00:25:51.710 --> 00:25:53.910
They have to know their materials inside out

00:25:53.910 --> 00:25:56.170
because they're not hands on with materials every

00:25:56.170 --> 00:25:58.430
day. They're formulating on a spreadsheet on

00:25:58.430 --> 00:26:02.069
a computer. This image where you've got every

00:26:02.069 --> 00:26:05.069
perfumer surrounded by a great organ full of

00:26:05.069 --> 00:26:08.089
materials is a massive myth. You know, they are

00:26:08.089 --> 00:26:10.630
at their desk tapping away into spreadsheets.

00:26:10.650 --> 00:26:12.549
They're formulating in their head. They know

00:26:12.549 --> 00:26:16.549
exactly what point one increase of a particular

00:26:16.549 --> 00:26:18.670
material is going to do within that formulation.

00:26:19.029 --> 00:26:22.250
And that takes many, many years, like decades

00:26:22.250 --> 00:26:25.170
of, of perfection and study. And also they have

00:26:25.170 --> 00:26:27.490
access to historical formulas that the companies

00:26:27.490 --> 00:26:30.490
have been using. And, you know, they do a lot

00:26:30.490 --> 00:26:34.309
of GCMS analysis on other companies fragrances.

00:26:34.690 --> 00:26:37.029
So, you know, this is something that comes up

00:26:37.029 --> 00:26:40.549
a lot where the dupes and the clones, you know,

00:26:40.769 --> 00:26:44.549
copycat perfumes. And what people don't talk

00:26:44.549 --> 00:26:47.630
about is the fact that the industry do that anyway.

00:26:47.990 --> 00:26:50.789
I said to someone the other day, it was on a

00:26:50.789 --> 00:26:55.369
post on Instagram that most people don't realize

00:26:55.369 --> 00:27:00.349
the industry, the big companies, they're always

00:27:00.349 --> 00:27:04.369
analyzing their competitors fragrances using

00:27:04.369 --> 00:27:08.670
GCMS and then doing a twist. And, you know, it's

00:27:08.670 --> 00:27:11.009
not really copying. It's a lot of the commercial

00:27:11.009 --> 00:27:13.589
perfumery, the world of commercial perfumery

00:27:13.589 --> 00:27:15.470
is just, everything seems to smell the same.

00:27:15.589 --> 00:27:18.369
Is that why? Yeah. And, and the industry in itself

00:27:18.369 --> 00:27:21.109
is, is built on plagiarism, if we're going to

00:27:21.109 --> 00:27:24.349
be really brutally honest, but it's like remixing

00:27:24.349 --> 00:27:26.250
things. And I suppose it's like the music industry,

00:27:26.470 --> 00:27:29.650
every industry remixes ideas from the past, but

00:27:29.650 --> 00:27:32.089
literally, you know, ripping a fragrance formulation

00:27:32.089 --> 00:27:35.119
from a GCMS and kind of going, okay. Like, how

00:27:35.119 --> 00:27:38.339
can we trickle this down into a fragrance for

00:27:38.339 --> 00:27:43.759
a body spray or an own label air freshener? And

00:27:43.759 --> 00:27:46.859
the set with, you know, being transparent, the

00:27:46.859 --> 00:27:49.559
companies that produce the originals also create

00:27:49.559 --> 00:27:52.420
copycats of those originals and sell those to

00:27:52.420 --> 00:27:55.640
different companies as well. And I think people

00:27:55.640 --> 00:27:57.700
think that the clone and the dupe companies,

00:27:57.819 --> 00:28:01.039
who do we think? is actually making these perfumes

00:28:01.039 --> 00:28:03.940
for the dupe and the clone companies. It's the

00:28:03.940 --> 00:28:07.420
same. And why have they not said anything about

00:28:07.420 --> 00:28:09.240
it? It's because the same companies are still

00:28:09.240 --> 00:28:11.240
making the money from them. At the end of the

00:28:11.240 --> 00:28:13.680
day, they're still creating those formulations.

00:28:14.279 --> 00:28:17.279
And, you know, of course, like they're all trying

00:28:17.279 --> 00:28:19.559
to compete with each other. So they are inventing

00:28:19.559 --> 00:28:23.099
molecules and keeping them as what we call captives.

00:28:23.240 --> 00:28:26.460
So if you have a captive molecule and you're

00:28:26.460 --> 00:28:29.619
someone like IFF, what it means is you're not

00:28:29.619 --> 00:28:32.839
selling, you've invented that thing, that component,

00:28:32.839 --> 00:28:35.980
and you're not selling that to Giverdan perfumers

00:28:35.980 --> 00:28:40.619
or, you know, Robertet perfumers. You only are

00:28:40.619 --> 00:28:43.160
keeping it for your own perfumers to use. which

00:28:43.160 --> 00:28:45.799
means that it won't pop up on a GCMS because

00:28:45.799 --> 00:28:49.359
people don't know it exists. And that happened

00:28:49.359 --> 00:28:51.119
many, many years. Like when I was in the industry,

00:28:51.180 --> 00:28:54.039
you know, we tried to copy angel so many times,

00:28:54.500 --> 00:28:56.519
but the company that made it quest at the time,

00:28:56.779 --> 00:28:59.700
they had a component that was a captive molecule.

00:29:00.079 --> 00:29:03.200
So no one could get close to it until it got

00:29:03.200 --> 00:29:06.059
to a point where, you know, they'd almost squeezed

00:29:06.059 --> 00:29:09.269
all the juice out of that. that particular material,

00:29:09.430 --> 00:29:12.269
that molecule, that scent direction, and then

00:29:12.269 --> 00:29:15.170
they sold it to other, you know, other perfumers

00:29:15.170 --> 00:29:18.410
could buy it. And so then you were able to get

00:29:18.410 --> 00:29:21.470
much, much closer to a copy of Angel because

00:29:21.470 --> 00:29:24.430
they had that captive. It was available for everyone.

00:29:25.009 --> 00:29:27.210
So I think there's still a lot of smoke and mirrors.

00:29:27.329 --> 00:29:30.990
I think there's a lot more scope now. A lot of

00:29:30.990 --> 00:29:34.279
people are... becoming, especially consumers

00:29:34.279 --> 00:29:36.200
as well, becoming a lot more educated. There's

00:29:36.200 --> 00:29:39.299
a lot more education out there. And my mission,

00:29:39.299 --> 00:29:42.559
I think, when I first started back in 2010 teaching

00:29:42.559 --> 00:29:47.220
again was to demystify the industry for people

00:29:47.220 --> 00:29:49.940
who wanted to do it for themselves. And originally

00:29:49.940 --> 00:29:52.819
I didn't ever intend to teach people how to create

00:29:52.819 --> 00:29:56.920
fragrances. to launch brands, it was literally

00:29:56.920 --> 00:30:00.240
doing a one day per natural perfume making class

00:30:00.240 --> 00:30:02.619
for people to come and learn how to make their

00:30:02.619 --> 00:30:05.380
own perfume for themselves. And that was that

00:30:05.380 --> 00:30:08.220
that was really all it was for more of a hobby,

00:30:08.480 --> 00:30:11.380
a well being. Yeah. And then I started to get

00:30:11.380 --> 00:30:14.420
people asking me, well, well, you know, what

00:30:14.420 --> 00:30:16.539
about synthetics? Could you teach a class with

00:30:16.539 --> 00:30:20.000
mixed media? And then people started to say,

00:30:20.240 --> 00:30:22.019
oh, well, yeah, but I want to launch my own brand.

00:30:22.099 --> 00:30:24.630
Do you, do you teach people how to do that as

00:30:24.630 --> 00:30:29.730
well. And then I developed my first online course

00:30:29.730 --> 00:30:33.190
and because it was global, I wrote my book. Um,

00:30:33.309 --> 00:30:35.670
and I published, the book was published in 2013,

00:30:35.710 --> 00:30:39.470
the perfume book and It gave me a bit more of

00:30:39.470 --> 00:30:41.630
a global audience who couldn't come maybe to

00:30:41.630 --> 00:30:45.130
the UK to a one -day class. And so that was when

00:30:45.130 --> 00:30:48.029
I launched my first online course. And at the

00:30:48.029 --> 00:30:50.329
time, people said to me, well, how can you learn

00:30:50.329 --> 00:30:54.349
perfume making online? That's impossible. And

00:30:54.349 --> 00:30:59.950
we managed it. And I had people join and dive

00:30:59.950 --> 00:31:02.990
into it. And many of them have got their own

00:31:02.990 --> 00:31:07.240
brands now. And yeah, I think it... people were

00:31:07.240 --> 00:31:10.519
still of that view that you have to be physically

00:31:10.519 --> 00:31:13.900
in the room with someone helping you to learn

00:31:13.900 --> 00:31:17.339
how to make perfume. And that is so, so not true.

00:31:17.720 --> 00:31:20.099
Yeah, of course, if you have no accountability,

00:31:20.259 --> 00:31:22.500
you're not going to do the work, then of course

00:31:22.500 --> 00:31:25.339
it's harder. And actually having someone else

00:31:25.339 --> 00:31:28.079
outside of you to evaluate what you create, again,

00:31:28.420 --> 00:31:32.089
that is really invaluable. But if you put the

00:31:32.089 --> 00:31:34.029
work in and you've got and you're dedicated,

00:31:34.369 --> 00:31:37.089
there is no reason why you can't do it with some

00:31:37.089 --> 00:31:39.970
help and advice and the knowledge, you know,

00:31:40.049 --> 00:31:42.230
that we all provide. There are so many of us

00:31:42.230 --> 00:31:46.390
now teaching people perfumery and outside of

00:31:46.390 --> 00:31:48.450
the industry. And I think there's so much more

00:31:48.450 --> 00:31:51.450
available now that it is possible if you are

00:31:51.450 --> 00:31:53.509
an artisan and you want to do this for yourself.

00:31:53.690 --> 00:31:59.190
It's a bit like you're the As an Indian artisan,

00:31:59.630 --> 00:32:04.710
you're the person making the handmade couture

00:32:04.710 --> 00:32:08.690
garment. And the commercial industry is kind

00:32:08.690 --> 00:32:13.789
of like the Primark. And they're very different.

00:32:13.890 --> 00:32:17.670
You wouldn't say, well, there's no room for a

00:32:17.670 --> 00:32:23.089
handmade dress because we've got Primark. You

00:32:23.089 --> 00:32:25.640
just wouldn't compare them. Courses for courses,

00:32:25.759 --> 00:32:28.160
isn't it? Yeah. But people, I think people do

00:32:28.160 --> 00:32:31.720
get caught up with the fact that, well, there's

00:32:31.720 --> 00:32:33.940
no room in the industry. It's already over saturated.

00:32:34.000 --> 00:32:37.480
And I do agree. There's, it's a massively saturated

00:32:37.480 --> 00:32:42.539
market now, especially with small Indies artisans,

00:32:42.559 --> 00:32:45.259
you know, people launching brands all the time

00:32:45.259 --> 00:32:48.140
and commercial launches, thousands of commercial

00:32:48.140 --> 00:32:52.579
launches every year now. And it's very easy to

00:32:52.579 --> 00:32:55.549
think, well, there's no more room in the market.

00:32:56.190 --> 00:32:58.710
And I think there's no more room in the market

00:32:58.710 --> 00:33:01.869
for more crappy fragrances, but I do think that

00:33:01.869 --> 00:33:05.289
there's room for something with a really strong

00:33:05.289 --> 00:33:09.430
story, whether that is the fragrance story, the

00:33:09.430 --> 00:33:14.690
brand story, the founder story even, and something

00:33:14.690 --> 00:33:19.029
that is really tapping into an emotion or a feeling

00:33:19.029 --> 00:33:22.839
that someone connects with. Definitely, because

00:33:22.839 --> 00:33:25.220
the opportunities are endless, really, aren't

00:33:25.220 --> 00:33:27.680
they, for that unique storytelling where you're

00:33:27.680 --> 00:33:30.079
really saying something different. I mean, like

00:33:30.079 --> 00:33:34.859
I said, the world of our scent and our sense

00:33:34.859 --> 00:33:37.700
of smell is just so vast and fascinating. And

00:33:37.700 --> 00:33:39.240
I think we're just at the tip of the iceberg

00:33:39.240 --> 00:33:41.599
when talking about it. And we're definitely in

00:33:41.599 --> 00:33:44.380
a commercial sense. We're nearly at the end of

00:33:44.380 --> 00:33:46.579
our time, and I could honestly chat about this.

00:33:47.559 --> 00:33:49.700
you know, all day. But one thing I really wanted

00:33:49.700 --> 00:33:54.000
to ask you is how important is fragrance when

00:33:54.000 --> 00:33:56.140
it comes to brand development? Because I really

00:33:56.140 --> 00:33:59.019
liked what you said earlier about how scent can

00:33:59.019 --> 00:34:01.299
really influence a consumer's perception of a

00:34:01.299 --> 00:34:03.099
product. If we say this is nourishing and it

00:34:03.099 --> 00:34:05.819
has a certain scent, it makes them more inclined

00:34:05.819 --> 00:34:07.619
to believe that it is nourishing. I mean, I'd

00:34:07.619 --> 00:34:11.059
love to hear more about how fragrance can influence

00:34:11.059 --> 00:34:14.579
the development of a brand. It's huge. I mean,

00:34:14.679 --> 00:34:19.409
my background. both as an evaluator back in the

00:34:19.409 --> 00:34:22.469
day at IFF and when I worked in product development

00:34:22.469 --> 00:34:28.650
at Neil's Yard after that was all about the customer

00:34:28.650 --> 00:34:32.210
journey. So whether you're developing a fragrance

00:34:32.210 --> 00:34:35.969
for a brand who are putting together the base

00:34:35.969 --> 00:34:37.889
product, whether it's the lotion, the shampoo,

00:34:38.170 --> 00:34:41.110
the whatever, or you're developing the full product,

00:34:41.429 --> 00:34:45.039
you really, really have to ask yourself, what

00:34:45.039 --> 00:34:49.059
is it that I want this customer, this user, this

00:34:49.059 --> 00:34:52.960
end user to feel and experience when they use

00:34:52.960 --> 00:34:58.320
my product? And it's not about functional ingredients.

00:34:59.659 --> 00:35:02.820
I mean, it depends what you're making. Functional

00:35:02.820 --> 00:35:06.900
ingredients obviously are important. And if you

00:35:06.900 --> 00:35:09.880
are making claims about a particular ingredient

00:35:09.880 --> 00:35:12.219
on a skincare product, you know, obviously it's

00:35:12.219 --> 00:35:15.139
got to be in there, but I think people underestimate

00:35:15.139 --> 00:35:19.340
the psychological power of how something smells.

00:35:20.719 --> 00:35:28.739
And even if you've got a product that is very,

00:35:28.739 --> 00:35:32.000
very functional, people still want a sensory

00:35:32.000 --> 00:35:36.820
experience with it. And at the very least, it

00:35:36.820 --> 00:35:41.989
can't smell horrible. So It's got to be pleasing

00:35:41.989 --> 00:35:45.550
to use. It's got to be an enjoyable experience,

00:35:45.789 --> 00:35:48.710
whether it's you washing your dishes or whether

00:35:48.710 --> 00:35:51.849
you're washing your hair or whether you're putting

00:35:51.849 --> 00:35:54.369
cream on your feet. You know, it's still got

00:35:54.369 --> 00:35:58.309
to make sense in the product. And this is something

00:35:58.309 --> 00:36:01.090
that I teach in all of my programs, actually,

00:36:01.469 --> 00:36:05.230
that you've got to start thinking about it as

00:36:05.230 --> 00:36:09.719
a supporting It's a fundamental supporting role

00:36:09.719 --> 00:36:13.900
in how that product is going to be sold and performed.

00:36:14.679 --> 00:36:18.039
Because we, as human beings, we are always looking

00:36:18.039 --> 00:36:20.460
for clues all over the place about whether we've

00:36:20.460 --> 00:36:22.639
made the right choice when we're buying something.

00:36:23.280 --> 00:36:27.659
And so I think if you're creating a fragrance,

00:36:27.960 --> 00:36:30.599
like, you know, an alcohol based skin perfume

00:36:30.599 --> 00:36:32.679
that's a fragrance for fragrance sake. I think

00:36:32.679 --> 00:36:35.559
that's, that's one thing that's a different beast.

00:36:35.599 --> 00:36:37.800
If you like, there's got to be the sort of this,

00:36:38.000 --> 00:36:40.480
the aspirational, the story, the feeling, you

00:36:40.480 --> 00:36:43.239
know, all of that. Um, that's a bit more abstract,

00:36:43.239 --> 00:36:46.179
but if you're creating fragrances for an, uh,

00:36:46.179 --> 00:36:49.219
different product type, whether that is a re

00:36:49.219 --> 00:36:52.420
diffuser or a shampoo or a body product, you

00:36:52.420 --> 00:36:55.539
really, really have to make sure that what you

00:36:55.539 --> 00:36:59.239
are saying to the customer. about what your product

00:36:59.239 --> 00:37:03.219
is going to do, has a supporting fragrance with

00:37:03.219 --> 00:37:06.099
it that also says that same thing to the customer.

00:37:06.320 --> 00:37:09.599
Because if there's a disconnect, it doesn't matter

00:37:09.599 --> 00:37:11.960
how good the ingredients in your product are

00:37:11.960 --> 00:37:15.440
or how well that product actually physically

00:37:15.440 --> 00:37:18.860
performs, the customer is going to be choosing

00:37:18.860 --> 00:37:22.380
it from a range of other products on a shelf,

00:37:23.119 --> 00:37:26.260
primarily by whether they believe what you say

00:37:26.260 --> 00:37:32.940
on the packaging, and the smell. That's their

00:37:32.940 --> 00:37:36.280
first touch point. And so we've all done it,

00:37:36.300 --> 00:37:38.980
right? We've all kind of gone to a supermarket

00:37:38.980 --> 00:37:42.480
or a, you know, boots and we all flip the cap

00:37:42.480 --> 00:37:44.420
and have a sniff, don't we? If it's not sealed

00:37:44.420 --> 00:37:49.119
up, like we don't not do that because, and I

00:37:49.119 --> 00:37:51.539
don't know what we think we're going to achieve,

00:37:51.579 --> 00:37:54.940
but it's something that maybe it goes back to

00:37:54.940 --> 00:37:58.550
that primitive you know, sniffing something to

00:37:58.550 --> 00:38:02.050
make sure it's not off or poisonous. Yeah. I

00:38:02.050 --> 00:38:05.690
think it's a primitive thing. Definitely. Um,

00:38:05.730 --> 00:38:07.329
cause so you're saying that scent is kind of

00:38:07.329 --> 00:38:10.269
like a sales person for this product. Yeah, absolutely.

00:38:10.269 --> 00:38:13.710
It has to be because if it's fragrance free and

00:38:13.710 --> 00:38:17.630
you've got some of these amazing base oils that

00:38:17.630 --> 00:38:20.030
have got all of these enriching, you know, gorgeous

00:38:20.030 --> 00:38:23.289
properties, but they smell rancid. It doesn't

00:38:23.289 --> 00:38:25.690
matter how good that product actually physically

00:38:25.690 --> 00:38:28.949
is. People are really going to be repelled by

00:38:28.949 --> 00:38:33.269
it. And so you need extra work in the scent there

00:38:33.269 --> 00:38:36.969
to entice the person to buy it so that they can

00:38:36.969 --> 00:38:40.409
actually use it and get the benefit. So yeah,

00:38:40.530 --> 00:38:43.670
it is exactly that. It's a salesperson for your

00:38:43.670 --> 00:38:46.190
product. Well, Karen, like I say, I could chat

00:38:46.190 --> 00:38:48.170
about all this stuff with you all day, but thank

00:38:48.170 --> 00:38:50.070
you so much for joining me. I really appreciate

00:38:50.070 --> 00:38:52.590
it. And it was so lovely having you on the podcast.

00:38:52.889 --> 00:39:08.159
You're very welcome. Hello and welcome to the

00:39:08.159 --> 00:39:11.500
Smart Beauty Podcast. I'm your host, Viola Levy,

00:39:12.000 --> 00:39:14.360
beauty journalist and founder of copy led branding

00:39:14.360 --> 00:39:17.659
agency, Smart Beauty Creative. We're here to

00:39:17.659 --> 00:39:20.119
create your brand voice and craft the story behind

00:39:20.119 --> 00:39:20.480
it.
